Nth Man is a fictional character appearing in American comic books published by Marvel Comics .
90-663: Thomas Lightner first appeared as Blacksun in Marvel Two-in-One #21-23 (November 1976-January 1977), and was created by Bill Mantlo and Ron Wilson . The character subsequently appears in Marvel Two-in-One #42 (August 1978), #53-57 (July-December 1979), and became known as the Nth Man in Marvel Two-in-One #58 (December 1979). The character appears in the Squadron Supreme: Death of
180-651: A Universe graphic novel (1989), Quasar #13 (August 1990), #19 (February 1991), and became known as Mysterium in the Squadron Supreme: New World Order graphic novel (September 1998). The character received an entry in the All-New Official Handbook of the Marvel Universe A-Z #7 (2006). Dr. Thomas Lightner was a scientist who rebuilt his father's Sky Cannon after his father Raymond disappeared during
270-524: A contractual dispute in which editor Jack Schiff , who had been involved in getting Kirby and the Wood brothers the Sky Masters contract, claimed he was due royalties from Kirby's share of the strip's profits. Schiff successfully sued Kirby. Some DC editors had criticized him over art details, such as not drawing "the shoelaces on a cavalryman's boots" and showing a Native American "mounting his horse from
360-494: A cosmic purview informed by Kirby's seemingly boundless imagination—one well-matched with the consciousness-expanding youth culture of the 1960s. For almost a decade, Kirby provided Marvel's house style, creating many of the Marvel characters and designing their visual motifs. At the editor-in-chief's request, he often provided new-to-Marvel artists "breakdown" layouts, over which they would pencil in order to become acquainted with
450-695: A day. His first published work at Atlas was the cover of and the seven-page story "I Discovered the Secret of the Flying Saucers" in Strange Worlds #1 (Dec. 1958). Initially with Christopher Rule as his regular inker, and later Dick Ayers , Kirby drew across all genres, from romance comics to war comics to crime comics to Western comics, but made his mark primarily with a series of supernatural-fantasy and science fiction stories featuring giant, drive-in movie -style monsters with names like Groot ,
540-753: A format that would later be called the trade paperback , which would eventually become standard practice in the industry. However, Infantino and company were not receptive and Kirby's proposals only went as far as producing the one-shot black-and-white magazines Spirit World and In the Days of the Mob in 1971. Kirby later produced other DC series including OMAC , Kamandi , The Demon , and Kobra as well as working on such extant features as " The Losers " in Our Fighting Forces . Together with former partner Joe Simon for one last time, he worked on
630-634: A house for his family in Mineola, New York on Long Island . It was the family's home for the next 20 years; Kirby worked out of a basement studio just 10 feet (3.0 m) wide, which the family referred to jocularly as "The Dungeon". He moved the family to Southern California in early 1969, both to live in a drier climate for the sake of daughter Lisa's health and to be closer to the Hollywood studios Jack Kirby believed might provide work. In an interview, Kirby's granddaughter Jillian Kirby said Jack Kirby
720-418: A lieutenant, learning that comics artist Kirby was in his command, made him a scout who would advance into towns and draw reconnaissance maps and pictures, an extremely dangerous duty. After the war, Simon arranged work for Kirby and himself at Harvey Comics , where, through the early 1950s, the duo created such titles as the kid-gang adventure Boy Explorers Comics , the kid-gang Western Boys' Ranch ,
810-564: A mishap with the device. A similar mishap with the rebuilt device caused the energies from Raymond to merge with Thomas, giving Thomas the powers of a black hole. Thomas' body could not contain these vast energies for long, and he collapsed and returned to his normal form. Lightner was later contacted by the Nth Command to infiltrate and sabotage Project: Pegasus . Lightner hoped to use the project's Nth Projector to regain his previous powers. Lightner released Nuklo and allowed Thundra and
900-705: A new incarnation of the Sandman . Kirby produced three issues of the 1st Issue Special anthology series and created Atlas the Great , a new Manhunter , and the Dingbats of Danger Street . Kirby's production assistant of the time, Mark Evanier , recounted that DC's policies of the era were not in sync with Kirby's creative impulses. Also Evanier said that he was often forced to work on characters and projects which he did not like. Meanwhile, some artists at DC did not want Kirby there, as he threatened their positions in
990-479: A rarity, Kirby inked himself. Kirby recast the archer as a science-fiction hero, moving him away from his Batman-formula roots, but, in the process, alienating Green Arrow co-creator Mort Weisinger . He began drawing Sky Masters of the Space Force , a newspaper comic strip, written by the Wood brothers and initially inked by the unrelated Wally Wood . Kirby left National Comics Publications due largely to
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#17327767902531080-479: A sense, like my father's factory. They were manufacturing pictures." Around that time, the American comic book industry was booming. Kirby began writing and drawing for the comic book packager Eisner & Iger , one of a handful of firms creating comics on demand for publishers. Through that company, Kirby did what he remembered as his first comic book work, for Wild Boy Magazine . This included such strips as
1170-714: A series of interlinked titles under the blanket sobriquet " The Fourth World ", which included a trilogy of new titles— New Gods , Mister Miracle , and The Forever People —as well as the extant Superman's Pal Jimmy Olsen . Kirby picked the latter book because the series was without a stable creative team and he did not want to cost anyone a job. The three books Kirby originated dealt with aspects of mythology he had previously touched upon in Thor . The New Gods would establish this new mythos, while in The Forever People Kirby would attempt to mythologize
1260-481: A special announcement to make. As I started telling about Jack's return, to a totally incredulous audience, everyone's head started to snap around as Kirby himself came waltzin' down the aisle to join us on the rostrum! You can imagine how it felt clownin' around with the co-creator of most of Marvel's greatest strips once more." Back at Marvel, Kirby both wrote and drew the monthly Captain America series as well as
1350-572: A staggering 92% of its print run, inspiring Crestwood to increase the print run by the third issue to triple the initial number of copies. Initially published bimonthly, Young Romance quickly became a monthly title and produced the spin-off Young Love —together the two titles sold two million copies per month, according to Simon —later joined by Young Brides and In Love , the latter "featuring full-length romance stories". Young Romance spawned dozens of imitators from publishers such as Timely, Fawcett , Quality , and Fox Feature Syndicate . Despite
1440-493: A then-reasonable $ 15-a-week salary. He began to explore superhero narrative with the comic strip The Blue Beetle , published from January to March 1940, starring a character created by the pseudonymous Charles Nicholas , a house name that Kirby retained for the three-month-long strip. During this time, Kirby met and began collaborating with cartoonist and Fox editor Joe Simon , who in addition to his staff work continued to freelance. Simon recalled in 1988, "I loved Jack's work and
1530-467: A year's worth of material. Kirby was drafted into the U.S. Army on June 7, 1943. After basic training at Camp Stewart , near Savannah, Georgia, he was assigned to Company F of the 11th Infantry Regiment . He landed on Omaha Beach in Normandy on August 23, 1944, 2 + 1 ⁄ 2 months after D-Day , although Kirby's reminiscences would place his arrival just 10 days after. Kirby recalled that
1620-525: Is considered Marvel's first graphic novel . Still dissatisfied with Marvel's treatment of him, and with an offer of employment from Hanna-Barbera , a job located in nearby Hollywood, Kirby left Marvel to work in animation. In that field for Ruby-Spears Productions he did designs for Turbo Teen , Thundarr the Barbarian and other animated series for television. In addition to a superior pay to his comics work, Kirby enjoyed excellent relations with
1710-644: The CIA 's " Canadian Caper ", in which some members of the U.S. embassy in Tehran , Iran, who had avoided capture in the Iran hostage crisis , were able to escape the country posing as members of a movie location-scouting crew. In the early 1980s, Kirby and Pacific Comics , a new, non-newsstand comic-book publisher, made one of the industry's earliest deals for creator-owned series, resulting in Captain Victory and
1800-573: The Captain America's Bicentennial Battles one-shot in the oversized treasury format . He created the series The Eternals , which featured a race of inscrutable alien giants, the Celestials , whose behind-the-scenes intervention in primordial humanity would eventually become a core element of Marvel Universe continuity. He produced an adaptation and expansion of the film 2001: A Space Odyssey , as well as an abortive attempt to do
1890-590: The European Theater in World War II , Kirby produced work for DC Comics, Harvey Comics , Hillman Periodicals and other publishers. At Crestwood Publications , he and Simon created the genre of romance comics and later founded their own short-lived comic company, Mainline Publications . Kirby was involved in Timely's 1950s iteration, Atlas Comics , which in the next decade became Marvel. There, in
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#17327767902531980-633: The Grapplers in to cause some damage and distract the facility's staff. Lightner was supposed to use the Nth Projector to send the Project: Pegasus facility into another dimension, but instead used it on himself. Lightner was transformed into the Nth Man, a "living interdimensional vortex". Like a black hole, the Nth Man absorbs all nearby matter and energy into himself. All of the heroes at the facility were absorbed into him, and Wundarr
2070-743: The Hulk , Thor , the X-Men and Magneto , Doctor Doom , Uatu the Watcher , Ego the Living Planet , the Inhumans and their hidden city of Attilan, and the Black Panther (comics' first black superhero) and his Afrofuturist nation, Wakanda . Kirby initially was assigned to pencil the first Spider-Man story, but when he showed Lee the first six pages, Lee recalled, "I hated the way he
2160-585: The Lower East Side of Manhattan in New York City ; he grew up there. His parents, Rose (Bernstein) and Benjamin Kurtzberg, were Austrian-Jewish immigrants, and his father earned a living as a garment factory worker. Kirby grew up in the Lower East Side neighborhood of New York City . Among his close friends was Leon Klinghoffer , who grew up in the same neighborhood, and who in 1985
2250-533: The Marvel Cinematic Universe . Kirby was married to Rosalind Goldstein in 1942. They had four children and remained married until his death from heart failure in 1994, at the age of 76. The Jack Kirby Awards and Jack Kirby Hall of Fame were named in his honor, and he is known as " The King " among comics fans for his many influential contributions to the medium. Jack Kirby was born Jacob Kurtzberg on August 28, 1917, at 147 Essex Street on
2340-535: The Sandman feature in Adventure Comics and created the superhero Manhunter . In July 1942 they began the Boy Commandos feature. The ongoing "kid gang" series of the same name, launched later that same year, was the creative team's first National feature to graduate into its own title. It sold over a million copies a month, becoming National's third best-selling title. They scored a hit with
2430-622: The Sub-Mariner and Captain America. In later years, Lee and Kirby disputed over who deserved credit for such creations as The Fantastic Four . The story frequently cited as Lee and Kirby's finest achievement is " The Galactus Trilogy " in Fantastic Four #48–50 (March–May 1966), chronicling the arrival of Galactus , a cosmic giant who wanted to devour the planet, and his herald, the Silver Surfer . Fantastic Four #48
2520-588: The U.S. Army and serving in the European Theater in World War II , Kirby corresponded with his wife regularly by v-mail , with Roz sending daily letters while she worked in a lingerie shop and lived with her mother at 2820 Brighton 7th Street in Brooklyn. During the winter of 1944, Kirby suffered severe frostbite and was taken to a hospital in London for recovery. Doctors considered amputating Kirby's legs, which had turned black, but he eventually recovered and
2610-473: The 1960s, Kirby cocreated many of the company's major characters, including Ant-Man , the Avengers , the Black Panther , the Fantastic Four , the Hulk , Iron Man , the Silver Surfer , Thor , and the X-Men , among many others. Kirby's titles garnered high sales and critical acclaim, but in 1970, feeling he had been treated unfairly, largely in the realm of authorship credit and creators' rights, Kirby left
2700-526: The 1980s, including a brief revival of his "Fourth World" saga in the 1984 and 1985 Super Powers miniseries and the 1985 graphic novel The Hunger Dogs . DC executives Jenette Kahn and Paul Levitz had Kirby re-design the Fourth World characters for the Super Powers toyline as a way of entitling him to royalties for several of his DC creations. In 1985, Kirby and Gil Kane helped to create
2790-578: The Aquarian was able to use his null field to shut off the Nth Man's powers. Instead of being destroyed, the Nth Man entered the alternate universe of Earth-S . There, he threatened to consume the sun, but remnants of the Squadron Supreme reunite to battle him. Although they defeat him, several members of the Squadron are killed, with the remainder banished to Earth-616 for a time. During
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2880-492: The Aquarian. Due to a binding error, three copies of issue 74 were released with the cover of DC's The New Teen Titans issue #6 in April 1981. Comics creators who contributed to the series include Steve Gerber , Jack Kirby (who did pencils on several covers during its run), Marv Wolfman , John Buscema , John Byrne , Frank Miller , and George Pérez . Marvel Two-In-One ended after 100 issues and seven Annual s. It
2970-549: The Bible, made for a heady brew, but the scope of his vision has endured." In 2007, comics writer Grant Morrison commented that "Kirby's dramas were staged across Jungian vistas of raw symbol and storm ... The Fourth World saga crackles with the voltage of Jack Kirby's boundless imagination let loose onto paper." In addition to his artistic efforts, Kirby proposed a variety of new formats for comics such as planning to collect his published Fourth World stories into square-bound books,
3060-476: The Galactic Rangers , and the six-issue miniseries Silver Star (later collected in hardcover format in 2007). This, together with similar actions by other independent comics publishers as Eclipse Comics (where Kirby co-created the character Destroyer Duck in a benefit comic-book series published to help Steve Gerber fight a legal case against Marvel), helped establish a precedent to end
3150-415: The Marvel look. As artist Gil Kane described: Jack was the single most influential figure in the turnaround in Marvel's fortunes from the time he rejoined the company ... It wasn't merely that Jack conceived most of the characters that are being done, but ... Jack's point of view and philosophy of drawing became the governing philosophy of the entire publishing company and, beyond the publishing company, of
3240-599: The Thing from Planet X; Grottu, King of the Insects; and Fin Fang Foom for the company's many anthology series, such as Amazing Adventures , Strange Tales , Tales to Astonish , Tales of Suspense , and World of Fantasy . His bizarre designs of powerful, unearthly creatures proved a hit with readers. Additionally, he freelanced for Archie Comics around this time, reuniting briefly with Joe Simon to help develop
3330-535: The Thing with a different character in each issue was given a test run in Marvel Feature #11-12 and proved a success. Marvel Two-in-One continued from the team-up stories in the final two issues of Marvel Feature and lasted for 100 issues from January 1974 through June 1983. Seven Annual s were also published. Artist Ron Wilson began his long association with the title with issue #12 (November 1975) and worked on it throughout its run. With issue #17,
3420-511: The Western Bullseye: Western Scout ; the war comic Foxhole because EC Comics and Atlas Comics were having success with war comics, but promoting theirs as being written and drawn by actual veterans; In Love because their earlier romance comic Young Love was still being widely imitated; and the crime comic Police Trap , which claimed to be based on genuine accounts by law-enforcement officials. After
3510-432: The agreement, but reserved the right to reclaim the art if Kirby violated the deal. After Kirby publicly slammed Marvel, calling the company thugs and claiming they were arbitrarily holding his creations, Marvel finally returned (after two years of deliberations) approximately 1,900 or 2,100 pages of the estimated 10,000 to 13,000 Kirby drew for the company. For the producer Charles Band , Jack Kirby made concept art for
3600-414: The anthology title Chamber of Darkness , and received full credit for doing so; but in 1970, Kirby was presented with a contract that included unfavorable terms such as a prohibition against legal retaliation. When Kirby objected, the management refused to negotiate any contract changes, bluntly dismissing his contribution to Marvel's success since they considered Lee solely responsible. Kirby, although he
3690-537: The art for the remaining issues of the series after Kirby died. In the early 1940s, Kirby and his family moved to Brooklyn . Kirby met Rosalind "Roz" Goldstein, who lived in the same Brooklyn apartment building. The pair began dating soon afterward. Kirby proposed to Goldstein on her 18th birthday, and the two became engaged. They married on May 23, 1942. The couple had four children: Susan (b. December 6, 1945), Neal (b. May 1948), Barbara (b. November 1952), and Lisa (b. September 1960). After being drafted into
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3780-486: The battle, Lightner exchanged places with the infant child of Squadron member Arcanna and was thereby able to return to his own form; he became the new Wizard Supreme and eventually took the name "Mysterium". Marvel Two-in-One Marvel Two-in-One is an American comic book series published by Marvel Comics featuring Fantastic Four member the Thing in a different team-up each issue. The concept of teaming
3870-580: The by-then-defunct Pacific Comics, and then licensed to Topps for what became the " Jack Kirby's Secret City Saga " mythos. Phantom Force was the last comic book Kirby worked on before his death. The story was co-written by Kirby with Michael Thibodeaux and Richard French, based on an eight-page pitch for an unused Bruce Lee comic in 1978. Issues #1 and 2 were published by Image Comics with various Image artists inking over Kirby's pencils. Issue #0 and issues #3–8 were published by Genesis West, with Kirby providing pencils for issues #0 and 4. Thibodeaux provided
3960-635: The company for rival DC. At DC, Kirby created his Fourth World saga which spanned several comics titles. While these series proved commercially unsuccessful and were canceled, the Fourth World's New Gods have continued as a significant part of the DC Universe . Kirby returned to Marvel briefly in the mid-to-late 1970s, then ventured into television animation and independent comics . In his later years, Kirby, who has been called "the William Blake of comics", began receiving great recognition in
4050-557: The company; they also had bad blood from previous competition with Marvel and legal problems with him. Since he was working from California, they were able to undermine his work through redesigns in the New York office. At the comic book convention Marvelcon '75, in 1975, Stan Lee used a Fantastic Four panel discussion to announce that Kirby was returning to Marvel after having left in 1970 to work for DC Comics. Lee wrote in his monthly column, "Stan Lee's Soapbox", "I mentioned that I had
4140-609: The concept and designs for the Ruby-Spears animated television series The Centurions . A comic-book series based on the show was published by DC and a toy line produced by Kenner . In the twilight of his life, Kirby spent a great deal of time sparring with Marvel executives over the ownership rights of his original page boards. At Marvel, many of these pages owned by the company (due to outdated and legally dubious copyright claims) were given away as promotional gifts to Marvel clients or simply stolen from company warehouses. After
4230-477: The duo 25 percent of the profits from the feature. The first issue of Captain America Comics , released in early 1941, sold out in days, and the second issue's print run was set at over a million copies. The title's success established the team as a notable creative force in the industry. After the first issue was published, Simon asked Kirby to join the Timely staff as the company's art director. With
4320-479: The duo rearranged and republished artwork from an old Crestwood story in In Love , Crestwood refused to pay the team, who sought an audit of Crestwood's finances. Upon review, the pair's attorneys stated the company owed them $ 130,000 for work done over the past seven years. Crestwood paid them $ 10,000 in addition to their recent delayed payments. The partnership between Kirby and Simon had become strained. Simon left
4410-553: The entire field ... [Marvel took] Jack and use[d] him as a primer. They would get artists ... and they taught them the ABCs, which amounted to learning Jack Kirby ... Jack was like the Holy Scripture and they simply had to follow him without deviation. That's what was told to me ... It was how they taught everyone to reconcile all those opposing attitudes to one single master point of view. Highlights of Kirby's tenure also include
4500-591: The films Doctor Mortalis and Mindmaster , which were later released as Doctor Mordrid (1992) and Mandroid (1993), respectively. Doctor Mordrid began as a planned adaptation of the Marvel Comics character Dr. Strange , but Band's option expired. For Topps Comics , founded in 1993, Kirby retained ownership of characters used in multiple series of what the company dubbed " The Kirbyverse ". These titles were derived mainly from designs and concepts Kirby had kept in his files, some intended initially for
4590-469: The first time I saw it I couldn't believe what I was seeing. He asked if we could do some freelance work together. I was delighted and I took him over to my little office. We worked from the second issue of Blue Bolt through... about 25 years." After leaving Fox and collaborating on the premiere issue of Fawcett Comics ' Captain Marvel Adventures ([March] 1941), the first solo title for
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#17327767902534680-680: The future DC Comics , Kirby drew 20 stories for Atlas from 1956 to 1957: Beginning with the five-page "Mine Field" in Battleground #14 (Nov. 1956), Kirby penciled and in some cases inked (with his wife, Roz ) and wrote stories of the Western hero Black Rider , the Fu Manchu -like Yellow Claw , and more. But in 1957, distribution troubles caused the "Atlas implosion" that resulted in several series being dropped and no new material being assigned for many months. The next year Kirby returned to
4770-500: The glut, the Simon and Kirby romance titles continued to sell millions of copies a month. Bitter that Timely Comics ' 1950s iteration, Atlas Comics , had relaunched Captain America in a new series in 1954, Kirby and Simon created Fighting American . Simon recalled, "We thought we'd show them how to do Captain America". While the comic book initially portrayed the protagonist as an anti-Communist dramatic hero, Simon and Kirby turned
4860-685: The homefront kid-gang team, the Newsboy Legion , featuring in Star-Spangled Comics . In 2010, DC Comics writer and executive Paul Levitz observed that "Like Jerry Siegel and Joe Shuster , the creative team of Joe Simon and Jack Kirby was a mark of quality and a proven track record." With World War II underway, Liebowitz expected that Simon and Kirby would be drafted , so he asked the artists to create an inventory of material to be published in their absence. The pair hired writers, inkers, letterers, and colorists in order to create
4950-425: The idea to comic books and with Kirby created a first-issue mock-up of Young Romance . Showing it to Crestwood general manager Maurice Rosenfeld, Simon asked for 50% of the comic's profits. Crestwood publishers Teddy Epstein and Mike Bleier agreed, stipulating that the creators would take no money up front. Young Romance #1 (cover-date Oct. 1947) "became Jack and Joe's biggest hit in years". The first title sold
5040-599: The industry for a career in advertising, while Kirby continued to freelance. "He wanted to do other things and I stuck with comics," Kirby recalled in 1971. "It was fine. There was no reason to continue the partnership and we parted friends." At this point in the mid-1950s, Kirby made a temporary return to the former Timely Comics , now known as Atlas Comics, the direct predecessor of Marvel Comics . Inker Frank Giacoia had approached editor-in-chief Stan Lee for work and suggested he could "get Kirby back here to pencil some stuff. While freelancing for National Comics Publications,
5130-638: The insult when confronted about it by Lee's protege, Roy Thomas , who was similarly insulted with Flashman's sidekick, Houseroy. The central villain of the Fourth World series, Darkseid , and some of the Fourth World concepts, appeared in Jimmy Olsen before the launch of the other Fourth World books, giving the new titles greater exposure to potential buyers. The Superman figures and Jimmy Olsen faces drawn by Kirby were redrawn by Al Plastino , and later by Murphy Anderson . Les Daniels observed in 1995 that "Kirby's mix of slang and myth, science fiction and
5220-528: The kind of student that Pratt was looking for. They wanted people who would work on something forever. I didn't want to work on any project forever. I intended to get things done". Kirby joined the Lincoln Newspaper Syndicate in 1936, working there on newspaper comic strips and on single-panel advice cartoons such as Your Health Comes First!!! (under the pseudonym Jack Curtiss ). He remained until late 1939, when he began working for
5310-443: The lives of the young people he observed around him. The third book, Mister Miracle was more of a personal myth. The title character was an escape artist, which Mark Evanier suggests Kirby channeled his feelings of constraint into. Mister Miracle's wife was based in character on Kirby's wife Roz, and he even caricatured Stan Lee within the pages of the book as Funky Flashman , a depiction Lee found hurtful while Kirby tried to downplay
5400-482: The mainstream press for his career accomplishments, and in 1987 he was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame . In 2017, Kirby was posthumously named a Disney Legend for his creations not only in the field of publishing, but also because those creations formed the basis for The Walt Disney Company 's financially and critically successful media franchise,
5490-491: The monopoly of the work-for-hire system, wherein comics creators, even freelancers, had owned no rights to characters they created. In 1983 Richard Kyle commissioned Kirby to create a 10-page autobiographical strip, " Street Code ", which became one of the last works published in Kirby's lifetime. It was published in 1990, in the second issue of Kyle's revival of Argosy . Kirby continued to do periodic work for DC Comics during
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#17327767902535580-674: The nascent Marvel. For DC around that time, Kirby co-created with writers Dick and Dave Wood the non-superpowered adventuring quartet the Challengers of the Unknown in Showcase #6 (Feb. 1957), while contributing to such anthologies as House of Mystery . During 30 months freelancing for DC, Kirby drew slightly more than 600 pages, which included 11 six-page Green Arrow stories in World's Finest Comics and Adventure Comics that in
5670-509: The nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss , before settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics , predecessor of Marvel Comics . During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications , later to become DC Comics . After serving in
5760-617: The passage of the Copyright Act of 1976 , which greatly expanded artist copyright capabilities, comics publishers began to return original art to creators, but in Marvel's case only if they signed a release reaffirming Marvel's ownership of the copyright. In 1985, Marvel issued a release that demanded Kirby affirm that his art was created for hire, allowing Marvel to retain copyright in perpetuity, in addition to demanding that Kirby forego all future royalties. Marvel offered him 88 pages of his art (less than 1% of his total output) if he signed
5850-487: The previously introduced superhero, and for which Kirby was told to mimic creator C.C. Beck 's drawing style, the duo were hired on staff at pulp magazine publisher Martin Goodman 's Timely Comics (later to become Marvel Comics). There Simon and Kirby created the patriotic superhero Captain America in late 1940. Simon, who became the company's editor, with Kirby as art director, said he negotiated with Goodman to give
5940-414: The rights. In collaboration, Geller commissioned Kirby to draw set designs that would be used as architectural renderings for a Colorado theme park to be called Science Fiction Land; Geller announced his plans at a November press conference attended by Kirby, former American football star Rosey Grier , writer Ray Bradbury , and others. While the film did not come to fruition, Kirby's drawings were used for
6030-415: The saga were perfectly suited to the tastes of young readers in the 1960s", and Lee soon discovered that the story was a favorite on college campuses. Kirby continued to expand the medium's boundaries, devising photo-collage covers and interiors, developing new drawing techniques such as the method for depicting energy fields now known as " Kirby Krackle ", and other experiments. In 1968 and 1969, Joe Simon
6120-479: The same for the classic television series The Prisoner . He wrote and drew Black Panther and drew numerous covers across the line. Kirby's other Marvel creations in this period include Machine Man and Devil Dinosaur . Kirby's final comics collaboration with Stan Lee, The Silver Surfer: The Ultimate Cosmic Experience , was published in 1978 as part of the Marvel Fireside Books series and
6210-582: The same time, Kirby grew increasingly dissatisfied with working at Marvel, for reasons Kirby biographer Mark Evanier has suggested include resentment over Lee's media prominence, a lack of full creative control, anger over breaches of perceived promises by publisher Martin Goodman, and frustration over Marvel's failure to credit him specifically for his story plotting and for his character creations and co-creations. He began to both write and draw some secondary features for Marvel, such as "The Inhumans" in Amazing Adventures volume two , as well as horror stories for
6300-420: The science fiction adventure "The Diary of Dr. Hayward" (under the pseudonym Curt Davis ), the Western crimefighter feature "Wilton of the West" (as Fred Sande ), the swashbuckler adventure "The Count of Monte Cristo" (again as Jack Curtiss), and the humor features "Abdul Jones" (as Ted Grey ) and "Socko the Seadog" (as Teddy ), all variously for Jumbo Comics and other Eisner-Iger clients. He first used
6390-461: The series The Fly and The Double Life of Private Strong . Additionally, Kirby drew some issues of Classics Illustrated . At Marvel Kirby hit his stride once again in superhero comics, beginning with The Fantastic Four #1 (Nov. 1961), which some have observed, shares many elements of Kirby's Challengers of the Unknown . The landmark series became a hit that revolutionized the industry with its comparative naturalism and, eventually,
6480-469: The series had a crossover with Marvel Team-Up #47, which featured Spider-Man . The second Marvel Two-in-One Annual was a crossover with Avengers Annual #7, both of which were written and drawn by Jim Starlin . The "Project Pegasus" storyline in Marvel Two-in-One #53-58 saw the introduction of the name " Quasar " for the Wendell Vaughn character and the transformation of Wundarr into
6570-659: The series into a superhero satire with the second issue, in the aftermath of the Army-McCarthy hearings and the public backlash against the Red-baiting U.S. Senator Joseph McCarthy . At the urging of a Crestwood salesman, Kirby and Simon launched their own comics company, Mainline Publications , securing a distribution deal with Leader News in late 1953 or early 1954, subletting space from their friend Al Harvey 's Harvey Publications at 1860 Broadway. Mainline, which existed from 1954 to 1955, published four titles:
6660-673: The staff, especially with the younger artists who typically credited him as their inspiration. He worked on The New Fantastic Four animated series, reuniting him with scriptwriter Stan Lee and they kept their relations sufficiently cordial on a professional level. He illustrated an adaptation of the Walt Disney movie The Black Hole for Walt Disney's Treasury of Classic Tales syndicated comic strip in 1979–80. In 1979, Kirby drew concept art for film producer Barry Geller's script treatment adapting Roger Zelazny 's science fiction novel, Lord of Light , for which Geller had purchased
6750-753: The success of the Captain America character, Simon said he felt that Goodman was not paying the pair the promised percentage of profits, and so sought work for the two of them at National Comics Publications (later renamed DC Comics ). Kirby and Simon negotiated a deal that would pay them a combined $ 500 a week, as opposed to the $ 75 and $ 85 they respectively earned at Timely. The pair feared Goodman would not pay them if he found they were moving to National, but many people knew of their plan, including Timely editorial assistant Stan Lee . When Goodman eventually discovered it, he told Simon and Kirby to leave after finishing work on Captain America Comics #10. Kirby
6840-513: The superhero comic Stuntman , and, in vogue with the fad for 3-D movies , Captain 3-D . Simon and Kirby additionally freelanced for Hillman Periodicals (the crime-fiction comic Real Clue Crime ) and for Crestwood Publications ( Justice Traps the Guilty ). The team had its greatest success in the postwar period by creating romance comics . Simon, inspired by Macfadden Publications ' romantic-confession magazine True Story , transplanted
6930-542: The surname Kirby as the pseudonymous Lance Kirby in two "Lone Rider" Western stories in Eastern Color Printing 's Famous Funnies #63–64 (Oct.–Nov. 1939). He ultimately settled on the pen name Jack Kirby because it reminded him of actor James Cagney . However, he took offense to those who suggested he changed his name in order to hide his Jewish heritage. Kirby moved on to comic-book publisher and newspaper syndicator Fox Feature Syndicate , earning
7020-470: The theatrical animation company Fleischer Studios as an inbetweener (an artist who fills in the action between major-movement frames) on Popeye cartoons at the same time in 1935. He left the studio before the Fleischer strike in 1937. "I went from Lincoln to Fleischer," he recalled. "From Fleischer I had to get out in a hurry because I couldn't take that kind of thing," describing it as "a factory in
7110-461: The wrong side." Several months later, after his split with DC, Kirby began freelancing regularly for Atlas despite harboring negative sentiments about Stan Lee (the cousin of Timely publisher Martin Goodman's wife), who Kirby had always found annoying on top of his aforementioned betrayal he suspected in the 1940s. Because of the poor page rates, Kirby would spend 12 to 14 hours daily at his drawing table at home, producing four to five pages of artwork
7200-529: Was a "liberal Democrat". Jack Kirby held anti-communist views, once saying that "I was against the reds. I became a witch hunter. My enemies were the commies—I called them commies. In fact, Granny Goodness was a commie, Doubleheader was a commie." On February 6, 1994, aged 76, Kirby died of heart failure in his Thousand Oaks, California home. He was buried at Valley Oaks Memorial Park in Westlake Village, California . Brent Staples wrote in
7290-608: Was able to walk again. He returned to the United States in January 1945, assigned to Camp Butner in North Carolina, where he spent the last six months of his service as part of the motor pool. Kirby was honorably discharged as a private first class on July 20, 1945, having received a Combat Infantryman Badge , a European/African/Middle Eastern Campaign Medal with a bronze Battle Star . In 1949, Kirby bought
7380-421: Was bitterly convinced it was specifically Lee who betrayed them, ignoring Simon's willingness to give him the benefit of the doubt. Kirby and Simon spent their first weeks at National trying to devise new characters while the company sought how best to utilize the pair. After a few failed editor-assigned ghosting assignments, National's Jack Liebowitz told them to "just do what you want". The pair then revamped
7470-536: Was chosen as #24 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor Robert Greenberger wrote in his introduction to the story that "As the fourth year of the Fantastic Four came to a close, Stan Lee and Jack Kirby seemed to be only warming up. In retrospect, it was perhaps the most fertile period of any monthly title during the Marvel Age." Comics historian Les Daniels noted that "[t]he mystical and metaphysical elements that took over
7560-476: Was doing it! Not that he did it badly—it just wasn't the character I wanted; it was too heroic". Lee then turned to Steve Ditko to draw the story that would appear in Amazing Fantasy #15, for which Kirby nonetheless penciled the cover. Lee and Kirby gathered several of their newly created characters together into the team title The Avengers and brought back old characters from the 1940s such as
7650-400: Was earning $ 35,000 a year freelancing for the company (adjusted for inflation it was the equivalent of over $ 271,000 in 2024), then left Marvel in 1970 for rival DC Comics, under editorial director Carmine Infantino . Kirby spent nearly two years negotiating a deal to move to DC Comics, where in late 1970 he signed a three-year contract with an option for two additional years. He produced
7740-675: Was immediately replaced by a Thing solo series . As part of Marvel Legacy , a soft relaunch of the Marvel Universe , Marvel Two-In-One (stylized as Marvel 2-in-One ) was revived in December 2017 with a new story titled "The Fate of the Four" that revolves around the Thing and the Human Torch going on a road trip to investigate the disappearance of Reed Richards , Sue Storm , Franklin , and Valeria Richards . The series
7830-400: Was involved in litigation with Marvel Comics over the ownership of Captain America, initiated by Marvel after Simon registered the copyright renewal for Captain America in his own name. According to Simon, Kirby agreed to support the company in the litigation and, as part of a deal Kirby made with publisher Martin Goodman, signed over to Marvel any rights he might have had to the character. At
7920-669: Was rejected by the Educational Alliance because he drew "too fast with charcoal", according to Kirby. He later found an outlet for his skills by drawing cartoons for the newspaper of the Boys Brotherhood Republic, a "miniature city" on East 3rd Street where street kids ran their own government. At age 14, Kirby enrolled at the Pratt Institute in Brooklyn , leaving after a week. "I wasn't
8010-487: Was shot, killed and thrown overboard from the cruise ship Achille Lauro by Palestinian Liberation Front hijackers . In his youth, Kirby desired to escape his neighborhood. He liked to draw, and sought out places he could learn more about art. Essentially self-taught, Kirby cited among his influences the comic strip artists Milton Caniff , Hal Foster , and Alex Raymond , as well as such editorial cartoonists as C. H. Sykes , "Ding" Darling , and Rollin Kirby . He
8100-620: Was written by Chip Zdarsky and ran for 12 issues and one Annual . The series was penciled by Jim Cheung (issues #1, 2, and 6), Valerio Schiti (issues #3–5), Ramon K. Perez (issues #7–12), and Declan Shalvey ( Annual #1). Jack Kirby Jack Kirby (born Jacob Kurtzberg ; August 28, 1917 – February 6, 1994) was an American comic book artist , widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered
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