64-578: Sourcery is a fantasy novel by British writer Terry Pratchett , the fifth book in his Discworld series, published in 1988 . On the Discworld , "sourcerers"—wizards who are sources of magic, and thus immensely more powerful than normal wizards—were the main cause of the Great Mage Wars that left areas of the Disc uninhabitable. As eight is a powerful magical number on Discworld, men born as
128-537: A boat to the city of Al Khali, where the hat claims there is someone fit to wear it. In Ankh-Morpork, the wizards are made more powerful due to Coin's presence drawing more magic into the Discworld. Under Coin's direction, the wizards take over Ankh-Morpork—transforming it into a pristine city and turning the Patrician, Lord Vetinari, into a newt—and make plans to take over the world. Elsewhere, Rincewind, Conina and
192-487: A chapter of his book English Prose Style (1928) to discussing "Fantasy" as an aspect of literature, arguing it was unjustly considered suitable only for children: "The Western World does not seem to have conceived the necessity of Fairy Tales for Grown-Ups". In 1938, with the publication of The Sword in the Stone , T. H. White introduced one of the most notable works of comic fantasy . The first major contribution to
256-425: A feather-light touch throughout." Tom Hutchinson, writing for The Times , thought that Sourcery presents a "memorable account of how we adapt power before it adapts us" and "may well be considered [Pratchett's] masterpiece." Thomas M. Wagner from SF Reviews.net gave the book a 3.5/5 rating, commenting that the story "has Pratchett's trademark lightning pacing, and it fires gags and one-liners at you as if from
320-480: A fellow English professor with a similar array of interests, also helped to publicize the fantasy genre. Tove Jansson , author of The Moomins , was also a strong contributor to the popularity of fantasy literature in the field of children and adults. The tradition established by these predecessors of the late nineteenth and early twentieth centuries has continued to thrive and be adapted by new authors. The influence of J.R.R. Tolkien's fiction has—particularly over
384-593: A film, and that he could have fun with characters like Nijel the Destroyer. Critical reception for the novel was positive. Toronto Star ' s Paul Stuewe writes that Pratchett "demonstrates a flair for cerebral as well as slapstick comedy." A reviewer from Publishers Weekly felt that Sourcery was skillfully written, stating "Pratchett does not merely play with words, he juggles shrewd observations with aplomb ." The reviewer added that "the author never takes himself or his message too seriously, and maintains
448-399: A fully automatic Uzi." He stated that though he found most of Sourcery funny, "it was very evident to me that Pratchett was, at this early stage of the series, barely scratching the surface of what his considerable wit is capable of." Fantasy novel Fantasy literature is literature set in an imaginary universe , often but not always without any locations, events, or people from
512-415: A magical flying carpet in the palace's treasury, and use it to escape the palace as it gets destroyed by the possessed Abrim building his own tower. With the orders no longer around to keep the wizards in check, wizards across the Discworld go to war with one another, threatening to destroy the world completely. Upon hearing Creosote express anti-wizard sentiments, an angry and humiliated Rincewind abandons
576-633: A small band— Rincewind the Wizard, Nijel the Destroyer and Conina the Hairdresser, daughter of Cohen the Barbarian —attempt to thwart those plans. Death comes to collect the soul of Ipslore the Red, a wizard who was banished from Unseen University for marrying and having children. Bitter over his exile and the death of his wife, Ipslore vows revenge upon the wizards through his eighth son, Coin. As
640-516: Is based on older oral traditions, including "animal fables that are as old as we are able to imagine". It was influential in Europe and the Middle East . It used various animal fables and magical tales to illustrate the central Indian principles of political science . Talking animals endowed with human qualities have now become a staple of modern fantasy. The Baital Pachisi ( Vikram and
704-426: Is too bland or simplistic creates the impression that the fantasy setting is simply a modern world in disguise, and presents examples of clear, effective fantasy writing in brief excerpts from Tolkien and Evangeline Walton . Michael Moorcock observed that many writers use archaic language for its sonority and to lend color to a lifeless story. Brian Peters writes that in various forms of fairytale fantasy , even
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#1732780084348768-629: The Kalevala , they compiled existing folklore into an epic to match other nation's, and sometimes, as in The Poems of Ossian , they fabricated folklore that should have been there. These works, whether fairy tale, ballads, or folk epics, were a major source for later fantasy works. The Romantic interest in medievalism also resulted in a revival of interest in the literary fairy tale. The tradition begun with Giovanni Francesco Straparola and Giambattista Basile and developed by Charles Perrault and
832-456: The Age of Enlightenment . Many of Perrault's tales became fairy tale staples and were influential to later fantasy. When d'Aulnoy termed her works contes de fée (fairy tales), she invented the term that is now generally used for the genre, thus distinguishing such tales from those involving no marvels. This approach influenced later writers who took up the folk fairy tales in the same manner during
896-534: The Elizabethan era in England , fantasy literature became extraordinarily popular and fueled populist and anti-authoritarian sentiment during the 1590s . Topics that were written about included " fairylands in which the sexes traded places [and] men and immortals mingl[ing]". Romanticism , a movement of the late eighteenth and early nineteenth century, was a dramatic reaction to rationalism, challenging
960-677: The Middle East has been influential in the West since it was translated from the Arabic into French in 1704 by Antoine Galland . Many imitations were written, especially in France. The Fornaldarsagas , Norse and Icelandic sagas , both of which are based on ancient oral tradition influenced the German Romantics, as well as William Morris , and J. R. R. Tolkien . The Anglo-Saxon epic poem Beowulf has also had deep influence on
1024-534: The Romantic era . Several fantasies aimed at an adult readership were also published in 18th century France, including Voltaire 's " contes philosophique " The Princess of Babylon (1768) and The White Bull (1774). This era, however, was notably hostile to fantasy. Writers of the new types of fiction such as Defoe , Richardson , and Fielding were realistic in style, and many early realistic works were critical of fantastical elements in fiction. However, in
1088-563: The "First Terrible Fate that Awaiteth Unwary Beginners in Fantasy", alluding to young writers attempting to write in Lord Dunsany's style. According to S. T. Joshi , "Dunsany's work had the effect of segregating fantasy—a mode whereby the author creates his own realm of pure imagination—from supernatural horror. From the foundations he established came the later work of E. R. Eddison , Mervyn Peake , and J. R. R. Tolkien. In Britain in
1152-589: The 1960s, a growing segment of the fantasy genre has taken the form of films , television programs , graphic novels , video games , music and art. Many fantasy novels originally written for children and adolescents also attract an adult audience. Examples include Alice's Adventures in Wonderland , the Harry Potter series, The Chronicles of Narnia , and The Hobbit . Stories involving magic and terrible monsters have existed in spoken forms before
1216-742: The Archchancellor-designate of Unseen University in Ankh-Morpork , is murdered before his induction by Coin, who then forces his way into the university's Great Hall. After Coin bests one of the top wizards in the University, he is welcomed by the majority of the wizards. Rincewind , The Luggage and the Librarian miss Coin's arrival, having fled the University shortly beforehand after the foreboding departure of all of its magically-influenced pest populations. While they are at
1280-622: The French précieuses was taken up by the German Romantic movement. The German author Friedrich de la Motte Fouqué created medieval-set stories such as Undine (1811) and Sintram and his Companions (1815), which would later inspire British writers such as George MacDonald and William Morris . E.T.A. Hoffmann 's tales, such as The Golden Pot (1814) and The Nutcracker and the Mouse King (1816) were notable additions to
1344-642: The Ice Giants. As the Librarian helps Coin escape, the Luggage charges into the Dungeon Dimensions after Rincewind. Coin returns the University and Ankh-Morpork to the way they were before he came. After Conina and Nijel travel to the University looking for Rincewind, Coin uses his magic to make them forget him and live happily ever after together. Recognising that he is too powerful to remain in
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#17327800843481408-509: The Luggage end up in the company of Creosote, the seriph of Al Khali, and Abrim, his treacherous vizier. The trio are eventually separated; Rincewind is thrown into the snake pit, where he meets Nijel the Destroyer, a barbarian hero in training. Conina is taken to Creosote's harem , where the Seriph has his concubines tell him stories. The Luggage, having been scorned by Conina, runs away and gets drunk, before killing and eating several creatures in
1472-609: The Luggage, the possessed vizier is killed by the Ankh-Morpork wizards, with the tower and the Archchancellor's hat getting destroyed in the process. Despite his victory, Coin becomes concerned when he is told that wizards rule under the Discworld Gods. He traps the gods in an alternate reality, which shrinks to become a large pearl , unknowingly causing the Ice Giants, a race of beings who had been imprisoned by
1536-513: The Mended Drum , Conina, a professional thief and a daughter of Discworld legend Cohen the Barbarian, arrives holding a box containing the Archchancellor's hat, which she has procured from the room of Wayzygoose, and which possesses a kind of sentience as a result of being worn by hundreds of Archchancellors. Under the direction of the hat, which sees Coin as a threat to wizardry and the very world, Conina forces Rincewind to come with her and take
1600-532: The Southwest Wind an irascible but kindly character similar to J.R.R. Tolkien 's later Gandalf . The history of modern fantasy literature began with George MacDonald, author of such novels as The Princess and the Goblin (1868) and Phantastes (1868), the latter of which is widely considered to be the first fantasy novel written for adults. MacDonald also wrote one of the first critical essays about
1664-701: The Vampire ), a collection of various fantasy tales set within a frame story is, according to Richard Francis Burton and Isabel Burton , "the germ which culminated in the Arabian Nights , and which also inspired the Golden Ass of Apuleius , (2nd century A.D). Boccaccio 's Decamerone (c.1353) the Pentamerone (1634, 1636) and all that class of facetious fictitious literature." The Book of One Thousand and One Nights (Arabian Nights) from
1728-534: The advent of printed literature. Classical mythology is replete with fantastical stories and characters, the best known (and perhaps the most relevant to modern fantasy) being the works of Homer (Greek) and Virgil (Roman). The philosophy of Plato has had great influence on the fantasy genre. In the Christian Platonic tradition, the reality of other worlds, and an overarching structure of great metaphysical and moral importance, has lent substance to
1792-529: The aftermath of World War I, a notably large number of fantasy books aimed at an adult readership were published, including Living Alone (1919) by Stella Benson , A Voyage to Arcturus (1920) by David Lindsay , Lady into Fox (1922) by David Garnett , Lud-in-the-Mist (1926) by Hope Mirrlees , and Lolly Willowes (1926) by Sylvia Townsend Warner . E. R. Eddison was another influential writer who wrote during this era. He drew inspiration from Northern sagas, as Morris did, but his prose style
1856-432: The canon of German fantasy. Ludwig Tieck 's collection Phantasus (1812–1817) contained several short fairy tales, including "The Elves". In France, the main writers of Romantic-era fantasy were Charles Nodier with Smarra (1821) and Trilby (1822) and Théophile Gautier who penned such stories as "Omphale" (1834) and " One of Cleopatra's Nights " (1838) as well as the novel Spirite (1866). Fantasy literature
1920-411: The continent. Other writers, including Edgar Rice Burroughs and Abraham Merritt , further developed the style. Several classic children's fantasies such as Lewis Carroll 's Alice's Adventures in Wonderland (1865), L. Frank Baum 's The Wonderful Wizard of Oz (1900), as well as the work of E. Nesbit and Frank R. Stockton were also published around this time. C. S. Lewis noted that in
1984-456: The desert. Coin eventually declares Unseen University and the various wizarding orders obsolete and orders the Library to be burnt down, claiming that Wizardry no longer requires such things. A group of wizards then attack Al Khali, with the sheer amount of magic created by their arrival temporarily putting Rincewind into a trance and enabling him to use magic, allowing him and Nijel to escape
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2048-489: The development of fantasy with their writing of horror stories. Wilde also wrote a large number of children's fantasies, collected in The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891). H. Rider Haggard developed the conventions of the lost world subgenre with his novel King Solomon's Mines (1885), which presented a fantastical Africa to a European audience still unfamiliar with
2112-446: The earlier part of the 20th century, fantasy was more accepted in juvenile literature, and therefore a writer interested in fantasy often wrote for that audience, despite using concepts and themes that could form a work aimed at adults. At this time, the terminology for the genre was not settled. Many fantasies in this era were termed fairy tales, including Max Beerbohm 's " The Happy Hypocrite " (1896) and MacDonald's Phantastes . It
2176-505: The eighth son of a wizard who himself is an eighth son, Coin is born a sourcerer, a wizard who generates new magic rather than drawing it from the world, effectively making him the most powerful wizard on the Disc. At the moment of his death, Ipslore transfers his spirit into his wizard's staff, which is passed to Coin, preventing Death from collecting Ipslore's soul (since damaging the staff to do so would kill Coin) and allowing Ipslore to influence his son. Eight years later, Virrid Wayzygoose,
2240-528: The eighth son of an eighth son are commonly wizards. Since sourcerers are born the eighth son of an eighth son of an eighth son , they are "wizards squared". To prevent the creation of sourcerers, therefore, wizards are not allowed to marry or have children. There are many references to geasa in the text, which are idiosyncratic curses, vows or obligations placed upon a person (usually a hero, such as Cúchulainn in Irish mythology ). A dying wizard who flouted
2304-508: The epic Mabinogion . One influential retelling of this was the fantasy work of Evangeline Walton . The Irish Ulster Cycle and Fenian Cycle have also been plentifully mined for fantasy. Its greatest influence was, however, indirect. Celtic folklore and mythology provided a major source for the Arthurian cycle of chivalric romance : the Matter of Britain . Although the subject matter
2368-519: The fantasy genre, "The Fantastic Imagination", in his book A Dish of Orts (1893). MacDonald was a major influence on both Tolkien and C. S. Lewis . The other major fantasy author of this era was William Morris, an admirer of the Middle Ages and a poet who wrote several fantastic romances and novels in the latter part of the 19th century, including The Well at the World's End (1896). Morris
2432-407: The fantasy genre; although it was unknown for centuries and so not developed in medieval legend and romance, several fantasy works have retold the tale, such as John Gardner 's Grendel . Celtic folklore and legend has been an inspiration for many fantasy works. The Welsh tradition has been particularly influential, owing to its connection to King Arthur and its collection in a single work,
2496-411: The fantasy worlds of modern works. With Empedocles ( c. 490 – c. 430 BC ), elements are often used in fantasy works as personifications of the forces of nature. India has a long tradition of fantastical stories and characters, dating back to Vedic mythology . The Panchatantra ( Fables of Bidpai ), which some scholars believe was composed around the 3rd century BC. It
2560-520: The first literary results of this trend was the Gothic novel , a genre that began in Britain with The Castle of Otranto (1764) by Horace Walpole . That work is considered the predecessor to both modern fantasy and modern horror fiction . Another noted Gothic novel which also contains a large amount of Arabian Nights -influenced fantasy elements is Vathek (1786) by William Thomas Beckford . In
2624-723: The genre after World War II was Mervyn Peake 's Titus Groan (1946), the book that launched the Gormenghast series . J. R. R. Tolkien played a large role in the popularization and accessibility of the fantasy genre with his highly successful publications The Hobbit (1937) and The Lord of the Rings (1954–55). Tolkien was largely influenced by an ancient body of Anglo-Saxon myths , particularly Beowulf , as well as William Morris's romances and E. R. Eddison 's 1922 novel, The Worm Ouroboros . Tolkien's close friend C. S. Lewis , author of The Chronicles of Narnia (1950–56) and
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2688-435: The genre of high fantasy —prompted a reaction. In China, the idea of fantasy literature as a distinct genre first became prevalent in the early 21st century. China has long had pre-genre stories with fantastical elements, including zhiguai , ghost stories, and miracle tales, among others. It is not uncommon for fantasy novels to be ranked on The New York Times Best Seller list , and some have been at number one on
2752-440: The gods, to escape their prison, whereupon they begin strolling across the Discworld, freezing everything in their path. Rincewind confronts Coin soon after this. The Sourcerer is amused, but unthreatened, by Rincewind attempting to fight him, prompting Ipslore to try to force Coin to kill him. Rincewind eventually convinces Coin to throw the staff away, but Ipslore's power is channelled against that of his son. The other wizards leave
2816-562: The group, taking the flying carpet and making his way to the University, where he learns that the Librarian has saved the library books by hiding them in the ancient Tower of Art. The Librarian convinces Rincewind to stop Coin, and he goes off to face the Sourcerer with a sock containing a half-brick . Back in Al Khali, the Luggage, blaming the Archchancellor's hat for everything it has endured, forces its way into Abrim's tower. Distracted by
2880-537: The later part of the Romantic period, folklorists collected folktales, epic poems, and ballads, and released them in printed form. The Brothers Grimm were inspired by the movement of German Romanticism in their 1812 collection Grimm's Fairy Tales , and they in turn inspired other collectors. Frequently their motivation stemmed not merely from Romanticism, but from Romantic nationalism , in that many were inspired to save their own country's folklore. Sometimes, as in
2944-431: The list, including most recently, Brandon Sanderson in 2014, Neil Gaiman in 2013, Patrick Rothfuss and George R. R. Martin in 2011, and Terry Goodkind in 2006. Symbolism often plays a significant role in fantasy literature, often through the use of archetypal figures inspired by earlier texts or folklore . Some argue that fantasy literature and its archetypes fulfill a function for individuals and society and
3008-550: The messages are continually updated for current societies. Ursula K. Le Guin , in her essay "From Elfland to Poughkeepsie", presented the idea that language is the most crucial element of high fantasy , because it creates a sense of place. She analyzed the misuse of a formal, "olden-day" style, saying that it was a dangerous trap for fantasy writers because it was ridiculous when done wrong. She warns writers away from trying to base their style on that of masters such as Lord Dunsany and E. R. Eddison , emphasizing that language that
3072-465: The modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, distressed damsels, dragons, and other romantic tropes. At the time of the Renaissance romance continued to be popular, and the trend was to more fantastic fiction. The English Le Morte d'Arthur by Sir Thomas Malory (c.1408–1471) was written in prose, and
3136-641: The most influential writers of fantasy and horror in the 20th century. Despite MacDonald's future influence, and Morris' popularity at the time, it was not until around the start of the 20th century that fantasy fiction began to reach a large audience, with authors such as Lord Dunsany (1878–1957) who, following Morris's example, wrote fantasy novels, but also in the short story form. He was particularly noted for his vivid and evocative style. His style greatly influenced many writers, not always happily; Ursula K. Le Guin , in her essay on style in fantasy "From Elfland to Poughkeepsie", wryly referred to Lord Dunsany as
3200-781: The oldest recorded form of many well-known (and some more obscure) European fairy tales. This was the beginning of a tradition that would both influence the fantasy genre and be incorporated in it, as many works of fairytale fantasy appear to this day. In a work on alchemy in the 16th century, Paracelsus (1493–1541) identified four types of beings with the four elements of alchemy: gnomes (earth elementals); undines (water); sylphs (air); and salamanders (fire). Most of these beings are found in folklore as well as alchemy, and their names are often used interchangeably with similar beings from folklore. Literary fairy tales, such as those written by Charles Perrault (1628–1703) and Madame d'Aulnoy (c.1650 – 1705), became very popular early in
3264-481: The priority of reason and promoting the importance of imagination and spirituality. Its success in rehabilitating imagination was of fundamental importance to the evolution of fantasy, and its interest in medieval romances provided many motifs to modern fantasy. The Romantics invoked the medieval romance as a model for the works they wanted to produce, in contrast to the realism of the Enlightenment. One of
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#17327800843483328-465: The real world. Magic , the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults. Fantasy is considered a genre of speculative fiction and is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, respectively, though these may overlap. Historically, most works of fantasy were in written form , but since
3392-418: The rule against having children makes a bargain with Death that allows his spirit to inhabit his staff, which he passes on to his eighth son, who is born a sourcerer. Under the influence of the staff, this child prodigy travels to Ankh-Morpork and initiates a plan for wizards to rule the Discworld, with himself at their head. Because the sourcerer's power is threatening to destroy the Discworld altogether,
3456-475: The snake pit. They join up with Creosote and Conina, the latter immediately falling in love with Nijel, and they encounter Abrim, who had put on the Archchancellor's hat hoping to gain power from it, only to be possessed instead. Having the experience of many previous Archchancellors, the hat proves an even match for Sourcery-empowered wizards, fighting off a group of them and enlisting others to its cause. As this takes place, Rincewind, Conina, Nijel and Creosote find
3520-465: The tower as Rincewind rushes forward, grabbing the child and sending both of them to the Dungeon Dimensions while Death strikes the staff and takes Ipslore's soul. Rincewind orders Coin to return to the University and, using his other sock filled with sand, attacks the Creatures from the Dungeon Dimensions as a distraction to ensure Coin's escape. The Gods are subsequently set free, stopping the march of
3584-589: The work dominates the Arthurian literature. Arthurian motifs have appeared steadily in literature from its publication, though the works have been a mix of fantasy and non-fantasy works. At the time, it and the Spanish Amadis de Gaula (1508), which was also written in prose, spawned many imitators, and the genre was popularly well-received. It later produced such masterpieces of Renaissance poetry as Ludovico Ariosto 's Orlando furioso and Torquato Tasso 's Gerusalemme Liberata . Ariosto's tale in particular
3648-540: The world, Coin steps into a dimension of his own making and is not seen on the Discworld again. The Librarian takes Rincewind's battered hat, which was left behind when he went into the Dungeon Dimensions, and places it on a pedestal in the Library. The narrator states, "A wizard...will always come back for his hat". In 2010, Terry Pratchett stated that Sourcery would be the fifth Discworld novel to be adapted for Sky One , although he had initially wanted to adapt Making Money . However, he thought that it might work better as
3712-436: Was a source text for many fantasies of adventure. During the Renaissance , Giovanni Francesco Straparola wrote and published The Facetious Nights of Straparola (1550–1555), a collection of stories of which many are literary fairy tales . Giambattista Basile wrote and published the Pentamerone , which was the first collection of stories to contain solely what would later be known as fairy tales. The two works include
3776-505: Was heavily reworked by the authors, these romances developed marvels until they became independent of the original folklore and fictional, an important stage in the development of fantasy. Romance or chivalric romance is a type of prose and verse narrative that reworked legends , fairy tales , and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote . Still,
3840-412: Was inspired by the medieval sagas, and his writing was deliberately archaic in the style of the chivalric romances . Morris's work represented an important milestone in the history of fantasy, as while other writers wrote of foreign lands or of dream worlds , Morris was the first to set his stories in an entirely invented world . Authors such as Edgar Allan Poe and Oscar Wilde also contributed to
3904-449: Was modeled more on Tudor and Elizabethan English, and his stories were filled with vigorous characters in glorious adventures. Eddison's most famous work is The Worm Ouroboros (1922), a long heroic fantasy set on an imaginary version of the planet Mercury. Literary critics of the era began to take an interest in "fantasy" as a genre of writing, and also to argue that it was a genre worthy of serious consideration. Herbert Read devoted
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#17327800843483968-421: Was not until 1923 that the term "fantasist" was used to describe a writer (in this case, Oscar Wilde) who wrote fantasy fiction. The name "fantasy" was not developed until later; as late as J.R.R. Tolkien's The Hobbit (1937), the term "fairy tale" was still being used. An important factor in the development of the fantasy genre was the arrival of magazines devoted to fantasy fiction. The first such publication
4032-559: Was popular in Victorian times , with the works of writers such as Mary Shelley , William Morris, George MacDonald, and Charles Dodgson reaching wider audiences. Hans Christian Andersen took a new approach to fairy tales by creating original stories told in a serious fashion. From this origin, John Ruskin wrote The King of the Golden River (1851), a fairy tale that included complex levels of characterization and created in
4096-493: Was the German magazine Der Orchideengarten which ran from 1919 to 1921. In 1923, the first English-language fantasy fiction magazine, Weird Tales , was created. Many other similar magazines eventually followed. and The Magazine of Fantasy & Science Fiction H. P. Lovecraft was deeply influenced by Edgar Allan Poe and to a somewhat lesser extent, by Lord Dunsany; with his Cthulhu Mythos stories, he became one of
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