San Fedele is a Jesuit church in Milan , northern Italy . It is dedicated to St. Fidelis of Como , patron of the Catholic diocese of Como . Presently it remains a parish church, owned by the Jesuit order, though focusing on religious works.
13-589: San Fedele may refer to: Churches [ edit ] San Fedele, Milan , a church in Milan, Lombardy, Italy San Fedele, Poggiridenti , a church in Poggiridenti, Lombardy, Italy Basilica of San Fedele, Como , a basilica church in Como, Lombardy, Italy People [ edit ] Fidelis of Como , saint Places [ edit ] San Fedele, Albenga ,
26-606: A St. Ignatius by Giovanni Battista Crespi (il Cerano) a Transfiguration by Bernardino Campi, and a Sacred Heart by Lucio Fontana . A Madonna of the Snake by Ambrogio Figino , once found in the church, is now in the church of Sant'Antonio Abate of the city. The museum and gallery was inaugurated in December 2014. It displays works that are part of the collection of the Jesuit order. The Jesuit priest, Arcangelo Favaro, founder of
39-613: A perceptual phenomenon that relates to the idea that exposure to one external stimulus (say, sound or smell), induces a parallel visualization (say, color)." Inspired by Trecento painting, children's art, and the work of Henri Rousseau , Carrà soon began creating still lifes in a simplified style that emphasized the reality of ordinary objects. In 1917 he met Giorgio de Chirico in Ferrara, and worked with him there for several weeks. Influenced by de Chirico, Carrà began including mannequin imagery in his paintings. The two artists were
52-485: A village in the province of Savona, Liguria, Italy San Fedele, Radda in Chianti , a village in the province of Siena, Tuscany, Italy San Fedele Intelvi , a village in the province of Como, Lombardy, Italy [REDACTED] Topics referred to by the same term This disambiguation page lists articles about distinct geographical locations with the same name. If an internal link led you here, you may wish to change
65-470: Is on a single nave, with tall columns in granite. The presbytery was extended in the 17th century by Francesco Maria Richino , who also designed the sacristy. The façade was completed by Pietro Pestagalli from Tibaldi's designs in 1835. It features a group of Gaetano Matteo Monti 's statues representing the Assumption. The interior is decorated with artworks that include a Pietà by Simone Peterzano ,
78-524: The Galleria San Fedele, was prompted by the speech given by Pope Paul VI in 1964 urging a dialogue between art and faith. Among the works in the gallery are modern contributions by Carlo Carrà , Mario Sironi , and Lucio Fontana . Fontana's commissioned altarpiece Il Sacro Cuore (1956) is now in the church. Other works by David Simpson , Mimmo Paladino , Jannis Kounellis , Sean Shanahan, Claudio Parmiggiani , and Nicola De Maria are in
91-703: The Rome-based literary magazine La Ronda between 1919 and 1922. Throughout the 1920s and 1930s, he concentrated mainly on landscape painting and developed a more atmospheric style. An example from this period is his 1928 Morning by the Sea . Carrà is best known for his 1911 Futurist work, The Funeral of the Anarchist Galli . He was indeed an anarchist as a young man but, along with many other Futurists, later held more reactionary political views, becoming ultranationalist and irredentist before and during
104-725: The centre of the city, near the Palazzo Marino , the Teatro alla Scala and the Galleria Vittorio Emanuele II , the church was commissioned by Charles Borromeo from Pellegrino Tibaldi (1559). Outside of the church, in Piazza San Fedele , is a bronze statue (1883) in memory of the writer Alessandro Manzoni , who lived nearby, and who died from a head injury he received after a fall while exiting mass at San Fedele on 6 January 1873. The interior
117-645: The city, and studied under Cesare Tallone . In 1910 he signed, along with Umberto Boccioni , Luigi Russolo and Giacomo Balla the Manifesto of Futurist Painters , and began a phase of painting that became his most popular and influential. Carrà's Futurist phase ended around the time World War I began. His work, while still using some Futurist concepts, began to deal more clearly with form and stillness, rather than motion and feeling. In his 1913 manifesto, "The Painting of Sounds, Noises and Smells," Carrà discussed his interest in synaesthesia , describing it as "being
130-529: The gallery or church. Carlo Carr%C3%A0 Carlo Carrà ( Italian: [ˈkarlo karˈra] ; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan . Carrà
143-412: The innovators of a style they called " metaphysical painting ". By 1919, Carrà's metaphysical phase was giving way to an archaicism inspired by the works of Giotto , whom he admired as "the artist whose forms are closest to our manner of conceiving the construction of bodies in space". Carrà's painting The Daughters of Lot (1919) exemplifies the new direction of his work. He was among the contributors of
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#1732782341475156-485: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=San_Fedele&oldid=999141672 " Category : Place name disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages San Fedele, Milan Located in Saint Fedele Square in
169-719: Was born in Quargnento , a comune just northwest of Alessandria, Italy ( Piedmont ). At the age of 12 he left home in order to work as a mural decorator. In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle , where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists , and returned to Milan in 1901. In 1906, he enrolled at Brera Academy ( Accademia di Brera ) in
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