Slingerland is a United States manufacturer of drums . The company was founded in 1912 and enjoyed several decades of prominence in the industry before the 1980s. After ceasing operation in the early 1980s, Slingerland was acquired by Gibson , who briefly revived it and owned it until November 2019, before selling Slingerland to DW Drums , who announced the intention of re-launching the brand . Slingerland is strongly associated with jazz drummers, such as Gene Krupa and Buddy Rich , who played signature instruments made by the company. Although primarily known for its drums, in the 1930s Slingerland also produced electric and acoustic guitars, violins , mandolins , banjos and ukuleles .
146-726: The "Slingerland Banjo Company" was founded by Henry Heanon (H.H.) Slingerland (1875–1946) in 1912. Slingerland had won a correspondence school of music in a card game aboard one of the gaming boats that once cruised Lake Michigan. He then opened a music school in Chicago, and soon turned to manufacturing musical instruments as well. As its name indicated, the company started out producing banjos while importing ukuleles from Germany, but set up its own production because it could not meet demand. Soon, they produced their own musical instruments and eventually, also guitars (including electric guitars from 1936 or earlier). Production of snare drums
292-492: A bone flute to signal the start of a hunt does so without thought of the modern notion of "making music". Musical instruments are constructed in a broad array of styles and shapes, using many different materials. Early musical instruments were made from "found objects" such as shells and plant parts. As instruments evolved, so did the selection and quality of materials. Virtually every material in nature has been used by at least one culture to make musical instruments. One plays
438-402: A horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The exact date and specific origin of the first device considered a musical instrument, is widely disputed. The oldest object identified by scholars as
584-486: A whole-tone scale . These excavations, carried out by Leonard Woolley in the 1920s, uncovered non-degradable fragments of instruments and the voids left by the degraded segments that, together, have been used to reconstruct them. The graves these instruments were buried in have been carbon dated to between 2600 and 2500 BC, providing evidence that these instruments were used in Sumeria by this time. Archaeologists in
730-878: A 2,600-year-old shipwreck off Sicily found them to be an alloy made with 75–80% copper, 15–20% zinc and small percentages of nickel, lead and iron. During the later part of first millennium BC the use of brass spread across a wide geographical area from Britain and Spain in the west to Iran , and India in the east. This seems to have been encouraged by exports and influence from the Middle East and eastern Mediterranean where deliberate production of brass from metallic copper and zinc ores had been introduced. The 4th century BC writer Theopompus , quoted by Strabo , describes how heating earth from Andeira in Turkey produced "droplets of false silver", probably metallic zinc, which could be used to turn copper into oreichalkos. In
876-461: A Radio King drum was created from a single piece of steam-bent maple with solid maple reinforcement rings to assist in keeping the drum round under the pressure of the metal hardware attached to it. Single-ply wood drums are known for their resonance and bright tone. Radio King bass drums and tom-toms were made from mahogany, with maple reinforcement hoops. These drums are known for their "thuddy" sound; very warm, with quick decay. The popularity of
1022-423: A better historical picture. Until the 19th century AD, European-written music histories began with mythological accounts mingled with scripture of how musical instruments were invented. Such accounts included Jubal , descendant of Cain and "father of all such as handle the harp and the organ" ( Genesis 4:21) Pan , inventor of the pan pipes , and Mercury , who is said to have made a dried tortoise shell into
1168-451: A challenge. Despite even the efforts of two organized international summits attended by noted composers like Hector Berlioz , no standard could be agreed upon. The evolution of traditional musical instruments slowed beginning in the 20th century. Instruments such as the violin, flute, french horn, and harp are largely the same as those manufactured throughout the eighteenth and nineteenth centuries. Gradual iterations do emerge; for example,
1314-468: A copper-zinc alloy was not understood until the post-medieval period because the zinc vapor which reacted with copper to make brass was not recognized as a metal . The King James Bible makes many references to "brass" to translate "nechosheth" (bronze or copper) from Hebrew to English. The earliest brasses may have been natural alloys made by smelting zinc-rich copper ores . By the Roman period brass
1460-435: A drastic increase in the number and variety of musical instruments. However, identifying and classifying the instruments remains a challenge due to the lack of artistic interpretations. For example, stringed instruments of uncertain design called nevals and asors existed, but neither archaeology nor etymology can clearly define them. In her book A Survey of Musical Instruments , American musicologist Sibyl Marcuse proposes that
1606-823: A fiddle would; both were prominent folk instruments in the Middle Ages. Southern Europeans played short and long lutes whose pegs extended to the sides, unlike the rear-facing pegs of Central and Northern European instruments. Idiophones such as bells and clappers served various practical purposes, such as warning of the approach of a leper . The ninth century revealed the first bagpipes , which spread throughout Europe and had many uses from folk instruments to military instruments. The construction of pneumatic organs evolved in Europe starting in fifth-century Spain , spreading to England in about 700. The resulting instruments varied in size and use from portable organs worn around
SECTION 10
#17327944950471752-555: A great relief of Amenhotep III , and are of particular interest because similar designs have been found in far-reaching places such as Tbilisi , Georgia and among the Native American Yaqui tribe. The people of Mesopotamia preferred stringed instruments , as evidenced by their proliferation in Mesopotamian figurines, plaques, and seals. Innumerable varieties of harps are depicted, as well as lyres and lutes,
1898-419: A highly beneficial hard layer of aluminium oxide (Al 2 O 3 ) to be formed on the surface that is thin, transparent, and self-healing. Tin has a similar effect and finds its use especially in seawater applications (naval brasses). Combinations of iron, aluminium, silicon, and manganese make brass wear - and tear-resistant . The addition of as little as 1% iron to a brass alloy will result in an alloy with
2044-556: A large horseshoe magnet. Slingerland ceased making electric instruments in 1940 in order to exclusively focus on producing percussion instruments. The company remained in the Slingerland family until 1970, but continued to be a prominent drum manufacturer throughout the 1970s. After introducing the Magnum series in 1982, Slingerland lost its footing, and the company folded in 1986. Slingerland changed ownership multiple times until it
2190-765: A long violent period of war and destruction. This period saw the Kassites destroy the Babylonian empire in Mesopotamia and the Hyksos destroy the Middle Kingdom of Egypt . When the Pharaohs of Egypt conquered Southwest Asia in around 1500 BC, the cultural ties to Mesopotamia were renewed and Egypt's musical instruments also reflected heavy influence from Asiatic cultures. Under their new cultural influences,
2336-657: A lower temperature to allow more zinc to be absorbed . Albertus Magnus noted that the "power" of both calamine and tutty could evaporate and described how the addition of powdered glass could create a film to bind it to the metal. German brass making crucibles are known from Dortmund dating to the 10th century AD and from Soest and Schwerte in Westphalia dating to around the 13th century confirm Theophilus' account, as they are open-topped, although ceramic discs from Soest may have served as loose lids which may have been used to reduce zinc evaporation , and have slag on
2482-467: A melody. In contrast, pre-Columbian South American civilizations in areas such as modern-day Peru , Colombia , Ecuador , Bolivia , and Chile were less advanced culturally but more advanced musically. South American cultures of the time used pan-pipes as well as varieties of flutes, idiophones, drums, and shell or wood trumpets. An instrument that can be attested to the Iron Age Celts
2628-466: A mixture of timbres, a development needed for the complexity of music of the time. Trumpets evolved into their modern form to improve portability, and players used mutes to properly blend into chamber music . Beginning in the seventeenth century, composers began writing works to a higher emotional degree. They felt that polyphony better suited the emotional style they were aiming for and began writing musical parts for instruments that would complement
2774-638: A musical instrument by interacting with it in some way — for example, by plucking the strings on a string instrument , striking the surface of a drum , or blowing into an animal horn. Researchers have discovered archaeological evidence of musical instruments in many parts of the world. One disputed artifact (the Divje Babe flute ) has been dated to 67,000 years old, but consensus solidifies around artifacts dated back to around 37,000 years old and later. Artifacts made from durable materials, or constructed using durable methods, have been found to survive. As such,
2920-690: A musical instrument, is a simple flute , dated back 50,000–60,000 years. Many scholars date early flutes to about 40,000 years ago. Many historians believe that determining the specific date of musical instrument invention is impossible, as the majority of early musical instruments were constructed of animal skins, bone, wood, and other non-durable, bio-degradable materials. Additionally, some have proposed that lithophones , or stones used to make musical sounds—like those found at Sankarjang in India—are examples of prehistoric musical instruments. Musical instruments developed independently in many populated regions of
3066-438: A noticeable magnetic attraction. Brass will corrode in the presence of moisture, chlorides , acetates , ammonia , and certain acids. This often happens when the copper reacts with sulfur to form a brown and eventually black surface layer of copper sulfide which, if regularly exposed to slightly acidic water such as urban rainwater, can then oxidize in air to form a patina of green-blue copper carbonate . Depending on how
SECTION 20
#17327944950473212-522: A popular material for its bright gold-like appearance and is still used for drawer pulls and doorknobs . It has also been widely used to make sculpture and utensils because of its low melting point, high workability (both with hand tools and with modern turning and milling machines), durability, and electrical and thermal conductivity . Brasses with higher copper content are softer and more golden in colour; conversely those with less copper and thus more zinc are harder and more silvery in colour. Brass
3358-659: A result of Gibson's bankruptcy auction to a private individual who proceeded to liquidate the remaining stock via eBay. This included drums produced in Nashville and in Taiwan. On November 25, 2019, it was announced that DW Drums had taken over ownership of the Slingerland brand from Gibson. Slingerland's most famous product line is the Radio King series of drums. These drums were introduced in 1936–37, and remained Slingerland's flagship snare drums and drum sets until 1957, when
3504-455: A role. DZR-brass is used in water boiler systems. This brass alloy must be produced with great care, with special attention placed on a balanced composition and proper production temperatures and parameters to avoid long-term failures. An example of DZR brass is the C352 brass, with about 30% zinc, 61–63% copper, 1.7–2.8% lead, and 0.02–0.15% arsenic. The lead and arsenic significantly suppress
3650-624: A unique system of classifying their musical instruments according to their material makeup. In Vietnam, an archaeological discovery of a 2,000-year old stringed instrument gives important insights on early chordophones in Southeast Asia. Idiophones were extremely important in Chinese music, hence the majority of early instruments were idiophones. Poetry of the Shang dynasty mentions bells, chimes, drums, and globular flutes carved from bone,
3796-666: A wider variety of expression. Large orchestras rose in popularity and, in parallel, the composers determined to produce entire orchestral scores that made use of the expressive abilities of modern instruments. Since instruments were involved in collaborations of a much larger scale, their designs had to evolve to accommodate the demands of the orchestra. Some instruments also had to become louder to fill larger halls and be heard over sizable orchestras. Flutes and bowed instruments underwent many modifications and design changes—most of them unsuccessful—in efforts to increase volume. Other instruments were changed just so they could play their parts in
3942-697: Is a free reed aerophone , also often made from brass. In organ pipes of the reed family, brass strips (called tongues) are used as the reeds, which beat against the shallot (or beat "through" the shallot in the case of a "free" reed). Although not part of the brass section, snare drums are also sometimes made of brass. Some parts on electric guitars are also made from brass, especially inertia blocks on tremolo systems for its tonal properties, and for string nuts and saddles for both tonal properties and its low friction. The bactericidal properties of brass have been observed for centuries, particularly in marine environments where it prevents biofouling . Depending upon
4088-427: Is a device created or adapted to make musical sounds . In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist . The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as
4234-565: Is also not reliable, as it cannot always be determined when and how cultures contacted one another and shared knowledge. Sachs proposed that a geographical chronology until approximately 1400 is preferable, however, due to its limited subjectivity. Beyond 1400, one can follow the overall development of musical instruments over time. The science of marking the order of musical instrument development relies on archaeological artifacts, artistic depictions, and literary references. Since data in one research path can be inconclusive, all three paths provide
4380-650: Is among many indications that the Indus Valley and Sumerian cultures maintained cultural contact. Subsequent developments in musical instruments in India occurred with the Rigveda , or hymns. These songs used various drums, shell trumpets, harps, and flutes. Other prominent instruments in use during the early centuries AD were the snake charmer's double clarinet , bagpipes , barrel drums, cross flutes, and short lutes. In all, India had no unique musical instruments until
4526-407: Is an alloy of copper and zinc , in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, but copper typically has the larger proportion, generally 66% copper and 34% zinc. In use since prehistoric times, it is a substitutional alloy : atoms of the two constituents may replace each other within the same crystal structure. Brass
Slingerland Drum Company - Misplaced Pages Continue
4672-448: Is an outstanding masterpiece of Romanesque brass casting, though also often described as bronze. The metal of the early 12th-century Gloucester Candlestick is unusual even by medieval standards in being a mixture of copper, zinc, tin, lead, nickel , iron, antimony and arsenic with an unusually large amount of silver , ranging from 22.5% in the base to 5.76% in the pan below the candle. The proportions of this mixture may suggest that
4818-495: Is described as one of the last drummers to play rock using "vintage weapons," besides Neil Hennessy of the punk rock band the Lawrence Arms . Jamie Oliver, veteran drummer of English punk rock band UK Subs , frequently appears live with his beloved vintage silver tone Slingerland. In addition, drummer Jean-Marc Butty uses vintage Slingerland Drums with PJ Harvey . Musical instrument A musical instrument
4964-435: Is misleading to arrange the development of musical instruments by workmanship, since cultures advance at different rates and have access to different raw materials. For example, contemporary anthropologists comparing musical instruments from two cultures that existed at the same time but differed in organization, culture, and handicraft cannot determine which instruments are more "primitive" . Ordering instruments by geography
5110-401: Is misleading, since advancements in musical instruments have sometimes reduced complexity. For example, construction of early slit drums involved felling and hollowing out large trees; later slit drums were made by opening bamboo stalks, a much simpler task. German musicologist Curt Sachs , one of the most prominent musicologists and musical ethnologists in modern times, argues that it
5256-507: Is more malleable than bronze or zinc. The relatively low melting point of brass (900 to 940 °C; 1,650 to 1,720 °F, depending on composition) and its flow characteristics make it a relatively easy material to cast . By varying the proportions of copper and zinc, the properties of the brass can be changed, allowing hard and soft brasses. The density of brass is 8.4 to 8.73 g/cm (0.303 to 0.315 lb/cu in). Today, almost 90% of all brass alloys are recycled. Because brass
5402-430: Is not ferromagnetic , ferrous scrap can be separated from it by passing the scrap near a powerful magnet. Brass scrap is melted and recast into billets that are extruded into the desired form and size. The general softness of brass means that it can often be machined without the use of cutting fluid , though there are exceptions to this. Aluminium makes brass stronger and more corrosion-resistant. Aluminium also causes
5548-426: Is not as hard as bronze and so is not suitable for most weapons and tools. Nor is it suitable for marine uses, because the zinc reacts with minerals in salt water, leaving porous copper behind; marine brass, with added tin, avoids this, as does bronze. Brass is often used in situations in which it is important that sparks not be struck, such as in fittings and tools used near flammable or explosive materials. Brass
5694-424: Is similar to bronze , a copper alloy that contains tin instead of zinc. Both bronze and brass may include small proportions of a range of other elements including arsenic , lead , phosphorus , aluminium , manganese and silicon . Historically, the distinction between the two alloys has been less consistent and clear, and increasingly museums use the more general term " copper alloy ". Brass has long been
5840-498: Is still commonly used in applications where corrosion resistance and low friction are required, such as locks , hinges , gears , bearings , ammunition casings, zippers , plumbing , hose couplings , valves and electrical plugs and sockets . It is used extensively for musical instruments such as horns and bells . The composition of brass makes it a favorable substitute for copper in costume jewelry and fashion jewelry , as it exhibits greater resistance to corrosion. Brass
5986-529: Is susceptible to stress corrosion cracking , especially from ammonia or substances containing or releasing ammonia. The problem is sometimes known as season cracking after it was first discovered in brass cartridges used for rifle ammunition during the 1920s in the British Indian Army . The problem was caused by high residual stresses from cold forming of the cases during manufacture, together with chemical attack from traces of ammonia in
Slingerland Drum Company - Misplaced Pages Continue
6132-424: Is the carnyx , which is dated to c. 300 BC. The end of the bell, which was crafted from bronze, was into the shape of a screaming animal head which was held high above their heads. When blown into, the carnyx would emit a deep, harsh sound; the head also had a tongue which clicked when vibrated. It is believed the intention of the instrument was to use it on the battleground to intimidate their opponents. During
6278-475: Is used to make musical sounds . Once humans moved from making sounds with their bodies — for example, by clapping—to using objects to create music from sounds, musical instruments were born. Primitive instruments were probably designed to emulate natural sounds , and their purpose was ritual rather than entertainment. The concept of melody and the artistic pursuit of musical composition were probably unknown to early players of musical instruments. A person sounding
6424-558: The Alboka (from Arab, al-buq or "horn") nowadays only alive in Basque Country . It must be played using the technique of the circular breathing. Southeast Asian musical innovations include those during a period of Indian influence that ended around 920 AD. Balinese and Javanese music made use of xylophones and metallophones , bronze versions of the former. The most prominent and important musical instrument of Southeast Asia
6570-559: The Ancient Greek translation of this term, was later adapted to the Latin aurichalcum meaning "golden copper" which became the standard term for brass. In the 4th century BC Plato knew orichalkos as rare and nearly as valuable as gold and Pliny describes how aurichalcum had come from Cypriot ore deposits which had been exhausted by the 1st century AD. X-ray fluorescence analysis of 39 orichalcum ingots recovered from
6716-584: The Bible and the Talmud . The Hebrew texts mention two prominent instruments associated with Jubal : the ugab (pipes) and kinnor (lyre). Other instruments of the period included the tof ( frame drum ), pa'amon (small bells or jingles), shofar , and the trumpet-like hasosra . The introduction of a monarchy in Israel during the 11th century BC produced the first professional musicians and with them
6862-546: The Bronze Head from Ife of "heavily leaded zinc-brass" and the Bronze Head of Queen Idia , both also British Museum, are better described as brass, though of variable compositions. Work in brass or bronze continued to be important in Benin art and other West African traditions such as Akan goldweights , where the metal was regarded as a more valuable material than in Europe. The Renaissance saw important changes to both
7008-588: The Chukchi people of the Russian Far East , the indigenous people of Melanesia , and many cultures of Africa . In fact, drums were pervasive throughout every African culture. One East African tribe, the Wahinda , believed it was so holy that seeing a drum would be fatal to any person other than the sultan. Humans eventually developed the concept of using musical instruments to produce melody , which
7154-674: The Eastern Mediterranean early copper-zinc alloys are now known in small numbers from a number of 3rd millennium BC sites in the Aegean , Iraq , the United Arab Emirates , Kalmykia , Turkmenistan and Georgia and from 2nd millennium BC sites in western India , Uzbekistan , Iran , Syria , Iraq and Canaan . Isolated examples of copper-zinc alloys are known in China from the 1st century AD, long after bronze
7300-534: The Han dynasty . Although civilizations in Central America attained a relatively high level of sophistication by the eleventh century AD, they lagged behind other civilizations in the development of musical instruments. For example, they had no stringed instruments; all of their instruments were idiophones, drums, and wind instruments such as flutes and trumpets. Of these, only the flute was capable of producing
7446-491: The Jiahu site of central Henan province of China have found flutes made of bones that date back 7,000 to 9,000 years, representing some of the "earliest complete, playable, tightly-dated, multinote musical instruments" ever found. Scholars agree that there are no completely reliable methods of determining the exact chronology of musical instruments across cultures. Comparing and organizing instruments based on their complexity
SECTION 50
#17327944950477592-634: The Royal Cemetery in the Sumerian city of Ur . These instruments, one of the first ensembles of instruments yet discovered, include nine lyres (the Lyres of Ur ), two harps , a silver double flute , a sistrum and cymbals . A set of reed-sounded silver pipes discovered in Ur was the likely predecessor of modern bagpipes . The cylindrical pipes feature three side holes that allowed players to produce
7738-480: The ground harp , ground zither , musical bow , and jaw harp . Recent research into usage wear and acoustics of stone artefacts has revealed a possible new class of prehistoric musical instrument, known as lithophones . Images of musical instruments begin to appear in Mesopotamian artifacts in 2800 BC or earlier. Beginning around 2000 BC, Sumerian and Babylonian cultures began delineating two distinct classes of musical instruments due to division of labor and
7884-553: The post-classical era . Musical instruments such as zithers appeared in Chinese writings around 12th century BC and earlier. Early Chinese philosophers such as Confucius (551–479 BC), Mencius (372–289 BC), and Laozi shaped the development of musical instruments in China, adopting an attitude toward music similar to that of the Greeks. The Chinese believed that music was an essential part of character and community, and developed
8030-416: The saxhorns . Other wind instruments may be constructed of brass or other metals, and indeed most modern student-model flutes and piccolos are made of some variety of brass, usually a cupronickel alloy similar to nickel silver (also known as German silver) . Clarinets , especially low clarinets such as the contrabass and subcontrabass , are sometimes made of metal because of limited supplies of
8176-453: The saxophones and sarrusophones are classified as woodwind instruments, they are normally made of brass for similar reasons, and because their wide, conical bores and thin-walled bodies are more easily and efficiently made by forming sheet metal than by machining wood. The keywork of most modern woodwinds, including wooden-bodied instruments, is also usually made of an alloy such as nickel silver. Such alloys are stiffer and more durable than
8322-475: The surface area of the copper helping it react and zinc contents of up to 33% wt were reported using this new technique. In 1738 Nehemiah's son William Champion patented a technique for the first industrial scale distillation of metallic zinc known as distillation per descencum or "the English process". This local zinc was used in speltering and allowed greater control over the zinc content of brass and
8468-441: The theremin . Musical instrument classification is a discipline in its own right, and many systems of classification have been used over the years. Instruments can be classified by their effective range, material composition, size, role, etc. However, the most common academic method, Hornbostel–Sachs , uses the means by which they produce sound. The academic study of musical instruments is called organology . A musical instrument
8614-468: The urghun ( organ ), shilyani (probably a type of harp or lyre ), salandj (probably a bagpipe ) and the lyra . The Byzantine lyra, a bowed string instrument, is an ancestor of most European bowed instruments, including the violin . The monochord served as a precise measure of the notes of a musical scale, allowing more accurate musical arrangements. Mechanical hurdy-gurdies allowed single musicians to play more complicated arrangements than
8760-439: The war effort . These drums were named the "Rolling Bomber" series, and are highly collectible. The Rock and Roll era of the 1960s and 1970s was a good time for many American drum companies, including Slingerland, although its main competitor, Ludwig , had the advantage of being endorsed by Ringo Starr , but Slingerland, too, produced drums in that era and had robust sales. Beside long time endorser Buddy Rich , Slingerland in
8906-503: The "New Violin Family" began in 1964 to provide differently sized violins to expand the range of available sounds. The slowdown in development was a practical response to the concurrent slowdown in orchestra and venue size. Despite this trend in traditional instruments, the development of new musical instruments exploded in the twentieth century, and the variety of instruments developed overshadows any prior period. Brass Brass
SECTION 60
#17327944950479052-624: The "father" was the bigger or more energetic instrument, while the "mother" was the smaller or duller instrument. Musical instruments existed in this form for thousands of years before patterns of three or more tones would evolve in the form of the earliest xylophone . Xylophones originated in the mainland and archipelago of Southeast Asia , eventually spreading to Africa, the Americas, and Europe. Along with xylophones, which ranged from simple sets of three "leg bars" to carefully tuned sets of parallel bars, various cultures developed instruments such as
9198-508: The 13th century Italian Marco Polo describe how this was obtained by sublimation from zinc ores and condensed onto clay or iron bars, archaeological examples of which have been identified at Kush in Iran. It could then be used for brass making or medicinal purposes. In 10th century Yemen al-Hamdani described how spreading al-iglimiya , probably zinc oxide, onto the surface of molten copper produced tutiya vapor which then reacted with
9344-436: The 1920s. By the 1970s, the Slingerland line of marching equipment had become very popular in marching bands, colleges, and drum corps. During the late 1970s, Slingerland introduced its TDR marching snare drum, with a novel strainer and synthetic-gut snare that produced a distinctive sound. Another late-70s innovation was the Slingerland cutaway multi-tenors that were carried in trio, quad, or quint arrangements. The cutaway design
9490-496: The 1970s garnered drummers Danny Seraphine with Chicago and Nigel Olsson , the drummer for Elton John , and Neil Peart of Rush . Short-lived in the 1970s was Slingerland's version of Ludwig Vistalite drums . They stopped production quickly after their introduction due to a patent infringement suit and a cease and desist warrant from Ludwig regarding Slingerland's foray into acrylic drums. These drums today remain collectible. Slingerland marching drums were produced as early as
9636-528: The 1st century BC the Greek Dioscorides seems to have recognized a link between zinc minerals and brass describing how Cadmia ( zinc oxide ) was found on the walls of furnaces used to heat either zinc ore or copper and explaining that it can then be used to make brass. By the first century BC brass was available in sufficient supply to use as coinage in Phrygia and Bithynia , and after
9782-515: The Augustan currency reform of 23 BC it was also used to make Roman dupondii and sestertii . The uniform use of brass for coinage and military equipment across the Roman world may indicate a degree of state involvement in the industry, and brass even seems to have been deliberately boycotted by Jewish communities in Palestine because of its association with Roman authority. Brass
9928-563: The European and Islamic worlds. The cementation process continued to be used but literary sources from both Europe and the Islamic world seem to describe variants of a higher temperature liquid process which took place in open-topped crucibles. Islamic cementation seems to have used zinc oxide known as tutiya or tutty rather than zinc ores for brass-making, resulting in a metal with lower iron impurities. A number of Islamic writers and
10074-564: The General Butler Vagabonds all used Slingerland equipment in the late 1970s and early 1980s. In the early 1980s, Slingerland was gaining significant market share, but the company was sold, and corporate finances fell apart. By the late 1980s, Slingerland had fallen behind technologically, and Ludwig-Musser , and especially Pearl drums , began to pick up its market share. For most of the company's pre-1970s history, Slingerland's manufacturing processes were not standardized in
10220-457: The German chemist Johann Glauber had recognized that calamine was "nothing else but unmeltable zinc" and that zinc was a "half ripe metal". However some earlier high zinc, low iron brasses such as the 1530 Wightman brass memorial plaque from England may have been made by alloying copper with zinc and include traces of cadmium similar to those found in some zinc ingots from China. However,
10366-585: The Germany city of Aachen alone was capable of producing 300,000 cwt of brass per year. After several false starts during the 16th and 17th centuries the brass industry was also established in England taking advantage of abundant supplies of cheap copper smelted in the new coal fired reverberatory furnace . In 1723 Bristol brass maker Nehemiah Champion patented the use of granulated copper, produced by pouring molten metal into cold water. This increased
10512-571: The Middles Ages came from Asia. The lyre is the only musical instrument that may have been invented in Europe until this period. Stringed instruments were prominent in Middle Age Europe. The central and northern regions used mainly lutes, stringed instruments with necks , while the southern region used lyres, which featured a two-armed body and a crossbar. Various harps served Central and Northern Europe as far north as Ireland, where
10658-402: The Radio King model briefly disappeared from the product line. Between 1960 and 1962, Radio Kings were reintroduced. Older Radio Kings are obsessively collected by vintage drum enthusiasts. Gene Krupa and Buddy Rich were both Radio King endorsers. The original Radio King snare drum is distinguished by its construction: rather than several plies of mahogany , like most snare drums of the era,
10804-545: The Roman process and the use of the term tutty by Albertus Magnus in the 13th century suggests influence from Islamic technology. The 12th century German monk Theophilus described how preheated crucibles were one sixth filled with powdered calamine and charcoal then topped up with copper and charcoal before being melted, stirred then filled again. The final product was cast , then again melted with calamine. It has been suggested that this second melting may have taken place at
10950-639: The area. Rather, the history of musical instruments in the area begins with the Indus Valley civilization that emerged around 3000 BC. Various rattles and whistles found among excavated artifacts are the only physical evidence of musical instruments. A clay statuette indicates the use of drums, and examination of the Indus script has also revealed representations of vertical arched harps identical in design to those depicted in Sumerian artifacts. This discovery
11096-440: The atmosphere. The cartridges were stored in stables and the ammonia concentration rose during the hot summer months, thus initiating brittle cracks. The problem was resolved by annealing the cases, and storing the cartridges elsewhere. Other phases than α, β and γ are ε, a hexagonal intermetallic CuZn 3 , and η, a solid solution of copper in zinc. Although forms of brass have been in use since prehistory , its true nature as
11242-653: The average brass key, new or old, exceeded the California Proposition 65 limits by an average factor of 19, assuming handling twice a day. In April 2001 manufacturers agreed to reduce lead content to 1.5%, or face a requirement to warn consumers about lead content. Keys plated with other metals are not affected by the settlement, and may continue to use brass alloys with a higher percentage of lead content. Also in California, lead-free materials must be used for "each component that comes into contact with
11388-577: The brass used to construct the instrument bodies, but still workable with simple hand tools—a boon to quick repairs. The mouthpieces of both brass instruments and, less commonly, woodwind instruments are often made of brass among other metals as well. Next to the brass instruments, the most notable use of brass in music is in various percussion instruments , most notably cymbals , gongs , and orchestral (tubular) bells (large "church" bells are normally made of bronze ). Small handbells and " jingle bells " are also commonly made of brass. The harmonica
11534-413: The brass will corrode galvanically; conversely, if brass is in contact with a less-noble metal such as zinc or iron, the less noble metal will corrode and the brass will be protected. To enhance the machinability of brass, lead is often added in concentrations of about 2%. Since lead has a lower melting point than the other constituents of the brass, it tends to migrate towards the grain boundaries in
11680-491: The candlestick was made from a hoard of old coins, probably Late Roman. Latten is a term for medieval alloys of uncertain and often variable composition often covering decorative borders and similar objects cut from sheet metal, whether of brass or bronze. Especially in Tibetan art , analysis of some objects shows very different compositions from different ends of a large piece. Aquamaniles were typically made in brass in both
11826-422: The cementation process was not abandoned, and as late as the early 19th century there are descriptions of solid-state cementation in a domed furnace at around 900–950 °C and lasting up to 10 hours. The European brass industry continued to flourish into the post medieval period buoyed by innovations such as the 16th century introduction of water powered hammers for the production of wares such as pots. By 1559
11972-505: The changes to timbre and volume was a shift in the typical pitch used to tune instruments. Instruments meant to play together, as in an orchestra, must be tuned to the same standard lest they produce audibly different sounds while playing the same notes. Beginning in 1762, the average concert pitch began rising from a low of 377 vibrations to a high of 457 in 1880 Vienna. Different regions, countries, and even instrument manufacturers preferred different standards, making orchestral collaboration
12118-568: The cultural contacts seem to have dissipated; the lyre, a prominent ceremonial instrument in Sumer, did not appear in Egypt for another 800 years. Clappers and concussion sticks appear on Egyptian vases as early as 3000 BC. The civilization also made use of sistra, vertical flutes , double clarinets , arched and angular harps, and various drums. Little history is available in the period between 2700 BC and 1500 BC, as Egypt (and indeed, Babylon) entered
12264-434: The dense, fine-grained tropical hardwoods traditionally preferred for smaller woodwinds . For the same reason, some low clarinets, bassoons and contrabassoons feature a hybrid construction, with long, straight sections of wood, and curved joints, neck, and/or bell of metal. The use of metal also avoids the risks of exposing wooden instruments to changes in temperature or humidity, which can cause sudden cracking. Even though
12410-469: The end of the process presumably to maximize zinc absorption in the final stages. Triangular crucibles were then used to melt the brass for casting . 16th-century technical writers such as Biringuccio , Ercker and Agricola described a variety of cementation brass making techniques and came closer to understanding the true nature of the process noting that copper became heavier as it changed to brass and that it became more golden as additional calamine
12556-446: The end of the process. Dioscorides mentioned that zinc minerals were used for both the working and finishing of brass, perhaps suggesting secondary additions. Brass made during the early Roman period seems to have varied between 20% and 28% wt zinc. The high content of zinc in coinage and brass objects declined after the first century AD and it has been suggested that this reflects zinc loss during recycling and thus an interruption in
12702-502: The evolving class system. Popular instruments, simple and playable by anyone, evolved differently from professional instruments whose development focused on effectiveness and skill. Despite this development, very few musical instruments have been recovered in Mesopotamia . Scholars must rely on artifacts and cuneiform texts written in Sumerian or Akkadian to reconstruct the early history of musical instruments in Mesopotamia. Even
12848-579: The family of red brasses. Gunmetal alloys contain roughly 88% copper, 8–10% tin, and 2–4% zinc. Lead can be added for ease of machining or for bearing alloys. "Naval brass", for use in seawater, contains 40% zinc but also 1% tin. The tin addition suppresses zinc leaching. The NSF International requires brasses with more than 15% zinc, used in piping and plumbing fittings , to be dezincification-resistant. The high malleability and workability, relatively good resistance to corrosion , and traditionally attributed acoustic properties of brass, have made it
12994-484: The first bowed zithers appeared in China in the 9th or 10th century, influenced by Mongolian culture. India experienced similar development to China in the post-classical era; however, stringed instruments developed differently as they accommodated different styles of music. While stringed instruments of China were designed to produce precise tones capable of matching the tones of chimes, stringed instruments of India were considerably more flexible. This flexibility suited
13140-464: The first lyre . Modern histories have replaced such mythology with anthropological speculation, occasionally informed by archeological evidence. Scholars agree that there was no definitive "invention" of the musical instrument since the term "musical instrument" is subjective and hard to define. Among the first devices external to the human body that are considered instruments are rattles , stampers, and various drums . These instruments evolved due to
13286-454: The first such book was Sebastian Virdung 's 1511 treatise Musica getuscht und ausgezogen ('Music Germanized and Abstracted'). Virdung's work is noted as being particularly thorough for including descriptions of "irregular" instruments such as hunters' horns and cow bells, though Virdung is critical of the same. Other books followed, including Arnolt Schlick 's Spiegel der Orgelmacher und Organisten ('Mirror of Organ Makers and Organ Players')
13432-537: The following year, a treatise on organ building and organ playing. Of the instructional books and references published in the Renaissance era, one is noted for its detailed description and depiction of all wind and stringed instruments, including their relative sizes. This book, the Syntagma musicum by Michael Praetorius , is now considered an authoritative reference of sixteenth-century musical instruments. In
13578-462: The forerunner of modern stringed instruments such as the violin . Musical instruments used by the Egyptian culture before 2700 BC bore striking similarity to those of Mesopotamia, leading historians to conclude that the civilizations must have been in contact with one another. Sachs notes that Egypt did not possess any instruments that the Sumerian culture did not also possess. However, by 2700 BC
13724-626: The form of globules as it cools from casting. The pattern the globules form on the surface of the brass increases the available lead surface area which, in turn, affects the degree of leaching. In addition, cutting operations can smear the lead globules over the surface. These effects can lead to significant lead leaching from brasses of comparatively low lead content. In October 1999, the California State Attorney General sued 13 key manufacturers and distributors over lead content. In laboratory tests, state researchers found
13870-402: The gods. Greeks played a variety of wind instruments they classified as aulos (reeds) or syrinx (flutes); Greek writing from that time reflects a serious study of reed production and playing technique. Romans played reed instruments named tibia , featuring side-holes that could be opened or closed, allowing for greater flexibility in playing modes. Other instruments in common use in
14016-488: The harp eventually became a national symbol. Lyres propagated through the same areas, as far east as Estonia . European music between 800 and 1100 became more sophisticated, more frequently requiring instruments capable of polyphony . The 9th-century Persian geographer Ibn Khordadbeh mentioned in his lexicographical discussion of music instruments that, in the Byzantine Empire , typical instruments included
14162-630: The human motor impulse to add sound to emotional movements such as dancing. Eventually, some cultures assigned ritual functions to their musical instruments, using them for hunting and various ceremonies. Those cultures developed more complex percussion instruments and other instruments such as ribbon reeds, flutes, and trumpets. Some of these labels carry far different connotations from those used in modern day; early flutes and trumpets are so-labeled for their basic operation and function rather than resemblance to modern instruments. Among early cultures for whom drums developed ritual, even sacred importance are
14308-774: The increasing popularity of brass in the east and by the 6th–7th centuries AD over 90% of copper alloy artefacts from Egypt were made of brass. However other alloys such as low tin bronze were also used and they vary depending on local cultural attitudes, the purpose of the metal and access to zinc, especially between the Islamic and Byzantine world. Conversely the use of true brass seems to have declined in Western Europe during this period in favor of gunmetals and other mixed alloys but by about 1000 brass artefacts are found in Scandinavian graves in Scotland , brass
14454-418: The interior and are lidded. They show no signs of slag or metal prills suggesting that zinc minerals were heated to produce zinc vapor which reacted with metallic copper in a solid state reaction . The fabric of these crucibles is porous, probably designed to prevent a buildup of pressure, and many have small holes in the lids which may be designed to release pressure or to add additional zinc minerals near
14600-701: The interior resulting from a liquid process. Some of the most famous objects in African art are the lost wax castings of West Africa, mostly from what is now Nigeria , produced first by the Kingdom of Ife and then the Benin Empire . Though normally described as "bronzes", the Benin Bronzes , now mostly in the British Museum and other Western collections, and the large portrait heads such as
14746-405: The large number of copper-zinc alloys now known suggests that at least some were deliberately manufactured and many have zinc contents of more than 12% wt which would have resulted in a distinctive golden colour. By the 8th–7th century BC Assyrian cuneiform tablets mention the exploitation of the "copper of the mountains" and this may refer to "natural" brass. "Oreikhalkon" (mountain copper),
14892-574: The latter half of the sixteenth century, orchestration came into common practice as a method of writing music for a variety of instruments. Composers now specified orchestration where individual performers once applied their own discretion. The polyphonic style dominated popular music, and the instrument makers responded accordingly. Beginning in about 1400, the rate of development of musical instruments increased in earnest as compositions demanded more dynamic sounds. People also began writing books about creating, playing, and cataloging musical instruments;
15038-443: The latter of which has been excavated and preserved by archaeologists. The Zhou dynasty saw percussion instruments such as clappers , troughs, wooden fish , and yǔ (wooden tiger). Wind instruments such as flute, pan-pipes , pitch-pipes , and mouth organs also appeared in this time period. The xiao (an end-blown flute ) and various other instruments that spread through many cultures, came into use in China during and after
15184-407: The metal. The 13th century Iranian writer al-Kashani describes a more complex process whereby tutiya was mixed with raisins and gently roasted before being added to the surface of the molten metal. A temporary lid was added at this point presumably to minimize the escape of zinc vapor. In Europe a similar liquid process in open-topped crucibles took place which was probably less efficient than
15330-488: The modern horn or, more colloquially, French horn, had emerged by 1725. The slide trumpet appeared, a variation that includes a long-throated mouthpiece that slid in and out, allowing the player infinite adjustments in pitch . This variation on the trumpet was unpopular due to the difficulty involved in playing it. Organs underwent tonal changes in the Baroque period, as manufacturers such as Abraham Jordan of London made
15476-464: The most profound changes occurred during the Renaissance period. Instruments took on other purposes than accompanying singing or dance, and performers used them as solo instruments. Keyboards and lutes developed as polyphonic instruments, and composers arranged increasingly complex pieces using more advanced tablature . Composers also began designing pieces of music for specific instruments. In
15622-400: The music that accompanied wedding and circumcision ceremonies. Persian miniatures provide information on the development of kettle drums in Mesopotamia that spread as far as Java. Various lutes, zithers, dulcimers , and harps spread as far as Madagascar to the south and modern-day Sulawesi to the east. Despite the influences of Greece and Rome, most musical instruments in Europe during
15768-530: The neck to large pipe organs. Literary accounts of organs being played in English Benedictine abbeys toward the end of the tenth century are the first references to organs being connected to churches. Reed players of the Middle Ages were limited to oboes ; no evidence of clarinets exists during this period. Musical instrument development was dominated by the Occident from 1400 on, indeed,
15914-510: The nevel must be similar to vertical harp due to its relation to nabla , the Phoenician term for "harp". In Greece , Rome , and Etruria , the use and development of musical instruments stood in stark contrast to those cultures' achievements in architecture and sculpture. The instruments of the time were simple and virtually all of them were imported from other cultures. Lyres were the principal instrument, as musicians used them to honor
16060-419: The old Slingerland Radio King snare drum is evidenced by myriad professional drummers who still used the snare in 2017, despite endorsing other brands. A departure from the standard Slingerland product line occurred during World War II when wood was used to manufacture drum parts that had traditionally been made of brass , chrome , nickel , and steel . This was due to the high demand for metals needed for
16206-552: The oldest known musical instrument and the only Neanderthal musical instrument. Mammoth bone and swan bone flutes have been found dating back to 30,000 to 37,000 years old in the Swabian Alps of Germany. The flutes were made in the Upper Paleolithic age, and are more commonly accepted as being the oldest known musical instruments. Archaeological evidence of musical instruments was discovered in excavations at
16352-424: The patina layer was formed, it may protect the underlying brass from further damage. Although copper and zinc have a large difference in electrical potential , the resulting brass alloy does not experience internalized galvanic corrosion because of the absence of a corrosive environment within the mixture. However, if brass is placed in contact with a more noble metal such as silver or gold in such an environment,
16498-543: The people of the New Kingdom began using oboes , trumpets, lyres , lutes , castanets , and cymbals . Unlike Mesopotamia and Egypt, professional musicians did not exist in Israel between 2000 and 1000 BC. While the history of musical instruments in Mesopotamia and Egypt relies on artistic representations, the culture in Israel produced few such representations. Scholars must therefore rely on information gleaned from
16644-777: The period of time loosely referred to as the post-classical era and Europe in particular as the Middle Ages , China developed a tradition of integrating musical influence from other regions. The first record of this type of influence is in 384 AD, when China established an orchestra in its imperial court after a conquest in Turkestan . Influences from Middle East, Persia, India, Mongolia, and other countries followed. In fact, Chinese tradition attributes many musical instruments from this period to those regions and countries. Cymbals gained popularity, along with more advanced trumpets, clarinets, pianos, oboes, flutes, drums, and lutes. Some of
16790-426: The process of assigning names to these instruments is challenging since there is no clear distinction among various instruments and the words used to describe them. Although Sumerian and Babylonian artists mainly depicted ceremonial instruments, historians have distinguished six idiophones used in early Mesopotamia: concussion clubs, clappers, sistra , bells, cymbals, and rattles. Sistra are depicted prominently in
16936-456: The production of high-zinc copper alloys which would have been difficult or impossible to produce using cementation, for use in expensive objects such as scientific instruments , clocks , brass buttons and costume jewelry . However Champion continued to use the cheaper calamine cementation method to produce lower-zinc brass and the archaeological remains of bee-hive shaped cementation furnaces have been identified at his works at Warmley . By
17082-528: The production of new brass. However it is now thought this was probably a deliberate change in composition and overall the use of brass increases over this period making up around 40% of all copper alloys used in the Roman world by the 4th century AD. Little is known about the production of brass during the centuries immediately after the collapse of the Roman Empire . Disruption in the trade of tin for bronze from Western Europe may have contributed to
17228-515: The region included vertical harps derived from those of the Orient , lutes of Egyptian design, various pipes and organs, and clappers, which were played primarily by women. Evidence of musical instruments in use by early civilizations of India is almost completely lacking, making it impossible to reliably attribute instruments to the Munda and Dravidian language-speaking cultures that first settled
17374-468: The rising popularity of the guitar. As the prevalence of string orchestras rose, wind instruments such as the flute, oboe, and bassoon were readmitted to counteract the monotony of hearing only strings. In the mid-seventeenth century, what was known as a hunter's horn underwent a transformation into an "art instrument" consisting of a lengthened tube, a narrower bore, a wider bell, and a much wider range. The details of this transformation are unclear, but
17520-405: The scores. Trumpets traditionally had a "defective" range—they were incapable of producing certain notes with precision. New instruments such as the clarinet , saxophone , and tuba became fixtures in orchestras. Instruments such as the clarinet also grew into entire "families" of instruments capable of different ranges: small clarinets, normal clarinets, bass clarinets, and so on. Accompanying
17666-399: The singing human voice. As a result, many instruments that were incapable of larger ranges and dynamics, and therefore were seen as unemotional, fell out of favor. One such instrument was the shawm. Bowed instruments such as the violin , viola , baryton , and various lutes dominated popular music. Beginning in around 1750, however, the lute disappeared from musical compositions in favor of
17812-421: The sixteenth century, musical instrument builders gave most instruments – such as the violin – the "classical shapes" they retain today. An emphasis on aesthetic beauty also developed; listeners were as pleased with the physical appearance of an instrument as they were with its sound. Therefore, builders paid special attention to materials and workmanship, and instruments became collectibles in homes and museums. It
17958-700: The slides and tremolos of Hindu music. Rhythm was of paramount importance in Indian music of the time, as evidenced by the frequent depiction of drums in reliefs dating to the post-classical era. The emphasis on rhythm is an aspect native to Indian music. Historians divide the development of musical instruments in medieval India between pre-Islamic and Islamic periods due to the different influence each period provided. In pre-Islamic times, idiophones such as handbells , cymbals, and peculiar instruments resembling gongs came into wide use in Hindu music. The gong-like instrument
18104-465: The specimens found cannot be irrefutably placed as the earliest musical instruments. The Divje Babe Flute is a perforated bone discovered in 1995, in the northwest region of Slovenia by archaeologist Ivan Turk. Its origin is disputed, with many arguing that it is most likely the product of carnivores chewing the bone, but Turk and others argue that it is a Neanderthal -made flute. With its age estimated between 43,400 and 67,000 years old, it would be
18250-506: The stops more expressive and added devices such as expressive pedals. Sachs viewed this trend as a "degeneration" of the general organ sound. During the Classical and Romantic periods of music, lasting from roughly 1750 to 1900, many musical instruments capable of producing new timbres and higher volume were developed and introduced into popular music. The design changes that broadened the quality of timbres allowed instruments to produce
18396-476: The theory and practice of brassmaking in Europe. By the 15th century there is evidence for the renewed use of lidded cementation crucibles at Zwickau in Germany. These large crucibles were capable of producing c.20 kg of brass. There are traces of slag and pieces of metal on the interior. Their irregular composition suggests that this was a lower temperature, not entirely liquid, process. The crucible lids had small holes which were blocked with clay plugs near
18542-442: The type and concentration of pathogens and the medium they are in, brass kills these microorganisms within a few minutes to hours of contact. A large number of independent studies confirm this antimicrobial effect, even against antibiotic-resistant bacteria such as MRSA and VRSA. The mechanisms of antimicrobial action by copper and its alloys, including brass, are a subject of intense and ongoing investigation. Brass
18688-568: The usual metal of choice for construction of musical instruments whose acoustic resonators consist of long, relatively narrow tubing, often folded or coiled for compactness; silver and its alloys, and even gold , have been used for the same reasons, but brass is the most economical choice. Collectively known as brass instruments , or simply 'the brass', these include the trombone , tuba , trumpet , cornet , flugelhorn , baritone horn , euphonium , tenor horn , and French horn , and many other " horns ", many in variously sized families, such as
18834-466: The way that modern large-scale manufacturing companies' are. Exceptions to nearly every strict product taxonomy existed. This is due in large part to the fact that parts would often be left over from year to year and would be used by workers even though some of those parts had been officially discontinued from the line. Jean-Paul Gaster of the American rock band Clutch uses Slingerland drums, and
18980-525: The wetted surface of pipes and pipe fittings, plumbing fittings and fixtures". On 1 January 2010, the maximum amount of lead in "lead-free brass" in California was reduced from 4% to 0.25% lead. Dezincification-resistant ( DZR or DR) brasses, sometimes referred to as CR ( corrosion resistant) brasses, are used where there is a large corrosion risk and where normal brasses do not meet the requirements. Applications with high water temperatures, chlorides present or deviating water qualities ( soft water ) play
19126-502: The world. However, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the post-classical era , instruments from Mesopotamia were in maritime Southeast Asia , and Europeans played instruments originating from North Africa . Development in the Americas occurred at a slower pace, but cultures of North , Central , and South America shared musical instruments. By 1400, musical instrument development slowed in many areas and
19272-409: The zinc loss. "Red brasses", a family of alloys with high copper proportion and generally less than 15% zinc, are more resistant to zinc loss. One of the metals called "red brass" is 85% copper, 5% tin, 5% lead, and 5% zinc. Copper alloy C23000, which is also known as "red brass", contains 84–86% copper, 0.05% each iron and lead, with the balance being zinc. Another such material is gunmetal , from
19418-546: Was a bronze disk that was struck with a hammer instead of a mallet. Tubular drums, stick zithers ( veena ), short fiddles, double and triple flutes, coiled trumpets, and curved India horns emerged in this time period. Islamic influences brought new types of drum, perfectly circular or octagonal as opposed to the irregular pre-Islamic drums. Persian influence brought oboes and sitars , although Persian sitars had three strings and Indian version had from four to seven. The Islamic culture also introduced double- clarinet instruments as
19564-505: Was acquired from Gretsch (part of the Gibson Guitar Corporation by then) in 1994. Gibson revived the brand, but had limited success, due to premium pricing and poor economic conditions. In 1998, Slingerland released a model based on its Gene Krupa signature drum kit. In 2018, much if not all of the remaining warehouse stock of Slingerland drums, including bare shells, hardware and complete drum sets, were sold as
19710-531: Was added. Zinc metal was also becoming more commonplace. By 1513 metallic zinc ingots from India and China were arriving in London and pellets of zinc condensed in furnace flues at the Rammelsberg in Germany were exploited for cementation brass making from around 1550. Eventually it was discovered that metallic zinc could be alloyed with copper to make brass, a process known as speltering, and by 1657
19856-454: Was being deliberately produced from metallic copper and zinc minerals using the cementation process, the product of which was calamine brass , and variations on this method continued until the mid-19th century. It was eventually replaced by speltering , the direct alloying of copper and zinc metal which was introduced to Europe in the 16th century. Brass has sometimes historically been referred to as "yellow copper". In West Asia and
20002-674: Was being used in the manufacture of coins in Northumbria and there is archaeological and historical evidence for the production of calamine brass in Germany and the Low Countries , areas rich in calamine ore. These places would remain important centres of brass making throughout the Middle Ages period, especially Dinant . Brass objects are still collectively known as dinanderie in French. The baptismal font at St Bartholomew's Church, Liège in modern Belgium (before 1117)
20148-409: Was dominated by the Occident . During the Classical and Romantic periods of music, lasting from roughly 1750 to 1900, many new musical instruments were developed. While the evolution of traditional musical instruments slowed beginning in the 20th century, the proliferation of electricity led to the invention of new electric and electronic instruments, such as electric guitars , synthesizers , and
20294-455: Was during this period that makers began constructing instruments of the same type in various sizes to meet the demand of consorts , or ensembles playing works written for these groups of instruments. Instrument builders developed other features that endure today. For example, while organs with multiple keyboards and pedals already existed, the first organs with solo stops emerged in the early fifteenth century. These stops were meant to produce
20440-802: Was first used in 1977 by the Santa Clara Vanguard under drum captain Fred Sanford and the Oakland Crusaders under Tom Float. Famous drum corps such as the 27th Lancers Drum and Bugle Corps of Revere, Massachusetts under Charlie Poole, the Bridgemen of Bayonne, New Jersey under Dennis Delucia, the Chicago Cavaliers under Gus Barbaro and Brian Callahan, the Pittsburgh Royal Crusaders and
20586-509: Was later moved from Chicago proper to Niles , a suburb in Cook County, Illinois . Although the Slingerland company was best known as a drum kit manufacturer, it also made guitars in the 1930s. The Songster electric guitar , featured in a 1939 company catalog, pre-dates Les Paul's "log" guitar and is probably the earliest Spanish-style solid-body electric guitar model. The guitar's pickup includes individual string magnets as well as
20732-513: Was previously common only in singing. Similar to the process of reduplication in language, instrument players first developed repetition and then arrangement. An early form of melody was produced by pounding two stamping tubes of slightly different sizes—one tube would produce a "clear" sound and the other would answer with a "darker" sound. Such instrument pairs also included bullroarers , slit drums, shell trumpets , and skin drums. Cultures who used these instrument pairs associated them with gender;
20878-671: Was produced by the cementation process where copper and zinc ore are heated together until zinc vapor is produced which reacts with the copper. There is good archaeological evidence for this process and crucibles used to produce brass by cementation have been found on Roman period sites including Xanten and Nidda in Germany , Lyon in France and at a number of sites in Britain. They vary in size from tiny acorn sized to large amphorae like vessels but all have elevated levels of zinc on
21024-477: Was started in 1926 in answer to the entry of the Ludwig & Ludwig drum company into the banjo market . A resourceful and energetic businessman, H.H. established an extensive dealer network throughout the U.S., the then-territory of Hawaii (in the early 1930s) and China. After H.H.'s death from a stroke, the company was run by his wife, Nona, and one of their children, Henry Jr. The company's manufacturing plant
21170-579: Was the gong. While the gong likely originated in the geographical area between Tibet and Burma , it was part of every category of human activity in maritime Southeast Asia including Java . The areas of Mesopotamia and the Arabian Peninsula experiences rapid growth and sharing of musical instruments once they were united by Islamic culture in the seventh century. Frame drums and cylindrical drums of various depths were immensely important in all genres of music. Conical oboes were involved in
21316-482: Was widely used. The compositions of these early "brass" objects are highly variable and most have zinc contents of between 5% and 15% wt which is lower than in brass produced by cementation. These may be "natural alloys" manufactured by smelting zinc rich copper ores in redox conditions. Many have similar tin contents to contemporary bronze artefacts and it is possible that some copper-zinc alloys were accidental and perhaps not even distinguished from copper. However
#46953