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62-590: The Slovenian Youth Theatre or Mladinsko Theatre ( Slovene : Slovensko mladinsko gledališče ) was founded in Ljubljana in 1955 as the first professional theater for children and youth in Slovenia . It is situated in the Baraga Seminary , which was built by architect Jože Plečnik in the center of Ljubljana . In the 1980s, it became a center of theatrical research and politically-engaged theater. It

124-461: A , an , the ) or German ( der, die, das, ein, eine ). A whole verb or a noun is described without articles and the grammatical gender is found from the word's termination. It is enough to say barka ('a' or 'the barge'), Noetova barka ('Noah's ark'). The gender is known in this case to be feminine. In declensions , endings are normally changed; see below. If one should like to somehow distinguish between definiteness or indefiniteness of

186-549: A mere 2.8%. During World War II , Slovenia was divided among the Axis Powers of Fascist Italy , Nazi Germany , and Hungary . Each of the occupying powers tried to either discourage or entirely suppress Slovene. Following World War II, Slovenia became part of the Socialist Federal Republic of Yugoslavia . Slovene was one of the official languages of the federation. In the territory of Slovenia, it

248-463: A noun, one would say (prav/natanko/ravno) tista barka ('that/precise/exact barge') for 'the barge' and neka/ena barka ('some/a barge') for 'a barge'. Definiteness of a noun phrase can also be discernible through the ending of the accompanying adjective. One should say rdeči šotor ('[exactly that] red tent') or rdeč šotor ('[a] red tent'). This difference is observable only for masculine nouns in nominative or accusative case. Because of

310-642: A prominent Slovene linguist, commented that, although Slovene is not an endangered language, its scope has been shrinking, especially in science and higher education. The language is spoken by about 2.5 million people, mainly in Slovenia, but also by Slovene national minorities in Friuli-Venezia Giulia , Italy (around 90,000 in Venetian Slovenia , Resia Valley , Canale Valley , Province of Trieste and in those municipalities of

372-621: A record of a proto-Slovene that was spoken in a more scattered territory than modern Slovene, which included most of the present-day Austrian states of Carinthia and Styria , as well as East Tyrol , the Val Pusteria in South Tyrol , and some areas of Upper and Lower Austria . By the 15th century, most of the northern areas were gradually Germanized : the northern border of the Slovene-speaking territory stabilized on

434-751: A relic from the now modern Russian yery character ⟨ы⟩ , which is itself usually transliterated as ⟨y⟩ ; /j/ as ⟨y⟩ ; /l/ as ⟨ll⟩ ; /ʋ/ as ⟨w⟩ ; /ʒ/ as ⟨ʃ⟩ , ⟨ʃʃ⟩ or ⟨ʃz⟩ . The standard Slovene orthography, used in almost all situations, uses only the letters of the ISO basic Latin alphabet plus ⟨č⟩ , ⟨š⟩ , and ⟨ž⟩ . The letters ⟨q⟩ , ⟨w⟩ , ⟨x⟩ , and ⟨y⟩ are not included: /uʷ/ The orthography thus underdifferentiates several phonemic distinctions: In

496-874: A setting for the wealth of diversity, while remaining the Slovenian centre of theatre research. The strong accents of Martin Kušej ( Scandal after Cankar ), Meta Hočevar ( A Family Album ), Matjaž Pograjc ( Roberto Zucco, Fragile! ), Emil Hrvatin ( Male Fantasies ), Eduard Miler ( Susn, The Mission ), Tomi Janežič ( Oedipus Rex, Utva ), Matjaž Berger ( Galileo Galilei, Interpretacija sanj ), Diego de Brea ( The Damned, Crime and Punishment ), Ivica Buljan ( Young Flesh ), Jernej Lorenci ( Gilgamesh ), Vinko Möderndorfer ( Blasted ), Barbara Novakovič, Vlado Repnik, Ivan Peternelj, Jan Decorte, Sebastijan Horvat, Damjan Kozole, Silvan Omerzu, and many others, have, together with Taufer's research of an extremely wide territory of theatre function (such as

558-444: A singular participle combined with a plural auxiliary verb (known as polvikanje ) signals a somewhat more friendly and less formal attitude while maintaining politeness: The use of nonstandard forms ( polvikanje ) might be frowned upon by many people and would not likely be used in a formal setting. The use of the 3rd person plural oni ('they') form (known as onikanje in both direct address and indirect reference; this

620-573: A time of crisis at the Drama Ljubljana (the Slovene National Theatre, Ljubljana ), where circumstances prevented the development of the kind of contemporary theatre which Mladinsko started developing with the arrival of Dušan Jovanović. During the next decade – when Petar Jović became the managing director and Dušan Jovanović the artistic director (with the help of the dramaturg Marko Slodnjak), followed by Ivo Svetina –

682-572: A violent policy of Fascist Italianization ; the same policy was applied to Slovene speakers in Venetian Slovenia , Gorizia and Trieste . Between 1923 and 1943, all public use of Slovene in these territories was strictly prohibited, and Slovene-language activists were persecuted by the state. After the Carinthian Plebiscite of 1920, a less severe policy of Germanization took place in the Slovene-speaking areas of southern Carinthia which remained under Austrian administration. After

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744-450: A vowel. Before a consonant or word-finally, they are reduced to /l/ , /n/ and /r/ respectively. This is reflected in the spelling in the case of /rj/ , but not for /lj/ and /nj/ . Under certain (somewhat unpredictable) circumstances, /l/ at the end of a syllable may become [w] , merging with the allophone of /ʋ/ in that position. Slovene has an eight-vowel (or, according to Peter Jurgec, nine-vowel) system, in comparison to

806-549: Is a Slovene writer, poet, playwright and theatre and film director. Möderndorfer was born in Celje in 1958. He studied at the Academy for Theatre, Radio, Film and Television in Ljubljana and worked in numerous theatre companies around Slovenia. He started writing poetry in the late 1970s and since the early 1980s also published numerous works of prose, essays and drama as well as poetry and stories for children. In 2000 he won

868-730: Is a South Slavic language of the Balto-Slavic branch of the Indo-European language family . Most of its 2.5 million speakers are the inhabitants of Slovenia , majority of them ethnic Slovenes . As Slovenia is part of the European Union , Slovene is also one of its 24 official and working languages . Its syntax is highly fusional , and it has a dual grammatical number , an archaic feature shared with some other Indo-European languages . Two accentual norms (one characterized by pitch accent ) are used. Its flexible word order

930-409: Is a distinction between animate and inanimate nouns. This is only relevant for masculine nouns and only in the singular, at odds with some other Slavic languages, e.g. Russian, for which it is also relevant in the plural for all genders. Animate nouns have an accusative singular form that is identical to the genitive, while for inanimate nouns the accusative singular is the same as the nominative. Animacy

992-672: Is based mostly on semantics and is less rigid than gender. Generally speaking a noun is animate if it refers to something that is generally thought to have free will or the ability to move of its own accord. This includes all nouns for people and animals. All other nouns are inanimate, including plants and other non-moving life forms, and also groups of people or animals. However, there are some nouns for inanimate objects that are generally animate, which mostly include inanimate objects that are named after people or animals. This includes: There are no definite or indefinite articles as in English (

1054-437: Is known for a wide range of innovative poetics of different directors and an ensemble energy, a Peter Brook -like approach to acting with a laboratory for theatre research for actors, directors, choreographers and musicians to research, develop, and create. Mladinsko Theatre was founded in 1955 by Balbina Baranovič, the directress who also founded the first experimental theatre company in Slovenia . Throughout its history,

1116-584: Is often adjusted for emphasis or stylistic reasons, although basically it is an SVO language. It has a T–V distinction : the use of the V-form demonstrates a respectful attitude towards superiors and the elderly, while it can be sidestepped through the passive form. Standard Slovene is the national standard language that was formed in the 18th and 19th century, based on Upper and Lower Carniolan dialect groups , more specifically on language of Ljubljana and its adjacent areas. The Lower Carniolan dialect group

1178-627: Is proved by the survival of certain ritual formulas in Slovene (such as the ritual installation of the Dukes of Carinthia). The words Buge waz primi, gralva Venus! ('God be With You, Queen Venus!'), with which Bernhard von Spanheim greeted the poet Ulrich von Liechtenstein , who was travelling around Europe in guise of Venus, upon his arrival in Carinthia in 1227 (or 1238), is another example of some level of Slovene knowledge among high nobility in

1240-509: Is similar to using Sie in German) as an ultra-polite form is now archaic or dialectal. It is associated with servant-master relationships in older literature, the child-parent relationship in certain conservative rural communities, and parishioner-priest relationships. Foreign words used in Slovene are of various types depending on the assimilation they have undergone. The types are: The loanwords are mostly from German and Italian , while

1302-532: The Anschluss of 1938, the use of Slovene was strictly forbidden in Carinthia, as well. This accelerated a process of language shift in Carinthia, which continued throughout the second half of the 20th century: according to the Austro-Hungarian census of 1910, around 21% of inhabitants of Carinthia spoke Slovene in their daily communication; by 1951, this figure dropped to less than 10%, and by 2001 to

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1364-560: The European Commission awarded the theatre the honorary title of European Cultural Ambassador, on the grounds of its international activity and the quality of its performances. Slovene language Slovene ( / ˈ s l oʊ v iː n / SLOH -veen or / s l oʊ ˈ v iː n , s l ə -/ sloh- VEEN , slə- ) or Slovenian ( / s l oʊ ˈ v iː n i ə n , s l ə -/ sloh- VEE -nee-ən, slə- ; slovenščina )

1426-550: The Protestant Reformation . The most prominent authors from this period are Primož Trubar , who wrote the first books in Slovene; Adam Bohorič , the author of the first Slovene grammar; and Jurij Dalmatin , who translated the entire Bible into Slovene. From the high Middle Ages up to the dissolution of the Austro-Hungarian Empire in 1918, in the territory of present-day Slovenia, German

1488-634: The Province of Gorizia bordering with Slovenia), in southern Carinthia , some parts of Styria in Austria (25,000) and in the western part of Croatian Istria bordering with Slovenia. It is also spoken in Rijeka and Zagreb (11,800-13,100), in southwestern Hungary (3-5,000), in Serbia (5,000), and by the Slovene diaspora throughout Europe and the rest of the world (around 300,000), particularly in

1550-820: The Slavic languages , together with Serbo-Croatian . It is close to the Chakavian and especially Kajkavian dialects of Serbo-Croatian, but genealogically more distant from the Shtokavian dialect , the basis for the Bosnian , Croatian , Montenegrin , and Serbian standard languages. Slovene in general, and Prekmurje Slovene in particular, shares the highest level of mutual intelligibility with transitional Kajkavian dialects of Hrvatsko Zagorje and Međimurje . Furthermore, Slovene shares certain linguistic characteristics with all South Slavic languages , including those of

1612-952: The Slovene Lands where compulsory schooling was in languages other than Standard Slovene, as was the case with the Carinthian Slovenes in Austria, and the Slovene minority in Italy . For example, the Resian and Torre (Ter) dialects in the Italian Province of Udine differ most from other Slovene dialects. Slovene is an Indo-European language belonging to the Western subgroup of the South Slavic branch of

1674-557: The United States (most notably Ohio , home to an estimated 3,400 speakers), Canada , Argentina , Australia and South Africa . Slovene is sometimes characterized as the most diverse Slavic language in terms of dialects , with different degrees of mutual intelligibility. Accounts of the number of dialects range from as few as seven dialects, often considered dialect groups or dialect bases that are further subdivided into as many as 50 dialects. Other sources characterize

1736-577: The 16th century, and ultimately led to the formation of more standard language. The Upper dialect was also used by most authors during the language revival in the 18th and early 19th centuries, and was also the language spoken by France Prešeren , who, like most of Slovene writers and poets, lived and worked in Ljubljana, where speech was growing closer to the Upper Carniolan dialect group. Unstandardized dialects are more preserved in regions of

1798-471: The 1910s is frequently closer to modern Slovene than a text from the 1920s and 1930s. Between 1920 and 1941, the official language of the Kingdom of Yugoslavia was defined as "Serbo-Croato-Slovene", which was in practice merely Serbo-Croatian. In Slovenia however, Slovene remained in use in education and administration. Many state institutions used only Serbo-Croatian, and a Slovene–Serbo-Croatian bilingualism

1860-430: The 1990s through the present in the form of diversity and auto-poetics in performances such as those by Eduard Miler, Matjaž Pograjc , Emil Hrvatin, Tomi Janežič , Matjaž Berger, Diego de Brea and a wide range of contemporary theatre artists. Under the artistic leadership of Eduard Miler, Tomaž Toporišič, Matjaž Berger, and, in the last few seasons of the current director of the theatre Uršula Cetinski, Mladinsko became

1922-404: The 2nd person singular ti form (known as tikanje ) is officially limited to friends and family, talk among children, and addressing animals, it is increasingly used among the middle generation to signal a relaxed attitude or lifestyle instead of its polite or formal counterpart using the 2nd person plural vi form (known as vikanje ). An additional nonstandard but widespread use of

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1984-480: The Americas was critical for the continuation of the research. Thus, the duality occurred: Mladinsko was relatively marginalized in Slovenia, while abroad it represented Slovenian art, culture and even the country. In 1969, the city of Ljubljana gave the theatre the Župančič Award for special achievements as an “exceptional example of communal creative will for quality conveying theatre art to wider circles”. In 2008,

2046-561: The Eastern subgroup, namely Bulgarian , Macedonian and Torlakian dialects. Mutual intelligibility with varieties of Serbo-Croatian is hindered by differences in vocabulary, grammar, and pronunciation, Kajkavian being firmly the most mutually intelligible . Slovene has some commonalities with the West Slavic languages that are not found in other South Slavic languages. Like all Slavic languages , Slovene traces its roots to

2108-527: The areas around Trieste . During most of the Middle Ages, Slovene was a vernacular language of the peasantry, although it was also spoken in most of the towns on Slovenian territory, together with German or Italian. Although during this time, German emerged as the spoken language of the nobility, Slovene had some role in the courtly life of the Carinthian, Carniolan and Styrian nobility, as well. This

2170-491: The density of signs, musicalization, visual dramaturgy, intrusions of the real, the scenic essay, heterogeneity , metonymic space, framing, scenic montage, aesthetics of speed, aesthetics vs. the real body, intermediality – to use the terminology used by Hans-Thies Lehmann for the analysis of the postdramatic – all this has taken the Mladinsko Theatre into the heterogeneous spheres of contemporary performing arts at

2232-484: The early 1970s, Slovenian playwright Dominik Smole became managing director of the theatre and ensured that the Mladinsko presented artistically demanding youth performances. The Mladinsko was on the theatre margin, which allowed many different creative energies to congregate there. The political powers deemed the theatre unimportant, which enabled organizational and programmatic changes to be made. The 1970s also marked

2294-542: The end of words unless immediately followed by a word beginning with a vowel or a voiced consonant. In consonant clusters, voicing distinction is neutralized and all consonants assimilate the voicing of the rightmost segment, i.e. the final consonant in the cluster. In this context, [v] , [ɣ] and [d͡z] may occur as voiced allophones of /f/ , /x/ and /t͡s/ , respectively (e.g. vŕh drevésa [ʋrɣ dreˈʋesa] ). /ʋ/ has several allophones depending on context. The sequences /lj/ , /nj/ and /rj/ occur only before

2356-491: The excessive usage of regionalisms. Regionalisms are mostly limited to culinary and agricultural expressions, although there are many exceptions. Some loanwords have become so deeply rooted in the local language that people have considerable difficulties in finding a standard expression for the dialect term (for instance, kremšnita meaning a type of custard cake is kremna rezina in Standard Slovene, but

2418-513: The first novel in Slovene in 1866. This tendency was reversed in the Fin de siècle period by the first generation of modernist Slovene authors (most notably the writer Ivan Cankar ), who resorted to a more "pure" and simple language without excessive Serbo-Croatian borrowings. During the Kingdom of Yugoslavia in the 1920s and 1930s, the influence of Serbo-Croatian increased again. This was opposed by

2480-415: The five-vowel system of Serbo-Croatian. Slovene nouns retain six of the seven Slavic noun cases: nominative , accusative , genitive , dative , locative and instrumental . There is no distinct vocative ; the nominative is used in that role. Nouns, adjectives and pronouns have three numbers: singular, dual and plural. Nouns in Slovene are either masculine, feminine or neuter gender. In addition, there

2542-407: The focusing upon the third paradigm of the spectator and their perception and, on the other hand, the double coding of theatre springing from the tactics of the historical neo- avant-gardes , post-avant-gardes and political performances of the second half of the 20th century. The tactics of epicization, formalist and energy theatre, the stage of the landscape, of parataxis , simultaneity, play with

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2604-433: The lack of article in Slovene and audibly insignificant difference between the masculine adjective forms, most dialects do not distinguish between definite and indefinite variants of the adjective, leading to hypercorrection when speakers try to use Standard Slovene. Slovene, like most other European languages, has a T–V distinction , or two forms of 'you' for formal and informal situations. Although informal address using

2666-549: The latter term is very rarely used in speech being considered inappropriate for non-literary registers ). Southwestern dialects incorporate many calques and loanwords from Italian, whereas eastern and northwestern dialects are replete with lexemes of German origin. Usage of such words hinders intelligibility between dialects and is greatly discouraged in formal situations. Slovene has a phoneme set consisting of 21 consonants and 8 vowels . Slovene has 21 distinctive consonant phonemes. All voiced obstruents are devoiced at

2728-480: The line going from north of Klagenfurt to south of Villach and east of Hermagor in Carinthia, while in Styria it was more or less identical with the current Austrian-Slovenian border. This linguistic border remained almost unchanged until the late 19th century, when a second process of Germanization took place, mostly in Carinthia. Between the 9th and 12th century, proto-Slovene spread into northern Istria and in

2790-587: The meeting points of various artistic mediums that have constantly enriched and added to the theatrical field. The placement of these phenomena into the international and festival theatre space was extremely important. Today, when audience members are ensconced in the post post-socialist era of the so-called transition period in Slovenia, the historic distance enables them to claim that without this support from abroad, Mladinsko as an example of contemporary theatre wouldn't have survived. The positive response in Europe and

2852-768: The more recently borrowed and less assimilated words are typically from English . This alphabet ( abeceda ) was derived in the mid-1840s from the system created by the Croatian linguist Ljudevit Gaj . Intended for the Serbo-Croatian language (in all its varieties), it was patterned on the Czech alphabet of the 1830s. Before that /s/ was, for example, written as ⟨ ʃ ⟩ , ⟨ʃʃ⟩ or ⟨ſ⟩ ; /tʃ/ as ⟨tʃch⟩ , ⟨cz⟩ , ⟨tʃcz⟩ or ⟨tcz⟩ ; /i/ sometimes as ⟨y⟩ as

2914-585: The number of dialects as nine or eight. The Slovene proverb "Every village has its own voice" ( Vsaka vas ima svoj glas ) depicts the differences in dialects. The Prekmurje dialect used to have a written norm of its own at one point. The Resian dialects have an independent written norm that is used by their regional state institutions. Speakers of those two dialects have considerable difficulties with being understood by speakers of other varieties of Slovene, needing code-switching to Standard Slovene. Other dialects are mutually intelligible when speakers avoid

2976-508: The performances Silence Silence Silence , Pippi , and Midsummer Night's Dream ) and the projects of Dragan Živadinov resulted in the aesthetically most diverse period in the history of the theatre that the critical machinery in Slovenia – due to the limited tools with which it was operating, and ideological altercations of the political left, connected to the so-called independent or "dependent" production – didn't know to contextualize or couldn't analyse. Together with several representatives of

3038-471: The post-breakup influence of Serbo-Croatian on Slovene continued to a lesser extent, most prominently in slang in colloquial language . Joža Mahnič , a literary historian and president of the publishing house Slovenska matica , said in February 2008 that Slovene is a language rich enough to express everything, including the most sophisticated and specialised texts. In February 2010, Janez Dular ,

3100-519: The region. The first printed Slovene words, stara pravda (meaning 'old justice' or 'old laws'), appeared in 1515 in Vienna in a poem of the German mercenaries who suppressed the Slovene peasant revolt : the term was presented as the peasants' motto and battle cry. Standard Slovene emerged in the second half of the 16th century, thanks to the works of Slovene Lutheran authors, who were active during

3162-533: The rise of Romantic nationalism in the 19th century, the cultural movements of Illyrism and Pan-Slavism brought words from Serbo-Croatian , specifically Croatian dialects, and Czech into standard Slovene, mostly to replace words previously borrowed from German. Most of these innovations have remained, although some were dropped in later development. In the second half of the 19th century, many nationalist authors made an abundant use of Serbo-Croatian words: among them were Fran Levstik and Josip Jurčič , who wrote

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3224-519: The same proto-Slavic group of languages that produced Old Church Slavonic . The earliest known examples of a distinct, written dialect connected to Slovene are from the Freising manuscripts , known in Slovene as Brižinski spomeniki . The consensus estimate of their date of origin is between 972 and 1039 (most likely before 1000). These religious writings are among the oldest surviving manuscripts in any Slavic language. The Freising manuscripts are

3286-430: The so-called independent scene, the Mladinsko Theatre of the last two-and-a-half decades has been a place of creation which has brought strong impulses into the more institutional Slovenian theatre. The impulses moved in the direction of Richard Kostelanetz 's "theatre of combined ways of expression for the post-literary age". On the one hand, it emphasises "meta-theatricality" as defined by Bonnie Marranca , (for instance,

3348-592: The standard orthography, Slovene also uses standardized diacritics or accent marks to denote stress , vowel length and pitch accent , much like the closely related Serbo-Croatian . However, as in Serbo-Croatian, use of such accent marks is restricted to dictionaries, language textbooks and linguistic publications. In normal writing, the diacritics are almost never used, except in a few minimal pairs where real ambiguity could arise. Vinko M%C3%B6derndorfer Vinko Möderndorfer (born 22 September 1958)

3410-704: The theatre has collaborated with the theatre reformers that shaped the Slovenian theatre during the second half of the 20th century. The Mladinsko Theatre's development progressed with contemporary theatre practices of the reformers of the Slovenian theatre during the second half of the 20th century, including directors Žarko Petan , Mile Korun, Dušan Jovanović , Ljubiša Ristić, Meta Hočevar, Paolo Magelli, Janez Pipan, Vito Taufer, Tomaž Pandur , Eduard Miler, Matjaž Pograjc , Martin Kušej , Dragan Živadinov , Emil Hrvatin, Tomi Janežič , Matjaž Berger, Jan Decorte, Diego de Brea , Jernej Lorenci, Ivica Buljan , Silvan Omerzu, Oliver Frljić, Borut Šeparović and Damjan Kozole . In

3472-414: The tonemic varieties of Slovene, the ambiguity is even greater: ⟨e⟩ in a final syllable can stand for any of /éː/ /èː/ /ɛ́ː/ /ɛ̀ː/ /ɛ/ /ə/ (although /ɛ̀ː/ is rare; and Slovene, except in some dialects, does not distinguished tonemic accentuation). The reader is expected to gather the interpretation of the word from the context, as in these examples: To compensate for the shortcomings of

3534-414: The younger generations of Slovene authors and intellectuals; among the most fierce opponents of an excessive Serbo-Croatian influence on Slovene were the intellectuals associated with the leftist journal Sodobnost , as well as some younger Catholic activists and authors. After 1945, numerous Serbo-Croatian words that had been used in the previous decades were dropped. The result was that a Slovene text from

3596-484: Was applied in many spheres of public life in Slovenia. For example, at the post offices, railways and in administrative offices, Serbo-Croatian was used alongside Slovene. However, state employees were expected to be able to speak Slovene in Slovenia. During the same time, western Slovenia (the Slovenian Littoral and the western districts of Inner Carniola ) was under Italian administration and subjected to

3658-578: Was commonly used in almost all areas of public life. One important exception was the Yugoslav army , where Serbo-Croatian was used exclusively, even in Slovenia. National independence has further fortified the language: since 1991, when Slovenia gained independence, Slovene has been used as an official language in all areas of public life. In 2004 it became one of the official languages of the European Union upon Slovenia's admission. Nonetheless,

3720-490: Was marked by the projects by Ljubiša Ristić, especially Missa in a minor , which began the series of projects that marked the Mladinsko as the nexus of the political and at experimental theatre. Around the mid-1980s, poetics that were not bound to "actual political" began to appear, first with the projects by Vito Taufer, then the performances by Janez Pipan and Scheherezade by Ivo Svetina , directed by Tomaž Pandur, and Dragan Živadinov 's projects. This line has continued from

3782-434: Was the dialect used in the 16th century by Primož Trubar for his writings, while he also used Slovene as spoken in Ljubljana, since he lived in the city for more than 20 years. It was the speech of Ljubljana that Trubar took as a foundation of what later became standard Slovene, with small addition of his native speech, that is Lower Carniolan dialect . Trubar's choice was later adopted also by other Protestant writers in

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3844-399: Was the language of the elite, and Slovene was the language of the common people. During this period, German had a strong influence on Slovene, and many Germanisms are preserved in contemporary colloquial Slovene. Many Slovene scientists before the 1920s also wrote in foreign languages, mostly German, which was the lingua franca of science throughout Central Europe at the time. During

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