Misplaced Pages

#288711

65-416: "Sylph" is possibly a blend of from Latin sylvestris and nympha , sylvestris being a common synonym for sylph in Paracelsus. Anthon and Trollope note a similar usage in the Aeneid , where silvestris is taken as an elliptical form of nympha silvestris ("forest nymph"). Jacob Grimm uses this phrase as a gloss for the Anglo-Saxon wudu-mær (roughly equivalent to "woodmare"), which he also takes as

130-451: A child Pope survived once being trampled by a cow , but when he was 12 he began struggling with tuberculosis of the spine ( Pott disease ), which restricted his growth, so that he was only 4 feet 6 inches (1.37 metres) tall as an adult. He also suffered from crippling headaches. In the year 1709, Pope showcased his precocious metrical skill with the publication of Pastorals , his first major poems. They earned him instant fame. By

195-495: A concerted propaganda assault against Robert Walpole 's Whig ministry and the financial revolution it stabilised. Although Pope was a keen participant in the stock and money markets, he never missed a chance to satirise the personal, social and political effects of the new scheme of things. From The Rape of the Lock onwards, these satirical themes appear constantly in his work. In 1731, Pope published his "Epistle to Burlington ", on

260-402: A continuance of Pope's tradition – William Wordsworth found Pope's style too decadent to represent the human condition. George Gilfillan in an 1856 study called Pope's talent "a rose peering into the summer air, fine, rather than powerful". Pope's reputation revived in the 20th century. His work was full of references to the people and places of his time, which aided people's understanding of

325-564: A lock of Belinda's hair, the sylphs interpose their airy bodies between the blades of the scissors (to no effect whatsoever). Ariel, the chief sylph in the Rape of the Lock , has the same name as Prospero 's servant Ariel in Shakespeare 's The Tempest (ca. 1611), and Shakespeare's character is described literally as an "airy spirit" in the dramatis personae . This name is generally thought to have been original with Shakespeare, though

390-471: A mammal species Malthonica silvestris , a spider species mostly found in caves or on dumps Pinus sylvestris , the Scots pine , a pine species See also [ edit ] Sylvestris (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Silvestris . If an internal link led you here, you may wish to change

455-464: A metaphorical name for an echo . Jan Baptist van Helmont , a near contemporary of Paracelsus and coiner of the word "gas", uses sylvestris in the sense of "wild" to describe gaseous emissions, which may be connected to the Paracelsian usage. Thorpe's Northern Mythology connects the adjective sylvestres and the related silvaticas to European wild man legends. A related idea is that "sylph"

520-485: A number of etymological sources gloss as " moth ". French etymological sources often derive it from a Latin word sylphus , glossed as " genius " (in the Latin sense, a type of spirit) and only known from an inscription rather than literary Latin. The Deutsches Wörterbuch however indicates that this idea arises from a 19th-century misreading of the inscription in question. Similarly, the σίλφη etymology can be dismissed from

585-485: A satire of occult philosophy, many of its contemporaries considered it to be an earnest exposition of occult lore. Its author, Abbé de Montfaucon de Villars , was assassinated on the road in 1673 and one rumor had it that he had been killed by a gang of sylphs for disclosing their secrets. One of the best-known discussions of sylphs comes with Alexander Pope . In Rape of the Lock (final ed. 1717), Pope satirizes French Rosicrucian and alchemical writings when he invents

650-593: A scathing pamphlet called Shakespeare Restored , which catalogued the errors in Pope's work and suggested several revisions to the text. This enraged Pope, wherefore Theobald became the main target of Pope's Dunciad . The second edition of Pope's Shakespeare appeared in 1728. Apart from some minor revisions to the preface, it seems that Pope had little to do with it. Most later 18th-century editors of Shakespeare dismissed Pope's creatively motivated approach to textual criticism. Pope's preface continued to be highly rated. It

715-495: A small estate at Popeswood , in Binfield , Berkshire , close to the royal Windsor Forest . This was due to strong anti-Catholic sentiment and a statute preventing " Papists " from living within 10 miles (16 km) of London or Westminster. Pope would later describe the countryside around the house in his poem Windsor Forest . Pope's formal education ended at this time, and from then on, he mostly educated himself by reading

SECTION 10

#1732781111289

780-558: A theory to explain the sylph. In a parody of heroic poetry and the "dark" and "mysterious" alchemical literature, and in particular the sometimes esoterically Classical heroic poetry of the 18th century in England and France, Pope pretends to have a new alchemy, in which the sylph is the mystically, chemically condensed humors of peevish women. In Pope's poem, women who are full of spleen and vanity turn into sylphs when they die because their spirits are too full of dark vapors to ascend to

845-493: A translation of the Iliad . The work would be available by subscription , with one volume appearing every year over six years. Pope secured a revolutionary deal with the publisher Bernard Lintot, which earned him 200 guineas (£210) a volume, a vast sum at the time. His Iliad translation appeared between 1715 and 1720. It was acclaimed by Samuel Johnson as "a performance which no age or nation could hope to equal". Conversely,

910-456: A villa at Twickenham , where he created his now-famous grotto and gardens. The serendipitous discovery of a spring during the excavation of the subterranean retreat enabled it to be filled with the relaxing sound of trickling water, which would quietly echo around the chambers. Pope was said to have remarked, "Were it to have nymphs as well – it would be complete in everything." Although the house and gardens have long since been demolished, much of

975-438: A wholly original poem that reviews his own literary career and includes famous portraits of Lord Hervey (" Sporus "), Thomas Hay, 9th Earl of Kinnoull ("Balbus") and Addison ("Atticus"). In 1738 came "The Universal Prayer". Among the younger poets whose work Pope admired was Joseph Thurston . After 1738, Pope himself wrote little. He toyed with the idea of composing a patriotic epic in blank verse called Brutus , but only

1040-460: A young woman obsessed with the idea of marrying a sylph is deluded into falling in love with her arranged-husband after he impersonates one. In Fernando Pessoa's "Book of Disquiet", (entry 214 - New Directions, 2017) he writes (translated from the Portuguese by Margaret Jill Costa): "And as with books so with everything else...Given that anything can be dreamed to serve as a real interruption to

1105-529: Is false. He had been gay [happy], but left that way of life upon his acquaintance with Mrs. B." In May 1709, Pope's Pastorals was published in the sixth part of bookseller Jacob Tonson 's Poetical Miscellanies . This earned Pope instant fame and was followed by An Essay on Criticism , published in May 1711, which was equally well received. Around 1711, Pope made friends with Tory writers Jonathan Swift , Thomas Parnell and John Arbuthnot , who together formed

1170-454: Is from a hyper-urbane respelling of a Latin neologism silves , but in either case this connection to the Latin root silva ("forest") is supported by Paracelsus' use of sylphes as a synonym for schrötlein , a German word for a tree spirit or especially an earth spirit in his Liber de Sanguine ultra Mortem . An alternative theory is that it derives from silphē ( Greek : [σίλφη] Error: {{Lang}}: invalid parameter: |3= ( help ) ), which

1235-641: Is human; to forgive, divine "). Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution . His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand , London . His mother, Edith (née Turner, 1643–1733), was the daughter of William Turner, Esquire, of York . Both parents were Catholics . His mother's sister, Christiana, was the wife of famous miniature painter Samuel Cooper . Pope's education

1300-519: Is tempered, however, by a genuine, almost voyeuristic interest in the "beau-monde" (fashionable world) of 18th-century society. The revised, extended version of the poem focuses more clearly on its true subject: the onset of acquisitive individualism and a society of conspicuous consumers. In the poem, purchased artefacts displace human agency and "trivial things" come to dominate. Though The Dunciad first appeared anonymously in Dublin , its authorship

1365-641: The Liber de Nymphis of the Philosophia Magna , Paracelsus discusses the characteristics of the elementals at length. Sylphs, he says, are rougher, coarser, taller, and stronger than humans. The elementals are said to be able to move through their own elements as human beings move through air. Because of this, sylphs are the closest to humans in his conception because they move through air like we do, while in fire they burn, in water they drown, and in earth, they get stuck. Sylphs are mentioned by that name in

SECTION 20

#1732781111289

1430-687: The "Great Chain of Being", at a middle stage between the angels and the beasts of the world. Accomplish this and we potentially could lead happy and virtuous lives. The poem is an affirmative statement of faith: life seems chaotic and confusing to man in the centre of it, but according to Pope it is truly divinely ordered. In Pope's world, God exists and is what he centres the Universe around as an ordered structure. The limited intelligence of man can only take in tiny portions of this order and experience only partial truths, hence man must rely on hope, which then leads to faith. Man must be aware of his existence in

1495-455: The 1668 German novel Simplicius Simplicissimus , though its author Grimmelshausen seems to have taken them to be water spirits. The French pseudo-novel Comte de Gabalis (1670) was important in passing sylphs into the literary sphere. It appears to have originated the derivative term "sylphid" (French sylphide ), which it uses as the feminine counterpart to "sylph". While modern scholars consider Comte de Gabalis to have been intended as

1560-522: The Lock ), was twenty years older than the poet and had made many acquaintances in the London literary world. He introduced the young Pope to the ageing playwright William Wycherley and to William Walsh , a minor poet, who helped Pope revise his first major work, The Pastorals . There, he met the Blount sisters, Teresa and Martha (Patty) , in 1707. He remained close friends with Patty until his death, but his friendship with Teresa ended in 1722. From

1625-492: The Memory of an Unfortunate Lady and the famous proto-romantic poem Eloisa to Abelard . Though Pope never married, about this time he became strongly attached to Lady M. Montagu, whom he indirectly referenced in his popular Eloisa to Abelard , and to Martha Blount, with whom his friendship continued through his life. As a satirist , Pope made his share of enemies as critics, politicians and certain other prominent figures felt

1690-592: The Universe and what he brings to it in terms of riches, power and fame. Pope proclaims that man's duty is to strive to be good, regardless of other situations. FATHER of all! in every age, In every clime adored, By saint, by savage, and by sage, Jehovah , Jove , or Lord! If I am right, thy grace impart Still in the right to stay; If I am wrong, O, teach my heart To find that better way! Save me alike from foolish pride, Or impious discontent, At aught thy wisdom has denied, Or aught thy goodness lent. Teach me to feel another’s woe, To hide

1755-459: The Universe: no matter how imperfect, complex, inscrutable and disturbing the Universe may be, it functions in a rational fashion according to natural laws, so that the Universe as a whole is a perfect work of God, though to humans it appears to be evil and imperfect in many ways. Pope ascribes this to our limited mindset and intellectual capacity. He argues that humans must accept their position in

1820-512: The abdication of James II . One of these banned them from living within ten miles of London, another from attending public school or university. So except for a few spurious Catholic schools , Pope was largely self-educated . He was taught to read by his aunt and became a book lover, reading in French, Italian, Latin and Greek and discovering Homer at the age of six. In 1700, when only twelve years of age, he wrote his poem Ode on Solitude . As

1885-425: The age of 12 he suffered numerous health problems, including Pott disease , a form of tuberculosis that affects the spine, which deformed his body and stunted his growth, leaving him with a severe hunchback. His tuberculosis infection caused other health problems including respiratory difficulties, high fevers, inflamed eyes and abdominal pain. He grew to a height of only 4 feet 6 inches (1.37 metres). Pope

1950-437: The age of 23, he had written An Essay on Criticism , released in 1711. A kind of poetic manifesto in the vein of Horace 's Ars Poetica , it met with enthusiastic attention and won Pope a wider circle of prominent friends, notably Joseph Addison and Richard Steele , who had recently begun to collaborate on the influential The Spectator . The critic John Dennis , having found an ironic and veiled portrait of himself,

2015-460: The air. Fantasy authors will sometimes employ sylphs in their fiction, for example creating giant artistic clouds in the skies with airy wings. silvestris Silvestris may refer to: Bernard Silvestris , a Medieval Platonist philosopher and poet of the 12th century Species [ edit ] Felis silvestris , the European wildcat ,

Sylph - Misplaced Pages Continue

2080-478: The charge was untrue, it did much damage to Pope. There has been some speculation on a feud between Pope and Thomas Hearne , due in part to the character of Wormius in The Dunciad , who is seemingly based on Hearne. An Essay on Man is a philosophical poem in heroic couplets published between 1732 and 1734. Pope meant it as the centrepiece of a proposed system of ethics to be put forth in poetic form. It

2145-466: The classical scholar Richard Bentley wrote: "It is a pretty poem, Mr. Pope, but you must not call it Homer." Encouraged by the success of the Iliad , Bernard Lintot published Pope's five-volume translation of Homer's Odyssey in 1725–1726. For this Pope collaborated with William Broome and Elijah Fenton : Broome translated eight books (2, 6, 8, 11, 12, 16, 18, 23), Fenton four (1, 4, 19, 20) and Pope

2210-494: The exact inspiration for the character is unclear. Pope explicitly cited Comte de Gabalis as a source for elemental lore in the dedication. In the 1778 British novel The Sylph , a sylph appears as a guardian spirit for the female protagonist. By 1765, the French author Jean-François Marmontel had found the sylph legend notable enough that he included among his Moral Tales the story of "the Sylph-Husband," in which

2275-465: The fault I see; That mercy I to others show, That mercy show to me. Mean though I am, not wholly so, Since quickened by thy breath; O, lead me wheresoe’er I go, Through this day’s life or death! To thee, whose temple is all space, Whose altar, earth, sea, skies! One chorus let all Being raise! All Nature’s incense rise! Pope, "The Universal Prayer" The Imitations of Horace that followed (1733–1738) were written in

2340-679: The fortunes of the Tories , and Pope's friend Henry St John, 1st Viscount Bolingbroke , fled to France. This was added to by the Impeachment of the former Tory Chief Minister Lord Oxford . Pope lived in his parents' house in Mawson Row, Chiswick , between 1716 and 1719; the red-brick building is now the Mawson Arms , commemorating him with a blue plaque . The money made from his translation of Homer allowed Pope to move in 1719 to

2405-403: The grotto survives beneath Radnor House Independent Co-educational School. The grotto has been restored and will open to the public for 30 weekends a year from 2023 under the auspices of Pope's Grotto Preservation Trust. An Essay on Criticism was first published anonymously on 15 May 1711. Pope began writing the poem early in his career and took about three years to finish it. At the time

2470-635: The hostility of its victims and their sympathizers, who pursued him implacably from then on with a few damaging truths and a host of slanders and lies." According to his half-sister Magdalen Rackett, some of Pope's targets were so enraged by The Dunciad that they threatened him physically. "My brother does not seem to know what fear is," she told Joseph Spence , explaining that Pope loved to walk alone, so went accompanied by his Great Dane Bounce, and for some time carried pistols in his pocket. This first Dunciad , along with John Gay 's The Beggar's Opera and Jonathan Swift's Gulliver's Travels , joined in

2535-435: The lack of an objective historical and thus semantic connection. The idea of an intentional portmanteau is also considered doubtful, though extensive evidence can be found that indicates that Paracelsus considered the various sylvan spirits and wild men of legend to be examples of sylphs, which he occasionally took to be earth elementals rather than air elementals. The Swiss German physician and alchemist Paracelsus first coined

2600-419: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Silvestris&oldid=904078877 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Alexander Pope Alexander Pope (21 May 1688 O.S. – 30 May 1744)

2665-420: The moral qualities and virtues inherent in an ideal critic, whom Pope claims is also the ideal man. Pope's most famous poem is The Rape of the Lock , first published in 1712, with a revised version in 1714. A mock-epic , it satirises a high-society quarrel between Arabella Fermor (the "Belinda" of the poem) and Lord Petre , who had snipped a lock of hair from her head without permission. The satirical style

Sylph - Misplaced Pages Continue

2730-487: The opening lines survive. His major work in those years was to revise and expand his masterpiece, The Dunciad . Book Four appeared in 1742 and a full revision of the whole poem the following year. Here Pope replaced the "hero" Lewis Theobald with the Poet Laureate , Colley Cibber as "king of dunces". However, the real focus of the revised poem is Walpole and his works. By now Pope's health, which had never been good,

2795-414: The poem was published, its heroic couplet style was quite a new poetic form and Pope's work an ambitious attempt to identify and refine his own positions as a poet and critic. It was said to be a response to an ongoing debate on the question of whether poetry should be natural, or written according to predetermined artificial rules inherited from the classical past. The "essay" begins with a discussion of

2860-412: The popular Augustan form of an "imitation" of a classical poet, not so much a translation of his works as an updating with contemporary references. Pope used the model of Horace to satirise life under George II , especially what he saw as the widespread corruption tainting the country under Walpole's influence and the poor quality of the court's artistic taste. Pope added as an introduction to Imitations

2925-462: The remaining twelve. Broome provided the annotations. Pope tried to conceal the extent of the collaboration, but the secret leaked out. It did some damage to Pope's reputation for a time, but not to his profits. Leslie Stephen considered Pope's portion of the Odyssey inferior to his version of the Iliad , given that Pope had put more effort into the earlier work – to which, in any case, his style

2990-457: The satirical Scriblerus Club . Its aim was to satirise ignorance and pedantry through the fictional scholar Martinus Scriblerus. He also made friends with Whig writers Joseph Addison and Richard Steele . In March 1713, Windsor Forest was published to great acclaim. During Pope's friendship with Joseph Addison, he contributed to Addison's play Cato , as well as writing for The Guardian and The Spectator . Around this time, he began

3055-573: The silent flow of my days, I raise eyes of weary protest to the sylph who is mine alone, to the poor girl who, had she only learned to sing, could perhaps have been a siren". The famous ballet La Sylphide ("The (Female) Sylph", Paris, 1832) is a prominent example of sylph lore in theater in the 19th century. It appeared in a second version in Denmark in 1836. A similarly themed opera The Mountain Sylph appeared in England in 1834. Sylphs again took to

3120-473: The skies. Belinda, the heroine of Pope's poem, is attended by a small army of sylphs, who foster her vanity and guard her beauty. The poem is a parody of Paracelsian ideas, inasmuch as Pope imitates the pseudo-science of alchemy to explain the seriousness with which vain women approach the dressing room. In a slight parody of the divine battle in Pope's Rape of the Lock , when the Baron of the poem attempts to cut

3185-521: The stage in the 1909 ballet Les Sylphides . Because of their association with the ballet La Sylphide , where sylphs are identified with fairies and the medieval legends of fairyland, as well as a confusion with other "airy spirits" (e.g., in William Shakespeare's A Midsummer Night's Dream ), a slender girl may be referred to as a sylph. "Sylph" has passed into general language as a term for minor spirits, elementals, or faeries of

3250-460: The standard rules that govern poetry, by which a critic passes judgement. Pope comments on the classical authors who dealt with such standards and the authority he believed should be accredited to them. He discusses the laws to which a critic should adhere while analysing poetry, pointing out the important function critics perform in aiding poets with their works, as opposed to simply attacking them. The final section of An Essay on Criticism discusses

3315-418: The sting of his sharp-witted satires. Some were so virulent that Pope even carried pistols while walking his dog. In 1738 and thenceforth, Pope composed relatively little. He began having ideas for a patriotic epic in blank verse titled Brutus , but mainly revised and expanded his Dunciad . Book Four appeared in 1742; and a complete revision of the whole in the year that followed. At this time Lewis Theobald

SECTION 50

#1732781111289

3380-594: The subject of architecture, the first of four poems later grouped as the Moral Essays (1731–1735). The epistle ridicules the bad taste of the aristocrat "Timon". For example, the following are verses 99 and 100 of the Epistle: At Timon's Villa let us paſs a day, Where all cry out, "What ſums are thrown away!" Pope's foes claimed he was attacking the Duke of Chandos and his estate, Cannons . Though

3445-609: The term sylph in the 16th century to describe an air spirit in his overarching scheme of elemental spirits associated with the four Classical elements . Paracelsus drew from earlier sources, but his systematic treatment of the idea was definitive, with the names of three of the four types having originated in his works. The other three elemental spirits named were Gnomes (earth), Salamanders (fire), and Undines (water). These ideas were adopted in Rosicrucianism and were widely encountered in subsequent hermetic literature. In

3510-840: The work of translating the Iliad , which was a painstaking process – publication began in 1715 and did not end until 1720. In 1714 the political situation worsened with the death of Queen Anne and the disputed succession between the Hanoverians and the Jacobites , leading to the Jacobite rising of 1715 . Though Pope, as a Catholic, might have been expected to have supported the Jacobites because of his religious and political affiliations, according to Maynard Mack , "where Pope himself stood on these matters can probably never be confidently known". These events led to an immediate downturn in

3575-572: The works of classical writers such as the satirists Horace and Juvenal , the epic poets Homer and Virgil , as well as English authors such as Geoffrey Chaucer , William Shakespeare and John Dryden . He studied many languages, reading works by French, Italian, Latin, and Greek poets. After five years of study, Pope came into contact with figures from London literary society such as William Congreve , Samuel Garth and William Trumbull . At Binfield he made many important friends. One of them, John Caryll (the future dedicatee of The Rape of

3640-564: Was a piece that he sought to make into a larger work, but he did not live to complete it. It attempts to "vindicate the ways of God to Man", a variation on Milton's attempt in Paradise Lost to "justify the ways of God to Man" (1.26). It challenges as prideful an anthropocentric worldview. The poem is not solely Christian, however. It assumes that man has fallen and must seek his own salvation. Consisting of four epistles addressed to Lord Bolingbroke , it presents an idea of Pope's view of

3705-507: Was affected by the recently enacted Test Acts , a series of English penal laws that upheld the status of the established Church of England , banning Catholics from teaching, attending a university, voting, and holding public office on penalty of perpetual imprisonment. Pope was taught to read by his aunt and attended Twyford School circa 1698. He also attended two Roman Catholic schools in London. Such schools, though still illegal, were tolerated in some areas. In 1700, his family moved to

3770-477: Was already removed from society as a Catholic, and his poor health alienated him further. Although he never married, he had many female friends to whom he wrote witty letters, including Lady Mary Wortley Montagu . It has been alleged that his lifelong friend Martha Blount was his lover. His friend William Cheselden said, according to Joseph Spence , "I could give a more particular account of Mr. Pope's health than perhaps any man. Cibber 's slander (of carnosity)

3835-675: Was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature , Pope is best known for his satirical and discursive poetry including The Rape of the Lock , The Dunciad , and An Essay on Criticism , and for his translations of Homer . Pope is often quoted in The Oxford Dictionary of Quotations , some of his verses having entered common parlance (e.g. " damning with faint praise " or " to err

3900-440: Was better suited. In this period, Pope was employed by the publisher Jacob Tonson to produce an opulent new edition of Shakespeare. When it appeared in 1725, it silently regularised Shakespeare's metre and rewrote his verse in several places. Pope also removed about 1,560 lines of Shakespeare's material, arguing that some appealed to him more than others. In 1726, the lawyer, poet and pantomime-deviser Lewis Theobald published

3965-635: Was failing. When told by his physician, on the morning of his death, that he was better, Pope replied: "Here am I, dying of a hundred good symptoms." He died at his villa surrounded by friends on 30 May 1744, about eleven o'clock at night. On the previous day, 29 May 1744, Pope had called for a priest and received the Last Rites of the Catholic Church. He was buried in the nave of St Mary's Church, Twickenham . Pope had been fascinated by Homer since childhood. In 1713, he announced plans to publish

SECTION 60

#1732781111289

4030-421: Was not in doubt. Pope pilloried a host of other "hacks", "scribblers" and "dunces" in addition to Theobald, and Maynard Mack has accordingly called its publication "in many ways the greatest act of folly in Pope's life". Though a masterpiece due to having become "one of the most challenging and distinctive works in the history of English poetry", writes Mack, "it bore bitter fruit. It brought the poet in his own time

4095-399: Was outraged by what he saw as the impudence of a younger author. Dennis hated Pope for the rest of his life, and save for a temporary reconciliation, dedicated his efforts to insulting him in print, to which Pope retaliated in kind, making Dennis the butt of much satire. A folio containing a collection of his poems appeared in 1717, along with two new ones about the passion of love: Verses to

4160-738: Was replaced with the Poet Laureate Colley Cibber as "king of dunces", but his real target remained the Whig politician Robert Walpole . By the mid-18th century, new fashions in poetry emerged. A decade after Pope's death, Joseph Warton claimed that Pope's style was not the most excellent form of the art. The Romantic movement that rose to prominence in early 19th-century England was more ambivalent about his work. Though Lord Byron identified Pope as one of his chief influences – believing his own scathing satire of contemporary English literature English Bards and Scotch Reviewers to be

4225-400: Was suggested that Shakespeare's texts were thoroughly contaminated by actors' interpolations and they would influence editors for most of the 18th century. Pope's poetic career testifies to an indomitable spirit despite disadvantages of health and circumstance. The poet and his family were Catholics and so fell subject to the prohibitive Test Acts , which hampered their co-religionists after

#288711