In classical Greek mythology , Syrinx / ˈ s ɪ r ɪ ŋ k s / ( Greek Σύριγξ) was an Arcadian nymph and a follower of Artemis , known for her chastity . Being pursued by Pan, she fled into the river Ladon , and at her own request was metamorphosed into a reed from which Pan then made his panpipes.
78-411: Syrinx was a beautiful wood nymph who had many times attracted the attention of satyrs, and fled their advances in turn. She worshipped Artemis , the goddess of wilderness, and, like her, had vowed to remain a virgin for all of time. Pursued by the amorous god Pan , she ran to a river's edge and asked for assistance from the river nymphs . In answer, she was transformed into hollow water reeds that made
156-859: A Minoan form whose history was lost in the myths. Artemis was one of the most popular goddesses in Ancient Greece. The most frequent name of a month in the Greek calendars was Artemision in Ionic , territories Artemisios or Artamitios in the Doric and Aeolic territories and in Macedonia . Also Elaphios in Elis , Elaphebolion in Athens, Iasos , Apollonia of Chalkidice and Munichion in Attica . In
234-425: A cantata for voice and ensemble (No. 4 of Second livre de cantates ). Danish composer Carl Nielsen composed Pan and Syrinx ( Pan og Syrinx ), Op. 49, FS 87. The British folk-rock band Oberon included a flute solo called "Syrinx" on its 1970 album, A Midsummer's Night Dream. Canadian electronic progressive rock band Syrinx took their name from the legend. Canadian progressive rock band Rush have
312-488: A collaboration between the council and the university in 2018. The gallery's budget is controlled by the council but it also funded by the Manchester Art Gallery Trust, a charity (Registered Charity Number 1048581) that supports its work. The trust raises nearly half the funding required from companies, individuals and grant making trusts and foundations. The gallery is currently open daily and on
390-467: A female deer (doe) and both disappear into the waters. In relation to these myths Artemis was worshipped as Saronia and Stymphalia . The myth of a goddess who is chased and then falls in the sea is related to the cults of Aphaea and Diktynna . Artemis carrying torches was identified with Hecate and she had the surnames Phosphoros and Selasphoros . In Athens and Tegea , she was worshipped as Artemis Kalliste , "the most beautiful". Sometimes
468-522: A haunting sound when the god's frustrated breath blew across them. Pan cut the reeds to fashion the first set of panpipes , which were thenceforth known as syrinx . The word syringe was derived from this word. Ovid includes the story of Pan and Syrinx in Book One of the Metamorphoses , where it is told by Mercury to Argus in the course of lulling him asleep in order to kill him. The myth
546-545: A legend, Carya, the female lover of Dionysos was transformed into a nut tree and the dancers into nuts. The city is considered to be the place of the origin of the bucolic (pastoral) songs. Cedreatis , near Orchomenus in Arcadia. A xoanon was mounted on the holy cedar (kedros). Chesias , from the name of a river at Samos. Chitonia , wearing a loose tunic, at Syracuse in Sicily, as goddess of hunting. The festival
624-510: A long narrative poem about the myth, in which Syrinx becomes the lover of Silenus , but drowns when she attempts to escape rape by Pan. As a result of the crime, Pan is transmuted into a demon figure and Silenus becomes a drunkard. Amy Clampitt 's poem Syrinx refers to the myth by relating the whispering of the reeds to the difficulties of language. The story was used as a central theme by Aifric Mac Aodha in her poetry collection Gabháil Syrinx . Samuel R. Delany features an instrument called
702-456: A million people visited the museum in the period of a year, according to figures released in April 2014. The Royal Manchester Institution was a scholarly society formed in 1823. It was housed in what is now the art gallery's main gallery building on Mosley Street. The first object acquired for its collection, James Northcote 's A Moor (a portrait of the celebrated black actor Ira Aldridge ),
780-712: A movement titled "The Temples of Syrinx" in their song " 2112 " on their album 2112 . The song is about a dystopian futuristic society in which the arts, particularly music, have been suppressed by the Priests of the Temples of Syrinx. Related to the Rush reference, Maryland based rockers Clutch mention the Temples of Syrinx in their song "10001110101" from their album Robot Hive/Exodus . Artemis In ancient Greek religion and mythology , Artemis ( / ˈ ɑːr t ɪ m ɪ s / ; ‹See Tfd› Greek : Ἄρτεμις )
858-575: A play of words on the Greek god Pan . "Syrinx" is the final poem in Merrill's 1972 collection, Braving the Elements . In Dark Places of Wisdom , Peter Kingsley discusses in some detail the use of the word in Parmenides ' poem and in association with the ancient practice of incubation. The British Victorian artist Arthur Hacker depicted Syrinx in his 1892 nude. This painting in oil on canvas
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#1732765375146936-534: A rare epithet of Artemis. Aphaea is identified with Britomartis. In the legend Britomartis (the sweet young woman) escaped from Minos, who fell in love with her. She travelled to Aegina on a wooden boat and then she disappeared. The myth indicates an identity in nature with Diktynna . Aricina , derived from the town Aricia in Latium , or from Aricia, the wife of the Roman forest god Virbius ( Hippolytus ). The goddess
1014-525: A syrynx in his science-fiction novel Nova . Syrinx is the name of one of the main characters in the Night's Dawn Trilogy of space opera novels by British author Peter F. Hamilton . In the trilogy, Syrinx is a member of the transhumanist future society known as Edenism, and serves as the captain of the Oenone , a living starship. A 1972 poem by James Merrill , titled "Syrinx", draws on several aspects on
1092-621: A torch in either hand. Sophocles calls her, " Elaphebolos , (deer slayer) Amphipyros", reminding the annual fire of the festival Laphria The adjective refers also to the twin fires of the two peaks of the Mount Parnassus above Delphi ( Phaedriades ). Anaitis , in Lydia . The fame of Tauria (the Tauric goddess) was very high, and the Lydians claimed that the image of the goddess
1170-516: A virginity testing place for maidens. Longus makes reference to Syrinx in his tale of "Daphnis and Chloe" in Book 2:34. Whilst the description of the tale here is modified to that of Ovid, it nevertheless incorporates Pan 's desire to have her. Longus, however, makes no reference to Syrinx receiving aid from the Nymphs in his version, instead Syrinx hides from Pan in amongst some reeds and disappears into
1248-478: Is also preserved in the works of some anonymous paradoxographer. The story is also told in Achilles Tatius ' Leukippe and Kleitophon where the heroine is subjected to a virginity test by entering a cave where Pan has left syrinx pipes that will sound a melody if she passes. This has similarities with another myth Achilles wrote down, that of Rhodopis , who was transformed into a fountain that served as
1326-625: Is an Egyptian canopic jar from circa 1100 BC . Thomas Coglan Horsfall 's eclectic collection from the Manchester Art Museum in Ancoats Hall was absorbed into the gallery when the museum closed in 1953. Manchester Art Gallery is strongest in its collection of Victorian art , especially that of the Pre-Raphaelite Brotherhood , and Victorian decorative arts . The gallery houses several works by
1404-614: Is believed that a precursor of Artemis was worshipped in Minoan Crete as the goddess of mountains and hunting, Britomartis . While connection with Anatolian names has been suggested, the earliest attested forms of the name Artemis are the Mycenaean Greek 𐀀𐀳𐀖𐀵 , a-te-mi-to /Artemitos/ ( gen. ) and 𐀀𐀴𐀖𐀳 , a-ti-mi-te /Artimitei/ ( dat. ), written in Linear B at Pylos . According to J.T. Jablonski ,
1482-446: Is built in rusticated ashlar to a rectangular plan on a raised plinth . The roof is hidden by a continuous dentilled cornice and plain parapet . Its 11-bay façade has two three-bay side ranges and a central five-bay pedimented projecting portico with six Ionic columns. Set back behind the parapet is an attic with small windows that forms a lantern above the entrance hall. Manchester Athenaeum , also designed by Barry,
1560-814: Is currently on display in Manchester Art Gallery . A sculpture of Syrinx created in 1925 by sculptor William McMillan is displayed at the Kelvingrove Art Gallery and Museum in Glasgow. Sculptor Adolph Wolter was commissioned in 1973 to create a replacement for a stolen sculpture of Syrinx in Indianapolis , United States. This work was a replacement for a similar statue by Myra Reynolds Richards that had been stolen. The sculpture sits in University Park located in
1638-607: Is led to the altar to be offered as a sacrifice, Artemis pities her and takes her away, leaving a deer in her place. In the war that followed, Artemis supported the Trojans against the Greeks, and she challenged Hera in battle. Artemis was one of the most widely venerated of the Ancient Greek deities; her worship spread throughout ancient Greece, with her multiple temples, altars, shrines, and local veneration found everywhere in
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#17327653751461716-551: Is of unknown or uncertain etymology, although various sources have been proposed. R.S.P. Beekes suggested that the e / i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus . Georgios Babiniotis , while accepting that the etymology is unknown, also states that the name is already attested in Mycenean Greek and is possibly of pre-Greek origin. The name may be related to Greek árktos " bear " (from PIE * h₂ŕ̥tḱos ), supported by
1794-493: Is presented as a goddess who delights in hunting and punishes harshly those who cross her. Artemis' wrath is proverbial, and represents the hostility of wild nature to humans. Homer calls her πότνια θηρῶν , "the mistress of animals", a title associated with representations in art going back as far as the Bronze Age , showing a woman between a pair of animals. Artemis carries with her certain functions and characteristics of
1872-400: Is related to the old traditions where icons and puppets of a vegetation goddess would be hung on a tree. It was believed that the plane tree near the spring at Caphyae, was planted by Menelaus , the husband of Helen of Troy . The tree was called "Menelais". The previous name of the goddess was most likely Kondyleatis . Aphaea , or Apha , unseen or disappeared, a goddess at Aegina and
1950-531: Is the goddess of the hunt , the wilderness , wild animals, nature , vegetation , childbirth , care of children , and chastity . In later times, she was identified with Selene , the personification of the Moon . She was often said to roam the forests and mountains, attended by her entourage of nymphs . The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of Zeus and Leto , and twin sister of Apollo . In most accounts,
2028-497: Is the patron and protector of young children, especially young girls. Artemis was worshipped as one of the primary goddesses of childbirth and midwifery along with Eileithyia and Hera. Artemis was also a patron of healing and disease, particularly among women and children, and believed to send both good health and illness upon women and children. Artemis was one of the three major virgin goddesses , alongside Athena and Hestia . Artemis preferred to remain an unmarried maiden and
2106-498: The Iliad and Odyssey to describe her is ἰοχέαιρα iocheaira , "she who shoots arrows", often translated as "she who delights in arrows" or "she who showers arrows". She is called Artemis Chrysilakatos , of the golden shafts, or Chrysinios , of the golden reins, as a goddess of hunting in her chariot. The Homeric Hymn 27 to Artemis paints this picture of the goddess: I sing of Artemis, whose shafts are of gold, who cheers on
2184-472: The Olympians , but come from an old, less organized world–exorcisms, rituals to raise crops, gods and goddesses conceived not quite in human shape. Some cults of Artemis retained the pre-Greek features which were consecrated by immemorial practices and connected with daily tasks. Artemis shows sometimes the wild and darker side of her character and can bring immediate death with her arrows, however she embodies
2262-463: The daimons and this differentiates her from the other Greek divinities. This is the reason that Artemis was later identified with Hecate , since the daimons were tutelary deities. Hecate was the goddess of crossroads and she was the queen of the witches. Laphria is the Pre-Greek "mistress of the animals" at Delphi and Patras . There was a custom to throw animals alive into the annual fire of
2340-517: The "arkteia", young girls who dressed with short saffron-yellow chitons and imitated bears (she-bears: arktoi). In the Acropolis of Athens, the Athenian girls before puberty should serve the goddess as "arktoi". Artemis was the goddess of marriage and childbirth. The name of the small "bears" indicate the theriomorphic form of Artemis in an old pre-Greek cult. In the cult of Baubronia, the myth of
2418-544: The French impressionist, Pierre Adolphe Valette , who painted and taught in Manchester in the early years of the 20th century; some of his scenes of foggy Manchester streets and canals are displayed. A Cézanne hangs in the same room, showing the similarity in treatment and subject between his misty French river bridge and Valette's bridge in a pre- Clean Air Act Mancunian fog. L. S. Lowry was one of Valette's students and
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2496-605: The Mycenean religion. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths. According to the beliefs of the first Greeks in Arcadia , Artemis is the first nymph , a divinity of free nature. She was a great goddess and her temples were built near springs marshes and rivers where the nymphs live, and they are appealed by the pregnant women. In Greek religion we must see less tractable elements which have nothing to do with
2574-402: The Nymphs (1896), leaving an empty space to encourage debate as to how women's bodies should be displayed. Post-it notes were provided for visitors to air their views. The gallery's actions prompted a strong backlash with accusations of censorship, puritanism and political correctness. The museum was "completely taken by surprise by the ferocity of the response" and the painting was rehung after
2652-803: The ancient world. Her great temple at Ephesus was one of the Seven Wonders of the Ancient World , before it was burnt to the ground. Artemis' symbols included a bow and arrow, a quiver, and hunting knives, and the deer and the cypress were sacred to her. Diana, her Roman equivalent , was especially worshipped on the Aventine Hill in Rome , near Lake Nemi in the Alban Hills , and in Campania . The name "Artemis" ( n. , f. )
2730-438: The antiquity. The great popularity of Artemis corresponds to the Greek belief in freedom and she is mainly the goddess of women and children. The goddess of free nature is independent and celibate. Artemis is frequently depicted carrying a torch and she was occasionally identified with Hecate . Like other Greek deities, she had a number of other names applied to her, reflecting the variety of roles, duties, and aspects ascribed to
2808-531: The bear cult the goddess had in Attica ( Brauronia ) and the Neolithic remains at the Arkoudiotissa Cave , as well as the story of Callisto, which was originally about Artemis ( Arcadian epithet kallisto ); this cult was a survival of very old totemic and shamanistic rituals and formed part of a larger bear cult found further afield in other Indo-European cultures (e.g., Gaulish Artio ). It
2886-471: The beliefs of the first Greeks in Arcadia Artemis is the first nymph , a goddess of free nature. She is an independent free woman, and she does not need any partner. She is hunting surrounded by her nymphs . This idea of freedom and women's skill is expressed in many Greek myths. In Peloponnese the temples of Artemis were built near springs, rivers and marshes. Artemis was closely related to
2964-453: The calendars of Aetolia , Phocis and Gytheion there was the month Laphrios and in Thebes , Corcyra , and Byzantion the month Eucleios . The goddess was venerated in festivals during spring. In some cults she retains the theriomorphic form of a Pre-Greek goddess who was conceived with the shape of a bear (άρκτος árktos : bear). Kallisto in Arcadia is a hypostasis of Artemis with
3042-499: The car park site. The competition attracted 132 architects, six of whom were selected to proceed to the final stage. Michael Hopkins and Partners were announced as winners in January 1995. The gallery closed in 1998 and reopened in 2002 following the £35 million refurbishment and extension. The new extension was criticised as "the splendid and really beautiful interiors of the original building .. have been gratuitously spoiled", and
3120-422: The city of Antioch, wrote that Ptolemy was smitten by the beauty of (the statue of) Artemis; whereas her mother Leto often took pride in her daughter's beauty. She has several stories surrounding her where men such as Actaeon, Orion, and Alpheus tried to couple with her forcibly, only to be thwarted or killed. Ancient poets note Artemis' height and imposing stature, as she stands taller and more impressive than all
3198-576: The city's Indiana World War Memorial Plaza . Abraham Jannsens painted Syrinx in 1620 as part of "Pan and Syrinx". Claude Debussy based his 1913 Syrinx (Debussy) on Pan's sadness over losing his love. The piece is still popular today; it was used as incidental music in the play Psyché by Gabriel Mourey . The story of Pan and Syrinx is the inspiration for the first movement in Benjamin Britten 's work for solo oboe, Six Metamorphoses after Ovid first performed in 1951. Britten titled
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3276-416: The common epithets Orthia , Korythalia and Dereatis . The female dancers wore masks and were famous in antiquity. The goddess of vegetation was also related to the tree-cult with temples near the holy trees and the surnames Apanchomene , Caryatis and Cedreatis . According to Greek beliefs the image of a god or a goddess gave signs or tokens and had divine and magic powers. With these conceptions she
3354-533: The fest. The festival at Patras was introduced from Calydon and this relates Artemis to the Greek heroine Atalanta who symbolizes freedom and independence. Other epithets that relate Artemis to the animals are Amarynthia and Kolainis . In the Homeric poems Artemis is mainly the goddess of hunting, because it was the most important sport in Mycenean Greece . An almost formulaic epithet used in
3432-560: The first Wednesday of every month opens until 9pm. Manchester Art Gallery is housed in three connected buildings. The City Art Gallery building, which faces onto Mosley Street , was designed and constructed between 1824 and 1835. It originally housed the Royal Manchester Institution. Designed by architect Sir Charles Barry in the Greek Ionic style , the building is now Grade I listed . The two-storey gallery
3510-411: The goddess before a battle. The deer always accompanies the goddess of hunting. Her epithet Agraea is similar with Agrotera . Alphaea , in the district of Elis . The goddess had an annual festival at Olympia and a temple at Letrinoi near the river Alpheus . At the festival of Letrinoi, the girls were dancing wearing masks. In the legend, Alphaea and her nymphs covered their faces with mud and
3588-512: The goddess had the name of an Amazon like Lyceia (with a helmet of a wolf-skin) and Molpadia . The female warriors Amazons embody the idea of freedom and women's independence. In spite of her status as a virgin who avoided potential lovers, there are multiple references to Artemis' beauty and erotic aspect; in the Odyssey , Odysseus compares Nausicaa to Artemis in terms of appearance when trying to win her favor, Libanius , when praising
3666-468: The goddess. Aeginaea , probably huntress of chamois or the wielder of the javelin, at Sparta However the word may mean "from the island Aegina ", that relates Artemis with Aphaia ( Britomartis ). Aetole , of Aetolia at Nafpaktos . A marble statue represented the goddess in the attitude of one hurling a javelin. Agoraea , guardian of popular assemblies in Athens . She was considered to be
3744-402: The hounds, the pure maiden, shooter of stags, who delights in archery, own sister to Apollo with the golden sword. Over the shadowy hills and windy peaks she draws her golden bow, rejoicing in the chase, and sends out grievous shafts. The tops of the high mountains tremble and the tangled wood echoes awesomely with the outcry of beasts: earthquakes and the sea also where fishes shoal. According to
3822-538: The idea of "the free nature" which was introduced by the first Greeks. The Dorians came later in the area, probably from Epirus and the goddess of nature was mostly interpreted as a vegetation goddess who was related to the ecstatic Minoan tree-cult. She was worshipped in orgiastic cults with lascivious and sometimes obscene dances, which have pure Greek elements introduced by the Dorians. The feminine (sometimes male) dancers wore usually masks, and they were famous in
3900-648: The influence on Lowry of impressionism can be seen at the gallery, where paintings by the two artists hang together. While most locally held Lowry works are in the collection of The Lowry gallery, 3.75 kilometres (2.33 mi) away in Salford, the Manchester Art Gallery has Lowry's 1954 painting Piccadilly Gardens on display. The museum houses The Picnic (1908), a work by the British Impressionist painter Wynford Dewhurst , who
3978-421: The marriage, and they are appealed by the pregnant women. Artemis became goddess of marriage and childbirth. She was worshipped with the surname Eucleia in several cities. Women consecrated clothes to Artemis for a happy childbirth and she had the epithets Lochia and Lecho . The Dorians interpreted Artemis mainly as goddess of vegetation who was worshipped in an orgiastic cult with lascivious dances, with
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#17327653751464056-460: The marsh. Upon realising what had happened to Syrinx, Pan created the first set of panpipes from the reeds she was transformed into, forcing her to be with him for the rest of his days. The story became popular among artists and writers in the 19th century. Elizabeth Barrett Browning wrote a poem entitled "A Musical Instrument" describing Pan's ruinous actions in creating the musical pipes. The Victorian artist and poet Thomas Woolner wrote Silenus ,
4134-475: The movement, "Pan: who played upon the reed pipe which was Syrinx, his beloved." Maurice Ravel incorporated the character of the Syrinx into his ballet Daphnis et Chloé . Gustav Holst alludes to the story of Pan and Syrinx in the opening of his Choral Symphony , which draws from the text of John Keats' 1818 poem " Endymion ." French Baroque composer Michel Pignolet de Montéclair composed "Pan et Syrinx",
4212-404: The mythological tale, with the poet himself identifying with the celebrated nymph, desiring to become not just a "reed" but a "thinking reed" (in contrast to a "thinking stone", as critic Helen Vendler has observed, noting the influence of a Wallace Stevens lyric, "Le Monocle de Mon Oncle"). The poet aspires to return to his "scarred case" with minimal suffering inflicted by "the great god Pain",
4290-453: The name is also Phrygian and could be "compared with the royal appellation Artemas of Xenophon ". Charles Anthon argued that the primitive root of the name is probably of Persian origin from * arta , * art , * arte , all meaning "great, excellent, holy", thus Artemis "becomes identical with the great mother of Nature, even as she was worshiped at Ephesus". Anton Goebel "suggests the root στρατ or ῥατ , 'to shake', and makes Artemis mean
4368-572: The next 20 years. The Art Gallery Committee bought enthusiastically and by the end of the 19th century had accrued an impressive collection of fine art, added to by gifts and bequests from wealthy Mancunian industrialists. On 3 April 1913, three women ( Lillian Williamson , Evelyn Manesta , and Annie Briggs) staged a protest in favour of women's suffrage in the United Kingdom . They broke the glass of 13 paintings including two by John Everett Millais and two by George Frederick Watts . Four of
4446-567: The nymphs accompanying her. Artemis is rooted to the less developed personality of the Mycenean goddess of nature. The goddess of nature was concerned with birth and vegetation and had certain chthonic aspects. The Mycenean goddess was related to the Minoan mistress of the animals, who can be traced later in local cults, however we do not know to what extent we can differentiate the Minoan from
4524-485: The paintings were damaged by the broken glass. Williamson was sent to jail for three months and Manesta for one. The gallery is operated by Manchester City Galleries, a department of Manchester City Council which is also responsible for Platt Hall , Fallowfield . Alistair Hudson is the director of the galleries and also director of the University of Manchester 's Whitworth Art Gallery . He became joint director in
4602-422: The protector of the assemblies of the people in the agora . At Olympia the cult of "Artemis Agoraea" was related to the cult of Despoinai . (The double named goddesses Demeter and Persephone). Agrotera , the huntress of wild wood, in the Iliad and many cults. It was believed that she first hunted at Agrae of Athens after her arrival from Delos . There was a custom of making a "slaughter sacrifice", to
4680-429: The river god Alpheus, who was in love with her, could not distinguish her from the others. This explains, somehow, the clay masks at Sparta. Amarynthia , or Amarysia , with a famous temple at Amarynthus near Eretria . The goddess was related to the animals, however she was also a healer goddess of women. She is identified with Kolainis . Amphipyros , with fire at each end, a rare epithet of Artemis as bearing
4758-454: The sacrifice of Iphigenia was represented in the ritual. Boulaia , of the council, in Athens. Boulephoros , counselling, advising, at Miletus , probably a Greek form of the mother-goddess. Caryatis , the lady of the nut-tree, at Caryae on the borders between Laconia and Arcadia . Artemis was strongly related to the nymphs, and young girls were dancing the dance Caryatis . The dancers of Caryai were famous in antiquity. In
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#17327653751464836-407: The shape of a bear, and her cults at Brauron and at Piraeus ( Munichia ) are remarkable for the arkteia where virgin girls before marriage were disguised as she-bears. The ancient Greeks called potnia theron the representation of the goddess between animals; on a Greek vase from circa 570 BCE, a winged Artemis stands between a spotted panther and a deer. "Potnia theron" is very close to
4914-681: The story of Callisto , the girl is driven away from Artemis' company after breaking her vow of virginity, having lain with and been impregnated by Zeus. In the Epic tradition , Artemis halted the winds blowing the Greek ships during the Trojan War , stranding the Greek fleet in Aulis , after King Agamemnon , the leader of the expedition, shot and killed her sacred deer. Artemis demanded the sacrifice of Iphigenia , Agamemnon's young daughter, as compensation for her slain deer. In most versions, when Iphigenia
4992-556: The thrower of the dart or the shooter". Ancient Greek writers, by way of folk etymology , and some modern scholars, have linked Artemis (Doric Artamis ) to ἄρταμος , artamos , i.e. "butcher" or, like Plato did in Cratylus , to ἀρτεμής , artemḗs , i.e. "safe", "unharmed", "uninjured", "pure", "the stainless maiden". A.J. van Windekens tried to explain both ἀρτεμής and Artemis from ἀτρεμής , atremḗs , meaning "unmoved, calm; stable, firm" via metathesis . Artemis
5070-401: The twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on solid land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. In one account, Artemis is born first and then proceeds to assist Leto in the birth of the second twin, Apollo. Artemis was a kourotrophic (child-nurturing) deity, that
5148-405: The waters and especially to Poseidon , the god of the waters. Her common epithets are Limnnaia , Limnatis (relation to waters) and Potamia and Alphaea (relation to rivers). In some cults she is the healer goddess of women with the surnames Lousia and Thermia . Artemis is the leader of the nymphs ( Hegemone ) and she is hunting surrounded by them. The nymphs appear during the festival of
5226-544: The way to the academy of Athens and he believes that the names are surnames of the goddess Artemis, who is depicted carrying a torch. Kalliste is not related to Kalliste of Arcadia. Aristobule , the best advisor, at Athens . The politician and general Themistocles built a temple of Artemis Aristobule near his house in the deme of Melite , in which he dedicated his own statue. Astrateia , she that stops an invasion, at Pyrrichos in Laconia . A wooden image (xoanon),
5304-584: Was among them. It was considered that the image had divine powers. The Athenians believed that the image became booty to the Persians and was carried from Brauron to Susa . Angelos , messenger, envoy, title of Artemis at Syracuse in Sicily . Apanchomene , the strangled goddess, at Caphyae in Arcadia. She was a vegetation goddess related to the ecstatic tree cult. The Minoan tree goddesses Helene, Dentritis, and Ariadne were also hanged. This epithet
5382-629: Was born in Manchester. Annie Swynnerton who was born in Hulme is represented in the collection by 16 paintings and her contemporary at the Manchester School of Art , Susan Dacre by 17 paintings. As well as paintings, the museum holds collections of glass, silverware and furniture, including four pieces by the Victorian architect and designer William Burges . In January 2018, the gallery took down John William Waterhouse 's Hylas and
5460-475: Was bought in 1827. The Royal Manchester Institution opened its galleries to the public 10 years after its formation and subsequently held regular art exhibitions, collected works of fine art and promoted the arts from the 1820s until 1882 when its premises and collections were transferred under Act of Parliament to Manchester Corporation , becoming Manchester Art Gallery. The institution was handed over on condition that £2,000 per annum would be spent on art for
5538-611: Was built in 1837 and was bought by the Manchester Corporation in 1938 to provide additional space. It is Grade II* listed and designed in the Italian Palazzo style . The Athenaeum fronts onto Princess Street . In November 1994, an architectural design competition managed by RIBA Competitions was launched to refurbish the existing historic gallery and the Athenaeum and link them with a new building on
5616-512: Was dedicated to the goddess, because she stopped the invasion of the Amazons in this area. Another xoanon represented "Apollo Amazonios". Basileie , at Thrace and Paeonia . The women offered wheat stalks to the goddess. In this cult, which reached Athens, Artemis is relative to the Thracian goddess Bendis . Brauronia , worshipped at Brauron in Attica . Her cult is remarkable for
5694-426: Was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions . It opened in 2002 following a major renovation and expansion project undertaken by the art gallery. Manchester Art Gallery is free to enter and open six days a week, closed Mondays. It houses many works of local and international significance and has a collection of more than 25,000 objects. More than half
5772-567: Was distinguished by a peculiar dance and by a music on the flute. Manchester Art Gallery Manchester Art Gallery , formerly Manchester City Art Gallery , is a publicly owned art museum on Mosley Street in Manchester city centre , England. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry . Both of Barry's buildings are listed . The building that links them
5850-405: Was one of the three Greek goddesses over whom Aphrodite had no power. In myth and literature, Artemis is presented as a hunting goddess of the woods, surrounded by her chaste band of nymphs. In the myth of Actaeon , when the young hunter sees her bathing naked, he is transformed into a deer by the angered goddess and is then devoured by his own hunting dogs, who do not recognize their master. In
5928-464: Was related with Artemis Tauria (the Tauric Artemis). Her statue was considered the same with the statue that Orestes brought from Tauris. Near the sanctuary of the goddess there was a combat between slaves who had run away from their masters and the prize was the priesthood of Artemis. Ariste , the best, a goddess of the women. Pausanias describes xoana of "Ariste" and "Kalliste" in
6006-530: Was the 2002 winner of the Sir Hugh Casson Award for the worst new building of the year. The gallery has a fine art collection consisting of more than 2,000 oil paintings , 3,000 watercolours and drawings, 250 sculptures, 90 miniatures and around 1,000 prints. It owns more than 13,000 decorative art objects including ceramics, glass, enamels, furniture, metalwork, arms and armour, wallpapers, doll houses and related items. The oldest object
6084-455: Was worshipped as Tauria (the Tauric , goddess), Aricina ( Italy ) and Anaitis ( Lydia ). In the bucolic ( pastoral ) songs the image of the goddess was discovered in bundles of leaves or dry sticks and she had the surnames Lygodesma and Phakelitis . In the European folklore, a wild hunter is chasing an elfish woman who falls in the water. In the Greek myths the hunter is chasing
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