The Portland Exposition Building , also known as The Expo , is a sports and convention center building complex in Portland , Maine . Much expanded since the original building was constructed in 1914, the complex now includes five inter-connected buildings with 24,000 square feet of exhibition space and ten meeting rooms. It is adjacent to the Hadlock Field and the Portland Ice Arena .
141-578: Phish , Ani Difranco , Natalie Merchant , The Monkees , and Rusted Root have played at the venue. It has also hosted trade shows and celebrations. It has been used for the Maine Red Claws basketball team, Portland High School Bulldogs basketball games, and indoor track events. In 2007, the Expo became the home of Maine Roller Derby. Locker rooms for Fitzpatrick Stadium and the visiting clubhouse for Hadlock Field. The Portland Exposition Building
282-523: A 1970s kung fu -inspired poster for the opening date in Las Vegas. The 21-date tour is considered one of the group's most popular and acclaimed tours, and several concerts were later officially released on live album sets such as Live Phish Volume 11 in 2002. Phish ended 1997 as one of the ten highest grossing concert acts in the United States that year. In April 1998, the band embarked on
423-459: A Dorian or Mixolydian mode , as opposed to the major or natural minor tonalities of most popular music. Melodic content was derived by mixing these modes with the blues scale . In the 1970s, jazz music drew upon funk to create a new subgenre of jazz-funk , which can be heard in recordings by Miles Davis ( Live-Evil , On the Corner ), and Herbie Hancock ( Head Hunters ). Funk continues
564-645: A Usenet newsgroup, rec.music.phish, which launched in 1992. Aware of the band's growing popularity, Elektra Records signed them that year after they were recommended to the record label by A&R representative Sue Drew. In the summer of 1991, the band embarked on a 14-date tour of the eastern United States accompanied by a three-piece horn section dubbed the Giant Country Horns . In August of that year, Phish played an outdoor concert at their friend Amy Skelton's horse farm in Auburn, Maine that acted as
705-433: A " call-and-response , intertwined pocket." If a band only has one guitarist, this effect may be recreated by overdubbing in the studio, or, in a live show, by having a single guitarist play both parts, to the degree that this is possible. In funk bands, guitarists typically play in a percussive style, using a style of picking called the "chank" or "chicken scratch", in which the guitar strings are pressed lightly against
846-484: A "black aesthetic" to perform that made use of "colorful and lively exchange of gestures, facial expressions, body posture, and vocal phrases" to create an engaging performance. The lyrics in funk music addressed issues faced by the African American community in the United States during the 1970s, which arose due to the move away from an industrial, working-class economy to an information economy, which harmed
987-451: A "gooey, slurpy, quacky, and syrupy" sound) and imitate keyboard synthesizer bass tones (e.g., the Mutron envelope filter) and overdriven fuzz bass effects, which are used to create the "classic fuzz tone that sounds like old school Funk records". Other effects that are used include the flanger and bass chorus . Collins also used a Mu-Tron Octave Divider , an octave pedal that, like
1128-467: A Black President be considered in the future. The political themes of funk songs and the aiming of the messages to a Black audience echoed the new image of Blacks that was created in Blaxploitation films, which depicted "African-American men and women standing their ground and fighting for what was right". Both funk and Blaxploitation films addressed issues faced by Blacks and told stories from
1269-555: A Black perspective. Another link between 1970s funk and Blaxploitation films is that many of these films used funk soundtracks (e.g., Curtis Mayfield for Superfly ; James Brown and Fred Wesley for Black Caesar and War for Youngblood ). Funk songs included metaphorical language that was understood best by listeners who were "familiar with the black aesthetic and [black] vernacular". For example, funk songs included expressions such as "shake your money maker", "funk yourself right out" and "move your boogie body". Another example
1410-719: A Little Bit of Bitch in Him"); clavinet ("Joyful Process", "Up for the Down Stroke", "Red Hot Mama"); Minimoog synthesizer ("Atmosphere", " Flash Light ", "Aqua Boogie", "Knee Deep", "Let's Take It to the Stage"); and ARP string ensemble synth (" Chocolate City ", " Give Up the Funk (Tear the Roof off the Sucker) ", "Undisco Kidd"). Synthesizers were used in funk both to add to the deep sound of
1551-622: A baritone sax. Horn sections played "rhythmic and syncopated" parts, often with "offbeat phrases" that emphasize "rhythmic displacement". Funk song introductions are an important place for horn arrangements. Funk horn sections performed in a "rhythmic percussive style" that mimicked the approach used by funk rhythm guitarists. Horn sections would "punctuate" the lyrics by playing in the spaces between vocals, using "short staccato rhythmic blast[s]". Notable funk horn players included Alfred "PeeWee" Ellis , trombonist Fred Wesley , and alto sax player Maceo Parker . Notable funk horn sections including
SECTION 10
#17327977555721692-400: A certain manner based on a particular musical cue from the band. For instance, if Anastasio " teased " a motif from The Simpsons theme song, the audience would yell, " D'oh! " in imitation of Homer Simpson . In 1992, Phish introduced a collaboration between audience and band called the "Big Ball Jam" in which each band member would throw a large beach ball into the audience and play
1833-417: A clean sound, and given the importance of a crisp, high sound, Fender Stratocasters and Telecasters were widely used for their cutting treble tone. The mids are often cut by guitarists to help the guitar sound different from the horn section , keyboards and other instruments. Given the focus on providing a rhythmic groove, and the lack of emphasis on instrumental guitar melodies and guitar solos , sustain
1974-400: A complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown 's development of
2115-411: A complex, driving rhythmic feel. Even though some funk songs are mainly one-chord vamps, the rhythm section musicians may embellish this chord by moving it up or down a semitone or a tone to create chromatic passing chords. For example, the verse section of " Play That Funky Music " (by Wild Cherry ) mainly uses an E ninth chord, but it also uses F#9 and F9. The chords used in funk songs typically imply
2256-629: A concert scheduled for Halloween night. In October 1994, Crimes of the Mind , the debut album by Anastasio's friend and collaborator Steve "The Dude of Life" Pollak , was released by Elektra Records; The album, which had been recorded in 1991, was billed to "The Dude of Life and Phish" and features all four members of Phish acting as Pollak's backing band. On December 30, 1994, the band made their first appearance on national network television when they performed " Chalk Dust Torture " on Late Night with David Letterman . The band would go on to appear on
2397-592: A constant haze of marijuana smoke", such as Parliament's " Aqua Boogie (A Psychoalphadiscobetabioaquadoloop) ", which includes words such as "bioaquadooloop". The mainstream white listener base was often not able to understand funk's lyrical messages, which contributed to funk's lack of popular music chart success with white audiences during the 1970s. Horn section arrangements with groups of brass instruments are often used in funk songs. Funk horn sections could include saxophone (often tenor sax), trumpet, trombone, and for larger horn sections, such as quintets and sextets,
2538-507: A day thinking about nothing but Phish" and began discussing a reunion with the other members of the band. Phish received the Jammys Lifetime Achievement Award on May 7, 2008, at The Theater at Madison Square Garden . All four members attended the ceremony and gave a speech, and both McConnell and Anastasio performed, although not together. In response to a June 2008 rumor that Phish had reunited to record
2679-516: A friend of Anastasio's, in the fall of 1984. Daubert ceased performing with the band in early 1985. Keyboardist Page McConnell met Phish in early 1985, when he arranged for them to play a spring concert at Goddard College , the small university he attended in Plainfield, Vermont . He began performing with the band as a guest shortly thereafter, and made his live debut during the third set of their May 3, 1985 concert at UVM's Redstone Campus. In
2820-569: A group of local businesspeople signed a deal to bring an NBA Development League team to the Expo, as well as to renovate the arena's facilities. It was confirmed, and the Expo Building is home to the Maine Red Claws , beginning play for the 2009–10 season. Over the years, many notable figures have appeared at the Expo, including Babe Ruth , Rudolph Valentino , Rocky Marciano , presidents John F. Kennedy and Barack Obama , and Paavo Nurmi . It has hosted significant performances, including
2961-418: A half-swung feel), and less use of fills (as they can lessen the groove). Drum fills are "few and economical", to ensure that the drumming stays "in the pocket", with a steady tempo and groove. These playing techniques are supplemented by a set-up for the drum kit that often includes muffled bass drums and toms and tightly tuned snare drums. Double bass drumming sounds are often done by funk drummers with
SECTION 20
#17327977555723102-409: A horn section is not feasible, a keyboardist can play the horn parts on a synthesizer with brass patches; however, choosing an authentic-sounding synthesizer and brass patch is important. In the 2010s, with micro-MIDI synths, it may even have been possible to have another instrumentalist play the keyboard brass parts, thus enabling the keyboardist to continue to comp throughout the song. Funk bands in
3243-465: A hot dog. The stunt was reprised at their 1999 New Year's Eve concert before the hot dog was donated to the Rock and Roll Hall of Fame . At the end of 1994, Phish appeared on Pollstar ' s list of the highest grossing concert tours in the United States for the first time, as the 32nd highest grossing act, with $ 10.3 million in ticket sales. Following the death of Grateful Dead guitarist Jerry Garcia in
3384-482: A mix of gangsta rap and psychedelic funk ; Timba , a form of funky Cuban dance music; and funk jam. It is also the main influence of Washington go-go , a funk subgenre. Funk samples and breakbeats have been used extensively in hip hop and electronic dance music . The word funk initially referred (and still refers) to a strong odor. It is originally derived from Latin fumigare (which means "to smoke") via Old French fungiere and, in this sense, it
3525-501: A mixture of thumb-slapped low notes (also called "thumped") and finger "popped" (or plucked) high notes, allowing the bass to have a drum-like rhythmic role, which became a distinctive element of funk. Notable slap and funky players include Bernard Edwards ( Chic ), Robert "Kool" Bell , Mark Adams ( Slave ), Johnny Flippin ( Fatback ) and Bootsy Collins . While slap and funky is important, some influential bassists who play funk, such as Rocco Prestia (from Tower of Power ), did not use
3666-407: A new album, McConnell wrote a letter on the band's website updating fans on the current relations between the band's members. McConnell wrote that while the members remained friends, they were currently busy with other projects and the reunion rumors were premature. He added, "Later this year we hope to spend some time together and take a look at what possible futures we might enjoy." That September,
3807-669: A note each time his ball was hit. In so doing, the audience was helping to create an original composition. On occasion, performances of " You Enjoy Myself " and " Mike's Song " involved Gordon and Anastasio performing synchronized maneuvers and jumping on mini- trampolines while simultaneously playing their instruments. Fishman would also regularly step out from behind his drum kit during concerts to sing cover songs, which were often punctuated by him playing an Electrolux vacuum cleaner like an instrument. The band released their second album, Lawn Boy , in September 1990 on Absolute A Go Go,
3948-507: A performance that was simulcast throughout the Boston area by radio station WBCN . The concert was filled with several new "secret language" cues they had taught their audience in order to deliberately confuse radio listeners. Phish began headlining major amphitheaters in the summer of 1993. That year, the group released their fourth album, Rift , a concept album which featured a cover painted by David Welker that referenced almost all of
4089-461: A prototype for their later all-day festival events. In 1992, the band released their third studio album, A Picture of Nectar , their first release for the major label Elektra. Subsequently, the label also reissued the band's first two albums. Later in 1992, Phish participated in the first annual H.O.R.D.E. festival, which provided them with their first national tour of major amphitheaters. The lineup, among others, included Phish, Blues Traveler ,
4230-530: A radio program on WGDR with Pollock. Phish adopted a number of Nancy's songs into their own set, including "Halley's Comet", "I Didn't Know", and "Dear Mrs. Reagan", the latter song being written by Nancy and Pollock. In his book Heads: A Biography of Psychedelic America , music journalist Jesse Jarnow observed that Wright and his music were highly influential to Phish's early style and experimental sound. Wright amicably ended his association with Phish in 1989, but Pollock has continued to collaborate with Phish over
4371-414: A rather hard-driving, insistent rhythm, implying a more carnal quality . This early form of the music set the pattern for later musicians. The music was identified as slow, sexy, loose, riff -oriented and danceable. The meaning of funk continues to captivate the genre of black music, feeling, and knowledge. Recent scholarship in black studies has taken the term funk in its many iterations to consider
Portland Exposition Building - Misplaced Pages Continue
4512-619: A room and jamming for hours on end. One such jam took place at Anastasio's apartment, with a second at Paul Languedoc's house in August 1989. They called these jam sessions "Oh Kee Pa Ceremonies", a reference to the film A Man Called Horse . In July 1988, the band performed their first concerts outside of the northeastern United States, when they embarked on a seven-date tour in Colorado. These shows are excerpted on their 2006 live compilation Colorado '88 . On January 26, 1989, Phish played
4653-413: A short duration (nicknamed "stabs") with faster rhythms and riffs. Guitarists playing rhythmic parts often play sixteenth notes, including with percussive ghost notes. Chord extensions are favored, such as ninth chords. Typically, funk uses "two interlocking [electric] guitar parts", with a rhythm guitarist and a "tenor guitarist" who plays single notes. The two guitarists trade off their lines to create
4794-528: A signature groove that emphasized the downbeat —with a heavy emphasis on the first beat of every measure ("The One"), and the application of swung 16th notes and syncopation on all basslines, drum patterns, and guitar riffs. Rock- and psychedelia -influenced musicians Sly and the Family Stone and Parliament-Funkadelic fostered more eclectic examples of the genre beginning in the late 1960s. Other musical groups developed Brown's innovations during
4935-591: A single pedal, an approach which "accents the second note... [and] deadens the drumhead's resonance", which gives a short, muffled bass drum sound. James Brown used two drummers such as Clyde Stubblefield and John 'Jabo' Starks in recording and soul shows. By using two drummers, the JB band was able to maintain a "solid syncopated" rhythmic sound, which contributed to the band's distinctive "Funky Drummer" rhythm. In Tower of Power drummer David Garibaldi 's playing, there are many ghost notes and rim shots . A key part of
5076-597: A small independent label that had a distribution deal with the larger Rough Trade Records . The album had been recorded the previous year, after the band had won studio time at engineer Dan Archer's Archer Studios when they came in first place at an April 1989 battle of the bands competition in Burlington. Phish, along with Bob Dylan , the Grateful Dead , and the Beatles , was one of the first bands to have
5217-412: A strong "rhythmic role". The sound of funk is as much based on the "spaces between the notes" as the notes that are played; as such, rests between notes are important. While there are rhythmic similarities between funk and disco , funk has a "central dance beat that's slower, sexier and more syncopated than disco", and funk rhythm section musicians add more "subtextures", complexity and "personality" onto
5358-586: A studio album. Four days after the release of Round Room , the band appeared as a musical guest on the December 14 episode of Saturday Night Live , hosted by former Vice President of the United States Al Gore . During the episode, the band debuted the song "46 Days", appeared in a comedy sketch, and their song "You Enjoy Myself" was featured in a TV Funhouse cartoon segment. During their return concert on December 31, McConnell's brother
5499-513: A suspended fourth (e.g., C7 (#9) sus 4); dominant ninth chords (e.g., F9); and minor sixth chords (e.g., C minor 6). The six-ninth chord is used in funk (e.g., F 6/9); it is a major chord with an added sixth and ninth. In funk, minor seventh chords are more common than minor triads because minor triads were found to be too thin-sounding. Some of the best known and most skillful soloists in funk have jazz backgrounds. Trombonist Fred Wesley and saxophonists Pee Wee Ellis and Maceo Parker are among
5640-523: A unique instrumental identity. As his senior project for Goddard College, Anastasio penned The Man Who Stepped into Yesterday , a nine-song progressive rock concept album that would become Phish's second studio experiment. Recorded between 1987 and 1988, it was submitted in July of that year, accompanied by a written thesis. The song cycle that developed from the project – known as Gamehendge – grew to include an additional eight songs. The band performed
5781-483: A year, stemming from Anastasio's suspension from the university following a prank he had pulled with a friend. Anastasio returned to his hometown of Princeton, New Jersey following the prank, and reconnected with his childhood friend Tom Marshall ; The duo began a songwriting collaboration and recorded material that would appear on the Bivouac Jaun demo tape. Marshall and Anastasio have subsequently composed
Portland Exposition Building - Misplaced Pages Continue
5922-415: Is not sought out by funk rhythm guitarists. Funk rhythm guitarists use compressor volume-control effects to enhance the sound of muted notes, which boosts the "clucking" sound and adds "percussive excitement to funk rhythms" (an approach used by Nile Rodgers ). Guitarist Eddie Hazel from Funkadelic is notable for his solo improvisation (particularly for the solo on " Maggot Brain ") and guitar riffs,
6063-527: Is the use of "bad" in the song "Super Bad" (1970), which black listeners knew meant "good" or "great". In the 1970s, to get around radio obscenity restrictions, funk artists would use words that sounded like non-allowed words and double entendres to get around these restrictions. For example, The Ohio Players had a song entitled "Fopp" which referred to "Fopp me right, don't you fopp me wrong/We'll be foppin' all night long...". Some funk songs used made-up words which suggested that they were "writing lyrics in
6204-650: Is used in funk, in songs such as "Cissy Strut" by The Meters and "Love the One You're With" (with Aretha Franklin singing and Billy Preston on keyboards). Bernie Worrell 's range of keyboards from his recordings with Parliament Funkadelic demonstrate the wide range of keyboards used in funk, as they include the Hammond organ ("Funky Woman", "Hit It and Quit It", "Wars of Armageddon"); RMI electric piano ("I Wanna Know If It's Good to You?", " Free Your Mind ", "Loose Booty"); acoustic piano ("Funky Dollar Bill", "Jimmy's Got
6345-529: Is used in funk, including in "September" by Earth Wind & Fire and " Will It Go Round in Circles " by Billy Preston . The electric piano is used on songs such as Herbie Hancock 's "Chameleon" (a Fender Rhodes ) and "Mercy, Mercy, Mercy" by Joe Zawinul (a Wurlitzer ). The clavinet is used for its percussive tone, and it can be heard in songs such as Stevie Wonder 's " Superstition " and " Higher Ground " and Bill Withers' " Use Me ". The Hammond B-3 organ
6486-562: The Civil Rights Movement . Gerhard Kubik notes that with the exception of New Orleans , early blues lacked complex polyrhythms , and there was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early twentieth century African-American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in
6627-719: The Island Tour - a four night tour with two shows at the Nassau Coliseum in Uniondale, New York on Long Island and another two at the Providence Civic Center in Providence, Rhode Island . The four concerts are highly regarded by fans due to the band's exploration of a jazz-funk musical style they had been playing for the previous year, which Anastasio dubbed "cowfunk". The band performed
6768-783: The Loring Air Force Base in Limestone, Maine , near the Canada–United States border . In October 1997, the band released their second live album Slip Stitch and Pass , which featured selections from their March 1997 concert at the Markthalle Hamburg in Hamburg, Germany . Following the Great Went, the band embarked on a fall tour that was dubbed by fans as the "Phish Destroys America" tour after
6909-543: The Paradise Rock Club in Boston ; the owners of the club had never heard of Phish and refused to book them, so the band rented the club for the night. The show sold out due to the caravan of fans that had traveled to see the band. The concert was Phish's breakthrough on the northeastern regional music circuit, and the band began to book concerts at other large rock clubs, theaters, and small auditoriums throughout
7050-612: The Spin Doctors , and Widespread Panic . That summer, the band toured Europe with the Violent Femmes and later toured Europe and the U.S. with Santana . Throughout the latter tour, Carlos Santana regularly invited some or all of the members of Phish to jam with his band during their headlining performances. The band ended 1992 with a New Year's Eve performance at the Matthews Arena in Boston, Massachusetts ,
7191-426: The backbeat that typified African-American music. Brown often cued his band with the command "On the one!," changing the percussion emphasis/accent from the one- two -three- four backbeat of traditional soul music to the one -two-three-four downbeat – but with an even-note syncopated guitar rhythm (on quarter notes two and four) featuring a hard-driving, repetitive brassy swing . This one-three beat launched
SECTION 50
#17327977555727332-448: The clave pattern and related two-celled figures in songs such as "Carnival Day" (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado 's mambo records." Professor Longhair's particular style was known locally as rumba-boogie . One of Longhair's great contributions
7473-481: The fingerboard and then quickly released just enough to get a muted "scratching" sound that is produced by rapid rhythmic strumming of the opposite hand near the bridge . Earliest examples of that technic used on rhythm and blues is listened on Johnny Otis song " Willie and the Hand Jive " in 1957, with the future James Brown band guitar player Jimmy Nolen . The technique can be broken down into three approaches:
7614-400: The "chika", the "chank" and the "choke". With the "chika" comes a muted sound of strings being hit against the fingerboard; "chank" is a staccato attack done by releasing the chord with the fretting hand after strumming it; and "choking" generally uses all the strings being strummed and heavily muted. The result of these factors was a rhythm guitar sound that seemed to float somewhere between
7755-585: The "mesmerizing" nature of funk. Payne states that funk can be thought of as "rock played in a more syncopated manner", particularly with the bass drum, which plays syncopated eighth-note and sixteenth-note patterns that were innovated by drummer Clive Williams (with Joe Tex ); George Brown (with Kool & the Gang ) and James "Diamond" Williams (with The Ohio Players ). As with rock, the snare provides backbeats in most funk (albeit with additional soft ghost notes). In funk, guitarists often mix playing chords of
7896-583: The 1970s adopted Afro-American fashion and style, including " Bell-bottom pants , platform shoes, hoop earring[s], Afros [hairstyles], leather vests,... beaded necklaces", dashiki shirts, jumpsuits and boots. In contrast to earlier bands such as The Temptations , which wore "matching suits" and "neat haircuts" to appeal to white mainstream audiences, funk bands adopted an "African spirit" in their outfits and style. George Clinton and Parliament are known for their imaginative costumes and "freedom of dress", which included bedsheets acting as robes and capes. Funk
8037-461: The 1970s and the 1980s, including Kool and the Gang , Ohio Players , Fatback Band , Jimmy Castor Bunch, Earth, Wind & Fire , B.T. Express , Shalamar , One Way, Lakeside , Dazz Band , The Gap Band , Slave , Aurra , Roger Troutman & Zapp , Con Funk Shun , Cameo , Bar-Kays and Chic . Funk derivatives include avant-funk , an avant-garde strain of funk; boogie , a hybrid of electronic music and funk; funk metal ; G-funk ,
8178-471: The 1970s to capitalize on the new "social and political opportunities" that had become available in the 1970s. The Isley Brothers song "Fight the Power" (1975) has a political message. Parliament's song "Chocolate City" (1975) metaphorically refers to Washington, D.C., and other US cities that have a mainly Black population, and it draws attention to the potential power that Black voters wield and suggests that
8319-761: The 1990s. Phish has developed a large and dedicated following by word of mouth, the exchange of live recordings, and selling over 8 million albums and DVDs in the United States. Phish were signed to major label Elektra Records from 1991 to 2005, when the band formed their own independent label, JEMP Records , to release archival CD and DVD sets. Phish was formed at the University of Vermont (UVM) in 1983 by guitarists Trey Anastasio and Jeff Holdsworth , bassist Mike Gordon , and drummer Jon Fishman . Anastasio and Fishman had met that October, after Anastasio overheard Fishman playing drums in his dormitory room, and asked if he and Holdsworth could jam with him. Gordon met
8460-472: The African musical tradition of improvisation , in that in a funk band, the group would typically "feel" when to change, by "jamming" and "grooving", even in the studio recording stage, which might only be based on the skeleton framework for each song. Funk uses "collective improvisation", in which musicians at rehearsals would have what was metaphorically a musical "conversation", an approach which extended to
8601-621: The African oral tradition approach). The call and response in funk can be between the lead singer and the band members who act as backup vocalists . As funk emerged from soul, the vocals in funk share soul's approach; however, funk vocals tend to be "more punctuated, energetic, rhythmically percussive[,] and less embellished" with ornaments, and the vocal lines tend to resemble horn parts and have "pushed" rhythms. Funk bands such as Earth, Wind & Fire have harmony vocal parts. Songs like " Super Bad " by James Brown included "double-voice" along with "yells, shouts and screams". Funk singers used
SECTION 60
#17327977555728742-500: The Black working class. Funk songs by The Ohio Players, Earth, Wind & Fire, and James Brown raised issues faced by lower-income Blacks in their song lyrics, such as poor "economic conditions and themes of poor inner-city life in the black communities". The Funkadelic song " One Nation Under A Groove " (1978) is about the challenges that Blacks overcame during the 1960s civil rights movement, and it includes an exhortation for Blacks in
8883-613: The Ghost , Phish performed several songs from the album on the public television music show Sessions at West 54th in October 1998, and were interviewed for the program by its host David Byrne of Talking Heads . In the summer of 1998, the band held Lemonwheel, their second festival at Loring Air Force Base in Maine. The two-day event attracted 60,000 attendees. The band played another summer festival in 1999, called Camp Oswego and held at
9024-444: The Great Went festival and the recording of The Story of the Ghost . Phish were nominated in two categories at the 43rd Annual Grammy Awards in 2001: Best Boxed Recording Package for Hampton Comes Alive and Best Instrumental Rock Performance for "First Tube" from Farmhouse . During Phish's hiatus, Elektra Records continued to issue archival releases of the band's concerts on compact disc. Between September 2001 and May 2003,
9165-459: The Octavia pedal popularized by Hendrix , can double a note an octave above and below to create a "futuristic and fat low-end sound". Funk drumming creates a groove by emphasizing the drummer's "feel and emotion", which including "occasional tempo fluctuations", the use of swing feel in some songs (e.g., "Cissy Strut" by The Meters and "I'll Take You There" by The Staple Singers , which have
9306-629: The Oswego County Airport in Volney, New York . Unlike other Phish festivals, Camp Oswego featured a prominent second stage of additional performers aside from Phish, including Del McCoury , The Slip and Ozomatli . In July 1999, the band released an album of improvisational instrumentals titled The Siket Disc . The band followed that release with Hampton Comes Alive , a six-disc box set released in November 1999, which contained
9447-461: The Phish website that the band would disband at the end of their 2004 summer tour. He wrote that he had met with the other members earlier that month to discuss the "Strong feelings I've been having that Phish has run its course, and that we should end it now while it's still on a high note." By the end of the meeting, he said, "We realized that after almost twenty-one years together, we were faced with
9588-681: The Phoenix Horns (with Earth, Wind & Fire), the Horny Horns (with Parliament), the Memphis Horns (with Isaac Hayes ), and MFSB (with Curtis Mayfield ). The instruments in funk horn sections varied. If there were two horn players, it could be trumpet and sax, trumpet and trombone, or two saxes. A standard horn trio would consist of trumpet, sax, and trombone, but trios of one trumpet with two saxes, or two trumpets with one sax, were also fairly common. A quartet would be set up
9729-449: The United States, and remains their best selling album to date. Phish ended 1995 with their first New Year's Eve concert at Madison Square Garden. The concert was released in its entirety on the live album Phish: New Year's Eve 1995 – Live at Madison Square Garden in 2005. In early 1996, Anastasio and Fishman formed a free jazz side-project called Surrender to the Air , inspired by
9870-491: The addition of more of a "driving feel" than in New Orleans funk, and they used blues scale notes along with the major third above the root. Later funk basslines use sixteenth note syncopation, blues scales, and repetitive patterns, often with leaps of an octave or a larger interval. Funk basslines emphasize repetitive patterns, locked-in grooves, continuous playing, and slap and popping bass. Slapping and popping uses
10011-686: The album was issued in October of that year. The album's first single, "Free", peaked at No. 24 on the Billboard Hot Modern Rock Tracks chart and No. 11 on the Mainstream Rock Tracks chart, and was their most successful song on both charts. By 1997, Phish's concert improvisational ventures were developing into a new funk -inspired long form jamming style. Vermont-based ice cream conglomerate Ben & Jerry's launched "Phish Food" that year. The band officially licensed their name for use with
10152-482: The approach, and instead used a typical fingerstyle method based on James Jamerson 's Motown playing style. Larry Graham from Sly and the Family Stone is an influential bassist. Funk bass has an "earthy, percussive kind of feel", in part due to the use of muted, rhythmic ghost notes (also called "dead notes"). Some funk bass players use electronic effects units to alter the tone of their instrument, such as "envelope filters" (an auto-wah effect that creates
10293-579: The area, such as the Somerville Theatre , Worcester Memorial Auditorium and Wetlands Preserve . That spring, the band self-released their debut full-length studio album, Junta , and sold copies on cassette tape at their concerts. The album includes a studio recording of the epic " You Enjoy Myself ", which is considered to be the band's signature song . Later in 1989, the band hired Chris Kuroda as their lighting director. Kuroda subsequently became well known for his artistic light shows at
10434-467: The band has reunited. Phish's music blends elements of a wide variety of genres including funk , reggae , progressive rock , psychedelic rock , folk , country , jazz , blues , bluegrass , electronic music , and pop . The band is part of a movement of improvisational rock groups, inspired by the format of the Grateful Dead 's live performances and colloquially known as " jam bands ", that gained considerable popularity as touring concert acts in
10575-471: The band held their first festival, The Clifford Ball , at the decommissioned Plattsburgh Air Force Base on the New York side of Lake Champlain . The festival attracted 70,000 attendees, making it both Phish's biggest concert crowd to that point and the largest single concert by attendance in the United States in 1996. Phish recorded their sixth album Billy Breathes in the winter and spring of 1996, and
10716-419: The band made no reference to the hiatus, and left the stage without saying a word following their encore performance of "You Enjoy Myself", as The Beatles ' " Let It Be " played over the venue's sound system. Bittersweet Motel , a documentary film about the band directed by Todd Phillips , was released in August 2000, shortly before the hiatus began. The documentary captures the band's 1997 and 1998 tours,
10857-486: The band planned to end their hiatus that December with a New Year's Eve concert at Madison Square Garden. They also recorded Round Room over the course of four days in October and released it on December 10. The band had initially planned to record the new album live at the Madison Square Garden concert, but instead felt that demos they had recorded of the material were strong enough to merit release as
10998-752: The band played three songs at the wedding of their former tour manager Brad Sands. Later in 2008, the band reconvened at The Barn , Anastasio's farmhouse studio in Burlington, Vermont , for jamming sessions and rehearsals. On October 1, 2008, the band announced on their website that they had officially reunited, and would play their first shows in five years in March 2009 at the Hampton Coliseum in Hampton, Virginia . The three reunion concerts were held on March 6, 7, and 8, 2009, with "Fluffhead" being
11139-460: The band released an experimental short-subject documentary called Tracking , also directed by Gordon, which depicted the recording sessions for the album. Foreshadowing their future tradition of festivals , Phish coupled camping with their 1994 summer tour finale at Sugarbush North in Warren, Vermont , that show eventually being released as Live Phish Volume 2 . On Halloween of that year,
11280-606: The bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, and made it its own. New Orleans funk, as it was called, gained international acclaim largely because James Brown's rhythm section used it to great effect. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths. Some examples of chords used in funk are minor eleventh chords (e.g., F minor 11th); dominant seventh with added sharp ninth and
11421-435: The drummers and arrangers he employed. Brown's early repertoire had used mostly shuffle rhythms, and some of his most successful songs were 12/8 ballads (e.g. "Please, Please, Please" (1956), "Bewildered" (1961), "I Don't Mind" (1961)). Brown's change to a funkier brand of soul required 4/4 metre and a different style of drumming." Stewart makes the point: "The singular style of rhythm & blues that emerged from New Orleans in
11562-683: The electric bass, or even to replace the electric bass altogether in some songs. Funk synthesizer bass, most often a Minimoog , was used because it could create layered sounds and new electronic tones that were not feasible on electric bass. In the 1970s, funk used many of the same vocal styles that were used in African-American music in the 1960s, including singing influences from blues, gospel, jazz and doo-wop. Like these other African-American styles, funk used "[y]ells, shouts, hollers, moans, humming, and melodic riffs", along with styles such as call and response and narration of stories (like
11703-791: The entirety of their performances on November 20 and 21, 1998 at the Hampton Coliseum in Hampton, Virginia . The set marked the first time that complete recordings of Phish concerts were officially released by Elektra Records. To celebrate the new millennium, Phish hosted a two-day outdoor festival at the Big Cypress Seminole Indian Reservation in Florida in December 1999. The festival's climactic New Year's Eve concert, referred to by fans as simply "The Show", started at 11:35 p.m. on December 31, 1999, and continued through to sunrise on January 1, 2000, approximately eight hours later. The band's performance of
11844-593: The event. In addition to the first-floor arena, the basement level featured the Cafe Dumont. "The Cafe D" was a full-service nightspot which offered "Top international entertainment in a classy nightclub atmosphere." In September 2007, Maine Roller Derby began hosting flat-track roller derby bouts, with opponents traveling from Montreal, Ohio, New Jersey, New York, New Hampshire, Rhode Island, Massachusetts and Connecticut. The season runs from late April through November, with most bouts occurring April–June. In 2008,
11985-466: The festival were released on a DVD set, also called It , in October 2004. In November and December 2003, the band celebrated its 20th anniversary with a four-show mini-tour of shows in New York, Pennsylvania, and Massachusetts. The December 1 show at Pepsi Arena featured a guest appearance by former member Jeff Holdsworth, who sat in with the band on five songs, including his compositions "Possum" and "Camel Walk". On May 25, 2004, Anastasio announced on
12126-777: The first East Coast concert of the Beach Boys (1963), James Brown , Dolly Parton , Janis Joplin , Queen (1974), the 60th Anniversary Ball of the Portland Symphony Orchestra , world championship kickboxing, and gala banquets for the Senior's Pro Golf Tournaments featuring Arnold Palmer and Gary Player . Phish Phish is an American rock band formed in Burlington, Vermont , in 1983. The band consists of guitarist Trey Anastasio , bassist Mike Gordon , drummer Jon Fishman , and keyboardist Page McConnell , all of whom perform vocals, with Anastasio being
12267-465: The first song the band played onstage at the first show. Approximately 14,000 people attended the concerts over the course of three days, and the band made the shows available for free download on their LivePhish website for a limited time, in order to accommodate fans who were unable to attend. Funk Funk is a music genre that originated in African-American communities in
12408-480: The funk drumming style is using the hi-hat, with opening and closing the hi-hats during playing (to create "splash" accent effects) being an important approach. Two-handed sixteenth notes on the hi-hats, sometimes with a degree of swing feel, is used in funk. Jim Payne states that funk drumming uses a "wide-open" approach to improvisation around rhythmic ideas from Latin music, ostinatos , that are repeated "with only slight variations", an approach which he says causes
12549-512: The funk into the rhythm" of rock and roll . Following his temporary exit from secular music to become an evangelist in 1957, some of Little Richard's band members joined Brown and the Famous Flames , beginning a long string of hits for them in 1958. By the mid-1960s, James Brown had developed his signature groove that emphasized the downbeat —with heavy emphasis on the first beat of every measure to etch his distinctive sound, rather than
12690-569: The group in March 1986 following a religious conversion. Anastasio and Fishman relocated in mid-1986 to Goddard College after a recommendation from McConnell. Phish distributed at least six experimental self-titled cassettes during this era, including The White Tape . While based at Goddard College, Phish began to collaborate with fellow students Richard "Nancy" Wright and Jim Pollock. Pollock and Wright were musical collaborators who made experimental recordings on multi-track cassettes, and had been introduced to Phish through McConnell, who co-hosted
12831-501: The group promised to don a fan-selected " musical costume " by playing an entire album from another band. After an extensive mail-based poll, Phish performed the Beatles ' White Album as the second of their three sets at the Glens Falls Civic Center in upstate New York. The "musical costume" concept subsequently became a recurring part of Phish's fall tours, with the band playing a different album whenever they had
12972-472: The group's concerts. A profile on Phish appeared in the October 1989 issue of the Deadhead magazine Relix , which marked the first time the band had been covered in a major national music periodical. By late 1990, Phish's concerts were becoming more and more intricate, often making a consistent effort to involve the audience in the performance. In a special "secret language", the audience would react in
13113-471: The guitar and drums play in "motoring" sixteenth-note rhythms, it created the opportunity for the other instruments to play "more syncopated, broken-up style", which facilitated a move to more "liberated" basslines. Together, these "interlocking parts" created a "hypnotic" and "danceable feel". A great deal of funk is rhythmically based on a two- celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions . New Orleans appropriated
13254-400: The hiatus. In April 2002, Phish guest starred on the episode " Weekend at Burnsie's " of the animated series The Simpsons . The episode marked the band's first appearance together, albeit as animated characters, since the hiatus began. Phish provided their own voices for the episode and performed a snippet of "Run Like an Antelope". In August 2002, Phish's manager John Paluska announced
13395-436: The horn section of R&B group Tower of Power . To promote the album, Gordon directed the band's only official music video, for its first single " Down with Disease ". "Down with Disease" became a minor hit on rock radio in the United States, and was the band's first song to appear on a Billboard music chart when it peaked at #33 on the magazine's Hot Mainstream Rock Tracks chart that summer. To further promote Hoist ,
13536-563: The label released 20 entries in the Live Phish Series . These multi-disc sets featured complete soundboard recordings of concerts that were particularly popular with the band and their fanbase, similar to the Grateful Dead 's Dick's Picks archival series. In November 2002, the label released the band's first concert DVD, Phish: Live in Vegas , which featured the entirety of the September 2000 concert at which Anastasio announced
13677-439: The late 1980s and experienced a rise in popularity in the mid 1990s. In October 2000, the band began a two-year hiatus that ended in December 2002, but they disbanded again in August 2004. Phish reunited officially in October 2008 for subsequent reunion shows in March 2009 and since then have resumed performing regularly. All four members pursued solo careers or performed with side-projects and these projects have continued even after
13818-488: The lead vocalist. The band is known for their musical improvisation and jams during their concert performances and for their devoted fan following. The band was formed by Anastasio, Gordon, Fishman and guitarist Jeff Holdsworth , who were joined by McConnell in 1985. Holdsworth departed the band in 1986, and the lineup has remained stable since. Most of the band's songs are co-written by Anastasio and lyricist Tom Marshall . Phish began to perform outside of New England in
13959-412: The low-end thump of the electric bass and the cutting tone of the snare and hi-hats , with a rhythmically melodic feel that fell deep in the pocket. Guitarist Jimmy Nolen , longtime guitarist for James Brown, developed this technique. On Brown's " Give It Up or Turnit a Loose " (1969), however, Jimmy Nolen's guitar part has a bare bones tonal structure. The pattern of attack-points is the emphasis, not
14100-470: The main beat than a programmed synth-based disco ensemble. Before funk, most pop music was based on sequences of eighth notes, because the fast tempos made further subdivisions of the beat infeasible. The innovation of funk was that by using slower tempos (surely influenced by the revival of blues at early 60s), funk "created space for further rhythmic subdivision, so a bar of 4/4 could now accommodate possible 16 note placements." Specifically, by having
14241-474: The majority of Phish's original songs throughout their career. Anastasio returned to Burlington in late 1984, and resumed performing with Gordon, Holdsworth and Fishman. The quartet named themselves Phish in October 1984, shortly before they performed their first concert together following Anastasio's return to UVM. Anastasio designed the band's logo, which featured the group's name inside a stylized fish. The band's members have given several different origins for
14382-450: The mid-1960s when musicians created a rhythmic , danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist , often at slower tempos than other popular music. Funk typically consists of
14523-407: The most notable musicians in the funk music genre, having worked with James Brown , George Clinton and Prince . Unlike bebop jazz, with its complex, rapid-fire chord changes, funk often uses a static single-chord or two-chord vamp (often alternating a minor seventh chord and a related dominant seventh chord, such as A minor to D7) during all or part of a song, with melodo-harmonic movement and
14664-553: The music of Sun Ra , which also featured Marshall Allen , Michael Ray , John Medeski , Oteil Burbridge , Kofi Burbridge , and Marc Ribot , among other musicians. The group's only album, Surrender to the Air , was released in March. Following an appearance at the New Orleans Jazz & Heritage Festival in April 1996, Phish spent the summer of that year opening for Santana on their European tour. In August 1996,
14805-431: The name Phish. In Parke Puterbaugh's 2009 book Phish: The Biography , the origin is given as a variation on phshhhh , an onomatopoeia of the sound of a brush on a snare drum. In the 2004 official documentary Specimens of Beauty , Anastasio said the band was also named after Fishman, whose nickname is "Fish." In a 1996 interview, Fishman denied that the band was named after him, and said the onomatopoeic inspiration behind
14946-460: The name was the sound of an airplane taking off. In late 1984, Phish began to play regularly at Nectar's bar and restaurant in downtown Burlington, and performed dozens of concerts across multiple residencies through March 1989. The band's 1992 album A Picture of Nectar was named in honor of the bar's owner, Nector Rorris, and its cover features his face superimposed onto an orange. The band would collaborate with percussionist Marc Daubert ,
15087-549: The notes to create a percussive sound for their guitar riffs. The phaser effect is often used in funk and R&B guitar playing for its filter sweeping sound effect, an example being the Isley Brothers ' song " Who's That Lady ". Michael Hampton , another P-Funk guitarist, was able to play Hazel's virtuosic solo on "Maggot Brain", using a solo approach that added in string bends and Hendrix-style feedback . A range of keyboard instruments are used in funk. Acoustic piano
15228-666: The official book Phish: The Biography , Anastasio expressed that "Coventry itself was a nightmare. It was emotional, but it was not like we were at our finest. I certainly wasn't". The festival weekend was beset by logistical issues, including heavy rain, muddy conditions in the festival area and a traffic jam on Interstate 91 . Following the break-up, the band's members remained in amicable communication with one another. The members also occasionally appeared on each other's solo albums and collaborated on side-projects. In 2005, Phish formed their own record label, JEMP Records , to release archival CD and DVD sets. The label's first release
15369-438: The onstage performances. Funk creates an intense groove by using strong guitar riffs and basslines played on electric bass . Like Motown recordings, funk songs use basslines as the centerpiece of songs. Indeed, funk has been called the style in which the bassline is most prominent in the songs, with the bass playing the "hook" of the song. Early funk basslines used syncopation (typically syncopated eighth notes), but with
15510-582: The opportunity to graciously step away in unison, as a group, united in our friendship and our feelings of gratitude." The band's eleventh – and at the time final – studio album Undermind was released in June 2004. The band's summer 2004 began with two concerts at Keyspan Park in Brooklyn, New York . The first concert was recorded for the live album and concert documentary Phish: Live in Brooklyn , while
15651-460: The pattern of pitches. The guitar is used the way that an African drum, or idiophone would be used. Nolen created a "clean, trebly tone" by using "hollow-body jazz guitars with single-coil P-90 pickups" plugged into a Fender Twin Reverb amp with the mid turned down low and the treble turned up high. Funk guitarists playing rhythm guitar generally avoid distortion effects and amp overdrive to get
15792-561: The pianist employs the 2-3 clave onbeat/offbeat motif in a rumba-boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&B during this time. Alexander Stewart states: "Eventually, musicians from outside of New Orleans began to learn some of the rhythmic practices [of the Crescent City]. Most important of these were James Brown and
15933-662: The positive sense that a musician's hard-working, honest effort led to sweat, and from their "physical exertion" came an "exquisite" and "superlative" performance. In early jam sessions , musicians would encourage one another to " get down " by telling one another, "Now, put some stank on it!" At least as early as 1907, jazz songs carried titles such as Funky . The first example is an unrecorded number by Buddy Bolden , remembered as either "Funky Butt" or "Buddy Bolden's Blues", with improvised lyrics that were, according to Donald M. Marquis, either "comical and light" or "crude and downright obscene" but, in one way or another, referring to
16074-510: The product, the only time they have ever allowed a third-party company to do so, and were directly involved with the creation of the flavor. Proceeds from the flavor are donated to the band's non-profit charity The WaterWheel Foundation , which raises funds for the preservation of Vermont's Lake Champlain . On August 8, 1997, Phish webcast one of their concerts live over the internet for the first time. On August 16 and 17, 1997, Phish held their second festival, The Great Went, over two days at
16215-597: The program seven more times before David Letterman 's retirement as host in 2015. For their 1994 New Years Run, Phish played the Civic Centers in Philadelphia and Providence as well as sold-out shows at Madison Square Garden and Boston Garden , which marked their debut performances at both venues. For the December 31 show at the Boston Garden, the band rode around the arena in a float shaped like
16356-508: The range of black movement and culture. In particular, L.H. Stallings's Funk the Erotic: Transaesthetics and Black Sexual Cultures explores these multiple meanings of funk as a way to theorize sexuality, culture, and western hegemony within the many locations of funk : "street parties, drama/theater, strippers and strip clubs, pornography, and self-published fiction." Like soul, funk is based on dance music , so it has
16497-471: The same as a standard horn trio, but with an extra trumpet, sax, or (less frequently) trombone player. Quintets would either be a trio of saxes (typically alto/tenor/baritone, or tenor/tenor/baritone) with a trumpet and a trombone, or a pair each of trumpets and saxes with one trombone. With six instruments, the horn section would usually be two trumpets, three saxes, and a trombone. Notable songs with funk horn sections include: In bands or shows where hiring
16638-400: The same way as African time lines." In the late 1940s this changed somewhat when the two-celled time line structure was brought into New Orleans blues . New Orleans musicians were especially receptive to Afro-Cuban influences precisely at the time when R&B was first forming. Dave Bartholomew and Professor Longhair (Henry Roeland Byrd) incorporated Afro-Cuban instruments, as well as
16779-584: The second featured a guest appearance by rapper Jay-Z , who performed two songs with the band. Later that summer, the band appeared on the Late Show with David Letterman and performed a seven-song set from atop the marquee of the Ed Sullivan Theater for fans who had gathered on the street. The 2004 tour finished with the band's seventh summer festival on August 14 and 15, which were billed as their final performances. The Coventry festival
16920-640: The song "Heavy Things" at the festival was broadcast live as part of ABC 's 2000 Today millennium coverage, giving the band their biggest television audience up to that point. 75,000 people attended the sold-out two-day festival. In 2017, Rolling Stone named the Big Cypress festival one of the "50 Greatest Concerts of the Last 50 Years". Following the Big Cypress festival, the band issued their ninth studio album Farmhouse in May 2000. "Heavy Things", which
17061-537: The songs on the record. The album was the band's first to appear on the Billboard 200 album chart, debuting at #51 in February 1993. In March 1994, the band released their fifth studio album Hoist . The album featured an array of guest performers, including country singer Alison Krauss , banjoist Béla Fleck , former Sly & The Family Stone member Rose Stone , actor and trombonist Jonathan Frakes , and
17202-447: The suite in concert on six occasions: in 1988, 1991, 1993, twice in 1994, and in 2023, without replicating the song list. The Man Who Stepped Into Yesterday has never received an official release, but a bootleg tape has circulated for decades, and songs such as "Wilson" and "The Lizards" remain concert staples for the band. Beginning in the spring of 1988, members of the band began practicing in earnest, sometimes locking themselves in
17343-493: The summer of 1985, Phish went on a short hiatus while Anastasio and Fishman vacationed in Europe; during this time, McConnell offered to join the band permanently, and moved to Burlington to learn their repertoire from Gordon. McConnell officially joined Phish as a full-time band member in September 1985. Phish performed with a five-piece lineup for about six months after McConnell joined, a period which ended when Holdsworth quit
17484-428: The summer of 1995 and the appearance of "Down with Disease" on Beavis and Butt-Head , the band experienced a surge in the growth of their fan base and an increased awareness in popular culture. In their tradition of playing a well-known album by another band for Halloween, Phish contracted a full horn section for their performance of The Who 's Quadrophenia in 1995. Phish's first live album, A Live One ,
17625-495: The sweaty atmosphere at dances where Bolden's band played. As late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music , the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans -born drummer Earl Palmer "was the first to use the word 'funky' to explain to other musicians that their music should be made more syncopated and danceable." The style later evolved into
17766-544: The tone of which was shaped by a Maestro FZ-1 Fuzz-Tone pedal. Hazel, along with guitarist Ernie Isley of the Isley Brothers , was influenced by Jimi Hendrix 's improvised, wah-wah infused solos. Ernie Isley was tutored at an early age by Hendrix, when Hendrix was a part of the Isley Brothers backing band and temporarily lived in the Isleys' household. Funk guitarists use the wah-wah sound effect along with muting
17907-515: The tour in the middle of studio sessions for their seventh album, and were inspired by the quality of their performances to further incorporate the cowfunk style into subsequent sessions. The resulting album, The Story of the Ghost , was released in October 1998. The album's first single " Birds of a Feather ", which had been premiered on the Island Tour, became a #14 hit on Billboard's Adult Alternative Songs chart. To promote The Story of
18048-431: The trio shortly thereafter, having answered a want-ad for a bass guitarist that Anastasio had posted around the university. The new group performed their first concert at Harris Millis Cafeteria at the University of Vermont on December 2, 1983, where they played a set of classic rock covers, including two songs by the Grateful Dead . The band performed one more concert in 1983, and then did not perform again for nearly
18189-404: The years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from triplet or shuffle feel to even or straight eighth notes." James Brown credited Little Richard 's 1950s R&B road band, The Upsetters from New Orleans, as "the first to put
18330-399: The years, designing some of their album covers and concert posters. By 1985, the group had encountered Burlington luthier Paul Languedoc , who would eventually design custom instruments for Anastasio and Gordon. In October 1986, he began working as their sound engineer. Since then, Languedoc has built exclusively for the two, and his designs and traditional wood choices have given Phish
18471-503: Was Phish: New Year's Eve 1995 – Live at Madison Square Garden , which was released in conjunction with Rhino Records in December 2005. The album was named the 42nd greatest live album of all time by Rolling Stone in April 2015. The label subsequently released several other archival live box sets, including Colorado '88 (2006), Vegas 96 (2007), At the Roxy (2008) and The Clifford Ball (2009). In December 2006, Anastasio
18612-671: Was aired in October. In the summer of 2000, the band announced that they would take their first "extended time-out" following their upcoming fall tour. Anastasio officially announced the impending hiatus to the band's fans during their September 30 concert at the Thomas & Mack Center in Paradise, Nevada . During the tour's last concert on October 7, at the Shoreline Amphitheatre in Mountain View, California ,
18753-462: Was arrested in Whitehall, New York for drug possession and driving while intoxicated, and was sentenced to 14 months in a drug court program. In 2007, while Anastasio was undergoing rehabilitation, the other members of Phish surprised him on his birthday with an instrumental recording they had made for him to play along with on guitar. During his rehabilitation, Anastasio said he "spent 24 hours
18894-427: Was designed by Frederick A. Tompson and was built in 1914 at a cost of $ 80,944. It is the second-oldest arena in continuous operation in the United States (behind Matthews Arena in Boston ). The building was considered a sophisticated facility sure to "put Portland on the map". Its grand opening—a major agricultural show on June 7, 1915, for which the local daily newspaper dedicated the entire front page to covering
19035-487: Was first documented in English in 1620. In 1784, funky meaning "musty" was first documented, which, in turn, led to a sense of "earthy" that was taken up around 1900 in early jazz slang for something "deeply or strongly felt". Even though in white culture, the term funk can have negative connotations of odor or being in a bad mood ( in a funk ), in African communities, the term funk , while still linked to body odor, had
19176-847: Was formed through a mixture of various music genres that were popular among African Americans in the mid-20th century. Musicologist Anne Danielsen wrote that funk might be placed in the lineage of rhythm and blues, jazz, and soul. Sociologist Darby E. Southgate wrote that funk is "an amalgam of gospel, soul, jazz fusion, rhythm and blues, and black rock." The distinctive characteristics of African-American musical expression are rooted in sub-Saharan African music traditions , and find their earliest expression in spirituals, work chants/songs, praise shouts, gospel, blues, and "body rhythms" ( hambone , patting juba , and ring shout clapping and stomping patterns). Like other styles of African-American musical expression including jazz, soul music and R&B, funk music accompanied many protest movements during and after
19317-492: Was his particular approach of adopting two-celled, clave-based patterns into New Orleans rhythm and blues (R&B). Longhair's rhythmic approach became a basic template of funk. According to Dr. John (Malcolm John "Mac" Rebennack Jr.), the Professor "put funk into music ... Longhair's thing had a direct bearing I'd say on a large portion of the funk music that evolved in New Orleans." In his "Mardi Gras in New Orleans",
19458-424: Was introduced as actor Tom Hanks . The impostor sang a line of the song "Wilson", prompting some media outlets to report that the actor had appeared at the concert. At the end of the 2003 summer tour, Phish returned to Limestone, Maine for It , their first festival since Big Cypress. The event drew crowds of over 60,000 fans, and was the band's final festival to be held at Loring Air Force Base. Highlights from
19599-511: Was named for the town in Vermont that hosted the event, which was held at the nearby Newport State Airport . The concerts were simulcast in movie theaters and on XM Satellite Radio . "The Curtain With" was the final song the band performed at their then-final concert on August 15. After Coventry, the members of the band admitted they were disappointed with their performance at the festival; In
19740-632: Was released as the album's first single, became the band's only song to appear on a mainstream pop radio format, reaching #29 on Billboard' s Adult Top 40 chart that July. The song also became the band's biggest hit to date on the Adult Alternative Songs chart, reaching #2 there. In June 2000, the band embarked on a seven-date headlining tour of Japan. In July, they taped an appearance on the PBS music show Austin City Limits , which
19881-501: Was released during the summer of 1995 and featured selections from various concerts from their 1994 winter tour. The album charted at number 18 on the Billboard 200 album chart, and was reported to have sold around 50,000 copies in its first week on sale. A Live One became Phish's first RIAA -certified gold album in November 1995. In 1997, A Live One became the band's first Platinum album, certified for sales of 1 million copies in
#571428