139-657: Baroness Kathleen Annie Pannonica 'Nica' de Koenigswarter ( née Rothschild ; 10 December 1913 – 30 November 1988) was a British-born jazz patron and writer. A leading patron of bebop , she was a member of the Rothschild family . Kathleen Annie Pannonica Rothschild was born in December 1913, in London, the youngest daughter of Charles Rothschild and his wife, Hungarian baroness Rózsika Edle von Wertheimstein , daughter of Baron Alfred von Wertheimstein of Bihar County . She
278-530: A Free French hero. In 1937, they bought and moved to the Château d'Abondant , a 17th-century château in north-west France they acquired from the family of American banker Henry Herman Harjes (who had acquired the château in 1920 from the Duchesse de Vallombrosa ). She worked for Charles de Gaulle during World War II. The couple, who had five children, separated in 1951, and she moved to New York City, renting
417-589: A cooperative to a share of the surplus or profit generated by the co-op, called a patronage refund . This refund is a form of dividend . In the Church of England , patronage is the commonly used term for the right to present a candidate to a benefice. The liturgical feast of the Patronage of Our Lady was first permitted by decree of the Sacred Congregation of Rites on 6 May 1679, for all
556-669: A $ 500,000 investment which subsequently earned the company some $ 32 million in profits. In October 1958, Columbia, in time for the Christmas season, put out a series of "Greatest Hits" packages by such artists as Johnny Mathis, Doris Day, Guy Mitchell, Johnnie Ray, Jo Stafford , Tony Bennett, Rosemary Clooney, Frankie Laine and the Four Lads ; months later, it put out another Mathis compilation as well as that of Marty Robbins . Only Mathis' compilations charted, since there were only 25 positions on Billboard ' s album charts at
695-603: A brilliant blue laminated product with matching label. Royal Blue issues, made from late 1932 through 1935, are particularly popular with collectors for their rarity and musical interest. The Columbia plant in Oakland, California, did Columbia's pressings for sale west of the Rockies and continued using the Royal Blue material for these until about mid-1936. As southern gospel developed, Columbia had astutely sought to record
834-414: A catalog of blues and jazz artists, including Bessie Smith in their 14000-D Race series. Columbia also had a successful "Hillbilly" series (15000-D) with Dan Hornsby among others. By 1927, the "Sweet Jazz" bandleader Guy Lombardo also joined Columbia and recorded forty five 78 rpm's by 1931. In 1928, Paul Whiteman , the nation's most popular orchestra leader, left Victor to record for Columbia. During
973-757: A decade, Columbia competed with both the Edison Phonograph Company cylinders and Victor Talking Machine Company disc records as one of the top three names in American sound recording. In 1903, to add prestige to its early catalog of artists, Columbia contracted several prominent singers from the Metropolitan Opera in New York to make a highly touted series of Grand Opera Records. These stars included Marcella Sembrich , Lillian Nordica , Antonio Scotti , and Edouard de Reszke , but
1112-468: A distribution deal with Philips Records to market Columbia recordings outside North America. EMI continued to distribute Okeh and later Epic label recordings until 1968. EMI also continued to distribute Columbia recordings in Australia and New Zealand. American Columbia was not happy with EMI's reluctance to introduce long playing records. Columbia became the most successful non-rock record company in
1251-668: A few more years. Columbia was split into two companies, one to make records and one to make players. Columbia Phonograph relocated to Bridgeport, Connecticut , and Edward Easton went with it. Eventually it was renamed the Dictaphone Corporation . In late 1922, Columbia entered receivership. The company was bought by its UK subsidiary, the Columbia Graphophone Company , in 1925 and the label, record numbering system, and recording process changed. On February 25, 1925, Columbia began recording with
1390-487: A great deal of patronage, in the sense that they make decisions on the appointment of officials inside and outside government (for example on quangos in the UK). Patronage is therefore a recognized power of the executive branch . In most countries, the executive has the right to make many appointments, some of which may be lucrative (see also sinecures ). In some democracies , high-level appointments are reviewed or approved by
1529-546: A group of investors. It derived its name from the District of Columbia , where it was headquartered. At first it had a local monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington, D.C. , Maryland , and Delaware . As was the custom of some of the regional phonograph companies, Columbia produced many commercial cylinder recordings of its own, and its catalog of musical records in 1891
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#17327731560381668-475: A high executive with RCA Victor from 1932 thru 1938, was asked to comment on ARC. "The chief value was that the record industry had come back tremendously, especially in the case of two other record companies; and the American Record Company, with all its facilities, had not, so far as I could learn, increased its business in any degree at all in the previous six years." On December 17, 1938,
1807-541: A means of population control , concentrating economic and political power in a small minority which held privileges that the majority of the population did not. In this system, the patrón holds authority and influence over a less powerful person, whom he protects by granting favors in exchange for loyalty and allegiance. With roots in feudalism , the system was designed to maintain an inexpensive, subservient labor force, which could be utilized to limit production costs and allow wealth and its privileges to be monopolized by
1946-847: A press release, "The American Record Co. tag is discarded". Columbia Records was actually reborn on May 22, 1939, as "Columbia Recording Corporation, Inc.", a Delaware corporation. The NYDOS shows a later incorporation date of April 4, 1947. This corporation changed its name to Columbia Records, Inc. on October 11, 1954, and reverted to Columbia Recording Corporation on January 2, 1962. The Columbia trademark remained under Columbia Records, Inc. of Delaware, filed back in 1929. Brothers Ike and Leon Levy owned stakes in CBS. In February 1939, NYC Studios moved from ARC headquarters at 1776 Broadway, to 799 7th Avenue, 6th&7th flrs, New York City ("Studio A"). Corporate offices, studio and Pressing Plant would also continue at 1473 Barnum Avenue, Bridgeport, CT. John Hammond
2085-486: A private cab. If I was sick or fucked up I'd call the number and the cab would come and carry me direct to her pad. On my off nights she'd sometimes pick me up in her Bentley and we'd go around to the clubs. I suppose you would call Nica a patron of the arts, but she was more like a brother to the musicians who lived in New York or came through. There was no jive about her, and if you were for real you were accepted and were her friend. After Monk ended his public performances in
2224-608: A recording entitled "Pannonica" (unrelated to the Thelonious Monk composition) with reissues of their 1991 album King of the Jews . A famous jazz club in Nantes , France, is called "Le Pannonica". De Koenigswarter (Nica) appears prominently in "El perseguidor", a one-hundred page story by Julio Cortázar in the book Las armas secretas ( The Secret Weapons , 1959). The latter four stories of this book appeared in translation in
2363-458: A set of CDs devoted to Columbia's Broadway albums. Over the years, Columbia joined Decca and RCA Victor in specializing in albums devoted to Broadway musicals with members of the original casts. In the 1950s, Columbia also began releasing LPs drawn from the soundtracks of popular films. Many album covers put together by Columbia and the other major labels were put together using one piece of cardboard (folded in half) and two paper "slicks", one for
2502-527: A skilled modernist composer himself, Columbia cemented contracts with jazz composer/musicians Thelonious Monk and Charles Mingus , while Macero became a significant figure in Miles Davis career from an explorer of the art of modal jazz from Davis' sextets 1958 album Milestones to innovator and avatar of the marriage of jazz with rock and electronic sounds—commonly known as jazz fusion . In 1954, Columbia embraced small-group modern jazz by signing of
2641-454: A small elite. Long after slavery , and other forms of bondage like the encomienda and repartimiento systems were abolished, patronage was used to maintain rigid class structures. With the rise of a labor class, traditional patronage changed in the 20th century to allow some participation in power structures, but many systems still favor a small powerful elite, who distribute economic and political favors in exchange for benefits to
2780-456: A society and controlled a significant share of resources. Samuel Johnson defined a patron as "one who looks with unconcern on a man struggling for life in the water, and, when he has reached ground, encumbers him with help". Rulers, nobles, and very wealthy people used patronage of the arts to endorse their political ambitions, social positions, and prestige. That is, patrons operated as sponsors . Many languages have terms for patrons (such as
2919-447: A species of butterfly her father had discovered, although her great-niece has found that the source of the name is a rare species of moth, Eublemma pannonica . She was a niece of Walter Rothschild , the 2nd Baron Rothschild, and her brother Victor Rothschild became the 3rd Baron Rothschild. Her elder sister was the zoologist and author Dame Miriam Rothschild . In 1935, she married French diplomat Baron Jules de Koenigswarter , later
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#17327731560383058-452: A stroke, a power struggle began between Soviet Premier Alexei Rykov , Pravda editor Nikolai Bukharin , Profintern leader Mikhail Tomsky , Red Army founder Leon Trotsky , former Premier Lev Kamenev , Comintern leader Grigory Zinoviev , and General Secretary Joseph Stalin . Stalin used patronage to appoint many Stalinist delegates (such as Vyacheslav Molotov , Lazar Kaganovich , Grigory Ordzhonikidze , and Mikhail Kalinin ) to
3197-501: A stylus (the legs) on a record (the eye); however, the "eye" also subtly refers to CBS's main business in television , and that division's iconic Eye logo. Columbia continued to use the "notes and mike" logo on record labels and even used a promo label showing both logos until the "notes and mike" was phased out (along with the 78 in the US) in 1958. In Canada, Columbia 78s were pressed with the "Walking Eye" logo in 1958. The original Walking Eye
3336-636: A suite at The Stanhope Hotel . The couple eventually divorced in 1956. In 1958, she purchased a house in Weehawken, New Jersey with a Manhattan skyline view, originally built for film director Josef von Sternberg . Koenigswarter died of heart failure in 1988, aged 74, at the Columbia-Presbyterian Medical Center , in New York City. She had five children, two grandchildren, and four great-grandchildren. She joined
3475-413: A time when the economy was bad enough that many of them would not have had the opportunity to enter a studio and play real jazz (a handful of these in this special series were issued in the US). Hammond's work for Columbia was interrupted by his service during World War II , and he had less involvement with the music scene during the bebop era, but when he returned to work as a talent scout for Columbia in
3614-451: A wonderful person." Hampton Hawes recalled in his memoir Raise Up Off Me : Her place became a pad to drop in and hang out, any time, for any reason. She'd give money to anyone who was broke, bring bags of groceries to their families, help them get their cabaret cards , which you needed to work in New York. This bitch was so rich she had permanent tables reserved at all the clubs and a number you could call from anywhere in New York to get
3753-573: Is accompanied by her Polaroid photographs. The book was edited for publication by Nadine de Koenigswarter, whom Nica always introduced to people as her granddaughter but who was in fact her great-niece. An English-language version was published in 2008 as Three Wishes: An Intimate Look at Jazz Greats . In October 2023, Buchet Chastel published de Koenigswarter's book L'Oeil de Nica ("The Eye Of Nica"). A photobook of her photographs capturing jazz musicians but also views of Manhattan, moments captured in jazz clubs and deep America shots. A visual testimony to
3892-463: Is an American record label owned by Sony Music Entertainment , a subsidiary of Sony Music Group , the American division of multinational conglomerate Sony . Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI 's Columbia Graphophone Company . Columbia
4031-415: Is familiar in the contemporary world. This kind of system continues across many fields of the arts. Though the nature of the sponsors has changed—from churches to charitable foundations, and from aristocrats to plutocrats —the term patronage has a more neutral connotation than in politics. It may simply refer to direct support (often financial) of an artist, for example by grants . In the latter part of
4170-501: Is occasionally made fun of by sportswriters and other media. In polo , a "patron" is a person who puts together a team by hiring one or more professionals. The rest of the team may be amateurs, often including the patron themself. Also, people who attend hurling or Gaelic football games organised by the Gaelic Athletic Association are referred to as patrons. Columbia Records Columbia Records
4309-409: Is one of Sony Music's four flagship record labels: Epic Records , and former longtime rivals, RCA Records and Arista Records as the latter two were originally owned by BMG before its 2008 relaunch after Sony's acquisition alongside other BMG labels. The Columbia Phonograph Company was founded on January 15, 1889, by stenographer, lawyer, and New Jersey native Edward D. Easton (1856–1915) and
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4448-490: Is sometimes referred to as the " bebop baroness" or "jazz baroness" because of her patronage of Thelonious Monk and Charlie Parker among others. Following Parker's death in her Stanhope rooms in 1955, de Koenigswarter was asked to leave by the hotel management; she re-located to the Bolivar Hotel at 230 Central Park West, a building commemorated in Thelonious Monk's 1956 composition "Ba-lue Bolivar Ba-lues-are". She
4587-463: Is still in negotiation today, as there are points yet to be decided. Political patronage is not always considered corrupt. In the United States, the U.S. Constitution provides the president with the power to appoint individuals to government positions. The president also may appoint personal advisers without congressional approval. Not surprisingly, these individuals tend to be supporters of
4726-593: The Brookings Institution , Harold Trinkunas, stated that involving the military in business was "a danger", with Trinkunas explaining that the Venezuelan military "has the greatest ability to coerce people, into business like they have". According to Bloomberg Business , "[b]y showering contracts on former military officials and pro-government business executives, Chavez put a new face on the system of patronage". There are historical examples where
4865-584: The Clint Eastwood biographical film Bird (1988) about Charlie "Bird" Parker . In the Eastwood-produced documentary film Thelonious Monk: Straight, No Chaser (1988) she is seen in library footage and heard in an interview. In April 2009, a television portrait entitled The Jazz Baroness , written and directed by her great-niece Hannah Rothschild , was broadcast on the television channel BBC Four and repeated on 19 February 2012. It
5004-521: The Eastman School of Music in the 1930s.) Miller quickly signed up Mercury's biggest artist at the time, Frankie Laine , and discovered several of the decade's biggest recording stars including Tony Bennett , Mahalia Jackson , Jimmy Boyd , Guy Mitchell (whose stage surname was taken from Miller's first name), Johnnie Ray , The Four Lads , Rosemary Clooney , Kay Lande , Ray Conniff , Jerry Vale and Johnny Mathis . He also oversaw many of
5143-563: The Free French Army to fight against Nazi Germany during World War II . She had refused to participate in the North African Campaign , but she joined clandestinely to fight alongside her husband. The war imposed a suspension of her marital and family duties but she managed to send her children from France to America, secretly moving across continents. She served as a decoder, ambulance driver, and radio host for
5282-835: The Party Politburo and Sovnarkom in order to sway the votes in his favour, making Stalin the effective leader of the country by 1929. In 2012, the African National Congress (ANC) mayor of Beaufort West in the Western Cape Province wrote a letter that openly and illegally solicited funds from the Construction Education and Training Authority for the ANC's 2016 election campaign. This episode, amongst many others including instances revolving around President Jacob Zuma, revealed how
5421-695: The Pendleton Act in 1883, which set up the Civil Service Commission . Henceforth, applicants for most federal government jobs would have to pass an examination. Federal politicians' influence over bureaucratic appointments waned, and patronage declined as a national political issue. Beginning in 1969, a Supreme Court case in Chicago, Michael L. Shakman v. Democratic Organization of Cook County , occurred involving political patronage and its constitutionality. Shakman claimed that much of
5560-646: The United States House of Representatives , the New York City Board of Advisors, and the New York State Senate . In 1873, Tweed was convicted for diverting between $ 40 million and $ 200 million of public monies. Six months after James Garfield became president in 1881, Charles J. Guiteau , a disappointed office-seeker, assassinated him. To prevent further political violence and to assuage public outrage, Congress passed
5699-682: The Westminster Choir conducted by Leonard Bernstein (recorded on December 31, 1956, on 1 ⁄ 2 -inch tape, using an Ampex 300-3 machine). Bernstein combined the Nativity and Resurrection sections, and ended the performance with the death of Christ. As with RCA Victor, most of the early stereo recordings were of classical artists, including the New York Philharmonic Orchestra conducted by Bruno Walter , Dimitri Mitropoulos , and Leonard Bernstein , and
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5838-456: The commissioning of artwork is the best-known aspect of the patronage system, other disciplines also benefited from patronage, including those who studied natural philosophy ( pre-modern science ), musicians , writers , philosophers , alchemists , astrologers , and other scholars . Artists as diverse and important as Chrétien de Troyes , Leonardo da Vinci and Michelangelo , William Shakespeare , and Ben Jonson all sought and enjoyed
5977-568: The legislature (as in the advice and consent of the United States Senate ); in other countries, such as those using the Westminster system , this is not the case. Other types of political patronage may violate the laws or ethics codes, such as when political leaders engage in nepotism (hiring family members) and cronyism such as fraudulently awarding non-competitive government contracts to friends or relatives or pressuring
6116-553: The swing music era, Hammond had already been of great help to Columbia in 1932–33. Through his involvement in the UK music paper Melody Maker , Hammond had arranged for the struggling US Columbia label to provide recordings for the UK Columbia label, mostly using the specially created Columbia W-265000 matrix series. Hammond recorded Fletcher Henderson , Benny Carter , Joe Venuti , Roger Wolfe Kahn and other jazz performers during
6255-473: The 10-inch variety initially selling for 65 cents each. Columbia also introduced the internal-horn " Grafonola " to compete with the extremely popular " Victrola " introduced by the rival Victor Talking Machine Company in 1906. During this era, Columbia began to use the "Magic Notes" logo—a pair of sixteenth notes (semiquavers) in a circle—both in the United States and overseas (where this particular logo would never substantially change). In 1908, Columbia ceased
6394-546: The 10th anniversary of the introduction of the LP, in 1958 Columbia initiated the "Adventures in Sound" series that showcased music from around the world. As far as the catalog numbering system went, there was no correlation between mono and stereo versions for the first few years. Columbia started a new CS 8000 series for pop stereo releases, and figuring the stereo releases as some sort of specialty niche records, didn't bother to link
6533-491: The 1931 Brunswick lease agreement, so they discontinued Vocalion in June 1940, and fired up Okeh. By July, it was releasing new Hillbilly platters by Gene Autry and Bob Wills, and re-issuing past Vocalion discs, using the same catalogue numbers with a leading zero added. When a January 1941 audit found that not more than 150,000 Brunswick records had sold during the period from December 1, 1939, through December 31, 1940, control of
6672-509: The 1950s after it lured producer and bandleader Mitch Miller away from the Mercury label in 1950. Despite its many successes, Columbia remained largely uninvolved in the teenage rock'n'roll market until the mid-1960s, despite a handful of crossover hits, largely because of Miller's frequently expressed loathing of rock'n'roll. (Miller was a classically trained oboist who had been a friend of Columbia executive Goddard Lieberson since their days at
6811-436: The 1950s, his career proved to be of incalculable historical and cultural importance – the list of superstar artists he would discover and sign to Columbia over the course of his career included Charlie Christian , Count Basie , Teddy Wilson , Pete Seeger , Bob Dylan , Leonard Cohen , Aretha Franklin , Bruce Springsteen and Stevie Ray Vaughan , and in the early 1960s Hammond would also exert an enormous cultural effect on
6950-438: The 1956 Newport Jazz Festival , which proved a boost to a bandleader whose career had stalled. Under new head producer George Avakian , Columbia became the most vital label to the general public's appreciation and understanding (with help from Avakian's prolific and perceptive play-by-play liner notes) of jazz, releasing a series of LP's by Louis Armstrong , but also signing to long-term contracts Dave Brubeck and Miles Davis ,
7089-490: The 20th century, the academic sub-discipline of patronage studies began to evolve, in recognition of the important and often neglected role that the phenomenon of patronage had played in the cultural life of previous centuries. Charitable and other non-profit making organizations often seek one or more influential figureheads to act as patrons. The relationship often does not involve money. As well as conferring credibility, these people can use their contacts and charisma to assist
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#17327731560387228-591: The ARC, including the Columbia label in the U.S., was acquired by William S. Paley of the Columbia Broadcasting System, Inc. for US$ 700,000, ten times the price ARC paid in 1934, which would later spark lawsuits by disgruntled shareholders. (Columbia Records had originally co-founded CBS in 1927 along with New York talent agent Arthur Judson , but soon cashed out of the partnership leaving only
7367-547: The African National Congress as ruling political party utilized patronage to reward supporters and strengthen the leading faction of the party's control over governmental institutions. In the United States during the Gilded Age , patronage became a controversial issue. Tammany boss William M. Tweed was an American politician who ran what is considered now to have been one of the most corrupt political machines in
7506-569: The American and particularly New York 1950-1960s, enhanced by the singular colors of the Polaroid. The photographs are from different boxes that were recently repatriated to France. Buchet Chastel also reissued the French edition of Three Wishes: An Intimate Look at Jazz Greats . Her photographs were exhibited in 2007 at the Rencontres d'Arles festival. Nica was played by Diane Salinger in
7645-533: The Barmakids in those times is reflected in The Book of One Thousand and One Nights ; the vizier Ja'far appears in several stories, as well as a tale that gave rise to the expression "Barmecide feast". We know of Yahya b Khalid al Barmaki (805) as a patron of physicians and, specifically, of the translation of Hindu medical works into both Arabic and Persian. In all likelihood, however, his activity took place in
7784-576: The Columbia Graphophone Company, had been the moving force behind bringing Western Electric's recording process, and the British takeover. Originally from New York, Sterling became Chairman of Columbia NY from 1925 until 1931, and oversaw stability and success. In 1926, Columbia acquired Okeh Records and its growing stable of jazz and blues artists, including Louis Armstrong and Clarence Williams . Columbia had already built
7923-471: The Columbia Records name because EMI operated a separate record label by that name, Columbia Graphophone Company , outside North America. This was the result of legal maneuvers which led to the creation of EMI in the early 1930s. While this happened, starting in late 1961, both the mono and the stereo labels of domestic Columbia releases started carrying a small "CBS" at the top of the label. This
8062-534: The Columbia name. During the 1940s, Frank Sinatra recorded for Columbia and helped to substantially boost the company's revenue. Sinatra recorded over 200 songs for Columbia which include his most popular songs from his early years. Other popular artists on Columbia at this time included Benny Goodman (signed from RCA Victor in 1939), Count Basie , Jimmie Lunceford (both signed from Decca), Eddy Duchin , Ray Noble (both moved to Columbia from Brunswick), Kate Smith , Mildred Bailey , and Will Bradley . In 1947,
8201-563: The Dave Brubeck Quartet, which resulted in the release of the on-location, best-selling jazz album (up to this time), Jazz Goes to College . Contemporaneously with Columbia's first release of modern jazz by a small group, which was also the Brubeck Quartet's debut on the label, was a Time magazine cover story on the phenomenon of Brubeck's success on college campuses. The humble Dave Brubeck demurred, saying that
8340-752: The English "mecenate") that are derived from the name of Gaius Maecenas , generous friend and adviser to the Roman Emperor Augustus . Some patrons, such as the Medici family of Florence , used artistic patronage to "cleanse" wealth that was perceived as ill-gotten through usury . Art patronage was especially important in the creation of religious art . The Roman Catholic Church and later Protestant groups sponsored art and architecture , as seen in churches , cathedrals , painting , sculpture and handicrafts . While sponsorship of artists and
8479-477: The Free French. At the close of the war she was decorated as a lieutenant by the allied armies. In New York, de Koenigswarter became a friend and patron of leading jazz musicians, hosting jam sessions in her hotel suite, often driving them in her Bentley when they needed a lift to gigs, as well as sometimes helping them to pay rent, buy groceries, and making hospital visits. Although not a musician herself, she
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#17327731560388618-572: The Gramophone Company (HMV) was now a wholly owned subsidiary of Victor, and Columbia in America was a subsidiary of UK Columbia, Victor now technically owned its largest rival in the US. To avoid antitrust legislation, EMI had to sell off its US Columbia operation, which continued to release pressings of matrices made in the UK. In December, 1931, the U.S. Columbia Phonograph Company, Inc.
8757-497: The LP record was officially demonstrated, Columbia offered to share the new speed with rival RCA Victor, who initially rejected it and soon introduced their new competitive 45 RPM record. When it became clear that the LP was the preferred format for classical recordings, RCA Victor announced that the company would begin releasing its own LPs in January 1950. This was quickly followed by the other major American labels. Decca Records in
8896-657: The Philadelphia Orchestra conducted by Eugene Ormandy , who also recorded an abridged Messiah for Columbia. Some sessions were made with the Columbia Symphony Orchestra, an ensemble drawn from leading New York musicians, which had first made recordings with Sir Thomas Beecham in 1949 in Columbia's New York City studios. George Szell and the Cleveland Orchestra recorded mostly for Epic. When Epic dropped classical music,
9035-479: The U.K. was the first to release LPs in Europe, beginning in 1949. EMI would not fully adopt the LP format until 1955. An "original cast recording" of Rodgers & Hammerstein 's South Pacific with Ezio Pinza and Mary Martin was recorded in 1949. Both conventional metal masters and tape were used in the sessions in New York City. For some reason, the taped version was not used until Sony released it as part of
9174-479: The U.S. Columbia material was issued in Australia and New Zealand on the CBS Coronet label. In the same year, former Columbia A&R manager Goddard Lieberson was promoted to President of the entire CBS recording division, which included Columbia and Epic, as well as the company's various international divisions and licensees. Under his leadership the corporation's music division soon overtook RCA Victor as
9313-612: The Worm' sold 2.5 million copies. In 1929, Ben Selvin became house bandleader and A. & R. director. Other favorites in the Viva-tonal era included Ruth Etting , Paul Whiteman, Fletcher Henderson , Ipana Troubadours (a Sam Lanin group), and Ted Lewis . Columbia used acoustic recording for "budget label" pop product well into 1929 on the labels Harmony, Velvet Tone (both general purpose labels), and Diva (sold exclusively at W.T. Grant stores). When Edison Records folded, Columbia
9452-668: The aegis of the Mull Singing Convention of the Air sponsored on radio (and later television) by southern gospel broadcaster J. Bazzel Mull (1914–2006). In 1935, Herbert M. Greenspon, an 18-year-old shipping clerk, led a committee to organize the first trade union shop at the main manufacturing factory in Bridgeport, Connecticut. Elected as president of the Congress of Industrial Unions (CIO) local, Greenspon negotiated
9591-636: The artists associated with the emerging genre; for example, Columbia was the only company to record Charles Davis Tillman . Most fortuitously for Columbia in its Depression Era financial woes, in 1936 the company entered into an exclusive recording contract with the Chuck Wagon Gang , a hugely successful relationship which continued into the 1970s. A signature group of southern gospel, the Chuck Wagon Gang became Columbia's bestsellers with at least 37 million records, many of them through
9730-402: The band had started late several times and we hadn't drawn a crowd. There we were in Youngstown, Ohio, with a week's hotel bill to pay and none of us had any money. I could just picture myself being put in jail because I couldn't pay my hotel bill. But Art called the Baroness, and she wired us some money so we could pay our hotel bills and return to New York. She was a great lover of jazz music and
9869-432: The blues-R&B label, and the exclusive outlet for Bob Wills and His Texas Playboys , a phenomenal mid-1930s Western Swing band, which drew 10,000+ customers nightly to dance. Columbia was added in mid-1932, relegated to slower sellers such as the Hawaiian music of Andy Iona , the Irving Mills stable of artists and songs, and the still unknown Benny Goodman . It tried a marketing ploy, the Columbia "Royal Blue Record",
10008-540: The bottom to the back and "pasted over" by the back slick. Conversely, for a mono album, they moved the slick up so the mono information showed at the bottom, and the stereo information was pasted over. Soon, other record companies had adopted the paste-over method. In 1951, Columbia US began issuing records in the 45 rpm format RCA Victor had introduced two years earlier. The same year, Ted Wallerstein retired as Columbia Records chairman; and Columbia US also severed its decades-long distribution arrangement with EMI and signed
10147-608: The case). The blue Columbia label was retained for its classical music Columbia Masterworks Records series until it was later changed to a green label before switching to a gray label in the late 1950s, and then to the bronze that is familiar to owners of Columbia/CBS classical and Broadway albums. Columbia Phonograph Company of Canada did not survive the Great Depression , so CBS made a distribution deal with Sparton Records in 1939 to release Columbia records in Canada under
10286-637: The catalog were in the 10 inch format starting with ML 2001 for the light classics, CL 6001 for popular songs and JL 8001 for children's records. The Library of Congress in Washington DC now holds the Columbia Records Paperwork Archive which shows the Label order for ML 4001 being written on March 1, 1948. One can infer that Columbia was pressing the first LPs for distribution to their dealers for at least 3 months prior to
10425-450: The collaborative effort, but Wallerstein credits engineer William Savory with the technical prowess that brought the long-playing disc to the public. By the early 1940s, Columbia had been experimenting with higher fidelity recordings, as well as longer masters, which paved the way for the successful release of the LPs in 1948. One such record that helped set a new standard for music listeners
10564-529: The company was renamed Columbia Records Inc. and founded its Mexican record company, Discos Columbia de Mexico. 1948 saw the first classical LP Nathan Milstein's recording of the Mendelssohn Violin Concerto . Columbia's new 33 rpm format quickly spelled the death of the classical 78 rpm record and for the first time in nearly fifty years, gave Columbia a commanding lead over RCA Victor Red Seal . Columbia's president Edward Wallerstein
10703-740: The country's history. Tweed and his corrupt associates ruled for a brief time with absolute power over the city and state of New York. At the height of his influence, Tweed was the third-largest landowner in New York City , a director of the Erie Railway , the Tenth National Bank , and the New-York Printing Company, as well as proprietor of the Metropolitan Hotel . At times he was a member of
10842-642: The cover art for Bud Powell 's album A Portrait of Thelonious . During the 1950s, she was licensed as a manager by the American Federation of Musicians . Her clients included Horace Silver , Hank Mobley , Sir Charles Thompson , and The Jazz Messengers . Horace Silver said about her : "I recall playing a week with the Jazz Messengers at a jazz club in Youngstown, Ohio . The club owner refused to give Art Blakey any money because
10981-575: The cover of Time magazine were all Columbia artists. (In the early 1960s Columbia jazz artist Thelonious Monk would be afforded the same honor.) Columbia changed distributors in Australia and New Zealand in 1956 when the Australian Record Company picked up distribution of U.S. Columbia product to replace the Capitol Records product which ARC lost when EMI bought Capitol. As EMI owned the Columbia trademark at that time,
11120-496: The delight of many, this did not happen, and Art went on to many more successful years supervising all aspects of Columbia's Hillbilly/Country artists and sessions. On August 30, 1939, Columbia replaced its $ .75 Brunswick record for a $ .50 Columbia label. Brunswick was gradually phased out, the final issue being Brunswick 8520, in April 1940. Wallerstein and Paley knew in advance that their course of action would lead to violation of
11259-433: The early numbers with the "ledge" variation (i.e., no deep groove), had the small "CBS". This text would be used on the Columbia labels until June 1962. Columbia's Mexican unit, Discos Columbia, was renamed Discos CBS. With the formation of CBS Records International, CBS started establishing its own distribution in the early 1960s, beginning in Australia. In 1960 CBS took over its distributor in Australia and New Zealand,
11398-846: The early singles by the label's top female recording star of the decade, Doris Day . In 1953, Columbia formed a new subsidiary label Epic Records . 1954 saw Columbia end its distribution arrangement with Sparton Records and form Columbia Records of Canada. To enhance its country music stable, which already included Marty Robbins , Ray Price and Carl Smith , Columbia bid $ 15,000 for Elvis Presley 's contract from Sun Records in 1955. Presley's manager, Colonel Tom Parker , turned down their offer and signed Presley with RCA Victor. However, Columbia did sign two Sun artists in 1958: Johnny Cash and Carl Perkins . With 1954, Columbia U.S. decisively broke with its past when it introduced its new, modernist -style "Walking Eye" logo, designed by Columbia's art director S. Neil Fujita . This logo actually depicts
11537-576: The ecclesiastical provinces of Spain , in memory of the victories obtained over the Saracens, heretics and other enemies from the sixth century to the reign of Philip IV of Spain . Pope Benedict XIV ordered it to be kept in the Papal States on the third Sunday of November. To other places it is granted, on request, for some Sunday in November, to be designated by the ordinary . In many places,
11676-417: The electric recording process licensed from Western Electric . "Viva-tonal" records set a benchmark in tone and clarity unequaled on commercial discs during the 78-rpm era. The first electrical recordings were made by Art Gillham , the "Whispering Pianist". In a secret agreement with Victor, electrical technology was kept secret to avoid hurting sales of acoustic records. Louis Sterling, managing director of
11815-540: The emerging rock music scene thanks to his championing of reissue LPs of the music of blues artists Robert Johnson and Bessie Smith . By 1937–38, the record business in America was finally recovering from the near-death blow of the Great Depression, at least for RCA Victor and Decca, but privately, there were doubts about the survival of ARC. In a 1941 court case brought by unhappy shareholders of Columbia Broadcasting System, Inc. ("CBS"), Edward Wallerstein,
11954-560: The existing patronage system. Boliburguesía is a term that was coined by journalist Juan Carlos Zapata in order to "define the oligarchy that has developed under the protection of the Chavez government ". During Hugo Chávez's tenure, he seized thousands of properties and businesses while also reducing the footprint of foreign companies. Venezuela's economy was then largely state-run and was operated by military officers that had their business and government affairs connected. Senior fellow at
12093-581: The feast of the Patronage is held with an additional Marian title of Queen of All Saints, of Mercy, Mother of Graces . The Office is taken entirely from the Common of the Blessed Virgin, and the Mass is the "Salve sancta parens". The Church Patronage (Scotland) Act 1711 , (in force until 1874) resulted in multiple secessions from the Church of Scotland , including the secession of 1733 , which led to
12232-408: The first contract between factory workers and Columbia management. In a career with Columbia that lasted 30 years, Greenspon retired after achieving the position of executive vice president of the company. Columbia also hired talent scout, music writer, producer, and impresario John Hammond in 1937. Alongside his significance as a discoverer, promoter, and producer of jazz, blues, and folk artists during
12371-797: The formation of the Associate Presbytery, the secession of 1761 , which led to the formation of the Relief Church , and the Disruption of 1843 , which led to the formation of the Free Church of Scotland . While most news companies, particularly in North America are funded through advertising revenue, secondary funding sources include audience members and philanthropists who donate to for-profit and non-profit organizations. Political leaders have at their disposal
12510-457: The front and one for the back. The front slick bent around the top, bottom, and left sides (the right side is open for the record to be inserted into the cover) and glued the two halves of cardboard together at the top and bottom. The back slick is pasted over the edges of the pasted-on front slick to make it appear that the album cover is one continuous piece. Columbia discovered that printing two front cover slicks, one for mono and one for stereo,
12649-508: The highest number being 32601, "Heinie", which is a duet by Arthur Collins and Byron G. Harlan . The molded brown waxes may have been sold to Sears for distribution (possibly under Sears' Oxford trademark for Columbia products). Columbia began selling disc records , invented and patented by Victor Talking Machine Company's Emile Berliner , and phonographs in addition to the cylinder system in 1901, preceded only by their "Toy Graphophone" of 1899, which used small, vertically cut records. For
12788-765: The introduction of the LP on June 21, 1948. The catalog numbering system has had minor changes ever since. Columbia's LPs were particularly well-suited to classical music's longer pieces, so some of the early albums featured such artists as Eugene Ormandy and the Philadelphia Orchestra , Bruno Walter and the New York Philharmonic Orchestra , and Sir Thomas Beecham and the Royal Philharmonic Orchestra . The success of these recordings persuaded Capitol Records to begin releasing LPs in 1949. Even before
12927-532: The latter half of 1961, Columbia started using pressing plants with newer equipment. The "deep groove" pressings were made on older pressing machines, where the groove was an artifact of the metal stamper being affixed to a round center "block" to assure the resulting record would be centered. Newer machines used parts with a slightly different geometry, that only left a small "ledge" where the deep groove used to be. This changeover did not happen all at once, as different plants replaced machines at different times, leaving
13066-505: The loaned trademarks and catalog of master recordings made prior to December 3, 1931, reverted to Warner Bros. Pictures. The Columbia trademark from this point until the late 1950s was two overlapping circles with the Magic Notes in the left circle and a CBS microphone in the right circle. The Royal Blue labels were dropped in favor of a deep red, which caused RCA Victor to claim infringement on its famous Red Seal trademark (RCA lost
13205-499: The low 2000s. Columbia's engineering department developed a process for emulating stereo from a mono source. They called this process "Electronically Rechanneled for Stereo". In the June 16, 1962, issue of Billboard magazine (page 5), Columbia announced it would issue "rechanneled" versions of greatest hits compilations that had been recorded in mono, including albums by Doris Day, Frankie Laine, Percy Faith, Mitch Miller, Marty Robbins, Dave Brubeck, Miles Davis, and Johnny Mathis. By
13344-406: The lower classes. From the ancient world onward, patronage of the arts was important in art history . It is known in greatest detail in reference to medieval and Renaissance Europe, though patronage can also be traced in feudal Japan , the traditional Southeast Asian kingdoms, and elsewhere—art patronage tended to arise wherever a royal or imperial system and an aristocracy dominated
13483-780: The mid-1970s, he retired to de Koenigswarter's house in Weehawken, New Jersey, where he died in 1982. She used her wealth to pay for the funerals and burial grounds for several jazz musician friends, including Bud Powell , Sonny Clark and Coleman Hawkins . There are many compositions dedicated to her: Thelonious Monk's "Pannonica", Gigi Gryce 's " Nica's Tempo ", Sonny Clark 's "Nica", Horace Silver 's " Nica's Dream ", Kenny Dorham 's "Tonica", Kenny Drew 's "Blues for Nica", Doug Watkins ' "Panonica", Freddie Redd 's "Nica Steps Out", Barry Harris 's "Inca", Tommy Flanagan's "Thelonica", Frank Turner 's "Nica" and more were all named after her. The San Francisco art rock band Oxbow released
13622-462: The mono and stereo numbers for two years. Masterworks classical LPs had an MS 6000 series, while showtunes albums on Masterworks were OS 2000. Finally, in 1960, the pop stereo series jumped from 8300 to 8310 to match Lambert, Hendricks & Ross Sing Ellington , the Lambert, Hendricks & Ross album issued as CL-1510. From that point, the stereo numbers on pop albums were exactly 6800 higher than
13761-402: The mono; stereo classical albums were the mono number plus 600; and showtunes releases were the mono number MINUS 3600. Only the last two digits in the respective catalog series' matched. Pop stereo LPs got into the high 9000s by 1970, when CBS Records revamped and unified its catalog numbering system across all its labels. Masterworks classical albums were in the 7000s, while showtunes stayed in
13900-497: The name; Paley acquired the fledgling radio network in 1928.) On January 3, 1939, Wallerstein left RCA Victor to become president of the CBS phonograph subsidiary, a position he would hold for twelve years. CBS kept the ARC name for three months. then on April 4, it amended the New York Department of State record of "Columbia Phonograph Company, Inc.," naming several of its own employees to directorships, and announced in
14039-521: The noble classes financed scientific pursuits. Many Barmakids were patrons of the sciences, which greatly helped the propagation of Indian science and scholarship from the neighboring Academy of Gundishapur into the Arabic world. They patronized scholars such as Jabir ibn Hayyan and Jabril ibn Bukhtishu . They are also credited with the establishment of the first paper mill in Baghdad. The power of
14178-460: The now accepted medium of the record business." Despite Wallerstein's stormy tenure, in June 1948, Columbia introduced the Long Playing "microgroove" LP record format (sometimes written "Lp" in early advertisements), which rotated at 33⅓ revolutions per minute , to be the standard for the gramophone record for forty years. CBS research director Dr. Peter Goldmark played a managerial role in
14317-572: The orbit of the caliphal court in Iraq, where at the behest of Harun al Rashid (786 -809), such books were translated into Arabic. Thus Khurasan and Transoxania were effectively bypassed in this transfer of learning from India to Islam, even though, undeniably the Barmakis cultural outlook owed something to their land of origin, northern Afghanistan, and Yahya al Barmaki's interest in medicine may have derived from no longer identifiable family tradition. In
14456-413: The organization to raise funds or to affect government policy. The British royal family are especially prolific in this respect, devoting a large proportion of their time to a wide range of causes. Sometimes consumers support smaller or local businesses or corporations out of loyalty even if less expensive options exist. Their regular custom is referred to as 'patronage'. Patronage may entitle members of
14595-441: The patronage going on in Chicago politics was unlawful on the grounds of the first and fourteenth amendments. Through a series of legal battles and negotiations, the two parties agreed upon The Shakman Decrees . Under these decrees, it was declared that the employment status of most public employees could not be affected positively or negatively based on political allegiance, with exceptions for politically inclined positions. The case
14734-517: The possibility that both deep groove and ledge varieties could be original pressings. The changeover took place starting in late 1961. In 1961, CBS ended its arrangement with Philips Records and formed its own international organization, CBS Records International , in 1962. This subsidiary label released Columbia recordings outside the US and Canada on the CBS label (until 1964 marketed by Philips in Britain). The recordings could not be released under
14873-522: The president. Similarly, at the state and local levels, governors and mayors retain appointments powers. Some scholars have argued that patronage may be used for laudable purposes, such as the "recognition" of minority communities through the appointment of their members to a high-profile position. Bearfield has argued that patronage be used for four general purposes: create or strengthen a political organization; achieve democratic or egalitarian goals; bridge political divisions and create coalitions, and to alter
15012-456: The prime minister. As well, the term may refer to a type of corruption or favoritism in which a party in power rewards groups, families, or ethnicities for their electoral support using illegal gifts or fraudulently awarded appointments or government contracts. The opposite of this structure, where all individuals advance based on their personal traits and abilities, is meritocracy . In many Latin American countries, patronage developed as
15151-838: The public service to hire an unqualified family member or friend. Political patronage, also known as " padrino system ", has been the source of many controversies and corruption . It has been an open secret that one cannot join the political arena of the Philippines without mastery of the padrino system. From the lowest barangay official to the President of the Republic , it is expected that one gains political debts and dispenses political favor to advance one's career or gain influence, if not wealth. After Soviet leader Vladimir Lenin 's retirement from politics in March 1923 following
15290-499: The recording and manufacturing of wax cylinder records after arranging to issue celluloid cylinder records made by the Indestructible Record Company of Albany, New York , as "Columbia Indestructible Records". In July 1912, Columbia decided to concentrate exclusively on disc records and ended production of cylinder phonographs, although Indestructible cylinders continued to be sold under the Columbia label for
15429-400: The roster and catalogue was moved to Columbia Masterworks Records . Columbia released its first pop stereo albums in the summer of 1958. All of the first dozen or so were stereo versions of albums already available in mono. It was not until September 1958, that Columbia began simultaneous mono/stereo releases. Mono versions of otherwise stereo recordings were discontinued in 1968. To celebrate
15568-578: The same manner as commercial patronage, those who attend a sporting event may be referred to as patrons, though the usage in much of the world is now considered archaic—with some notable exceptions. Those who attend the Masters Tournament , one of the four major championships of professional golf , are still traditionally referred to as "patrons," largely at the insistence of the Augusta National Golf Club . This insistence
15707-628: The same year, Columbia executive Frank Buckley Walker pioneered some of the first country music or "hillbilly" genre recordings with the Johnson City sessions in Tennessee, including artists such as Clarence Horton Greene and "Fiddlin'" Charlie Bowman . He followed that with a return to Tennessee the next year, as well as recording sessions in other cities of the South. Moran and Mack as The Two Black Crows 1926 recording 'The Early Bird Catches
15846-447: The second Time cover story on a jazz musician (the first featured Louis Armstrong 's picture) had been earned by Duke Ellington , not himself. Within two years Ellington's picture would appear on the cover of Time , following his success at the 1956 Newport Jazz Festival. Ellington at Newport , recorded on Columbia, was also the bandleader-composer-pianist's best-selling album. Moreover, this exclusive trinity of jazz giants featured on
15985-423: The support of noble or ecclesiastical patrons. Figures as late as Wolfgang Amadeus Mozart and Ludwig van Beethoven also participated in the system to some degree; it was only with the rise of bourgeois and capitalist social forms in the middle 19th century that European culture moved away from its patronage system to the more publicly supported system of museums, theaters, mass audiences and mass consumption that
16124-521: The support that princes , popes , and other wealthy and influential people have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices , the business given to a store by a regular customer, and the guardianship of saints . The word patron derives from the Latin patronus ('patron'), one who gives benefits to his clients (see patronage in ancient Rome ). In some countries
16263-513: The technical standard of Columbia's Grand Opera series was not considered to be as high as the results achieved with opera singers during the pre–World War I period by Victor, Edison, England's His Master's Voice (The Gramophone Company Ltd.) or Italy's Fonotipia Records . After an abortive attempt in 1904 to manufacture discs with the recording grooves stamped into both sides of each disc—not just one—in 1908 Columbia commenced successful mass production of what they called their "Double-Faced" discs,
16402-469: The term is used to describe political patronage or patronal politics , which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the prime minister to appoint senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the political party of
16541-502: The time. However, the compilations were so successful that they led to Columbia doing such packages on a widespread basis, usually when an artist's career was in decline. Although Columbia began recording in stereo in 1956, stereo LPs did not begin to be manufactured until 1958. One of Columbia's first stereo releases was an abridged and re-structured performance of Handel 's Messiah by the New York Philharmonic and
16680-528: The top recording company in the world, boasting a star-studded roster of artists and an unmatched catalogue of popular, jazz, classical and stage and screen soundtrack titles. Lieberson, who had joined Columbia as an A&R manager in 1938, was known for both his personal elegance and his dedication to quality, overseeing the release of many hugely successful albums and singles, as well as championing prestige releases that sold relatively poorly, and even some titles that had limited appeal, such as complete editions of
16819-459: The trademarks and masters of the Brunswick, Vocalion , and Melotone labels to ARC. WB would receive a portion of the sales of its catalogues, while ARC was free to use the labels for new recordings. Brunswick immediately became the premium $ .75 label, Melotone would release new hillbilly and other $ .35 dime-store discounted discs, and Vocalion, while re-releasing prior ARC records, would also be
16958-527: The two modern jazz artists who would in 1959 record albums that remain—more than sixty years later—among the best-selling jazz albums by any label—viz., Time Out by the Brubeck Quartet and, to an even greater extent, Kind of Blue by the Davis Sextet, which, in 2003, appeared as number 12 in Rolling Stone 's list of the "500 Greatest Albums Of All Time". With another producer, Teo Macero ,
17097-528: The volume Blow-up and Other Stories (alternatively titled The End of the Game and Other Stories ); "El perseguidor", ("The Pursuer"), is a homage to Charlie Parker. In October 2006, the French company Buchet Chastel published de Koenigswarter's book Les musiciens de jazz et leurs trois vœux ("The jazz musicians and their three wishes"). Compiled between 1961 and 1966, it is a book of interviews with 300 musicians who told her what their "three wishes" would be, and
17236-399: The works of Arnold Schoenberg and Anton von Webern . One of his first major successes was the original Broadway cast album of My Fair Lady , which sold over 5 million copies worldwide in 1957, becoming the most successful LP ever released up to that time. Lieberson also convinced long-serving CBS President William S. Paley to become the sole backer of the original Broadway production,
17375-496: Was 10 pages. Columbia's ties to Edison were severed in 1894 with the North American Phonograph Company 's breakup. Thereafter, it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the "XP" record, a molded brown wax record, to use up old stock. Columbia introduced black wax records in 1903. According to one source, they continued to mold brown waxes until 1904 with
17514-419: Was a shell corporation set up by Consolidated Films Industries, Inc. ("CFI") to hold the Columbia stock, while its subsidiary, American Record Corporation ("ARC"), operated the label. This assumption grew out of the ease which CFI later exhibited in selling Columbia in 1938. On December 3, 1931, CFI made a deal with Warner Brothers Pictures, Inc. ("WB") to lease Brunswick Record Corporation , which included
17653-486: Was acquired by the Grigsby-Grunow Company , the manufacturers of Majestic radios and refrigerators. When Grigsby-Grunow declared bankruptcy in November 1933, Columbia was placed in receivership, and in June 1934, the company was sold to Sacro Enterprises Inc. ("Sacro") for $ 70,000. Sacro was incorporated a few days before the sale in New York. Public documents do not contain any names. Many suspect that it
17792-759: Was also considered to be the first genuine concept album . Since the term "LP" has come to refer to the 12-inch 33 + 1 ⁄ 3 rpm vinyl disk, the first LP is the Mendelssohn Violin Concerto in E minor played by Nathan Milstein with Bruno Walter conducting the New York Philharmonic (then called the Philharmonic-Symphony Orchestra of New York), Columbia ML 4001, found in the Columbia Record Catalog for 1949, published in July 1948. The other "LP's" listed in
17931-475: Was born into a branch of the wealthiest family in the world at the time. Her paternal grandfather was Nathan Rothschild, 1st Baron Rothschild . She grew up in Tring Park Mansion as well as Waddesdon Manor , among other family houses. The name "Pannonica" (shortened to "Nica" as a nickname) derives from Eastern Europe's Pannonian plain . Her friend Thelonious Monk reported that she was named after
18070-422: Was broadcast in the US by HBO on 25 November 2009. A radio documentary by Rothschild of Nica, The Jazz Baroness , was broadcast on BBC Radio 4 on 12 February 2008. Rothschild has also written the biography detailed below. Patron Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to
18209-469: Was hired by Wallerstein as "Associate Director Popular Recording" (at 7th Ave). Another executive from ARC, Art Satherley , was not expected to transition over as easily. "It is understood that CBS and the Levys are not interested in retaining American Record's hillbilly department, and that Art Satherly, who has been running this section for many years, will take it out of the company with him". Fortunately, to
18348-461: Was inefficient and therefore needlessly costly. Starting in the summer of 1959 with some of the albums released in August, they went to the "paste-over" front slick, which had the stereo information printed on the top and the mono information printed on the bottom. For stereo issues, they moved the front slick down so the stereo information was showing at the top, and the mono information was bent around
18487-495: Was instrumental in steering Paley towards the ARC purchase. He set his talents to his goal of hearing an entire movement of a symphony on one side of an album. Ward Botsford writing for the Twenty-Fifth Anniversary Issue of High Fidelity Magazine relates: "He was no inventor—he was simply a man who seized an idea whose time was ripe and begged, ordered, and cajoled a thousand men into bringing into being
18626-469: Was introduced to Thelonious Monk by jazz pianist/composer Mary Lou Williams in Paris while attending the "Salon du Jazz 1954". She championed his work in the United States, writing the liner notes for his 1962 Columbia album Criss-Cross . She even took criminal responsibility when she and Monk were charged with marijuana possession by Delaware police in 1958, spending a few nights in jail. De Koenigswarter
18765-412: Was not something that changed at a certain date, but rather, pressing plants were told to use up the stock of old (pre-CBS) labels first, resulting in a mixture of labels for some given releases. Some are known with the CBS text on mono albums, and not on stereo of the same album, and vice versa; diggings brought up pressings with the CBS text on one side and not on the other. Many, but certainly not all, of
18904-566: Was sentenced to three years in prison. After a two-year legal battle that was financed by her family, the case was dismissed in a court of appeals on a technicality. She was a regular visitor to many of New York's jazz clubs, including the Five Spot Café , Village Vanguard , and Birdland . In 1957, she bought a new piano for the Five Spot because she thought the existing one was not good enough for Monk's performances there. She also did
19043-486: Was tall and solid; it was modified in 1961 to the familiar one still used today (pictured on this page), despite the fact that the Walking Eye was used only sporadically during most of the 1990s. Although the big band era had passed, Columbia had Duke Ellington under contract for several years, capturing the historic moment when Ellington's band provoked a post-midnight frenzy (followed by international headlines) at
19182-408: Was the 10" LP reissue of The Voice of Frank Sinatra , originally released on March 4, 1946, as an album of four 78 rpm records, which was the first pop album issued in the new LP format. Sinatra was arguably Columbia's hottest commodity and his artistic vision combined with the direction Columbia were taking the medium of music, both popular and classic, were well suited. The Voice of Frank Sinatra
19321-556: Was the oldest surviving record label. The repercussions of the stock market Crash of 1929 and subsequent Great Depression led to the near collapse of the entire recording industry and, in March 1931, J.P Morgan, the major shareholder, steered the Columbia Graphophone Company (along with Odeon records and Parlophone , which it had owned since 1926) into a merger with the Gramophone Company ("His Master's Voice") to form Electric and Musical Industries Ltd ( EMI ). Since
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