164-477: Permo is the debut studio album by Scottish indie rock band Spinning Coin . It was released on 10 November 2017 through Geographic Music . This 2010s album–related article is a stub . You can help Misplaced Pages by expanding it . Indie rock Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although
328-480: A DIY ethic ; many bands self-produce recordings and distribute them through independent labels . The term "punk rock" was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges , and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what
492-736: A reverb heavy, pop –influenced sound. Marked by the Clean's 1981 debut single "Tally-Ho!" and 1982's Dunedin Double EP featuring the Chills , Sneaky Feelings , the Verlaines and the Stones , its guitars were often jangly and droning and vocals indistinct. The following years, the Dunedin sound spread to other New Zealand cities such as Christchurch or Auckland . The decade then saw
656-703: A "dirty bastard", a "dirty fucker", and a "fucking rotter", triggering a media controversy. The episode had a major impact on the history of the scene and the punk term became a household name in 24 hours thanks to the press coverage, and several front covers of newspapers. Two days later, the Sex Pistols, the Clash, the Damned, and the Heartbreakers set out on the Anarchy Tour, a series of gigs throughout
820-473: A "national scandal". Jamie Reid 's "anarchy flag" poster and his other design work for the Sex Pistols helped establish a distinctive punk visual aesthetic . On December 1, 1976, an incident took place that sealed punk rock's notorious reputation, when the Sex Pistols and several members of the Bromley Contingent , including Siouxsie Sioux and Steven Severin , filled a vacancy for Queen on
984-610: A "punk mass" for the next couple of years. In the March 1971 issue of Creem, critic Greg Shaw wrote about the Shadows of Knight 's "hard-edge punk sound". In an April 1971 issue of Rolling Stone , he referred to a track by the Guess Who as "good, not too imaginative, punk rock and roll". The same month John Medelsohn described Alice Cooper 's album Love It to Death as "nicely wrought mainstream punk raunch". Dave Marsh used
1148-409: A "style of adornment calculated to disturb and outrage". Among the other facets of the punk rock scene, a punk's hair is an important way of showing their freedom of expression. The typical male punk haircut was originally short and choppy; the mohawk later emerged as a characteristic style. Along with the mohawk, long spikes have been associated with the punk rock genre. Between the late 16th and
1312-546: A 1974 interview for his fanzine Heavy Metal Digest , Danny Sugerman told Iggy Pop "You went on record as saying you never were a punk" and Iggy replied "...well I ain't. I never was a punk." By 1975, punk was being used to describe acts as diverse as the Patti Smith Group , the Bay City Rollers , and Bruce Springsteen . As the scene at New York's CBGB club attracted notice, a name was sought for
1476-612: A 2009 article for the Guardian , journalist Peter Robinson cited the landfill indie movement as dead, blaming the Wombats , Scouting For Girls , and Joe Lean & the Jing Jang Jong by stating "If landfill indie had been a game of Buckaroo , those three sent the whole donkey's arse of radio-friendly mainstream guitar band monotony flying high into the air, legs flailing." There continued to be commercial successes in
1640-571: A Life (2017) winning the Mercury Prize in 2018 and third album Blue Weekend (2021) being nominated. Writer Martin Young stated in a 2021 article for Dork that "It's impossible to truly state just how important Wolf Alice are. They are the catalyst for almost all the amazing bands you've read about in Dork over the last 5 years." Punk rock Punk rock (also known as simply punk )
1804-545: A band who can lay claim to influencing the movement, "the seeds of punk remain blatant in the howling ultimatum Erickson transferred from his previous teen combo to the Elevators" as well as describing other bands in the Houston , Texas psychedelic rock scene as "a prime example of the opaque proto-punk undertow at the heart of the best psychedelia ". Hippie proto-punk David Peel of New York City 's Lower East Side
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#17327903046341968-532: A characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine , lead guitarist of the Voidoids , have employed a wild, " gonzo " attack, a style that stretches back through the Velvet Underground to the 1950s recordings of Ike Turner . Bass guitar lines are often uncomplicated;
2132-549: A descriptor in its own right, describing not only the bands on the tape but also bands who it influenced, often used alongside terms like "anorak pop" and "shambling". Some C86 bands found significant commercial success: the Soup Dragons went on to sell out Madison Square Garden ; Primal Scream were critically acclaimed, receiving the first ever Mercury Prize in 1992; the Wedding Present charted eighteen times in
2296-618: A distinct musical style. Even where they diverged most clearly, in lyrical approach – the Ramones' apparent guilelessness at one extreme, Hell's conscious craft at the other – there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock. After a brief period unofficially managing the New York Dolls, Briton Malcolm McLaren returned to London in May 1975, inspired by
2460-564: A former member of New York's experimental rock group the Velvet Underground , who inspired many of those involved in the creation of punk rock. The New York Dolls updated 1950s' rock 'n' roll in a fashion that later became known as glam punk . The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of the Stooges. In Boston, the Modern Lovers , led by Jonathan Richman , gained attention for their minimalistic style. In 1974, as well,
2624-407: A key element of indie is the dichotomy between a "puritan ethos" and a "romantic one", with the former using austere ethics, and the latter being eccentric. This is best seen in the contrast between the indie music of United States and the United Kingdom in the 1990s, with British acts being flamboyant performers, while American acts used their lack of virtuosity as a mark of authenticity. Indie rock
2788-422: A lot of 1960s stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom , founding editor of Punk magazine, recalls feeling "punk rock had to come along because
2952-506: A major cultural phenomenon in the UK. It gave rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing , such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands and jewelry, safety pins, and bondage and S&M clothes. In 1977, the influence of the music and subculture spread worldwide. It took root in a wide range of local scenes that often rejected affiliation with
3116-399: A post-grunge and hardcore on their breakthrough albums Word Gets Around (1997) and Performance and Cocktails (1999), before moving into more melodic territory with Just Enough Education to Perform (2001) and subsequent albums. Feeder , who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single " Buck Rogers " and
3280-584: A requisite item for punk fans. The BBC banned "Oh Bondage Up Yours!" due to its controversial lyrics. In October, the Sex Pistols hit number eight with " Holidays in the Sun ", followed by the release of their first and only "official" album, Never Mind the Bollocks, Here's the Sex Pistols . Inspiring yet another round of controversy, it topped the British charts. In December, one of the first books about punk rock
3444-560: A result, the term "alternative" lost its original counter-cultural meaning and began to refer to the new, commercially lighter form of music that was now achieving mainstream success. New York magazine writer Carl Swanson argued that even the term "sellout" lost its meaning as grunge made it possible for a niche movement, no matter how radical, to be co-opted by the mainstream, cementing the formation of an individualist, fragmented culture. In his book Popular Music: The Key Concepts , media academic Roy Shuker states that "Grunge represented
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#17327903046343608-401: A single, "Little Johnny Jewel". In the words of John Walker, the record was "a turning point for the whole New York scene" if not quite for the punk rock sound itself – Hell's departure had left the band "significantly reduced in fringe aggression". Early in 1976, Hell left the Heartbreakers to form the Voidoids , described as "one of the most harshly uncompromising [punk] bands". That April,
3772-523: A style and more a categorization, it describes an early 1990s trend of acts who followed in the traditions of early electronic music (composers of the BBC Radiophonic Workshop ), krautrock and synth-pop . Progenitors of the genre were English bands Disco Inferno , Stereolab , and Space . Most musicians in the genre can be found on independent labels like Warp , Morr Music , Sub Pop or Ghostly International . Space rock took
3936-590: A style indebted to '60s-70s bands like the Velvet Underground and the Ramones , the band's intention musically was to sound like "a band from the past that took a time trip into the future to make their record." The album peaked at number thirty-three in the United States, staying in the charts for two additional years and debuted at number two on the UK albums chart . When the Strokes made their commercial debut,
4100-620: A traditional rock 'n' roll verse-chorus form and 4/4 time signature . However, later bands often broke from this format. Punk music was not a standalone movement in the 70’s and 80’s. Major punk communities gather across the globe as punk perseveres among contemporary musicians and listeners today. The vocals are sometimes nasal, and the lyrics often shouted in an "arrogant snarl", rather than conventionally sung. Complicated guitar solos were considered self-indulgent, although basic guitar breaks were common. Guitar parts tend to include highly distorted power chords or barre chords , creating
4264-405: A two-month-long weekend residency at CBGB that significantly raised the club's profile. The Television sets included Richard Hell's "Blank Generation", which became the scene's emblematic anthem. Soon after, Hell left Television and founded a band featuring a more stripped-down sound, the Heartbreakers , with former New York Dolls Johnny Thunders and Jerry Nolan . In August, Television recorded
4428-527: A vehement, straight-ahead punk rock style with a committed anarchist mission, and played a major role in the emerging anarcho-punk movement. Sham 69, London's Menace, and the Angelic Upstarts from South Shields in the Northeast combined a similarly stripped-down sound with populist lyrics, a style that became known as street punk . These expressly working-class bands contrasted with others in
4592-421: Is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock , punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces
4756-412: Is meant to be our freedom. We're meant to be able to do what we want to do." Authenticity has always been important in the punk subculture—the pejorative term " poseur " is applied to those who adopt its stylistic attributes but do not actually share or understand its underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as
4920-481: Is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or four-track portastudios. Punk rock lyrics are typically blunt and confrontational; compared to the lyrics of other popular music genres, they often focus on social and political issues. Trend-setting songs such as the Clash's " Career Opportunities " and Chelsea 's "Right to Work" deal with unemployment and
5084-482: Is noted for having a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed riot grrrl music of acts like Bikini Kill , Bratmobile , 7 Year Bitch , Team Dresch and Huggy Bear . However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits: The Story of Indie pinpoints
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5248-486: Is our condition. As symbols of protest, swastikas are no less fatuous than flowers. — Robert Christgau in Christgau's Record Guide (1981) Technical accessibility and a do it yourself (DIY) spirit are prized in punk rock. UK pub rock from 1972 to 1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock also introduced
5412-598: The Los Angeles Times , reviewing the debut album by a hard rock band, Aerosmith , declared that it "achieves all that punk-rock bands strive for but most miss." A March 1973 review of an Iggy and the Stooges show in the Detroit Free Press dismissively referred to Pop as "the apotheosis of Detroit punk music". In May 1973, Billy Altman launched the short-lived punk magazine in Buffalo, NY which
5576-558: The Billboard 200 chart, becoming the band's highest-charting album in the United States. In August 2017, AM was certified platinum by the RIAA for combined sales and album-equivalent units over of a million units in the United States. As of the 14th of April 2023 every track from the album was certified silver or higher by the BPI with "Mad Sounds" being the last to be certified. When
5740-528: The CBGB club, also in Lower Manhattan . At its core was Television , described by critic John Walker as "the ultimate garage band with pretensions". Their influences ranged from The Velvet Underground to the staccato guitar work of Dr. Feelgood 's Wilko Johnson . The band's bassist/singer, Richard Hell , created a look with cropped, ragged hair, ripped T-shirts, and black leather jackets credited as
5904-538: The Krautrock tradition of groups such as Can . In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage-psych and folk . The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. A new generation of Australian garage rock bands, inspired mainly by the Stooges and MC5 , was coming closer to the sound that would soon be called "punk": In Brisbane ,
6068-452: The psychedelic rock , ambient music influence of Pink Floyd and Hawkwind and incorporated them into an indie rock context. The style began with Spacemen 3 in the 1980s, with later groups including Spiritualized , Flying Saucer Attack , Godspeed You! Black Emperor and Quickspace . As Britpop waned towards the end of the decade, post-Britpop took hold within the UK's indie rock scene. From about 1997, as dissatisfaction grew with
6232-428: The safety-pin aesthetic —was a major influence on Sex Pistols impresario Malcolm McLaren and, in turn, British punk style. ( John D Morton of Cleveland's Electric Eels may have been the first rock musician to wear a safety-pin-covered jacket.) McLaren's partner, fashion designer Vivienne Westwood , credits Johnny Rotten as the first British punk musician to rip his shirt, and Sex Pistols bassist Sid Vicious as
6396-473: The " slacker " stereotype, and as a defining anthem of 90s indie rock. With the rise of Britpop , many of Britain's earlier indie rock bands fell into obscurity. Fronted by Blur , Oasis , Pulp and Suede , the bands in the movement were advertised as being underground artists, as a means to compete commercially with the United States' grunge scene. While Britpop was stylistically indebted to indie rock and began as an offshoot of it, Britpop bands abandoned
6560-592: The 18th centuries, punk was a common, coarse synonym for prostitute; William Shakespeare used it with that meaning in The Merry Wives of Windsor (1602) and Measure for Measure (1603–4). The term eventually came to describe "a young male hustler, a gangster, a hoodlum, or a ruffian". The first known use of the phrase "punk rock" appeared in the Chicago Tribune on March 22, 1970, when Ed Sanders , co-founder of New York's anarcho-prankster band
6724-412: The 1975 's merger of indie rock and mainstream pop began gaining commercial attraction in the early 2010s, it was controversial; they received the award for "Worst Band" at the 2014 NME Awards , but by 2017 received "Best Live Band" at the same award show. Alternative Press writer Yasmine Summan stated that "If you could summarize 2013 and 2014 in one album for indie and alternative fans, it would be
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6888-519: The 1975's self-titled release ". In an article for the Guardian accrediting the 1975 as the band to "usher indie into the mainstream", writer Mark Beaumont compared vocalist Matty Healy's influence on the genre to that of Libertines vocalist Pete Doherty , and Pitchfork listed them as one of the most influential artists in music since 1995. In the 1975's wake, a number of other indie pop artist gained popularity. Some critics termed this phenomenon "Healywave", which notably included: Pale Waves ,
7052-600: The 1980s closed, both Sonic Youth and the Pixies signed to major labels. In the late 1980s, the indie rock subgenre shoegaze emerged, as a continuation of the wall of sound production being used by groups like the Jesus and Mary Chain. The genre merged this with influences from Dinosaur Jr. and the Cocteau Twins , to create a dark and droning style so cacophonous that instruments were often indistinguishable. The genre
7216-570: The 2010s Arcade Fire 's The Suburbs (2010), the Black Keys's Turn Blue (2014), Kings of Leon's Walls (2016), the Killers's Wonderful Wonderful (2017), which reached number one on the Billboard charts in the United States and the official chart in the United Kingdom, with Arcade Fire's album winning a Grammy for Album of The Year in 2011. Other indie rock acts like Florence and
7380-457: The Aces , Joan , Fickle Friends and No Rome . Of this group, Pale Waves were particularly commercially prominent, with their debut album My Mind Makes Noises peaking at number eight on the UK albums chart, Who Am I? (2021) at number three and Unwanted (2022) at number four. At around the same time Wolf Alice became a prominent force in the scene, with their second album Visions of
7544-484: The Alex Harvey Band — their influence was enormous. And they try to write that all off and wrap it around Patti Smith. It's so wrong!". In October 1976, the Damned released the first UK punk rock band single, " New Rose ". The Vibrators followed the next month with "We Vibrate". On November 26, 1976, the Sex Pistols' released their debut single " Anarchy in the U.K. ", which succeeded in its goal of becoming
7708-859: The Apples in Stereo , Beulah , Circulatory System , Elf Power , the Minders , Neutral Milk Hotel , of Montreal and the Olivia Tremor Control – merged indie rock with psychedelic pop . Gimme Indie Rock author Andrew Earles stated that the collective, namely Neutral Milk Hotel on On Avery Island (1996), "helped keep the genre artistically relevant while other bands defected and other underground styles rose to prominence". Indie electronic or indietronica covers rock-based artists who share an affinity for electronic music, using samplers, synthesizers, drum machines, and computer programs. Less
7872-659: The Clash , the Kinks , the Smiths and the Jam , the band's style of tinny, high register, sometimes acoustic, guitar parts topped by lyrics of British parochial pleasures in the vocalists' authentic English accents became widely imitated. The Fratellis , the Kooks , and the View were three such acts to gain significant commercial success, although the most prominent post-Libertines band
8036-459: The Clash , which was joined by Joe Strummer . On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what became one of the most influential rock shows ever. Among the approximately forty audience members were the two locals who organised the gig—they had formed Buzzcocks after seeing the Sex Pistols in February. Others in the small crowd went on to form Joy Division ,
8200-581: The Clash's debut had included a cover of the recent Jamaican reggae hit " Police and Thieves ". Other first wave bands such as the Slits and new entrants to the scene like the Ruts and the Police interacted with the reggae and ska subcultures, incorporating their rhythms and production styles. The punk rock phenomenon helped spark a full-fledged ska revival movement known as 2 Tone , centered on bands such as
8364-632: The Cribs , Bloc Party , Kaiser Chiefs and the Others . However, the Libertines , who formed in 1997, stood as the UK's counterpoint to the Strokes, being described by AllMusic as "one of the U.K.'s most influential 21st century acts" and the Independent stating that "the Libertines wanted to be an important band, but they could not have predicted the impact they would have". Influenced by
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#17327903046348528-458: The Dead Boys. They were soon playing regularly at Max's Kansas City and CBGB. At this early stage, the term punk applied to the scene in general, not necessarily a particular stylistic approach as it would later—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, the Heartbreakers, Richard Hell and the Voidoids, and the Dead Boys were establishing
8692-658: The Detroit band Death —made up of three African-American brothers—recorded "scorching blasts of feral ur-punk", but could not arrange a release deal. In Ohio, a small but influential underground rock scene emerged, led by Devo in Akron and Kent and by Cleveland's Electric Eels , Mirrors and Rocket from the Tombs . Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf , West Germany, where "punk before punk" band Neu! formed in 1971, building on
8856-574: The DoubleHappys and Straitjacket Fits . Knox later formed another short-lived punk band called Toy Love , and after it broke up, he went on to start the influential band Tall Dwarfs , who were an integral influence on the emergence of home-recorded lo-fi indie . The punk-inspired aspects of the scene were often inspired by opposition to Robert Muldoon and his government, which prompted satire or outright criticism. The scene saw bands take influence from punk rock, but strip away its aggression for
9020-541: The Electric Lady in New York City. Underground and pub rock scenes became filled with cacophonous sounds, haziness brought by drugs and alcohol, and unassuming fashion. American punk represented a new generation that combined bohemian atmosphere with an aggressive guitar distortion. The Dead Boys' debut LP, Young, Loud and Snotty , was released at the end of August. October saw two more debut albums from
9184-632: The Fall , Buzzcocks , Wire , Television and Joy Division would be influential to the genre. Allmusic identifies indie rock as including a number of "varying musical approaches [not] compatible with mainstream tastes". Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands, through do-it-yourself experimental bands like Pavement , to punk-folk singers such as Ani DiFranco . In his book DIY Style: Fashion, Music and Global Digital Cultures , Brent Luvaas described
9348-455: The Fall , and – in the 1980s — the Smiths . In July, the Ramones played two London shows that helped spark the nascent UK punk scene. Over the next several months, many new punk rock bands formed, often directly inspired by the Sex Pistols. In London, women were near the center of the scene—among the initial wave of bands were the female-fronted Siouxsie and the Banshees , X-Ray Spex , and
9512-546: The Fugs described his first solo album as "punk rock – redneck sentimentality". In 1969 Sanders recorded a song for an album called "Street Punk" but it was only released in 2008. In the December 1970 issue of Creem , Lester Bangs , mocking more mainstream rock musicians, ironically referred to Iggy Pop as "that Stooge punk". Suicide 's Alan Vega credits this usage with inspiring his duo to bill its gigs as "punk music" or
9676-485: The Head (2002) went multi-platinum , establishing them as one of the most popular acts in the world by the time of their third album X&Y (2005). Snow Patrol's " Chasing Cars " (from their 2006 album Eyes Open ) is the most widely played song of the 21st century on UK radio. The mainstream attention which indie rock garnered in the 2000s began with the Strokes and their 2001 debut album Is This It . Playing
9840-532: The Heartbreakers' 1976 and 1977 tours of Britain, Thunders played a central role in popularizing heroin among the punk crowd there, as well.) The Ramones' third album, Rocket to Russia , appeared in November 1977. The Sex Pistols ' live TV skirmish with Bill Grundy on December 1, 1976, was the signal moment in British punk 's transformation into a major media phenomenon, even as some stores refused to stock
10004-596: The Hunters Club and Scum Pups . In the early 1990s, the Seattle grunge scene, and its most visible acts, Nirvana , Pearl Jam , Soundgarden and Alice in Chains , broke into the mainstream. The monumental success of these bands, particularly Nirvana, brought increased attention to the indie rock scene, which initiated a shift in which the indie rock descriptor became displaced by the term alternative rock . As
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#173279030463410168-419: The Jerks led what became known as no wave . The Misfits formed in nearby New Jersey. Still developing what would become their signature B movie –inspired style, later dubbed horror punk , they made their first appearance at CBGB in April 1977. The American youth were searching for authenticity and newcomers like The Ramone, The Clash and The Stooges. They brought their unique sound to venues like CBGB and
10332-478: The Machine , the Decemberists and LCD Soundsystem gained number one singles in the United States during the decade, with Vampire Weekend , Florence and the Machine, Arctic Monkeys, Bon Iver , the Killers and the Postal Service gaining platinum selling records. Vampire Weekend's third studio album Modern Vampires of the City (2013) received the Grammy Award for Best Alternative Music Album in 2014, with Consequence writer Tyler Clark stating that in 2019 it
10496-442: The Promise Ring and Cap'n Jazz distanced emo from its hardcore roots and allowed the genre to develop a much more realised scene than its first wave. This style of emo broke into mainstream culture in the early 2000s, with the platinum-selling success of Jimmy Eat World 's Bleed American (2001) and Dashboard Confessional 's The Places You Have Come to Fear the Most (2001). One particularly notable scene during this wave
10660-586: The Ramones", when nothing could have been further from the truth. In Perth , the Cheap Nasties formed in August. In September 1976, the Saints became the first punk rock band outside the U.S. to release a recording, the single " (I'm) Stranded ". The band self-financed, packaged, and distributed the single. "(I'm) Stranded" had limited impact at home, but the British music press recognized it as groundbreaking. A second wave of punk rock emerged in 1977. These bands often sounded very different from each other. While punk remained largely an underground phenomenon in
10824-460: The Ramones' debut album was released by Sire Records ; the first single was " Blitzkrieg Bop ", opening with the rallying cry "Hey! Ho! Let's go!" According to a later description, "Like all cultural watersheds, Ramones was embraced by a discerning few and slagged off as a bad joke by the uncomprehending majority." The Cramps , whose core members were from Sacramento, California and Akron, Ohio , had debuted at CBGB in November 1976, opening for
10988-427: The Replacements releasing albums on majors in the middle of the decade. While these albums did not see the same success as R.E.M., and major labels soon lost interest in the scene, they did have a large impact on younger bands. In the following years, Sonic Youth , Dinosaur Jr. and Unrest began to release music on independent labels indebted to these bands, and soon too picked up the categorisation of indie rock. As
11152-427: The Saints evoked the live sound of the British Pretty Things , who had toured Australia and New Zealand in 1975. The origins of New York's punk rock scene can be traced back to such sources as the late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village , where the New York Dolls performed. In early 1974, a new scene began to develop around
11316-405: The Sex Pistols as central players in a new youth movement, "hard and tough". As described by critic Jon Savage , the band members "embodied an attitude into which McLaren fed a new set of references: late-sixties radical politics, sexual fetish material, pop history, [...] youth sociology". Bernard Rhodes , an associate of McLaren, similarly aimed to make stars of the band London SS , who became
11480-498: The Smiths and R.E.M. . The genre solidified itself during the mid–1980s with NME ' s C86 cassette in the United Kingdom and the underground success of Sonic Youth , Dinosaur Jr. and Unrest in the United States. During the decade, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore , Midwest emo , slacker rock and space rock began. By this time, "indie" had evolved to refer to bands whose music
11644-473: The Smiths. The Madchester movement burgeoned by 1989, with the success of the Happy Mondays second album Bummed and the Stone Roses ' self-titled debut , which became the most influential work in the scene. In the following years, addition high profile acts included the Charlatans , 808 State and the Inspiral Carpets . The Madchester scene's distinct combination of indie rock and dance music became termed indie dance by critics, or more specifically
11808-623: The Specials , the Beat , Madness , and the Selecter . In July, the Sex Pistols' third single, " Pretty Vacant ", reached number six and Australia's the Saints had a top-forty hit with " This Perfect Day ". In September, Generation X and the Clash reached the top forty with, respectively, "Your Generation" and " Complete Control ". X-Ray Spex's " Oh Bondage Up Yours! " did not chart, but it became
11972-454: The T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s. In addition to the T-shirt, and leather jackets they wore ripped jeans and boots, typically Doc Martens . The punk look was inspired to shock people. Richard Hell 's more androgynous, ragamuffin look—and reputed invention of
12136-693: The Teenage Wasteland" in his review of the Stooges July 1972 performance at King's Cross Cinema in London for a British magazine called Cream (no relation to the more famous US publication). In the January 1973 Rolling Stone review of Nuggets , Greg Shaw commented "Punk rock is a fascinating genre... Punk rock at its best is the closest we came in the '60s to the original rockabilly spirit of Rock 'n Roll." In February 1973, Terry Atkinson of
12300-568: The Top 40; however many bands in its twenty-two track runtime also fell into obscurity. In the United States, the popularity of R.E.M. allowed those disliking of hardcore punk 's aggression to become a part of the underground music scene. This empowered an array of musicians, particularly those in what would become the post-hardcore scene as led by the Minutemen . Furthermore, major labels began to pursue underground bands, with both Hüsker Dü and
12464-610: The UK with their first five albums. As of June 2019, AM has spent 300 weeks in the top 100 of the UK Albums Chart . The album also peaked at number one in Australia, Belgium (Flanders), Croatia, Slovenia, Denmark, Ireland, the Netherlands, New Zealand, and Portugal, and reached top ten positions in several other countries. In the United States, the album sold 42,000 copies in its first week, and debuted at number six on
12628-688: The UK. Many of the shows were cancelled by venue owners in response to the media outrage following the Grundy interview. A punk subculture began in Australia around the same time, centered around Radio Birdman and the Oxford Tavern in Sydney's Darlinghurst suburb. By 1976, the Saints were hiring Brisbane local halls to use as venues, or playing in "Club 76", their shared house in the inner suburb of Petrie Terrace . The band soon discovered that musicians were exploring similar paths in other parts of
12792-463: The US top 40 and was nominated for a Grammy Award), Bright Eyes (who in 2004 had two singles at the top of the Billboard magazine Hot 100 Single Sales ) and Death Cab for Cutie (whose 2005 album Plans debuted at number four in the US, remaining on the Billboard charts for nearly one year and achieving platinum status and a Grammy nomination). This new commercial breakthrough and the widespread use of
12956-528: The US, and the Smiths , from the UK, who Matthew Bannister states were the earliest indie rock groups. These bands' influence was showcased quickly seen in the formation of Let's Active , the Housemartins and the La's . By this time, the term "indie rock" had begun to be used to describe the bands who produced music on independent record labels, rather than simply the record labels themselves. This made it
13120-790: The US, in the UK it had become a major sensation. During this period punk music also spread beyond the English speaking world, inspiring local scenes in other countries. The California punk scene was fully developed by early 1977. In Los Angeles, there were: the Weirdos , The Dils , the Zeros , the Bags , Black Randy and the Metrosquad , the Germs , Fear , The Go-Go's , X , the Dickies , and
13284-538: The United Kingdom, NME released the C86 compilation cassette, which consisted of tracks by groups including Primal Scream , the Pastels and the Wedding Present . Intended to showcase the UK's current independent music scene, the album was made up of groups combining elements of jangle pop, post-punk and Phil Spector indebted Walls of Sound . In 2006, Bob Stanley called it "the beginning of indie music". C86 became
13448-694: The White Stripes , the Vines , and the Hives . These groups were christened by parts of the media as the "The" bands, and dubbed "the saviours of rock 'n' roll", prompting Rolling Stone magazine to declare on its September 2002 cover, "Rock is Back!" The success of the Strokes revitalised the then-dying underground post-Britpop scene in the United Kingdom with groups who took the band's influence and experimented with their sound. This first wave of UK acts included Franz Ferdinand , Kasabian , Maxïmo Park ,
13612-577: The Wonder Stuff and Ned's Atomic Dustbin , "grebo" was broadly defined, and was used more as a name for the Stourbridge scene than as a genre label. However, the bands quickly gained attention: Pop Will Eat Itself's 1989 singles " Wise Up! Sucker " and " Can U Dig It? " both entered the UK Top 40 and Stourbridge briefly became a tourist attraction for young indie rock fans. The seminal albums from
13776-452: The Word magazine. A 2020 Vice article cited Johnny Borrell , vocalist of Razorlight , as the "one man who defined, embodied and lived Landfill Indie" due his forming of a "spectacularly middle-of-the-road" band despite his close proximity to the Libertines' "desperate kinetic energy, mythologised love-hate dynamic and vision of a dilapidated Britain animated by romance and narcotics". In
13940-456: The album Echo Park (2001). After the death of their drummer Jon Lee , they moved to a more reflective and introspective mode on Comfort in Sound (2002), their most commercially successful album to that point, which spawned a series of hit singles. The most commercially successful band in the millennium were Coldplay , whose first two albums Parachutes (2000) and A Rush of Blood to
14104-576: The album Radios Appear on its own Trafalgar label. By 1979, the hardcore punk movement was emerging in Southern California . A rivalry developed between adherents of the new sound and the older punk rock crowd. Hardcore, appealing to a younger, more suburban audience, was perceived by some as anti-intellectual, overly violent, and musically limited. In Los Angeles, the opposing factions were often described as "Hollywood punks" and "beach punks", referring to Hollywood's central position in
14268-647: The all-female the Slits . There were female bassists Gaye Advert in the Adverts and Shanne Bradley in the Nipple Erectors , while Sex store frontwoman Jordan not only managed Adam and the Ants but also performed screaming vocals on their song "Lou". Other groups included Subway Sect , Alternative TV , Wire , the Stranglers , Eater and Generation X . Farther afield, Sham 69 began practicing in
14432-435: The bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream audiences. The influences and styles of the artists have been extremely diverse, including punk , psychedelia , post-punk and country . The lo-fi , experimental and art rock sound of the Velvet Underground as well as late '70s punk and post-punk bands such as
14596-415: The basis for punk rock visual style. In April 1974, Patti Smith came to CBGB for the first time to see the band perform. A veteran of independent theater and performance poetry, Smith was developing an intellectual, feminist take on rock 'n' roll. On June 5, she recorded the single " Hey Joe "/" Piss Factory ", featuring Television guitarist Tom Verlaine ; released on her own Mer Records label, it heralded
14760-604: The broader culture it represented, and their musical predecessors: "No Elvis , Beatles or the Rolling Stones in 1977", declared the Clash song "1977". 1976, when the punk revolution began in Britain, became a musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols ' slogan "No Future"; in the later words of one observer, amid
14924-524: The coining of the term "indie" to the 1977 self-publication of the Spiral Scratch EP by Manchester punk rock band the Buzzcocks , on their Ind ependent record label New Hormones . This inspired a DIY punk movement where bands like Swell Maps , 'O' Level , Television Personalities and Desperate Bicycles followed suit in pressing and distributing their own records. Distribution
15088-755: The concept of Cool Britannia and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it. After the decline of Britpop they began to gain more critical and popular attention. The Verve 's album Urban Hymns (1997) was a worldwide hit and their commercial peak before they broke up in 1999, while Radiohead – although having achieved moderate recognition with The Bends in 1995 – achieved near-universal critical acclaim with their experimental third album OK Computer (1997), and its follow-ups Kid A (2000) and Amnesiac (2001). Stereophonics , used elements of
15252-485: The covers of magazines like NME and Melody Maker . Grebo bands were distinct from prior indie rock groups not only because of their broad influences, but their subversion of the twee or unhappy moods of most other bands in the genre, and their pursuit of a heavier sound and aesthetic. The scene came to include the stylistically similar bands of nearby Leicester: the Bomb Party , Gaye Bykers on Acid , Crazyhead ,
15416-435: The developing sound. Club owner Hilly Kristal called the movement "Street rock" ; John Holmstrom credits Aquarian magazine with using punk "to describe what was going on at CBGBs". Holmstrom, Legs McNeil , and Ged Dunn's magazine Punk , which debuted at the end of 1975, was crucial in codifying the term. "It was pretty obvious that the word was getting very popular", Holmstrom later remarked. "We figured we'd take
15580-471: The development of indie rock's sound. According to Audioculture , one of the earliest Dunedin Sound band was Chris Knox 's band the Enemy , which emerged as a post-punk group, whose members also included Alec Bathgate . Although the group was only around for a short time, their shows impressed the teenage musicians that came to see them, including a young Shayne Carter , who went on to form Bored Games ,
15744-445: The distinctive 'protest' element of British-based independent music" Music journalist John Harris has suggested that Britpop began when Blur's fourth single " Popscene " and Suede's debut " The Drowners " were released around the same time in the spring of 1992. He stated, "[I]f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were
15908-645: The dominant sound was a style of indie rock that was heavily indebted to punk and Nirvana's album Bleach album, while also occasionally making use of drum machines . Gigwise writer Steven Kline described the style as "filthy guitars, filthier hair and t-shirts only a mother would wash". Prominent fraggle acts included Senseless Things , Mega City Four and Carter the Unstoppable Sex Machine . Spin writer Charles Aaron described Pavement and Guided by Voices as "the two bands that came to exemplify indie rock in this period, and still define
16072-486: The early Who , the British punks also reflected the influence of glam rock and related artists and bands such as David Bowie , Slade , T.Rex , and Roxy Music . However, Sex Pistols frontman Johnny Rotten (real name John Lydon) insisted that the influences of the UK punk scene were not from the US and NY. "I've heard an awful lot of American journalists pretending that the whole punk influence came out of New York." He argued: "T. Rex, David Bowie, Slade, Mott The Hoople ,
16236-527: The early 1970s to refer to mid-1960s garage acts. In the liner notes of the 1972 anthology LP, Nuggets , musician and rock journalist Lenny Kaye , later a member of the Patti Smith Group, used the term "punk rock" to describe the genre of 1960s garage bands and "garage-punk", to describe a song recorded in 1966 by the Shadows of Knight. Nick Kent referred to Iggy Pop as the "Punk Messiah of
16400-483: The early evening Thames Television London television show Today to be interviewed by host Bill Grundy . When Grundy asked Siouxsie how she was doing, she made fun of him saying, "I've always wanted to meet you, Bill". Grundy who was drunk, told her on the air; "we shall meet afterwards then". This instantly generated a reaction from Sex Pistols guitarist Steve Jones who pronounced a series of terms inappropriate for prime-time television. Jones proceeded to call Grundy
16564-614: The first UK punk single " New Rose " by the Damned In Australia , the Saints had their first punk release outside the US, " (I'm) Stranded ," on their own "Fatal Records" label. This was followed by the Go-Betweens releasing ' Lee Remick ' a few months later. Dunedin produced the independent record label Flying Nun Records , whose artists defined the Dunedin sound , which would be particularly influential on
16728-446: The first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album Suede for the fastest-selling debut album in the UK. Sunny Day Real Estate 's debut album, Diary (1994), began a new wave of the emo genre, by incorporating elements of it into their indie rock sound. Sunny Day Real Estate and other second wave emo bands, including Piebald ,
16892-817: The first to use safety pins, although few of those following punk could afford to buy McLaren and Westwood's designs so famously worn by the Pistols, so they made their own, diversifying the 'look' with various different styles based on these designs. Young women in punk demolished the typical female types in rock of either "coy sex kittens or wronged blues belters" in their fashion. Early female punk musicians displayed styles ranging from Siouxsie Sioux 's bondage gear to Patti Smith 's "straight-from-the-gutter androgyny". The former proved much more influential on female fan styles. Over time, tattoos, piercings , and metal-studded and -spiked accessories became increasingly common elements of punk fashion among both musicians and fans,
17056-477: The first wave (e.g., X , the Adicts ) also flourished. Many musicians who identified with punk or were inspired by it went on to pursue other musical directions, giving rise to movements such as post-punk , new wave , thrash metal , and alternative rock . Following alternative rock's mainstream breakthrough in the 1990s with Nirvana , punk rock saw renewed major-label interest and mainstream appeal exemplified by
17220-498: The following years the Jesus and Mary Chain and Flying Nun Records bands like the Jean-Paul Sartre Experience morphed the genre into a slower, darker and more hypnotic style. The number of college radio stations in the US decreased significantly following NPR 's lobbying against noncommercial station during the 1980s. In turn, the name "college rock" fell into disfavour, soon being replaced by "indie". In
17384-554: The garage phenomenon gathered momentum around the US. By 1965, the harder-edged sound of British acts, such as the Rolling Stones , the Kinks , and the Who , became increasingly influential with American garage bands. The raw sound of U.S. groups such as the Sonics and the Seeds predicted the style of later acts. In the early 1970s some rock critics used the term "punk rock" to refer to
17548-420: The genre and saw record labels use their independent status as a marketing tactic. This led to a split within indie rock: one side conforming to mainstream radio; the other becoming increasingly experimental. By this point, "indie rock" referred to the musical style rather than ties to the independent music scene. In the 2000s, indie rock reentered the mainstream through the garage rock and post-punk revival and
17712-577: The genre as rooted in nostalgia, citing the influence of garage rock and psychedelic rock of the 1960s in progenitors the Stone Roses and the Smiths , in addition to a lyrical preoccupation with literature. In this same vein, Matthew Bannister defined indie rock as "small groups of white men playing guitars, influenced by punks and 1960s white pop/rock, within a broader discourse and practice of (degrees of) independence from mainstream musical values." According to anthropologist Wendy Fonarow ,
17876-501: The genre's earlier anti-establishment politics and instead brought it into the mainstream, with bands like Blur and Pulp even signing to major labels. In her essay Labouring the Point? The Politics of Britain in "New Britain" , politician and academic Rupa Huq states that Britpop "began as an offshoot of the independent British music scene but arguably ended up killing it, as a convergence took place between indie and mainstream, removing
18040-472: The genre, with Bandcamp Daily writer Robert Rubsam, calling them the "fountainhead for all that would come". The first wave of bands in the genre included Red House Painters , Codeine , Bedhead , Ida and Low . The genre originated from around the United States, with no geographic focus, and very little interaction between its artists. A younger subset of grebo bands emerged around 1991, who were in turn labelled "fraggle" bands. During this movement,
18204-574: The grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols' " Anarchy in the U.K. " and " God Save the Queen " openly disparaged the British political system and social mores. Anti-sentimental depictions of relationships and sex are common, as in "Love Comes in Spurts", recorded by the Voidoids . Anomie , variously expressed in
18368-420: The growing popularity of college radio stations, primarily in the United States, who would play independent artists of various genres, including alternative rock , new wave , post-hardcore and post-punk . The bands broadcast on these station became dubbed " college rock " by fans, another term which lacked any stylistic implication. The most prominent college rock bands were jangle pop groups R.E.M. , from
18532-425: The idea of independent record labels , such as Stiff Records , which put out basic, low-cost records. Pub rock bands organized their own small venue tours and put out small pressings of their records. In the early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity
18696-587: The influence of the Strokes and the Libertines . This success was exacerbated in the middle of the decade by Bloc Party , the Arctic Monkeys and the Killers and indie rock proliferated into the landfill indie movement. The term indie rock, which comes from "independent", describes the small and relatively low-budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies, these labels and
18860-523: The job. Adopting a new name, the group played its first gig as the Sex Pistols on November 6, 1975, at Saint Martin's School of Art , and soon attracted a small but dedicated following. In February 1976, the band received its first significant press coverage; guitarist Steve Jones declared that the Sex Pistols were not so much into music as they were "chaos". The band often provoked its crowds into near-riots. Rotten announced to one audience, "Bet you don't hate us as much as we hate you!" McLaren envisioned
19024-467: The kind of "cerebral mix of musical ferocity and rebellious posture" that would characterize much of the later British punk rock of the 1970s. The garage/beat phenomenon extended beyond North America and Britain. In America, the psychedelic rock movement birthed an array of garage bands that would later become influences on punk, the Austin Chronicle described the 13th Floor Elevators as
19188-560: The last 13 years, including a 35-week run peaking at number 49 in 2016–2017. Furthermore, it was the UK's most streamed pre-2010 song, until it was surpassed in late 2018, and continued to be purchased for download hundreds of times a week by 2017. In March 2018, the song reached the milestone of staying in the Top 100 of the UK Singles Chart for 200 weeks. The impact of the Strokes, the Libertines and Bloc Party led to significant major label interest in indie rock artists, which
19352-637: The late 1980s. Defined by its merger of C86 indie rock, dance music and Hedonist rave culture, particularly its emphasis on the use of psychedelic drugs, the scene was centred in Manchester . The scene was based around the Haçienda nightclub, which opened in May 1982 as an initiative of Factory Records . For the first few years of its life, the club played predominantly club-oriented pop music and hosted performances by artists including New Order , Cabaret Voltaire , Culture Club , Thompson Twins and
19516-501: The mainstream. In the late 1970s, punk experienced a second wave, when new acts that had not been active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres, such as hardcore punk (e.g., Minor Threat ), Oi! (e.g., Sham 69 ), street punk (e.g., the Exploited ), and anarcho-punk (e.g., Crass ), became some of the predominant modes of punk rock, while bands more similar in form to
19680-502: The mainstreaming of the North American indie rock ethic and style of the 1980s", going on to explain that a band's status as independent became "As much a marketing device as [indie rock and alternative rock were an] identifiable 'sound'". In the wake of this increased attention, indie rock experienced a split: accessible bands who catered to the now-popular alternative rock radio; and bands who continued to experiment, advancing in
19844-493: The mid-1960s garage genre, as well as for subsequent acts perceived to be in that stylistic tradition, such as the Stooges. In Britain, largely under the influence of the mod movement and beat groups, the Kinks' 1964 hit singles " You Really Got Me " and " All Day and All of the Night ", were both influenced by "Louie, Louie". In 1965, the Who released the mod anthem " My Generation ", which according to John Reed, anticipated
20008-535: The movement: the Vibrators , formed as a pub rock–style act in February 1976, soon adopted a punk look and sound. A few even longer-active bands including Surrey neo-mods the Jam and pub rockers Eddie and the Hot Rods , the Stranglers , and Cock Sparrer also became associated with the punk rock scene. Alongside the musical roots shared with their American counterparts and the calculated confrontationalism of
20172-532: The name before anyone else claimed it. We wanted to get rid of the bullshit, strip it down to rock 'n' roll. We wanted the fun and liveliness back." The early to mid-1960s garage rock bands in the United States and elsewhere are often recognized as punk rock's progenitors. the Kingsmen 's " Louie, Louie " is often cited as punk rock's defining " ur-text ". After the success of the British Invasion ,
20336-454: The new scene he had witnessed at CBGB. The King's Road clothing store he co-owned, recently renamed Sex , was building a reputation with its outrageous "anti-fashion". Among those who frequented the shop were members of a band called the Strand, which McLaren had also been managing. In August, the group was seeking a new lead singer. Another Sex habitué, Johnny Rotten , auditioned for and won
20500-472: The only genre at the time which was defined by the methods by which the music was distributed rather than the sound of said music. Journalist Steve Taylor also cited the bands involved in the Paisley Underground scene as early indie groups. However, this jangly style became increasingly mainstream as the decade progressed leading subsequent indie rock bands to abandon this style. Instead, in
20664-490: The poetic terms of Richard Hell's " Blank Generation " and the bluntness of the Ramones' " Now I Wanna Sniff Some Glue ", is a common theme. The controversial content of punk lyrics has frequently led to certain punk records being banned by radio stations and refused shelf space in major chain stores. Christgau said that "Punk is so tied up with the disillusions of growing up that punks do often age poorly." The classic punk rock look among male American musicians harkens back to
20828-535: The public perception of "rock music" was based in post-grunge , nu metal and rap rock , putting their throwback style of garage rock as a stark contrast to the mainstream. The band's immediate influence allowed fellow classic rock influenced New York bands like the Yeah Yeah Yeahs , Interpol and TV on the Radio to gain mainstream attention. The Strokes were accompanied in this commercial breakthrough by
20992-551: The punk scene matured, he observes, eventually "everyone got called a poseur". Cultural scholars and music journalists have often attributed ‘true’ punk rock as a movement and cultural fad confined to western world in the 1970’s and 1980’s. The early punk bands emulated the minimal musical arrangements of 1960s garage rock . Typical punk rock instrumentation is stripped down to one or two guitars, bass, drums and vocals. Songs tend to be shorter than those of other rock genres and played at fast tempos. Most early punk rock songs retained
21156-419: The quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of the Minutemen and Firehose —emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, making fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation
21320-525: The records and radio airplay was hard to come by. Press coverage of punk misbehavior grew intense: On January 4, 1977, The Evening News of London ran a front-page story on how the Sex Pistols "vomited and spat their way to an Amsterdam flight". In February 1977, the first album by a British punk band appeared: Damned Damned Damned (by the Damned) reached number thirty-six on the UK chart. The EP Spiral Scratch , self-released by Manchester's Buzzcocks ,
21484-787: The relocated Tupperwares, now dubbed the Screamers . Black Flag formed in Hermosa Beach in 1976 under the name Panic. They developed a hardcore punk sound and played their debut public performance in a garage in Redondo Beach in December 1977. San Francisco's second wave included the Avengers , The Nuns , Negative Trend , the Mutants , and the Sleepers. By mid-1977 in downtown New York, bands such as Teenage Jesus and
21648-626: The rise of the California bands Green Day , Social Distortion , Rancid , the Offspring , Bad Religion , and NOFX . The anti-government stance and nihilistic impression of the future provided by capitalism united the punk scene in the 1970’s in the United Kingdom as other bands emerged in the 70’s and 80’s like X-Ray Spex and Steel Pulse. The first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone , "In its initial form,
21812-539: The rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." According to Robert Christgau , punk "scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Hippies were rainbow extremists; punks are romantics of black-and-white. Hippies forced warmth; punks cultivate cool . Hippies kidded themselves about free love ; punks pretend that s&m
21976-590: The scene were released between 1989 and 1993: the Wonder Stuff's Hup and Never Loved Elvis ; Ned's Atomic Dustbin's God Fodder and Are You Normal? ; and Pop Will Eat Itself's This Is the Day...This Is the Hour...This Is This! and The Looks or the Lifestyle? . In this period, the scene's bands became fixtures, sometimes headliners, at Reading Festival , sold millions of albums and were frequently featured on
22140-595: The scene's DIY ethic and has often been cited as the first punk rock record. By August, Smith and Television were gigging together at Max's Kansas City . In Forest Hills, Queens , the Ramones drew on sources ranging from the Stooges to the Beatles and the Beach Boys to Herman's Hermits and 1960s girl groups, and condensed rock 'n' roll to its primal level: " '1–2–3–4!' bass-player Dee Dee Ramone shouted at
22304-409: The scene: Richard Hell and the Voidoids' first full-length, Blank Generation , and the Heartbreakers' L.A.M.F. One track on the latter exemplified both the scene's close-knit character and the popularity of heroin within it: " Chinese Rocks " — the title refers to a strong form of the drug – was written by Dee Dee Ramone and Hell, both users, as were the Heartbreakers' Thunders and Nolan. (During
22468-471: The second wave that presaged the post-punk phenomenon. Liverpool's first punk group, Big in Japan , moved in a glam, theatrical direction. The band did not survive long, but it spun off several well-known post-punk acts. The songs of London's Wire were characterized by sophisticated lyrics, minimalist arrangements, and extreme brevity. Alongside thirteen original songs that would define classic punk rock,
22632-411: The southeastern town of Hersham . In Durham , there was Penetration , with lead singer Pauline Murray . On September 20–21, the 100 Club Punk Festival in London featured the Sex Pistols, Clash, Damned, and Buzzcocks, as well as Paris's female-lead Stinky Toys . Siouxsie and the Banshees and Subway Sect debuted on the festival's first night. On the festival's second night, audience member Sid Vicious
22796-482: The start of every song as if the group could barely master the rudiments of rhythm." The band played its first show at CBGB in August 1974. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. "When I first saw the Ramones", critic Mary Harron later remembered, "I couldn't believe people were doing this. The dumb brattiness." That spring, Smith and Television shared
22960-466: The subgenre baggy . Madchester and baggy's most infamous moment was the 27 May 1990 Spike Island concert headlined by the Stone Roses. With an attendance of around 28,000 and lasting twelve hours, it was the first event of its size and kind to be hosted by an independent act. In Stourbridge , a scene of indie bands who took influence from electronic , punk, folk and hip-hop music emerged, dubbed grebo by critics. Fronted by Pop Will Eat Itself ,
23124-451: The term in many people's minds". Both bands made use of a Lo-fi production style which romanticised their D.I.Y. ethos. Pavement's 1992 album Slanted and Enchanted , was one of the defining albums of the slacker rock subgenre. Rolling Stone called the album "the quintessential indie rock album", placing it on the magazine's list of the 500 greatest albums of all time . In the North Carolina Research Triangle , an indie rock scene
23288-417: The term in the May 1971 issue of Creem , where he described ? and the Mysterians as giving a "landmark exposition of punk rock". Later in 1971, in his fanzine Who Put the Bomp , Greg Shaw wrote about "what I have chosen to call "punkrock" bands—white teenage hard rock of '64–66 ( Standells , Kingsmen, Shadows of Knight , etc.)". Lester Bangs used the term "punk rock" in several articles written in
23452-458: The term indie to other forms of popular culture, led a number of commentators to suggest that indie rock had ceased to be a meaningful term. Additionally, a second wave of bands emerged in the United States that managed to gain international recognition as a result of the movement included the Black Keys , Kings of Leon , the Shins , the Bravery , Spoon , the Hold Steady , and the National . The most commercially successful band of this wave
23616-438: The term was originally used to describe rock music released through independent record labels , by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills , Sneaky Feelings , Tall Dwarfs , the Clean and the Verlaines , and early 1980s college rock radio stations who would frequently play jangle pop bands like
23780-559: The underground. According to AllMusic , it was during this split that "indie rock" solidified itself as a term for the style of music played by these underground artists, while the mainstream indie rock-influenced bands became termed alternative rock. Slowcore developed in the United States as a direct counterpoint to the rapid growth of grunge. Although loosely defined, slowcore generally includes slow tempos, minimalist instrumentals and sad lyrics. Galaxie 500 , particularly their second album On Fire (1989), were heavy influences on
23944-453: The unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation " was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass , who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock
24108-435: The world. Ed Kuepper , co-founder of the Saints, later recalled: One thing I remember having had a really depressing effect on me was the first Ramones album. When I heard it [in 1976], I mean it was a great record [...] but I hated it because I knew we'd been doing this sort of stuff for years. There was even a chord progression on that album that we used [...] and I thought, "Fuck. We're going to be labeled as influenced by
24272-401: Was Las Vegas' the Killers . Formed in 2001, after hearing Is This It , the band scrapped the majority of their prior material to rewrite it under the Strokes' influence. The band's debut single " Mr. Brightside " spent 260 non-consecutive weeks, or five years, on the UK Singles Chart as of April 2021, the most out of any song, and As of 2017 , it had charted on the UK Singles Chart in 11 of
24436-487: Was Sheffield's Arctic Monkeys . One of the earliest groups to owe their initial commercial success to the use of Internet social networking , the Arctic Monkeys had two No. 1 singles, and their album Whatever People Say I Am, That's What I'm Not (2006) became the fastest-selling debut album in British chart history. In this success, legacy indie bands soon entered the mainstream, including Modest Mouse (whose 2004 album Good News for People Who Love Bad News reached
24600-421: Was a benchmark for both the DIY ethic and regionalism in the country's punk movement. The Clash 's self-titled debut album came out two months later and rose to number twelve; the single " White Riot " entered the top forty. In May, the Sex Pistols achieved new heights of controversy (and number two on the singles chart) with " God Save the Queen ". The band had recently acquired a new bassist, Sid Vicious , who
24764-455: Was arrested for having thrown a glass at the Damned that shattered and destroyed a girl's eye. Press coverage of the incident reinforced punk's reputation as a social menace. Some new bands, such as London's Ultravox !, Edinburgh's Rezillos , Manchester's the Fall, and Leamington 's the Shapes , identified with the scene even as they pursued more experimental music. Others of a comparatively traditional rock 'n' roll bent were also swept up by
24928-446: Was being spearheaded by groups enfranched Merge Records like Superchunk , Archers of Loaf and Polvo . describing a growing scene of indie-rock bands who were influenced by hardcore punk and post-punk. At the time, publications such as Entertainment Weekly took to calling the college town of Chapel Hill the "next Seattle". Superchunk's single " Slack Motherfucker " has also been credited by Columbia magazine with popularizing
25092-457: Was further improved with the establishment of 'The Cartel', an association of companies like Red Rhino and Rough Trade Records who would take the releases from these small labels and get them into record shops nationwide. Independent record labels would also be integral to the early years of punk rock musical distribution, as seen with Beserkley Records in the US, who put out The Modern Lovers debut album, and Stiff Records who released
25256-414: Was largely devoted to discussion of 1960s garage and psychedelic acts. In May 1974, Los Angeles Times critic Robert Hilburn reviewed the second New York Dolls album, Too Much Too Soon . "I told ya the New York Dolls were the real thing," he wrote, describing the album as "perhaps the best example of raw, thumb-your-nose-at-the-world, punk rock since the Rolling Stones ' Exile on Main Street ." In
25420-447: Was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very many skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band". British punk rejected contemporary mainstream rock,
25584-406: Was pioneered by My Bloody Valentine on their early EPs and debut album Isn't Anything . The band's style influenced a wave of bands in London and the Thames Valley area including Chapterhouse , Moose and Lush . This scene was collectively termed "the Scene That Celebrates Itself" by Melody Maker's Steve Sutherland in 1990. Madchester was another style and scene that originated in
25748-464: Was published: The Boy Looked at Johnny , by Julie Burchill and Tony Parsons . In February 1977, EMI released the Saints ' debut album, (I'm) Stranded , which the band recorded in two days. The Saints had relocated to Sydney; in April, they and Radio Birdman united for a major gig at Paddington Town Hall . Last Words had also formed in the city. The following month, the Saints relocated again, to Great Britain. In June, Radio Birdman released
25912-448: Was released on independent record labels, in addition to the record labels themselves. As the decade progressed many individual local scenes developed their own distinct takes on the genre: baggy in Manchester ; grebo in Stourbridge and Leicester ; and shoegaze in London and the Thames Valley . During the 1990s, the mainstream success of grunge and Britpop , two movements influenced by indie rock, brought increased attention to
26076-457: Was seen as exemplifying the punk persona. The swearing during the Grundy interview and the controversy over "God Save the Queen" led to a moral panic . Scores of new punk groups formed around the United Kingdom, as far from London as Belfast 's Stiff Little Fingers and Dunfermline , Scotland's the Skids . Though most survived only briefly, perhaps recording a small-label single or two, others set off new trends. Crass , from Essex , merged
26240-448: Was still "an indie rock standard bearer in the wider world of music". Arctic Monkeys' fifth album AM (2013) was one of the biggest indie rock albums of the decade, charting at number one on the UK Albums Chart , having sold 157,329 copies, thus becoming the second fastest-selling album of the year. With the debut of AM on the chart, Arctic Monkeys also broke a record, becoming the first independent-label band to debut at number one in
26404-458: Was the Midwest emo bands of the latter half of the decade, who incorporated the jangly guitar tones of earlier indie rock and elements of math rock to create the distinctive style of groups like American Football . The popularity of emo, also allowed a number of "not-quite-indie-not-quite-emo" bands like Death Cab For Cutie , Modest Mouse and Karate to gain significant attention. The loosely defined Elephant 6 collective – which included
26568-401: Was the first person to use the word " motherfucker " in a song title and also directly influenced the Clash . In August 1969, the Stooges , from Ann Arbor , premiered with a self-titled album . According to critic Greil Marcus , the band, led by singer Iggy Pop , created "the sound of Chuck Berry 's Airmobile —after thieves stripped it for parts". The album was produced by John Cale ,
26732-435: Was then exacerbated by the success of the Arctic Monkeys. In the years following Whatever People Say I Am, That's What I'm Not there was a proliferation of bands such as the Rifles , the Pigeon Detectives and Milburn , who created a more formulaic derivative of the earlier acts. By the end of the decade, critics had taken to referring to this wave of acts as "landfill indie", a description coined by Andrew Harrison of
26896-435: Was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. Between 1974 and 1976, when the genre that became known as punk was developing, prominent acts included Television , Patti Smith , and the Ramones in New York City; the Saints in Brisbane ; the Sex Pistols , the Clash , and the Damned in London, and the Buzzcocks in Manchester. By late 1976, punk had become
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