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Walters Art Museum

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Olbia ( Italian pronunciation: [ˈɔlbja] , locally [ˈolbja] ; Sardinian : Terranoa ; Gallurese : Tarranoa ) is a city and commune of 60,346 inhabitants (May 2018) in the Italian insular province of Sassari in northeastern Sardinia , Italy, in the historical region of Gallura . Called Olbia in the Roman age, Civita in the Middle Ages ( Judicates period) and the Terranova Pausania until the 1940s, Olbia has again been the official name of the city since the fascist period .

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79-462: The Walters Art Museum is a public art museum located in the Mount Vernon neighborhood of Baltimore , Maryland . Founded and opened in 1934, it holds collections from the mid-19th century that were amassed substantially by major American art and sculpture collectors, including William Thompson Walters and his son Henry Walters . William Walters began collecting when he moved to Paris as

158-514: A Creative Commons license , and collaborated in their upload to the world-wide web and the Internet on Wikimedia Commons . This was one of the largest and most comprehensive such releases made by any museum. The Walters' collection of ancient art includes examples from Egypt , Nubia , Greece , Rome , Etruria and the Near East . Highlights include two monumental 3,000-pound statues of

237-470: A sword , could be hired from shops outside. The treasuries of cathedrals and large churches, or parts of them, were often set out for public display and veneration. Many of the grander English country houses could be toured by the respectable for a tip to the housekeeper, during the long periods when the family were not in residence. Special arrangements were made to allow the public to see many royal or private collections placed in galleries, as with most of

316-567: A 17th-century Turkish tile with an image of the Masjid al-Haram ("Great Mosque of Mecca") , the center of Islam in Mecca , (modern Saudi Arabia ). The Walters Museum owns an array of Islamic manuscripts. These include a 15th-century Koran from northern India , written at the height of the Timurid Empire; a 16th-century copy of the " Khamsa of Nizami by Amir Khusraw , illustrated by

395-537: A bequest. The Kunstmuseum Basel , through its lineage which extends back to the Amerbach Cabinet , which included a collection of works by Hans Holbein the Younger and purchased by the city of Basel in 1661, is considered to be the first museum of art open to the public in the world. In the second half of the 18th century, many private collections of art were opened to the public, and during and after

474-449: A collaboration of museums and galleries that are more interested with the categorization of art. They are interested in the potential use of folksonomy within museums and the requirements for post-processing of terms that have been gathered, both to test their utility and to deploy them in useful ways. The steve.museum is one example of a site that is experimenting with this collaborative philosophy. The participating institutions include

553-553: A keen interest in contemporary European painting. He either commissioned directly from the artists or purchased at auctions such major works by the Barbizon masters, including Jean-François Millet and Henri Rousseau ; the academic masters Jean-Léon Gérôme and Lawrence Alma-Tadema ; and even the modernists Monet , Manet and Sisley . Henry Walters' original gallery was designed by architect William Adams Delano and erected between 1904 and 1909, facing South Washington Place (at

632-433: A major factor in social mobility (for example, getting a higher-paid, higher-status job). The argument states that certain art museums are aimed at perpetuating aristocratic and upper class ideals of taste and excludes segments of society without the social opportunities to develop such interest. The fine arts thus perpetuate social inequality by creating divisions between different social groups. This argument also ties in with

711-524: A nominal Confederate loyalist at the outbreak of the American Civil War in 1861, and Henry Walters refined the collection and made arrangements for the construction what ultimately was Walters Art Museum. Admission to the museum is free. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place mansion during

790-521: A number of famous artists for the Emperor Akbar ; and a Turkish calligraphy album by Sheikh Hamadullah Al-Amasi , one of the greatest calligraphers of all time. Walters Art Museum, MS W.613 contains five Mughal miniatures from an important " Khamsa of Nizami " made for the Emperor Akbar ; the rest are in London , Great Britain . Henry Walters assembled a collection of art produced during

869-402: A number of online art catalogues and galleries that have been developed independently of the support of any individual museum. Many of these, like American Art Gallery, are attempts to develop galleries of artwork that are encyclopedic or historical in focus, while others are commercial efforts to sell the work of contemporary artists. A limited number of such sites have independent importance in

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948-526: A referendum seven years later. Olbia is a tourist destination thanks to its sea and beaches and also for the large number of places of cultural interest to visit. Olbia has a Mediterranean climate ( Csa ), with mild winters, warm springs and autumns and hot summers. Olbia Calcio 1905 represents Olbia in Serie C , the third division of Italian football . Olbia hosted several legs of Aquabike World Championship (powerboating) in 2003, 2004, 2018, 2019. Olbia

1027-533: Is a late-12th- or early-13th-century Cambodian bronze of the eight-armed Avalokiteshvara , a Tang dynasty earthenware camel, and an intricately painted Ming dynasty wine jar. The museum owns the oldest surviving Chinese wood-and-lacquer image of the Buddha (late 6th century AD). It is exhibited in a gallery dedicated solely to this work. The museum holds one of the largest and finest collections of Thai ( Siam / Thailand ) bronze, scrolls, and banner paintings in

1106-679: Is a list of selected works from the museum collection. Art museum An art museum or art gallery is a building or space for the display of art , usually from the museum 's own collection . It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with visual art , art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts , music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. An institution dedicated to

1185-437: Is also providing a café, an enlarged museum and gift store and a reference library. The ancient , Byzantine , medieval , Ethiopian , and 19th-century European collections are housed in this building, with its large display walls and irregular corridors and galleries. Also here is the museum's famed art conservation laboratory, which is one of the oldest in the country. This Greek Revival style townhouse/mansion, one of

1264-695: Is generally considered to have been the first art museum in the United States. It was originally housed in the Renwick Gallery , built in 1859. Now a part of the Smithsonian Institution , the Renwick housed William Wilson Corcoran 's collection of American and European art. The building was designed by James Renwick Jr. and finally completed in 1874. It is located at 1661 Pennsylvania Avenue NW. Renwick designed it after

1343-518: Is one of the main connections between Sardinia and the Italian peninsula, with an airport ( Olbia – Costa Smeralda ), a passenger port (Olbia-Isola Bianca), and a railway from Olbia railway station to Porto Torres , Golfo Aranci and Cagliari . There is an expressway to Nuoro and Cagliari (SS131) and national roads to Sassari (SS199-E840), Tempio Pausania (SS127) and Palau (SS125). The internal city public transport and bus connections with

1422-559: Is provided by a dedicated print room located within the museum. Murals or mosaics often remain where they have been created ( in situ ), although many have also been removed to galleries. Various forms of 20th-century art, such as land art and performance art , also usually exist outside a gallery. Photographic records of these kinds of art are often shown in galleries, however. Most museums and large art galleries own more works than they have room to display. The rest are held in reserve collections , on or off-site. A sculpture garden

1501-557: Is similar to an art gallery, presenting sculpture in an outdoor space. Sculpture has grown in popularity with sculptures installed in open spaces on both a permanent and temporary basis. Most larger paintings from about 1530 onwards were designed to be seen either in churches or palaces, and many buildings built as palaces now function successfully as art museums. By the 18th century additions to palaces and country houses were sometimes intended specifically as galleries for viewing art, and designed with that in mind. The architectural form of

1580-502: Is to shape identity and memory, cultural heritage, distilled narratives and treasured stories. Many art museums throughout history have been designed with a cultural purpose or been subject to political intervention. In particular, national art galleries have been thought to incite feelings of nationalism . This has occurred in both democratic and non-democratic countries, although authoritarian regimes have historically exercised more control over administration of art museums. Ludwig Justi

1659-768: The Alte Pinakothek , Munich) was opened to the public in 1779 and the Medici collection in Florence around 1789 (as the Uffizi Gallery). The opening of the Musée du Louvre during the French Revolution in 1793 as a public museum for much of the former French royal collection marked an important stage in the development of public access to art by transferring the ownership to a republican state; but it

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1738-524: The Diocese of Tempio–Ampurias (also integrating the Diocese of Ampurias , which was in personal union with the see of Civita from 1506). It is the economic centre of this part of the island (commercial centres, food industry) and is very close to the Costa Smeralda tourist area. It was one of the administrative capitals of the province of Olbia-Tempio , operative since 2005 and canceled after

1817-670: The First Punic War , the Romans fought against the Carthaginians and the Sardinians near Olbia, where the general Hanno died in battle. From 1113 it was the episcopal see of the Diocese of Cività (succeeding to the Diocese of Gallura , the 1070 restoration of the Diocese of Fausania , c. 500–750), which was renamed in 1839 as Diocese of Civita–Tempio until its formal suppression in favor of (in fact merger into)

1896-649: The French Revolution and Napoleonic Wars , many royal collections were nationalized, even where the monarchy remained in place, as in Spain and Bavaria . In 1753, the British Museum was established and the Old Royal Library collection of manuscripts was donated to it for public viewing. In 1777, a proposal to the British government was put forward by MP John Wilkes to buy the art collection of

1975-772: The Guggenheim Museum in New York City by Frank Lloyd Wright , the Guggenheim Museum Bilbao by Frank Gehry , Centre Pompidou-Metz by Shigeru Ban , and the redesign of the San Francisco Museum of Modern Art by Mario Botta . Some critics argue these galleries defeat their purposes because their dramatic interior spaces distract the eye from the paintings they are supposed to exhibit. Museums are more than just mere 'fixed structures designed to house collections.' Their purpose

2054-579: The Guggenheim Museum , the Cleveland Museum of Art , the Metropolitan Museum of Art , and the San Francisco Museum of Modern Art . There are relatively few local/regional/national organizations dedicated specifically to art museums. Most art museums are associated with local/regional/national organizations for the arts , humanities or museums in general. Many of these organizations are listed as follows: Olbia Although

2133-551: The Late Medieval period onwards, areas in royal palaces, castles , and large country houses of the social elite were often made partially accessible to sections of the public, where art collections could be viewed. At the Palace of Versailles , entrance was restricted to people of certain social classes who were required to wear the proper apparel, which typically included the appropriate accessories, silver shoe buckles and

2212-575: The Mesoamerican Olmec , Aztec , and Maya cultures, as well as the Moche and Inca peoples of South America . Highlights of the Asian art collection assembled earlier by Baltimorean father and son collectors William T. and Henry Walters include Japanese arms and armor, and Chinese and Japanese porcelains, lacquers, and metalwork. Among the museum's outstanding works of Asian art

2291-540: The National Museum of Western Art in Tokyo . The phrase "art gallery" is also sometimes used to describe businesses which display art for sale, but these are not art museums. Throughout history, large and expensive works of art have generally been commissioned by religious institutions or political leaders and been displayed in temples, churches, and palaces . Although these collections of art were not open to

2370-736: The Palazzo dell'Università ) built by the Balbi family for the Jesuits in Genoa . The arts of the Renaissance and Baroque periods, French decorative arts of the 18th and 19th centuries, and manuscripts and rare books are now exhibited in this palazzo-style structure. Designed by the Boston firm of Shepley, Bulfinch, Richardson & Abbott , in the "Brutalist" poured-concrete style prevailing in

2449-624: The Papacy , while the Vatican Museums , whose collections are still owned by the Pope, trace their foundation to 1506, when the recently discovered Laocoön and His Sons was put on public display. A series of museums on different subjects were opened over subsequent centuries, and many of the buildings of the Vatican were purpose-built as galleries. An early royal treasury opened to the public

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2528-559: The Sèvres pot-pourri vase in the shape of a ship from the 1750s and 1760s. William and Henry Walters collected works by late-19th-century French academic masters and Impressionists . Highlights of the collection include Odalisque with Slave by Ingres (a second version); Claude Monet 's Springtime ; Alfred Sisley 's panoramic view of the Seine Valley; and Édouard Manet 's realist masterpiece, The Café Concert . Henry Walters

2607-553: The mystification of fine arts . Research suggests that the context in which an artwork is being presented has significant influence on its reception by the audience, and viewers shown artworks in a museum rated them more highly than when displayed in a "laboratory" setting Most art museums have only limited online collections, but a few museums, as well as some libraries and government agencies, have developed substantial online catalogues. Museums, libraries, and government agencies with substantial online collections include: There are

2686-404: The 1960s, (one of the few others in the region of this extremely modernistic style in the city – such as the recently razed Morris A. Mechanic Theatre in downtown Charles Center on the southwest corner of Charles and Baltimore Streets from 1967), this annex building (which has several horizontal lines paralleled with features in the 1909 structure) to the west along West Centre Street and rear of

2765-401: The 1970s, a number of political theorists and social commentators have pointed to the political implications of art museums and social relations. Pierre Bourdieu , for instance, argued that in spite the apparent freedom of choice in the arts, people's artistic preferences (such as classical music, rock, traditional music) strongly tie in with their social position. So called cultural capital is

2844-948: The Baptist , Heemskerck 's Panorama with the Abduction of Helen Amidst the Wonders of the Ancient World , Giambattista Pittoni 's Sacrifice of Polyxena , the Madonna of the Candelabra , from the studio of Raphael , Veronese 's Portrait Of Countess Livia da Porto Thiene and her Daughter Porzia , El Greco 's Saint Francis Receiving the Stigmata , Bernini 's " bozzetto " of Risen Christ , Tiepolo 's Scipio Africanus Freeing Massiva , and The Ideal City attributed to Fra Carnevale . The museum has one of ten surviving examples of

2923-756: The Egyptian lion-headed fire goddess Sekhmet on long-term loan from the British Museum; the Walters Mummy; alabaster reliefs from the palace of Ashurnasirpal II ; Greek gold jewelry, including the Greek bracelets from Olbia on the shores of the Black Sea ; the Praxitelean Satyr; a large assemblage of Roman portrait heads; a Roman bronze banquet couch, and marble sarcophagi from

3002-634: The House of Fabergé , including two Russian Imperial Easter eggs, and precious jewels by Tiffany and Co. of New York City . The Walters' collection presents an overview of 19th-century European art, particularly art from France . From the first half of the century come major paintings by Ingres, Géricault , and Delacroix . William Walters stayed in Paris with his family during the Civil War , because of his notorious Southern-leanings, and he soon developed

3081-602: The Louvre's Tuileries addition. At the time of its construction, it was known as "the American Louvre". University art museums and galleries constitute collections of art developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in the West and East, making it a global practice. Although easily overlooked, there are over 700 university art museums in

3160-684: The Marxist theory of mystification and elite culture . Furthermore, certain art galleries, such as the National Gallery in London and the Louvre in Paris are situated in buildings of considerable emotional impact. The Louvre in Paris is for instance located in the former Royal Castle of the ancient regime , and is thus clearly designed with a political agenda. It has been argued that such buildings create feelings of subjugation and adds to

3239-682: The Middle Ages in all the major artistic media of the period. This forms the basis of the Walters' medieval collection, for which the museum is best known internationally. Considered one of the best collections of medieval art in the United States, the museum's holdings include examples of metalwork, sculpture, stained glass, textiles, icons, and other paintings. The collection is especially renowned for its ivories, enamels, reliquaries , early Byzantine silver, post-Byzantine art, illuminated manuscripts , Georgian illuminated Gospel manuscript, and

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3318-536: The US alone. This number, compared to other kinds of art museums, makes university art museums perhaps the largest category of art museums in the country. While the first of these collections can be traced to learning collections developed in art academies in Western Europe, they are now associated with and housed in centers of higher education of all types. The word gallery being originally an architectural term,

3397-621: The Walters: Tommaso da Modena , Pietro Lorenzetti , Andrea di Bartolo ( Resurrection ), Alberto Sotio , Bartolomeo di Tommaso ( Death of Saint Francis ), Naddo Ceccarelli , Master of Saint Verdiana , Niccolo di Segna ( Saint Lucy ), Orcagna , Olivuccio di Ciccarello , Master of Panzano Triptych and Giovanni del Biondo . The collection of European Renaissance and Baroque art features holdings of paintings, sculpture, furniture, ceramics, metal work, arms and armor. The highlights include Hugo van der Goes ' Donor with Saint John

3476-433: The active lending-out of a museum's collected objects in order to enhance education at schools and to aid in the cultural development of individual members of the community. Finally, Dana saw branch museums throughout a city as a good method of making sure that every citizen has access to its benefits. Dana's view of the ideal museum sought to invest a wider variety of people in it, and was self-consciously not elitist. Since

3555-588: The advance of a wall-to-wall unionization effort. In October 2021, when directed by the Baltimore City Council and Comptroller Bill Henry to meet with employees and allow a vote on unionization, Marciari-Alexander refused, claiming that meeting with her employees constitutes interference. It was later stated that if the unionization effort was successful, workers would be represented by AFSCME Council 67, which would also represent workers at Baltimore Museum of Art and Enoch Pratt Free Library . This

3634-418: The art world. The large auction houses, such as Sotheby's , Bonhams , and Christie's , maintain large online databases of art which they have auctioned or are auctioning. Bridgeman Art Library serves as a central source of reproductions of artwork, with access limited to museums, art dealers , and other professionals or professional organizations. There are also online galleries that have been developed by

3713-612: The display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are considered art galleries, such as the National Gallery in London and Neue Nationalgalerie in Berlin , and some of which are considered museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and

3792-695: The display rooms in museums are often called public galleries . Also frequently, a series of rooms dedicated to specific historic periods (e.g. Ancient Egypt ) or other significant themed groupings of works (e.g. the gypsotheque or collection of plaster casts as in the Ashmolean Museum ) within a museum with a more varied collection are referred to as specific galleries, e.g. Egyptian Gallery or Cast Gallery . Works on paper, such as drawings , pastels , watercolors , prints , and photographs are typically not permanently displayed for reasons of conservation . Instead, public access to these materials

3871-827: The downtown business district and northeast of Cathedral Hill. Upon his 1931 death, Henry Walters bequeathed the entire collection of then more than 22,000 works, the original Charles Street Gallery building, and his adjacent townhouse/mansion just across the alley to the north on West Mount Vernon Place to the City of Baltimore, "for the benefit of the public". The collection includes masterworks of ancient Egypt , Greek sculpture and Roman sarcophagi, medieval ivories, illuminated manuscripts, Renaissance bronzes, Old Master European and 19th-century paintings, Chinese ceramics and bronzes, Art Deco jewelry, and ancient Near East, Mesopotamian , or ancient Middle East items. Dorothy Miner became its first Keeper of Manuscripts in 1934 and held

3950-704: The entire building solely intended to be an art gallery was arguably established by Sir John Soane with his design for the Dulwich Picture Gallery in 1817. This established the gallery as a series of interconnected rooms with largely uninterrupted wall spaces for hanging pictures and indirect lighting from skylights or roof lanterns . The late 19th century saw a boom in the building of public art galleries in Europe and America, becoming an essential cultural feature of larger cities. More art galleries rose up alongside museums and public libraries as part of

4029-491: The founder of the Newark Museum , saw the traditional art museum as a useless public institution, one that focused more on fashion and conformity rather than education and uplift. Indeed, Dana's ideal museum would be one best suited for active and vigorous use by the average citizen, located near the center of their daily movement. In addition, Dana's conception of the perfect museum included a wider variety of objects than

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4108-424: The general public, they were often made available for viewing for a section of the public. In classical times , religious institutions began to function as an early form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects, such as Julius Caesar , often donated their collections to temples. It is unclear how easy it was in practice for the public to view these items. In Europe, from

4187-543: The house has been known as the Thomas-Jencks-Gladding Mansion ). Considered in its premiere landmark municipal location to be used for Baltimore City's Official Mayor's Residence (similar to other major American cities mayor's mansions such as Gracie Mansion in a river-front park on New York City 's east side of Manhattan , facing the East River ), when it was briefly acquired by the city in

4266-415: The largest and finest collection of Ethiopian Orthodox Church art outside Ethiopia. The Walters' medieval collection features unique objects such as the Byzantine agate Rubens Vase that belonged to the painter Rubens (accession no. 42.562) and the earliest-surviving image of the "Virgin of Tenderness", an ivory carving produced in Egypt in the 6th or 7th century (accession no. 71.297). Sculpted heads from

4345-447: The late 1800s, Henry Walters arranged for an elaborate stone palazzo -styled structure to be built for this purpose in 1905–1909, located a block south of the Walters mansion on West Monument Street/Mount Vernon Place, on the northwest corner of North Charles Street at West Centre Street. The mansion and gallery were also just south and west of the landmark Washington Monument in the Mount Vernon-Belvedere neighborhood, just north of

4424-430: The late 1950s and then being considered to be razed for an unfortunately poorly-conceived and planned northern expansion of the Gallery engendered local preservationists' protests before being finally re-sold to the Gladding family of a well-known public-spirited local Chevrolet auto dealership, who promised to restore and preserve the noted mansion. Among the original owning family of the Thomas's distinguished guests of

4503-463: The late Sir Robert Walpole , who had amassed one of the greatest such collections in Europe , and house it in a specially built wing of the British Museum for public viewing. After much debate, the idea was eventually abandoned due to the great expense, and twenty years later, the collection was bought by Tsaritsa Catherine the Great of Russia and housed in the State Hermitage Museum in Saint Petersburg . The Bavarian royal collection (now in

4582-427: The medieval collection are also frequently included in special touring exhibitions, such as Treasures of Heaven , an exhibition about relics and reliquaries that was on view at the Cleveland Museum of Art in ( Cleveland, Ohio ), the Walters Art Museum, and the British Museum in London in 2010–11. Works in the medieval collection are the subject of active research by the curatorial and conservation departments of

4661-416: The mid-19th century were the Prince of Wales (eldest son of Queen Victoria ), the future King Edward VII (reigned 1901–1910); and General Lajos Kossuth (1802–1894), the then famous Hungarian freedom fighter, president of an early, brief Hungarian republic, veteran of the European Revolutions of 1847–1848 and the "Father of modern Hungary ". Since the mid-1980s when, the Thomas-Jencks-Gladding Mansion

4740-461: The monarch, and the first purpose-built national art galleries were the Dulwich Picture Gallery , founded in 1814 and the National Gallery, London opened to the public a decade later in 1824. Similarly, the National Gallery in Prague was not formed by opening an existing royal or princely art collection to the public, but was created from scratch as a joint project of some Czech aristocrats in 1796. The Corcoran Gallery of Art in Washington, D.C.

4819-402: The most elaborate in the city, was designed by famed local architect John Rudolph Niernsee (1814–1885), and erected between 1848 and 1850 for John Hanson Thomas, was long regarded as the most "elegant" house along Mount Vernon Place or Washington Place. It sits on the southwest corner of the circle surrounding the Washington Monument and was later owned by the families Jencks and Gladding (and

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4898-413: The municipal drive for literacy and public education. Over the middle and late twentieth century, earlier architectural styles employed for art museums (such as the Beaux-Arts style of the Metropolitan Museum of Art in New York City or the Gothic and Renaissance Revival architecture of Amsterdam's Rijksmuseum) succumbed to modern styles , such as Deconstructivism . Examples of this trend include

4977-433: The museum, and visiting researchers frequently make use of the museum's holdings. In-depth technical research carried on these objects is made available to the public through publications and exhibitions, as in the case of the Amandus Shrine (accession no. 53.9), which was featured in a small special exhibition titled The Special Dead in 2008–09. There are also Late Medieval devotional Italian paintings by these painters at

5056-435: The name is of Greek origin, due to the Greek presence during the seventh century B.C. , the city of Olbia was first settled either by the Nuragics or by Phoenicians , according to the archaeological findings. It contains ruins from the Nuragic era to the Roman era, when it was an important port, and the Middle Ages, when it was the capital of the Giudicato of Gallura , one of the four independent states of Sardinia. During

5135-410: The northwest corner with West Centre Street) and attached by an overhead bridge/passageway across the back alley from his adjacent townhouse/mansion to the north on West Mount Vernon Place (facing the Washington Monument to the northeast). Its exterior was inspired by the Renaissance-revival-style Hôtel Pourtalès in Paris and its interior was modeled after the 17th-century "Collegio dei Gesuiti" (now

5214-484: The original main gallery, extending to Park Avenue, opened in 1974. It was substantially altered in 1998–2001 by another firm of Kallmann McKinnell and Wood, Architects, to provide a four-story glass atrium, with a suspended staircase at the juncture between the older and newer buildings with a new entrance lobby along Centre Street. The new lobby, which also provides easier ground-level handicapped access along with enhanced security provisions for both collections and visitors

5293-416: The paintings of the Orleans Collection , which were housed in a wing of the Palais-Royal in Paris and could be visited for most of the 18th century. In Italy, the art tourism of the Grand Tour became a major industry from the 18th century onwards, and cities made efforts to make their key works accessible. The Capitoline Museums began in 1471 with a donation of classical sculpture to the city of Rome by

5372-486: The post until her death in 1973. In 2000, "The Walters Art Gallery" changed its long-time name to "The Walters Art Museum" to reflect its image as a large public institution and eliminate confusion among some of the increasing out-of-state visitors. The following year, "The Walters" (as it is often known locally) reopened its original main building after a dramatic three-year physical renovation and replacement of internal utilities and infrastructure. The Archimedes Palimpsest

5451-417: The royal Abbey of St. Denis are rare surviving examples of portal sculptures that are directly connected with the origins of Gothic art in 12th-century France (accession nos. 27.21 and 27.22). An ivory casket covered with scenes of jousting knights is one of about a dozen such objects to survive in the world (accession no. 71.264). Many of these works are on display in the museum's galleries. Works from

5530-423: The tombs of the prominent Licinian and Calpurnian families. In 1911, Henry Walters purchased almost 100 gold artifacts from the Chiriqui region of western Panama in Central America , creating a core collection of ancient American native art. Through subsequent gifts of art and loans, the museum has added works, mostly in pottery and stone, from Mexico , Central America and South America , including pieces from

5609-542: The top of the old rear carriage house/garage to the south end of the house, and across the east–west alley to the old 1909 Main Building's north side. Reopened in 1991, the newly renamed "Hackerman House" has been devoted to The Walters' recently expanded holdings of Asian art . As "Thomas-Jencks-Gladding House", the building was designated a Baltimore City Landmark in 1975. Throughout 2021, director Julia Marciari-Alexander , advised by union-busting law firm Shaw Rosenthal LLP, refused to meet with Walters employees, stalling

5688-399: The traditional art museum, including industrial tools and handicrafts that encourage imagination in areas traditionally considered mundane. This view of the art museum envisions it as one well-suited to an industrial world, indeed enhancing it. Dana viewed paintings and sculptures as much less useful than industrial products, comparing the museum to a department store. In addition, he encouraged

5767-647: The world. Islamic art in all media is represented at the Walters. Among the highlights are a 7th-century carved and hammered silver bowl from Iran , (ancient Persia ); a 13th-century candlestick made of copper, silver, and gold from the Mamluk era in Egypt ; 16th-century mausoleum doors decorated with intricate wood carvings in a radiating star pattern; a 17th-century silk sash from the Mughal Empire in India ; and

5846-626: Was a continuation of trends already well established. The building now occupied by the Prado in Madrid was built before the French Revolution for the public display of parts of the royal art collection, and similar royal galleries were opened to the public in Vienna , Munich and other capitals. In Great Britain, however, the corresponding Royal Collection remained in the private hands of

5925-563: Was for example dismissed as director of the Alte Nationalgalerie (Old National Gallery) in Berlin in 1933 by the new Nazi authorities for not being politically suitable. The question of the place of the art museum in its community has long been under debate. Some see art museums as fundamentally elitist institutions, while others see them as institutions with the potential for societal education and uplift. John Cotton Dana , an American librarian and museum director, as well as

6004-499: Was on loan to the Walters Art Museum from a private collector for conservation and spectral imaging studies. Starting on October 1, 2006, the museum was enabled to make admission free to all, year-round, as a result of substantial grants given by Baltimore City and the surrounding suburban Baltimore County arts agencies and authorities. In 2012, "The Walters" released nearly 20,000 of its own images of its collections on

6083-653: Was particularly interested in the courtly arts of 18th-century France. The museum's collection of Sèvres porcelain includes a number of pieces that were made for members of the Royal Bourbon Court at Versailles Palace outside of Paris . Portrait miniatures and the examples of goldsmiths' works, especially snuffboxes and watches, are displayed in the Treasury, along with some exceptional 19th- and early-20th-century works. Among them are examples of Art Nouveau -styled jewelry by René Lalique , jeweled objects by

6162-498: Was reacquired by the city under Mayor William Donald Schaefer (1921–2011), who served the city from 1971 to 1987, and future governor of Maryland (1987–1995) from the Gladding family with a donation by the mayor's friend and local businessman Willard Hackerman , and transferred to the purposes of "The Walters". Since additional renovations with the addition of a connecting gallery with domed skylight and corridor constructed through

6241-571: Was the Green Vault of the Kingdom of Saxony in the 1720s. Privately funded museums open to the public began to be established from the 17th century onwards, often based around a collection of the cabinet of curiosities type. The first such museum was the Ashmolean Museum in Oxford , opened in 1683 to house and display the artefacts of Elias Ashmole that were given to Oxford University in

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