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119-571: The Wandering Swordsman is a 1970 Hong Kong wuxia film directed by Chang Cheh and produced by the Shaw Brothers Studio , starring David Chiang and Lily Li . The wandering swordsman Yu Hsieh Erh travels around seeking adventure and meets a group of bandits who are planning to rob a convoy escorting some valuables. Initially, he is tricked by them into participating in the robbery but then realises his folly and he returns to take his revenge on them. This article related to

238-583: A speech in which he paid tribute to a fallen PLA soldier. Sima Qian wrote eight rhapsodies ( fu ), which are listed in the bibliographic treatise of the Book of Han . All but one, the "Rhapsody in Lament for Gentlemen who do not Meet their Time" ( 士不遇賦 ) have been lost, and even the surviving example is probably not complete. Sima and his father both served as the taishi (太史) of the Former Han dynasty ,

357-503: A strategy game featuring several martial arts schools which commonly appear in wuxia fiction. The wuxia genre continues to be drawn as a pool of inspiration or source material for Chinese video game studios. In June 2022, Tencent's Lightspeed Studio released a demo trailer on Code: To Jin Yong . In the following month, Everstone Studio unveiled Where Winds Meet , a game compared to Ghost of Tsushima and Assassin's Creed . 2023 saw

476-414: A Hong Kong film of the 1970s is a stub . You can help Misplaced Pages by expanding it . This article about a 1970s action film is a stub . You can help Misplaced Pages by expanding it . Wuxia Wuxia ( 武俠 [ù.ɕjǎ] , literally "martial arts and chivalry") is a genre of Chinese fiction concerning the adventures of martial artists in ancient China. Although wuxia is traditionally

595-499: A Palace Attendant in the government, whose duties were to inspect different parts of the country with Emperor Wu in 122 BC. Sima married young and had one daughter. In 110 BC, at the age of 35, Sima Qian was sent westward on a military expedition against some "barbarian" tribes. That year, his father fell ill due to the distress of not being invited to attend the Imperial Feng Sacrifice. Suspecting that his time

714-407: A backdrop. Elements of fantasy, such as the use of magic powers and appearance of supernatural beings, are common in some wuxia stories but are not a prerequisite of the wuxia genre. However, the martial arts element is a definite part of a wuxia tale, as the characters must know some form of martial arts. Themes of romance are also strongly featured in some wuxia tales. A typical wuxia story features

833-513: A certain pattern: a tragic event occurs, usually one that costs the lives of the newly introduced characters, and then it sets events into motion that will culminate in the primary action of the story. Other stories use different structures. For instance, the protagonist is denied admission into a martial arts school. He experiences hardships and trains secretly and waits until there is an opportunity for him to show off his skills and surprise those who initially looked down on him. Some stories feature

952-590: A corrupt government, played an influential role in the development of jianghu (Jianghu is the setting that wuxia stories inhabit. Literally meaning "rivers and lakes", Jianghu settings are fictionalized versions of China which focus on social underworlds and the marginalized figures which inhabit them." ) culture in later centuries. Romance of the Three Kingdoms is also seen as a possible early antecedent and contains classic close-combat descriptions that were later emulated by wuxia writers in their works In

1071-439: A form of historical fantasy literature, its popularity has caused it to be adapted for such diverse art forms as Chinese opera , manhua , television dramas, films, and video games. It forms part of popular culture in many Chinese-speaking communities around the world. According to Hong Kong film director, producer, and movie writer Ronny Yu , wuxia movies are not to be confused with martial arts movies . The word " wǔxiá "

1190-438: A formidable martial artist and intelligent problem-solver, embarks on a quest to solve a mystery such as a murder case. Huang Yi's stories are blended with science fiction. Despite these genre-blending elements, wuxia is primarily a historical genre of fiction. Notwithstanding this, wuxia writers openly admit that they are unable to capture the entire history of a course of events and instead choose to structure their stories along

1309-611: A franchise of eight video games, two of which were adapted into the television series Chinese Paladin (2005) and Chinese Paladin 3 (2009). There are also MMORPGs , such as JX Online 3 , Heroes of Kung Fu and Age of Wulin , and hack and slash games, such as Bujingai and Heavenly Sword . Games adapted from the works of wuxia writers include Heroes of Jin Yong , an RPG based on characters in Jin Yong 's novels; Dragon Oath , an MMORPG inspired by Jin Yong's Demi-Gods and Semi-Devils ; and Martial Kingdoms ,

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1428-470: A general history affected later historiographers like Zheng Qiao (鄭樵) in writing Tongzhi and Sima Guang in writing Zizhi Tongjian . The Chinese historical form of dynasty history, or jizhuanti history of dynasties, was codified in the second dynastic history by Ban Gu 's Book of Han , but historians regard Sima's work as their model, which stands as the "official format" of the history of China . The Shiji comprises 130 chapters consisting of half

1547-519: A highly admired example of literary prose style, studied widely in China even today. The Letter to Ren An contains the quote, "Men have always had but one death. For some it is as weighty as Mount Tai ; for others it is as insignificant as a goose down. The difference is what they use it for." ( 人固有一死，或重于泰山，或輕于鴻毛，用之所趨異也。 ) This quote has become one of the most well known in all of Chinese literature. In modern times, Chairman Mao paraphrased this quote in

1666-405: A later period. Chen Yu-hui is a contemporary female wuxia novelist who made her debut with the novel The Tian-Guan Duo Heroes (天觀雙俠). There have also been works created after the 1980s which attempt to create a post-wuxia genre. Yu Hua , one of the more notable writers from this period, published a counter-genre short story titled Blood and Plum Blossoms , in which the protagonist goes on

1785-563: A long dialogue between Zhonghang and an envoy sent by the Emperor Wen of China during which the latter disparages the Xiongnu as "savages" whose customs are barbaric while Zhonghang defends the Xiongnu customs as either justified and/or as morally equal to Chinese customs, at times even morally superior as Zhonghang draws a contrast between the bloody succession struggles in China where family members would murder one another to be Emperor vs.

1904-438: A major impact on the course of history, regardless of whether they were of noble or humble birth and whether they were born in the central states, the periphery, or barbarian lands. Unlike traditional Chinese historians, Sima went beyond the androcentric, nobility-focused histories by dealing with the lives of women and men such as poets, bureaucrats, merchants, comedians/jesters, assassins, and philosophers. The treatises section,

2023-544: A martial artist attending underground fights. The Mulan remake in 2020 was Disney 's attempt in making a wuxia movie. In 2021, Marvel 's Shang-Chi opens with a wuxia sequence and has action sequences inspired by Jackie Chan. Some notable wuxia video games of the action RPG genre include The Legend of Sword and Fairy , Xuan-Yuan Sword , Jade Empire , and Kingdom of Paradise , all of which blend wuxia with elements of Chinese mythology and fantasy. The Legend of Sword and Fairy , in particular, expanded into

2142-681: A master or training with a group of fighters. Menpai is often translated as sect, school, society, church, house, or cult. Members of the same menpai follow the guidance and train under the same leader. If the members of the menpai are related, then it can be translated as clan. Since some of the menpai are religiously affiliated, "sect" has come to be a common translation for the non-family based menpai. However, it would be inaccurate to use sect to denote menpais that are not associated with religion. Notable modern wuxia writers include: New and original wuxia writings have dwindled significantly in modern times, particularly so as patronage and readerships of

2261-485: A mature hero with powerful martial arts abilities confronting an equally powerful antagonist as his nemesis. The plot will gradually meander to a final dramatic showdown between the protagonist and his nemesis. These types of stories were prevalent during the era of anti- Qing revolutionaries. Certain stories have unique plots, such as those by Gu Long and Huang Yi . Gu Long's works have an element of mystery and are written like detective stories. The protagonist, usually

2380-604: A million characters. The jizhuanti format refers to the organization of the work into benji (本紀) or 'basic annals' chapters containing the biographies of the sovereigns ('sons of heaven') organized by dynasty and liezhuan (列傳) or 'ordered biographies' chapters containing the biographies of influential non-nobles, sometimes for one prominent individual, but often for two or more people who, in Sima Qian's judgment, played similarly important roles in history. In addition to these namesake categories, there are chapters falling under

2499-430: A moralizing approach to history with the historian high-guiding the good and evil to provide lessons for the present could be dangerous for the historian as it could bring down the wrath of the state onto the historian as happened to Sima himself. As such, the historian had to tread carefully and often expressed his judgements in a circuitous way designed to fool the censor. Sima himself in the conclusion to chapter 110 of

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2618-505: A palace eunuch to complete his histories, rather than commit suicide as was expected of a gentleman-scholar who had been disgraced by being castrated. As Sima Qian himself explained in his Letter to Ren An :       且夫臧獲婢妾猶能引決，況若僕之不得已乎。所以隱忍苟活，函糞土之中而不辭者，恨私心有所不盡，鄙沒世而文采不表於後也。古者富貴而名摩滅，不可勝記，唯俶儻非常之人稱焉。       If even the lowest slave and scullion maid can bear to commit suicide, why should not one like myself be able to do what has to be done? But

2737-490: A policy to which Sima was apparently opposed. Sima also broke new ground by using more sources like interviewing witnesses, visiting places where historical occurrences had happened, and examining documents from different regions and/or times. Before Chinese historians had tended to use only reign histories as their sources. The Shiji was further very novel in Chinese historiography by examining historical events outside of

2856-543: A position which includes aspects of being a historian, a court scribe, calendarist, and court astronomer/astrologer. At that time, the astrologer had an important role, responsible for interpreting and predicting the course of government according to the influence of the Sun, Moon, and stars, as well as other astronomical and geological phenomena such as solar eclipses and earthquakes , which depended on revising and upholding an accurate calendar. Before compiling Shiji , Sima Qian

2975-503: A quest to avenge his murdered father. Wuxia as a genre has also spread to Korean literature. The shared themes in both culture seem to be honor, revenge, martial sects and mystical prowess. While Chinese wuxia stories incorporate Daoist and Buddhist philosophy, Korean adaptations tend to put more weight in Confucius principles. Korean historical dramas depict martial arts but tend to downplay the mysticism though there are stories where it

3094-536: A scholar in reclusion ( 隱士 ; yǐnshì ) after leaving the Han court, perhaps dying around the same time as Emperor Wu in 87/86 BC. Although the style and form of Chinese historical writings varied through the ages, Records of the Grand Historian ( Shiji ) has defined the quality and style from then onwards. Before Sima, histories were written as certain events or certain periods of history of states; his idea of

3213-580: A symbol of personal freedom, defiance to Confucian tradition, and rejection of the Chinese family system. Xiang Kairan (pen name Pingjiang Buxiaosheng ) became the first notable wuxia writer, with his debut novel being The Peculiar Knights-Errant of the Jianghu (江湖奇俠傳). It was serialised from 1921 to 1928 and was adapted into the first wuxia film, The Burning of the Red Lotus Temple (1928). Zhao Huanting (趙煥亭), who wrote Chronicles of

3332-610: A traitor's death, the world has united in scoffing at him and has been loath to study his policies ... Su Qin arose from the humblest beginnings to lead the Six States in the Vertical Alliance, and this is evidence that he possessed an intelligence surpassing the ordinary person. For this reason I have set forth this account of his deeds, arranging them in proper chronological order, so that he may not forever suffer from an evil reputation and be known for nothing else. Such

3451-531: A very literary style, making extensive use of irony, sarcasm, juxtaposition of events, characterization, direct speech and invented speeches, which led the American historian Jennifer Jay to describe parts of the Shiji as reading more like a historical novel than a work of history. For an example, Sima tells the story of a Chinese eunuch named Zhonghang Yue who became an advisor to the Xiongnu kings. Sima provides

3570-441: A young male protagonist who experiences a tragedy – such as the loss of his loved ones – and goes on to undertake several trials and tribulations to learn several forms of martial arts from various fighters. At the end of the story, he emerges as a powerful fighter whom few can equal. He uses his abilities to follow the code of xia and mends the ills of the jianghu . For instance, the opening chapters of some of Jin Yong's works follow

3689-565: Is a choreographer who achieved fame by crafting action-sequences in wuxia films. Wuxia was introduced to Hollywood studios in 2000 by Ang Lee 's Crouching Tiger, Hidden Dragon , though influence of the genre was previously seen in the United States in the 1970s television series Kung Fu . Following in Lee's footsteps, Zhang Yimou made Hero , targeted for the international market in 2002, House of Flying Daggers in 2004, Curse of

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3808-404: Is a compound composed of the elements wǔ ( 武 , literally "martial", "military", or "armed") and xiá ( 俠 , literally "chivalrous", " vigilante " or "hero"). A martial artist who follows the code of xia is often referred to as a xiákè ( 俠客 , literally "follower of xia ") or yóuxiá ( 遊俠 , literally "wandering xia "). In some translations, the martial artist

3927-415: Is a descendant of Qin general Sima Cuo (司馬錯), the commander of Qin army in the state's conquest of Ba and Shu . Before his castration, Sima Qian was recorded to have two sons and a daughter. While little is recorded of his sons, his daughter later married Yang Chang (楊敞), and had sons Yang Zhong (楊忠) and Yang Yun (楊惲). It was Yang Yun who hid his grandfather's great work, and decided to release it during

4046-405: Is a reply to a lost letter by Ren An to Sima Qian, perhaps asking Sima Qian to intercede on his behalf as Ren An was facing execution for accusations of being an opportunist and displaying equivocal loyalty to the emperor during the rebellion. In his reply, Sima Qian stated that he is a mutilated man with no influence at court. Some later historians claimed that Sima Qian himself became implicated in

4165-515: Is because I regretted that it had not been completed that I submitted to the extreme penalty without rancor. When I have truly completed this work, I shall deposit it in the Famous Mountain. If it may be handed down to men who will appreciate it, and penetrate to the villages and great cities, then though I should suffer a thousand mutilations, what regret should I have? Upon his release from prison in 97/96 BC, Sima Qian continued to serve in

4284-541: Is explicitly attributed to Sima Tan. Otherwise, there are only fragments of the Shiji that are speculated to be authored by Sima Tan or based on his notes. Fueled by his father's inspiration, Sima Qian spent much of the subsequent decade authoring and compiling the Records of the Grand Historian and completed it before 91 BC, probably around 94 BC. Three years after the death of his father, Sima Qian assumed his father's previous position as taishi . In 105 BC, Sima

4403-438: Is instead embraced like the seeries Gu family book . The influence of Wuxia can also be found in games, manhwa and light novel in which the settings are depicted in ancient times with distinct wuxia aesthetics. Modern wuxia stories are largely set in ancient or pre-modern China . The historical setting can range from being quite specific and important to the story, to being vaguely-defined, anachronistic, or mainly for use as

4522-435: Is only those who were masterful and sure, the truly extraordinary men, who are still remembered.       僕竊不遜，近自託於無能之辭，網羅天下放失舊聞，考之行事，綜其終始，稽其成敗興壞之理 ... 凡百三十篇，亦欲以究天人之際，通古今之變，成一家之言。草創未就，適會此禍，惜其不成，是以就極刑而無慍色。僕誠已著此書，藏諸名山，傳之其人通邑大都，則僕償前辱之責，雖萬被戮，豈有悔哉！       I too have ventured not to be modest but have entrusted myself to my useless writings. I have gathered up and brought together

4641-644: Is referred to as a jiànxiá ( 劍俠 ) or jiànkè ( 劍客 ), either of which can be interpreted as a "swordsman" or "swordswoman", even though they may not necessarily wield a sword. The heroes in wuxia fiction typically do not serve a lord, wield military power, or belong to the aristocratic class. They often originate from the lower social classes of ancient Chinese society. A code of chivalry usually requires wuxia heroes to right and redress wrongs, fight for righteousness, remove oppressors, and bring retribution for past misdeeds. Chinese xia traditions may be compared to martial codes from other cultures, such as

4760-421: Is suspicious and doubtful, clarifies right and wrong, and settles points which are uncertain. It calls good good and bad bad, honours the worthy, and condemns the unworthy. It preserves states which are lost and restores the perishing family. It brings to light what was neglected and restores what was abandoned. Sima saw the Shiji as being in the same tradition as he explained in his introduction to chapter 61 of

4879-551: Is universally remembered for the Records , surviving works indicate that he was also a gifted poet and prose writer, and he was instrumental in the creation of the Taichu calendar , which was officially promulgated in 104 BC. Sima was acutely aware of the importance of his work to posterity and its relationship to his own personal suffering. In the postface of the Records , he implicitly compared his universal history of China to

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4998-477: The Book of Han , which was written under the supervision of the imperial dynasty, Shiji was a privately written history since he refused to write Shiji as an official history covering only those of high rank. The work also covers people of the lower classes and is therefore considered a "veritable record" of the darker side of the dynasty. In Sima's time, literature and history were not seen as separate disciplines as they are now, and Sima wrote his magnum opus in

5117-598: The Great Classical Novels of Chinese literature. The former is a romanticised historical retelling of the events in the late Eastern Han dynasty and the Three Kingdoms period, while the latter criticises the deplorable socio-economic status of the late Northern Song dynasty. Water Margin is often seen as the first full-length wuxia novel: the portrayal of the 108 heroes , and their code of honour and willingness to become outlaws rather than serve

5236-617: The Qing dynasty (1644-1911), further developments were the gong'an (公案; literally "public case") and related detective novels, where xia and other heroes, in collaboration with a judge or magistrate, solved crimes and battled injustice. The Justice Bao stories from Sanxia Wuyi (三俠五義; later extended and renamed to Qixia Wuyi ) and Xiaowuyi (小五義), incorporated much of social justice themes of later wuxia stories. Xiayi stories of chivalrous romance, which frequently featured female heroes and supernatural fighting abilities, also surfaced during

5355-659: The Shaw Brothers Studio featured sophisticated action choreography using wire and trampoline assisted acrobatics combined with sped-up camera techniques. The storylines in the early films were loosely adapted from existing literature. Cheng Pei-pei , Jimmy Wang and Connie Chan are among the better known wuxia movie stars in the 1960s–70s, when films made by King Hu and the Shaw Brothers Studio were most prominent. More recent wuxia movie actors and actresses include Jet Li , Brigitte Lin , Michelle Yeoh , Donnie Yen , Tony Leung and Zhang Ziyi . Yuen Woo-ping

5474-909: The Shi Ji , Sima Qian detailed several embryonic features of xia culture from his period. These popular phenomena were also documented in other historical records such as the Book of Han and the Book of the Later Han . Xiake stories made a turning point in the Tang dynasty (618–907) and returned in the form of chuanqi (傳奇; literally "legendary tales"). Stories from that era, such as Nie Yinniang (聶隱娘), The Kunlun Slave , Thirteenth Madame Jing ( 荊十三娘 ), Red String (紅線) and The Bearded Warrior (虬髯客), served as prototypes for modern wuxia stories. They featured fantasies and isolated protagonists – usually loners – who performed daring heroic deeds. During

5593-473: The Shiji declared that he was writing in this tradition where he stated:       孔氏著春秋，隱桓之閒則章，至定哀之際則微，為其切當世之文而罔褒，忌諱之辭也。       When Confucius wrote the Spring and Autumn Annals , he was very open in treating the reigns of Yin and Huan, the early dukes of Lu; but when he came to the later period of Dukes Ding and Ai, his writing was much more covert. Because in

5712-533: The Shiji where he wrote:       或曰：天道無親，常與善人。若伯夷、叔齊，可謂善人者非邪。積仁絜行如此而餓死。... 盜蹠日殺不辜，肝人之肉 ... 竟以壽終。是遵何德哉。 ... 余甚惑焉，儻所謂天道，是邪非邪。       Some people say "It is Heaven's way, without distinction of persons, to keep the good perpetually supplied." Can we say then that Boyi and Shuqi were good men or not? They clung to righteousness and were pure in their deeds yet they starved to death ... Robber Zhi day after day killed innocent men, making mincemeat of their flesh ... But in

5831-597: The Song dynasty (960–1279), similar stories circulated in the huaben , short works that were once thought to have served as prompt-books for shuochang (traditional Chinese storytelling). The genre of the martial or military romance also developed during the Tang dynasty. In the Ming dynasty (1368-1644), Luo Guanzhong and Shi Nai'an wrote Romance of the Three Kingdoms and Water Margin respectively, which are among

5950-899: The Spring and Autumn period . Some well-known stories include Zhuan Zhu 's assassination of King Liao of Wu , and most notably, Jing Ke 's attempt on the life of the King of Qin (who later became Qin Shi Huang ). In Volume 86 of the Records of the Grand Historian ( Shi Ji ), Sima Qian mentioned five notable assassins – Cao Mo , Zhuan Zhu , Yu Rang , Nie Zheng and Jing Ke – in the Warring States period who undertook tasks of conducting political assassinations of aristocrats and nobles. These assassins were known as cike (刺客; literally "stabbing guests"). They usually rendered their loyalties and services to feudal lords and nobles in return for rewards such as riches and women. In Volume 124 of

6069-458: The Tang – Song period. The great use of characterisation and plotting also influenced fiction writing, including the classical short stories of the middle and late medieval period (Tang- Ming ) as well as the vernacular novel of the late imperial period. Sima had immense influence on historiography not only in China, but also in Japan and Korea. For centuries afterwards, the Shiji was regarded as

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6188-504: The jianghu , martial artists are expected to be loyal to their master ( Shifu ). This gives rise to the formation of several complex trees of master-apprentice relations as well as the various schools such as Shaolin and Wudang . If there are any disputes between fighters, they will choose the honourable way of settling their issues through fighting in duels. The martial arts in wuxia stories are based on wushu techniques and other real life Chinese martial arts . In wuxia tales, however,

6307-537: The 1920s. Extant early wuxia films produced in China include Red Heroine (1929), Woman Warrior White Rose (1929), and Woman Warrior of the Wild River 6: Rumble at Deerhorn Gully (1930), the sixth film in a series. Hua Mu Lan (1939), another surviving film, is considered a representative of the second wave of wuxia films, during the Anti-Japanese War. Films directed by King Hu and produced by

6426-469: The Confucian classics, he systemically compared the information with other documents. Sima mentioned at least 75 books he used for cross-checking. Furthermore, Sima often questioned people about historical events they had experienced. Sima mentioned after one of his trips across China that: "When I had occasion to pass through Feng and Beiyi I questioned the elderly people who were about the place, visited

6545-535: The Golden Flower in 2006 and Shadow in 2018. Western audiences were also introduced to wuxia through Asian television stations in larger cities, which featured miniseries such as Warriors of the Yang Clan and Paradise , often with English subtitles. Ash Is Purest White (Chinese: 江湖儿女; 'Sons and Daughters of Jianghu'), a 2018 Chinese drama directed by Jia Zhangke, is a modern film that refers to

6664-478: The Han court as zhongshuling ( 中書令 ), a court archivist position reserved for eunuchs with considerable status and with higher pay than his previous position of historian. The Letter to Ren An was written by Sima Qian in reply to Ren An in response to the latter's involvement in Crown Prince Liu Ju 's rebellion in 91 BC. This is the last record of Sima Qian in contemporary documents. The letter

6783-460: The Japanese samurai bushidō . Even though the term "wuxia" as the name of a genre is a recent coinage, stories about xia date back more than 2,000 years. Wuxia stories have their roots in some early youxia tales from 300–200 BC. The Legalist philosopher Han Fei spoke disparagingly of youxias in his book Han Feizi in the chapter On Five 'Maggot' Classes about five social classes in

6902-609: The Li Ling affair. Although there are many theories regarding the exact dating as well as the true nature and purpose of the Letter to Ren An , one common interpretation suggests that the letter, in part, tacitly expressed a refusal to play an active role in securing a reduced punishment for Ren An. The early-20th-century scholar Wang Guowei stated that there are no reliable records establishing when Sima Qian died. He and most modern historians believe that Sima Qian spent his last days as

7021-1011: The Loyal Knights-Errant (奇俠精忠傳, serialised 1923–27), was another well-known wuxia writer based in Shanghai. Starting from the 1930s, wuxia works proliferated and its centre shifted to Beijing and Tianjin in northern China. The most prolific writers there were collectively referred to as the Five Great Masters of the Northern School (北派五大家): Huanzhulouzhu , who wrote The Swordspeople from Shu Mountains (蜀山劍俠傳); Gong Baiyu (宮白羽), who wrote Twelve Coin Darts (十二金錢鏢); Wang Dulu , who wrote The Crane-Iron Pentalogy (鹤鉄五部作); Zheng Zhengyin (郑証因), who wrote The King of Eagle Claws (鹰爪王); Zhu Zhenmu (朱貞木), who wrote The Seven 'Kill' Stele (七殺碑). Wuxia fiction

7140-610: The Qing dynasty. Novels such as Shi Gong'an Qiwen (施公案奇聞) and Ernü Yingxiong Zhuan (兒女英雄傳) have been cited as the clearest nascent wuxia novels. The term "wuxia" as a genre label itself first appeared at the end of the Qing dynasty, a calque of the Japanese " bukyō ", a genre of oft-militaristic and bushido -influenced adventure fiction. The term was brought to China by writers such as Liang Qichao and students who hoped that China would modernise its military and place emphasis on martial virtues, and it quickly became entrenched as

7259-506: The Sima ancestors. To this day, people living in the village with surnames Feng and Tong are forbidden from intermarrying on the grounds that the relationship would be incestuous. According to the Book of Han , Wang Mang sent an expedition to search for and ennoble a male-line descent of Sima Qian as 史通子 ("Viscount of Historical Mastery"), although it was not recorded who received this title of nobility. A Qing dynasty stele 重修太史廟記 ( Records of

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7378-412: The Xiongnu as savages who had the appearance of humans, but the minds of animals. In his comments about the Xiongnu, Sima refrained from evoking claims about the innate moral superiority of the Han over the "northern barbarians" that were the standard rhetorical tropes of Chinese historians in this period. Likewise, Sima in his chapter about the Xiongnu condemns those advisors who pursue the "expediency of

7497-404: The Xiongnu less favorably, so the debate was almost certainly more Sima's way of criticizing the Chinese court system and less genuine praise for the Xiongnu. Sima has often been criticized for "historizing" myths and legends as he assigned dates to mythical and legendary figures from ancient Chinese history together with what appears to be suspiciously precise genealogies of leading families over

7616-524: The Zhou dynasty (originally serving as vassals to the Zhou kings), as well as the histories of contemporary aristocratic houses established during the Han dynasty. In all, the Records consist of 12 Basic Annals, 10 Tables, 8 Treatises, 30 House Chronicles, and 70 Ordered Biographies. The last of the Ordered Biographies is the postface. This final chapter details the background of how the Shiji

7735-535: The age of 20, Sima Qian began an extensive tour around China as it existed in the Han dynasty. He started his journey from the imperial capital, Chang'an (modern Xi'an ), then went south across the Yangtze River to Changsha Kingdom (modern Hunan ), where he visited the Miluo River site where the Warring States -era poet Qu Yuan was traditionally said to have drowned himself. He then went to seek

7854-433: The author himself. The postface concludes with a self-referential description of the postface as the 70th and last of the Ordered Biographies chapters. Sima was greatly influenced by Confucius's Spring and Autumn Annals , which on the surface is a succinct chronology from the events of the reigns of the twelve dukes of Lu from 722 to 484 BC. Many Chinese scholars have and still do view how Confucius ordered his chronology as

7973-417: The basic accuracy of the Shiji including the reigns and locations of tombs of ancient rulers. Sima's Shiji is respected as a model of biographical literature with high literary value and still stands as a textbook for the study of classical Chinese. Sima's works were influential to Chinese writing, serving as ideal models for various types of prose within the neo-classical ("renaissance" 复古 ) movement of

8092-638: The basic annals section, the Emperor Gaozu is portrayed as a good leader whereas in the section dealing with his rival Xiang Yu, the Emperor is portrayed unflatteringly. Likewise, the chapter on Xiang presents him in a favorable light whereas the chapter on Gaozu portrays him in more darker colors. At the end of most of the chapters, Sima usually wrote a commentary in which he judged how the individual lived up to traditional Chinese values like filial piety, humility, self-discipline, hard work and concern for

8211-573: The biographies sections and the annals section relating to the Qin dynasty (as a former dynasty, there was more freedom to write about the Qin than there was about the reigning Han dynasty) that make up 40% of the Shiji have aroused the most interest from historians and are the only parts of the Shiji that have been translated into English. When Sima placed his subjects was often his way of expressing obliquely moral judgements. Empress Lü and Xiang Yu were

8330-539: The book dealing with the Xiongnu "barbarians" might indicate his disapproval of the foreign policy of the Emperor Wu. In writing Shiji , Sima initiated a new writing style by presenting history in a series of biographies. His work extends over 130 chapters—not in historical sequence, but divided into particular subjects, including annals , chronicles , and treatises —on music, ceremonies, calendars, religion, economics, and extended biographies. Sima's work influenced

8449-471: The burial place of the legendary rulers Yu on Mount Xianglu and Shun in the Jiuyi Mountains (modern Ningyuan County , Hunan). He then went north to Huaiyin (modern Huai'an , Jiangsu) to see the grave of Han dynasty general Han Xin , then continued north to Qufu , the hometown of Confucius , where he studied ritual and other traditional subjects. After his travels, Sima was chosen to be

8568-404: The categories of biao (表) or 'tables', containing graphical chronologies of royalty and nobility, and shu (書) or 'treatises', consisting of essays giving a historical perspective on various topics like music, ritual, or economics. Most importantly, the shijia (世家) chapters, or 'house chronicles', document important events in the histories of the rulers of each of the quasi-independent states of

8687-678: The classics of his day, the Guoyu by Zuo Qiuming , " Li Sao " by Qu Yuan , and the Art of War by Sun Bin , pointing out that their authors all suffered great personal misfortunes before their lasting monumental works could come to fruition. Sima Qian is also depicted in the Wu Shuang Pu by Jin Guliang. Sima Qian was born at Xiayang in Zuopingyi (near present-day Hancheng , Shaanxi ). He

8806-449: The course of several millennia (including his own where he traces the descent of the Sima family from legendary emperors in the distant past). However, archaeological discoveries in recent decades have confirmed aspects of the Shiji , and suggested that even if the sections of the Shiji dealing with the ancient past are not totally true, at least Sima wrote down what he believed to be true. In particular, archaeological finds have confirmed

8925-425: The courts, providing a broader history than the traditional court-based histories had done. Lastly, Sima broke with the traditional chronological structure of Chinese history. Sima instead had divided the Shiji into five divisions: the basic annals which comprised the first 12 chapters, the chronological tables which comprised the next 10 chapters, treatises on particular subjects which make up 8 chapters, accounts of

9044-517: The defeat to Li Ling, with all government officials subsequently condemning him for it. Sima was the only person to defend Li Ling, who had never been his friend but whom he respected. Emperor Wu interpreted Sima's defence of Li as an attack on his brother-in-law, Li Guangli, who had also fought against the Xiongnu without much success, and sentenced Sima to death. At that time, execution could be commuted either by money or castration . Since Sima did not have enough money to atone for his "crime", he chose

9163-431: The effective rulers of China during reigns Hui of the Han and Yi of Chu, respectively, so Sima placed both their lives in the basic annals. Likewise, Confucius is included in the fourth section rather the fifth where he properly belonged as a way of showing his eminent virtue. The structure of the Shiji allowed Sima to tell the same stories in different ways, which allowed him to pass his moral judgements. For example, in

9282-456: The emperor prior to the new year . His other duties included traveling with the emperor for important rituals and recording daily events both at the court and around the country. By his account, by the age of ten Sima was able to "read the old writings" and was considered to be a promising scholar. Sima grew up in a Confucian environment, and Sima always regarded his historical work as an act of Confucian filial piety . In 126 BC, around

9401-428: The end he lived to a great old age. For what virtue did he deserve this? ... I find myself in much perplexity. Is this so-called "Way of Heaven" right or wrong? To resolve this theodical problem, Sima argued that while the wicked may succeed and the good may suffer in their own life-times, it is the historian who ensures that in the end good triumphs. For Sima, the writing of history was no mere antiquarian pursuit, but

9520-480: The entire Chinese court system where the Emperor preferred the lies told by his sycophantic advisors over the truth told by his honest advisors as inherently corrupt and depraved. The point is reinforced by the fact that Sima has Zhonghang speak the language of an idealized Confucian official whereas the Emperor's envoy's language is dismissed as "mere twittering and chatter". Elsewhere in the Shiji Sima portrayed

9639-528: The first three in The Matrix film series (1999–2003, the fourth film from 2021 was choreographed by Joshua Grothe ) and the Kill Bill films from 2003 to 2004, all of which were choregraphed by Yuen Woo-ping . Perhaps the most successful example was DreamWorks Animation 's media franchise Kung Fu Panda . Created as an earnest, if humorous, emulation by producers who were knowledgeable admirers of

9758-461: The founding of a "new school" of the wuxia genre that differed largely from its predecessors. They wrote serials for newspapers and magazines. They also incorporated several fictional themes such as mystery and romance from other cultures. In Taiwan, Wolong Sheng , Sima Ling , Zhuge Qingyun (諸葛青雲), Shiao Yi (萧逸) and Gu Long became the region's best known wuxia writers. After them, writers such as Woon Swee Oan and Huang Yi rose to prominence in

9877-457: The genre decimated due to readily available alternatives in entertainment such as DVDs, gaming consoles, and other newer forms of entertainment. However, the genre has persisted in the form of manhua (Chinese comics) in places like Hong Kong and Taiwan, with the core essentials of the wuxia genre living on in weekly editions equivalent to the Japanese manga . Some notable comic artists are listed as follows: The earliest wuxia films date back to

9996-545: The genre, the series has been particularly hailed in China as an excellent contribution to the form. From the 1990s–2000s, Hong Kong stars Daniel Wu and Stephen Fung have worked with AMC Networks to bring wuxia to a US television audience with Into the Badlands , which premiered in 2015 and ran for three seasons. In 2013, Keanu Reeves directed and starred as the main antagonist in Man of Tai Chi , with Tiger Chen as

10115-599: The greatest history book written in Asia. Sima is little known in the English-speaking world as a full translation of the Shiji in English has not yet been completed. His influence was derived primarily from the following elements of his writing: his skillful depiction of historical characters using details of their speech, conversations, and actions; his innovative use of informal, humorous, and varied language; and

10234-485: The ideal example of how history should be written, especially with regards to what he chose to include and to exclude, and his choice of words as indicating moral judgments. Seen in this light, the Spring and Autumn Annals are a moral guide to the proper way of living. Sima took this view himself as he explained:       夫春秋 ... 別嫌疑，明是非，定猶豫，善善惡惡，賢賢賤不肖，存亡國，繼絕世，補敝起廢。       It [ Spring and Autumn Annals ] distinguishes what

10353-542: The imperial court, he was determined to fulfill his father's dying wish of composing and putting together this epic work of history. However, in 99 BC, he would fall victim to the Li Ling affair for speaking out in defense of the general, who was blamed for an unsuccessful campaign against the Xiongnu . Given the choice of being executed or castrated, he chose the latter in order to finish his historical work. Although he

10472-408: The importance of vengeance is controversial, as a number of wuxia works stress Buddhist ideals, which include forgiveness, compassion and a prohibition on killing. While borrowing ideas from the better known Confucian values, the root of Xia originated from the lesser known Mohism , which in the Warring States period saw a few Mohists stood up to defend kingdoms being attacked by other kingdoms. In

10591-408: The latter and was then thrown into prison, where he endured three years. He described his pain thus: "When you see the jailer you abjectly touch the ground with your forehead. At the mere sight of his underlings you are seized with terror ... Such ignominy can never be wiped away." Sima called his castration "the worst of all punishments". In 96 BC, on his release from prison, Sima chose to live on as

10710-407: The latter case he was writing about his own times, he did not express his judgements frankly, but used subtle and guarded language. Bearing this in mind, not everything that Sima wrote should be understood as conveying didactical moral lessons. But several historians have suggested that parts of the Shiji , such as where Sima placed his section on Confucius's use of indirect criticism in the part of

10829-537: The legendary Yellow Emperor and extended to his own time, and covered not only China, but also neighboring nations like Korea and Vietnam . In this regard, Sima was significant as the first Chinese historian to treat the peoples living to the north of the Great Wall like the Xiongnu as human beings who were implicitly the equals of the Middle Kingdom, instead of the traditional approach which had portrayed

10948-437: The less fortunate. Sima analyzed the records and sorted out those that could serve the purpose of Shiji . He intended to discover the patterns and principles of the development of human history. Sima also emphasized, for the first time in Chinese history, the role of individual men in affecting the historical development of China and his historical perception that a country cannot escape from the fate of growth and decay. Unlike

11067-624: The mastery of such skills are highly exaggerated to superhuman levels of achievement and prowess. The following is a list of skills and abilities a typical fighter in a wuxia story possesses: In wuxia stories, characters attain the above skills and abilities by devoting themselves to years of diligent study and exercise, but can also have such power conferred upon them by a master who transfers his energy to them. The instructions to mastering these skills through training are found in secret manuals known as miji (秘笈). In some stories, specific skills can be learned by spending several years in seclusion with

11186-415: The moment", that is advise the Emperor to carry policies such as conquests of other nations that bring a brief moment of glory, but burden the state with the enormous financial and often human costs of holding on to the conquered land. Sima was engaging in an indirect criticism of the advisors of the Emperor Wu who were urging him to pursue a policy of aggression towards the Xiongnu and conquer all their land,

11305-446: The more orderly succession of the Xiongnu kings. The American historian Tamara Chin wrote that though Zhonghang did exist, the dialogue is merely a "literacy device" for Sima to make points that he could not otherwise make. The favorable picture of the traitor Zhonghang who went over to the Xiongnu who bests the Emperor's loyal envoy in an ethnographic argument about what is the morally superior nation appears to be Sima's way of attacking

11424-451: The old home of Xiao He , Cao Can , Fan Kuai and Xiahou Ying , and learned much about the early days. How different it was from the stories one hears!" Reflecting the traditional Chinese reverence for age, Sima stated that he preferred to interview the elderly as he believed that they were the most likely to supply him with correct and truthful information about what had happened in the past. During one of this trips, Sima mentioned that he

11543-467: The old traditions of the world which were scattered and lost. I have examined the deeds and events of the past and investigated the principles behind their success and failure, their rise and decay [...] in one hundred and thirty chapters. I wished to examine into all that concerns heaven and man, to penetrate the changes of the past and present, completing all as the work of one family. But before I had finished my rough manuscript, I met with this calamity. It

11662-493: The pattern of the protagonist's progression from childhood to adulthood instead. The progression may be symbolic rather than literal, as observed in Jin Yong's The Smiling, Proud Wanderer , where Linghu Chong progresses from childish concerns and dalliances into much more adult ones as his unwavering loyalty repeatedly thrusts him into the rocks of betrayal at the hands of his inhumane master. The eight common attributes of

11781-436: The pretense that Prince Tan could via the use of magic make the clouds rain grain and horses grow horns. Sima constantly compared accounts found in the manuscripts with what he considered reliable sources like Confucian classics like the Book of Odes , Book of History , Book of Rites , Book of Music , Book of Changes and Spring and Autumn Annals . When Sima encountered a story that could not be cross-checked with

11900-437: The reason I have not refused to bear these ills and have continued to live, dwelling in vileness and disgrace without taking my leave, is that I grieve that I have things in my heart which I have not been able to express fully, and I am shamed to think that after I am gone my writings will not be known to posterity. Too numerous to record are the men of ancient times who were rich and noble and whose names have yet vanished away. It

12019-470: The rebellion as a result of his friendship with Ren An and was executed as part of the purge of the crown prince's supporters in court; however, the earliest-attested record of this account dates from the 4th century. Moreover, it has also been pointed out that Sima Qian would have been reluctant to render substantive aid to Ren An, given the severe consequences that he suffered for supporting General Li Ling, as well as Ren An's failure to act on his behalf during

12138-459: The reign of Emperor Xuan . According to local legend, Sima Qian had two sons, the older named Sima Lin (司馬臨) and younger named Sima Guan (司馬觀), who fled the capital to Xu Village (徐村) in what is now Shanxi province during the Li Ling affair, for fear of falling victim to familial extermination . They changed their surnames to Tong (同 = 丨+ 司) and Féng (馮 = 仌 + 馬), respectively, to hide their origins while continuing to secretly offer sacrifices to

12257-557: The release of " Hero's Adventure: Road to Passion " in November, a wuxia-inspired open world RPG as well as Wandering Sword in September, a RPG using HD2D pixel art style. Sima Qian Sima Qian's father, Sima Tan , first conceived of the ambitious project of writing a complete history of China, but had completed only some preparatory sketches at the time of his death. After inheriting his father's position as court historian in

12376-469: The remainder". Reflecting these rigorous analytic methods, Sima declared that he would not write about periods of history where there was insufficient documentation. As such, Sima wrote "the ages before the Ch'in dynasty are too far away and the material on them too scanty to permit a detailed account of them here". In the same way, Sima discounted accounts in the traditional records that were "ridiculous" such as

12495-530: The ruling families which take up 30 chapters, and biographies of various eminent people which are the last 70 chapters. The annals follow the traditional Chinese pattern of court-based histories of the lives of various emperors and their families. The chronological tables are graphs recounting the political history of China. The treatises are essays on topics such as astronomy , music, religion, hydraulic engineering and economics. The last section dealing with biographies covers individuals judged by Sima to have made

12614-470: The simplicity and conciseness of his style. Even the 20th-century literary critic Lu Xun regarded Shiji as "the historians' most perfect song, a ' Li Sao ' without the rhyme" ( 史家之絶唱，無韻之離騷 ) in his Outline of Chinese Literary History ( 漢文學史綱要 ). Sima's famous letter to his friend Ren An about his sufferings during the Li Ling Affair and his perseverance in writing Shiji is today regarded as

12733-539: The term used to refer to xiayi and other predecessors of wuxia proper. In Japan, however, the term "bukyō" faded into obscurity. Many wuxia works produced during the Ming and Qing dynasties were lost due to the governments' crackdown on and banning of such works. Wuxia works like Water Margin were deemed responsible for brewing anti-government sentiments, which led to rebellions in those eras. The departure from mainstream literature also meant that patronage of this genre

12852-556: The underworld interpretation of jianghu. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. The story is loosely based on the leader of a gang from Jia Zhangke's childhood, whom he had admired as a role model. Like the rest of Jia's films, it opened to widespread acclaim. There have been Western attempts at the genre, such as the 2008 film The Forbidden Kingdom , which starred Jackie Chan , Jet Li and Michael Angarano ; other movies including wuxia elements are

12971-596: The writing style of other histories outside of China as well, such as the Goryeo (Korean) history the Samguk sagi . Sima adopted a new method in sorting out the historical data and a new approach to writing historical records. At the beginning of the Shiji , Sima declared himself a follower of Confucius's approach in the Analects to "hear much but leave to one side that which is doubtful, and speak with due caution concerning

13090-589: The xia are listed as benevolence, justice, individualism, loyalty, courage, truthfulness, disregard for wealth, and desire for glory. Apart from individualism, these characteristics are similar to Confucian values such as ren (仁; "benevolence", "kindness"), zhong (忠; "loyalty"), yong (勇; "courage", "bravery") and yi (義; "righteousness"). The code of xia also emphasises the importance of repaying benefactors after having received deeds of en (恩; "grace", "favour") from others, as well as seeking chou (仇; "vengeance", "revenge") to bring villains to justice. However,

13209-403: Was among the scholars chosen to reform the calendar. As a senior imperial official, Sima was also in the position to offer counsel to the emperor on general affairs of state. In 99 BC, Sima became embroiled in the Li Ling affair, where Li Ling and Li Guangli , two military officers who led a campaign against the Xiongnu in the north, were defeated and taken captive. Emperor Wu attributed

13328-513: Was banned at various times during the Republican era and these restrictions stifled the growth of the genre. In 1949, China also banned martial arts novels as vulgar reading. In Taiwan, the government banned several wuxia works in 1959. Despite this, wuxia prevailed in other Chinese-speaking regions. In Hong Kong, between the 1960s and 1980s, the genre entered a golden age . Writers such as Liang Yusheng and Louis Cha ( Jin Yong ) spearheaded

13447-418: Was composed and compiled, and gives brief justifications for the inclusion of the major topics, events, and individuals in the work. As part of the background, the postface provides a short sketch of the history of the Sima clan, from legendary times to his father Sima Tan. It also details the dying words of Sima Tan, tearfully exhorting the author to compose the present work, and contains a biographical sketch of

13566-404: Was involved in the creation of the 104 BC Taichu Calendar 太初暦 (太初 became the new era name for Emperor Wu and means "supreme beginning"), a modification of the Qin calendar. This is the first Chinese calendar whose full method of calculation (暦法) has been preserved. The minor planet "12620 Simaqian" is named in his honour. Sima Qian is the son of court astrologer (太史令) Sima Tan , who

13685-471: Was limited to the masses and not to the literati, which led to the stifling of the development of the wuxia genre. Nonetheless, the wuxia genre remained enormously popular with the common people. The modern wuxia genre rose to prominence in the early 20th century after the May Fourth Movement of 1919. A new literature evolved, calling for a break with Confucian values, and the xia emerged as

13804-443: Was overcome with emotion when he saw the carriage of Confucius together with his clothes and various other personal items that had belonged to Confucius. Despite his very large debts to Confucian tradition, Sima was an innovator in four ways. To begin with, Sima's work was concerned with the history of the known world. Previous Chinese historians had focused on only one dynasty and/or region. Sima's history of 130 chapters began with

13923-480: Was probably born around 145 BC, although some sources say he was born about 135 BC. In about 136 BC, his father Sima Tan was appointed to the position of "grand historian" ( tàishǐ 太史 , alternatively "grand scribe" or "grand astrologer") at the imperial court. The grand historian was a relatively low-ranking official whose main duty was to formulate the yearly calendar, identifying which days were ritually auspicious or inauspicious, and present it to

14042-515: Was rather a vital moral task as the historian would "preserve memory", and thereby ensure the ultimate victory of good over evil. Along these lines, Sima wrote:       蘇秦兄弟三人，皆游說諸侯以顯名，其術長於權變。而蘇秦被反閒以死，天下共笑之，諱學其術。 ... 夫蘇秦起閭閻，連六國從親，此其智有過人者。吾故列其行事，次其時序，毋令獨蒙惡聲焉。       Su Qin and his two brothers all achieved fame among the feudal lords as itinerant strategists. Their policies laid great stress upon stratagems and shifts of power. But because Su Qin died

14161-463: Was running out, he summoned his son back home to take over the historical work he had begun. Sima Tan wanted to follow the Annals of Spring and Autumn , the first chronicle in the history of Chinese literature . It appears that Sima Tan was only able to put together an outline of the work before he died. The postface of the completed Shiji , there is a short essay on the six philosophical schools that

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