162-757: The Three Witches , also known as the Weird Sisters , Weyward Sisters or Wayward Sisters , are characters in William Shakespeare 's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology . Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources, apart from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland 's Daemonologie ,
324-745: A funerary monument was erected in his memory on the north wall, with a half-effigy of him in the act of writing. Its plaque compares him to Nestor , Socrates , and Virgil . In 1623, in conjunction with the publication of the First Folio , the Droeshout engraving was published. Shakespeare has been commemorated in many statues and memorials around the world, including funeral monuments in Southwark Cathedral and Poets' Corner in Westminster Abbey . Most playwrights of
486-598: A gatehouse in the former Blackfriars priory; and from November 1614, he was in London for several weeks with his son-in-law, John Hall . After 1610, Shakespeare wrote fewer plays, and none are attributed to him after 1613. His last three plays were collaborations, probably with John Fletcher , who succeeded him as the house playwright of the King's Men. He retired in 1613, before the Globe Theatre burned down during
648-584: A libretto by Francesco Maria Piave and premièred in Florence in 1847. In the opera, the Three Witches became a chorus of at least eighteen singers, divided into three groups. Each group enters separately at the start of the opera for the scene with Macbeth and Banquo; after the men's departure, they have a chorus of triumph which does not derive from Shakespeare. They reappear in Act 3, when they conjure up
810-668: A playing company called the Lord Chamberlain's Men , later known as the King's Men after the ascension of King James VI of Scotland to the English throne. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance , his sexuality , his religious beliefs and even certain fringe theories as to whether
972-523: A Beardless Youth" and "Liver of a Renegade". The entire play is a commentary on the political corruption and irrationality surrounding the period. Orson Welles ' stage production of Macbeth sets the play in Haiti, and casts the witches as voodoo priestesses. As with earlier versions, the women are bystanders to the murder of Banquo, as well as Lady Macbeth 's sleepwalking scene. Their role in each of these scenes suggests they were behind Macbeth's fall in
1134-427: A Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy . Shakespeare is also supposed to have taken his revenge on Lucy by writing a scurrilous ballad about him. Another 18th-century story has Shakespeare starting his theatrical career minding the horses of theatre patrons in London. John Aubrey reported that Shakespeare had been
1296-402: A change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet , Richard II , and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of
1458-727: A change known as Holtzmann's law . An epenthetic vowel became popular by 1200 in Old Danish, 1250 in Old Swedish and Old Norwegian, and 1300 in Old Icelandic. An unstressed vowel was used which varied by dialect. Old Norwegian exhibited all three: /u/ was used in West Norwegian south of Bergen , as in aftur , aftor (older aptr ); North of Bergen, /i/ appeared in aftir , after ; and East Norwegian used /a/ , after , aftær . Old Norse
1620-602: A country schoolmaster. Some 20th-century scholars suggested that Shakespeare may have been employed as a schoolmaster by Alexander Hoghton of Lancashire , a Catholic landowner who named a certain "William Shakeshafte" in his will. Little evidence substantiates such stories other than hearsay collected after his death, and Shakeshafte was a common name in the Lancashire area. It is not known definitively when Shakespeare began writing, but contemporary allusions and records of performances show that several of his plays were on
1782-417: A female raven or a male crow. All neuter words have identical nominative and accusative forms, and all feminine words have identical nominative and accusative plurals. The gender of some words' plurals does not agree with that of their singulars, such as lim and mund . Some words, such as hungr , have multiple genders, evidenced by their determiners being declined in different genders within
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#17327730431051944-412: A front vowel to be split into a semivowel-vowel sequence before a back vowel in the following syllable. While West Norse only broke /e/ , East Norse also broke /i/ . The change was blocked by a /w/ , /l/ , or /ʀ/ preceding the potentially-broken vowel. Some /ja/ or /jɔ/ and /jaː/ or /jɔː/ result from breaking of /e/ and /eː/ respectively. When a noun, pronoun, adjective, or verb has
2106-409: A given sentence. Nouns, adjectives, and pronouns were declined in four grammatical cases – nominative , accusative , genitive , and dative – in singular and plural numbers. Adjectives and pronouns were additionally declined in three grammatical genders. Some pronouns (first and second person) could have dual number in addition to singular and plural. The genitive
2268-584: A long vowel or diphthong in the accented syllable and its stem ends in a single l , n , or s , the r (or the elder r - or z -variant ʀ ) in an ending is assimilated. When the accented vowel is short, the ending is dropped. The nominative of the strong masculine declension and some i-stem feminine nouns uses one such -r (ʀ). Óðin-r ( Óðin-ʀ ) becomes Óðinn instead of * Óðinr ( * Óðinʀ ). The verb blása ('to blow'), has third person present tense blæss ('[he] blows') rather than * blæsr ( * blæsʀ ). Similarly,
2430-431: A merry meeting and, it seems, drank too hard, for Shakespeare died of a fever there contracted", not an impossible scenario since Shakespeare knew Jonson and Drayton . Of the tributes from fellow authors, one refers to his relatively sudden death: "We wondered, Shakespeare, that thou went'st so soon / From the world's stage to the grave's tiring room." He was survived by his wife and two daughters. Susanna had married
2592-469: A moon, which contains the profiled faces of George III and Queen Charlotte . The drawing is intended to highlight the insanity of King George and the unusual alliance of the three politicians. Fuseli created two other works depicting the Three Witches for a Dublin art gallery in 1794. The first, entitled Macbeth, Banquo and the Three Witches was a frustration for him. His earlier paintings of Shakespearean scenes had been done on horizontal canvases, giving
2754-486: A more direct way than Shakespeare's original portrays. The witches encroach further and further into his domain as the play progresses, appearing in the forest in the first scene and in the castle itself by the end. Directors often have difficulty keeping the witches from being exaggerated and overly-sensational. Charles Marowitz created A Macbeth in 1969, a streamlined version of the play which requires only eleven actors. The production strongly suggests that Lady Macbeth
2916-448: A more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen , probably with John Fletcher . Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed according to their folio classification as comedies , histories , and tragedies . Two plays not included in
3078-450: A naked new-born babe, Striding the blast, or heaven's cherubim, hors'd Upon the sightless couriers of the air." However, Shakespeare soon began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama. At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks
3240-460: A news pamphlet titled Newes from Scotland that detailed the infamous North Berwick witch trials of 1590. Not only had this trial taken place in Scotland, witches involved confessed to attempt the use of witchcraft to raise a tempest and sabotage the very boat King James and Queen Anne were on board during their return trip from Denmark. The three witches discuss the raising of winds at sea in
3402-474: A noun must mirror the gender of that noun , so that one says, " heill maðr! " but, " heilt barn! ". As in other languages, the grammatical gender of an impersonal noun is generally unrelated to an expected natural gender of that noun. While indeed karl , "man" is masculine, kona , "woman", is feminine, and hús , "house", is neuter, so also are hrafn and kráka , for "raven" and "crow", masculine and feminine respectively, even in reference to
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#17327730431053564-566: A parody of Macbeth in 1742 entitled The Dear Witches in response to political problems of his time. The witches in his play are played by three everyday women who manipulate political events in England through marriage and patronage, and manipulate elections to have Macbeth made Treasurer and Earl of Bath. In the final scene, the witches gather around a cauldron and chant "Double, double, Toil and Trouble / parties burn and Nonsense bubble." Into their concoction they throw such things as "Judgment of
3726-814: A persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint . Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle , printed in Robert Chester's 1601 Love's Martyr , mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove . In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim , published under Shakespeare's name but without his permission. Published in 1609,
3888-475: A physician, John Hall, in 1607, and Judith had married Thomas Quiney , a vintner , two months before Shakespeare's death. Shakespeare signed his last will and testament on 25 March 1616; the following day, Thomas Quiney, his new son-in-law, was found guilty of fathering an illegitimate son by Margaret Wheeler, both of whom had died during childbirth. Thomas was ordered by the church court to do public penance, which would have caused much shame and embarrassment for
4050-588: A practical sense of the theatre. Like all playwrights of the time, he dramatised stories from sources such as Plutarch and Holinshed . He reshaped each plot to create several centres of interest and to show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting, and wide interpretation without loss to its core drama. As Shakespeare's mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in
4212-457: A ravine and shout, "Macbeth! Macbeth! Macbeth! / We have an appointment with you in Hell!" In the play, they also connect themselves to a painting by Francisco Goya called Volaverunt , in which three mysterious figures are flying through the air and supporting a more discernible royal female figure. Drawings contained in Holinshed's Chronicles , one of the sources Shakespeare used when creating
4374-486: A selling point and began to appear on the title pages . Shakespeare continued to act in his own and other plays after his success as a playwright. The 1616 edition of Ben Jonson 's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). The absence of his name from the 1605 cast list for Jonson's Volpone is taken by some scholars as a sign that his acting career
4536-476: A similar development influenced by Middle Low German . Various languages unrelated to Old Norse and others not closely related have been heavily influenced by Norse, particularly the Norman language ; to a lesser extent, Finnish and Estonian . Russian, Ukrainian , Belarusian , Lithuanian and Latvian also have a few Norse loanwords. The words Rus and Russia , according to one theory, may be named after
4698-509: A subtle form of temptation when they inform Macbeth that he is destined to be king. By placing this thought in his mind, they effectively guide him on the path to his own destruction. This follows the pattern of temptation attributed to the Devil in the contemporary imagination: the Devil was believed to be a thought in a person's mind, which he or she might either indulge or reject. Macbeth indulges
4860-537: A thousand years ago. You can't go around killing everybody." In Joel Coen 's 2021 film The Tragedy of Macbeth , British actress Kathryn Hunter plays all three witches. Though mostly depicted as three personalities inside a single body , there are several instances where the witch divides into three distinct figures. Hunter worked extensively with Coen to develop a physicality for the witches, describing them as intermediate forms, in between human women and crows (crows are also frequently shown flying through scenes in
5022-608: A voiced velar fricative [ɣ] in all cases, and others have that realisation only in the middle of words and between vowels (with it otherwise being realised [ɡ] ). The Old East Norse /ʀ/ was an apical consonant , with its precise position unknown; it is reconstructed as a palatal sibilant . It descended from Proto-Germanic /z/ and eventually developed into /r/ , as had already occurred in Old West Norse. The consonant digraphs ⟨hl⟩ , ⟨hr⟩ , and ⟨hn⟩ occurred word-initially. It
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5184-467: A vowel or semivowel of a different vowel backness . In the case of i-umlaut and ʀ-umlaut , this entails a fronting of back vowels, with retention of lip rounding. In the case of u-umlaut , this entails labialization of unrounded vowels. Umlaut is phonemic and in many situations grammatically significant as a side effect of losing the Proto-Germanic morphological suffixes whose vowels created
5346-401: A warped sense of morality, deeming seemingly terrible acts to be moral, kind or right, such as helping one another to ruin the journey of a sailor. Their presence communicates treason and impending doom. During Shakespeare's day, witches were seen as worse than rebels, "the most notorious traitor and rebel that can be". They were not only political traitors, but spiritual traitors as well. Much of
5508-481: A witch. The real Lady Duncan appears and denounces Macbeth as a traitor. The Spanish poet and playwright León Felipe wrote a version of Shakespeare's play in Spanish which significantly changes the witches' role, especially in the final scene. After Macbeth's death, the Three Witches reappear in the midst of wind and storm, which they have been associated with throughout the play, to claim his corpse. They carry it to
5670-461: A woman's hide" from Shakespeare's Henry VI, Part 3 , along with the pun "Shake-scene", clearly identify Shakespeare as Greene's target. As used here, Johannes Factotum ("Jack of all trades") refers to a second-rate tinkerer with the work of others, rather than the more common "universal genius". Greene's attack is the earliest surviving mention of Shakespeare's work in the theatre. Biographers suggest that his career may have begun any time from
5832-448: A word. Strong verbs ablaut the lemma 's nucleus to derive the past forms of the verb. This parallels English conjugation, where, e.g., the nucleus of sing becomes sang in the past tense and sung in the past participle. Some verbs are derived by ablaut, as the present-in-past verbs do by consequence of being derived from the past tense forms of strong verbs. Umlaut or mutation is an assimilatory process acting on vowels preceding
5994-544: Is classified as Old West Norse, and Old West Norse traits were found in western Sweden . In what is present-day Denmark and Sweden, most speakers spoke Old East Norse. Though Old Gutnish is sometimes included in the Old East Norse dialect due to geographical associations, it developed its own unique features and shared in changes to both other branches. The 12th-century Icelandic Gray Goose Laws state that Swedes , Norwegians , Icelanders , and Danes spoke
6156-592: Is definitively classed as a tragedy. It is not clear for which companies Shakespeare wrote his early plays. The title page of the 1594 edition of Titus Andronicus reveals that the play had been acted by three different troupes. After the plagues of 1592–93, Shakespeare's plays were performed by his own company at The Theatre and the Curtain in Shoreditch , north of the Thames. Londoners flocked there to see
6318-465: Is expected to exist, such as in the male names Ragnarr , Steinarr (supposedly * Ragnarʀ , * Steinarʀ ), the result is apparently always /rː/ rather than */rʀ/ or */ʀː/ . This is observable in the Runic corpus. In Old Norse, i/j adjacent to i , e , their u-umlauts, and æ was not possible, nor u/v adjacent to u , o , their i-umlauts, and ǫ . At
6480-403: Is found well into the 15th century. Old Norse was divided into three dialects : Old West Norse (Old West Nordic, often referred to as Old Norse ), Old East Norse (Old East Nordic), and Old Gutnish . Old West Norse and Old East Norse formed a dialect continuum , with no clear geographical boundary between them. Old East Norse traits were found in eastern Norway , although Old Norwegian
6642-417: Is in his own conceit the only Shake-scene in a country. Scholars differ on the exact meaning of Greene's words, but most agree that Greene was accusing Shakespeare of reaching above his rank in trying to match such university-educated writers as Christopher Marlowe , Thomas Nashe , and Greene himself (the so-called " University Wits "). The italicised phrase parodying the line "Oh, tiger's heart wrapped in
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6804-412: Is in league with the witches. One scene shows her leading the three to a firelight incantation. In Eugène Ionesco 's satirical version of the play Macbett (1972), one of the witches removes a costume to reveal that she is, in fact, Lady Duncan, and wants to be Macbeth's mistress. Once Macbeth is King and they are married, however, she abandons him, revealing that she was not Lady Duncan all along, but
6966-584: Is more common in Old West Norse in both phonemic and allophonic positions, while it only occurs sparsely in post-runic Old East Norse and even in runic Old East Norse. This is still a major difference between Swedish and Faroese and Icelandic today. Plurals of neuters do not have u-umlaut at all in Swedish, but in Faroese and Icelandic they do, for example the Faroese and Icelandic plurals of the word land , lond and lönd respectively, in contrast to
7128-525: Is often used. In 1896, Frederick S. Boas coined the term " problem plays " to describe four plays: All's Well That Ends Well , Measure for Measure , Troilus and Cressida , and Hamlet . "Dramas as singular in theme and temper cannot be strictly called comedies or tragedies", he wrote. "We may, therefore, borrow a convenient phrase from the theatre of today and class them together as Shakespeare's problem plays." The term, much debated and sometimes applied to other plays, remains in use, though Hamlet
7290-409: Is shown MacDuff and warned to be wary of him. Fuseli evidently intended the two paintings to be juxtaposed. He said, "when Macbeth meets with the witches on the heath, it is terrible, because he did not expect the supernatural visitation; but when he goes to the cave to ascertain his fate, it is no longer a subject of terror." Fuseli chose to make MacDuff a near-likeness of Macbeth himself, and considered
7452-459: Is that the nonphonemic difference between the voiced and the voiceless dental fricative is marked. The oldest texts and runic inscriptions use þ exclusively. Long vowels are denoted with acutes . Most other letters are written with the same glyph as the IPA phoneme, except as shown in the table below. Ablaut patterns are groups of vowels which are swapped, or ablauted, in the nucleus of
7614-425: Is the question ". Unlike the introverted Hamlet, whose fatal flaw is hesitation, Othello and Lear are undone by hasty errors of judgement. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello , Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear ,
7776-592: Is to be slain at the Battle of Clontarf (fought outside Dublin in 1014). Shakespeare's creation of the Three Witches may have also been influenced by an anti-witchcraft law passed by King James nine years previously, a law that was to stay untouched for over 130 years. His characters' "chappy fingers", "skinny lips", and "beards", for example, are not found in Holinshed. Macbeth's Hillock near Brodie, between Forres and Nairn in Scotland, has long been identified as
7938-557: Is unclear whether they were sequences of two consonants (with the first element realised as /h/ or perhaps /x/ ) or as single voiceless sonorants /l̥/ , /r̥/ and /n̥/ respectively. In Old Norwegian, Old Danish and later Old Swedish, the groups ⟨hl⟩ , ⟨hr⟩ , and ⟨hn⟩ were reduced to plain ⟨l⟩ , ⟨r⟩ , ⟨n⟩ , which suggests that they had most likely already been pronounced as voiceless sonorants by Old Norse times. The pronunciation of ⟨hv⟩
8100-620: Is unclear, but it may have been /xʷ/ (the Proto-Germanic pronunciation), /hʷ/ or the similar phoneme /ʍ/ . Unlike the three other digraphs, it was retained much longer in all dialects. Without ever developing into a voiceless sonorant in Icelandic, it instead underwent fortition to a plosive /kv/ , which suggests that instead of being a voiceless sonorant, it retained a stronger frication. Primary stress in Old Norse falls on
8262-589: Is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon " (or simply "the Bard"). His extant works, including collaborations , consist of some 39 plays , 154 sonnets , three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably
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#17327730431058424-590: The Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorised sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that
8586-553: The Blackfriars indoor theatre . Extant records of Shakespeare's property purchases and investments indicate that his association with the company made him a wealthy man, and in 1597, he bought the second-largest house in Stratford, New Place , and in 1605, invested in a share of the parish tithes in Stratford. Some of Shakespeare's plays were published in quarto editions, beginning in 1594, and by 1598, his name had become
8748-531: The First Folio 's text reads: The weyward Sisters, hand in hand, Posters of the Sea and Land... In later scenes in the First Folio, the witches are described as "weyward", but never "weird". The modern appellation "weird sisters" derives from Holinshed 's original Chronicles . The word weird (descended from Old English wyrd 'fate') was a borrowing from Middle Scots and had different meanings besides
8910-510: The First Folio , a posthumous collected edition of Shakespeare's dramatic works that includes 36 of his plays. Its Preface was a prescient poem by Ben Jonson , a former rival of Shakespeare, who hailed Shakespeare with the now famous epithet: "not of an age, but for all time". Shakespeare was the son of John Shakespeare , an alderman and a successful glover (glove-maker) originally from Snitterfield in Warwickshire , and Mary Arden ,
9072-536: The King's Men . All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts ... — As You Like It , Act II, Scene 7, 139–142 In 1599, a partnership of members of the company built their own theatre on the south bank of the River Thames , which they named the Globe . In 1608, the partnership also took over
9234-535: The Latin alphabet , there was no standardized orthography in use in the Middle Ages. A modified version of the letter wynn called vend was used briefly for the sounds /u/ , /v/ , and /w/ . Long vowels were sometimes marked with acutes but also sometimes left unmarked or geminated. The standardized Old Norse spelling was created in the 19th century and is, for the most part, phonemic. The most notable deviation
9396-667: The Rus' people , a Norse tribe, probably from present-day east-central Sweden. The current Finnish and Estonian words for Sweden are Ruotsi and Rootsi , respectively. A number of loanwords have been introduced into Irish , many associated with fishing and sailing. A similar influence is found in Scottish Gaelic , with over one hundred loanwords estimated to be in the language, many of which are related to fishing and sailing. Old Norse vowel phonemes mostly come in pairs of long and short. The standardized orthography marks
9558-523: The Shrew ' s story of the taming of a woman's independent spirit by a man sometimes troubles modern critics, directors, and audiences. Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his most acclaimed comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic, and comic lowlife scenes. Shakespeare's next comedy,
9720-562: The Viking Age , the Christianization of Scandinavia , and the consolidation of Scandinavian kingdoms from about the 8th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid- to late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse
9882-809: The Witch of Endor from the Bible, the Norns of Norse mythology , and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae . Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an ominous tone for
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#173277304310510044-494: The end of lines , with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet . Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind: Sir, in my heart there was a kind of fighting That would not let me sleep. Methought I lay Worse than
10206-668: The word stem , so that hyrjar would be pronounced /ˈhyr.jar/ . In compound words, secondary stress falls on the second stem (e.g. lærisveinn , /ˈlɛːɾ.iˌswɛinː/ ). Unlike Proto-Norse, which was written with the Elder Futhark , runic Old Norse was originally written with the Younger Futhark , which had only 16 letters. Because of the limited number of runes, several runes were used for different sounds, and long and short vowels were not distinguished in writing. Medieval runes came into use some time later. As for
10368-435: The "When shall we three meet again?" of Macbeth Act 1, Scene 1. The Third Witch , a 2001 novel written by Rebecca Reisert, tells the story of the play through the eyes of a young girl named Gilly – one of the witches. Gilly seeks Macbeth's death out of revenge for killing her father. William Shakespeare William Shakespeare ( c. 23 April 1564 – 23 April 1616) was an English playwright , poet and actor. He
10530-557: The 11th century in most of Old East Norse. However, the distinction still holds in Dalecarlian dialects . The dots in the following vowel table separate the oral from nasal phonemes. Note: The open or open-mid vowels may be transcribed differently: Sometime around the 13th century, /ɔ/ (spelled ⟨ǫ⟩ ) merged with /ø/ or /o/ in most dialects except Old Danish , and Icelandic where /ɔ/ ( ǫ ) merged with /ø/ . This can be determined by their distinction within
10692-979: The 12th-century First Grammatical Treatise but not within the early 13th-century Prose Edda . The nasal vowels, also noted in the First Grammatical Treatise, are assumed to have been lost in most dialects by this time (but notably they are retained in Elfdalian and other dialects of Ovansiljan ). See Old Icelandic for the mergers of /øː/ (spelled ⟨œ⟩ ) with /ɛː/ (spelled ⟨æ⟩ ) and /ɛ/ (spelled ⟨ę⟩ ) with /e/ (spelled ⟨e⟩ ). Old Norse had three diphthong phonemes: /ɛi/ , /ɔu/ , /øy ~ ɛy/ (spelled ⟨ei⟩ , ⟨au⟩ , ⟨ey⟩ respectively). In East Norse these would monophthongize and merge with /eː/ and /øː/ , whereas in West Norse and its descendants
10854-668: The 13th century there. The age of the Swedish-speaking population of Finland is strongly contested, but Swedish settlement had spread the language into the region by the time of the Second Swedish Crusade in the 13th century at the latest. The modern descendants of the Old West Norse dialect are the West Scandinavian languages of Icelandic , Faroese , Norwegian , and the extinct Norn language of Orkney and Shetland , although Norwegian
11016-596: The Chorus in Henry V , though scholars doubt the sources of that information. Throughout his career, Shakespeare divided his time between London and Stratford. In 1596, the year before he bought New Place as his family home in Stratford, Shakespeare was living in the parish of St Helen's , Bishopsgate , north of the River Thames. He moved across the river to Southwark by 1599, the same year his company constructed
11178-572: The Faroe Islands, Faroese has also been influenced by Danish. Both Middle English (especially northern English dialects within the area of the Danelaw ) and Early Scots (including Lowland Scots ) were strongly influenced by Norse and contained many Old Norse loanwords . Consequently, Modern English (including Scottish English ), inherited a significant proportion of its vocabulary directly from Norse. The development of Norman French
11340-446: The First Folio, The Two Noble Kinsmen and Pericles, Prince of Tyre , are now accepted as part of the canon, with today's scholars agreeing that Shakespeare made major contributions to the writing of both. No Shakespearean poems were included in the First Folio. In the late 19th century, Edward Dowden classified four of the late comedies as romances , and though many scholars prefer to call them tragicomedies , Dowden's term
11502-496: The Globe Theatre there. By 1604, he had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. There, he rented rooms from a French Huguenot named Christopher Mountjoy, a maker of women's wigs and other headgear. Nicholas Rowe was the first biographer to record the tradition, repeated by Samuel Johnson , that Shakespeare retired to Stratford "some years before his death". He
11664-448: The King's Men, published the First Folio , a collected edition of Shakespeare's plays. It contained 36 texts, including 18 printed for the first time. The others had already appeared in quarto versions—flimsy books made from sheets of paper folded twice to make four leaves. No evidence suggests that Shakespeare approved these editions, which the First Folio describes as "stol'n and surreptitious copies". Alfred Pollard termed some of
11826-421: The London stage by 1592. By then, he was sufficiently known in London to be attacked in print by the playwright Robert Greene in his Groats-Worth of Wit from that year: ... there is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide , supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum ,
11988-480: The Noh play Adachigahara (also called Kurozuka), one of many artistic elements Kurosawa borrowed from Noh theatre for the film. Roman Polanski 's 1971 film version of Macbeth contained many parallels to his personal life in its graphic and violent depictions. His wife Sharon Tate had been murdered two years earlier by Charles Manson and three women. Many critics saw this as a clear parallel to Macbeth's murders at
12150-501: The Shakespeare family. Shakespeare bequeathed the bulk of his large estate to his elder daughter Susanna under stipulations that she pass it down intact to "the first son of her body". The Quineys had three children, all of whom died without marrying. The Halls had one child, Elizabeth, who married twice but died without children in 1670, ending Shakespeare's direct line. Shakespeare's will scarcely mentions his wife, Anne, who
12312-518: The Shrew , and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. His first histories , which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland , dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty . The early plays were influenced by
12474-473: The Swedish plural land and numerous other examples. That also applies to almost all feminine nouns, for example the largest feminine noun group, the o-stem nouns (except the Swedish noun jord mentioned above), and even i-stem nouns and root nouns , such as Old West Norse mǫrk ( mörk in Icelandic) in comparison with Modern and Old Swedish mark . Vowel breaking, or fracture, caused
12636-527: The Three Witches with the Forest Spirit, an old hag who sits at her spinning wheel, symbolically entrapping Macbeth's equivalent, Washizu, in the web of his own ambition. She lives outside "The Castle of the Spider's Web", another reference to Macbeth's entanglement in her trap. Behind her hut, Washizu finds piles of rotting bones. The hag, the spinning wheel, and the piles of bones are direct references to
12798-499: The act of writing, began to infuse each other". In the early 17th century, Shakespeare wrote the so-called " problem plays " Measure for Measure , Troilus and Cressida , and All's Well That Ends Well and a number of his best known tragedies . Many critics believe that Shakespeare's tragedies represent the peak of his art. Hamlet has probably been analysed more than any other Shakespearean character, especially for his famous soliloquy which begins " To be or not to be; that
12960-646: The age of 11 and was buried 11 August 1596. After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the "complaints bill" of a law case before the Queen's Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589. Scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years". Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe , Shakespeare's first biographer, recounted
13122-541: The beginning of words, this manifested as a dropping of the initial /j/ (which was general, independent of the following vowel) or /v/ . Compare ON orð , úlfr , ár with English word, wolf, year . In inflections, this manifested as the dropping of the inflectional vowels. Thus, klæði + dat -i remains klæði , and sjáum in Icelandic progressed to sjǫ́um > sjǫ́m > sjám . The * jj and * ww of Proto-Germanic became ggj and ggv respectively in Old Norse,
13284-476: The blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air ..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity. Shakespeare combined poetic genius with
13446-584: The characters, portray them as members of the upper class. They are wearing elaborate dresses and hairstyles and appear to be noblewomen as Macbeth and Banquo approach. Shakespeare seems to have diverted quite a bit from this image, making the witches (as Banquo says): withered, and so wild in their attire, That look not like th' inhabitants o' th' earth ... each at once her choppy fingers laying upon her skinny lips. You should be women, and yet your beards forbid me to interpret that you are so. The Three Witches of Macbeth have inspired several painters over
13608-518: The characters. In Wyrd Sisters , a Discworld fantasy novel by Terry Pratchett these three witches and the Globe Theater , now named "The Dysk", are featured. Orson Welles created a film version of the play in 1948, sometimes called the Übermensch Macbeth , which altered the witches' roles by having them create a voodoo doll of Macbeth in the first scene. Critics take this as a sign that they control his actions completely throughout
13770-411: The cluster */Crʀ/ cannot be realized as /Crː/ , nor as */Crʀ/ , nor as */Cʀː/ . The same shortening as in vetr also occurs in lax = laks ('salmon') (as opposed to * lakss , * laksʀ ), botn ('bottom') (as opposed to * botnn , * botnʀ ), and jarl (as opposed to * jarll , * jarlʀ ). Furthermore, wherever the cluster */rʀ/
13932-415: The confusion that springs from them comes from their ability to straddle the play's borders between reality and the supernatural. They are so deeply entrenched in both worlds that it is unclear whether they control fate, or whether they are merely its agents. They defy logic, not being subject to the rules of the real world. The witches' lines in the first act: Fair is foul, and foul is fair Hover through
14094-552: The current Queen of Scotland, at her Majesty's coming to Leith. Again it is confessed, that the said christened Cat was the cause that the King Majesty's Ship at his coming forth of Denmark, had a contrary wind to the rest of his Ships, then being in his company, which thing was most strange and true, as the King's Majesty acknowledges The concept of the Three Witches themselves may have been influenced by an Old Norse skaldic poem, in which twelve valkyries weave and choose who
14256-496: The daughter of an affluent landowning family . He was born in Stratford-upon-Avon , where he was baptised on 26 April 1564. His date of birth is unknown but is traditionally observed on 23 April, Saint George's Day . This date, which can be traced to William Oldys and George Steevens , has proved appealing to biographers because Shakespeare died on the same date in 1616. He was the third of eight children, and
14418-424: The description of a contemporary play-goer Simon Forman . The Three Witches first appear in Act 1, Scene 1, where they agree to meet later with Macbeth . In Act 1, Scene 3, they greet Macbeth with a prophecy that he shall be king, and his companion, Banquo , with a prophecy that he shall generate a line of kings. The prophecies have great impact upon Macbeth. As the audience later learns, he has considered usurping
14580-449: The diphthongs remained. Old Norse has six plosive phonemes, /p/ being rare word-initially and /d/ and /b/ pronounced as voiced fricative allophones between vowels except in compound words (e.g. veðrabati ), already in the Proto-Germanic language (e.g. * b *[β] > [v] between vowels). The /ɡ/ phoneme was pronounced as [ɡ] after an /n/ or another /ɡ/ and as [k] before /s/ and /t/ . Some accounts have it
14742-415: The drama itself. Shakespeare's standard poetic form was blank verse , composed in iambic pentameter . In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at
14904-470: The eldest surviving son. Although no attendance records for the period survive, most biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile (400 m) from his home. Grammar schools varied in quality during the Elizabethan era, but grammar school curricula were largely similar: the basic Latin text
15066-415: The equally romantic The Merchant of Venice , contains a portrayal of the vengeful Jewish moneylender Shylock , which reflects dominant Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado About Nothing , the charming rural setting of As You Like It , and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After
15228-686: The famous Richard Burbage , William Kempe , Henry Condell and John Heminges . Burbage played the leading role in the first performances of many of Shakespeare's plays, including Richard III , Hamlet , Othello , and King Lear . The popular comic actor Will Kempe played the servant Peter in Romeo and Juliet and Dogberry in Much Ado About Nothing , among other characters. He was replaced around 1600 by Robert Armin , who played roles such as Touchstone in As You Like It and
15390-473: The famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar —based on Sir Thomas North 's 1579 translation of Plutarch 's Parallel Lives —which introduced a new kind of drama. According to Shakespearean scholar James Shapiro , in Julius Caesar , "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on
15552-474: The film). In the computer game The Witcher 3: Wild Hunt (2015), the Three Crones of Crookback Bog make an appearance, referred to as the "ladies of the wood" or "the good ladies", called Whispess, Brewess and Weavess. Portrayed as old, grossly deformed women who wield ancient, powerful magic, they are malicious characters, able to shapeshift (among others, into a flock of crows), and pose challenges to
15714-474: The film. Their voices are heard, but their faces are never seen, and they carry forked staves as dark parallels to the Celtic cross. Welles' voiceover in the prologue calls them "agents of chaos, priests of hell and magic". At the end of the film, when their work with Macbeth is finished, they cut off the head of his voodoo doll. Throne of Blood , a Japanese version filmed in 1958 by Akira Kurosawa , replaces
15876-456: The first part of Henry IV , Leonard Digges recording, "Let but Falstaff come, Hal, Poins, the rest ... and you scarce shall have a room". When the company found themselves in dispute with their landlord, they pulled The Theatre down and used the timbers to construct the Globe Theatre , the first playhouse built by actors for actors, on the south bank of the Thames at Southwark . The Globe opened in autumn 1599, with Julius Caesar one of
16038-646: The first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet , Othello, and King Lear . After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James . Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November 1604, and 31 October 1605, including two performances of The Merchant of Venice . After 1608, they performed at
16200-468: The fog and filthy air are often said to set the tone for the remainder of the play by establishing a sense of moral confusion. Indeed, the play is filled with situations in which evil is depicted as good, while good is rendered evil. The line "Double, double toil and trouble," communicates the witches' intent clearly: they seek only to increase trouble for the mortals around them. Though the witches do not directly tell Macbeth to kill King Duncan , they use
16362-477: The fool in King Lear . In 1613, Sir Henry Wotton recorded that Henry VIII "was set forth with many extraordinary circumstances of pomp and ceremony". On 29 June, however, a cannon set fire to the thatch of the Globe and burned the theatre to the ground, an event which pinpoints the date of a Shakespeare play with rare precision. In 1623, John Heminges and Henry Condell , two of Shakespeare's friends from
16524-433: The foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorised the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time. Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from
16686-437: The game's protagonists. Within the first half of the game, they confront the titular figure with a prophecy about his ill fate, hinting at the outcome of the game if the player fails at the overarching quest. Come and Go , a short play written in 1965 by Samuel Beckett , recalls the Three Witches. The play features only three characters, all women, named Flo, Vi, and Ru. The opening line: "When did we three last meet?" recalls
16848-495: The indoor Blackfriars Theatre during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean fashion for lavishly staged masques , allowed Shakespeare to introduce more elaborate stage devices. In Cymbeline , for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees." The actors in Shakespeare's company included
17010-424: The last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines , irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth , for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "... pity, like a naked new-born babe/ Striding
17172-426: The last phase of his life, he wrote tragicomedies (also known as romances ) such as The Winter's Tale and The Tempest , and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy during his lifetime. However, in 1623, John Heminges and Henry Condell , two fellow actors and friends of Shakespeare's, published a more definitive text known as
17334-487: The later plays, however. In Shakespeare's late romances , he deliberately returned to a more artificial style, which emphasised the illusion of theatre. Old Norse Old Norse , also referred to as Old Nordic , or Old Scandinavian , was a stage of development of North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their overseas settlements and chronologically coincides with
17496-399: The long vowels with an acute accent. In medieval manuscripts, it is often unmarked but sometimes marked with an accent or through gemination . Old Norse had nasalized versions of all ten vowel places. These occurred as allophones of the vowels before nasal consonants and in places where a nasal had followed it in an older form of the word, before it was absorbed into a neighboring sound. If
17658-501: The lyrical Richard II , written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, Part 1 and 2 , and Henry V . Henry IV features Falstaff , rogue, wit and friend of Prince Hal. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet ,
17820-478: The marriage. The ceremony may have been arranged in some haste since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna , baptised 26 May 1583. Twins, son Hamnet and daughter Judith , followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at
17982-545: The men with glowing prophecies and then vanish "immediately out of their sight". Holinshed reported that "the common opinion was that these women were either the Weird Sisters, that is [...] the goddesses of destiny, or else some nymphs or fairies endued with knowledge of prophecy by their necromantical science." Another principal source was the Daemonologie of King James published in 1597 which included
18144-426: The mid-1580s to just before Greene's remarks. After 1594, Shakespeare's plays were performed at The Theatre , in Shoreditch , only by the Lord Chamberlain's Men , a company owned by a group of players, including Shakespeare, that soon became the leading playing company in London. After the death of Queen Elizabeth in 1603, the company was awarded a royal patent by the new King James I , and changed its name to
18306-513: The midst of the sea by all these witches sailing in their riddles or Cues as aforesaid, and so left the said Cat right before the town of Leith in Scotland: This done, there did arise such a tempest in the Sea, as a greater has not been seen, which tempest was the cause of the perishing of a Boat or vessel coming over from the town of Brunt Island to the town of Leith, of which was many Jewels and rich gifts, which should have been presented to
18468-423: The modern common meaning 'eerie'. The Holinshed Chronicles aided in this search for the wayward in those who had trusted the weird sisters unfold. One of Shakespeare's principal sources is the Holinshed (1587) account of King Duncan . Holinshed described the future King Macbeth of Scotland and his companion Banquo encountering "three women in strange and wild apparell, resembling creatures of elder world" who hail
18630-730: The most conservative language, such that in present-day Iceland, schoolchildren are able to read the 12th-century Icelandic sagas in the original language (in editions with normalised spelling). Old Icelandic was very close to Old Norwegian , and together they formed Old West Norse , which was also spoken in Norse settlements in Greenland , the Faroes , Ireland , Scotland , the Isle of Man , northwest England, and in Normandy . Old East Norse
18792-428: The most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon , Warwickshire. At the age of 18, he married Anne Hathaway , with whom he had three children: Susanna , and twins Hamnet and Judith . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner ("sharer") of
18954-433: The mutines in the bilboes. Rashly— And prais'd be rashness for it—let us know Our indiscretion sometimes serves us well ... After Hamlet , Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In
19116-433: The mythical meeting place of Macbeth and the witches. Traditionally, Forres is believed to have been the home of both Duncan and Macbeth. However, Coleridge proposed that the three weird sisters should be seen as ambiguous figures, never actually calling themselves 'witches', nor are they called 'witches' by other characters in the play. Moreover, they were depicted as more fair than foul both in Holinshed's account and in
19278-514: The nasal was absorbed by a stressed vowel, it would also lengthen the vowel. This nasalization also occurred in the other Germanic languages, but were not retained long. They were noted in the First Grammatical Treatise , and otherwise might have remained unknown. The First Grammarian marked these with a dot above the letter. This notation did not catch on, and would soon be obsolete. Nasal and oral vowels probably merged around
19440-547: The needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted. "And pity, like
19602-552: The old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter, Cordelia . According to the critic Frank Kermode , "the play...offers neither its good characters nor its audience any relief from its cruelty". In Macbeth , the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth , to murder
19764-462: The opening lines of Act 1, Scene 3. The news pamphlet states: Moreover she confessed that at the time when his Majesty was in Denmark, she being accompanied with the parties before specially named, took a Cat and christened it, and afterward bound to each part of that Cat, the cheefest parts of a dead man, and several joints of his body, and that in the night following the said Cat was conveyed into
19926-641: The other North Germanic languages. Faroese retains many similarities but is influenced by Danish, Norwegian, and Gaelic ( Scottish and/or Irish ). Although Swedish, Danish and Norwegian have diverged the most, they still retain considerable mutual intelligibility . Speakers of modern Swedish, Norwegian and Danish can mostly understand each other without studying their neighboring languages, particularly if speaking slowly. The languages are also sufficiently similar in writing that they can mostly be understood across borders. This could be because these languages have been mutually affected by each other, as well as having
20088-411: The painting one of his most poetic in that sense, asking, What would be a greater object of terror to you if, some night on going home, you were to find yourself sitting at your own table [...] would not this make a powerful impression on your mind? At least fifteen operas have been based on Macbeth , but only one is regularly performed today. This is Macbeth , composed by Giuseppe Verdi to
20250-408: The performance of Henry VIII on 29 June. Shakespeare died on 23 April 1616, at the age of 52. He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". No extant contemporary source explains how or why he died. Half a century later, John Ward , the vicar of Stratford, wrote in his notebook: "Shakespeare, Drayton, and Ben Jonson had
20412-463: The period typically collaborated with others at some point, as critics agree Shakespeare did, mostly early and late in his career. The first recorded works of Shakespeare are Richard III and the three parts of Henry VI , written in the early 1590s during a vogue for historical drama . Shakespeare's plays are difficult to date precisely, however, and studies of the texts suggest that Titus Andronicus , The Comedy of Errors , The Taming of
20574-468: The plague (a total of over 60 months closure between May 1603 and February 1610), which meant there was often no acting work. Retirement from all work was uncommon at that time. Shakespeare continued to visit London during the years 1611–1614. In 1612, he was called as a witness in Bellott v Mountjoy , a court case concerning the marriage settlement of Mountjoy's daughter, Mary. In March 1613, he bought
20736-459: The play. Artists in the 18th century, including Henry Fuseli and William Rimmer , depicted them variously, as have many directors since. Some have exaggerated or sensationalised the hags, or have adapted them to different cultures, as in Orson Welles 's rendition of the weird sisters as voodoo priestesses. The name "weird sisters" is found in most modern editions of Macbeth. However,
20898-478: The pre-1623 versions as " bad quartos " because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory. Where several versions of a play survive, each differs from the others . The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers . In some cases, for example, Hamlet , Troilus and Cressida, and Othello , Shakespeare could have revised
21060-452: The published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with
21222-466: The rightful king and usurp the throne until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus , contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot . Eliot wrote, "Shakespeare acquired more essential history from Plutarch than most men could from
21384-536: The root vowel, ǫ , is short. The clusters */Clʀ, Csʀ, Cnʀ, Crʀ/ cannot yield */Clː, Csː, Cnː, Crː/ respectively, instead /Cl, Cs, Cn, Cr/ . The effect of this shortening can result in the lack of distinction between some forms of the noun. In the case of vetr ('winter'), the nominative and accusative singular and plural forms are identical. The nominative singular and nominative and accusative plural would otherwise have been OWN * vetrr , OEN * wintrʀ . These forms are impossible because
21546-441: The same language, dǫnsk tunga ("Danish tongue"; speakers of Old East Norse would have said dansk tunga ). Another term was norrœnt mál ("northern speech"). Today Old Norse has developed into the modern North Germanic languages Icelandic , Faroese , Norwegian , Danish , Swedish , and other North Germanic varieties of which Norwegian, Danish and Swedish retain considerable mutual intelligibility . Icelandic remains
21708-480: The sexual advances of Venus ; while in The Rape of Lucrece , the virtuous wife Lucrece is raped by the lustful Tarquin . Influenced by Ovid 's Metamorphoses , the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint , in which a young woman laments her seduction by
21870-417: The sonnets "Shakespeare unlocked his heart". Shall I compare thee to a summer's day? Thou art more lovely and more temperate ... —Opening lines from Shakespeare's Sonnet 18 . The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe , whose initials appear at
22032-489: The stone slab covering his grave includes a curse against moving his bones, which was carefully avoided during restoration of the church in 2008: Good frend for Iesvs sake forbeare, To digg the dvst encloased heare. Bleste be yͤ man yͭ spares thes stones, And cvrst be he yͭ moves my bones. Good friend, for Jesus' sake forbear, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones. Some time before 1623,
22194-450: The temptation, while Banquo rejects it. In a version of Macbeth by William Davenant (1606–1668), a scene was added in which the witches tell Macduff and his wife of their future as well as several lines for the two before Macbeth's entrance in act 4. Most of these lines were taken directly from Thomas Middleton 's play The Witch . David Garrick kept these added scenes in his eighteenth-century version. Horace Walpole created
22356-662: The texts between the quarto and folio editions. In the case of King Lear , however, while most modern editions do conflate them, the 1623 folio version is so different from the 1608 quarto that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion. In 1593 and 1594, when the theatres were closed because of plague , Shakespeare published two narrative poems on sexual themes, Venus and Adonis and The Rape of Lucrece . He dedicated them to Henry Wriothesley, Earl of Southampton . In Venus and Adonis , an innocent Adonis rejects
22518-561: The three apparitions and the procession of kings. When Verdi revised the opera for performance in Paris in 1865, he added a ballet (rarely performed nowadays) to this scene. In it, Hecate, a non-dancing character, mimes instructions to the witches before a final dance and Macbeth's arrival. In Henry Purcell 's opera Dido and Aeneas with libretto by Nahum Tate , the Sorceress addresses the two Enchantresses as "Wayward Sisters," identifying
22680-533: The three of them with the fates, as well as with the malevolent witches of Shakespeare's Macbeth . In Dracula , three vampire women who live in Dracula's castle are often dubbed the "Weird Sisters" by Jonathan Harker and van Helsing, though it is unknown if Bram Stoker intended them to be intentionally quoting Shakespeare. Most media these days just refer to them as the Brides of Dracula , likely to differentiate
22842-493: The throne of Scotland. Several non-Shakespearean moments are thought to have been intruded into Macbeth sometime c. 1618 ; these include all of Act 3, Scene 5 and Act 4, Scene 1, ℓℓ 39–43 and ℓℓ 125–132, as well as two songs. In Act 3, Scene 5 (believed to not be written by Shakespeare), the Witches next appear and are reprimanded by Hecate for dealing with Macbeth without her participation. Hecate orders
23004-422: The trio to congregate at a forbidding place where Macbeth will seek their art. In Act 4, Scene 1, the Witches gather and produce a series of ominous visions for Macbeth that herald his downfall. The meeting ends with a "show" of Banquo and his royal descendants. The Witches then vanish. The Three Witches represent evil, darkness, chaos, and conflict, while their role is as agents and witnesses. They appear to have
23166-497: The umlaut allophones . Some /y/ , /yː/ , /ø/ , /øː/ , /ɛ/ , /ɛː/ , /øy/ , and all /ɛi/ were obtained by i-umlaut from /u/ , /uː/ , /o/ , /oː/ , /a/ , /aː/ , /au/ , and /ai/ respectively. Others were formed via ʀ-umlaut from /u/ , /uː/ , /a/ , /aː/ , and /au/ . Some /y/ , /yː/ , /ø/ , /øː/ , and all /ɔ/ , /ɔː/ were obtained by u-umlaut from /i/ , /iː/ , /e/ , /eː/ , and /a/ , /aː/ respectively. See Old Icelandic for information on /ɔː/ . /œ/
23328-511: The urging of the Three Witches within the film. Scotland, PA , a 2001 parody film directed by Billy Morrissette , sets the play in a restaurant in 1970s Pennsylvania . The witches are replaced by three hippies who give Joe McBeth drug-induced suggestions and prophecies throughout the film using a Magic 8-Ball . After McBeth has killed his boss, Norm Duncan, one of them suggests, "I've got it! Mac should kill McDuff's entire family!" Another hippie sarcastically responds, "Oh, that'll work! Maybe
23490-482: The verb skína ('to shine') had present tense third person skínn (rather than * skínr , * skínʀ ); while kala ('to cool down') had present tense third person kell (rather than * kelr , * kelʀ ). The rule is not absolute, with certain counter-examples such as vinr ('friend'), which has the synonym vin , yet retains the unabsorbed version, and jǫtunn (' giant '), where assimilation takes place even though
23652-409: The viewer a picture of the scene that was similar to what would have been seen on stage. Woodmason requested vertical paintings, shrinking the space Fuseli had to work with. In this particular painting he uses lightning and other dramatic effects to separate Macbeth and Banquo from the witches more clearly and communicate how unnatural their meeting is. Macbeth and Banquo are both visibly terrified, while
23814-504: The whole British Museum ." In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline , The Winter's Tale , and The Tempest , as well as the collaboration, Pericles, Prince of Tyre . Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of
23976-607: The witches are confidently perched atop a mound. Silhouettes of the victorious army of Macbeth can be seen celebrating in the background, but lack of space necessitates the removal of the barren, open landscape seen in Fuseli's earlier paintings for the Boydell Shakespeare Gallery of the same scene. Fuseli's other Macbeth Woodmason painting Macbeth and the Armed Head depicts a later scene in which Macbeth
24138-562: The witches are lined up and dramatically pointing at something all at once, their faces in profile. This painting was parodied by James Gillray in 1791 in Weird Sisters; Ministers of Darkness; Minions of the Moon . Three figures are lined up with their faces in profile in a way similar to Fuseli's painting. However, the three figures are recognisable as Lord Dundas (the home secretary at the time), William Pitt (prime minister), and Lord Thurlow ( Lord Chancellor ). The three of them are facing
24300-478: The witches called The Witches show Macbeth The Apparitions painted circa 1771–1772, portraying Macbeth's reaction to the power of the witches' conjured vision. Both brothers' work influenced many later artists by removing the characters from the familiar theatrical setting and placing them in the world of the story. Henry Fuseli would later create one of the more famous portrayals of the Three Witches in 1783, entitled The Weird Sisters or The Three Witches . In it,
24462-429: The works attributed to him were written by others . Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet , Othello , King Lear and Macbeth , all considered to be among the finest works in English. In
24624-459: The works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe , by the traditions of medieval drama, and by the plays of Seneca . The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it has an identical plot but different wording as another play with a similar name. Like The Two Gentlemen of Verona , in which two friends appear to approve of rape,
24786-742: The years who have sought to capture the supernatural darkness surrounding Macbeth's encounters with them. For example, by the 18th century, belief in witches had waned in the United Kingdom. Such things were thought to be the simple stories of foreigners, farmers, and superstitious Catholics. However art depicting supernatural subjects was very popular. John Runciman , as one of the first artists to use Shakespearean characters in his work, created an ink-on-paper drawing entitled The Three Witches in 1767–1768. In it, three ancient figures are shown in close consultation, their heads together and their bodies unshown. Runciman's brother created another drawing of
24948-404: Was a moderately inflected language with high levels of nominal and verbal inflection. Most of the fused morphemes are retained in modern Icelandic, especially in regard to noun case declensions, whereas modern Norwegian in comparison has moved towards more analytical word structures. Old Norse had three grammatical genders – masculine, feminine, and neuter. Adjectives or pronouns referring to
25110-400: Was also influenced by Norse. Through Norman, to a smaller extent, so was modern French. Written modern Icelandic derives from the Old Norse phonemic writing system. Contemporary Icelandic-speakers can read Old Norse, which varies slightly in spelling as well as semantics and word order. However, pronunciation, particularly of the vowel phonemes, has changed at least as much in Icelandic as in
25272-583: Was heavily influenced by the East dialect, and is today more similar to East Scandinavian (Danish and Swedish) than to Icelandic and Faroese. The descendants of the Old East Norse dialect are the East Scandinavian languages of Danish and Swedish . Among these, the grammar of Icelandic and Faroese have changed the least from Old Norse in the last thousand years, though their pronunciations both have changed considerably from Old Norse. With Danish rule of
25434-620: Was nearing its end. The First Folio of 1623, however, lists Shakespeare as one of "the Principal Actors in all these Plays", some of which were first staged after Volpone , although one cannot know for certain which roles he played. In 1610, John Davies of Hereford wrote that "good Will" played "kingly" roles. In 1709, Rowe passed down a tradition that Shakespeare played the ghost of Hamlet's father. Later traditions maintain that he also played Adam in As You Like It , and
25596-535: Was obtained through a simultaneous u- and i-umlaut of /a/ . It appears in words like gøra ( gjǫra , geyra ), from Proto-Germanic *garwijaną , and commonly in verbs with a velar consonant before the suffix like søkkva < *sankwijaną . OEN often preserves the original value of the vowel directly preceding runic ʀ while OWN receives ʀ-umlaut. Compare runic OEN glaʀ, haʀi, hrauʀ with OWN gler, heri (later héri ), hrøyrr/hreyrr ("glass", "hare", "pile of rocks"). U-umlaut
25758-544: Was probably entitled to one-third of his estate automatically. He did make a point, however, of leaving her "my second best bed", a bequest that has led to much speculation. Some scholars see the bequest as an insult to Anne, whereas others believe that the second-best bed would have been the matrimonial bed and therefore rich in significance. Shakespeare was buried in the chancel of the Holy Trinity Church two days after his death. The epitaph carved into
25920-711: Was spoken in Denmark, Sweden, Kievan Rus' , eastern England, and Danish settlements in Normandy. The Old Gutnish dialect was spoken in Gotland and in various settlements in the East. In the 11th century, Old Norse was the most widely spoken European language , ranging from Vinland in the West to the Volga River in the East. In Kievan Rus' , it survived the longest in Veliky Novgorod , probably lasting into
26082-465: Was standardised by royal decree, and the school would have provided an intensive education in grammar based upon Latin classical authors. At the age of 18, Shakespeare married 26-year-old Anne Hathaway . The consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded
26244-553: Was still working as an actor in London in 1608; in an answer to the sharers' petition in 1635, Cuthbert Burbage stated that after purchasing the lease of the Blackfriars Theatre in 1608 from Henry Evans , the King's Men "placed men players" there, "which were Heminges , Condell , Shakespeare, etc.". However, it is perhaps relevant that the bubonic plague raged in London throughout 1609. The London public playhouses were repeatedly closed during extended outbreaks of
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