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74-623: Tate St Ives is an art gallery in St Ives , Cornwall , England, exhibiting work by modern British artists with links to the St Ives area. The Tate also took over management of another museum in the town, the Barbara Hepworth Museum and Sculpture Garden , in 1980. The Tate St Ives was built between 1988 and 1993 on the site of an old gasworks and looks over Porthmeor beach. In 2015, it received funding for an expansion, doubling

148-467: A Civic Trust Award . Notable exhibitions prior to the refurbishment include: Since the refurbishment, Tate St Ives has showcased the following exhibitions: Art gallery Among the modern reasons art may be displayed are aesthetic enjoyment, education , historic preservation , or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve

222-520: A 1,200 square metres (13,000 sq ft) extension designed by Jamie Fobert , with the original architect's involvement in works to the existing building. The Tate St Ives was closed in October 2015 for these works and remained closed for two years. Tate St Ives reopened in October 2017, with the inaugural exhibition in the new 500m2 gallery a solo show by contemporary sculptor Rebecca Warren, 'All that heaven allows'. In July 2018, Tate St. Ives won

296-532: A Preservation Education Directory of ALA Accredited schools in the U.S. and Canada offering courses in preservation. The directory is updated approximately every three years. The 10th Edition was made available on the ALCTS web site in March 2015. Additional preservation education is available to librarians through various professional organizations, such as: Limited, tax-driven funding can often interfere with

370-574: A collection. Considerations include existing condition, rarity, and evidentiary and market values. With non-paper formats, the availability of equipment to access the information will be a factor (for example, playback equipment for audio-visual materials, or microform readers). An institution should determine how many, if any, other institutions hold the material, and consider coordinating efforts with those that do. Institutions should establish an environment that prioritizes preservation and create an understanding among administration and staff. Additionally,

444-488: A competition for a design team to build a major extension, which was won by Jamie Fobert Architects. In January 2015, the Tate St Ives received £3.9 million to contribute towards the new extension, with the intention of doubling the available space in order to accommodate tourists throughout the year, without having to close between exhibitions. The building contract was awarded to BAM Construct UK , who would be adding

518-403: A constant humidity in the middle or low range. Generally, the relative humidity should be between 30–50% with as little variation as possible, however recommendations on specific levels to maintain vary depending on the type of material, i.e. paper-based, film, etc. A specialized dew point calculator for book preservation is available. Pests, such as insects and vermin, eat and destroy paper and

592-442: A different mechanism of decay. The preferred method for storing manuscripts , archival records, and other paper documents is to place them in acid-free paper folders which are then placed in acid-free of low-lignin boxes for further protection. Similarly, books that are fragile, valuable, oddly shaped, or in need of protection can be stored in archival boxes and enclosures. Additionally, housing books can protect them from many of

666-467: A museum is the preservation of artifacts with cultural, historical, and aesthetic value by maintaining a collection of valued objects. Art museums also function as galleries that display works from the museum's own collection or on loan from the collections of other museums. Museums might be in public or private ownership and may be accessible to all or have restrictions on access. Although primarily concerned with visual art , art museums are often used as

740-649: A number of locations. Galleries selling the work of recognized artists may occupy space in established commercial areas of a city. New styles in art have historically been attracted to the low rent of marginal neighborhoods. An artist colony existed in Greenwich Village as early as 1850, and the tenements built around Washington Square Park to house immigrants after the Civil War also attracted young artists and avant-garde art galleries. The resulting gentrification prompted artists and galleries to move to

814-445: A permanent collection may be called either "gallery of art" or "museum of art". If the latter, the rooms where art is displayed within the museum building are called galleries. Art galleries that do not maintain a collection are either commercial enterprises for the sale of artworks, or similar spaces operated by art cooperatives or non-profit organizations . As part of the art world , art galleries play an important role in maintaining

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888-399: A preservation program is to assess the institution's existing preservation needs. This process entails identifying the general and specific needs of the collection, establishing priorities, and gathering the resources to execute the plan. Because budget and time limitations require priorities to be set, standards have been established by the profession to determine what should be preserved in

962-438: A preservation survey: general preservation assessment, collection condition surveys, and an item-by-item survey. General condition surveys can be part of a library inventory . Selection for treatment determines the survival of materials and should be done by a specialist, whether in relation to an established collection development policy or on an item by item basis. Once an object or collection has been chosen for preservation,

1036-449: A set of preventive conservation activities aimed at prolonging the life of a record, book, or object while making as few changes as possible. Preservation activities vary widely and may include monitoring the condition of items, maintaining the temperature and humidity in collection storage areas, writing a plan in case of emergencies, digitizing items, writing relevant metadata , and increasing accessibility. Preservation, in this definition,

1110-531: A venue for other cultural exchanges and artistic activities where the art object is replaced by practices such as performance art , dance, music concerts, or poetry readings. Similar to a gallery, a kunsthalle is a facility that hosts temporary art exhibitions however does not possess a permanent collection . The art world comprises everyone involved in the production and distribution of fine art. The market for fine art depends upon maintaining its distinction as high culture , although during recent decades

1184-657: Is a unique commodity, the artist has a monopoly on production, which ceases when the artist either dies or stops working. Some businesses operate as vanity galleries , charging artists a fee to exhibit their work. Lacking a selection process to assure the quality of the artworks, and having little incentive to promote sales, vanity galleries are avoided as unprofessional. Some non-profit organizations or local governments host art galleries for cultural enrichment and to support local artists. Non-profit organizations may start as exhibit spaces for artist collectives , and expand into full-fledged arts programs. Other non-profits include

1258-429: Is another name for digitization, and is the term more commonly used in archival courses. The main goal of digital preservation is to guarantee that people will have access to the digitally preserved materials long into the future. When practicing preservation, one has several factors to consider in order to properly preserve a record: 1) the storage environment of the record, 2) the criteria to determine when preservation

1332-424: Is considered to have two major components: importance and quality. "Importance" relates to the collection's role as a record, and "quality" covers comprehensiveness, depth, uniqueness, authenticity and reputation of the collection. Moreover, analyzing the significance of materials can be used to uncover more about their meaning. Assessment of significance can also aid in documenting the provenance and context to argue

1406-472: Is especially common in art museums . Museums typically hold to the same practices led by archival institutions. Preservation as a formal profession in libraries and archives dates from the twentieth century, but its philosophy and practice has roots in many earlier traditions. In many ancient societies, appeals to heavenly protectors were used to preserve books, scrolls and manuscripts from insects, fire and decay. Human record-keeping arguably dates back to

1480-421: Is important that preservation specialists be respectful of cultural property and the societies that created it, and it is also important for them to be aware of international and national laws pertaining to stolen items. In recent years there has been a rise in nations seeking out artifacts that have been stolen and are now in museums. In many cases museums are working with the nations to find a compromise to balance

1554-519: Is necessary, 3) what the standard preservation practices are for that particular institution, 4) research and testing, and 5) if any vendor services will be needed for further preservation and potentially conservation. Environmental controls are necessary to facilitate the preservation of organic materials and are especially important to monitor in rare and special collections . Key environmental factors to watch include temperature , relative humidity , pests, pollutants, and light exposure. In general,

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1628-792: Is not guaranteed. Higher-quality images take a longer time to scan, but are often more valuable for future use. Fragile items are often more difficult or more expensive to scan, which creates a selection problem for preservationists where they must decide if digital access in the future is worth potentially damaging the item during the scanning process. Other problems include scan quality, redundancy of digitized books among different libraries, and copyright law. However, many of these problems are being solved through educational initiatives. Educational programs are tailoring themselves to fit preservation needs and help new students understand preservation practices. Programs teaching graduate students about digital librarianship are especially important. Groups such as

1702-472: Is often resolved by a number of measures which can include heightened security, requiring the use of gloves for photographs, restricting the materials researchers may bring with them into a reading room, and restricting use of materials to patrons who are not able to satisfy their research needs with less valuable copies of an item. These restrictions can be considered hindrances to researchers who feel that these measures are in place solely to keep materials out of

1776-424: Is practiced in a library or an archive by a conservator , librarian , archivist , or other professional when they perceive a collection or record is in need of maintenance. Preservation should be distinguished from interventive conservation and restoration , which refers to the treatment and repair of individual items to slow the process of decay, or restore them to a usable state. " Preventive conservation "

1850-665: Is that of digitization of original material to maintain the intellectual content of the material while ignoring the physical nature of the book. Further, the Modern Language Association 's Committee on the Future of the Print Record structured its "Statement on the Significance of Primary Records" on the inherent theoretical ideology that there is a need to preserve as many copies of a printed edition as

1924-509: Is used interchangeably with "preservation". A relatively new concept, digitization , has been hailed as a way to preserve historical items for future use. "Digitizing refers to the process of converting analog materials into digital form." For manuscripts, digitization is achieved through scanning an item and saving it to a digital format. For example, the Google Book Search program has partnered with over forty libraries around

1998-525: The cave painting boom of the Upper Paleolithic , some 32,000–40,000 years ago. More direct antecedents are the writing systems that developed in the 4th millennium BC. Written record keeping and information sharing practices, along with oral tradition , sustain and transmit information from one group to another. This level of preservation has been supplemented over the last century with the professional practice of preservation and conservation in

2072-463: The early modern period , approximately 1500 to 1800 CE. In the Middle Ages that preceded, painters and sculptors were members of guilds, seeking commissions to produce artworks for aristocratic patrons or churches. The establishment of academies of art in the 16th century represented efforts by painters and sculptors to raise their status from mere artisans who worked with their hands to that of

2146-977: The Art Fund Museum of the Year Prize, beating the other shortlisted museums (the Brooklands Museum , the Ferens Art Gallery , Glasgow Women's Library and the Postal Museum, London ) to the £100,000 prize. Later that month, the Royal Institute of British Architects announced that the new Tate building had reached the shortlist for the 2018 Stirling Prize . It was beaten by the Bloomberg Building in London , by Foster + Partners . In 2019, Tate St Ives won

2220-689: The Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC). Another educational resource available to preservationists is the Northeast Document Conservation Center or NEDCC. The Preservation, Planning and Publications Committee of the Preservation and Reformatting Section (PARS) in the Association for Library Collections & Technical Services has created

2294-481: The Digital Preservation Network strive to ensure that "the complete scholarly record is preserved for future generations". The Library of Congress maintains a Sustainability of Digital Formats web site that educates institutions on various aspects of preservation: most notably, on approximately 200 digital format types and which are most likely to last into the future. Digital Preservation

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2368-740: The ability for public libraries to engage in extensive preservation activities. Materials, particularly books, are often much easier to replace than to repair when damaged or worn. Public libraries usually try to tailor their services to meet the needs and desires of their local communities, which could cause an emphasis on acquiring new materials over preserving old ones. Librarians working in public facilities frequently have to make complicated decisions about how to best serve their patrons. Commonly, public library systems work with each other and sometimes with more academic libraries through interlibrary loan programs. By sharing resources, they are able to expand upon what might be available to their own patrons and share

2442-487: The adhesive that secures book bindings. Food and drink in libraries, archives, and museums can increase the attraction of pests. An Integrated Pest Management system is one way to control pests in libraries. Particulate and gaseous pollutants, such as soot, ozone , sulfur dioxide , oxides of nitrogen, can cause dust, soiling, and irreversible molecular damage to materials. Pollutants are exceedingly small and not easily detectable or removable. A special filtration system in

2516-413: The adjacent neighborhood "south of Houston" ( SoHo ) which became gentrified in turn. Attempting to recreate this natural process, arts districts have been created intentionally by local governments in partnership with private developers as a strategy for revitalizing neighborhoods. Such developments often include spaces for artists to live and work as well as galleries. A contemporary practice has been

2590-478: The archival community have explored the possible moral responsibility to preserve all cultural phenomena, in regards to the concept of monumental preservation. Other advocates argue that such an undertaking is something that the indigenous or native communities that produce such cultural objects are better suited to perform. Currently, however, many indigenous communities are not financially able to support their own archives and museums. Still, indigenous archives are on

2664-409: The arts as part of other missions, such as providing services to low-income neighborhoods. Historically, art world activities have benefited from clustering together either in cities or in remote areas offering natural beauty. The proximity of art galleries facilitated an informal tradition of art show openings on the same night, which have become officially coordinated as " first Friday events " in

2738-405: The binding and pages, which may cause the binding to crack and/or the pages to warp. Changes in temperature and humidity should be done slowly so as to minimize the difference in expansion rates. However, an accelerated aging study on the effects of fluctuating temperature and humidity on paper color and strength showed no evidence that cycling of one temperature to another or one RH to another caused

2812-420: The boundary between high and popular culture has been eroded by postmodernism . In the case of historical works, or Old Masters this distinction is maintained by the work's provenance ; proof of its origin and history. For more recent work, status is based upon the reputation of the artist. Reputation includes both aesthetic factors; art schools attended, membership in a stylistic or historical movement,

2886-479: The building's HVAC is a helpful defense. Exposure to light also has a significant effect on materials. It is not only the light visible to humans that can cause damage, but also ultraviolet light and infrared radiation. Measured in lux or the amount of lumens/m , the generally accepted level of illumination with sensitive materials is limited to 50 lux per day. Materials receiving more lux than recommended can be placed in dark storage periodically to prolong

2960-761: The burdens of preservation across a greater array of systems. Archival facilities focus specifically on rare and fragile materials. With staff trained in appropriate techniques, archives are often available to many public and private library facilities as an alternative to destroying older materials. Items that are unique, such as photographs, or items that are out of print, can be preserved in archival facilities more easily than in many library settings. Because so many museum holdings are unique, including print materials, art, and other objects, preservationists are often most active in this setting; however, since most holdings are usually much more fragile, or possibly corrupted, conservation may be more necessary than preservation. This

3034-508: The case for grant funding for the object and collection. Forms of significance can be historically, culturally, socially, or spiritually significant. In the preservation context, libraries and archives make decisions in different ways. In libraries, decision-making likely targets existing holding materials, whereas in archives, decisions for preservation are often made when they acquire materials. Therefore, different criteria might be needed on different occasions. In general, for archive criteria,

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3108-447: The category of Post-war art; while contemporary may be limited to the 21st century or "emerging artists". An enduring model for contemporary galleries was set by Leo Castelli . Rather than simply being the broker for sales, Castelli became actively involved in the discovery and development of new artists, while expecting to remain an exclusive agent for their work. However he also focused exclusively on new works, not participating in

3182-491: The classical arts such as poetry and music, which are purely intellectual pursuits. However, the public exhibition of art had to overcome the bias against commercial activity, which was deemed beneath the dignity of artists in many European societies. Commercial art galleries were well-established by the Victorian era , made possible by the increasing number of people seeking to own objects of cultural and aesthetic value. At

3256-432: The conservator is dealing with cultural objects. The AIC Code of Ethics and Guidelines for Practice has addressed such concerns, stating "All actions of the conservation professional must be governed by an informed respect for cultural property, its unique character and significance and the people or person who created it." This can be applied in both the care and long-term storage of objects in archives and institutions. It

3330-460: The conservator should do what is best for the object in question and not yield to pressure or opinion from outside sources. Conservators should refer to the AIC Code of Ethics and Guidelines for Practice, which states that the conservation professional must "strive to attain the highest possible standards in all aspects of conservation." One instance in which these decisions may get tricky is when

3404-452: The contributing factors to book damage: pests, light, temperature changes, and water. Contamination can occur at the time of manufacture, especially with electronic materials. It must be stopped before it spreads, but it is usually irreversible. Making a proper decision is an important factor before starting preservation practices. Decision making for preservation should be made considering significance and value of materials. Significance

3478-499: The cultural heritage community. The Paul Banks and Carolyn Harris Preservation Award for outstanding preservation specialists in library and archival science, is given annually by the Association for Library Collections & Technical Services, a subdivision of the American Library Association . It is awarded in recognition of professional preservation specialists who have made significant contributions to

3552-436: The end of the 19th and the beginning of the 20th century there were also the first indications of modern values regarding art; art as an investment versus pure aesthetics, and the increased attention to living artists as an opportunity for such investment. Commercial galleries owned or operated by an art dealer or "gallerist" occupy the middle tier of the art market , accounting for most transactions, although not those with

3626-468: The expertise of the gallery owner and staff, and the particular market, the artwork shown may be more innovative or more traditional in style and media. Galleries may deal in the primary market of new works by living artists, or the secondary markets for works from prior periods owned by collectors, estates, or museums. The periods represented include Old Masters , Modern (1900–1950), and contemporary (1950–present). Modern and contemporary may be combined in

3700-501: The field of conservation and preservation. Everything from how to preserve paper media to creating and maintaining electronic resources and gauging their digital permanence is being explored by students and professionals in archives/libraries. The two main issues that most institutions tend to face are the rapid disintegration of acidic paper and water damage (due to flooding, plumbing problems, etc.). Therefore, these areas of preservation, as well as new digital technologies, receive much of

3774-506: The field. Reformatting, or in any other way copying an item's contents, raises obvious copyright issues. In many cases, a library is allowed to make a limited number of copies of an item for preservation purposes. In the United States, certain exceptions have been made for libraries and archives. Ethics will play an important role in many aspects of the conservator's activities. When choosing which objects are in need of treatment,

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3848-567: The group purchased a former gasworks and commissioned architects Eldred Evans and David Shalev , to design a building for the gallery in a similar style to the gas works. The building began in 1991, funded by the European Regional Development Fund , the Henry Moore Foundation and donations from the public. It included a rotunda at the centre of the gallery, looking over Porthmeor Beach and

3922-537: The hands of the public. There is also controversy surrounding preservation methods. A major controversy at the end of the twentieth century centered on the practice of discarding items that had been microfilmed. This was the subject of novelist Nicholson Baker 's book Double Fold , which chronicled his efforts to save many old runs of American newspapers (formerly owned by the British Library) from being sold to dealers or pulped. A similar concern persists over

3996-404: The highest monetary values. Once limited to major urban art worlds such as New York, Paris and London, art galleries have become global. Another trend in globalization is that while maintaining their urban establishments, galleries also participate in art fairs such as Art Basel and Frieze Art Fair . Art galleries are the primary connection between artists and collectors . At the high end of

4070-457: The institution's commitment to preservation should be communicated to funders and stakeholders so that funds can be allocated towards preservation efforts. The first steps an institution should implement, according to the NEDCC, are to establish a policy that defines and charts the course of action and create a framework for carrying out goals and priorities. There are three methods for carrying out

4144-429: The introduction of passive preservation techniques. Rather than maintaining a flat line, consistent 24/7 condition for a collection's environment, fluctuation can occur within acceptable limits to create a preservation environment while also thinking of energy efficiency and taking advantage of the outside environment. Bound materials are sensitive to rapid temperature or humidity cycling due to differential expansion of

4218-684: The lower the temperature is, the better it is for the collection. However, since books and other materials are often housed in areas with people, a compromise must be struck to accommodate human comfort. A reasonable temperature to accomplish both goals is 65–68˚F (18–20 °C) however, if possible, film and photography collections should be kept in a segregated area at 55 ˚F (13 °C). Books and other materials take up and give off moisture making them sensitive to relative humidity. Very high humidity encourages mold growth and insect infestations. Low humidity causes materials to lose their flexibility. Fluctuations in relative humidity are more damaging than

4292-408: The market, a handful of elite auction houses and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants. Point-of-sale galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with the artist and the gallery splitting the proceeds from each sale. Depending upon

4366-744: The need for reliable supervision as well as access for both the public and researchers. Conservators are not just bound by ethics to treat cultural and religious objects with respect, but also in some cases by law. For example, in the United States, conservators must comply with the Native American Graves Protection and Repatriation Act (NAGPRA). The First Archivists Circle, a group of Native American archivists, has also created Protocols for Native American Archival Materials. The non-binding guidelines are suggestions for libraries and archives with Native American archival materials. The care of cultural and sacred objects often affects

4440-701: The network of connections between artists, collectors, and art experts that define fine art . The terms 'art museum' and 'art gallery' may be used interchangeably as reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie ), and some of which are called museums (e.g. the Museum of Modern Art and National Museum of Western Art ). However, establishments that display art for other purposes, but serve no museum functions, are only called art galleries. The distinctive function of

4514-477: The opinions of art historians and critics; and economic factors; inclusion in group and solo exhibitions and past success in the art market. Art dealers, through their galleries, have occupied a central role in the art world by bringing many of these factors together; such as "discovering" new artists, promoting their associations in group shows, and managing market valuation. Exhibitions of art operating similar to current galleries for marketing art first appeared in

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4588-429: The original appearance of the object. Recent concerns about the impact of climate change on the management of cultural heritage objects as well as the historic environment has prompted research efforts to investigate alternative climate control methods and strategies that include the implementation of alternative climate control systems to replace or supplement traditional high-energy consuming HVAC systems as well as

4662-583: The physical storage or the object. For example, sacred objects of the native peoples of the Western United States are supposed to be stored with sage to ensure their spiritual well-being. The idea of storing an object with plant material is inherently problematic to an archival collection because of the possibility of insect infestation. When conservators have faced this problem, they have addressed it by using freeze-dried sage, thereby meeting both conservation and cultural needs. Some individuals in

4736-495: The points include: For archival criteria, the following are evidence of significance: Since the 1970s, the Northeast Document Conservation Center has stated that the study of understanding the needs of the archive/library is inherently important to their survival. To prolong the life of a collection, it is important that a systematic preservation plan is in place. The first step in planning

4810-628: The proper methods of preservation is important and most archivists are educated on the subject at academic institutions that specifically cover archives and preservation. In the United States most repositories require archivists to have a degree from an ALA-accredited library school. Similar institutions exist in countries outside the US. Since 2010, the Andrew W. Mellon Foundation has enhanced funding for library and archives conservation education in three major conservation programs. These programs are all part of

4884-434: The resale of older work by the same artists. All art sales after the first are part of the secondary market, in which the artist and the original dealer are not involved. Many of these sales occur privately between collectors, or works are sold at auctions. However some galleries participate in the secondary market depending upon the market conditions. As with any market, the major conditions are supply and demand. Because art

4958-542: The research attention. The American Library Association has many scholarly journals that publish articles on preservation topics, such as College and Research Libraries, Information Technology and Libraries, and Library Resources and Technical Services . Scholarly periodicals in this field from other publishers include International Preservation News, Journal of the American Institute for Conservation , and Collection Management among many others. Learning

5032-420: The retention of original documents reformatted by any means, analog or digital. Concerns include scholarly needs and legal requirements for authentic or original records as well as questions about the longevity, quality, and completeness of reformatted materials. Retention of originals as a source or fail-safe copy is now a fairly common practice. Another controversy revolving around different preservation methods

5106-421: The rise in the United States. There is a longstanding tension between preservation of and access to library materials, particularly in the area of special collections . Handling materials promotes their progression to an unusable state, especially if they are handled carelessly. On the other hand, materials must be used in order to gain any benefit from them. In a collection with valuable materials, this conflict

5180-503: The size of the gallery, and closed in October 2015 for refurbishment. The gallery re-opened in October 2017 and is among the most visited attractions in the UK. In 1980, Tate group started to manage the Barbara Hepworth Museum and Sculpture Garden , dedicated to the life and work of the renowned St Ives artist. The group decided to open a museum in the town, to showcase local artists, especially those already held in their collection. In 1988,

5254-437: The treatment must be determined that is most appropriate to the material and its collecting institution. If the information is most important, reformatting or creation of a surrogate is a likely option. If the artifact itself is of value, it will receive conservation treatment, ideally of a reversible nature. With old media deteriorating or showing their vulnerabilities and new media becoming available, research remains active in

5328-458: The use of vacant commercial space for art exhibitions that run for periods from a single day to a month. Now called "popup galleries", a precursor was Artomatic which had its first event in 1999 and has occurred periodically to the present, mainly in the Washington metro area . Preservation (library and archive) In conservation , library and archival science , preservation is

5402-517: The world to digitize books. The goal of this library partnership project is to "make it easier for people to find relevant books – specifically, books they wouldn't find any other way such as those that are out of print – while carefully respecting authors' and publishers' copyrights." Although digitization seems to be a promising area for future preservation, there are also problems. The main problems are that digital space costs money, media and file formats may become obsolete, and backwards compatibility

5476-619: Was completed in 1993. The gallery opened in June 1993, the second of the Tate's regional galleries after Tate Liverpool , receiving more than 120,000 visitors before the end of the year. In 1999, to celebrate the solar eclipse (as St Ives was predicted to be the first British town to witness the event), Tate St Ives held an exhibition called As Dark as Light , exhibiting work from Garry Fabian Miller , Gia Edzveradze and Yuko Shiraishi alongside art from local schoolchildren. In 2012, Tate St Ives ran

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