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Tensou Sentai Goseiger

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Tensou Sentai Goseiger ( 天装戦隊ゴセイジャー , Tensō Sentai Goseijā , Heavenly Armament Squadron Goseiger) is the title of Toei Company 's 34th entry in its long-running Super Sentai franchise. It follows an angelic motif as well as a trading card theme. It joined Kamen Rider W , and later Kamen Rider OOO , as a program featured in TV Asahi's Super Hero Time programming block. It aired from February 14, 2010 to February 6, 2011, replacing Samurai Sentai Shinkenger and was replaced by Kaizoku Sentai Gokaiger . The series ties in with the arcade game Super Sentai Battle: Dice-O , with the characters using cards resembling Carddass cards used in the game to transform and access various weapons, similar to the concept of Kamen Rider Decade and its link to Kamen Rider Battle: Ganbaride .

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42-425: The cast and characters were revealed at an event at Tokyo Dome City on January 30 and 31, 2010. The protagonists also had a cameo appearance in the film, Samurai Sentai Shinkenger vs. Go-onger: GinmakuBang!! . The phrase "Descent!" ( 降臨! , Kōrin! ) is utilized in the promotional materials for the series. Unknown to the people of Earth, there is a branch of humanity called the "Gosei Angels" whose mission

84-433: A Summer Olympics venue is a stub . You can help Misplaced Pages by expanding it . Direct-to-video Direct-to-video or straight-to-video refers to the release of a film , television series , short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere . This distribution strategy was prevalent before streaming platforms came to dominate

126-710: A TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small niche market , or a simple lack of general public interest. Studios, limited in the annual number of films to which they grant cinematic releases, may choose to pull the completed film from the theaters, or never exhibit it in theaters at all. Studios then generate revenue through video sales and rentals. Direct-to-video films are marketed mostly through colorful box covers, instead of advertising, and are not covered by publications like Leonard Maltin's Movie Guide . The first direct-to-video release to go into production

168-457: A crossover between the Goseiger and Shinkenger casts and characters. The heroes of Kaizoku Sentai Gokaiger also make a cameo appearance in the film. The events of the movie take place between Epics 32 and 33. Gokaiger Goseiger Super Sentai 199 Hero Great Battle ( ゴーカイジャー ゴセイジャー スーパー戦隊199ヒーロー 大決戦 , Gōkaijā Goseijā Sūpā Sentai Hyakukyūjūkyū Hīrō Daikessen ) is the film commemorating

210-434: A direct-to-video movie may get a limited theatrical screening in order to build excitement for the actual release of the video such as was done for 2010's Justice League: Crisis on Two Earths , and Planet Hulk , 2016's Batman: The Killing Joke or 2013's Sharknado . In some cases, other direct-to-video films can also be theatrically released in other countries. As DVDs gradually replaced VHS videocassettes ,

252-431: A full cinema release or because its release window has closed. In film industry slang, such films are referred to as having been "vaulted". Like B-movies shown in drive-in theaters in the mid-20th century, direct-to-video films employ both former stars and young actors who may become stars later. Direct-to-video releases can be done for films which cannot be shown theatrically due to controversial content, or because

294-460: A successful live action film straight to DVD, due to a lack of budget in comparison to the original. During the Golden Age of Porn in the 1970s, many pornographic films were released in theatres, some of which became some of the highest-grossing films in their release years, and in the pornography industry altogether. Toward the 1980s, porn began to shift to video release, because video allowed

336-469: A third of the average cost of a Hollywood release. According to Variety , American Pie Presents: Band Camp sold more than one million copies in a week. Some direct-to-DVD releases recently have tended to feature actors who were formerly bankable stars. In 2005, salaries for some of these direct-to-DVD actors in the multimillion-dollar range from $ 2 to $ 4 million ( Jean-Claude Van Damme ) and $ 4.5 to $ 10 million ( Steven Seagal ), in some cases exceeding

378-555: A trend in China; these films are called "Online Big Movies" ("OBM"; 网络大电影 in Chinese, or simply 网大). The word "Big" in the name was meant to be sardonic , as most of these films are often made on a very low budget and featuring mostly unknown cast members and sometimes nonprofessional actors. However, increasingly, the budget for these films have been slowly climbing up, due to the success of these films on digital distribution platforms;

420-423: Is a V-Cinema release for Goseiger , serving as an epilogue for the series. The direct-to-video film also features Mayuko Iwasa ( 岩佐 真悠子 , Iwasa Mayuko ) in a guest starring role. Come Back! Tensou Sentai Goseiger became available for rental on June 10, 2011, and for sale on June 21, 2011. The events of the movie take place between Epic 50 and the events of Kaizoku Sentai Gokaiger . A single containing

462-557: Is a film which features a crossover between the characters of the Super Sentai and Kamen Rider series. The protagonists of Gokaiger and Kamen Rider Decade are featured, as well as those of Kamen Rider Fourze , Kamen Rider OOO , and Tokumei Sentai Go-Busters . Yudai Chiba reprises his role as Gosei Red in the film. Tensou Sentai Goseiger: Special Epic – New Hero Descent! ( 天装戦隊ゴセイジャーSpecial Epic ニューヒーロー降臨! , Tensō Sentai Goseijā: Supesharu Epikku ~Nyū Hīrō Korin~ )

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504-462: Is a special DVD. Tensou Sentai Goseiger: Special DVD - Gotcha☆Miracle! Compilation Video!! ( 天装戦隊ゴセイジャー スペシャルDVD ガッチャ☆ミラクル!総集編!! , Tensō Sentai Goseijā: Supesharu Dīvīdī - Gatcha☆Mirakuru! Sōshūhen!! ) is a special DVD. Tensou Sentai Goseiger Returns: Last Epic – The Gosei Angels are National Idols!? ( 帰ってきた天装戦隊ゴセイジャー last epic ~護星天使が国民的アイドルに?!~ , Kaettekita Tensō Sentai Goseijā: Rasuto Epikku ~Gosei Tenshi ga Kokuminteki Aidoru ni?!~ )

546-496: Is an entertainment complex in Bunkyō , Tokyo, Japan. It also includes the world's largest roofed baseball stadium, known as Tokyo Dome (AKA "Big Egg"); an amusement park known as Tokyo Dome City Attractions (formerly Kōrakuen Yūenchi); and Korakuen Hall . In May 2003, a spa resort known as LaQua opened for business near Tokyo Dome City Attractions. It also hosts character shows for Toei Company 's Toei Superheroes , including

588-693: Is to protect the Earth. When the Earth is targeted by an evil alien invasion force called Warstar, they destroy the Heaven's Tower, the bridge between the Earth and the Gosei World, home of the Gosei Angels, to keep them from interfering. However, five apprentice Gosei Angels are on Earth at the time and, while finding a way to return home, they become the Goseigers to stop Warstar. After many hard battles

630-700: The Kamen Rider and Super Sentai series (the Tokyo Dome Corporation is the Super Sentai series' main sponsor). The Tokyo Dome City contains the Tokyo Dome Hotel, a 43-story hotel that is easy to spot from the street and from the Tokyo Subway Suidobashi Station, which is only two blocks away. This Tokyo location article is a stub . You can help Misplaced Pages by expanding it . This article about

672-529: The Tribeca Film Festival in April, where it was reviewed positively, but only received modest distribution offers. At the time, it was not very common for consumers to make digital movie purchases. As part of a push by the service towards original content, the subscription video on demand service Netflix began to acquire feature films for distribution on its service in the 2010s, including

714-475: The 2013 documentary The Square , and its first feature film in 2015 — Beasts of No Nation . Netflix pursued a simultaneous release strategy for its films, partnering with a distributor for a limited theatrical release (in order to maintain eligibility for awards requiring theatrical release, such as the Academy Awards ) simultaneous with their availability to subscribers. As this practice violates

756-579: The 2014 film The Interview was released simultaneously on digital and at selected cinemas, after major chains dropped the film due to terrorist threats by a hacking group believed to have ties to North Korea (whose regime is satirized in the film). The group had also leaked confidential data from the internal servers of the film's distributor, Sony Pictures . The COVID-19 pandemic resulted in worldwide closures of cinemas due to economic restrictions and guidance against public gatherings, which prompted direct-to-digital releases for several major films;

798-595: The 35th anniversary of the Super Sentai Series. The film primarily featured the casts of Goseiger and Kaizoku Sentai Gokaiger , among the 199 total heroes from the Super Sentai series to appear. The film was originally scheduled for release on May 21, 2011. However, due to the 2011 Tōhoku earthquake and tsunami , filming was affected and the film's release was postponed to June 11. Kamen Rider × Super Sentai: Super Hero Taisen ( 仮面ライダー×スーパー戦隊 スーパーヒーロー大戦 , Kamen Raidā × Sūpā Sentai: Sūpā Hīrō Taisen )

840-714: The Chinese film Lost in Russia was acquired by ByteDance for 630 million yuan (almost 100 million in US dollars) and streamed on its platforms (including TikTok ) for free in lieu of a theatrical release, as part of a larger relationship with the company and the film's distributor Huanxi Media. A number of U.S. films were shifted directly to video-on-demand rentals in lieu of a theatrical release, while some have been sold directly to subscription services, including Disney+ , Max , Netflix, and Amazon Prime Video . OV ("original video") are movies made for direct-to-video release in

882-487: The Japanese market. OVA (" original video animation ") is distinguished from OVM ("original video movies") or V-Cinema, which usually refer to non-animated works. Different production studios may use other labels like "V drama". The OVA market developed in the mid-1980s. The lax restrictions and censorship in comparison to broadcast television appealed to filmmakers, allowing them to include more controversial content, as

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924-541: The TV and movie distribution markets. Because inferior sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative . Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $ 50 million revenue worldwide. A production studio may decide not to generally release

966-541: The Warstar are defeated, but soon after, the monstrous Yuumajuu emerge from their slumber and the Goseigers receive aid from a special being called Gosei Knight who once fought against the Yuumajuu in the past. They defeat the Yuumajuu as well, but the evil robotic Matrintis Empire rises to take over the Earth with the data acquired from the last two factions. Once they are defeated, the Goseigers face their greatest enemy in

1008-408: The actors' theatrical rates. With the increasing prominence of digital distribution platforms in the 2000s and 2010s, direct-to-digital releases began to emerge alongside, or in lieu of home video. In November 2007, Ed Burns ' Purple Violets became the first film to "premiere" exclusively for sale on iTunes Store , being exclusive to the platform for a month exclusively. It had premiered at

1050-472: The best-selling DTV films of all time ). By 1994, an average of six new direct-to-video films appeared each week. Erotic thrillers and R-rated action films were the two most successful genres. Family films became more important than such genres later in the 1990s, as retailers stocked more copies of blockbuster films instead of more titles. According to the Los Angeles Times : Often,

1092-540: The budget for these films can now range from less than 1 million yuan to upwards of 10 or 20 million yuan. Although these "Online Big Movies" rarely feature well-known actors, in recent years, many "Online Big Movies" have hired veteran actors from Hong Kong action cinema and Taiwanese cinema to join its cast. These movies are also to be differentiated from films that are made for theatrical release but were later acquired by digital streaming services, in that these "Online Big Movies" are produced by internet companies with

1134-646: The cost involved in a theatrical release is beyond the releasing company. Animated sequels and feature-length episodes of animated series are also often released in this fashion. The first feature length animated film to be released direct-to-video in the United States was Tiny Toon Adventures: How I Spent My Vacation in 1992. The practice of creating and releasing regular fiction specifically for video did not really take off until 1994, with Disney 's The Return of Jafar and Universal 's The Land Before Time II: The Great Valley Adventure , neither of which

1176-498: The downfall of live-action family films at the box office is their strength on video. Their appeal is to families with young children, who may go to only a couple of movies per year but who will watch many videos multiple times. The teens and young adults who drive blockbuster box office statistics stay away from family movies. Some horror films that are unsuccessful in theaters, like Witchcraft , begin successful direct-to-video series. Studios may also release sequels or spin-offs to

1218-534: The explosion in quantity and variety of such movies established and cemented genres like J-horror and yakuza films . The success of OVAs and V-Cinema has resulted in less stigma regarding direct-to-video releases in Japan than in western markets. While there are still OVA and V-Cinema releases, the market is considerably smaller than it was in the 1980s and 1990s. In the mid-to-late 2010s, low-budget B-movies that are made exclusively for digital streaming became

1260-406: The film concerns the return of Warstar and two meteorites heading for Earth, among many other natural disasters taking place. The events of the movie take place between Epics 23 and 24. The film Tensou Sentai Goseiger vs. Shinkenger: Epic on Ginmaku ( 天装戦隊ゴセイジャーVSシンケンジャー エピック on 銀幕 , Tensō Sentai Goseijā tai Shinkenjā Epikku on Ginmaku ) was released in theaters on January 22, 2011, featuring

1302-461: The films did not need to rely on sponsored advertisements for financial support. The result was animated films with greater sexual, violent, or political content. The market continued to expand during the Japanese asset price bubble and began to decline with the collapse of the bubble in the late 1980s and early 1990s. With the rise of VHS home video and the decline of the Japanese economy in

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1344-502: The last minute due to the success of another film with a similar subject matter or an ultimate studio decision. Batman: Mask of the Phantasm is an example of this. However, despite the movie's critically acclaimed success, its box-office performance was very poor, which has been attributed to the last minute nature of its theatrical release. The film had much better commercial success in its subsequent home video releases. Other times,

1386-567: The late 1980s, film studios struggled to recoup investments on big-budget films. Inspired by the success of OVAs, Toei released its first V-Cinema, Crime Hunter , in March 1989. Following Toei's success, other studios began to release a slew of direct-to-video movies. Relaxed censorship in V-Cinema gave way to the premier and rise of expressive auteur directors such as Takashi Miike , Hideo Nakata , Shinji Aoyama , and Kiyoshi Kurosawa . As

1428-423: The one who has been manipulating the other groups from the very beginning: a rogue Gosei Angel who took their mission to protect the Earth to a dangerous extreme by planning to destroy all life and recreate the world in his image. Each episode of Tensou Sentai Goseiger is referred to as an " epic " ( エピック , epikku ) . The trademark for the series was filed by Toei Company on August 12, 2009. In addition to

1470-684: The opening theme, first ending theme, their karaoke variations, as well as two image songs , was released on March 17, 2010. A music video for the opening theme featuring NoB and Gosei Red was recorded and put on YouTube by Columbia Music Entertainment . In its first week of release, the single reached #6 on the Oricon Weekly Charts. Tokyo Dome City 35°42′20.23″N 139°45′6.82″E  /  35.7056194°N 139.7518944°E  / 35.7056194; 139.7518944 Tokyo Dome City ( 東京ドームシティ , Tōkyō Dōmu Shiti ) , referred to as Big Egg City before January 1, 2000,

1512-476: The producers to work on extremely low budgets and dispense with some film production elements, like scripts, and the increased privacy and convenience of the format change were preferred by the target market. During the late 1990s and onward, pornographers began releasing content on the Internet. Occasionally, a studio that makes a movie that was prepared as a direct-to-video film will release it theatrically at

1554-546: The protagonists' debut in Samurai Sentai Shinkenger vs. Go-onger: GinmakuBang!! , Goseiger has had three theatrical releases where they are the primary characters. Tensou Sentai Goseiger: Epic on the Movie ( 天装戦隊ゴセイジャー エピックON THEムービー , Tensō Sentai Goseijā Epikku On Za Mūbī ) was released on August 7, 2010, double-billed with Kamen Rider W Forever: A to Z/The Gaia Memories of Fate . The story of

1596-462: The release of these titles were outside of usual distribution, studios and directors worked quickly to capitalize on niche markets or upcoming and current trends to increase financial returns. This period of history in Japanese cinema has been described by film journalist Tom Mes as "a far more diverse and vibrant film scene [than previous eras]". By 1995, the V-cinema industry was in decline, but

1638-409: The term "direct-to-DVD" replaced "direct-to-video" in some instances. However, the word "video" does not necessarily refer to videocassettes. Many publications continue to use the term "direct-to-video" for DVDs or Blu-rays . Both disc-based release types may also be referred to as "direct-to-disc". A new term sometimes used is "DVD premiere" (DVDP). Such films can cost as little as $ 20 million, about

1680-462: The traditional release windows mandated by the cinema industry, major chains have typically declined to screen the films. Since 2018, Netflix has partially backpedaled from this strategy, giving its films a one-month theatrical run before their premiere on the Netflix service. Unique circumstances have also resulted in direct-to-digital releases, sometimes alongside a limited theatrical release;

1722-468: Was E. Nick: A Legend in His Own Mind in 1984 produced by CineTel Films . Direct-to-video releases have historically carried a stigma of lower technical or artistic quality than theatrical releases. Some films released direct-to-video are films which have been completed but were never released in movie theaters. This delay often occurs when a studio doubts a film's commercial prospects to justify

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1764-552: Was intended to hit theaters at any point in its production. Several of the animated sequels, like MGM 's The Secret of NIMH 2: Timmy to the Rescue from 1998, have sparked criticism due to the deliberate neglect of the original source material by creative content limits as these franchises will abruptly discontinue. Several other film series will be continuous if they become more successful, like Scooby-Doo for instance (their video debut Scooby-Doo on Zombie Island became one of

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