35-483: The Good Girl is a 2002 American comedy-drama film directed by Miguel Arteta from a script by Mike White . The film stars Jennifer Aniston , Jake Gyllenhaal and John C. Reilly . The Good Girl premiered at the 2002 Sundance Film Festival , and released to theatres on August 7, 2002, in the United States. Justine Last is a bored thirty-year-old woman living in small-town Texas with her husband Phil,
70-465: A cookie-cutter template for editorial content onto the publication. Belt-tightening in 2009 led to internal cutbacks, resulting in the paper eliminating the position of managing editor, letting go of several staff writers and other editorial department positions, as well as cutting the entire fact-checking department. New Times Media replaced news editor Alan Mittelstaedt with New Times LA editor Jill Stewart . Writers once closely associated with
105-542: A house painter who spends most of his free time smoking marijuana with his best friend, Bubba. Phil wants to start a family with Justine, but she is not ready. Justine works at Retail Rodeo, the local big-box store , with Cheryl, Gwen, and security guard Corny. Holden is hired as a cashier at work, and Justine introduces herself. They spend time together, and she confides that she feels underappreciated at home. Holden becomes smitten with Justine, but when he tries to start sexual activity with her, she rejects him. He writes her
140-468: A letter saying she will never see him again if she does not meet him at 5 p.m. that day. Though Justine is hesitant, she meets Holden at a motel, where they have sex. Justine's marriage deteriorates as her affair with Holden continues. One night, she spots Bubba's truck in the motel parking lot. Convinced he knows, she tells Holden at work that she can't see him anymore. Bubba invites Justine to his house and blackmails her into having sex with him. Holden, who
175-476: A romantic liaison between them. That night after feeling unwell all day, Justine takes a pregnancy test. The results come up positive; Phil is overjoyed, but Justine feels uneasy as she doesn't know who the father is. The following day at work, $ 15,000 is suspected to have been stolen by Holden. Justine is interrogated by her boss Jack about their relationship. Holden later brags about the stolen money to her and his plans for them to run away. He tells her to meet him
210-928: Is Darrick Rainey, the Music Editor is Brett Callwood, the Culture & Entertainment Editor is Lina Lecaro, the Arts Editor ;is Shana Nys Dambrot and the Food Editor ;is Michele Stueven. The Publisher and CEO is Brian Calle. In June 2022, the Los Angeles Press Club awarded news reporter Isai Rocha Journalist of the Year for print publications under 50,000 circulation at the 64th Annual Southern California Journalism Awards. The judges said, "Whether exploring issues of diversity, pandemic inequities, or homelessness, Rocha delivers
245-679: Is a free weekly alternative newspaper in Los Angeles , California. The paper covers music, arts, film, theater, culture, and other local news in the Los Angeles area. LA Weekly was founded in 1978 by Jay Levin (among others), and he served as the publication's editor from 1978 to 1991, as well as its president from 1978 to 1992. Jay Levin put together an investment group that included actor Michael Douglas , Burt Kleiner, Joe Benadon, and Pete Kameron. Levin's co-founders included Joie Davidow , Michael Ventura , and Ginger Varney. Levin
280-671: Is a movie or program that balances the elements of a drama and a comedy. Also known as a comedy drama, this hybrid genre often deals with real life situations, grounded characters, and believable situations. The ratio between the drama and comedy can vary, but most of the time there is an equal measure of both, with neither side dominating. Abreu also adds that dramedies often deal with relatable and serious topics such as divorce, illness, hardship, and heartache. Examples of comedy dramas in American film include: Examples of American television comedy dramas include: LA Weekly LA Weekly
315-450: Is an "independent film of satiric fire and emotional turmoil". Comedy-drama Comedy drama , also known by the portmanteau dramedy , is a hybrid genre of works that combine elements of comedy and drama . In films, serious dramatic themes (such as death, illness, etc.) are dealt with realism and subtlety, while preserving a humorous tenor. In television, modern scripted comedy dramas tend to have more humour integrated into
350-471: Is following Justine, sees them through a window. Holden does not show up at work the next day but is drunkenly waiting in Justine's car when her shift ends. He calls her a whore and demands an apology, offering to kill her husband to free her from her marriage. Justine becomes desperate to extricate herself from their relationship. Talking to his parents, she tells them that he is mentally ill and has imagined
385-716: Is forceful and effective - she effortlessly submerges herself into the role, and, after only a moment's hesitation, Aniston has vanished and all that's left is lonely, trapped Justine." Elvis Mitchell of The New York Times wrote, "It's Ms. Aniston who surprises in The Good Girl. In some ways she may feel as trapped as Justine by playing Rachel Green , the poor little rich daddy's girl of television's Friends . She comes up with an inventively morose physicality for Justine: her arms hang at her sides as though shackled; they're not limp appendages but weighed down with unhappiness. The plucky dream girls she's played in movies like
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#1732787331550420-458: Is hiding. Later, she watches a news report announcing that the police have surrounded Holden at the hotel in a standoff that results in his suicide. The next day, Bubba tells Justine that Phil saw the motel room on the credit card statement, then begs her not to tell Phil about their encounter. When Justine arrives home, Phil asks if she has been having an affair. When she says, "yes", he strikes her. Phil expresses remorse for hitting her and asks if
455-408: Is smart, funny, and honest, and the breakout performance by Jennifer Aniston who simply embodies her character. Whether or not you are a fan of Aniston, you'll appreciate a look at the real depth she has as an actress and I hope to see her in more films that challenge her as an actress." Roger Ebert gave the film three and a half stars and also praised Aniston's performance, and saying The Good Girl
490-721: The Primetime Emmy Awards and the Golden Globe Awards segregate several award categories into these two classifications. The 20th century saw a rise in film and television works that could be described as comedy-dramas. The term is a translation from the French "comédie dramatique". The portmanteau "dramedy" came to be in the 1980s. In January 2022, Rafael Abreu, writing for the StudioBinder filmmaking blog, defined this genre as follows: A dramedy
525-585: The Village Voice Media name in October 2005. At that point, Village Voice Media owned a chain of 17 alternative weeklies with a combined circulation of 1.8 million. Some former employees complained about personnel moves after the sale. For instance, Harold Meyerson , once the Weekly 's political editor, charged in a departing email to Weekly staffers in 2006 that the new owners had grafted
560-452: The Weekly but let go by the paper's management during that period included Meyerson, theater critic Steven Leigh Morris, film critic Ella Taylor , and columnist Marc Cooper . Management said staff cuts were necessary owing to poor economic conditions. However, some of the cuts were likely attributable to philosophical differences with the paper's then-owners (who have since sold the chain). Former staff writer Matthew Fleischer said at
595-752: The Los Angeles Press Club's nod for "Journalist of the Year". In November 2017, the publication was sold to Semanal Media LLC, whose parent company is listed as Street Media. In December 2017, it was revealed that the new owners of Semanal Media LLC included "David Welch, a Los Angeles-based attorney with ties to the cannabis industry; philanthropist Kevin Xu, an investor with biotech firm Mebo International; attorney Steve Mehr; boutique hotelier Paul Makarechian; real estate developer Mike Mugel; and Southern California investor Andy Bequer", all residents of Orange County, California . The new operation manager
630-408: The Los Angeles music scene. Davidow produced a comprehensive calendar section and explored undiscovered fashion districts, discovering new designers. In 1985, LA Weekly launched a glossy magazine, L.A. Style , which Davidow edited. L.A. Style was sold to American Express Publishing in 1988 (it merged with BUZZ magazine in 1993). By 1990, LA Weekly had a circulation of 165,000, making it
665-453: The baby is his. Justine assures him he is the father. Phil still insists on knowing who she had an affair with, and when he asks if it was with Corny the security guard, Justine lies and says yes. At work the next morning, Corny has a bruised face and his arm in a sling. Cheryl informs Justine that after Bible study the previous night, two guys with painted faces jumped him. As the movie concludes, Justine still works at Retail Rodeo. Phil brings
700-442: The following morning at a hotel. When Justine gets home, Phil, Bubba, and Bubba's new girlfriend are waiting to celebrate the baby news. A doctor phones Phil to tell him that his sperm, recently tested for fertility, is "no good.” Bubba assures Phil that the doctors made a mistake. The next morning, Justine packs a suitcase and assesses whether she should stay or run away with Holden. At Retail Rodeo, she tells her manager where Holden
735-482: The job quickly went to Drex Heikes, formerly of the Los Angeles Times . When Heikes left in 2011, he was replaced by Sarah Fenske. In 2009, former Los Angeles Times food writer Amy Scattergood became food blogger at LA Weekly ' s Squid Ink, and was later promoted to food editor. In late 2009, the paper hired Dennis Romero, formerly of Ciudad magazine, as a full-time news blogger. Following
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#1732787331550770-455: The largest urban weekly in the U.S. Co-founder Jay Levin stepped down as president in 1992 to pursue other ventures. Co-founders Michael Ventura and Ginger Varney left the publication in 1993. The founding team was succeeded by Michael Sigman as publisher and Kit Rachlis as editor. LA Weekly was sold to Stern Publishing, owner of The Village Voice , in 1994. New Times Media acquired Stern Publishing (and LA Weekly ) in 2004, assuming
805-408: The newborn baby to Justine. She lovingly holds the child, and the couple seems content. The Good Girl was well received by most critics. Review aggregator Rotten Tomatoes reports an 82% approval rating, based on reviews from 159 critics. The site's consensus reads, "A dark dramedy with exceptional performances from Jennifer Aniston and Jake Gyllenhaal, The Good Girl is a moving and astute look at
840-509: The passions of two troubled souls in a small town." Metacritic , which assigns a normalized rating out of 100 to reviews from mainstream critics, calculated a "generally favorable" average score of 71, based on 35 reviews. Much critical praise went to Jennifer Aniston for her against- type performance. Ella Taylor of LA Weekly opined it is "especially gratifying to see her play a woman who's had it up to here with making nice, and making do." Critic James Berardinelli wrote, "Her performance
875-482: The publication's recent notable writers are Pulitzer Prize -winning food writer Jonathan Gold , who left in early 2012; and Nikki Finke , who blogged about the film industry through the Weekly 's website and published a print column in the paper each week, leaving in June 2009 after the blog she founded, Deadline Hollywood Daily , was acquired by an online firm. In the 1990s, LA Weekly co-founder Michael Ventura
910-467: The recession, in 2012, the paper added food critic Besha Rodell, a James Beard Foundation Award nominee and former food editor of Atlanta 's Creative Loafing . In 2013, the paper named Amy Nicholson its lead film critic. In 2016, LA Weekly named multimedia journalist and Emmy -winning producer Drew Tewksbury as managing editor. As of 2022, the Editor-in-Chief and Creative Director
945-717: The story of the " Grim Sleeper " serial killer. At the 2009 Los Angeles Press Club Awards, the Weekly won six first-place awards, including three by staff writer Christine Pelisek, who was honored in the Investigative Reporting, Hard News, and News Feature categories. In September 2012, Village Voice Media executives Scott Tobias, Christine Brennan and Jeff Mars bought Village Voice Media's papers and associated web properties from its founders and formed Voice Media Group . The paper won journalism awards before and after this transition, with two of its news writers, Patrick Range McDonald and Gene Maddaus, winning
980-615: The story than the comic relief common in drama series but usually contain a lower joke rate than sitcoms . In the very influential Greek theatre , plays were considered comedies or tragedies. This concept even influenced Roman theatre and theatre of the Hellenistic period . Theatre of that era is thought to have long-lasting influence, even in modern narrative works. Even today, works are often classified into two broad buckets, dramas and comedies. For instance, many awards that recognize achievements in film and television today, such as
1015-442: The time that "as part of the company's 'plug-and-play' management strategy, editors, writers, and ad directors were moved from city to city within the chain, without regard for local knowledge. Any old-school Village Voice Media manager who resisted the metamorphosis was denounced as a 'lefty,' a 'throwback,' and worse. They were fired or simply fled." Despite this upheaval, the paper won a Pulitzer Prize in 2006, and in 2009 broke
1050-401: The underseen 1999 classic Office Space are expressive and given to anxious displays of hand waving. But here she articulates Justine's sad tales through a narration that's as affected and misery laden as Holden's ragged, ripped-off fiction." Writing for DVD Talk, Geoffrey Kleinman said, "There are two things which make The Good Girl work so well: the fantastic script by Mike White, which
1085-608: The writers he had earlier brought to the Los Angeles Free Press , and installed Davidow as editor of the arts and entertainment section. LA Weekly 's first issue featured a group of female comedians, including the then-little known Sandra Bernhard , on its cover. Subsequent issues featured exposés on the Los Angeles basin's air quality and U.S. interventionism in Central America. The paper also quickly became notable for its coverage of independent cinema and
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1120-495: Was Brian Calle. In August 2018, David Welch sued the other co-owners, alleging "they've pillaged the company." Street Media also owns The Village Voice , Irvine Weekly , Marina Times , and The Laker/Lutz News . In 1979 the paper established the LA Weekly Theater Awards , which awarded small theatre productions (99 seats or less) in Los Angeles. In December 2014, LA Weekly announced that it
1155-538: Was discontinuing the awards, citing the publication's desire to focus on events that would promote its profitability. From 2006 to 2009, LA Weekly hosted the LA Weekly Detour Music Festival each October. The entire block surrounding Los Angeles City Hall was closed off to accommodate the festival's three stages. Since 2008, LA Weekly has hosted a food and wine festival, now dubbed The Essentials, that draws sizable crowds. Some of
1190-746: Was formerly the publisher of the Los Angeles Free Press . The majority of the LA Weekly 's initial staff members came from the Austin Sun , a similar-natured bi-weekly, which had recently ceased publication. The group were inspired to create the LA Weekly by their work at the Sun as well as other alternative weeklies such as the Chicago Reader and Boston's The Real Paper and The Phoenix . Levin also retained many of
1225-746: Was the recipient of the USA PEN award, the Los Angeles Press Club Award, and the Upton Sinclair Award given by the Liberty Hill Foundation . On June 1, 2009, the paper announced that Editor-in-Chief Laurie Ochoa , who began helming the paper in 2001 (before the New Times acquisition), was "parting ways" with the Weekly . Though some speculated that Jill Stewart was a shoo-in for the position,
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