Misplaced Pages

#539460

204-411: It is one of the first American films to attempt an even remotely realistic portrayal of a serial killer (although that term had yet to be coined). In an unnamed New Mexico bordertown, nightclub promoter Jerry Manning hires a black leopard as a publicity stunt for his girlfriend, Kiki Walker, a performer there. Kiki uses the opportunity to upstage the act of her rival, Clo-Clo, by making an entrance into

408-571: A moral panic , which provides opposition. Cultural values transgressed in the film, such as sexual promiscuity, can be attacked by proxy, through attacks on the film. These concerns can vary from culture to culture, and they need not be at all similar. However, Mathijs says the film must invoke metacommentary for it to be more than simply culturally important. While referencing previous arguments, critics may attack its choice of genre or its very right to exist. By taking stances on these varied issues, critics assure their own relevance while helping to elevate

612-414: A serial murderer ) is a person who murders three or more people, with the killings taking place over a significant period of time in separate events. Their psychological gratification is the motivation for the killings, and many serial murders involve sexual contact with the victims at different points during the murder process. The United States Federal Bureau of Investigation (FBI) states that

816-561: A "cooling-off period." Cases of extended bouts of sequential killings over periods of weeks or months with no apparent "cooling off period" or "return to normality" have caused some experts to suggest a hybrid category of "spree-serial killer". In Controversial Issues in Criminology , Fuller and Hickey write that "[t]he element of time involved between murderous acts is primary in the differentiation of serial, mass, and spree murderers", later elaborating that spree killers "will engage in

1020-442: A budget of approximately $ 150,000. The film was released on 8 May 1943. Upon its initial theatrical release, The Leopard Man received mixed reviews. In their 1943 review of the film, Bosley Crowther of The New York Times called the film "half-baked", and wrote " The Leopard Man is nothing but a feeble and obvious attempt to frighten and shock the audience with a few exercises in mayhem." Tourneur later said he "didn’t like"

1224-747: A case of a serial murderer in the 1870s, a Frenchman named Eusebius Pieydagnelle who had a sexual obsession with blood and confessed to murdering six people. The unidentified killer Jack the Ripper , who has been called the first modern serial killer, killed at least five women , and possibly more, in London in 1888. He was the subject of a massive manhunt and investigation by the Metropolitan Police , during which many modern criminal investigation techniques were pioneered. A large team of policemen conducted house-to-house inquiries, forensic material

1428-627: A comedy. Jacob deNobel of the Carroll County Times states that films can be perceived as nonsensical or inept when audiences misunderstand avant-garde filmmaking or misinterpret parody. Films such as Rocky Horror can be misinterpreted as "weird for weirdness' sake" by people unfamiliar with the cult films that they parody. deNobel ultimately rejects the use of the label "so bad it's good" as mean-spirited and often misapplied. Alamo Drafthouse programmer Zack Carlson has further said that any film which succeeds in entertaining an audience

1632-573: A commentary track to the DVD release in which he describes it as a feminist film. Films which do not attract enough controversy may be ridiculed and rejected when suggested as cult films. Academic Peter Hutchings, noting the many definitions of a cult film that require transgressive elements, states that cult films are known in part for their excesses. Both subject matter and its depiction are portrayed in extreme ways that break taboos of good taste and aesthetic norms. Violence, gore, sexual perversity, and even

1836-465: A crime reporter, was a career journalist who was caught after a series of articles he wrote gave clues that he had murdered people. Russell Williams was a successful and respected career Royal Canadian Air Force Colonel who was convicted of murdering two women, along with fetish burglaries and rapes. Many serial killers have faced similar problems in their childhood development. Hickey's Trauma Control Model explains how early childhood trauma can set

2040-521: A cult blockbuster and a cult film. Although a mainstream epic, Star Wars has provided its fans with a spirituality and culture outside of the mainstream. Fans, in response to the popularity of these blockbusters, will claim elements for themselves while rejecting others. For example, in the Star Wars film series, mainstream criticism of Jar Jar Binks focused on racial stereotyping; although cult film fans will use that to bolster their arguments, he

2244-640: A cult following in Albania, as they were among the few Western films allowed by the country's Communist rulers. The Wizard of Oz (1939) and its star, Judy Garland , hold special significance to American and British gay culture, although it is a widely viewed and historically important film in greater American culture. Similarly, James Dean and his brief film career have become icons of alienated youth. Cult films can have such niche appeal that they are only popular within certain subcultures, such as Reefer Madness (1936) and Hemp for Victory (1942) among

SECTION 10

#1732780808540

2448-741: A cult following, especially now that home video makes fans difficult to count. As these cult films become more popular, they can bring varied responses from fans that depend on different interpretations, such as camp , irony, genuine affection, or combinations thereof. Earnest fans, who recognize and accept the film's faults, can make minor celebrities of the film's cast, though the benefits are not always clear. Cult film stars known for their camp can inject subtle parody or signal when films should not be taken seriously. Campy actors can also provide comic book supervillains for serious, artistic-minded films. This can draw fan acclaim and obsession more readily than subtle, method -inspired acting. Mark Chalon Smith of

2652-799: A cult following. His persistent vision saw him received as an auteur worthy of academic study; director John Waters attributes this to Meyer's ability to create complicated, sexually charged films without resorting to explicit sex. Myrna Oliver described Doris Wishman 's exploitation films as "crass, coarse, and camp ... perfect fodder for a cult following." "Sick films", the most disturbing and graphically transgressive films, have their own distinct cult following; these films transcend their roots in exploitation, horror, and art films. In 1960s and 1970s America, exploitation and art films shared audiences and marketing, especially in New York City's grindhouse cinemas. Mathijs and Sexton state that genre

2856-452: A cult hit when it was broadcast on the satirical television show Mystery Science Theater 3000 ; cast member Trace Beaulieu cited these educational shorts as his favorite to mock on the show. Mark Jancovich states that cult audiences are drawn to these films because of their "very banality or incoherence of their political positions", unlike traditional cult films, which achieve popularity through auteurist radicalism. Mark Shiel explains

3060-538: A dubbed version though it earned over $ 100M internationally. Foreign cinema can put a different spin on popular genres, such as Japanese horror , which was initially a cult favorite in America. Asian imports to the West are often marketed as exotic cult films and of interchangeable national identity, which academic Chi-Yun Shin criticizes as reductive. Foreign influence can affect fan response, especially on genres tied to

3264-517: A film as continuing a director's creative vision are likely to accept it as cult. According to academic Greg Taylor, auteur theory also helped to popularize cult films when middlebrow audiences found an accessible way to approach avant-garde film criticism. Auteur theory provided an alternative culture for cult film fans while carrying the weight of scholarship. By requiring repeated viewings and extensive knowledge of details, auteur theory naturally appealed to cult film fans. Taylor further states that this

3468-544: A form of subcultural capital ; knowledge of cult films proves that one is "authentic" or "non-mainstream". They can be used to provoke an outraged response from the mainstream, which further defines the subculture, as only members could possibly tolerate such deviant entertainment. More accessible films have less subcultural capital; among extremists, banned films will have the most. By referencing cult films, media can identify desired demographics, strengthen bonds with specific subcultures, and stand out among those who understand

3672-461: A form of resistance against progress and capitalistic ideas of a time-based economy. By virtue of the time travel plot, Back to the Future permits nostalgia for both the 1950s and 1980s. Many members of its nostalgic cult following are too young to have been alive during those periods, which Emma Pett interprets as fondness for retro aesthetics, nostalgia for when they saw the film rather than when it

3876-410: A future now that people have such diverse options in both availability and catalog, though fans eager to experience the worst films ever made can lead to lucrative showings for local theaters and merchandisers. Chuck Kleinhans states that the difference between a guilty pleasure and a cult film can be as simple as the number of fans; David Church raises the question of how many people it takes to form

4080-441: A gendered component to the celebration of transgressive themes in cult films, where male terms are used to describe films outside the mainstream while female terms are used to describe mainstream, conformist cinema. Jacinda Read's expansion states that cult films, despite their potential for empowerment of the marginalized, are more often used by politically incorrect males. Knowledgeable about feminism and multiculturalism, they seek

4284-597: A group, and Shiel criticizes this recontextualization as cultural commodification . In 2008, Cineaste asked a range of academics for their definition of a cult film. Several people defined cult films primarily in terms of their opposition to mainstream films and conformism, explicitly requiring a transgressive element, though others disputed the transgressive potential, given the demographic appeal to conventional moviegoers and mainstreaming of cult films. Jeffrey Andrew Weinstock instead called them mainstream films with transgressive elements. Most definitions also required

SECTION 20

#1732780808540

4488-411: A gun. Ad Week writes that cult B films, when released on home video, market themselves and need only enough advertising to raise curiosity or nostalgia. Animation can provide wide open vistas for stories. The French film Fantastic Planet (1973) explored ideas beyond the limits of traditional, live-action science fiction films. Ralph Bakshi 's career has been marked with controversy: Fritz

4692-486: A health-care facility, or at different locations within the same city or state. A notable exception to the typical characteristics of female serial killers is Aileen Wuornos , who killed outdoors instead of at home, used a gun instead of poison, and killed strangers instead of friends or family. One "analysis of 86 female serial killers from the United States found that the victims tended to be spouses, children or

4896-552: A high degree of control over the crime scene and usually have a solid knowledge of forensic science that enables them to cover their tracks, such as burying the body or weighing it down and sinking it in a river. They follow their crimes in the news media carefully and often take pride in their actions as if it were all a grand project. Often, organized killers have social and other interpersonal skills sufficient to enable them to develop both personal and romantic relationships, friends and lovers and sometimes even attract and maintain

5100-432: A hoax, as originally concluded by psychiatrist David Abrahamsen. Mission-oriented killers typically justify their acts as "ridding the world" of certain types of people perceived as undesirable, such as the homeless , ex-cons , homosexuals , drug users , prostitutes, or people of different ethnicity or religion; however, they are generally not psychotic. Some see themselves as attempting to change society, often to cure

5304-403: A lasting following is described by Matt Singer, who states that the phrase is an oxymoron. Cult films are often approached in terms of auteur theory , which states that the director's creative vision drives a film. This has fallen out of favor in academia, creating a disconnect between cult film fans and critics. Matt Hills states that auteur theory can help to create cult films; fans that see

5508-404: A legendary reputation as they were discussed and debated in alternative weeklies, such as The Village Voice . Home video would finally allow general audiences to see them, which gave many people their first taste of underground film. Ernest Mathijs says that cult films often disrupt viewer expectations, such as giving characters transgressive motivations or focusing attention on elements outside

5712-739: A liberal attitude towards the breaking of cultural taboos". Mondo films like Faces of Death mix real and fake footage freely, and they gain their cult following through the outrage and debate over authenticity that results. Like "so bad it's good" cult films, old propaganda and government hygiene films may be enjoyed ironically by more modern audiences for the camp value of the outdated themes and outlandish claims made about perceived social threats, such as drug use. Academic Barry K. Grant states that Frank Capra 's Why We Fight World War II propaganda films are explicitly not cult, because they are "slickly made and have proven their ability to persuade an audience." The sponsored film Mr. B Natural became

5916-472: A lower mean IQ than organized serial killers, at 89.4. Mixed serial killers, with both organized and disorganized traits, have an average IQ of 100.9, but a low sample size. Some people with a pathological interest in the power of life and death tend to be attracted to medical professions or acquiring such a job. These kinds of killers are sometimes referred to as "angels of death" or angels of mercy. Medical professionals will kill their patients for money, for

6120-556: A mainstreaming effect on cult films and cultish behavior, though some collectors would be unlikely to self-identify as cult film fans. Film critic Joe Bob Briggs began reviewing drive-in theater and cult films, though he faced much criticism as an early advocate of exploitation and cult films. Briggs highlights the mainstreaming of cult films by pointing out the respectful obituaries that cult directors have received from formerly hostile publications and acceptance of politically incorrect films at mainstream film festivals. This acceptance

6324-609: A murderer from South America, killed a minimum of 110 young girls between 1969 and 1980. However, he claims that the number is over 300. He was released from a mental facility in 1998 and his whereabouts are still unknown. He is commonly nicknamed the "Monster of the Andes". An additional non-American serial killer is Luis Garavito from Colombia. Garavito would kill and torture boys using various disguises. He murdered around 140 boys ranging in ages from 8 to 16. He would dump his victims' bodies in mass graves. The serial killing phenomenon in

The Leopard Man - Misplaced Pages Continue

6528-486: A national identity; when they become more global in scope, questions of authenticity may arise. Filmmakers and films ignored in their own country can become the objects of cult adoration in another, producing perplexed reactions in their native country. Cult films can also establish an early viability for more mainstream films, both for filmmakers and national cinema. The early cult horror films of Peter Jackson were so strongly associated with his homeland that they affected

6732-457: A new fictional world based on nostalgic views of the past. In martial arts movies, there is the movie Bloodsport (1988) with Jean-Claude Van Damme as well as Road House (1989) with Patrick Swayze . Cult films may also subvert nostalgia, such as The Big Lebowski , which introduces many nostalgic elements and then reveals them as fake and hollow. Scott Pilgrim vs. the World (2010)

6936-474: A nostalgic factor. These films, ritually watched every season, give a sense of community and shared nostalgia to viewers. New films often have trouble making inroads against the institutions of It's a Wonderful Life (1946) and Miracle on 34th Street (1947). These films provide mild criticism of consumerism while encouraging family values. Halloween, on the other hand, allows for flaunting society's taboos and testing one's fears. Horror films have appropriated

7140-509: A parent has a drug or alcohol problem, the attention in the household is on the parents rather than the child. This neglect of the child leads to the lowering of their self-esteem and helps develop a fantasy world in which they are in control. Hickey's Trauma Control Model supports how parental neglect can facilitate deviant behavior, especially if the child sees substance abuse in action. This then leads to disposition (the inability to attach), which can further lead to homicidal behavior, unless

7344-431: A preexisting knowledge of trivia, non-fans can be excluded. Previous articles and controversies can also be alluded to without explanation. Casual readers and non-fans will thus be left out of discussions and debates, as they lack enough information to meaningfully contribute. When fans like a cult film for the wrong reasons, such as casting or characters aimed at mainstream appeal, they may be ridiculed. Thus, fandom can keep

7548-455: A problem that afflicts the whole society." Lorenzo Carcaterra, author of Gangster (2001), explains how potential criminals are labeled by society , which can then lead to their offspring also developing in the same way through the cycle of violence . The ability for serial killers to appreciate the mental life of others is severely compromised, presumably leading to their dehumanization of others. This process may be considered an expression of

7752-404: A random weapon available at the time, and usually do not attempt to hide the body. They are likely to be unemployed, a loner, or both, with very few friends. They often turn out to have a history of mental illness, and their modus operandi (M.O.) or lack thereof is often marked by excessive violence and sometimes necrophilia or sexual violence. Disorganized serial killers have been found to have

7956-537: A realistic goal for Malta's burgeoning film industry. Genre films, B films that strictly adhere to genre limitations, can appeal to cult film fans: given their transgressive excesses, horror films are likely to become to cult films; films like Galaxy Quest (1999) highlight the importance of cult followings and fandom to science fiction; and authentic martial arts skills in Hong Kong action films can drive them to become cult favorites. Cult musicals can range from

8160-456: A rebellion against fascist mores, as he grew from countercultural rebel to mainstream respectability. Transgressive elements that limit a director's appeal in one country can be celebrated or highlighted in another. Takashi Miike has been marketed in the West as a shocking and avant-garde filmmaker despite his many family-friendly comedies, which have not been imported. The transgressive nature of cult films can lead to their censorship. During

8364-435: A refuge from the academic acceptance of these progressive ideals. Their playful and ironic acceptance of regressive lad culture invites, and even dares, condemnation from academics and the uncool. Thus, cult films become a tool to reinforce mainstream values through transgressive content; Rebecca Feasy states that cultural hierarchies can also be reaffirmed through mockery of films perceived to be lacking masculinity. However,

The Leopard Man - Misplaced Pages Continue

8568-456: A response. The most exploitative aspects of art films are thus played up and their academic recognition ignored. This flattening of culture follows the popularity of post-structuralism , which rejects a hierarchy of artistic merit and equates exploitation and art. Mathijs and Sexton state that although cult films are not synonymous with exploitation, as is occasionally assumed, this is a key component; they write that exploitation, which exists on

8772-947: A resurgence, and The Big Lebowski kick-started a new generation. Demographics shifted, and more hip and mainstream audiences were drawn to them. Although studios expressed skepticism, large audiences were drawn to box-office flops, such as The Warriors (1979) gang movie from Walter Hill , Office Space (1999) and Donnie Darko (2001). Modern midnight movies retain their popularity and have been strongly diverging from mainstream films shown at midnight. Mainstream cinemas, eager to disassociate themselves from negative associations and increase profits, have begun abandoning midnight screenings. Although classic midnight movies have dropped off in popularity, they still bring reliable crowds. Although seemingly at odds with each other, art and exploitation films are frequently treated as equal and interchangeable in cult fandom, listed alongside each other and described in similar terms: their ability to provoke

8976-432: A sense of exclusivity by offending mainstream audiences with misogyny, gore, and racism. Obsessive trivia can be used to bore mainstream audiences while building up subcultural capital. Specialist stores on the fringes of society (or websites which prominently partner with hardcore pornographic sites) can be used to reinforce the outsider nature of cult film fandom, especially when they use erotic or gory imagery. By assuming

9180-559: A sense of sadistic pleasure, for a belief that they are "easing" the patient's pain, or simply "because they can". Perhaps the most prolific of these was the British doctor Harold Shipman . Another such killer was nurse Jane Toppan , who admitted during her murder trial that she was sexually aroused by death . She would administer a drug mixture to patients she chose as her victims, lie in bed with them and hold them close to her body as they died. Another medical professional serial killer

9384-482: A sign of his popularity, a bronze statue of Ed Wood has been proposed in his hometown, and L'Osservatore Romano , the official newspaper of the Holy See , has courted controversy for its endorsement of cult films and pop culture. When cities attempt to renovate neighborhoods, fans have called attempts to demolish iconic settings from cult films "cultural vandalism". Cult films can also drive tourism, even when it

9588-424: A single unifying feature; instead, they state that cult films are united in their "subcultural ideology" and opposition to mainstream tastes, itself a vague and undefinable term. Cult followings themselves can range from adoration to contempt, and they have little in common except for their celebration of nonconformity – even the bad films ridiculed by fans are artistically nonconformist, albeit unintentionally. At

9792-536: A societal ill. Cult film A cult film or cult movie , also commonly referred to as a cult classic , is a film that has acquired a cult following . Cult films are known for their dedicated, passionate fanbase , which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation . Inclusive definitions allow for major studio productions, especially box-office bombs , while exclusive definitions focus more on obscure, transgressive films shunned by

9996-526: A spouse and sustain a family including children. Among serial killers, those of this type are in the event of their capture most likely to be described by acquaintances as kind and unlikely to hurt anyone. Ted Bundy and John Wayne Gacy are examples of organized serial killers. In general, the IQs of organized serial killers tend to be normal range, with a mean of 98.7. Disorganized serial killers are usually far more impulsive, often committing their murders with

10200-416: A strong community aspect, such as obsessed fans or ritualistic behavior. Citing misuse of the term, Mikel J. Koven took a self-described hard-line stance that rejected definitions that use any other criteria. Matt Hills instead stressed the need for an open-ended definition rooted in structuration , where the film and the audience reaction are interrelated and neither is prioritized. Ernest Mathijs focused on

10404-421: A trend to capture audiences through repetitious reissues. The constant use of profanity and drugs in otherwise mainstream, Hollywood films, such as The Big Lebowski , can alienate critics and audiences yet lead to a large cult following among more open-minded demographics not often associated with cult films, such as Wall Street bankers and professional soldiers. Thus, even comparatively mainstream films can satisfy

SECTION 50

#1732780808540

10608-495: A truly uncensored cut. Cult films have been falsely claimed to have been banned to increase their transgressive reputation and explain their lack of mainstream penetration. Marketing campaigns have also used such claims to raise interest among curious audiences. Home video has allowed cult film fans to import rare or banned films, finally giving them a chance to complete their collection with imports and bootlegs. Cult films previously banned are sometimes released with much fanfare, and

10812-457: A variety of fields and specialties with the goal of identifying the commonalities of knowledge regarding serial murder. The group also settled on a definition of serial murder which FBI investigators widely accept as their standard: "The unlawful killing of two or more victims by the same offender(s) in separate events". Serial homicide researcher Enzo Yaksic found that the FBI was justified in lowering

11016-555: A while now." Mendik has sought to bring together academic interest and fandom through Cine-Excess , a film festival. I. Q. Hunter states that "it's much easier to be a cultist now, but it is also rather more inconsequential." Citing the mainstream availability of Cannibal Holocaust , Jeffrey Sconce rejects definitions of cult films based on controversy and excess, as they've now become meaningless. Cult films have influenced such diverse industries as cosmetics, music videos, and fashion. Cult films have shown up in less expected places; as

11220-682: Is Genene Jones . It is believed she killed 11 to 46 infants and children while working at Bexar County Medical Center Hospital in San Antonio, Texas, United States. She is currently serving a 99-year sentence for the murder of Chelsea McClellan and the attempted murder of Rolando Santos, and became eligible for parole in 2017 due to a law in Texas at the time of her sentencing to reduce prison overcrowding . A similar case occurred in Britain in 1991, where nurse Beverley Allitt killed four children at

11424-544: Is a distinct classification that differs from that of a mass murderer , spree killer , or contract killer , there are overlaps between them. The English term and concept of serial killer are commonly attributed to former Federal Bureau of Investigation special agent Robert Ressler , who used the term serial homicide in 1974 in a lecture at Police Staff College, in Bramshill , Hampshire , England. Author Ann Rule postulates in her 2004 book Kiss Me, Kill Me , that

11628-508: Is akin to a male serial killer's collecting of totems (souvenirs) from the victim as a way of exerting continued control over the victim and reliving it. By contrast, Hickey states that although popular perception sees "black widow" female serial killers as something of the Victorian past, in his statistical study of female serial killer cases reported in the United States since 1826, approximately 75% occurred since 1950. Elizabeth Báthory

11832-595: Is an important aspect of their popularity. Actors can become typecast as they become strongly associated with such iconic roles. Tim Curry , despite his acknowledged range as an actor, found casting difficult after he achieved fame in The Rocky Horror Picture Show . Even when discussing unrelated projects, interviewers frequently bring up the role, which causes him to tire of discussing it. Mary Woronov , known for her transgressive roles in cult films, eventually transitioned to mainstream films. She

12036-503: Is an important part of cult films; cult films will often mix, mock, or exaggerate the tropes associated with traditional genres. Science fiction, fantasy, and horror are known for their large and dedicated cult followings; as science fiction films become more popular, fans emphasize non-mainstream and less commercial aspects of it. B films , which are often conflated with exploitation, are as important to cult films as exploitation. Teodor Reljic of Malta Today states that cult B films are

12240-513: Is another example, containing extensive nostalgia for the music and video gaming culture of the 2000s. Nathan Lee of the New York Sun identifies the retro aesthetic and nostalgic pastiche in films such as Donnie Darko as factors in its popularity among midnight movie crowds. Author Tomas Crowder-Taraborrelli describes midnight movies as a reaction against the political and cultural conservatism in America, and Joan Hawkins identifies

12444-412: Is any film that has a cult following , although the term is not easily defined and can be applied to a wide variety of films. Some definitions exclude films that have been released by major studios or have big budgets, that try specifically to become cult films, or become accepted by mainstream audiences and critics. Cult films are defined by audience reaction as much as by their content. This may take

SECTION 60

#1732780808540

12648-647: Is armed with a taut and intelligent script, and is one of those memorable films that gets even better with age like a good wine." The Leopard Man has acquired a cult following over the years, and is now considered a cult classic . It has been included in multiple lists at various media publications as one of the greatest horror films ever made. Indiewire placed it at No. 90 in its "The 100 Greatest Horror Movies of All-Time". Slant listed it at number 30 in its "The 100 Best Horror Movies of All Time". Serial killer Note: Varies by jurisdiction Note: Varies by jurisdiction A serial killer (also called

12852-530: Is attacked and murdered. Kiki and Jerry prepare to leave for Chicago, coinciding with an annual procession that occurs in the town, commemorating a massacre of Native Americans by the Conquistadors . As they depart for their train, Kiki and Jerry are given a bouquet of flowers from Galbraith, which Kiki wishes to place on Consuelo's grave before they leave town. At the cemetery, they are met by Charlie, who notifies them his leopard has been found shot dead in

13056-1108: Is debate as to whether these popular and accepted films are still cult films. After failing at the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals . Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge. Cult films frequently break cultural taboos, and many feature excessive displays of violence, gore, sexuality, profanity, or combinations thereof. This can lead to controversy, censorship, and outright bans; less transgressive films may attract similar amounts of controversy when critics call them frivolous or incompetent. Films that fail to attract requisite amounts of controversy may face resistance when labeled as cult films. Mainstream films and big budget blockbusters have attracted cult followings similar to more underground and lesser known films; fans of these films often emphasize

13260-461: Is good, regardless of irony. In francophone culture, "so bad it's good" films, known as nanars  [ Fr ] , have given rise to a subculture with dedicated websites such as Nanarland , film festivals and viewings in theaters, as well as various books analyzing the phenomenon. The rise of the Internet and on-demand films has led critics to question whether "so bad it's good" films have

13464-457: Is instigated to seek approval from parents, sexual partners, or others." This need for approval is what influences children to attempt to develop social relationships with their family and peers. "The quality of their attachments to parents and other members of the family is critical to how these children relate to and value other members of society." Wilson and Seaman (1990) conducted a study on incarcerated serial killers, and what they concluded

13668-466: Is not out of character, as cult audiences have a more complex relationship to these concepts: they are more opposed to mainstream values and excessive commercialism than they are anything else. In a global context, popularity can vary widely by territory, especially with regard to limited releases. Mad Max (1979) was an international hit , except in America where it became an obscure cult favorite, ignored by critics and available for years only in

13872-534: Is not universal, though, and some critics have resisted this mainstreaming of paracinema. Beginning in the 1990s, director Quentin Tarantino would have the greatest success in turning cult films mainstream. Tarantino later used his fame to champion obscure cult films that had influenced him and set up the short-lived Rolling Thunder Pictures , which distributed several of his favorite cult films. Tarantino's clout led Phil Hoad of The Guardian to call Tarantino

14076-717: Is rejected because he represents mainstream appeal and marketing. Also, instead of valuing textual rarity, fans of cult blockbusters will value repeat viewings. They may also engage in behaviors more traditional for fans of cult television and other serial media, as cult blockbusters are often franchised, preconceived as a film series, or both. To reduce mainstream accessibility, a film series can be self-reflexive and full of in-jokes that only longtime fans can understand. Mainstream critics may ridicule commercially successful directors of cult blockbusters, such as James Cameron , Michael Bay , and Luc Besson , whose films have been called simplistic. This critical backlash may serve to embellish

14280-461: Is retarded because the child's emotional and social development occurs within his self-centered fantasies. A person can do no wrong in his own world and the pain of others is of no consequence when the purpose of the fantasy world is to satisfy the needs of one person" (Garrison, 1996). Boundaries between fantasy and reality are lost and fantasies turn to dominance, control, sexual conquest, and violence, eventually leading to murder. Fantasy can lead to

14484-479: Is sometimes cited as the most prolific female serial killer in all of history. Formally countess Elizabeth Báthory de Ecsed (Báthory Erzsébet in Hungarian , August 7, 1560 – August 21, 1614), she was a countess from the renowned Báthory family . Before her husband's death, Elizabeth took great pleasure in torturing the staff, by jamming pins under the servant's fingernails or stripping servants and throwing them into

14688-721: Is subjective and never self-evident. This ambiguity leads critics of postmodernism to accuse cult films of being beyond criticism, as the emphasis is now on personal interpretation rather than critical analysis or metanarratives . These inherent dichotomies can lead audiences to be split between ironic and earnest fans. Writing in Defining Cult Movies , Jancovich et al. quote academic Jeffrey Sconce, who defines cult films in terms of paracinema , marginal films that exist outside critical and cultural acceptance: everything from exploitation to beach party musicals to softcore pornography. However, they reject cult films as having

14892-511: Is unwanted. From Latin America, Alejandro Jodorowsky 's film El Topo (1970) has attracted attention of rock musicians such as John Lennon , Mick Jagger , and Bob Dylan . As far back as the 1970s, Attack of the Killer Tomatoes (1978) was designed specifically to be a cult film, and The Rocky Horror Picture Show was produced by 20th Century Fox , a major Hollywood studio. Over its decades-long release, Rocky Horror became

15096-857: The Los Angeles Times says technical faults may be forgiven if a film makes up for them in other areas, such as camp or transgressive content. Smith states that the early films of John Waters are amateurish and less influential than claimed, but Waters' outrageous vision cements his place in cult cinema. Films such as Myra Breckinridge (1970) and Beyond the Valley of the Dolls (1970) can experience critical reappraisal later, once their camp excess and avant-garde filmmaking are better accepted, and films that are initially dismissed as frivolous are often reassessed as campy. Films that intentionally try to appeal to fans of camp may end up alienating them, as

15300-554: The Alamo Drafthouse has capitalized on cult films and the surrounding culture through inspiration drawn from Rocky Horror and retro promotional gimmickry. They sell out their shows regularly and have acquired a cult following of their own. Academic Bob Batchelor, writing in Cult Pop Culture , states that the internet has democratized cult culture and destroyed the line between cult and mainstream. Fans of even

15504-529: The Han Emperor Jing , was made Prince of Jidong in the sixth year of the middle period of Jing's reign (144 BC). According to the Chinese historian Sima Qian , he would "go out on marauding expeditions with 20 or 30 slaves or with young men who were in hiding from the law, murdering people and seizing their belongings for sheer sport". Although many of his subjects knew about these murders, it

15708-487: The Hungarian aristocrat Elizabeth Báthory , born into one of the wealthiest families in Transylvania , allegedly tortured and killed as many as 650 girls and young women before her arrest in 1610. Between 1564 and 1589, German farmer Peter Stumpp killed 14 children, including his own son. He also murdered two pregnant women and had an incestuous relationship with his daughter. Stumpp claimed to have been granted

15912-484: The Los Angeles Times cites the violence and sexual imagery as alienating critics, who did not know what to make of the film. It would go on to become a popular midnight movie and frequently bootlegged by fans, as licensing issues kept it from being released on video for many years. Phil Hoad of The Guardian identifies Akira (1988) as introducing violent, adult Japanese animation (known as anime ) to

16116-593: The Medicis of Renaissance Italy, or Landru , the " bluebeard " of the World War I period, who murdered numerous wives after taking their money. Vronsky states that the term serial killing first entered into broader American popular usage when published in The New York Times in early 1981, to describe Atlanta serial killer Wayne Williams . Subsequently, throughout the 1980s, the term was used again in

16320-512: The NHS ). He was considered a pillar of the local community; he even won a professional award for a children's asthma clinic and was interviewed by Granada Television 's World in Action on ITV . Dennis Nilsen was an ex-soldier turned civil servant and trade unionist who had no previous criminal record when arrested. Neither was known to have exhibited many of the tell-tale signs. Vlado Taneski ,

16524-639: The Vietnam War were preventing California from experiencing the Big One . As the war wound down, Mullin claimed his father instructed him via telepathy to raise the number of "human sacrifices to nature" to delay a catastrophic earthquake that would plunge California into the ocean. David Berkowitz ("Son of Sam") may also be an example of a visionary serial killer, having claimed a demon transmitted orders through his neighbor's dog and instructed him to commit murder. Berkowitz later described those claims as

16728-515: The cannibal boom , Cannibal Holocaust (1980) was banned in dozens of countries and caused the director to be briefly jailed over fears that it was a real snuff film . Although opposed to censorship, director Ruggero Deodato would later agree with cuts made by the BBFC that removed unsimulated animal killings, which limited the film's distribution. Frequently banned films may introduce questions of authenticity as fans question whether they have seen

16932-448: The intersubjectivity associated with a cognitive deficit regarding the capability to make sharp distinctions between other people and inanimate objects. For these individuals, objects can appear to possess animistic or humanistic power while people are perceived as objects. Before he was executed, serial killer Ted Bundy stated media violence and pornography had stimulated and increased his need to commit homicide, although this statement

17136-523: The intertextuality . Popular films from previous eras may be reclaimed by genre fans long after they have been forgotten by the original audiences. This can be done for authenticity, such as horror fans who seek out now-obscure titles from the 1950s instead of the modern, well-known remakes. Authenticity may also drive fans to deny genre categorization to films perceived as too mainstream or accessible. Authenticity in performance and expertise can drive fan acclaim. Authenticity can also drive fans to decry

17340-459: The power to control the mistreatment they suffer sometimes create a new reality to which they can escape. This new reality becomes their fantasy that they have total control of and becomes part of their daily existence. In this fantasy world, their emotional development is guided and maintained. According to Garrison (1996), "the child becomes sociopathic because the normal development of the concepts of right and wrong and empathy towards others

17544-435: The sexploitation films of Doris Wishman took a feminist approach which avoids and subverts the male gaze and traditional goal-oriented methods. Wishman's subject matter, though exploitative and transgressive, was always framed in terms of female empowerment and the feminine spectator. Her use of common cult film motifs – female nudity and ambiguous gender – were repurposed to comment on feminist topics. Similarly,

17748-615: The stoner subculture . Beach party musicals, popular among American surfers, failed to find an equivalent audience when imported to the United Kingdom. When films target subcultures like this, they may seem unintelligible without the proper cultural capital . Films which appeal to teenagers may offer subcultural identities that are easily recognized and differentiate various subcultural groups. Films which appeal to stereotypical male activities, such as sports, can easily gain strong male cult followings. Sports metaphors are often used in

17952-514: The 1970s and early 1980s, a wave of explicit, graphic exploitation films caused controversy. Called " video nasties " within the UK, they ignited calls for censorship and stricter laws on home video releases, which were largely unregulated. Consequently, the British Board of Film Classification banned many popular cult films due to issues of sex, violence, and incitement to crime. Released during

18156-611: The 1970s, peaking with the release of The Rocky Horror Picture Show (1975), which finally found its audience several years after its release. Eventually, the rise of home video would marginalize midnight movies once again, after which many directors joined the burgeoning independent film scene or went back underground. Home video would give a second life to box-office flops, as positive word-of-mouth or excessive replay on cable television led these films to develop an appreciative audience, as well as obsessive replay and study. For example, The Beastmaster (1982), despite its failure at

18360-400: The 1990s include increased incarceration in the United States , the end of the crack epidemic in the United States , and decreased lead exposure in early childhood. Some commonly found characteristics of serial killers include the following: There are exceptions to these criteria, however. For example, Harold Shipman was a successful professional (a General Practitioner working for

18564-756: The Cat (1972), the first animated film to be rated "X" by the MPAA , provoked outrage for its racial caricatures and graphic depictions of sex, and Coonskin (1975) was decried as racist. Bakshi recalls that older animators had tired of "kid stuff" and desired edgier work, whereas younger animators hated his work for "destroying the Disney images". Eventually, his work would be reassessed and cult followings, which include Quentin Tarantino and Robert Rodriguez , developed around several of his films. Heavy Metal (1981) faced similar denunciations from critics. Donald Liebenson of

18768-529: The English term "serial homicide" within the law in 1974, the terms serial murder and serial murderer appear in John Brophy 's book The Meaning of Murder (1966). The Washington, D.C., newspaper Evening Star , in a 1967 review of the book: There is the mass murderer, or what he [Brophy] calls the "serial" killer, who may be actuated by greed, such as insurance, or retention or growth of power, like

18972-733: The English-language credit for coining the term goes to Los Angeles Police Department detective Pierce Brooks, who created the Violent Criminal Apprehension Program (ViCAP) system in 1985. The German term and concept were coined by criminologist Ernst Gennat , who described Peter Kürten as a Serienmörder ('serial-murderer') in his article " Die Düsseldorfer Sexualverbrechen " (1930). In his book, Serial Killers: The Method and Madness of Monsters (2004), criminal justice historian Peter Vronsky notes that while Ressler might have coined

19176-559: The Islamic Calendar), "a strangler from Baghdad was apprehended. He had murdered a number of women and buried them in the house where he was living." The majority of documented serial killers were active in the United States. In one study of serial homicide in South Africa, many patterns were similar to established patterns in the U.S., with some exceptions: no offenders were female, offenders were lower educated than in

19380-944: The Rings trilogy . Mathijs states that cult films and fandom frequently involve nontraditional elements of time and time management. Fans will often watch films obsessively, an activity that is viewed by the mainstream as wasting time yet can be seen as resisting the commodification of leisure time. They may also watch films idiosyncratically: sped up, slowed down, frequently paused, or at odd hours. Cult films themselves subvert traditional views of time – time travel, non-linear narratives, and ambiguous establishments of time are all popular. Mathijs also identifies specific cult film viewing habits, such as viewing horror films on Halloween, sentimental melodrama on Christmas, and romantic films on Valentine's Day. These films are often viewed as marathons where fans can gorge themselves on their favorites. Mathijs states that cult films broadcast on Christmas have

19584-717: The Shell films, for example, provided Japanese fans with enough bonus material and spinoffs that it encouraged cult tendencies. Markets that did not support the sale of these materials saw less cult activity. The claymation film Gumby: The Movie (1995), which made only $ 57,100 at the box office against its $ 2.8 million budget but sold a million copies on VHS alone, was subsequently released on DVD and remastered in high definition for Blu-ray due to its strong cult following. Like many cult films, RiffTrax made their own humorous audio commentary for Gumby: The Movie in 2021. Sensationalistic documentaries called mondo films replicate

19788-486: The U.S., and both victims and offenders were predominantly black. In the 15th century, one of the wealthiest men in Europe and a former companion-in-arms of Joan of Arc , Gilles de Rais , was alleged to have sexually assaulted and killed peasant children, mainly boys, whom he had abducted from the surrounding villages and had taken to his castle. It is estimated that his victims numbered between 140 and 800. Similarly,

19992-533: The Ugandan action comedy film Who Killed Captain Alex? (2010). Similarly, Paul Verhoeven 's Showgirls (1995) bombed in theaters but developed a cult following on video. Catching on, Metro-Goldwyn-Mayer capitalized on the film's ironic appeal and marketed it as a cult film. Sometimes, fans will impose their own interpretation of films which have attracted derision, such as reinterpreting an earnest melodrama as

20196-475: The United States since that time. The decline in serial killers has no known single cause but is attributed to a number of factors. Mike Aamodt , emeritus professor at Radford University in Virginia, attributes the decline in number of serial killings to less frequent use of parole , improved forensic technology , and people behaving more cautiously. Causes for the general reduction in violent crime following

20400-480: The United States between 1800 and 2004 (64 females from a total of 416 known offenders), or that around 15% of U.S. serial killers have been women, with a collective number of victims between 427 and 612. The authors of Lethal Ladies , Amanda L. Farrell, Robert D. Keppel, and Victoria B. Titterington, state that "the Justice Department indicated 36 female serial killers have been active over the course of

20604-517: The United States indicated that sexual activity was one of several motives in 10% of the cases, enjoyment in 11% and control in 14% and that 51% of all U.S. female serial killers murdered at least one woman and 31% murdered at least one child. In other cases, women have been involved as an accomplice with a male serial killer as a part of a serial killing team. A 2015 study published in The Journal of Forensic Psychiatry & Psychology found that

20808-434: The United States was especially prominent from 1970 to 2000, which has been described as the "golden age of serial murder". The cause of the spike in serial killings has been attributed to urbanization , which put people in close proximity and offered anonymity. The number of active serial killers in the United States peaked in 1989 and has been steadily trending downward since, coinciding with an overall decrease in crime in

21012-426: The United States. According to a 2016 study, since the year 2000, African Americans accounted for roughly 60% of all serial killers in the United States. Anthony Walsh found that the prevalence of non-white serial killers has typically been drastically underestimated in both professional research literature and the mass media. Black males were over-represented among serial killers by a factor of 2. Walsh argues that

21216-519: The West and paving the way for later works. Anime, according to academic Brian Ruh, is not a cult genre, but the lack of individual fandoms inside anime fandom itself lends itself to a bleeding over of cult attention and can help spread works internationally. Anime, which is frequently presented as a series (with movies either rising from existing series, or spinning off series based on the film), provides its fans with alternative fictional canons and points of view that can drive fan activity. The Ghost in

21420-700: The ability to turn into a werewolf by the Devil. As punishment for his crimes, Stumpp was put on a torture wheel and executed. His head was later severed and put on a pole next to the figure of a wolf to scare other people away from claiming themselves werewolves too. Members of the Thuggee cult in India may have murdered a million people between 1740 and 1840. Thug Behram , a member of the cult, may have murdered as many as 931 victims. In his 1886 book, Psychopathia Sexualis , psychiatrist Richard von Krafft-Ebing noted

21624-522: The accidental nature of cult followings, arguing that cult film fans consider themselves too savvy to be marketed to, while Jonathan Rosenbaum rejected the continued existence of cult films and called the term a marketing buzzword. Mathijs suggests that cult films help to understand ambiguity and incompleteness in life given the difficulty in even defining the term. That cult films can have opposing qualities – such as good and bad, failure and success, innovative and retro – helps to illustrate that art

21828-472: The affectivity of a disturbing film, will be ridiculed for their lack of authenticity. The critic Michael Medved characterized examples of the "so bad it's good" class of low-budget cult film through books such as The Golden Turkey Awards . These films include financially fruitless and critically scorned films that have become inadvertent comedies to film buffs, such as Plan 9 from Outer Space (1957), Mommie Dearest (1981), The Room (2003), and

22032-415: The arroyo, and its fur taken; he presumes the cat has been dead for at least a week, suggesting a human may be responsible for the murders. Charlie recalls having seen Galbraith in the area and suspects he killed the leopard. Jerry attempts to turn Galbraith in to the police, but they do not believe him. During the procession that night, Galbraith hears a woman's scream at the cemetery. He subsequently enters

22236-540: The behavior. While juvenile serial killers are rare, the youngest felon on death row is a juvenile serial killer named Harvey Miguel Robinson who was 17 at the time of his crimes and 18 at the time of his arrest. There is a myth that most serial killers are white males. However, according to the FBI, based on percentages of the U.S. population, white males are not more likely than other races to be serial killers. White males are actually greatly under-represented among serial killers in proportion to their overall numbers in

22440-467: The boundaries of simple definitions, and these exploitative art films and artistic exploitation films would go on to influence American cult films. Much like later cult films, these early exploitation films encouraged audience participation, influenced by live theater and vaudeville. Modern cult films grew from 1960s counterculture and underground films , popular among those who rejected mainstream Hollywood films. These underground film festivals led to

22644-447: The box office, became one of the most played movies on American cable television and developed into a cult film. Home video and television broadcasts of cult films were initially greeted with hostility. Joanne Hollows states that they were seen as turning cult films mainstream – in effect, feminizing them by opening them to distracted, passive audiences. Releases from major studios , such as The Big Lebowski (1998), which

22848-432: The case of psychological decompensation or overconfidence due to having evaded capture. Organized serial killers often plan their crimes methodically, usually abducting victims, killing them in one place and disposing of them in another. They often lure the victims with ploys appealing to their sense of sympathy. Others specifically target prostitutes, who are likely to go voluntarily with a stranger. These killers maintain

23052-399: The categories of the black widow or team killer. Although motivations for female serial killers can include attention seeking, addiction, or the result of psychopathological behavioral factors, female serial killers are commonly categorized as murdering men for material gain, usually being emotionally close to their victims, and generally needing to have a relationship with the victim, hence

23256-464: The cemetery's stone walls. When help arrives, Consuelo is found, another apparent victim of the leopard. After learning of the second murder, Jerry inquires to the police as to why the leopard has remained within the city as he was informed it would naturally flee to the wilderness. Charlie also questions whether the leopard killed Consuelo, but he is goaded by the local historian and museum curator Galbraith into believing he may be responsible, committing

23460-448: The child finds a way to develop substantial relationships and fight the label they receive. If a child receives no support from anyone, then they are unlikely to recover from the traumatic event in a positive way. As stated by E. E. Maccoby, "the family has continued to be seen as a major—perhaps the major—arena for socialization". There have been studies looking into the possibility that an abnormality with one's chromosomes could be

23664-426: The child up for deviant behavior in adulthood; the child's environment (either their parents or society) is the dominant factor determining whether or not the child's behavior escalates into homicidal activity. Family, or lack thereof, is the most prominent part of a child's development because it is what the child can identify with on a regular basis. "The serial killer is no different from any other individual who

23868-447: The creation of midnight movies , which attracted cult followings. The term cult film itself was an outgrowth of this movement and was first used in the 1970s, though cult had been in use for decades in film analysis with both positive and negative connotations. These films were more concerned with cultural significance than the social justice sought by earlier avant-garde films . Midnight movies became more popular and mainstream by

24072-486: The creation of religions, such as Dudeism . For their avoidance of mainstream culture and audiences, enjoyment of irony, and celebration of obscure subcultures, academic Martin Roberts compares cult film fans to hipsters . A film can become the object of a cult following within a particular region or culture if it has unusual significance. For example, Norman Wisdom 's films, friendly to Marxist interpretation, amassed

24276-447: The death of cult films now that they have finally become successful and mainstream, are too slick to attract a proper cult following, lack context, or are too easily found online. In response, David Church says that cult film fans have retreated to more obscure and difficult to find films, often using illegal distribution methods, which preserves the outlaw status of cult films. Virtual spaces, such as online forums and fan sites, replace

24480-577: The death of cult films. What is a cult film? A cult film is one that has a passionate following, but does not appeal to everybody. James Bond movies are not cult films, but chainsaw movies are. Just because a movie is a cult film does not automatically guarantee quality: some cult movies are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all . Some are considered quality films; others are exploitation . — Alex Cox in his introduction to The Wicker Man on Moviedrome , 1988 A cult film

24684-665: The early 1890s. The case was one of the first involving a serial murderer that gained widespread notoriety and publicity through sensationalized accounts in William Randolph Hearst 's newspapers. However, at the same time of the Holmes case, in France, Joseph Vacher became known as "The French Ripper" after killing and mutilating 11 women and children. He was executed in 1898 after confessing to his crimes. Another notable non-American serial killer is Pedro Lopez ,

24888-404: The early days of cinema. Film critic Harry Allan Potamkin traces them back to 1910s France and the reception of Pearl White , William S. Hart , and Charlie Chaplin , which he described as "a dissent from the popular ritual". Nosferatu (1922) was an unauthorized adaptation of Bram Stoker 's Dracula . Stoker's widow sued the production company and drove it to bankruptcy. All known copies of

25092-640: The elderly". Other studies indicate that since 1975, increasingly strangers are marginally the most preferred victim of female serial killers, or that only 26% of female serial killers kill for material gain only. Sources state that each killer will have her own proclivities, needs and triggers. A review of the published literature on female serial murder stated that "sexual or sadistic motives are believed to be extremely rare in female serial murderers, and psychopathic traits and histories of childhood abuse have been consistently reported in these women." A study by Eric W. Hickey (2010) of 64 female serial killers in

25296-419: The excesses of 1980s fashion and commercialism. Films that are influenced by unpopular styles or genres can become cult films. Director Jean Rollin worked within cinéma fantastique , an unpopular genre in modern France. Influenced by American films and early French fantasists, he drifted between art, exploitation, and pornography. His films were reviled by critics, but he retained a cult following drawn by

25500-880: The fans assumed to be already familiar with the controversy. Personal responsibility is often highlighted, and a strong anti-censorship message may be present. Previously lost scenes cut by studios can be re-added and restore a director's original vision, which draws similar fanfare and acclaim from fans. Imports are sometimes censored to remove elements that would be controversial, such as references to Islamic spirituality in Indonesian cult films. Academics have written of how transgressive themes in cult films can be regressive. David Church and Chuck Kleinhans describe an uncritical celebration of transgressive themes in cult films, including misogyny and racism. Church has also criticized gendered descriptions of transgressive content that celebrate masculinity. Joanne Hollows further identifies

25704-501: The fascist regime within the cloak of exploitation and horror. Unlike most exploitation directors, they were not trying to establish a reputation. They were already established in the art-house world and intentionally chose to work within paracinema as a reaction against the New Spanish Cinema , an artistic revival supported by the fascists. As late as the 1980s, critics still cited Pedro Almodóvar 's anti-macho iconoclasm as

25908-434: The film as "it was too exotic, it was neither fish nor fowl: a series of vignettes, and it didn’t hold together. There were some startling things in that story... But there were too many bad scenes, and even though we used an effective Mexican birthday song, the overall effect was spotty, uneven." In the subsequent years, following the film's release, modern critical response has been mostly positive, with many critics praising

26112-712: The film itself as their reason for attending a showing, but longtime fans often cite the community. Organized fandoms may spread and become popular as a way of introducing new people to the film, as well as theatrical screenings being privileged by the media and fandom itself. Fandom can also be used as a process of legitimation. Fans of cult films, as in media fandom , are frequently producers instead of mere consumers. Unconcerned with traditional views on intellectual property, these fan works are often unsanctioned, transformative, and ignore fictional canon . Like cult films themselves, magazines and websites dedicated to cult films revel in their self-conscious offensiveness. They maintain

26316-410: The film to cult status. Perceived racist and reductive remarks by critics can rally fans and raise the profile of cult films, an example of which would be Rex Reed's comments about Korean culture in his review of Oldboy (2003). Critics can also polarize audiences and lead debates, such as how Joe Bob Briggs and Roger Ebert dueled over I Spit On Your Grave (1978). Briggs would later contribute

26520-588: The film were destroyed, and Nosferatu become an early cult film, kept alive by a cult following that circulated illegal bootlegs. Academic Chuck Kleinhans identifies the Marx Brothers as making other early cult films. On their original release, some highly regarded classics from the Golden Age of Hollywood were panned by critics and audiences, relegated to cult status. The Night of the Hunter (1955)

26724-424: The film's atmosphere, direction, and suspense. On Rotten Tomatoes, The Leopard Man holds an approval rating of 89%, based on 18 reviews , with a weighted average rating of 7.37/10. Ed Gonzalez of Slant awarded the film four out of four stars, praising Tourneur's use of sound and shadows to create tension. Dennis Schwartz of Ozus' World Movie Reviews rated the film a grade A, writing, "Tourneur's fast-paced film

26928-483: The film's reputation and having watched clips on YouTube, these fans may take the next step and enter the film's fandom. If they are the majority, they may alter or ignore long-standing traditions, such as audience participation rituals; rituals which lack perceived authenticity may be criticized, but accepted rituals bring subcultural capital to veteran fans who introduce them to the newer members. Fans who flaunt their knowledge receive negative reactions. Newer fans may cite

27132-401: The film, distinctive interpretations, and fan works . Hills identifies three different cult followings for The Lord of the Rings , each with their own fandom separate from the mainstream. Academic Emma Pett identifies Back to the Future (1985) as another example of a cult blockbuster. Although the film was an instant hit when released, it has also developed a nostalgic cult following over

27336-452: The film. Cult films can also transgress national stereotypes and genre conventions, such as Battle Royale (2000), which broke many rules of teenage slasher films . The reverse – when films based on cult properties lose their transgressive edge – can result in derision and rejection by fans. Audience participation itself can be transgressive, such as breaking long-standing taboos against talking during films and throwing things at

27540-516: The filmmakers' reception as cult auteurs. In the same way, critics may ridicule fans of cult blockbusters as immature or shallow. Cult films can create their own subculture. Rocky Horror , originally made to exploit the popularity of glam subculture , became what academic Gina Marchetti called a "sub-subculture", a variant that outlived its parent subculture. Although often described as primarily composed of obsessed fans, cult film fandom can include many newer, less experienced members. Familiar with

27744-461: The films become perceived as trying too hard or not authentic. According to academic Brigid Cherry, nostalgia "is a strong element of certain kinds of cult appeal." When Veoh added many cult films to their site, they cited nostalgia as a factor for their popularity. Academic I. Q. Hunter describes cult films as "New Hollywood in extremis " and a form of nostalgia for that period. Ernest Mathijs instead states that cult films use nostalgia as

27948-421: The films of Russ Meyer were a complicated combination of transgressive, mainstream, progressive, and regressive elements. They attracted both acclaim and denouncement from critics and progressives. Transgressive films imported from cultures that are recognizably different yet still relatable can be used to progressively examine issues in another culture. Cult films can be used to help define or create groups as

28152-483: The films' niche appeal and reject the more popular aspects. Fans who like the films for the wrong reasons, such as perceived elements that represent mainstream appeal and marketing, will often be ostracized or ridiculed. Likewise, fans who stray from accepted subcultural scripts may experience similar rejection. Since the late 1970s, cult films have become increasingly popular. Films that once would have been limited to obscure cult followings are now capable of breaking into

28356-418: The first step in the process of a dissociative state, which, in the words of Stephen Giannangelo, "allows the serial killer to leave the stream of consciousness for what is, to him, a better place". Criminologist Jose Sanchez reports, "The young criminal you see today is more detached from his victim, more ready to hurt or kill. The lack of empathy for their victims among young criminals is just one symptom of

28560-453: The form of elaborate and ritualized audience participation , film festivals , or cosplay . Over time, the definition has become more vague and inclusive as it drifts away from earlier, stricter views. Increasing use of the term by mainstream publications has resulted in controversy, as cinephiles argue that the term has become meaningless or "elastic, a catchall for anything slightly maverick or strange". Academic Mark Shiel has criticized

28764-407: The fringes of the mainstream and deals with taboo subjects, is well-suited for cult followings. Academic David Andrews writes that cult softcore films are "the most masculinized, youth-oriented, populist, and openly pornographic softcore area." The sexploitation films of Russ Meyer were among the first to abandon all hypocritical pretenses of morality and were technically proficient enough to gain

28968-513: The gritty subject matter of Italian neorealism , and the shocking images of 1960s exploitation. Some used hardcore pornography and horror, occasionally at the same time. In the 1980s, filmmaker Nick Zedd identified this movement as the Cinema of Transgression and later wrote a manifesto. Popular in midnight showings, they were mainly limited to large urban areas, which led academic Joan Hawkins to label them as "downtown culture". These films acquired

29172-473: The holiday, and many horror films debut on Halloween. Mathijs criticizes the over-cultified, commercialized nature of Halloween and horror films, which, he states feed into each other so much that Halloween has turned into an image or product with no real community. Mathijs states that Halloween horror conventions can provide the missing community aspect. Despite their oppositional nature, cult films can produce celebrities. Like cult films themselves, authenticity

29376-547: The hospital where she worked, attempted to kill three more, and injured a further six over the course of two months. A 21st-century example is Canadian nurse Elizabeth Wettlaufer , who murdered elderly patients in the nursing homes where she worked. William George Davis is another hospital nurse who was sentenced to death in Texas for the murder of four patients. Female serial killers are rare compared to their male counterparts. Sources suggest that female serial killers represented less than one in every six known serial murderers in

29580-406: The international reputation of New Zealand and its cinema . As more artistic films emerged, New Zealand was perceived as a legitimate competitor to Hollywood, which mirrored Jackson's career trajectory. Heavenly Creatures (1994) acquired its own cult following, became a part of New Zealand's national identity, and paved the way for big-budget, Hollywood-style epics, such as Jackson's The Lord of

29784-712: The internet. The rise of social media has been a boon to cult films. Sites such as Twitter have displaced traditional venues for fandom and courted controversy from cultural critics who are unamused by campy cult films. After a clip from one of his films went viral , director-producer Roger Corman made a distribution deal with YouTube . Found footage which had originally been distributed as cult VHS collections eventually went viral on YouTube, which opened them to new generations of fans. Films such as Birdemic (2008) and The Room (2003) gained quick, massive popularity, as prominent members of social networking sites discussed them. Their rise as "instant cult classics" bypasses

29988-399: The killing acts for days or weeks" while the "methods of murder and types of victims vary". Andrew Cunanan is given as an example of spree killing, while Charles Whitman is mentioned in connection with mass murder, and Jeffrey Dahmer with serial killing. In 2005, the FBI hosted a multi-disciplinary symposium in San Antonio, Texas, which brought together 135 experts on serial murder from

30192-505: The last century." According to The Journal of Forensic Psychiatry & Psychology , there is evidence that 16% of all serial killers are women. Michael D. Kelleher and C. L. Kelleher created several categories to describe female serial killers. They used the classifications of black widow , angel of death , sexual predator , revenge , profit or crime , team killer , question of sanity , unexplained , and unsolved . In using these categories, they observed that most women fell into

30396-436: The leopard and flees to her house. She is killed at the door just before her family is able to let her back in the house. The medical examiner rules Teresa's death an accident, concluding she was mauled by the leopard. Shortly after, Consuelo, another local, goes to visit her father's grave in the cemetery on her birthday. Lost in thought, Consuelo fails to leave before the gatekeeper locks the gate and finds herself trapped within

30600-423: The living conditions of the artists and the economic prospects of the 1970s. Like the surrealists and dadaists, they not only satirically attacked society but also the very structure of film – a counter-cinema that deconstructs narrative and traditional processes. In the late 1980s and 1990s, midnight movies transitioned from underground showings to home video viewings; eventually, a desire for community brought

30804-642: The mainstream at bay while defining themselves in terms of the " Other ", a philosophical construct divergent from social norms . Commercial aspects of fandom (such as magazines or books) can also be defined in terms of "otherness" and thus valid to consume: consumers purchasing independent or niche publications are discerning consumers, but the mainstream is denigrated. Irony or self-deprecating humor can also be used. In online communities, different subcultures attracted to transgressive films can clash over values and criteria for subcultural capital. Even within subcultures, fans who break subcultural scripts, such as denying

31008-492: The mainstream in the form of hostile critics and censors. Especially when promoted by enthusiastic and knowledgeable programmers, choice of venue can be an important part of expressing individuality. Besides creating new communities, cult films can link formerly disparate groups, such as fans and critics. As these groups intermix, they can influence each other, though this may be resisted by older fans, unfamiliar with these new references. In extreme cases, cult films can lead to

31212-764: The mainstream, and showings of cult films have proved to be a profitable business venture. Overly broad usage of the term has resulted in controversy, as purists state it has become a meaningless descriptor applied to any film that is the slightest bit weird or unconventional; others accuse Hollywood studios of trying to artificially create cult films or use the term as a marketing tactic. Modern films are frequently stated to be an "instant cult classic", occasionally before they are released. Some films have acquired massive, quick cult followings, owing to advertisements and posts made by fans spreading virally through social media . Easy access to cult films via video on demand and peer-to-peer file sharing has led some critics to pronounce

31416-702: The mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art . The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies , though cult was in common use in film analysis for decades prior to that. Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there

31620-475: The mainstream. This nonconformity is eventually co-opted by the dominant forces, such as Hollywood, and marketed to the mainstream. Academic Xavier Mendik proposes that films can become cult by virtue of their genre or content, especially if it is transgressive. Due to their rejection of mainstream appeal, Mendik says cult films can be more creative and political; times of relative political instability produce more interesting films. Cult films have existed since

31824-441: The mainstreaming of cult film culture. While critics may champion revolutionary aspects of filmmaking and political interpretation, Hollywood studios and other corporate interests will instead highlight only the aspects that they wish to legitimize in their own films, such as sensational exploitation. Someone like George A. Romero , whose films are both transgressive and subversive, will have the transgressive aspects highlighted while

32028-456: The marketing of cult films to males, such as emphasizing the "extreme" nature of the film, which increases the appeal to youth subcultures fond of extreme sports. Matt Hills' concept of the "cult blockbuster" involves cult followings inside larger, mainstream films. Although these are big budget, mainstream films, they still attract cult followings. The cult fans differentiate themselves from ordinary fans in several ways: longstanding devotion to

32232-422: The midst of the wealth of London focused the media's attention on the plight of the urban poor and gained coverage worldwide. Jack the Ripper has also been called the most infamous serial killer of all time, and his legend has spawned hundreds of theories on his real identity and many works of fiction . H. H. Holmes was a serial killer in the United States, responsible for the death of at least nine victims in

32436-835: The misconceptions concerning female criminality. In the article, Perri and Lichtenwald analyze the current research regarding female psychopathy, including case studies of female psychopathic killers featuring Munchausen syndrome by proxy , cesarean section homicide, fraud detection homicide, female kill teams, and a female serial killer. Juvenile serial killers are rare. There are three main categories that juvenile serial killers can fit into: primary, maturing, and secondary killers. There have been studies done to compare and contrast these three groups and to discover similarities and differences between them. Although these types of serial killers are less common, oftentimes adult serial killers may make their debut at an early age and it can be an opportunity for researchers to study what factors brought about

32640-545: The most common motive for female serial killers was for financial gain and almost 40% of them had experienced some sort of mental illness. Peter Vronsky in Female Serial Killers (2007) maintains that female serial killers today often kill for the same reason males do: as a means of expressing rage and control. He suggests that sometimes the theft of the victims' property by the female "black widow" type serial killer appears to be for material gain, but really

32844-405: The most extreme films. Audiences can also ironically latch on to offensive themes, such as misogyny, using these films as catharsis for the things that they hate most in life. Exploitative, transgressive elements can be pushed to excessive extremes for both humor and satire. Frank Henenlotter faced censorship and ridicule, but he found acceptance among audiences receptive to themes that Hollywood

33048-431: The most obscure films can communicate online with each other in vibrant communities. Although known for their big-budget blockbusters , Steven Spielberg and George Lucas have criticized the current Hollywood system of gambling everything on the opening weekend of these productions. Geoffrey Macnab of The Independent instead suggests that Hollywood look to capitalize on cult films, which have exploded in popularity on

33252-447: The most shocking and transgressive elements of exploitation films. They are usually modeled after "sick films" and cover similar subject matter. In The Cult Film Reader , academics Mathijs and Mendik write that these documentaries often present non-Western societies as "stereotypically mysterious, seductive, immoral, deceptive, barbaric or savage". Though they can be interpreted as racist, Mathijs and Mendik state that they also "exhibit

33456-508: The motives of any given killer may display considerable overlap among these categories. Visionary serial killers suffer from psychotic breaks with reality, sometimes believing they are another person or are compelled to murder by entities such as the Devil or God. The two most common subgroups are "demon mandated" and "God mandated". Herbert Mullin believed the American casualties in

33660-414: The motives of serial killers can include anger, thrill-seeking , financial gain, and attention seeking , and killings may be executed as such . The victims tend to have things in common, such as demographic profile , appearance, gender, or race . As a group, serial killers suffer from a variety of personality disorders . Most are often not adjudicated as insane under the law. Although a serial killer

33864-430: The movement as running the gamut from anarchist to libertarian , united in their anti-establishment attitude and punk aesthetic. These films are resistant to simple categorization and are defined by the fanaticism and ritualistic behaviors of their audiences. Midnight movies require a night life and an audience willing to invest themselves actively. Hawkins states that these films took a rather bleak point of view due to

34068-418: The murders during his nightly alcohol binges in which he blacks out . At his request, Charlie is kept in a jail cell overnight. Clo-Clo spends the evening with an elderly wealthy man at the nightclub, who gives her a $ 100 bill. After, she visits Maria, a fortune teller , who warns her that "something black" is coming to claim her. En route home, Clo-Clo loses the $ 100 bill. When she goes back out to find it, she

34272-430: The museum, where he hears the sound of the castanets echoing. Shortly after, Kiki arrives at the museum, where she offers to accompany Galbraith in viewing the procession. She convinces Galbraith to turn off the lights, remarking they will better be able to watch the procession. Galbraith agrees, and once the lights are off, Kiki drops a pair of castanets. Galbraith attacks her, but she is saved by Jerry. Galbraith flees into

34476-555: The music can be pushed to stylistic excess far beyond that allowed by mainstream cinema. Film censorship can make these films obscure and make it difficult to find common criteria used to define cult films. Despite this, these films remain well-known and prized among collectors. Fans will occasionally express frustration with dismissive critics and conventional analysis, which they believe marginalizes and misinterprets paracinema. In marketing these films, young men are predominantly targeted. Horror films in particular can draw fans who seek

34680-475: The night club with the leopard on a leash. Angered, Clo-Clo frightens the leopard with her castanets , and it escapes, fleeing into the night. Charlie, the Native American owner of the leopard who leased it to Jerry, begins pestering him for money to replace the cat. That night, Teresa, a young local woman, goes to purchase corn meal for her family's dinner. Under a bridge in an arroyo , she encounters

34884-616: The nudity and eroticism. Similarly, Jess Franco chafed under fascist censorship in Spain but became influential in Spain's horror boom of the 1960s. These transgressive films that straddle the line between art and horror may have overlapping cult followings, each with their own interpretation and reasons for appreciating it. The films that followed Jess Franco were unique in their rejection of mainstream art. Popular among fans of European horror for their subversiveness and obscurity, these later Spanish films allowed political dissidents to criticize

35088-406: The number of murders, they need to have been committed at different times, and are usually committed in different places. The lack of a cooling-off period (a significant break between the murders) marks the difference between a spree killer and a serial killer. The category has, however, been found to be of no real value to law enforcement, because of definitional problems relating to the concept of

35292-408: The pages of The New York Times , one of the major national news publications of the United States, on 233 occasions. By the end of the 1990s, the use of the term had increased to 2,514 instances in the paper. When defining serial killers, researchers generally use "three or more murders" as the baseline, considering it sufficient to provide a pattern without being overly restrictive. Independent of

35496-533: The point of convergence culture when fan speculation began to impact on the film's production. Although it was proclaimed a cult film and major game-changer before it was released, it failed to win either mainstream audiences or maintain its cult following. In retrospect, critic Spencer Kornhaber would call it a serendipitous novelty and a footnote to a "more naive era of the Internet". However, it became influential in both marketing and titling. This trend of "instant cult classics" which are hailed yet fail to attain

35700-418: The popular media ignores black serial killers because of a fear of allegations of racism, and that this may enable black serial killers to operate more effectively, as their crimes do not get the same media attention as the crimes of non-black serial killers. The motives of serial killers are generally placed into four categories: visionary , mission-oriented , hedonistic , and power or control ; however,

35904-418: The rising popularity of cult films as an attempt by cinephiles and scholars to escape the oppressive conformity and mainstream appeal of even independent film, as well as a lack of condescension in both critics and the films; Academic Donna de Ville says it is a chance to subvert the dominance of academics and cinephiles. According to Xavier Mendik, "academics have been really interested in cult movies for quite

36108-429: The same time, they state that bourgeois, masculine tastes are frequently reinforced, which makes cult films more of an internal conflict within the bourgeoisie, rather than a rebellion against it. This results in an anti-academic bias despite the use of formal methodologies, such as defamiliarization . This contradiction exists in many subcultures, especially those dependent on defining themselves in terms of opposition to

36312-408: The screen. According to Mathijs, critical reception is important to a film's perception as cult, through topicality and controversy. Topicality, which can be regional (such as objection to government funding of the film) or critical (such as philosophical objections to the themes), enables attention and a contextual response. Cultural topics make the film relevant and can lead to controversy, such as

36516-488: The seventh highest grossing R-rated film when adjusted for inflation; journalist Matt Singer has questioned whether Rocky Horror ' s popularity invalidates its cult status. Founded in 1974, Troma Entertainment , an independent studio, would become known for both its cult following and cult films. In the 1980s, Danny Peary 's Cult Movies (1981) would influence director Edgar Wright and film critic Scott Tobias of The A.V. Club . The rise of home video would have

36720-561: The snow. After her husband's death, she and four collaborators were accused of torturing and killing hundreds of girls and young women, with one witness attributing to them over 600 victims, though the number for which they were convicted was 80. Elizabeth herself was neither tried nor convicted. In 1610, however, she was imprisoned in the Csejte Castle, where she remained bricked in a set of rooms until her death four years later. A 2010 article by Perri and Lichtenwald addressed some of

36924-534: The street, where he is eventually stopped among the procession marchers. Confronted by Jerry and Raoul, Consuelo's fiancé, Galbraith confesses to having murdered both Consuelo and Clo-Clo. He admits to having been inspired to do so after witnessing the leopard maul Teresa to death. Seeking vengeance, Raoul shoots Galbraith to death. Later, while at the funeral parlor, Jerry and Kiki reaffirm their love for one another. ‡ indicates uncredited cast member Production took place from February 9, 1943 until March 8, 1943, on

37128-402: The successful online hype of The Blair Witch Project (1999), other films have attempted to draw online cult fandom with the use of prefabricated cult appeal. Snakes on a Plane (2006) is an example that attracted massive attention from curious fans. Uniquely, its cult following preceded the film's release and included speculative parodies of what fans imagined the film might be. This reached

37332-413: The term itself as being a weak concept, reliant on subjectivity; different groups can interpret films in their own terms. According to feminist scholar Joanne Hollows, this subjectivity causes films with large female cult followings to be perceived as too mainstream and not transgressive enough to qualify as a cult film. Academic Mike Chopra‑Gant says that cult films become decontextualized when studied as

37536-799: The traditional fanzines and newsletters. Cult film fans consider themselves collectors, rather than consumers, as they associate consumers with mainstream, Hollywood audiences. This collecting can take the place of fetishization of a single film. Addressing concerns that DVDs have revoked the cult status of films like Rocky Horror , academic Mikel J. Koven states that small scale screenings with friends and family can replace midnight showings. Koven also identifies television shows, such as Twin Peaks , as retaining more traditional cult activities inside popular culture. David Lynch himself has not ruled out another television series, as studios have become reluctant to take chances on non-mainstream ideas. Despite this,

37740-403: The traditional cultural image of the "black widow". The methods that female serial killers use for murder are frequently covert or low-profile, such as murder by poison (the preferred choice for killing). Other methods used by female serial killers include shootings (used by 20%), suffocation (16%), stabbing (11%), and drowning (5%). They commit killings in specific places, such as their home or

37944-462: The traditional demands of a cult film, perceived by fans as transgressive, niche, and uncommercial. Discussing his reputation for making cult films, Bollywood director Anurag Kashyap said, "I didn't set out to make cult films. I wanted to make box-office hits." Writing in Cult Cinema , academics Ernest Mathijs and Jamie Sexton state that this acceptance of mainstream culture and commercialism

38148-640: The traditional, such as Singin' in the Rain (1952), which appeal to cult audiences through nostalgia, camp, and spectacle, to the more non-traditional, such as Cry-Baby (1990), which parodies musicals, and Rocky Horror , which uses a rock soundtrack. Romantic fairy tale The Princess Bride (1987) failed to attract audiences in its original release, as the studio did not know how to market it. The freedom and excitement associated with cars can be an important part of drawing cult film fans to genre films, and they can signify action and danger with more ambiguity than

38352-675: The transgressive elements of her cult film and the mainstream appeal of soft-core pornography, she was unable to work in anything but exploitation films and Emmanuelle sequels. Despite her immense popularity and cult following, she would rate only a footnote in most histories of European cinema if she was even mentioned. Similarly, Chloë Sevigny has struggled with her reputation as a cult independent film star famous for her daring roles in transgressive films. Cult films can also trap directors. Leonard Kastle , who directed The Honeymoon Killers (1969), never directed another film again. Despite his cult following, which included François Truffaut , he

38556-610: The trigger for serial killers. Two serial killers, Bobby Joe Long and Richard Speck , came to attention for reported chromosomal abnormalities. Long had an extra X chromosome . Speck was erroneously reported to have an extra Y chromosome ; in fact, his karyotype was performed twice and was normal each time. While attempts have been made to link the XYY karyotype to violence, including serial murder, research has consistently found little or no association between violent criminal behaviour and an extra Y chromosome. Children who do not have

38760-439: The victim threshold from three to two victims given that serial murderers from these groups share similar pathologies. Historical criminologists suggest that there have been serial killers throughout history. Some sources suggest that legends such as werewolves and vampires were inspired by medieval serial killers. In Africa, there have been periodic outbreaks of murder by leopard men . Liu Pengli of China, nephew of

38964-566: The world's most influential director. As major Hollywood studios and audiences both become savvy to cult films, productions once limited to cult appeal have instead become popular hits, and cult directors have become hot properties known for more mainstream and accessible films. Remarking on the popular trend of remaking cult films, Claude Brodesser-Akner of New York magazine states that Hollywood studios have been superstitiously hoping to recreate past successes rather than trading on nostalgia. Their popularity would bring some critics to proclaim

39168-719: The years of obscurity that most cult films labor under. In response, critics have described the use of viral marketing as astroturfing and an attempt to manufacture cult films. I. Q. Hunter identifies a prefabricated cult film style which includes "deliberately, insulting bad films", "slick exercises in dysfunction and alienation", and mainstream films "that sell themselves as worth obsessing over". Writing for NPR , Scott Tobias states that Don Coscarelli , whose previous films effortlessly attracted cult followings, has drifted into this realm. Tobias criticizes Coscarelli as trying too hard to appeal to cult audiences and sacrificing internal consistency for calculated quirkiness. Influenced by

39372-399: The years. The hammy acting by Christopher Lloyd and quotable dialogue have drawn a cult following, as they mimic traditional cult films. Blockbuster science fiction films that include philosophical subtexts, such as The Matrix , allow cult film fans to enjoy them on a higher level than the mainstream. Star Wars , with its large cult following in geek subculture, has been cited as both

39576-434: Was a cult film for years, quoted often and championed by fans, before it was reassessed as an important and influential classic. During this time, American exploitation films and imported European art films were marketed similarly. Although critics Pauline Kael and Arthur Knight argued against arbitrary divisions into high and low culture , American films settled into rigid genres; European art films continued to push

39780-427: Was collected and suspects were identified and traced. Police surgeon Thomas Bond assembled one of the earliest character profiles of the offender . The Ripper murders also marked an important watershed in the treatment of crime by journalists. While not the first serial killer in history, Jack the Ripper's case was the first to create a worldwide media frenzy. The dramatic murders of financially destitute women in

39984-463: Was distributed by Universal Studios  , can become cult films when they fail at the box office and develop a cult following through reissues, such as midnight movies, festivals, and home video. Hollywood films, due to their nature, are more likely to attract this kind of attention, which leads to a mainstreaming effect of cult culture. With major studios behind them, even financially unsuccessful films can be re-released multiple times, which plays into

40188-458: Was expected to recreate the transgressive elements of her cult films within the confines of mainstream cinema. Instead of the complex gender deconstructions of her Andy Warhol films, she became typecast as a lesbian or domineering woman. Sylvia Kristel , after starring in Emmanuelle (1974), found herself highly associated with the film and the sexual liberation of the 1970s. Caught between

40392-499: Was instrumental in allowing cult films to break through to the mainstream. Academic Joe Tompkins states that this auteurism is often highlighted when mainstream success occurs. This may take the place of – and even ignore – political readings of the director. Cult films and directors may be celebrated for their transgressive content, daring, and independence, but Tompkins argues that mainstream recognition requires they be palatable to corporate interests who stand to gain much from

40596-553: Was made during last-ditch efforts to appeal his death sentence. In the 1970s and 1980s, FBI profilers instigated a simple division of serial killers into "organized" and "disorganized"; that is, those who plan their crimes, and those who act on impulse. The FBI's Crime Classification Manual now places serial killers into three categories: organized , disorganized , and mixed (i.e., offenders who exhibit organized and disorganized characteristics). Some killers descend from organized to disorganized as their killings continue, as in

40800-399: Was not until the 29th year of his reign that the son of one of his victims finally sent a report to the emperor. Eventually, it was discovered that he had murdered at least 100 people. The officials of the court requested that Liu Pengli be executed; however, the emperor could not bear to have his own nephew killed, so Liu Pengli was made a commoner and banished. In the 9th century (year 257 of

41004-436: Was released, and looking to the past to find a better time period. Similarly, films directed by John Hughes have taken hold in midnight movie venues, trading off of nostalgia for the 1980s and an ironic appreciation for their optimism. Mathijs and Sexton describe Grease (1978) as a film nostalgic about an imagined past that has acquired a nostalgic cult following. Other cult films, such as Streets of Fire (1984), create

41208-406: Was reluctant to touch, such as violence, drug addiction, and misogyny . Lloyd Kaufman sees his films' political statements as more populist and authentic than the hypocrisy of mainstream films and celebrities. Despite featuring an abundance of fake blood, vomit, and diarrhea, Kaufman's films have attracted positive attention from critics and academics. Excess can also exist in films that highlight

41412-446: Was the most influential factor that contributed to their homicidal activity. Almost all of the serial killers in the study had experienced some sort of environmental problems during their childhood, such as a broken home caused by divorce, or a lack of a parental figure to discipline the child. Nearly half of the serial killers had experienced some type of physical or sexual abuse, and more of them had experienced emotional neglect. When

41616-449: Was unable to find financing for any of his other screenplays. Qualities that bring cult films to prominence – such as an uncompromising, unorthodox vision – caused Alejandro Jodorowsky to languish in obscurity for years. Transgressive films as a distinct artistic movement began in the 1970s. Unconcerned with genre distinctions, they drew inspiration equally from the nonconformity of European art cinema and experimental film ,

#539460