Thornfield Hall is a location in the 1847 novel Jane Eyre by Charlotte Brontë . It is the home of the male romantic lead, Edward Fairfax Rochester , where much of the action takes place.
107-497: Brontë uses the depiction of Thornfield in a manner consistent with the gothic tone of the novel as a whole. An isolated mansion of unspecified size, the house has a number of apparently unused rooms that become important to the narrative during the Bertha Mason passages. The Hall's gloomy character also expresses and amplifies the sense of Mr. Rochester's depression and malaise before he falls in love with Jane. In contrast,
214-414: A childlike interest (e.g. Lewis Carroll 's " Jabberwocky "). School stories flourished: Thomas Hughes ' Tom Brown's Schooldays and Kipling 's Stalky & Co. are classics. Rarely were these publications designed to capture a child’s pleasure; however, with the increase in the use of illustrations, children began to enjoy literature and were able to learn morals in a more entertaining way. With
321-548: A collection until 1898. The poetry of Gerard Manley Hopkins (1844–1889) was published posthumously in 1918. Algernon Charles Swinburne (1837–1909) is also considered an important literary figure of the period, especially his poems and critical writings. Early poetry of W. B. Yeats was also published in Victoria's reign. It was not until the last decades of the 19th century that any significant theatrical works were produced, beginning with Gilbert and Sullivan 's comic operas of
428-598: A counter to the naive and persecuted heroines usually featured in female Gothic of the time, and instead feature more sexually assertive heroines in their works. When the female Gothic coincides with the explained supernatural , the natural cause of terror is not the supernatural, but female disability and societal horrors: rape , incest , and the threatening control of a male antagonist. Female Gothic novels also address women's discontent with patriarchal society, their difficult and unsatisfying maternal position, and their role within that society. Women's fears of entrapment in
535-555: A female named Catherine, conceives herself as a heroine of a Radcliffean romance and imagines murder and villainy on every side. However, the truth turns out to be much more prosaic. This novel is also noted for including a list of early Gothic works known as the Northanger Horrid Novels . The poetry, romantic adventures, and character of Lord Byron —characterized by his spurned lover Lady Caroline Lamb as "mad, bad and dangerous to know"—were another inspiration for
642-540: A female vampire, is notable for its treatment of vampirism as both racial and medicalized. The vampire, Harriet Brandt, is also a psychic vampire , killing unintentionally. In the United States, notable late 19th-century writers in the Gothic tradition were Ambrose Bierce , Robert W. Chambers , and Edith Wharton . Bierce's short stories were in the horrific and pessimistic tradition of Poe. Chambers indulged in
749-490: A ghostly nun, and its view of Roman Catholicism as exotic and heathenistic. Nathaniel Hawthorne 's novel The House of the Seven Gables , about a family's ancestral home, is colored with suggestions of the supernatural and witchcraft ; and in true Gothic fashion, it features the house itself as one of the main characters, The genre also heavily influenced writers such as Charles Dickens , who read Gothic novels as
856-459: A gothic novel are foreign monsters, ghosts, curses, hidden rooms, and witchcraft. Gothic tales usually take place in locations such as castles, monasteries, and cemeteries, although the gothic monsters sometimes cross over into the real world, making appearances in cities such as London. Writers from the United States and the British colonies of Australia, New Zealand, and Canada were influenced by
963-479: A male-dominated world where women writers often had to use masculine pseudonyms. Dickens employed humor and an approachable tone while addressing social problems such as wealth disparity. Hardy used his novels to question religion and social structures. Poetry and theatre were also present during the Victorian era. Robert Browning and Alfred Tennyson were Victorian England's most famous poets. With regard to
1070-462: A number of stories that fall within the Gothic genre or contain Gothic elements. They include " Saint John's Eve " and " A Terrible Vengeance " from Evenings on a Farm Near Dikanka (1831–1832), " The Portrait " from Arabesques (1835), and " Viy " from Mirgorod (1835). While all are well known, the latter is probably the most famous, having inspired at least eight film adaptations (two now considered lost), one animated film, two documentaries, and
1177-465: A persecuted heroine fleeing from a villainous father and searching for an absent mother. At the same time, male writers tend towards the masculine transgression of social taboos . The emergence of the ghost story gave women writers something to write about besides the common marriage plot, allowing them to present a more radical critique of male power, violence, and predatory sexuality. Authors such as Mary Robinson and Charlotte Dacre however, present
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#17327836312331284-451: A popular form in Victorian literature: a historical novel in which recent history is depicted. Charlotte , Emily , and Anne Brontë produced notable works of the period, although these were not immediately appreciated by Victorian critics. Wuthering Heights (1847), Emily's only work, is an example of Gothic Romanticism from a woman's point of view, which examines class, myth, and gender. Jane Eyre (1847), by her sister Charlotte,
1391-499: A rational age. Initiating a literary genre, Walpole's Gothic tale inspired many contemporary imitators, including Clara Reeve 's The Old English Baron (1778), with Reeve writing in the preface: "This Story is the literary offspring of The Castle of Otranto ". Like Reeve, the 1780s saw more writers attempting his combination of supernatural plots with emotionally realistic characters. Examples include Sophia Lee 's The Recess (1783–5) and William Beckford 's Vathek (1786). At
1498-421: A story in a Gothic building serves several purposes. It inspires feelings of awe, implies that the story is set in the past, gives an impression of isolation or dissociation from the rest of the world, and conveys religious associations. Setting the novel in a Gothic castle was meant to imply a story set in the past and shrouded in darkness. The architecture often served as a mirror for the characters and events of
1605-473: A teenager and incorporated their gloomy atmosphere and melodrama into his works, shifting them to a more modern period and an urban setting; for example, in Oliver Twist (1837–1838), Bleak House (1854) and Great Expectations (1860–1861). These works juxtapose wealthy, ordered, and affluent civilization with the disorder and barbarity of the poor in the same metropolis. Bleak House, in particular,
1712-439: A tendency in much of Victorian writing. William Makepeace Thackeray was Dickens' great rival in the first half of Queen Victoria's reign. With a similar style but a slightly more detached, acerbic and barbed satirical view of his characters, he also tended to depict a more middle-class society than Dickens did. He is best known for his novels The Luck of Barry Lyndon (1844) and Vanity Fair (1847–1848) which are examples of
1819-501: A video game. Gogol's work differs from Western European Gothic fiction, as his cultural influences drew on Ukrainian folklore , the Cossack lifestyle, and, as a religious man, Orthodox Christianity . Other relevant authors of this era include Vladimir Fyodorovich Odoevsky ( The Living Corpse , written 1838, published 1844, The Ghost , The Sylphide , as well as short stories), Count Aleksey Konstantinovich Tolstoy ( The Family of
1926-557: Is another major Victorian novel with Gothic themes. Anne's second novel The Tenant of Wildfell Hall (1848), written in a realistic rather than romantic style, is mainly considered to be the first sustained feminist novel. Elizabeth Gaskell produced notable works during this period, including Mary Barton (1848), Cranford (1851–1853), North and South (1854–1855), and Wives and Daughters (1864–1866). George Eliot (Mary Ann Evans) also produced major works during this period, most notably Adam Bede (1859), The Mill on
2033-475: Is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present. The setting typically includes physical reminders of the past, especially through ruined buildings which stand as proof of a previously thriving world which is decaying in the present. Characteristic settings in the 18th and 19th centuries include castles, religious buildings such as monasteries and convents , and crypts . The atmosphere
2140-514: Is credited with introducing urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film. Miss Havisham from Great Expectations , is one of Dickens' most Gothic characters. The bitter recluse shuts herself away in her gloomy mansion ever since being jilted at the altar on her wedding day. His most explicitly Gothic work is his last novel, The Mystery of Edwin Drood , which he did not live to complete and
2247-453: Is immediately in front of us." The mysterious imagination necessary for Gothic literature to have gained any traction had been growing for some time before the advent of the Gothic. The need for this came as the known world was becoming more explored, reducing the geographical mysteries of the world. The edges of the map were filling in, and no dragons were to be found. The human mind required a replacement. Clive Bloom theorizes that this void in
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#17327836312332354-603: Is inducing Terror – or else "a great deal of the apprehension vanishes"; Obscurity is necessary to experience the Terror of the unknown. Bloom asserts that Burke's descriptive vocabulary was essential to the Romantic works that eventually informed the Gothic. The birth of Gothic literature was thought to have been influenced by political upheaval. Researchers linked its birth with the English Civil War , culminating in
2461-611: Is now held by scholars to be a stronger poet. In drama, farces , musical burlesques , extravaganzas and comic operas competed with Shakespeare productions and serious drama by the likes of James Planché and Thomas William Robertson . In 1855, the German Reed Entertainments began a process of elevating the level of (formerly risqué) musical theatre in Britain that culminated in the famous series of comic operas by Gilbert and Sullivan and were followed by
2568-475: Is often described with words such as "wonder" and "terror." This sense of wonder and terror that provides the suspension of disbelief so important to the Gothic—which, except for when it is parodied, even for all its occasional melodrama , is typically played straight, in a self-serious manner—requires the imagination of the reader to be willing to accept the idea that there might be something "beyond that which
2675-426: Is particularly important, as his 1833 short story The Queen of Spades was so popular that it was adapted into operas and later films by Russian and foreign artists. Some parts of Mikhail Yuryevich Lermontov's A Hero of Our Time (1840) are also considered to belong to the Gothic genre, but they lack the supernatural elements of other Russian Gothic stories. The following poems are also now considered to belong to
2782-557: Is set in the twenty-second century and speculates on fantastic scientific developments that might have occurred three hundred years in the future, making it and Frankenstein among the earliest examples of the science fiction genre developing from Gothic traditions. During two decades, the most famous author of Gothic literature in Germany was the polymath E. T. A. Hoffmann . Lewis's The Monk influenced and even mentioned it in his novel The Devil's Elixirs (1815). The novel explores
2889-596: Is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals . Similar to the Gothic Revivalists' rejection of the clarity and rationalism of the Neoclassical style of
2996-505: Is that High Sunderland Hall in Halifax was the basis for Thornfield. The house had all the Gothic features of Thornfield and is a location that was familiar to the Brontë family. Haddon Hall , near Bakewell , Derbyshire , has been used to depict Thornfield on several occasions: for the 1996 film directed by Franco Zeffirelli (starring William Hurt and Charlotte Gainsbourg ); in
3103-501: Is typically claustrophobic , and common plot elements include vengeful persecution, imprisonment, and murder. The depiction of horrible events in Gothic fiction often serves as a metaphorical expression of psychological or social conflicts. The form of a Gothic story is usually discontinuous and convoluted, often incorporating tales within tales, changing narrators, and framing devices such as discovered manuscripts or interpolated histories. Other characteristics, regardless of relevance to
3210-642: The BBC 2006 mini series directed by Susanna White ( Toby Stephens and Ruth Wilson ), and for the 2011 film ( Mia Wasikowska and Michael Fassbender ) directed by Cary Fukunaga . In 1996 and 2011 Wingfield Manor , in Derbyshire , was used to depict Thornfield after the fire, and in 2011 Chatsworth House was used for the gardens. Other locations include Ripley Castle , Yorks, in 1970 ; Renishaw Hall , Derby, in 1973 ; and Deene Park , Northampton, in 1983 . The 1997 film used Naworth Castle , Cumbria, for
3317-591: The Church of England , exacerbated by Newman's own conversion to Catholicism, which he wrote about in his autobiography Apologia Pro Vita Sua . A number of monumental references works were published in this era, most notably the Oxford English Dictionary which would eventually become the most important historical dictionary of the English language. Also published during the later Victorian era
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3424-481: The Enlightened Establishment, the literary Gothic embodies an appreciation of the joys of extreme emotion, the thrills of fearfulness and awe inherent in the sublime , and a quest for atmosphere. Gothic ruins invoke multiple linked emotions by representing inevitable decay and the collapse of human creations – hence the urge to add fake ruins as eyecatchers in English landscape parks. Placing
3531-572: The Graveyard poets . They were also present in novels such as Daniel Defoe 's A Journal of the Plague Year , which contains comical scenes of plague carts and piles of corpses. Even earlier, poets like Edmund Spenser evoked a dreary and sorrowful mood in such poems as Epithalamion . All aspects of pre-Gothic literature occur to some degree in the Gothic, but even taken together, they still fall short of true Gothic. What needed to be added
3638-522: The Jacobite rising of 1745 which was more recent to the first Gothic novel (1764). The collective political memory and any deep cultural fears associated with it likely contributed to early Gothic villains as literary representatives of defeated Tory barons or Royalists "rising" from their political graves in the pages of early Gothic novels to terrorize the bourgeois reader of late eighteenth-century England. The first work to call itself "Gothic"
3745-789: The Romantic poetry and the Georgian poetry of the early 20th century. However, Hopkins's poetry was not published until 1918. Arnold's works anticipate some of the themes of these later poets, while Hopkins drew inspiration from verse forms of Old English poetry such as Beowulf . The reclaiming of the past was a major part of Victorian literature with an interest in both classical literature and also medieval literature of England. This movement can be traced back to Letitia Elizabeth Landon and her poetry collections. Victorians loved chivalrous stories of knights of old; they hoped to regain some of that courtly behavior for readers at home and in
3852-847: The Romantic poets , like Samuel Taylor Coleridge and Lord Byron , and novelists such as Mary Shelley , Charles Maturin , Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued the use of gothic aesthetic in novels by Charles Dickens and the Brontë sisters , as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne . Later well-known works were Dracula by Bram Stoker , Richard Marsh's The Beetle and Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde . Twentieth-century contributors include Daphne du Maurier , Stephen King , Shirley Jackson , Anne Rice , and Toni Morrison . Gothic fiction
3959-548: The Victorian era , writers focused on social issues. Writers such as Thomas Carlyle called attention to the dehumanizing effects of the Industrial Revolution and what Carlyle called the "Mechanical Age". This awareness inspired the subject matter of other authors, like poet Elizabeth Barrett Browning and novelists Charles Dickens and Thomas Hardy . Barrett's works on child labor cemented her success in
4066-581: The trope of vampires having sharpened teeth. Another notable English author of penny dreadfuls is George W. M. Reynolds , known for The Mysteries of London (1844), Faust (1846), Wagner the Wehr-wolf (1847), and The Necromancer (1857). Elizabeth Gaskell 's tales "The Doom of the Griffiths" (1858), "Lois the Witch", and "The Grey Woman" all employ one of the most common themes of Gothic fiction:
4173-416: The 1790s." The popularity and influence of The Mysteries of Udolpho and The Monk saw the rise of shorter and cheaper versions of Gothic literature in the forms of Gothic bluebooks and chapbooks , which in many cases were plagiarized and abridgments of well known Gothic novels. The Monk in particular, with its immoral and sensational content, saw many plagiarized copies, and was notably drawn from in
4280-419: The 1870s, George Bernard Shaw 's (1856–1950) plays of the 1890s, and Oscar Wilde 's (1854–1900) The Importance of Being Earnest . Elizabeth Barrett Browning and Robert Browning became acquainted first by reading each other's poetry and both produced poems inspired by their relationship. Both Matthew Arnold and Gerard Manley Hopkins wrote poems that sit somewhere in between the exultation of nature of
4387-497: The 1890s with the first Edwardian musical comedies . The first play to achieve 500 consecutive performances was the London comedy Our Boys by H. J. Byron , opening in 1875. Its astonishing new record of 1,362 performances was bested in 1892 by Charley's Aunt by Brandon Thomas . After W. S. Gilbert , Oscar Wilde became the leading poet and dramatist of the late Victorian period. Wilde's plays, in particular, stand apart from
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4494-540: The English countryside, Hardy's work pushed back against widespread urbanization that came to symbolize the Victorian age. Other significant novelists of this era were Anthony Trollope (1815–1882), Wilkie Collins (1824-1889), George Meredith (1828–1909), and George Gissing (1857–1903). Robert Browning (1812–1889) and Alfred Tennyson (1809–1892) were notable poets in Victorian England. Thomas Hardy wrote poetry throughout his life, but did not publish
4601-493: The European Middle Ages , which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole 's 1764 novel The Castle of Otranto , later subtitled "A Gothic Story". Subsequent 18th-century contributors included Clara Reeve , Ann Radcliffe , William Thomas Beckford , and Matthew Lewis . The Gothic influence continued into the early 19th century; works by
4708-668: The Floss (1860), Silas Marner (1861), Middlemarch (1871–1872), and Daniel Deronda (1876). Like the Brontës she published under a masculine pseudonym. Later in this period, Thomas Hardy 's best-known novels are Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). Renowned for his cynical yet idyllic portrayal of pastoral life in
4815-594: The German Schauerroman and the French R oman noir . Eighteenth-century Gothic novels were typically set in a distant past and (for English novels) a distant European country, but without specific dates or historical figures that characterized the later development of historical fiction. The saturation of Gothic-inspired literature during the 1790s was referred to in a letter by Samuel Taylor Coleridge , writing on 16 March 1797, "indeed I am almost weary of
4922-490: The Gothic and influenced Bram Stoker 's vampire novel Dracula (1897). Stoker's book created the most famous Gothic villain ever, Count Dracula , and established Transylvania and Eastern Europe as the locus classicus of the Gothic. Published in the same year as Dracula , Florence Marryat 's The Blood of the Vampire is another piece of vampire fiction. The Blood of the Vampire , which, like Carmilla, features
5029-444: The Gothic genre made it rich territory for satire. Historian Rictor Norton notes that satire of Gothic literature was common from 1796 until the 1820s, including early satirical works such as The New Monk (1798), More Ghosts ! (1798) and Rosella, or Modern Occurrences (1799). Gothic novels themselves, according to Norton, also possess elements of self-satire, "By having profane comic characters as well as sacred serious characters,
5136-426: The Gothic genre: Meshchevskiy's "Lila", Katenin's "Olga", Pushkin 's "The Bridegroom", Pletnev 's "The Gravedigger" and Lermontov 's Demon (1829–1839). The key author of the transition from Romanticism to Realism, Nikolai Vasilievich Gogol , who was also one of the most important authors of Romanticism, produced a number of works that qualify as Gothic fiction. Each of his three short story collections features
5243-583: The Gothic novel, providing the archetype of the Byronic hero . For example, Byron is the title character in Lady Caroline's Gothic novel Glenarvon (1816). Byron was also the host of the celebrated ghost-story competition involving himself, Percy Bysshe Shelley , Mary Shelley , and John William Polidori at the Villa Diodati on the banks of Lake Geneva in the summer of 1816. This occasion
5350-407: The Gothic novelist could puncture the balloon of the supernatural while at the same time affirming the power of the imagination." After 1800 there was a period in which Gothic parodies outnumbered forthcoming Gothic novels. In The Heroine by Eaton Stannard Barrett (1813), Gothic tropes are exaggerated for comic effect. In Jane Austen 's novel Northanger Abbey (1818), the naive protagonist,
5457-462: The Gothic tradition, Mary Shelley's novel is often considered the first science fiction novel, despite the novel's lack of any scientific explanation for the animation of Frankenstein's monster and the focus instead on the moral dilemmas and consequences of such a creation. John Keats ' La Belle Dame sans Merci (1819) and Isabella, or the Pot of Basil (1820) feature mysteriously fey ladies. In
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#17327836312335564-403: The Gothic. Emily Brontë 's Wuthering Heights (1847) transports the Gothic to the forbidding Yorkshire Moors and features ghostly apparitions and a Byronic hero in the person of the demonic Heathcliff. The Brontës' fictions were cited by feminist critic Ellen Moers as prime examples of Female Gothic, exploring woman's entrapment within domestic space and subjection to patriarchal authority and
5671-708: The Heroic in History (1841) permeated political thought at the time. The writings of Thomas Babington Macaulay on English history helped codify the Whig narrative that dominated the historiography for many years. John Ruskin wrote a number of highly influential works on art and the history of art and championed such contemporary figures as J. M. W. Turner and the Pre-Raphaelites . The religious writer John Henry Newman 's Oxford Movement aroused intense debate within
5778-664: The Screw (1898), and the stories of Arthur Machen . In Ireland, Gothic fiction tended to be purveyed by the Anglo-Irish Protestant Ascendancy . According to literary critic Terry Eagleton , Charles Maturin , Sheridan Le Fanu , and Bram Stoker form the core of the Irish Gothic subgenre with stories featuring castles set in a barren landscape and a cast of remote aristocrats dominating an atavistic peasantry, which represent an allegorical form
5885-513: The Sublime and Beautiful , which "finally codif[ied] the gothic emotional experience." Specifically, Burke's thoughts on the Sublime, Terror, and Obscurity were most applicable. These sections can be summarized thus: the Sublime is that which is or produces the "strongest emotion which the mind is capable of feeling"; Terror most often evoked the Sublime; and to cause Terror, we need some amount of Obscurity – we can't know everything about that which
5992-758: The Terrible, having been a hireling in the Critical Review for the last six or eight months – I have been reviewing the Monk , the Italian , Hubert de Sevrac &c &c &c – in all of which dungeons, and old castles, & solitary Houses by the Sea Side & Caverns & Woods & extraordinary characters & all the tribe of Horror & Mystery, have crowded on me – even to surfeiting." The excesses, stereotypes, and frequent absurdities of
6099-612: The Vourdalak , 1839, and The Vampire , 1841), Mikhail Zagoskin ( Unexpected Guests ), Józef Sękowski / Osip Senkovsky ( Antar ), and Yevgeny Baratynsky ( The Ring ). By the Victorian era , Gothic had ceased to be the dominant genre for novels in England, partly replaced by more sedate historical fiction . However, Gothic short stories continued to be popular, published in magazines or as small chapbooks called penny dreadfuls . The most influential Gothic writer from this period
6206-433: The beginning of the 19th century most novels were published in three volumes, monthly serialization was revived with the publication of Charles Dickens' Pickwick Papers in twenty parts between April 1836 and November 1837. Demand was high for each episode to introduce some new element, whether it was a plot twist or a new character, so as to maintain the readers' interest. Dickens worked diligently and prolifically to produce
6313-513: The cheaper pamphlets. Other notable Gothic novels of the 1790s include William Godwin 's Caleb Williams (1794), Regina Maria Roche 's Clermont (1798), and Charles Brockden Brown 's Wieland (1798), as well as large numbers of anonymous works published by the Minerva Press established by William Lane at Leadenhall Street , London in 1790. In continental Europe, Romantic literary movements led to related Gothic genres such as
6420-429: The collective imagination was critical in developing the cultural possibility for the rise of the Gothic tradition. The setting of most early Gothic works was medieval, but this was a common theme long before Walpole. In Britain especially, there was a desire to reclaim a shared past. This obsession frequently led to extravagant architectural displays, such as Fonthill Abbey , and sometimes mock tournaments were held. It
6527-512: The day Would quake to look on. — Lines from Shakespeare's Hamlet The components that would eventually combine into Gothic literature had a rich history by the time Walpole presented a fictitious medieval manuscript in The Castle of Otranto in 1764. The plays of William Shakespeare , in particular, were a crucial reference point for early Gothic writers, in both an effort to bring credibility to their works, and to legitimize
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#17327836312336634-568: The decadent style of Wilde and Machen, even including a character named Wilde in his The King in Yellow (1895). Wharton published some notable Gothic ghost stories. Some works of the Canadian writer Gilbert Parker also fall into the genre, including the stories in The Lane that had No Turning (1900). Victorian literature Victorian literature is English literature during
6741-587: The domestic, their bodies, marriage, childbirth, or domestic abuse commonly appear in the genre. After the characteristic Gothic Bildungsroman -like plot sequence, female Gothic allowed readers to grow from "adolescence to maturity" in the face of the realized impossibilities of the supernatural. As protagonists such as Adeline in The Romance of the Forest learn that their superstitious fantasies and terrors are replaced by natural cause and reasonable doubt,
6848-458: The early works of the period and the later works which had more in common with the writers of the Edwardian period and many writers straddle this divide. People such as Arthur Conan Doyle , Rudyard Kipling , H. G. Wells , Bram Stoker , H. Rider Haggard , Jerome K. Jerome and Joseph Conrad all wrote some of their important works during Victoria's reign but the sensibility of their writing
6955-470: The emerging genre as serious literature to the public. Tragedies such as Hamlet , Macbeth , King Lear , Romeo and Juliet , and Richard III , with plots revolving around the supernatural, revenge, murder, ghosts, witchcraft , and omens , written in dramatic pathos, and set in medieval castles, were a huge influence upon early Gothic authors, who frequently quote, and make allusions to Shakespeare's works. John Milton 's Paradise Lost (1667)
7062-522: The entertaining writing that the public wanted, but also to offer commentary on social problems and the plight of the poor and oppressed. His most important works include Oliver Twist (1837–1839), Nicholas Nickleby (1838–1839) , A Christmas Carol (1843), Dombey and Son (1846–1848), David Copperfield (1849–1850), Bleak House (1852–1853), Little Dorrit (1855–1857), A Tale of Two Cities (1859), and Great Expectations (1860–1861). His later novels become progressively darker, mirroring
7169-538: The exteriors and Knebworth House , Herts, for the interiors. Loseley Park , in Surrey, depicted Thornfield Hall in the 2006 film adaptation of Wide Sargasso Sea , the Jane Eyre prequel by Jean Rhys . Gothic novel Gothic fiction , sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting . The name refers to Gothic architecture of
7276-482: The female Gothic allowed women's societal and sexual desires to be introduced. In many respects, the novel's intended reader of the time was the woman who, even as she enjoyed such novels, felt she had to "[lay] down her book with affected indifference, or momentary shame," according to Jane Austen . The Gothic novel shaped its form for woman readers to "turn to Gothic romances to find support for their own mixed feelings." Female Gothic narratives focus on such topics as
7383-461: The grounds surrounding Thornfield are sublime and healthful to the novel's many troubled characters and serve as a backdrop to many happier scenes. A theory holds that North Lees Hall in Hathersage was the inspiration for Thornfield, particularly given that "Morton" in the novel is believed to be based on Hathersage, and that Brontë stayed in the area before writing the novel. Another theory
7490-401: The height of the Gothic novel's popularity in the 1790s, the genre was almost synonymous with Ann Radcliffe , whose works were highly anticipated and widely imitated. The Romance of the Forest (1791) and The Mysteries of Udolpho (1794) were particularly popular. In an essay on Radcliffe, Walter Scott writes of the popularity of Udolpho at the time, "The very name was fascinating, and
7597-988: The last few decades. The Victorians are credited with "inventing childhood", partly via their efforts to stop child labor and the introduction of compulsory education . As children began to be able to read, literature for young people became a growth industry, with not only established writers producing works for children (such as Dickens' A Child's History of England ) but also a new group of dedicated children's authors . Writers like Lewis Carroll ( Alice's Adventures in Wonderland ), Anna Sewell ( Black Beauty ), and R. M. Ballantyne ( The Coral Island ) wrote mainly for children, although they had an adult following. Other authors such as Robert Louis Stevenson ( Treasure Island ) and Anthony Hope ( The Prisoner of Zenda ) wrote mainly for adults, but their adventure novels are now generally classified as for children. Other genres include nonsense verse , poetry which required
7704-446: The latter poem, the names of the characters, the dream visions, and the macabre physical details are influenced by the novels of premiere Gothicist Ann Radcliffe. Although ushering in the historical novel, and turning popularity away from Gothic fiction, Walter Scott frequently employed Gothic elements in his novels and poetry. Scott drew upon oral folklore , fireside tales, and ancient superstitions, often juxtaposing rationality and
7811-470: The literature of Britain and are often classed as a part of Victorian literature, although they were gradually developing their own distinctive voices. Victorian writers of Canadian literature include Grant Allen , Susanna Moodie and Catherine Parr Traill . Australian literature has the poets Adam Lindsay Gordon and Banjo Paterson , who wrote Waltzing Matilda , and New Zealand literature includes Thomas Bracken and Frederick Edward Maning . From
7918-493: The main plot, can include sleeplike and deathlike states, live burials , doubles , unnatural echoes or silences, the discovery of obscured family ties, unintelligible writings, nocturnal landscapes, remote locations, and dreams. Especially in the late 19th century, Gothic fiction often involved demons and demonic possession , ghosts , and other kinds of evil spirits . Gothic fiction often moves between " high culture " and " low " or " popular culture ". Gothic literature
8025-494: The many now-forgotten plays of Victorian times and have a closer relationship to those of the Edwardian dramatists such as George Bernard Shaw , whose career began in the 1890s. Wilde's 1895 comic masterpiece, The Importance of Being Earnest , was the greatest of the plays in which he held an ironic mirror to the aristocracy while displaying virtuosic mastery of wit and paradoxical wisdom. It has remained extremely popular. The plays of Arthur Wing Pinero have been staged again in
8132-637: The most celebrated Realists, wrote Faust (1856), Phantoms (1864), Song of the Triumphant Love (1881), and Clara Milich (1883). Another classic Russian Realist, Fyodor Mikhailovich Dostoyevsky , incorporated Gothic elements into many of his works, although none can be seen as purely Gothic. Grigory Petrovich Danilevsky , who wrote historical and early science fiction novels and stories, wrote Mertvec-ubiytsa ( Dead Murderer ) in 1879. Also, Grigori Alexandrovich Machtet wrote "Zaklyatiy kazak", which may now also be considered Gothic. The 1880s saw
8239-704: The motive of Doppelgänger , a term coined by another German author and supporter of Hoffmann, Jean-Paul , in his humorous novel Siebenkäs (1796–1797). He also wrote an opera based on Friedrich de la Motte Fouqué 's Gothic story Undine (1816), for which de la Motte Fouqué wrote the libretto. Aside from Hoffmann and de la Motte Fouqué, three other important authors from the era were Joseph Freiherr von Eichendorff ( The Marble Statue , 1818), Ludwig Achim von Arnim ( Die Majoratsherren , 1819), and Adelbert von Chamisso ( Peter Schlemihls wundersame Geschichte , 1814). After them, Wilhelm Meinhold wrote The Amber Witch (1838) and Sidonia von Bork (1847). In Spain,
8346-460: The newfound acceptance of reading for pleasure, fairy tales and folk tales became popular. Compiling folk tales by many authors with different topics made it possible for children to read literature about many topics which interested them. There were different types of books and magazines written for boys and girls. Girls' stories tended to be domestic and to focus on family life, whereas boys' stories were more about adventures. The Victorian era
8453-566: The political plight of Catholic Ireland subjected to the Protestant Ascendancy. Le Fanu's use of the gloomy villain, forbidding mansion, and persecuted heroine in Uncle Silas (1864) shows direct influence from Walpole's Otranto and Radcliffe's Udolpho . Le Fanu's short story collection In a Glass Darkly (1872) includes the superlative vampire tale Carmilla , which provided fresh blood for that particular strand of
8560-495: The power of ancestral sins to curse future generations, or the fear that they will. M. R. James , an English medievalist whose stories are still popular today, is known as the originator of the "antiquarian ghost story." In Spain, Gustavo Adolfo Bécquer stood out with his romantic poems and short tales, some depicting supernatural events. Today some consider him the most-read Spanish writer after Miguel de Cervantes . In addition to these short Gothic fictions, some novels drew on
8667-672: The priest Pascual Pérez Rodríguez was the most diligent novelist in the Gothic way, closely aligned to the supernatural explained by Ann Radcliffe. At the same time, the poet José de Espronceda published The Student of Salamanca (1837–1840), a narrative poem that presents a horrid variation on the Don Juan legend. In Russia, authors of the Romantic era include Antony Pogorelsky (penname of Alexey Alexeyevich Perovsky), Orest Somov , Oleksa Storozhenko , Alexandr Pushkin , Nikolai Alekseevich Polevoy , Mikhail Lermontov (for his work Stuss ), and Alexander Bestuzhev-Marlinsky . Pushkin
8774-518: The public, who rushed upon it with all the eagerness of curiosity, rose from it with unsated appetite. When a family was numerous, the volumes flew, and were sometimes torn from hand to hand." Radcliffe's novels were often seen as the feminine and rational opposite of a more violently horrifying male Gothic associated with Matthew Lewis . Radcliffe's final novel, The Italian (1797), responded to Lewis's The Monk (1796). Radcliffe and Lewis have been called "the two most significant Gothic novelists of
8881-461: The reader may grasp the heroine's true position: "The heroine possesses the romantic temperament that perceives strangeness where others see none. Her sensibility, therefore, prevents her from knowing that her true plight is her condition, the disability of being female." 'Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as
8988-479: The reign of Queen Victoria (1837–1901). The 19th century is considered by some the Golden Age of English Literature, especially for British novels. In the Victorian era , the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and
9095-485: The revival of the Gothic as a powerful literary form allied to fin de siecle , which fictionalized contemporary fears like ethical degeneration and questioned the social structures of the time. Classic works of this Urban Gothic include Robert Louis Stevenson 's Strange Case of Dr. Jekyll and Mr. Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1891), George du Maurier 's Trilby (1894), Richard Marsh 's The Beetle (1897), Henry James ' The Turn of
9202-447: The role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens , William Makepeace Thackeray , the three Brontë sisters, Elizabeth Gaskell , George Eliot (Mary Ann Evans), Thomas Hardy , and Rudyard Kipling . The Romantic period was a time of abstract expression and inward focus; during
9309-413: The sphere of literature of the United States during this time are some of the country's greats including: Emily Dickinson , Ralph Waldo Emerson , Nathaniel Hawthorne , Oliver Wendell Holmes Sr. , Henry James , Herman Melville , Harriet Beecher Stowe , Henry David Thoreau , Mark Twain and Walt Whitman . The problem with the classification of "Victorian literature" is the great difference between
9416-468: The story. The buildings in The Castle of Otranto , for example, are riddled with tunnels that characters use to move back and forth in secret. This movement mirrors the secrets surrounding Manfred's possession of the castle and how it came into his family. From the castles, dungeons , forests, and hidden passages of the Gothic novel genre emerged female Gothic. Guided by the works of authors such as Ann Radcliffe , Mary Shelley , and Charlotte Brontë ,
9523-649: The supernatural. Novels such as The Bride of Lammermoor (1819), in which the characters' fates are decided by superstition and prophecy , or the poem Marmion (1808), in which a nun is walled alive inside a convent, illustrate Scott's influence and use of Gothic themes. A late example of a traditional Gothic novel is Melmoth the Wanderer (1820) by Charles Maturin , which combines themes of anti-Catholicism with an outcast Byronic hero. Jane C. Loudon 's The Mummy! (1827) features standard Gothic motifs, characters, and plot, but with one significant twist; it
9630-420: The theatre it was not until the last decades of the 19th century that any significant works were produced. Notable playwrights of the time include Gilbert and Sullivan , George Bernard Shaw , and Oscar Wilde . Charles Dickens is the most famous Victorian novelist. With a focus on strong characterization, Dickens became extraordinarily popular in his day and remains one of the most popular and read authors of
9737-414: The times, Sexton Blake , and other fictional characters of the era, such as Dracula , Edward Hyde , The Invisible Man , and many other fictional characters who often had exotic enemies to foil. Spanning the 18th and 19th centuries, there was a particular type of story-writing known as gothic. Gothic literature combines romance and horror in an attempt to thrill and terrify the reader. Possible features in
9844-459: The transgressive and dangerous attempts to subvert and escape such restriction. Emily Brontë's Cathy and Charlotte Brontë 's Jane Eyre are examples of female protagonists in such roles. Louisa May Alcott 's Gothic potboiler, A Long Fatal Love Chase (written in 1866 but published in 1995), is also an interesting specimen of this subgenre. Charlotte Brontë's Villette also shows the Gothic influence, with its supernatural subplot featuring
9951-462: The wider empire . The best example of this is Alfred Tennyson 's Idylls of the King , which blended the stories of King Arthur , particularly those by Thomas Malory , with contemporary concerns and ideas. The Pre-Raphaelite Brotherhood also drew on myth and folklore for their art, with Dante Gabriel Rossetti contemporaneously regarded as the chief poet amongst them, although his sister Christina
10058-617: The world. Although it took a long time to be widely accepted, it would dramatically change subsequent thoughts and literature. Much of the work of popularizing Darwin's theories was done by his younger contemporary Thomas Henry Huxley , who wrote widely on the subject. A number of other non-fiction works of the era made their mark on the literature of the period. The philosophical writings of John Stuart Mill covered logic , economics, liberty and utilitarianism . The large and influential histories of Thomas Carlyle , The French Revolution: A History (1837), and On Heroes, Hero-Worship, &
10165-419: The world. Dickens began his literary career with Sketches by Boz (1833–1836) which collected short stories published in various newspapers and other periodicals. His first novel, The Pickwick Papers (1836–1837) written when he was twenty-five, was an overnight success, and all his subsequent works sold extremely well. The comedy of his first novel has a satirical edge and this pervades his writing. While at
10272-412: Was Horace Walpole 's The Castle of Otranto (1764). The first edition presented the story as a translation of a sixteenth-century manuscript and was widely popular. Walpole, in the second edition, revealed himself as the author which adding the subtitle "A Gothic Story." The revelation prompted a backlash from readers, who considered it inappropriate for a modern author to write a supernatural story in
10379-612: Was a notable Gothic writer, and converted from Catholicism to Anglicanism. In Switzerland, Jeremias Gotthelf wrote The Black Spider (1842), an allegorical work that uses Gothic themes. The last work from the German writer Theodor Storm , The Rider on the White Horse (1888), also uses Gothic motives and themes. After Gogol, Russian literature saw the rise of Realism, but many authors continued to write stories within Gothic fiction territory. Ivan Sergeyevich Turgenev , one of
10486-422: Was also very influential among Gothic writers, who were especially drawn to the tragic anti-hero character Satan , who became a model for many charismatic Gothic villains and Byronic heroes . Milton's "version of the myth of the fall and redemption, creation and decreation, is, as Frankenstein again reveals, an important model for Gothic plots." Alexander Pope , who had a considerable influence on Walpole,
10593-461: Was an aesthetic to tie the elements together. Bloom notes that this aesthetic must take the form of a theoretical or philosophical core, which is necessary to "sav[e] the best tales from becoming mere anecdote or incoherent sensationalism." In this case, the aesthetic needed to be emotional, and was finally provided by Edmund Burke 's 1757 work, A Philosophical Enquiry into the Origin of Our Ideas of
10700-504: Was an important time for the development of science and the Victorians had a mission to describe and classify the entire natural world. Much of this writing does not rise to the level of being regarded as literature but one book in particular, Charles Darwin 's On the Origin of Species , remains famous. The theory of evolution contained within the work challenged many of the ideas the Victorians had about themselves and their place in
10807-555: Was not merely in literature that a medieval revival made itself felt, and this, too, contributed to a culture ready to accept a perceived medieval work in 1764. The Gothic often uses scenery of decay, death, and morbidity to achieve its effects (especially in the Italian Horror school of Gothic). However, Gothic literature was not the origin of this tradition; it was far older. The corpses, skeletons, and churchyards so commonly associated with early Gothic works were popularized by
10914-527: Was productive of both Mary Shelley's Frankenstein, or, The Modern Prometheus (1818), and Polidori's short story " The Vampyre " (1819), featuring the Byronic Lord Ruthven . "The Vampyre" has been accounted by cultural critic Christopher Frayling as one of the most influential works of fiction ever written and spawned a craze for vampire fiction and theatre (and, latterly, film) that has not ceased to this day. Although clearly influenced by
11021-519: Was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos , and mortality in general. Irish Catholics also wrote Gothic fiction in the 19th century. Although some Anglo-Irish dominated and defined the subgenre decades later, they did not own it. Irish Catholic Gothic writers included Gerald Griffin , James Clarence Mangan , and John and Michael Banim . William Carleton
11128-628: Was the Dictionary of National Biography and the ninth edition of the Encyclopædia Britannica . In the United States, Henry David Thoreau 's works and Susan Fenimore Cooper 's Rural Hours (1850) were canonical influences on Victorian nature writing . In the UK, Philip Gosse and Sarah Bowdich Lee were two of the most popular nature writers in the early part of the Victorian era. The Illustrated London News , founded in 1842,
11235-624: Was the American Edgar Allan Poe , who wrote numerous short stories and poems reinterpreting Gothic tropes. His story " The Fall of the House of Usher " (1839) revisits classic Gothic tropes of aristocratic decay, death, and insanity . Poe is now considered the master of the American Gothic. In England, one of the most influential penny dreadfuls is the anonymously authored Varney the Vampire (1847), which introduced
11342-463: Was the first significant poet of the 18th century to write a poem in an authentic Gothic manner. Eloisa to Abelard (1717), a tale of star-crossed lovers, one doomed to a life of seclusion in a convent, and the other in a monastery, abounds in gloomy imagery, religious terror, and suppressed passion. The influence of Pope's poem is found throughout 18th-century Gothic literature, including the novels of Walpole, Radcliffe, and Lewis. Gothic literature
11449-504: Was the world's first illustrated weekly newspaper and often published articles and illustrations dealing with nature; in the second half of the 19th century, books, articles, and illustrations on nature became widespread and popular among an increasingly urbanized reading public. The old Gothic tales that came out of the late 19th century are the first examples of the genre of fantasy fiction. These tales often centered on larger-than-life characters such as Sherlock Holmes , famous detective of
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