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Underground Press Syndicate

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The Underground Press Syndicate ( UPS ), later known as the Alternative Press Syndicate ( APS ), was a network of countercultural newspapers and magazines that operated from 1966 into the late 1970s. As it evolved, the Underground Press Syndicate created an Underground Press Service, and later its own magazine.

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125-416: UPS members agreed to allow all other members to freely reprint their contents, to exchange gratis subscriptions with each other, and to occasionally print a listing of all UPS newspapers with their addresses. Anyone who agreed to those terms was allowed to join the syndicate. As a result, countercultural news stories, criticism, and cartoons were widely disseminated, and a wealth of content was available to even

250-424: A non-disclosure agreement ); directly threatening national security; or causing or potentially causing an imminent emergency (the " clear and present danger " standard) to be ordered stopped or otherwise suppressed, and then usually only the particular offending article or articles in question will be banned, while the newspaper itself is allowed to continue operating and can continue publishing other articles. In

375-483: A Dirty Old Man, ran in NOLA Express , and Francisco McBride's illustration for the story "The Fuck Machine" was considered sexist, pornographic, and created an uproar. All of this controversy helped to increase the readership and bring attention to the political causes that editors Fife and Head supported. Many of the papers faced official harassment on a regular basis; local police repeatedly raided and busted up

500-546: A UPS conference in Iowa City hosted by Middle Earth drew 80 newspaper editors from the U.S. and Canada, including representatives of Liberation News Service . LNS, founded by Marshall Bloom and Ray Mungo that summer, would play an equally important and complementary role in the growth and evolution of the underground press in the United States. An attempt that summer by Bob Rudnick to coordinate and centralize

625-500: A computer to settle the returns for each bet once the details of the wager have been 'translated' into the system by an employee. The added efficiency of this digital system has ensured that there are now very few, if indeed any, betting offices continuing to use microfilm cameras in the UK. Visa and National City use microfilm (roll microfilm and fiche) to store financial, personal, and legal records. Source code for computer programs

750-595: A drawing that is 2.00 × 2.80 metres, that is 79 × 110 in. These films are stored as microfiche. 16 mm or 35 mm film to motion picture standard is used, usually unperforated. Roll microfilm is stored on open reels or put into cassettes. The standard lengths for using roll film is 30.48 m (100 ft) for 35 mm rolls, and 100 ft, 130 ft and 215 feet for 16 mm rolls. One roll of 35 mm film may carry 600 images of large engineering drawings or 800 images of broadsheet newspaper pages. 16 mm film may carry 2,400 images of letter-sized images as

875-613: A large and active underground press that printed over 2 million newspapers a month; the leading titles were Combat , Libération , Défense de la France , and Le Franc-Tireur . Each paper was the organ of a separate resistance network, and funds were provided from Allied headquarters in London and distributed to the different papers by resistance leader Jean Moulin . Allied prisoners of war (POWs) published an underground newspaper called POW WOW . In Eastern Europe , also since approximately 1940, underground publications were known by

1000-483: A light source; this is the negative of text on paper. COM is sometimes processed normally. Other applications require that image appears as a conventional negative; the film is then reversal processed. This outputs either 16 mm film or fiche pages on a 105 mm roll. Because listing characters are a simple design, a reduction ratio of 50 gives good quality and puts about 300 pages on a microfiche. A microfilm plotter, sometimes called an aperture card plotter, accepts

1125-584: A matrix of microimages. All microfiche are read with their text parallel to the long side of the fiche . Frames may be landscape or portrait in orientation . Along the top of the fiche a title may be recorded for visual identification. The most commonly used format is a portrait image of about 10 × 14 mm. Office-size papers or magazine pages require a reduction of 24 or 25 in size. Microfiche are stored in open-top envelopes, which are put in drawers or boxes as file cards or fitted into pockets in purpose-made books. Ultrafiche (also "ultramicrofiche" )

1250-452: A means of keeping compact records of bets taken. Betting shop customers would sometimes attempt to amend their betting slip receipt to attempt fraud, and so the microphotography camera (which also generally contained its own independent time-piece) found use as a definitive means of recording the exact details of each and every bet taken. The use of microphotography has now largely been replaced by digital 'bet capture' systems, which also allow

1375-561: A method to microformat dissertations, and in 1934 the United States National Agriculture Library implemented the first microform print-on-demand service, which was quickly followed by a similar commercial concern, Science Service. In 1935, Kodak's Recordak division began filming and publishing The New York Times on reels of 35 millimeter microfilm, ushering in the era of newspaper preservation on film. This method of information storage received

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1500-485: A national advertising media selling company, APSmedia . APSmedia placed advertising primarily from record and stereo companies with success, placing more than 350 pages of advertising for many of the publications in the bigger markets in the first year. As cities were in the major markets, it mostly sold ads into publications without the advertisers knowing anything more than the names of the client papers. In 1976, APSmedia dissolved. By 1974 most underground newspapers in

1625-479: A platform to the socially impotent and mirrored the changing way of life in the UK underground . In London , Barry Miles , John Hopkins , and others produced International Times from October 1966 which, following legal threats from The Times newspaper was renamed IT . Richard Neville arrived in London from Australia, where he had edited Oz (1963 to 1969). He launched a British version (1967 to 1973), which

1750-401: A reduced size. The prints were on photographic paper and did not exceed 40 mm, to permit insertion in a goose-quill or thin metal tube, which protected against the elements. The pigeons each carried a dispatch that was tightly rolled and tied with a thread, and then attached to a tail feather of the pigeon. The dispatch was protected by being inserted in the quill, which was then attached to

1875-401: A reduction ratio of 160:1. Dancer refined his reduction procedures with Frederick Scott Archer 's wet collodion process , developed in 1850–51, but he dismissed his decades-long work on microphotographs as a personal hobby and did not document his procedures. The idea that microphotography could be no more than a novelty was an opinion shared in the 1858 Dictionary of Photography , which called

2000-527: A rented or borrowed IBM Selectric typewriter to be pasted-up by hand. As one observer commented with only slight hyperbole, students were financing the publication of these papers out of their lunch money. In mid-1966, the cooperative Underground Press Syndicate (UPS) was formed at the instigation of Walter Bowart , the publisher of another early paper, the East Village Other . The UPS allowed member papers to freely reprint content from any of

2125-524: A role in developing the concept of an alternate press? Yes. Did we have any real part in the way the press developed? Perhaps we did, at least in a small way. Did we succeed in directing serious attention to cultural issues beyond the standard underground press focal points of rock music, drugs, sex, and new left politics? Not hardly". Underground press The terms underground press or clandestine press refer to periodicals and publications that are produced without official approval, illegally or against

2250-451: A similar vein, John Berger , Lee Marrs , and others co-founded Alternative Features Service , Inc. in 1970 to supply the underground and college press, as well as independent radio stations, with syndicated press materials that especially highlighted the creation of alternative institutions, such as free clinics , people's banks , free universities , and alternative housing . By 1973, many underground papers had folded, at which point

2375-412: A simple, inexpensive ($ 2.00 in 1950), monocular microfilm viewing device, known as the "Seidell viewer", that was sold during the 1940s and 1950s. A microfilm printer contains a xerographic copying process, like a photocopier . The image to be printed is projected with synchronised movement on to the drum. These devices offer either small image preview for the operator or full size image preview, when it

2500-414: A single film may be inserted into a dark slide or the camera may be fitted with a roll film holder which after an exposure advances the film into a box and cuts the frame off the roll for processing as a single film. For engineering drawings, a freestanding open steel structure is often provided. A camera may be moved vertically on a track. Drawings are placed on a large table for filming, with centres under

2625-406: A single stream of microimages along the film set so that lines of text are parallel to the sides of the film or 10,000 small documents, perhaps cheques or betting slips, with both sides of the originals set side by side on the film. Aperture cards are Hollerith cards into which a hole has been cut. A 35 mm microfilm chip is mounted in the hole inside of a clear plastic sleeve or secured over

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2750-401: A square inch, and that a one-foot cube could contain 1.5 million volumes. In 1906, Paul Otlet and Robert Goldschmidt proposed the livre microphotographique as a way to alleviate the cost and space limitations imposed by the codex format. Otlet's overarching goal was to create a World Center Library of Juridical, Social and Cultural Documentation, and he saw microfiche as a way to offer

2875-554: A stable and durable format that was inexpensive, easy to use, easy to reproduce, and extremely compact. In 1925, the team spoke of a massive library where each volume existed as master negatives and positives, and where items were printed on demand for interested patrons. In the 1920s, microfilm began to be used in a commercial setting. New York City banker George McCarthy was issued a patent in 1925 for his "Checkograph" machine, designed to make micrographic copies of cancelled checks for permanent storage by financial institutions. In 1928,

3000-470: A step and repeat mechanism to advance the film after each exposure. The simpler versions use a dark slide loaded by the operator in a dark room; after exposure the film is individually processed, which may be by hand or using a dental X-ray processor. Cameras for high output are loaded with a roll of 105 mm film. The exposed film is developed as a roll; this is sometimes cut to individual fiche after processing or kept in roll form for duplication. Equipment

3125-689: A storage medium than earlier methods of film information storage, such as the Photoscope, the Film-O-Graph, the Fiske-O-Scope, and filmslides. The year 1938 also saw another major event in the history of microfilm when University Microfilms International (UMI) was established by Eugene Power . For the next half century, UMI would dominate the field, filming and distributing microfilm editions of current and past publications and academic dissertations. After another short-lived name change, UMI

3250-411: A stream that might be sent to a computer pen plotter. It produces corresponding frames of microfilm. These produce microfilm as 35 or 16 mm film or aperture cards. Computer Output Microfiche was used to distribute massive amounts of frequently changed data to institutions or companies which could not afford computer terminals but already used microfiche readers for a variety of reasons. In some cases

3375-411: A symbiotic co-operation with the underground press. The underground press publicised these bands and this made it possible for them to tour and get record deals. The band members travelled around spreading the ethos and the demand for underground newspapers and magazines grew and flourished for a while. Neville published an account of the counterculture called Play Power , in which he described most of

3500-492: A thousand underground newspapers were published in the United States during the Vietnam War. The following is a short list of the more widely circulated, longer-lived and notable titles. For a longer, more comprehensive listing sorted by states, see the long list of underground newspapers . Microfilming A microform is a scaled-down reproduction of a document, typically either photographic film or paper, made for

3625-421: A weekly packet of articles and features mailed to subscribing papers around the country; HIPS reported 60 subscribing papers. The GI underground press within the U.S. military produced over four hundred titles during the Vietnam War, some produced by antiwar GI Coffeehouses , and many of them small, crudely produced, low-circulation mimeographed "zines" written by GIs or recently discharged veterans opposed to

3750-482: Is an exceptionally compact version of a microfiche or microfilm, storing analog data at much higher densities. Ultrafiche can be created directly from computers using appropriate peripherals. They are typically used for storing data gathered from extremely data-intensive operations such as remote sensing. Microcards are an opaque, non-reversed format, sometimes known as microopaques. They were invented in 1948 by Fremont Rider and described in his book, The Scholar and

3875-453: Is available that accepts a data stream from a computer; this exposes film to produce images as if the stream had been sent to a line printer and the listing had been microfilmed. The process is known as computer output microfilm or computer output microfiche (COM). Using the daguerreotype process, John Benjamin Dancer was one of the first to produce microphotographs , in 1839. He achieved

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4000-402: Is available that accepts a data stream from a mainframe computer. This exposes film to produce images as if the stream had been sent to a line printer and the listing had been microfilmed. Because of the source one run may represent many thousands of pages. The process is known as computer output microfilm or computer output microfiche (COM). Within the equipment character images are made by

4125-581: Is built into a box. In some versions this is for bench top use, other versions are portable. The operator maintains a stack of material to be filmed in a tray, the camera automatically takes one document after another for advancement through the machine. The camera lens sees the documents as they pass a slot. Film behind the lens advances exactly with the image. Special purpose flow cameras film both sides of documents, putting both images side by side on 16 mm film. These cameras are used to record cheques and betting slips. All microfiche cameras are planetary with

4250-411: Is called a reader printer. Microform printers can accept positive or negative films and positive or negative images on paper. New machines allow the user to scan a microform image and save it as a digital file. 105 × 148 mm flat film is used for microimages of very large engineering drawings. These may carry a title photographed or written along one edge. Typical reduction is about 20, representing

4375-423: Is in use. They may offer a choice of magnifications. They usually have motors to advance and rewind film. When coding blips are recorded on the film a reader is used that can read the blips to find any required image. Portable readers are plastic devices that fold for carrying; when open they project an image from microfiche on to a reflective screen. For example, with M. de Saint Rat , Atherton Seidell developed

4500-501: Is provided 16, 35 and 105 mm wide in lengths of 30 metres (100 ft) and longer, and is usually unperforated. Roll film is developed, fixed and washed by continuous processors. Sheet film is supplied in ISO A6 size. This is either processed by hand or using a dental X-ray processor. Camera film is supplied ready mounted in aperture cards. Aperture cards are developed, fixed and washed immediately after exposure by equipment fitted to

4625-615: The San Francisco Oracle . John Wilcock , a founder of the Underground Press Syndicate, wrote about the Oracle : "Its creators are using color the way Lautrec must once have experimented with lithography – testing the resources of the medium to the utmost and producing what almost any experienced newspaperman would tell you was impossible... it is a creative dynamo whose influence will undoubtedly change

4750-475: The 1967 Detroit riots in Fifth Estate was one example of material that was widely copied in other papers of the syndicate. The first paper in the deep South to join was The Inquisition ( Charlotte, North Carolina ). Fluxus West , a Fluxus offshoot mostly engaged in mail art and self-publishing activities, founded by Ken Friedman , was also one of the newest UPS members in 1967. By June 1967,

4875-551: The Cold War . In Western Europe, a century after the invention of the printing press, a widespread underground press emerged in the mid-16th century with the clandestine circulation of Calvinist books and broadsides, many of them printed in Geneva, which were secretly smuggled into other nations where the carriers who distributed such literature might face imprisonment, torture or death. Both Protestant and Catholic nations fought

5000-655: The East Village Other , with Michael Kindman of The Paper , took the lead in inviting other papers to join. The San Francisco Oracle , The Rag , and the Illustrated Paper (a psychedelic paper published in Mendocino, California ) joined soon afterward, and membership grew rapidly in 1967 as new papers were founded (such as the Chicago Seed ) and immediately joined. First-hand coverage of

5125-980: The Eastman Kodak Company bought McCarthy's invention and began marketing check microfilming devices under its "Recordak" division. Between 1927 and 1935, the Library of Congress microfilmed more than three million pages of books and manuscripts in the British Library ; in 1929 the Social Science Research Council and the American Council of Learned Societies joined to create a Joint Committee on Materials for Research, chaired for most of its existence by Robert C. Binkley , which looked closely at microform's potential to serve small print runs of academic or technical materials. In 1933, Charles C. Peters developed

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5250-496: The Ladbroke Grove area of London ; Ink , which was more overtly political; and Gandalf's Garden which espoused the mystic path. The flaunting of sexuality within the underground press provoked prosecution. IT was taken to court for publishing small ads for homosexuals ; despite the 1967 legalisation of homosexuality between consenting adults in private, importuning remained subject to prosecution. Publication of

5375-607: The Oz "School Kids" issue brought charges against the three Oz editors, who were convicted and given jail sentences. This was the first time the Obscene Publications Act 1959 was combined with a moral conspiracy charge. The convictions were, however, overturned on appeal. Police harassment of the British underground, in general, became commonplace, to the point that in 1967 the police seemed to focus in particular on

5500-927: The Rational Observer at American University in Washington, D.C. The FBI also ran the Pacific International News Service in San Francisco, the Chicago Midwest News, and the New York Press Service. Many of these organizations consisted of little more than a post office box and a letterhead, designed to enable the FBI to receive exchange copies of underground press publications and send undercover observers to underground press gatherings. By

5625-637: The "mimeo revolution" by protest and freedom-of-speech poets during the 1960s, NOLA Express was also a member of the Committee of Small Magazine Editors and Publishers (COSMEP). These two affiliations with organizations that were often at cross-purposes made NOLA Express one of the most radical and controversial publications of the counterculture movement. Part of the controversy about NOLA Express included graphic photographs and illustrations of which many even in today's society would be banned as pornographic. Charles Bukowski 's syndicated column, Notes of

5750-411: The 1950s and had excess capacity on their offset web presses, which could be negotiated for at bargain rates. Most papers operated on a shoestring budget, pasting up camera-ready copy on layout sheets on the editor's kitchen table, with labor performed by unpaid, non-union volunteers. Typesetting costs, which at the time were wiping out many established big city papers, were avoided by typing up copy on

5875-646: The 1950s, such as the Village Voice and Paul Krassner 's satirical paper The Realist . Arguably, the first underground newspaper of the 1960s was the Los Angeles Free Press , founded in 1964 and first published under that name in 1965. According to Louis Menand , writing in The New Yorker , the underground press movement in the United States was "one of the most spontaneous and aggressive growths in publishing history." During

6000-701: The Future of the Research Library . To create microform media, a planetary camera is mounted with the vertical axis above a copy that is stationary during exposure. High volume output is possible with a rotary camera which moves the copy smoothly through the camera to expose film which moves with the reduced image. Alternatively, it may be produced by computers, i.e. COM (computer output microfilm). Normally microfilming uses high resolution panchromatic monochrome stock. Positive color film giving good reproduction and high resolution can also be used. Roll film

6125-512: The New Left of the mid-sixties was trying to develop." Leamer, in his 1972 book The Paper Revolutionaries , called The Rag "one of the few legendary undergrounds". Gilbert Shelton 's legendary Fabulous Furry Freak Brothers comic strip began in The Rag , and thanks in part to UPS, was republished all over the world. Probably the most graphically innovative of the underground papers was

6250-655: The U.S. had ceased publication. APS limped along but had gone defunct by 1978; succeeded almost immediately by the Association of Alternative Newsweeklies , founded in Seattle . Although many of the members of the Underground Press Syndicate/Alternative Press Syndicate were founded when the legendary urban underground papers were already dead or dying, their influence resonated through the 1970s and beyond, both in

6375-427: The U.S. the term "underground newspaper" generally refers to an independent (and typically smaller) newspaper focusing on unpopular themes or counterculture issues. Typically, these tend to be politically to the left or far left. More narrowly, in the U.S. the term "underground newspaper" most often refers to publications of the period 1965–1973, when a sort of boom or craze for local tabloid underground newspapers swept

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6500-734: The UPS at the offices of the East Village Other in New York City failed. Soon after, Tom Forcade took leadership of the organization, opening an office on West 10th Street in New York City, at which UPS curated the underground press collection for regular microfilming as well as publishing the UPS News Service . Offices were relocated to Miami during the summer of 1972 to cover the Democratic and Republican Conventions , both of which were held in that city that summer. By

6625-713: The Underground Press Syndicate acknowledged the passing of the undergrounds and renamed itself the Alternative Press Syndicate (APS). After a few years, APS also foundered, to be supplanted in 1978 by the Association of Alternative Newsweeklies . One of the most notorious underground newspapers to join UPS and rally activists, poets, and artists by giving them an uncensored voice, was the NOLA Express in New Orleans. Started by Robert Head and Darlene Fife as part of political protests and extending

6750-488: The Underground Press Syndicate was run by Tom Forcade , who later founded High Times magazine. The Underground Press Syndicate was initially formed by the publishers of five early underground papers: the East Village Other (New York City), the Los Angeles Free Press , the Berkeley Barb , The Paper ( East Lansing, Michigan ), and Fifth Estate ( Detroit , Michigan). The first official UPS gathering

6875-688: The United States and Canada in North America, and the United Kingdom and other western nations. It can also refer to the newspapers produced independently in repressive regimes. In German occupied Europe , for example, a thriving underground press operated, usually in association with the Resistance . Other notable examples include the samizdat and bibuła , which operated in the Soviet Union and Poland respectively, during

7000-484: The United States, the term underground did not mean illegal as it did in many other countries. The First Amendment and various court decisions (e.g. Near v. Minnesota ) give very broad rights to anyone to publish a newspaper or other publication, and severely restrict government efforts to close down or censor a private publication. In fact, when censorship attempts are made by government agencies, they are either done in clandestine fashion (to keep it from being known

7125-432: The action is being taken by a government agency) or are usually ordered stopped by the courts when judicial action is taken in response to them. A publication must, in general, be committing a crime (for example, reporters burglarizing someone's office to obtain information about a news item); violating the law in publishing a particular article or issue (printing obscene material, copyright infringement , libel , breaking

7250-405: The aperture with adhesive tape. They are used for engineering drawings in all engineering disciplines. There are libraries of these containing over 3 million cards. Aperture cards may be stored in drawers or in freestanding rotary units. A microfiche is a sheet of flat film, 105 × 148 mm in size, the same size as the international standard for paper size ISO A6 . It carries

7375-467: The apparent source of agitation: the underground press. The police campaign may have had an effect contrary to that which was presumably intended. If anything, according to one or two who were there at the time, it actually made the underground press stronger. "It focused attention, stiffened resolve, and tended to confirm that what we were doing was considered dangerous to the establishment", remembered Mick Farren . From April 1967, and for some while later,

7500-608: The camera. Early cut sheet microforms and microfilms (to the 1930s) were printed on nitrate film , which poses high risks to their holding institutions, as nitrate film is chemically unstable and a fire hazard. From the late 1930s to the 1980s, microfilms were usually printed on a cellulose acetate base, which is prone to tears, vinegar syndrome , and redox blemishes. Vinegar syndrome is the result of chemical decay and produces "buckling and shrinking, embrittlement, and bubbling". Redox blemishes are yellow, orange or red spots 15–150 micrometres in diameter created by oxidative attacks on

7625-499: The card. This permits automated reproduction, as well as permitting mechanical card-sorting equipment to sort and select microfilm drawings. Aperture card mounted microfilm is roughly 3% of the size and space of conventional paper or vellum engineering drawings. Some military contracts around 1980 began to specify digital storage of engineering and maintenance data because the expenses were even lower than microfilm, but these programs are now finding it difficult to purchase new readers for

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7750-483: The combat zone in Vietnam itself, The Boomerang Barb and GI Says . The boom in the underground press was made practical by the availability of cheap offset printing , which made it possible to print a few thousand copies of a small tabloid paper for a couple of hundred dollars, which a sympathetic printer might extend on credit. Paper was cheap, and many printing firms around the country had over-expanded during

7875-400: The company sent out a distribution sheet with the strips it was selling, by such cartoonists as Gilbert Shelton , Bill Griffith , Joel Beck , Dave Sheridan , Ted Richards , and Harry Driggs . The Liberation News Service (LNS), co-founded in the summer of 1967 by Ray Mungo and Marshall Bloom , "provided coverage of events to which most papers would have otherwise had no access." In

8000-537: The country in the wake of court decisions making prosecution for obscenity far more difficult. These publications became the voice of the rising New Left and the hippie /psychedelic/ rock and roll counterculture of the 1960s in America, and a focal point of opposition to the Vietnam War and the draft . The North American countercultural press of the 1960s drew inspiration from predecessors that had begun in

8125-560: The departure for the UK of his original co-editors Richard Neville and Martin Sharp , who went on to found a British edition ( London Oz ) in January 1967. In Melbourne Phillip Frazer, founder and editor of pop music magazine Go-Set since January 1966, branched out into alternate, underground publications with Revolution in 1970, followed by High Times (1971 to 1972) and The Digger (1972 to 1975). The underground press offered

8250-525: The dispatches onto paper. Additionally, the US Victory Mail , and the British "Airgraph" system it was based on, were used for delivering mail between those at home and troops serving overseas during World War II . The systems worked by photographing large amounts of censored mail reduced to thumb-nail size onto reels of microfilm, which weighed much less than the originals would have. The film reels were shipped by priority air freight to and from

8375-473: The emergence of a whole range of local alternative newspapers, which were usually published monthly. These were largely made possible by the introduction in the 1950s of offset litho printing , which was much cheaper than traditional typesetting and use of the rotary letterpress. Such local papers included: A 1980 review identified some 70 such publications around the United Kingdom but estimated that

8500-530: The end of 1972, with the end of the draft and the winding down of the Vietnam War, there was increasingly little reason for the underground press to exist. A number of papers passed out of existence during this time; among the survivors a newer and less polemical view toward middle-class values and working within the system emerged. The underground press began to evolve into the socially conscious, lifestyle-oriented alternative media that currently dominates this form of weekly print media in North America. In 1973,

8625-495: The fall of 1973, the syndicate's offices were located at 283 West 11th Street. The magazine's post office box was Box 386, Cooper Station , New York, NY. Under Forcade's leadership, UPS would later also publish the Underground Press Revue . As the underground press movement evolved, women's liberation , initially a non-issue in the male-dominated underground press, became an increasing focus. The UPS passed

8750-409: The film, and are largely due to poor storage conditions. The simplest microfilm camera that is still in use is a rail mounted structure at the top of which is a bellows camera for 105 x 148 mm film. A frame or copy board holds the original drawing vertical. The camera has a horizontal axis which passes through the center of the copy. The structure may be moved horizontally on rails. In a darkroom

8875-548: The following resolutions at its 1969 conference: These resolutions were a harbinger of staff rebellions by women that split several papers, including Rat , where the feminist faction seized control of the paper for several issues. A few papers, already weakened by staff burnout, poor finances, and other factors, died in the wake of these schisms, while others lost revenue and circulation by barring sexual content and advertisements, which in any event were increasingly being spun off into tabloid sex papers like Screw . Almost from

9000-401: The formation of UPS was designed "to create the illusion of a giant coordinated network of freaky papers, poised for the kill". But, they added, "this mythical value was to be extremely important: the shoes could be grown into," and the emergence of UPS helped to create a sense of national community and to make the papers feel less isolated in their efforts. Walter Bowart and John Wilcock of

9125-431: The home fronts, sent to their prescribed destinations for enlarging at receiving stations near the recipients, and printed out on lightweight photo paper. These facsimiles of the letter-sheets were reproduced about one-quarter the original size and the miniature mails were then delivered to the addressee. Use of these microfilm systems saved significant volumes of cargo capacity needed for war supplies. An additional benefit

9250-527: The incident as "Raid on the Yard". A day or two later The Daily Telegraph announced that the prank had resulted in all security passes to the police headquarters having to be withdrawn and then re-issued. By the end of the decade, community artists and bands such as Pink Floyd (before they "went commercial"), The Deviants , Pink Fairies , Hawkwind , Michael Moorcock and Steve Peregrin Took would arise in

9375-492: The introduction of Calvinism, which with its emphasis on intractable evil made its appeal to alienated, outsider subcultures willing to violently rebel against both church and state. In 18th century France, a large illegal underground press of the Enlightenment emerged, circulating anti-Royalist, anti-clerical and pornographic works in a context where all published works were officially required to be licensed. Starting in

9500-470: The landmark Supreme Court decision in Miller v. California re-enabled local obscenity prosecutions after a long hiatus. This sounded the death knell for much of the remaining underground press (including underground comix ), largely by making the local head shops which stocked underground papers and comix in communities around the country more vulnerable to prosecution. The Georgia Straight outlived

9625-414: The lens. Fixed lights illuminate the copy. These cameras are often over 4 metres (13 ft) high. These cameras accept roll film stock of 35 or 16 mm. For office documents a similar design may be used but bench standing. This is a smaller version of the camera described above. These are provided either with the choice of 16 or 35 mm film or accepting 16 mm film only. Non adjustable versions of

9750-504: The look of American publishing." In the period 1969–1970, a number of underground papers grew more militant and began to openly discuss armed revolution against the state, some going so far as to print manuals for bombing and urging their readers to arm themselves; this trend, however, soon fell silent after the rise and fall of the Weather Underground and the tragic shootings at Kent State . During this period there

9875-499: The microphotograph was reattached to a glass frame and was then projected by magic lantern on the wall. The message contained in the microfilm could then be transcribed or copied. By 28 January 1871, when Paris and the Government of National Defense surrendered, Dagron had delivered 115,000 messages to Paris by carrier pigeon. The chemist Charles-Louis Barreswil proposed the application of photographic methods with prints of

10000-642: The mid-19th century an underground press sprang up in many countries around the world for the purpose of circulating the publications of banned Marxist political parties; during the German Nazi occupation of Europe, clandestine presses sponsored and subsidized by the Allies were set up in many of the occupied nations, although it proved nearly impossible to build any sort of effective underground press movement within Germany itself. The French resistance published

10125-470: The most modest start-up paper. Shortly after the formation of the UPS, the number of underground papers throughout North America expanded dramatically. A UPS roster published in November 1966 listed 14 underground papers — a 1971 roster listed 271 UPS-affiliated papers in the United States, Canada, and Europe. The underground press' combined readership eventually reached into the millions. For many years

10250-536: The most part they were distributed openly through a network of street vendors, newsstands and head shops , and thus reached a wide audience. The underground press in the 1960s and 1970s existed in most countries with high GDP per capita and freedom of the press ; similar publications existed in some developing countries and as part of the samizdat movement in the communist states , notably Czechoslovakia . Published as weeklies, monthlies, or "occasionals", and usually associated with left-wing politics , they evolved on

10375-820: The most prominent of the underground papers were the San Francisco Oracle , San Francisco Express Times , the Berkeley Barb and Berkeley Tribe ; Open City ( Los Angeles ), Fifth Estate ( Detroit ), Other Scenes (dispatched from various locations around the world by John Wilcock ); The Helix ( Seattle ); Avatar ( Boston ); The Chicago Seed ; The Great Speckled Bird ( Atlanta ); The Rag ( Austin, Texas ); Rat ( New York City ); Space City! ( Houston ) and in Canada, The Georgia Straight ( Vancouver , BC). The Rag , founded in Austin, Texas , in 1966 by Thorne Dreyer and Carol Neiman,

10500-612: The most violent attacks were carried out against the underground press in San Diego. In 1976 the San Diego Union reported that the attacks in 1971 and 1972 had been carried out by a right-wing paramilitary group calling itself the Secret Army Organization , which had ties to the local office of the FBI. The U.S. Federal Bureau of Investigation (FBI) conducted surveillance and disruption activities on

10625-536: The name samizdat . The countercultural underground press movement of the 1960s borrowed the name from previous "underground presses" such as the Dutch underground press during the Nazi occupations of the 1940s. Those predecessors were truly "underground", meaning they were illegal, thus published and distributed covertly. While the countercultural "underground" papers frequently battled with governmental authorities, for

10750-584: The nature of alternative journalism as a subculture, some staff members from underground newspapers became staff on the newer alternative weeklies, even though there was seldom institutional continuity with management or ownership. An example is the transition in Denver from the underground Chinook , to Straight Creek Journal , to Westword , an alternative weekly still in publication. Some underground and alternative reporters, cartoonists, and artists moved on to work in corporate media or in academia. More than

10875-400: The office camera are provided. These have a rigid frame or an enveloping box that holds a camera at a fixed position over a copy board. If this is to work at more than one reduction ratio there are a choice of lenses. Some cameras expose a pattern of light, referred to as blips, to digitally identify each adjacent frame. This pattern is copied whenever the film is copied for searching. A camera

11000-543: The offices of Dallas Notes and jailed editor Stoney Burns on drug charges; charged Atlanta's Great Speckled Bird and others with obscenity; arrested street vendors; and pressured local printers not to print underground papers. In Austin, the regents at the University of Texas sued The Rag to prevent circulation on campus but the American Civil Liberties Union successfully defended

11125-460: The offices of many underground papers around the country, fortunately without causing any fatalities. The offices of Houston's Space City! were bombed and its windows repeatedly shot out. In Houston, as in many other cities, the attackers, never identified, were suspected of being off-duty military or police personnel, or members of the Ku Klux Klan or Minuteman organizations. Some of

11250-796: The old formats. Microfilm first saw military use during the Franco-Prussian War of 1870–71. During the Siege of Paris , the only way for the provisional government in Tours to communicate with Paris was by pigeon post . As the pigeons could not carry paper dispatches, the Tours government turned to microfilm. Using a microphotography unit evacuated from Paris before the siege, clerks in Tours photographed paper dispatches and compressed them to microfilm, which were carried by homing pigeons into Paris and projected by magic lantern while clerks copied

11375-691: The one hand into today's alternative weeklies and on the other into zines . The most prominent underground publication in Australia was a satirical magazine called OZ (1963 to 1969), which initially owed a debt to local university student newspapers such as Honi Soit (University of Sydney) and Tharunka (University of New South Wales), along with the UK magazine Private Eye . The original edition appeared in Sydney on April Fools' Day, 1963 and continued sporadically until 1969. Editions published after February 1966 were edited by Richard Walsh , following

11500-599: The other member papers. During this period, there were also a number of left-wing political periodicals with concerns similar to those of the underground press. Some of these periodicals joined the Underground Press Syndicate to gain services such as microfilming , advertising, and the free exchange of articles and newspapers. Examples include The Black Panther (the paper of the Black Panther Party , Oakland, California ), and The Guardian (New York City), both of which had national distribution. Almost from

11625-462: The outset, UPS supported and distributed underground comix strips to its member papers. Some of the cartoonists syndicated by UPS included Robert Crumb , Jay Lynch , The Mad Peck 's Burn of the Week , Ron Cobb , and Frank Stack . The Rip Off Press Syndicate was launched c. 1973 to compete in selling underground comix content to the underground press and student publications . Each Friday,

11750-519: The outset, the Underground Press Syndicate supported and distributed underground comix strips. Cartoonists and strips syndicated by the organization included Robert Crumb , Jay Lynch , Ron Cobb , Frank Stack , and The Mad Peck 's Burn of the Week . Meanwhile, other cartoonists whose work appeared in UPS-member papers, such as the East Village Other and the Berkeley Barb , saw their work widely distributed, eventually leading to success in

11875-536: The paper's First Amendment rights before the U.S. Supreme Court. In an apparent attempt to shut down The Spectator in Bloomington, Indiana, editor James Retherford was briefly imprisoned for alleged violations of the Selective Service laws; his conviction was overturned and the prosecutors were rebuked by a federal judge. Drive-by shootings, firebombings, break-ins, and trashings were carried out on

12000-697: The peak years of the phenomenon, there were generally about 100 papers currently publishing at any given time. But the underground press phenomenon proved short-lived. An Underground Press Syndicate (UPS) roster published in November 1966 listed 14 underground papers, 11 of them in the United States, two in England, and one in Canada. Within a few years the number had mushroomed. A 1971 roster, published in Abbie Hoffman 's Steal This Book , listed 271 UPS-affiliated papers; 11 were in Canada, 23 in Europe, and

12125-406: The police raided the offices of International Times to try, it was alleged, to force the paper out of business. In order to raise money for IT a benefit event was put together, "The 14 Hour Technicolor Dream" Alexandra Palace on 29 April 1967. On one occasion – in the wake of yet another raid on IT – London's alternative press succeeded in pulling off what was billed as a 'reprisal attack' on

12250-492: The police. The paper Black Dwarf published a detailed floor-by-floor 'Guide to Scotland Yard ', complete with diagrams, descriptions of locks on particular doors, and snippets of overheard conversation. The anonymous author, or 'blue dwarf', as he styled himself, claimed to have perused archive files, and even to have sampled one or two brands of scotch in the Commissioner's office. The London Evening Standard headlined

12375-498: The process "somewhat trifling and childish". Microphotography was first suggested as a document preservation method in 1851 by the astronomer James Glaisher , and in 1853 by John Herschel , another astronomer. Both men attended the 1851 Great Exhibition in London, where the exhibit on photography greatly influenced Glaisher. He called it "the most remarkable discovery of modern times", and argued in his official report for using microphotography to preserve documents. A pigeon post

12500-512: The proliferation of urban alternative weeklies and in scores of eclectic papers founded in small towns and suburbs. For example, Long Island's Moniebogue Press and Suffolk StreetPapers offered general audiences alternative perspectives on local news and culture, while Akwesasne Notes (published 1968–1992, 1995– c. 1997) specialized in Native American politics, including issues of peace and ecology. " Fluxus West , for example,

12625-487: The purposes of transmission, storage, reading, and printing. Microform images are commonly reduced to about 4% or 1 ⁄ 25 of the original document size. For special purposes, greater optical reductions may be used. Three formats are common: microfilm (reels), microfiche (flat sheets), and aperture cards . Microcards, also known as "micro-opaques", a format no longer produced, were similar to microfiche, but printed on cardboard rather than photographic film. Equipment

12750-421: The quantities involved justified getting a microfiche reader just to read COM fiche. The first COM devices date back to around 1955 and were used in scientific programming as substitutes for paper-based plotters . Then during the 1960s, business applications sought to use COM. This was part of the effort to find alternatives to paper-based reports in dealing with the information explosion . By 1969, some of

12875-604: The remainder in the United States. The underground press' combined readership eventually reached into the millions. The early papers varied greatly in visual style, content, and even in basic concept — and emerged from very different kinds of communities. Many were decidedly rough-hewn, learning journalistic and production skills on the run. Some were militantly political while others featured highly spiritual content and were graphically sophisticated and adventuresome. By 1969, virtually every sizable city or college town in North America boasted at least one underground newspaper. Among

13000-776: The sanction of the American Library Association at its annual meeting in 1936, when it officially endorsed microforms. In 1937 Herman H. Fussler of the University of Chicago set up an exhibition of microform at the World Congress of Universal Documentation . Harvard University Library was the first major institution to realize the potential of microfilm to preserve broadsheets printed on high-acid newsprint and it launched its "Foreign Newspaper Project" to preserve such ephemeral publications in 1938. Roll microfilm proved far more satisfactory as

13125-423: The tail feather. The developments in microphotography continued through the next decades, but it was not until the turn of the century that its potential for practical usage was applied more broadly. In 1896, Canadian engineer Reginald A. Fessenden suggested microforms were a compact solution to engineers' unwieldy but frequently consulted materials. He proposed that up to 150,000,000 words could be made to fit in

13250-464: The true number could well have run into hundreds. Such papers were usually published anonymously, for fear of the UK's draconian libel laws. They followed a broad anarchist , libertarian , left-wing of the Labour Party , socialist approach but the philosophy of a paper was usually flexible as those responsible for its production came and went. Most papers were run on collective principles. In

13375-431: The underground comix industry. Ironically, however, reprints became popular with publishers because underground artists originally had few claims on their own work . The open-ended permissions given by UPS were exploited by some underground comix publishers, bulking up or entirely filling their own magazines with work whose creators didn't receive any payment even when those publishers made a profit. The explosive growth of

13500-476: The underground movement, evolving into an alternative weekly still published today; Fifth Estate survives as an anarchist magazine. The Rag – which was published for 11 years in Austin (1966–1977) – was revived in 2006 as an online publication, The Rag Blog , which now has a wide following in the progressive blogosphere and whose contributors include many veterans of the original underground press. Given

13625-543: The underground press had begun to subside by 1970, and by 1973 the boom was clearly over. After a 1973 meeting of member newspapers in Boulder, Colorado , the name of the syndicate was changed to the Alternative Press Syndicate (APS). APS members sorely needed revenues, and in 1973, Richard Lasky, ex- Rolling Stone Magazine Advertising Director of the successful San Francisco-based weekly, and Sheldon (Shelly) Schorr of Concert Magazine , published in several cities, created

13750-463: The underground press in the United States, including a campaign to destroy the alternative agency Liberation News Service . As part of its COINTELPRO designed to discredit and infiltrate radical New Left groups, the FBI also launched phony underground newspapers such as the Armageddon News at Indiana University Bloomington , The Longhorn Tale at the University of Texas at Austin , and

13875-515: The war and circulated locally on and off-base. Several GI underground papers had large-scale, national distribution of tens of thousands of copies, including thousands of copies mailed to GI's overseas. These papers were produced with the support of civilian anti-war activists, and had to be disguised to be sent through the mail into Vietnam, where soldiers distributing or even possessing them might be subject to harassment, disciplinary action, or arrest. There were at least two of these papers produced in

14000-515: The wishes of a dominant (governmental, religious, or institutional) group. In specific recent (post-World War II) Asian, American and Western European context, the term "underground press" has most frequently been employed to refer to the independently published and distributed underground papers associated with the counterculture of the late 1960s and early 1970s in India and Bangladesh in Asia, in

14125-415: The world's underground publications. He also listed many of the regular key topics from those publications, including the Vietnam War , Black Power , politics, police brutality , hippies and the lifestyle revolution, drugs, popular music, new society, cinema, theatre, graphics, cartoons, etc. Apart from publications such as IT and Oz , both of which had a national circulation, the 1960s and 1970s saw

14250-410: Was A4 (as opposed to IT 's broadsheet format). Very quickly, the relaunched Oz shed its more austere satire magazine image and became a mouthpiece of the underground. It was the most colourful and visually adventurous of the alternative press (sometimes to the point of near-illegibility), with designers like Martin Sharp . Other publications followed, such as Friends (later Frendz ), based in

14375-459: Was also a space-saving measure. In his 1945 book, The Scholar and the Future of the Research Library , Fremont Rider calculated that research libraries were doubling in space every sixteen years. His suggested solution was microfilming, specifically with his invention, the microcard. Once items were put onto film, they could be removed from circulation and additional shelf space would be made available for rapidly expanding collections. The microcard

14500-534: Was also a widespread underground press movement circulating unauthorized student-published tabloids and mimeographed sheets at hundreds of high schools around the U.S. (In 1968, a survey of 400 high schools in Southern California found that 52% reported student underground press activity in their school.) Most of these papers put out only a few issues, running off a few hundred copies of each and circulating them only at one local school, although there

14625-507: Was especially influential. Historian Laurence Leamer called it "one of the few legendary undergrounds," and, according to John McMillian, it served as a model for many papers that followed. The Rag was the sixth member of UPS and the first underground paper in the South and, according to historian Abe Peck , it was the "first undergrounder to represent the participatory democracy, community organizing and synthesis of politics and culture that

14750-587: Was held at the home of the San Francisco Oracle 's Michael Bowen in Stinson Beach, California , in March 1967, with some 30 people representing a half-dozen papers in attendance. The meeting was chaotic and largely symbolic, and the concept was amorphous. It was hoped that the syndicate would sell national advertising space that would run in all five papers, but this never happened. As Thorne Dreyer and Victoria Smith wrote for Liberation News Service (LNS),

14875-411: Was in operation during the Siege of Paris (1870-1871). René Dagron photographed pages of newspapers in their entirety which he then converted into miniature photographs. He subsequently removed the collodion film from the glass base and rolled it tightly into a cylindrical shape which he then inserted into miniature tubes that were transported fastened to the tail feathers of the pigeons. Upon receipt

15000-452: Was made a part of ProQuest Information and Learning in 2001. Systems that mount microfilm images in punched cards have been widely used for archival storage of engineering information. For example, when airlines demand archival engineering drawings to support purchased equipment (in case the vendor goes out of business, for example), they normally specify punch-card-mounted microfilm with an industry-standard indexing system punched into

15125-570: Was one of the six or seven founding publishers of the Underground Press Syndicate in 1967, but we never gained any traction on the way the papers were designed or what they dealt with. Even though we can be found in the first lists of founding papers, along with the East Village Other , the Berkeley Barb , and the Los Angeles Free Press , we vanish from history soon after because our focus was so vastly different. Did we exert

15250-778: Was one system-wide antiwar high school underground paper produced in New York in 1969 with a 10,000-copy press run . Houston's Little Red Schoolhouse, a citywide underground paper published by high school students, was founded in 1970. For a time in 1968–1969, the high school underground press had its own press services : FRED (run by C. Clark Kissinger of Students for a Democratic Society , with its base in Chicago schools) and HIPS (High School Independent Press Service, produced by students working out of Liberation News Service headquarters and aimed primarily but not exclusively at New York City schools). These services typically produced

15375-413: Was printed to microfiche during the 1970s and distributed to customers in this form. Additionally, microfiche was used to write out long casework for some proofs such as the four color theorem . The medium has numerous characteristics: Desktop readers are boxes with a translucent screen at the front on to which is projected an image from a microform. They have suitable fittings for whatever microform

15500-567: Was superseded by microfiche. By the 1960s, microfilming had become standard policy. In 1948, the Australian Joint Copying Project started; the intention to film records and archives from the United Kingdom relating to Australia and the Pacific. Over 10,000 reels were produced, making it one of the largest projects of its kind. Around the same time, Licensed Betting Offices in the UK began using microphotography as

15625-455: Was that the small, lightweight reels of microfilm were almost always transported by air, and as such were delivered much more quickly than any surface mail service could have managed. Libraries began using microfilm in the mid-20th century as a preservation strategy for deteriorating newspaper collections. Books and newspapers that were deemed in danger of decay could be preserved on film and thus access and use could be increased. Microfilming

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