103-396: Professor Abraham Van Helsing ( Dutch pronunciation: [ˈaːbraːɦɑɱ vɑn ˈhɛlsɪŋ] ) is a fictional character from the 1897 gothic horror novel Dracula written by Bram Stoker . Van Helsing is a Dutch polymath doctor with a wide range of interests and accomplishments, partly attested by the string of letters that follows his name: " MD , D.Ph. , D.Litt. , etc.", indicating
206-441: A Vampire (2023) have characters that are his descendants. In the novel, Professor Van Helsing is called in by his former student, John Seward , to assist with the mysterious illness of Lucy Westenra . Van Helsing's friendship with Seward is based in part upon an unknown prior event in which Van Helsing suffered a grievous wound, and Seward saved his life by sucking out the gangrene . It is Van Helsing who first realizes that Lucy
309-493: A boat, Van Helsing deduces that Dracula is fleeing back to his castle. When the party pursues Dracula to Transylvania , they split into groups. While Mina and Van Helsing travel straight to Dracula's castle, the others attempt to ambush the boat on which Dracula is a passenger. Van Helsing's influence over Mina diminishes each day, and her behavior changes as she sleeps more during the day, loses her appetite for food, and ceases to write in her journal. He finds that she cannot cross
412-424: A circle of crumbled sacramental bread. Later, Dracula's vampiric wives approach their camp but they too are unable to cross into the circle of bread. Failing at their attempts to lure Van Helsing and Mina out of the circle, they flee back to Dracula's castle just before sunrise. Van Helsing binds Mina at a cave to keep her from danger as he goes into Dracula's castle to kill the vampires. As Van Helsing runs through
515-598: A counter to the naive and persecuted heroines usually featured in female Gothic of the time, and instead feature more sexually assertive heroines in their works. When the female Gothic coincides with the explained supernatural , the natural cause of terror is not the supernatural, but female disability and societal horrors: rape , incest , and the threatening control of a male antagonist. Female Gothic novels also address women's discontent with patriarchal society, their difficult and unsatisfying maternal position, and their role within that society. Women's fears of entrapment in
618-555: A female named Catherine, conceives herself as a heroine of a Radcliffean romance and imagines murder and villainy on every side. However, the truth turns out to be much more prosaic. This novel is also noted for including a list of early Gothic works known as the Northanger Horrid Novels . The poetry, romantic adventures, and character of Lord Byron —characterized by his spurned lover Lady Caroline Lamb as "mad, bad and dangerous to know"—were another inspiration for
721-540: A female vampire, is notable for its treatment of vampirism as both racial and medicalized. The vampire, Harriet Brandt, is also a psychic vampire , killing unintentionally. In the United States, notable late 19th-century writers in the Gothic tradition were Ambrose Bierce , Robert W. Chambers , and Edith Wharton . Bierce's short stories were in the horrific and pessimistic tradition of Poe. Chambers indulged in
824-490: A ghostly nun, and its view of Roman Catholicism as exotic and heathenistic. Nathaniel Hawthorne 's novel The House of the Seven Gables , about a family's ancestral home, is colored with suggestions of the supernatural and witchcraft ; and in true Gothic fashion, it features the house itself as one of the main characters, The genre also heavily influenced writers such as Charles Dickens , who read Gothic novels as
927-479: A man of medium height, strongly built, with his shoulders set back over a broad, deep chest and a neck well balanced on the trunk as the head is on the neck. The poise of the head strikes me at once as indicative of thought and power. The head is noble, well-sized, broad, and large behind the ears. The face, clean-shaven, shows a hard, square chin, a large resolute, mobile mouth, a good-sized nose, rather straight, but with quick, sensitive nostrils, that seem to broaden as
1030-462: A number of stories that fall within the Gothic genre or contain Gothic elements. They include " Saint John's Eve " and " A Terrible Vengeance " from Evenings on a Farm Near Dikanka (1831–1832), " The Portrait " from Arabesques (1835), and " Viy " from Mirgorod (1835). While all are well known, the latter is probably the most famous, having inspired at least eight film adaptations (two now considered lost), one animated film, two documentaries, and
1133-438: A particular fondness for Holmwood. Van Helsing's wife went insane from grief after their son's death, but as a Catholic, he refuses to divorce her ("with my poor wife dead to me, but alive by Church's law, though no wits, all gone, even I, who am faithful husband to this now-no-wife"). Van Helsing is one of the few characters in the novel who is fully physically described in one place. In chapter 14, Mina Harker describes him as:
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#17327870220501236-465: A persecuted heroine fleeing from a villainous father and searching for an absent mother. At the same time, male writers tend towards the masculine transgression of social taboos . The emergence of the ghost story gave women writers something to write about besides the common marriage plot, allowing them to present a more radical critique of male power, violence, and predatory sexuality. Authors such as Mary Robinson and Charlotte Dacre however, present
1339-499: A rational age. Initiating a literary genre, Walpole's Gothic tale inspired many contemporary imitators, including Clara Reeve 's The Old English Baron (1778), with Reeve writing in the preface: "This Story is the literary offspring of The Castle of Otranto ". Like Reeve, the 1780s saw more writers attempting his combination of supernatural plots with emotionally realistic characters. Examples include Sophia Lee 's The Recess (1783–5) and William Beckford 's Vathek (1786). At
1442-421: A story in a Gothic building serves several purposes. It inspires feelings of awe, implies that the story is set in the past, gives an impression of isolation or dissociation from the rest of the world, and conveys religious associations. Setting the novel in a Gothic castle was meant to imply a story set in the past and shrouded in darkness. The architecture often served as a mirror for the characters and events of
1545-473: A teenager and incorporated their gloomy atmosphere and melodrama into his works, shifting them to a more modern period and an urban setting; for example, in Oliver Twist (1837–1838), Bleak House (1854) and Great Expectations (1860–1861). These works juxtapose wealthy, ordered, and affluent civilization with the disorder and barbarity of the poor in the same metropolis. Bleak House, in particular,
1648-402: A telepathic link with Dracula, that she could tell everything he hears and feels, which could be used to track his movements. Mina agrees that any plans should be kept from her for fear that Dracula could read her thoughts. The group has additional encounters with Dracula as they continue to search for his residences throughout London and sterilize the boxes. Learning that his final grave is aboard
1751-409: A vampire bite. He administers multiple blood transfusions. Van Helsing, Seward, Arthur, and Morris each donate blood to her, but each night she continues to lose blood. He prescribes her garlic, makes a necklace of garlic flowers for her, and hangs garlic about her room. He also gives her a crucifix to wear around her neck. Lucy's demise was brought by her mother, who cleared the room of garlic and opened
1854-828: A vampire. In the Italian comic book Martin Mystère and the spin-off series Storie di Altrove/Stories from Elsewhere , Van Helsing's name is Richard. He was originally a knight in the service of the Holy Roman Emperors but he was captured in 1475 by the undead warriors of the Order of the Dragon and turned into a vampire by the Wallachian Prince Vlad Dracula . Four centuries later, Van Helsing killed Dracula, and later came to London to solve
1957-501: A video game. Gogol's work differs from Western European Gothic fiction, as his cultural influences drew on Ukrainian folklore , the Cossack lifestyle, and, as a religious man, Orthodox Christianity . Other relevant authors of this era include Vladimir Fyodorovich Odoevsky ( The Living Corpse , written 1838, published 1844, The Ghost , The Sylphide , as well as short stories), Count Aleksey Konstantinovich Tolstoy ( The Family of
2060-499: A wealth of experience, education and expertise. He is a doctor , professor , lawyer , philosopher , scientist , and metaphysician . The character is best known through many adaptations of the story as a vampire slayer , monster hunter and the arch-nemesis of Count Dracula , and the prototypical and the archetypal parapsychologist in subsequent works of paranormal fiction . Some later works tell new stories about Van Helsing, while others, such as Dracula (2020) and I Woke Up
2163-475: Is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present. The setting typically includes physical reminders of the past, especially through ruined buildings which stand as proof of a previously thriving world which is decaying in the present. Characteristic settings in the 18th and 19th centuries include castles, religious buildings such as monasteries and convents , and crypts . The atmosphere
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#17327870220502266-514: Is credited with introducing urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film. Miss Havisham from Great Expectations , is one of Dickens' most Gothic characters. The bitter recluse shuts herself away in her gloomy mansion ever since being jilted at the altar on her wedding day. His most explicitly Gothic work is his last novel, The Mystery of Edwin Drood , which he did not live to complete and
2369-458: Is described by John Seward , his former student, thus: He is a seemingly arbitrary man, this is because he knows what he is talking about better than anyone else. He is a philosopher and a metaphysician , and one of the most advanced scientists of his day, and he has, I believe, an absolutely open mind. This, with an iron nerve, a temper of the ice-brook, and indomitable resolution, self-command, and toleration exalted from virtues to blessings, and
2472-413: Is found critically injured by Seward and Van Helsing who operate on him, and Renfield informs them that Dracula went to see Mina. They go to Mina's room and find Harker hypnotized while Dracula is giving Mina the ' Vampire's Baptism of Blood ', cursing her and the group for plotting against him. The party uses sacred items to repel Dracula, who flees into a different room as a vapor. Dracula then destroys all
2575-453: Is immediately in front of us." The mysterious imagination necessary for Gothic literature to have gained any traction had been growing for some time before the advent of the Gothic. The need for this came as the known world was becoming more explored, reducing the geographical mysteries of the world. The edges of the map were filling in, and no dragons were to be found. The human mind required a replacement. Clive Bloom theorizes that this void in
2678-603: Is inducing Terror – or else "a great deal of the apprehension vanishes"; Obscurity is necessary to experience the Terror of the unknown. Bloom asserts that Burke's descriptive vocabulary was essential to the Romantic works that eventually informed the Gothic. The birth of Gothic literature was thought to have been influenced by political upheaval. Researchers linked its birth with the English Civil War , culminating in
2781-441: Is near Seward's, and Van Helsing's research reveals Dracula's weaknesses and strengths. Seward and Van Helsing also write to a university acquaintance to aid in further research. Staying at Seward's residence to better plan strategies in their efforts to deal with Dracula, they have frequent meetings and each member is assigned duties. At a later meeting a bat is seen at a window. To destroy Dracula and prevent further spread of evil,
2884-475: Is often described with words such as "wonder" and "terror." This sense of wonder and terror that provides the suspension of disbelief so important to the Gothic—which, except for when it is parodied, even for all its occasional melodrama , is typically played straight, in a self-serious manner—requires the imagination of the reader to be willing to accept the idea that there might be something "beyond that which
2987-603: Is on holiday in Whitby . The aristocratic girl has suitors such as John Seward, Arthur Holmwood, and Quincey Morris , and has a best friend in Mina Murray , Harker's fiancée. Seward, who works as a doctor in an insane asylum – where one of the patients, the incurably mad Renfield , has a psychic connection to Dracula – contacts Professor Van Helsing about Lucy's peculiar condition. Van Helsing, recognizing marks upon her neck, eventually deduces that she has been losing blood from
3090-426: Is particularly important, as his 1833 short story The Queen of Spades was so popular that it was adapted into operas and later films by Russian and foreign artists. Some parts of Mikhail Yuryevich Lermontov's A Hero of Our Time (1840) are also considered to belong to the Gothic genre, but they lack the supernatural elements of other Russian Gothic stories. The following poems are also now considered to belong to
3193-557: Is set in the twenty-second century and speculates on fantastic scientific developments that might have occurred three hundred years in the future, making it and Frankenstein among the earliest examples of the science fiction genre developing from Gothic traditions. During two decades, the most famous author of Gothic literature in Germany was the polymath E. T. A. Hoffmann . Lewis's The Monk influenced and even mentioned it in his novel The Devil's Elixirs (1815). The novel explores
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3296-596: Is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals . Similar to the Gothic Revivalists' rejection of the clarity and rationalism of the Neoclassical style of
3399-430: Is the victim of a vampire , and he guides Seward and his friends in their efforts to save Lucy. Van Helsing had a son who died. He says that his son, had he lived, would have had a similar appearance to Lucy's suitor Arthur Holmwood ("My heart bleed for that poor boy, that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same"). Consequently, Van Helsing developed
3502-501: Is typically claustrophobic , and common plot elements include vengeful persecution, imprisonment, and murder. The depiction of horrible events in Gothic fiction often serves as a metaphorical expression of psychological or social conflicts. The form of a Gothic story is usually discontinuous and convoluted, often incorporating tales within tales, changing narrators, and framing devices such as discovered manuscripts or interpolated histories. Other characteristics, regardless of relevance to
3605-536: The Enlightened Establishment, the literary Gothic embodies an appreciation of the joys of extreme emotion, the thrills of fearfulness and awe inherent in the sublime , and a quest for atmosphere. Gothic ruins invoke multiple linked emotions by representing inevitable decay and the collapse of human creations – hence the urge to add fake ruins as eyecatchers in English landscape parks. Placing
3708-572: The Graveyard poets . They were also present in novels such as Daniel Defoe 's A Journal of the Plague Year , which contains comical scenes of plague carts and piles of corpses. Even earlier, poets like Edmund Spenser evoked a dreary and sorrowful mood in such poems as Epithalamion . All aspects of pre-Gothic literature occur to some degree in the Gothic, but even taken together, they still fall short of true Gothic. What needed to be added
3811-522: The Jacobite rising of 1745 which was more recent to the first Gothic novel (1764). The collective political memory and any deep cultural fears associated with it likely contributed to early Gothic villains as literary representatives of defeated Tory barons or Royalists "rising" from their political graves in the pages of early Gothic novels to terrorize the bourgeois reader of late eighteenth-century England. The first work to call itself "Gothic"
3914-581: The trope of vampires having sharpened teeth. Another notable English author of penny dreadfuls is George W. M. Reynolds , known for The Mysteries of London (1844), Faust (1846), Wagner the Wehr-wolf (1847), and The Necromancer (1857). Elizabeth Gaskell 's tales "The Doom of the Griffiths" (1858), "Lois the Witch", and "The Grey Woman" all employ one of the most common themes of Gothic fiction:
4017-416: The 1790s." The popularity and influence of The Mysteries of Udolpho and The Monk saw the rise of shorter and cheaper versions of Gothic literature in the forms of Gothic bluebooks and chapbooks , which in many cases were plagiarized and abridgments of well known Gothic novels. The Monk in particular, with its immoral and sensational content, saw many plagiarized copies, and was notably drawn from in
4120-581: The 20th century), is a loose literary aesthetic of fear and haunting . The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole 's 1764 novel The Castle of Otranto , later subtitled "A Gothic Story". Subsequent 18th-century contributors included Clara Reeve , Ann Radcliffe , William Thomas Beckford , and Matthew Lewis . The Gothic influence continued into
4223-594: The German Schauerroman and the French R oman noir . Eighteenth-century Gothic novels were typically set in a distant past and (for English novels) a distant European country, but without specific dates or historical figures that characterized the later development of historical fiction. The saturation of Gothic-inspired literature during the 1790s was referred to in a letter by Samuel Taylor Coleridge , writing on 16 March 1797, "indeed I am almost weary of
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4326-490: The Gothic and influenced Bram Stoker 's vampire novel Dracula (1897). Stoker's book created the most famous Gothic villain ever, Count Dracula , and established Transylvania and Eastern Europe as the locus classicus of the Gothic. Published in the same year as Dracula , Florence Marryat 's The Blood of the Vampire is another piece of vampire fiction. The Blood of the Vampire , which, like Carmilla, features
4429-444: The Gothic genre made it rich territory for satire. Historian Rictor Norton notes that satire of Gothic literature was common from 1796 until the 1820s, including early satirical works such as The New Monk (1798), More Ghosts ! (1798) and Rosella, or Modern Occurrences (1799). Gothic novels themselves, according to Norton, also possess elements of self-satire, "By having profane comic characters as well as sacred serious characters,
4532-426: The Gothic genre: Meshchevskiy's "Lila", Katenin's "Olga", Pushkin 's "The Bridegroom", Pletnev 's "The Gravedigger" and Lermontov 's Demon (1829–1839). The key author of the transition from Romanticism to Realism, Nikolai Vasilievich Gogol , who was also one of the most important authors of Romanticism, produced a number of works that qualify as Gothic fiction. Each of his three short story collections features
4635-583: The Gothic novel, providing the archetype of the Byronic hero . For example, Byron is the title character in Lady Caroline's Gothic novel Glenarvon (1816). Byron was also the host of the celebrated ghost-story competition involving himself, Percy Bysshe Shelley , Mary Shelley , and John William Polidori at the Villa Diodati on the banks of Lake Geneva in the summer of 1816. This occasion
4738-407: The Gothic novelist could puncture the balloon of the supernatural while at the same time affirming the power of the imagination." After 1800 there was a period in which Gothic parodies outnumbered forthcoming Gothic novels. In The Heroine by Eaton Stannard Barrett (1813), Gothic tropes are exaggerated for comic effect. In Jane Austen 's novel Northanger Abbey (1818), the naive protagonist,
4841-462: The Gothic tradition, Mary Shelley's novel is often considered the first science fiction novel, despite the novel's lack of any scientific explanation for the animation of Frankenstein's monster and the focus instead on the moral dilemmas and consequences of such a creation. John Keats ' La Belle Dame sans Merci (1819) and Isabella, or the Pot of Basil (1820) feature mysteriously fey ladies. In
4944-403: The Gothic. Emily Brontë 's Wuthering Heights (1847) transports the Gothic to the forbidding Yorkshire Moors and features ghostly apparitions and a Byronic hero in the person of the demonic Heathcliff. The Brontës' fictions were cited by feminist critic Ellen Moers as prime examples of Female Gothic, exploring woman's entrapment within domestic space and subjection to patriarchal authority and
5047-664: The Screw (1898), and the stories of Arthur Machen . In Ireland, Gothic fiction tended to be purveyed by the Anglo-Irish Protestant Ascendancy . According to literary critic Terry Eagleton , Charles Maturin , Sheridan Le Fanu , and Bram Stoker form the core of the Irish Gothic subgenre with stories featuring castles set in a barren landscape and a cast of remote aristocrats dominating an atavistic peasantry, which represent an allegorical form
5150-513: The Sublime and Beautiful , which "finally codif[ied] the gothic emotional experience." Specifically, Burke's thoughts on the Sublime, Terror, and Obscurity were most applicable. These sections can be summarized thus: the Sublime is that which is or produces the "strongest emotion which the mind is capable of feeling"; Terror most often evoked the Sublime; and to cause Terror, we need some amount of Obscurity – we can't know everything about that which
5253-758: The Terrible, having been a hireling in the Critical Review for the last six or eight months – I have been reviewing the Monk , the Italian , Hubert de Sevrac &c &c &c – in all of which dungeons, and old castles, & solitary Houses by the Sea Side & Caverns & Woods & extraordinary characters & all the tribe of Horror & Mystery, have crowded on me – even to surfeiting." The excesses, stereotypes, and frequent absurdities of
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#17327870220505356-668: The Vourdalak , 1839, and The Vampire , 1841), Mikhail Zagoskin ( Unexpected Guests ), Józef Sękowski / Osip Senkovsky ( Antar ), and Yevgeny Baratynsky ( The Ring ). By the Victorian era , Gothic had ceased to be the dominant genre for novels in England, partly replaced by more sedate historical fiction . However, Gothic short stories continued to be popular, published in magazines or as small chapbooks called penny dreadfuls . The most influential Gothic writer from this period
5459-414: The big bushy brows come down and the mouth tightens. The forehead is broad and fine, rising at first almost straight and then sloping back above two bumps or ridges wide apart, such a forehead that the reddish hair cannot possibly tumble over it, but falls naturally back and to the sides. Big, dark blue eyes are set widely apart and are quick and tender or stern with the man's moods. Van Helsing's personality
5562-495: The case of Jack the Ripper , eventually discovering that the murderers were mentally controlled by demons from another world . In 1902 he worked together with the resurrected Dracula to prevent the assassination of King Edward VII . There have been numerous works of fiction depicting descendants of Van Helsing carrying on the family tradition. Gothic horror Gothic fiction , sometimes called Gothic horror (primarily in
5665-523: The castle searching its rooms, he finds Dracula's empty tomb and the three female vampires he saw earlier. He begins to do his operation on the first vampire but finds himself entranced by her beauty and unable to bring himself to harm her. In his feelings of enchantment, he even contemplates love for her. He is broken out of this enchantment when he hears a "soul wail" from Mina, awakening him. He proceeds to drive stakes into their hearts and sever their heads, one by one. Van Helsing returns to Mina and they see
5768-513: The cheaper pamphlets. Other notable Gothic novels of the 1790s include William Godwin 's Caleb Williams (1794), Regina Maria Roche 's Clermont (1798), and Charles Brockden Brown 's Wieland (1798), as well as large numbers of anonymous works published by the Minerva Press established by William Lane at Leadenhall Street , London in 1790. In continental Europe, Romantic literary movements led to related Gothic genres such as
5871-504: The chief London nonconformist paper. Stoddart became the paper's main interviewer at a time when the interview was becoming a prominent feature of British weeklies; many of her interviews were published under the byline Lorna. In politics Stoddart was a strong Liberal Imperialist and quite influential on nonconformity in that respect. The biography of Nicoll in the 1911 Encyclopedia Britannica describes his publication as "a Nonconformist organ which obtained great influence over opinion in
5974-429: The collective imagination was critical in developing the cultural possibility for the rise of the Gothic tradition. The setting of most early Gothic works was medieval, but this was a common theme long before Walpole. In Britain especially, there was a desire to reclaim a shared past. This obsession frequently led to extravagant architectural displays, such as Fonthill Abbey , and sometimes mock tournaments were held. It
6077-512: The day Would quake to look on. — Lines from Shakespeare's Hamlet The components that would eventually combine into Gothic literature had a rich history by the time Walpole presented a fictitious medieval manuscript in The Castle of Otranto in 1764. The plays of William Shakespeare , in particular, were a crucial reference point for early Gothic writers, in both an effort to bring credibility to their works, and to legitimize
6180-572: The decadent style of Wilde and Machen, even including a character named Wilde in his The King in Yellow (1895). Wharton published some notable Gothic ghost stories. Some works of the Canadian writer Gilbert Parker also fall into the genre, including the stories in The Lane that had No Turning (1900). The British Weekly The British Weekly: A Journal of Social and Christian Progress
6283-587: The domestic, their bodies, marriage, childbirth, or domestic abuse commonly appear in the genre. After the characteristic Gothic Bildungsroman -like plot sequence, female Gothic allowed readers to grow from "adolescence to maturity" in the face of the realized impossibilities of the supernatural. As protagonists such as Adeline in The Romance of the Forest learn that their superstitious fantasies and terrors are replaced by natural cause and reasonable doubt,
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#17327870220506386-935: The early 19th century; works by the Romantic poets , like Samuel Taylor Coleridge and Lord Byron , and novelists such as Mary Shelley , Charles Maturin , Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued the use of gothic aesthetic in novels by Charles Dickens and the Brontë sisters , as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne . Later well-known works were Dracula by Bram Stoker , Richard Marsh's The Beetle and Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde . Twentieth-century contributors include Daphne du Maurier , Stephen King , Shirley Jackson , Anne Rice , and Toni Morrison . Gothic fiction
6489-470: The emerging genre as serious literature to the public. Tragedies such as Hamlet , Macbeth , King Lear , Romeo and Juliet , and Richard III , with plots revolving around the supernatural, revenge, murder, ghosts, witchcraft , and omens , written in dramatic pathos, and set in medieval castles, were a huge influence upon early Gothic authors, who frequently quote, and make allusions to Shakespeare's works. John Milton 's Paradise Lost (1667)
6592-482: The female Gothic allowed women's societal and sexual desires to be introduced. In many respects, the novel's intended reader of the time was the woman who, even as she enjoyed such novels, felt she had to "[lay] down her book with affected indifference, or momentary shame," according to Jane Austen . The Gothic novel shaped its form for woman readers to "turn to Gothic romances to find support for their own mixed feelings." Female Gothic narratives focus on such topics as
6695-642: The free churches", i.e. those Christian denominations which are neither the established church (the Church of England ) nor the Roman Catholic church . Nicoll intended it to be the main vehicle for "liberal nonconformist opinion" and he succeeded in as much as the circulation numbers reached 100,000. A 2011 book entitled Voices of Nonconformity: William Robertson Nicoll and the British Weekly from The Lutterworth Press sets out how Nicoll founded
6798-401: The height of the Gothic novel's popularity in the 1790s, the genre was almost synonymous with Ann Radcliffe , whose works were highly anticipated and widely imitated. The Romance of the Forest (1791) and The Mysteries of Udolpho (1794) were particularly popular. In an essay on Radcliffe, Walter Scott writes of the popularity of Udolpho at the time, "The very name was fascinating, and
6901-472: The kindliest and truest heart that beats, these form his equipment for the noble work that he is doing for mankind, work both in theory and practice, for his views are as wide as his all-embracing sympathy. In the novel, Van Helsing is described as having what is apparently a thick foreign accent, in that he speaks in broken English and he uses German phrases such as "Mein Gott" (English: My God ). Adaptations of
7004-446: The latter poem, the names of the characters, the dream visions, and the macabre physical details are influenced by the novels of premiere Gothicist Ann Radcliffe. Although ushering in the historical novel, and turning popularity away from Gothic fiction, Walter Scott frequently employed Gothic elements in his novels and poetry. Scott drew upon oral folklore , fireside tales, and ancient superstitions, often juxtaposing rationality and
7107-493: The main plot, can include sleeplike and deathlike states, live burials , doubles , unnatural echoes or silences, the discovery of obscured family ties, unintelligible writings, nocturnal landscapes, remote locations, and dreams. Especially in the late 19th century, Gothic fiction often involved demons and demonic possession , ghosts , and other kinds of evil spirits . Gothic fiction often moves between " high culture " and " low " or " popular culture ". Gothic literature
7210-611: The moderate ' Nonconformist conscience ', promoting religious equality and popular education." A review of this book in the Journal of Scottish Historical Studies describes the British Weekly as "one of the most successful religious newspapers of its time" and Nicoll as "a remarkable proponent of the 'New Journalism' and a major voice of the 'Nonconformist Conscience' in late Victorian Britain" (The phrase " New Journalism " had been coined by Matthew Arnold in 1887 to describe
7313-637: The most celebrated Realists, wrote Faust (1856), Phantoms (1864), Song of the Triumphant Love (1881), and Clara Milich (1883). Another classic Russian Realist, Fyodor Mikhailovich Dostoyevsky , incorporated Gothic elements into many of his works, although none can be seen as purely Gothic. Grigory Petrovich Danilevsky , who wrote historical and early science fiction novels and stories, wrote Mertvec-ubiytsa ( Dead Murderer ) in 1879. Also, Grigori Alexandrovich Machtet wrote "Zaklyatiy kazak", which may now also be considered Gothic. The 1880s saw
7416-704: The motive of Doppelgänger , a term coined by another German author and supporter of Hoffmann, Jean-Paul , in his humorous novel Siebenkäs (1796–1797). He also wrote an opera based on Friedrich de la Motte Fouqué 's Gothic story Undine (1816), for which de la Motte Fouqué wrote the libretto. Aside from Hoffmann and de la Motte Fouqué, three other important authors from the era were Joseph Freiherr von Eichendorff ( The Marble Statue , 1818), Ludwig Achim von Arnim ( Die Majoratsherren , 1819), and Adelbert von Chamisso ( Peter Schlemihls wundersame Geschichte , 1814). After them, Wilhelm Meinhold wrote The Amber Witch (1838) and Sidonia von Bork (1847). In Spain,
7519-483: The novel have tended to play up Van Helsing's role as a vampire expert, sometimes to the extent that it is depicted as his major occupation. In the novel, however, Dr. Seward requests Van Helsing's assistance simply because Lucy's affliction has him baffled and Van Helsing "knows as much about obscure diseases as anyone in the world". In an 1897 interview in The British Weekly , Stoker said that Van Helsing
7622-494: The paper in order to "introduce Nonconformist readers to the best in contemporary culture as well as promote a liberal political agenda". He followed stylistically in the footsteps of the Pall Mall Gazette , "including interviews of prominent personalities, use of line illustrations and photographs, special supplements, investigative reporting, sensationalist headlines, and serialised debates". Nicoll "gave expression to
7725-503: The party enters his estate at Carfax and as a group encounters him for the first time. They discover that he has been purchasing properties in and around London, with plans to distribute 50 boxes of Transylvanian earth to them, used as graves so each property would become a safe lair. They visit these lairs and place sacramental bread in the boxes of the earth to "sterilize" them, preventing Dracula from further using them. Dracula entices Renfield to invite him into Seward's residence. Renfield
7828-566: The political plight of Catholic Ireland subjected to the Protestant Ascendancy. Le Fanu's use of the gloomy villain, forbidding mansion, and persecuted heroine in Uncle Silas (1864) shows direct influence from Walpole's Otranto and Radcliffe's Udolpho . Le Fanu's short story collection In a Glass Darkly (1872) includes the superlative vampire tale Carmilla , which provided fresh blood for that particular strand of
7931-495: The power of ancestral sins to curse future generations, or the fear that they will. M. R. James , an English medievalist whose stories are still popular today, is known as the originator of the "antiquarian ghost story." In Spain, Gustavo Adolfo Bécquer stood out with his romantic poems and short tales, some depicting supernatural events. Today some consider him the most-read Spanish writer after Miguel de Cervantes . In addition to these short Gothic fictions, some novels drew on
8034-672: The priest Pascual Pérez Rodríguez was the most diligent novelist in the Gothic way, closely aligned to the supernatural explained by Ann Radcliffe. At the same time, the poet José de Espronceda published The Student of Salamanca (1837–1840), a narrative poem that presents a horrid variation on the Don Juan legend. In Russia, authors of the Romantic era include Antony Pogorelsky (penname of Alexey Alexeyevich Perovsky), Orest Somov , Oleksa Storozhenko , Alexandr Pushkin , Nikolai Alekseevich Polevoy , Mikhail Lermontov (for his work Stuss ), and Alexander Bestuzhev-Marlinsky . Pushkin
8137-518: The public, who rushed upon it with all the eagerness of curiosity, rose from it with unsated appetite. When a family was numerous, the volumes flew, and were sometimes torn from hand to hand." Radcliffe's novels were often seen as the feminine and rational opposite of a more violently horrifying male Gothic associated with Matthew Lewis . Radcliffe's final novel, The Italian (1797), responded to Lewis's The Monk (1796). Radcliffe and Lewis have been called "the two most significant Gothic novelists of
8240-461: The reader may grasp the heroine's true position: "The heroine possesses the romantic temperament that perceives strangeness where others see none. Her sensibility, therefore, prevents her from knowing that her true plight is her condition, the disability of being female." 'Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as
8343-477: The rest of their party as they chase a group of gypsies down the Borgo Pass and corner them. Armed with knives and firearms they overtake the gypsies and open the final box of Dracula; Jonathan Harker brings his Kukri knife down on Dracula's throat as the bowie knife of Quincey Morris simultaneously impales Dracula's heart in the final moments of daylight. At this moment Dracula's body crumbles to dust. After
8446-485: The revival of the Gothic as a powerful literary form allied to fin de siecle , which fictionalized contemporary fears like ethical degeneration and questioned the social structures of the time. Classic works of this Urban Gothic include Robert Louis Stevenson 's Strange Case of Dr. Jekyll and Mr. Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1891), George du Maurier 's Trilby (1894), Richard Marsh 's The Beetle (1897), Henry James ' The Turn of
8549-549: The sensational style of the Pall Mall Gazette and its muck-raking editor W. T. Stead . ) The biographer of Christian socialist and publisher Arthur Mee judges the British Weekly to have been the most influential of all of Britain's many religious newspapers. The author of the 2011 book asserts that " The British Weekly acquired the Christian World in the 1960s, but in the 1970s, it passed into
8652-468: The story. The buildings in The Castle of Otranto , for example, are riddled with tunnels that characters use to move back and forth in secret. This movement mirrors the secrets surrounding Manfred's possession of the castle and how it came into his family. From the castles, dungeons , forests, and hidden passages of the Gothic novel genre emerged female Gothic. Guided by the works of authors such as Ann Radcliffe , Mary Shelley , and Charlotte Brontë ,
8755-453: The strange narrative he introduces", and Baron Vordenburg, "who has read 'all the great and little works' on vampires and who has 'extracted a system of principles' that govern vampire existence". Count Dracula , having acquired ownership of the Carfax estate near London through solicitor Jonathan Harker , moves to the estate and begins menacing England. His victims include Lucy Westenra, who
8858-481: The struggle, Quincey is seen to have been fatally wounded. Six years later, Van Helsing takes a grandfatherly role in regard to the young Quincey Harker, Jonathan and Mina's son. Van Helsing is seen utilising many tools to aid him and his party in fending off Dracula, warding off vampires and in general defeating the undead: Abraham Van Helsing was also portrayed in The Tomb of Dracula Marvel Comics series, which
8961-649: The supernatural. Novels such as The Bride of Lammermoor (1819), in which the characters' fates are decided by superstition and prophecy , or the poem Marmion (1808), in which a nun is walled alive inside a convent, illustrate Scott's influence and use of Gothic themes. A late example of a traditional Gothic novel is Melmoth the Wanderer (1820) by Charles Maturin , which combines themes of anti-Catholicism with an outcast Byronic hero. Jane C. Loudon 's The Mummy! (1827) features standard Gothic motifs, characters, and plot, but with one significant twist; it
9064-424: The texts Mina had produced, except for one which was hidden, and breaks Renfield's neck before leaving. Van Helsing places a wafer of sacramental bread upon Mina's forehead to bless her but it burns her flesh, leaving a scar. Mina, feeling that she is now connected with Dracula, asks Van Helsing to hypnotize her before dawn, the only time she feels she could freely speak. Through this hypnosis they learn that Mina has
9167-459: The transgressive and dangerous attempts to subvert and escape such restriction. Emily Brontë's Cathy and Charlotte Brontë 's Jane Eyre are examples of female protagonists in such roles. Louisa May Alcott 's Gothic potboiler, A Long Fatal Love Chase (written in 1866 but published in 1995), is also an interesting specimen of this subgenre. Charlotte Brontë's Villette also shows the Gothic influence, with its supernatural subplot featuring
9270-842: The window for fresh air; a servant had stolen the gold crucifix. Lucy dies and after the funeral returns as a vampire, seeking out children. Eventually, Van Helsing, Arthur, Morris and Seward free the undead Lucy from her vampiric curse: Arthur uses a hammer to drive the stake through her heart and Van Helsing cuts off her head and puts garlic in her mouth. Mina, now married to Harker, becomes increasingly worried about his brain fever . Van Helsing reviews his journal and Harker's health returns when he learns that his experiences in Transylvania were real. Mina discovers that various letters and accounts provide further intelligence on Dracula's movements, and shares these with Harker, Seward, Morris, and Van Helsing. They learn that Dracula's residence in Carfax
9373-412: Was Horace Walpole 's The Castle of Otranto (1764). The first edition presented the story as a translation of a sixteenth-century manuscript and was widely popular. Walpole, in the second edition, revealed himself as the author which adding the subtitle "A Gothic Story." The revelation prompted a backlash from readers, who considered it inappropriate for a modern author to write a supernatural story in
9476-567: Was William Robertson Nicoll till his death in 1923, but the de facto editor was really his assistant Jane T. Stoddart . Her entry in the Dictionary of National Biography was prepared by none other than the DNB 's overall editor Colin Matthew , who wrote that she: in 1890, became a full-time journalist, working as assistant editor on Nicoll's very successful paper, the British Weekly,
9579-835: Was "founded on a real character". In Stoker's 1898 introduction to the Swedish and Icelandic versions of Dracula , he writes from an in-universe perspective that "the highly regarded scientist, who appears under a pseudonym here, may likewise be too famous throughout the educated world for his real name − which I prefer not to mention − to remain hidden from the public, especially from those people who have learned firsthand to appreciate and respect his brilliant mind and masterly skill, though they no more adhere to his views on life than I do." Van Helsing may have been inspired by characters from Sheridan Le Fanu 's Carmilla (1871–72), including Dr Martin Hesselius, "who makes little comment upon
9682-612: Was a notable Gothic writer, and converted from Catholicism to Anglicanism. In Switzerland, Jeremias Gotthelf wrote The Black Spider (1842), an allegorical work that uses Gothic themes. The last work from the German writer Theodor Storm , The Rider on the White Horse (1888), also uses Gothic motives and themes. After Gogol, Russian literature saw the rise of Realism, but many authors continued to write stories within Gothic fiction territory. Ivan Sergeyevich Turgenev , one of
9785-522: Was a significant publication from its founding in 1886 well into the 20th century. One of the most successful religious newspapers of its time, it was published by Hodder & Stoughton . It was "a central force in shaping and promoting the ' Nonconformist conscience '", according to the Dictionary of Nineteenth-century Journalism in Great Britain and Ireland . The founder and nominal editor
9888-422: Was also very influential among Gothic writers, who were especially drawn to the tragic anti-hero character Satan , who became a model for many charismatic Gothic villains and Byronic heroes . Milton's "version of the myth of the fall and redemption, creation and decreation, is, as Frankenstein again reveals, an important model for Gothic plots." Alexander Pope , who had a considerable influence on Walpole,
9991-461: Was an aesthetic to tie the elements together. Bloom notes that this aesthetic must take the form of a theoretical or philosophical core, which is necessary to "sav[e] the best tales from becoming mere anecdote or incoherent sensationalism." In this case, the aesthetic needed to be emotional, and was finally provided by Edmund Burke 's 1757 work, A Philosophical Enquiry into the Origin of Our Ideas of
10094-483: Was based on the characters of Bram Stoker's novel including his great-granddaughter Rachel Van Helsing . In the Marvel Comics miniseries X-Men: Apocalypse vs. Dracula , Van Helsing joins forces with the immortal mutant Apocalypse and his worshipers, Clan Akkaba , in order to destroy Dracula, their common enemy. It is noted that Van Helsing had encountered Apocalypse before and previously believed him to be
10197-555: Was not merely in literature that a medieval revival made itself felt, and this, too, contributed to a culture ready to accept a perceived medieval work in 1764. The Gothic often uses scenery of decay, death, and morbidity to achieve its effects (especially in the Italian Horror school of Gothic). However, Gothic literature was not the origin of this tradition; it was far older. The corpses, skeletons, and churchyards so commonly associated with early Gothic works were popularized by
10300-527: Was productive of both Mary Shelley's Frankenstein, or, The Modern Prometheus (1818), and Polidori's short story " The Vampyre " (1819), featuring the Byronic Lord Ruthven . "The Vampyre" has been accounted by cultural critic Christopher Frayling as one of the most influential works of fiction ever written and spawned a craze for vampire fiction and theatre (and, latterly, film) that has not ceased to this day. Although clearly influenced by
10403-578: Was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos , and mortality in general. Irish Catholics also wrote Gothic fiction in the 19th century. Although some Anglo-Irish dominated and defined the subgenre decades later, they did not own it. Irish Catholic Gothic writers included Gerald Griffin , James Clarence Mangan , and John and Michael Banim . William Carleton
10506-624: Was the American Edgar Allan Poe , who wrote numerous short stories and poems reinterpreting Gothic tropes. His story " The Fall of the House of Usher " (1839) revisits classic Gothic tropes of aristocratic decay, death, and insanity . Poe is now considered the master of the American Gothic. In England, one of the most influential penny dreadfuls is the anonymously authored Varney the Vampire (1847), which introduced
10609-463: Was the first significant poet of the 18th century to write a poem in an authentic Gothic manner. Eloisa to Abelard (1717), a tale of star-crossed lovers, one doomed to a life of seclusion in a convent, and the other in a monastery, abounds in gloomy imagery, religious terror, and suppressed passion. The influence of Pope's poem is found throughout 18th-century Gothic literature, including the novels of Walpole, Radcliffe, and Lewis. Gothic literature
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