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93-564: The present Gothic church was erected on the site of the former Romanesque cathedral. Its construction lasted from the 15th to the 19th centuries; if the length of the existence of the 13th century Romanesque bell tower is included, a total of seven centuries of construction. The cathedral was declared a basilica minor by Pope Pius IX on 5 June 1870. The first building was erected around 1020 in Romanesque style. Built out of granite and continuously modified by adding new structures,

186-647: A pejorative description. Giorgio Vasari used the term "barbarous German style" in his Lives of the Artists to describe what is now considered the Gothic style, and in the introduction to the Lives he attributes various architectural features to the Goths , whom he held responsible for destroying the ancient buildings after they conquered Rome, and erecting new ones in this style. When Vasari wrote, Italy had experienced

279-401: A pejorative description. Giorgio Vasari used the term "barbarous German style" in his 1550 Lives of the Artists to describe what is now considered the Gothic style. In the introduction to the Lives he attributed various architectural features to the Goths whom he held responsible for destroying the ancient buildings after they conquered Rome , and erecting new ones in this style. In

372-422: A Gothic choir, and six-part rib vaults over the nave and collateral aisles, alternating pillars and doubled columns to support the vaults, and buttresses to offset the outward thrust from the vaults. One of the builders who is believed to have worked on Sens Cathedral, William of Sens , later travelled to England and became the architect who, between 1175 and 1180, reconstructed the choir of Canterbury Cathedral in

465-547: A century of building in the Vitruvian architectural vocabulary of classical orders revived in the Renaissance and seen as evidence of a new Golden Age of learning and refinement. Thus the Gothic style, being in opposition to classical architecture, from that point of view was associated with the destruction of advancement and sophistication. The assumption that classical architecture was better than Gothic architecture

558-510: A lantern tower, deeply moulded decoration, and high pointed arcades. Coutances Cathedral was remade into Gothic beginning about 1220. Its most distinctive feature is the octagonal lantern on the crossing of the transept, decorated with ornamental ribs, and surrounded by sixteen bays and sixteen lancet windows. Saint-Denis was the work of the Abbot Suger , a close adviser of Kings Louis VI and Louis VII . Suger reconstructed portions of

651-498: A new period of Gothic Revival . Gothic architecture survived the early modern period and flourished again in a revival from the late 18th century and throughout the 19th. Perpendicular was the first Gothic style revived in the 18th century. In England, partly in response to a philosophy propounded by the Oxford Movement and others associated with the emerging revival of 'high church' or Anglo-Catholic ideas during

744-645: A pointed arch dates back to bronze-age Nippur . As a structural feature, it was first used in eastern Christian architecture , Byzantine architecture and Sasanian architecture , but in the 12th century it came into use in France and England as an important structural element, in combination with other elements, such as the rib vault and later the flying buttress . These allowed the construction of cathedrals, palaces and other buildings with dramatically greater height and larger windows which filled them with light. Crude arches pointed in shape have been discovered from

837-449: A series of tracery patterns for windows – from the basic geometrical to the reticulated and the curvilinear – which had superseded the lancet window. Bar-tracery of the curvilinear, flowing , and reticulated types distinguish Second Pointed style. Decorated Gothic similarly sought to emphasize the windows, but excelled in the ornamentation of their tracery. Churches with features of this style include Westminster Abbey (1245–),

930-462: A triforium, Early English churches usually retained a gallery. High Gothic ( c.  1194 –1250) was a brief but very productive period, which produced some of the great landmarks of Gothic art. The first building in the High Gothic (French: Classique ) was Chartres Cathedral , an important pilgrimage church south of Paris. The Romanesque cathedral was destroyed by fire in 1194, but

1023-482: A violent and bothersome mistake, as suggested by Vasari. Rather, he saw that the Gothic style had developed over time along the lines of a changing society, and that it was thus a legitimate architectural style of its own. It was no secret that Wren strongly disliked the building practices of the Gothic style. When he was appointed Surveyor of the Fabric at Westminster Abbey in the year 1698, he expressed his distaste for

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1116-540: Is also the architecture of many castles , palaces , town halls , guildhalls , universities and, less prominently today, private dwellings. Many of the finest examples of medieval Gothic architecture are listed by UNESCO as World Heritage Sites . With the development of Renaissance architecture in Italy during the mid-15th century, the Gothic style was supplanted by the new style, but in some regions, notably England and Belgium, Gothic continued to flourish and develop into

1209-577: Is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages , surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture . It originated in the Île-de-France and Picardy regions of northern France . The style at the time was sometimes known as opus Francigenum ( lit.   ' French work ' );

1302-581: Is known in Britain as High Victorian Gothic . The Palace of Westminster in London by Sir Charles Barry with interiors by a major exponent of the early Gothic Revival, Augustus Welby Pugin , is an example of the Gothic revival style from its earlier period in the second quarter of the 19th century. Examples from the High Victorian Gothic period include George Gilbert Scott 's design for

1395-550: Is one of the reasons why Wren's theory is rejected by many. The earliest examples of the pointed arch in Europe date from before the Holy War in the year 1095; this is widely regarded as proof that the Gothic style could not have possibly been derived from Saracen architecture. Several authors have taken a stance against this allegation, claiming that the Gothic style had most likely filtered into Europe in other ways, for example through Spain or Sicily. The Spanish architecture from

1488-519: Is why he constantly praised the classic architecture of 'the Ancients' in his writings. Even though he openly expressed his distaste for the Gothic style, Wren did not blame the Saracens for the apparent lack of ingenuity. Quite the opposite: he praised the Saracens for their 'superior' vaulting techniques and their widespread use of the pointed arch. Wren claimed the inventors of the Gothic had seen

1581-489: The Albert Memorial in London, and William Butterfield 's chapel at Keble College, Oxford . From the second half of the 19th century onwards, it became more common in Britain for neo-Gothic to be used in the design of non-ecclesiastical and non-governmental buildings types. Gothic details even began to appear in working-class housing schemes subsidised by philanthropy, though given the expense, less frequently than in

1674-651: The Byzantine , of course belong more to the Gothic period than the light and elegant structures of the pointed order which succeeded them. The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it; by the growing population and wealth of European cities, and by the desire to express local grandeur. It was influenced by theological doctrines which called for more light and by technical improvements in vaults and buttresses that allowed much greater height and larger windows. It

1767-592: The Chateau of Gaillon near Rouen (1502–1510) with the assistance of Italian craftsmen. The Château de Blois (1515–1524) introduced the Renaissance loggia and open stairway. King Francois I installed Leonardo da Vinci at his Chateau of Chambord in 1516, and introduced a Renaissance long gallery at the Palace of Fontainebleau in 1528–1540. In 1546 Francois I began building the first example of French classicism,

1860-670: The Dominican friar St. Vincent Ferrer , from Valencia . His activities in the 15th century greatly influenced Christianity in Vannes. The northern façade opens onto the garden of the cloister (ruins from the 16th century) and the Rue des chanoines ("Street of the Canons") through the beautiful portal at the top of the north transept , built in a Flamboyant late Gothic style (1514), and decorated with twelve niches designed to house statues of

1953-522: The Pantheon, Rome , was one of the first Renaissance landmarks, but it also employed Gothic technology; the outer skin of the dome was supported by a framework of twenty-four ribs. In the 16th century, as Renaissance architecture from Italy began to appear in France and other countries in Europe. The Gothic style began to be described as outdated, ugly and even barbaric. The term "Gothic" was first used as

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2046-693: The rib vault , had appeared in England, Sicily and Normandy in the 11th century. Rib-vaults were employed in some parts of the cathedral at Durham (1093–) and in Lessay Abbey in Normandy (1098). However, the first buildings to be considered fully Gothic are the royal funerary abbey of the French kings, the Abbey of Saint-Denis (1135–1144), and the archiepiscopal cathedral at Sens (1135–1164). They were

2139-466: The vaults and the choir were built between 1771 and 1774. The horizontal dimensions of the building can be derived from the ground plan . (Data on the heights are not available for the moment). The building is one of the largest on the French Atlantic coast. The façade was carved in 1857 in a neo-Gothic style. Outside, in front of the central pillar of the large gate, stands a statue of

2232-424: The 1250s, Louis IX commissioned the rebuilt transepts and enormous rose windows of Notre-Dame de Paris (1250s for the north transept, 1258 for the beginning of south transept). This first 'international style' was also used in the clerestory of Metz Cathedral ( c . 1245–), then in the choir of Cologne 's cathedral ( c . 1250–), and again in the nave of the cathedral at Strasbourg ( c . 1250–). Masons elaborated

2325-539: The 13th century; by 1300, a first "international style" of Gothic had developed, with common design features and formal language. A second "international style" emerged by 1400, alongside innovations in England and central Europe that produced both the perpendicular and flamboyant varieties. Typically, these typologies are identified as: Norman architecture on either side of the English Channel developed in parallel towards Early Gothic . Gothic features, such as

2418-557: The 16th century. A series of Gothic revivals began in mid-18th century England , spread through 19th-century Europe and continued, largely for churches and university buildings, into the 20th century. Medieval contemporaries described the style as Latin : opus Francigenum , lit.   'French work' or ' Frankish work', as opus modernum , 'modern work', novum opus , 'new work', or as Italian : maniera tedesca , lit.   'German style'. The term "Gothic architecture" originated as

2511-480: The 17th and 18th centuries, especially in provincial and ecclesiastical contexts, notably at Oxford . Beginning in the mid-15th century, the Gothic style gradually lost its dominance in Europe. It had never been popular in Italy, and in the mid-15th century the Italians, drawing upon ancient Roman ruins, returned to classical models. The dome of Florence Cathedral (1420–1436) by Filippo Brunelleschi , inspired by

2604-509: The 17th and 18th century several important Gothic buildings were constructed at Oxford University and Cambridge University , including Tom Tower (1681–82) at Christ Church, Oxford , by Christopher Wren . It also appeared, in a whimsical fashion, in Horace Walpole 's Twickenham villa , Strawberry Hill (1749–1776). The two western towers of Westminster Abbey were constructed between 1722 and 1745 by Nicholas Hawksmoor , opening

2697-431: The 17th century, Molière also mocked the Gothic style in the 1669 poem La Gloire : "...the insipid taste of Gothic ornamentation, these odious monstrosities of an ignorant age, produced by the torrents of barbarism..." The dominant styles in Europe became in turn Italian Renaissance architecture , Baroque architecture , and the grand classicism of the style Louis XIV . The Kings of France had first-hand knowledge of

2790-733: The 17th century. Two bishops' tombs can be found in the crypt under the choir. The building contains the following features: Positions 9, 10, 11, 13 and 17 are the Blessed Sacrament Chapel (closed to visitors), the Chapel of Our Lady de Pitié , the Chapel in the apse , the Calvary and the Chapel of St. Louis respectively. In the novels of Alexandre Dumas , the musketeer Aramis appears at one point as Bishop of Vannes and logically must have served in this very cathedral. Gothic architecture Gothic architecture

2883-600: The Abbey of Saint-Denis , near Paris, the choir was reconstructed between 1140 and 1144, drawing together for the first time the developing Gothic architectural features. In doing so, a new architectural style emerged that emphasized verticality and the effect created by the transmission of light through stained glass windows. Common examples are found in Christian ecclesiastical architecture , and Gothic cathedrals and churches , as well as abbeys , and parish churches . It

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2976-640: The Air and Weather; the Coping, which cannot defend them, first failing, and if they give Way, the Vault must spread. Pinnacles are no Use, and as little Ornament. The chaos of the Gothic left much to be desired in Wren's eyes. His aversion of the style was so strong that he refused to put a Gothic roof on the new St. Paul's, despite being pressured to do so. Wren much preferred symmetry and straight lines in architecture, which

3069-766: The Bronze Age site of Nippur dated earlier than 2700 BC. The palace of Nineveh also has pointed arched drains but they have no true keystone. There are many other Greek examples, late Roman and Sassanian examples, mostly evidenced in early church building in Syria and Mesopotamia , but also in engineering works such as the Byzantine Karamagara Bridge , with a pointed arch of 17 m (56 ft) span, making "the pre-Muslim origins of pointed architecture an unassailable contention". The clearest surviving example of pre-islamic pointed arches are

3162-450: The Gothic period were usually in the form of a pointed arch, surrounded by sculpture, often symbolizing the entrance to heaven. The window in the form of a pointed arch is a common characteristic of the Gothic style. Windows sometimes were constructed in the classical form of a pointed arch, which is denominated an "equilateral arch", while others had more imaginative forms that combined various geometric forms (see #Forms ). One common form

3255-467: The Gothic pointed arch in windows and arches was based upon an equilateral triangle , in which the three sides have an equal length (the span of the arch is equal to the arc radii). This so called equilateral arch had the great advantage of simplicity. Stone cutters, or hewers, could precisely draw the arc on the stone with a cord and a marker. This allowed arch stones to be cut at the quarry in quantity with great precision, then delivered and assembled at

3348-644: The Gothic style in a letter to the bishop of Rochester: Nothing was thought magnificent that was not high beyond Measure, with the Flutter of Arch-buttresses, so we call the sloping Arches that poise the higher Vaultings of the Nave. The Romans always concealed their Butments, whereas the Normans thought them ornamental. These I have observed are the first Things that occasion the Ruin of Cathedrals, being so much exposed to

3441-642: The Greeks. Wren was the first to popularize the belief that it was not the Europeans, but the Saracens that had created the Gothic style. The term 'Saracen' was still in use in the 18th century and it typically referred to all Muslims, including the Arabs and Berbers. Wren mentions Europe's architectural debt to the Saracens no fewer than twelve times in his writings. He also decidedly broke with tradition in his assumption that Gothic architecture did not merely represent

3534-527: The Late Gothic style was a variation of the Islamic four-centred arch . A four-centred arch is a low, wide type of arch with a pointed apex. Its structure is achieved by drafting two arcs that rise steeply from each springing point on a small radius, and then turning into two arches with a wide radius and much lower springing point. It is a pointed sub-type of the general flattened depressed arch . Two of

3627-548: The Moors could have favoured the emergence of the Gothic style long before the Crusades took place. This could have happened gradually through merchants, travelers and pilgrims. According to a 19th-century correspondent in the London journal Notes and Queries , Gothic was a derisive misnomer; the pointed arcs and architecture of the later Middle Ages was quite different from the rounded arches prevalent in late antiquity and

3720-505: The Renaissance indicates that formulas for determining thrust may have been in use during the medieval period. In the 12th century, architects in Sicily, England and France discovered a new use for the pointed arch. They began using the pointed arch to create the rib vault , which they used to cover the naves of abbeys and cathedrals. One of the first Gothic rib vaults was built at Durham Cathedral in England (1135–1490). Others appeared in

3813-831: The Saracen architecture during the Crusades , also called the Religious war or Holy War, organised by the Kingdom of France in the year 1095: The Holy War gave the Christians, who had been there, an Idea of the Saracen Works, which were afterwards by them imitated in the West; and they refined upon it every day, as they proceeded in building Churches. There are several chronological issues that arise with this statement, which

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3906-450: The ambulatory and side-chapels around the choir at Saint-Denis, and by the paired towers and triple doors on the western façade. Sens was quickly followed by Senlis Cathedral (begun 1160), and Notre-Dame de Paris (begun 1160). Their builders abandoned the traditional plans and introduced the new Gothic elements from Saint-Denis. The builders of Notre-Dame went further by introducing the flying buttress, heavy columns of support outside

3999-726: The architecture of the Abbasids . Early examples include the portals of the Qubbat al-Sulaiybiyya, an octagonal pavilion, and the Qasr al-'Ashiq palace, both at Samarra , built by the Abbasid caliphs in the 9th century for their new capital. It later appeared in Fatimid architecture in Egypt and became characteristic of the architecture of Persianate cultures, including Persian architecture ,

4092-812: The architecture of the Timurid Empire , and Indo-Islamic architecture . The evolution of the pointed arch in Islamic architecture was associated with increases between the centers of the circles forming the two sides of the arch (making the arch less "blunt" and more "sharp"), from 1 ⁄ 10 of the span in Qusayr 'Amra (712-715 AD), to 1 ⁄ 6 in Hammam as-Sarah (725-730), to 1 ⁄ 5 in Qasr Al-Mshatta (744), and finally to 1 ⁄ 3 in Fustat (861-862). The appearance of

4185-523: The brothers William and Robert Vertue 's Henry VII Chapel ( c.  1503 –1512) at Westminster Abbey . Perpendicular is sometimes called Third Pointed and was employed over three centuries; the fan-vaulted staircase at Christ Church, Oxford built around 1640. Lacey patterns of tracery continued to characterize continental Gothic building, with very elaborate and articulated vaulting, as at Saint Barbara's, Kutná Hora (1512). In certain areas, Gothic architecture continued to be employed until

4278-572: The building, which meant that the Cathedrals could be even taller, with immense stained glass windows. In the earliest type of Gothic rib vault, the sexpartite vault , the vault had a transversal pointed arch, and was divided by the ribs into six compartments. It could only cross a limited amount of space, and required a system of alternating columns and pillars. This type was used in Sens Cathedral and Notre-Dame de Paris . A new version

4371-699: The capital of the medieval kingdom of Armenia concluded to have discovered the oldest Gothic arch. According to these historians, the architecture of the Saint Hripsime Church near the Armenian religious seat Etchmiadzin was built in the fourth century A.D. and was repaired in 618. The cathedral of Ani was built in 980–1012 A.D. However many of the elements of Islamic and Armenian architecture that have been cited as influences on Gothic architecture also appeared in Late Roman and Byzantine architecture,

4464-428: The cathedral at Metz ( c .1235–). In High Gothic, the whole surface of the clerestory was given over to windows. At Chartres Cathedral, plate tracery was used for the rose window, but at Reims the bar-tracery was free-standing. Lancet windows were supplanted by multiple lights separated by geometrical bar-tracery. Tracery of this kind distinguishes Middle Pointed style from the simpler First Pointed . Inside,

4557-479: The cathedral is an extremely composite building. The rebuilding in Gothic style dates mainly from the 15th and 16th centuries. In this period the nave and the ornate gateway at the northern end of the north transept – whose twelve niches, according to Breton custom, were supposed to accommodate the Apostles – were built high. The northern tower is the main remnant of the former Romanesque building, while

4650-507: The cathedrals at Lichfield (after 1257–) and Exeter (1275–), Bath Abbey (1298–), and the retro choir at Wells Cathedral ( c .1320–). The Rayonnant developed its second 'international style' with increasingly autonomous and sharp-edged tracery mouldings apparent in the cathedral at Clermont-Ferrand (1248–), the papal collegiate church at Troyes , Saint-Urbain (1262–), and the west façade of Strasbourg Cathedral (1276–1439)). By 1300, there were examples influenced by Strasbourg in

4743-517: The cathedrals of Limoges (1273–), Regensburg ( c . 1275–), and in the cathedral nave at York (1292–). Central Europe began to lead the emergence of a new, international flamboyant style with the construction of a new cathedral at Prague (1344–) under the direction of Peter Parler . This model of rich and variegated tracery and intricate reticulated rib-vaulting was definitive in the Late Gothic of continental Europe, emulated not only by

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4836-546: The classical columns he had seen in Rome. In addition, he installed a circular rose window over the portal on the façade. These also became a common feature of Gothic cathedrals. Some elements of Gothic style appeared very early in England. Durham Cathedral was the first cathedral to employ a rib vault, built between 1093 and 1104. The first cathedral built entirely in the new style was Sens Cathedral , begun between 1135 and 1140 and consecrated in 1160. Sens Cathedral features

4929-552: The cloisters and chapter-house ( c.  1332 ) of Old St Paul's Cathedral in London by William de Ramsey . The chancel of Gloucester Cathedral ( c.  1337 –1357) and its latter 14th century cloisters are early examples. Four-centred arches were often used, and lierne vaults seen in early buildings were developed into fan vaults, first at the latter 14th century chapter-house of Hereford Cathedral (demolished 1769) and cloisters at Gloucester, and then at Reginald Ely 's King's College Chapel, Cambridge (1446–1461) and

5022-637: The collegiate churches and cathedrals, but by urban parish churches which rivalled them in size and magnificence. The minster at Ulm and other parish churches like the Heilig-Kreuz-Münster at Schwäbisch Gmünd ( c .1320–), St Barbara's Church at Kutná Hora (1389–), and the Heilig-Geist-Kirche (1407–) and St Martin's Church ( c .1385–) in Landshut are typical. Use of ogees was especially common. The flamboyant style

5115-719: The competition. Work began that same year, but in 1178 William was badly injured by falling from the scaffolding, and returned to France, where he died. His work was continued by William the Englishman who replaced his French namesake in 1178. The resulting structure of the choir of Canterbury Cathedral is considered the first work of Early English Gothic . The cathedral churches of Worcester (1175–), Wells ( c .1180–), Lincoln (1192–), and Salisbury (1220–) are all, with Canterbury, major examples. Tiercerons – decorative vaulting ribs – seem first to have been used in vaulting at Lincoln Cathedral, installed c .1200. Instead of

5208-591: The coverage of stained glass windows such that the walls are effectively entirely glazed; examples are the nave of Saint-Denis (1231–) and the royal chapel of Louis IX of France on the Île de la Cité in the Seine – the Sainte-Chapelle ( c .1241–1248). The high and thin walls of French Rayonnant Gothic allowed by the flying buttresses enabled increasingly ambitious expanses of glass and decorated tracery, reinforced with ironwork. Shortly after Saint-Denis, in

5301-519: The deambulatory of the Abbey of Saint Denis in Paris (1140–1144), Lessay Abbey in Normandy (1064–1178), Cefalù Cathedral in Sicily, (1131–1240). and the Cathedral of Notre-Dame de Paris . The rib vault quickly replaced the Romanesque barrel vault in the construction of cathedrals, palaces, and other large structures. In a barrel vault, the round arch over the nave pressed down directly onto

5394-410: The design of upper and middle-class housing. Pointed arch (architecture) A pointed arch , ogival arch , or Gothic arch is an arch with a pointed crown meet at an angle at the top of the arch. Also known as a two-centred arch , its form is derived from the intersection of two circles. This architectural element was particularly important in Gothic architecture . The earliest use of

5487-427: The east end of the church, which typically had a half-dome. The lantern tower was another common feature in Norman Gothic. One example of early Norman Gothic is Bayeux Cathedral (1060–1070) where the Romanesque cathedral nave and choir were rebuilt into the Gothic style. Lisieux Cathedral was begun in 1170. Rouen Cathedral (begun 1185) was rebuilt from Romanesque to Gothic with distinct Norman features, including

5580-478: The façades of Sainte-Chapelle de Vincennes (1370s) and choir Mont-Saint-Michel 's abbey church (1448). In England, ornamental rib-vaulting and tracery of Decorated Gothic co-existed with, and then gave way to, the perpendicular style from the 1320s, with straightened, orthogonal tracery topped with fan-vaulting . Perpendicular Gothic was unknown in continental Europe and unlike earlier styles had no equivalent in Scotland or Ireland. It first appeared in

5673-410: The first buildings to systematically combine rib vaulting, buttresses, and pointed arches. Most of the characteristics of later Early English were already present in the lower chevet of Saint-Denis. The Duchy of Normandy , part of the Angevin Empire until the 13th century, developed its own version of Gothic. One of these was the Norman chevet , a small apse or chapel attached to the choir at

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5766-503: The front and back side of the façade. The new High Gothic churches competed to be the tallest, with increasingly ambitious structures lifting the vault yet higher. Chartres Cathedral's height of 38 m (125 ft) was exceeded by Beauvais Cathedral's 48 m (157 ft), but on account of the latter's collapse in 1248, no further attempt was made to build higher. Attention turned from achieving greater height to creating more awe-inspiring decoration. Rayonnant Gothic maximized

5859-437: The most notable types are known as the Persian arch, which is moderately "depressed". The Tudor arch, which is flatter than the Persian arch, was widely used in English architecture , particularly during the Tudor dynasty (1485–1603), Though the Gothic pointed arch was largely abandoned during the Renaissance , replaced by more classical forms, it reappeared in the 18th and 19th century, Gothic Revival architecture . It

5952-487: The most noticeable example being the pointed arch and flying buttress. The most notable example is the capitals, which are forerunners of the Gothic style and deviated from the Classical standards of ancient Greece and Rome with serpentine lines and naturalistic forms. Architecture "became a leading form of artistic expression during the late Middle Ages". Gothic architecture began in the earlier 12th century in northwest France and England and spread throughout Latin Europe in

6045-447: The nave was divided into by regular bays, each covered by a quadripartite rib vaults. Other characteristics of the High Gothic were the development of rose windows of greater size, using bar-tracery, higher and longer flying buttresses, which could reach up to the highest windows, and walls of sculpture illustrating biblical stories filling the façade and the fronts of the transept. Reims Cathedral had two thousand three hundred statues on

6138-442: The new Gothic style. Sens Cathedral was influential in its strongly vertical appearance and in its three-part elevation, typical of subsequent Gothic buildings, with a clerestory at the top supported by a triforium , all carried on high arcades of pointed arches. In the following decades flying buttresses began to be used, allowing the construction of lighter, higher walls. French Gothic churches were heavily influenced both by

6231-412: The new Italian style, because of the military campaign of Charles VIII to Naples and Milan (1494), and especially the campaigns of Louis XII and Francis I (1500–1505) to restore French control over Milan and Genoa. They brought back Italian paintings, sculpture and building plans, and, more importantly, Italian craftsmen and artists. The Cardinal Georges d'Amboise , chief minister of Louis XII, built

6324-426: The new palace begun by Emperor Charles V in Granada, within the Alhambra (1485–1550), inspired by Bramante and Raphael, but it was never completed. The first major Renaissance work in Spain was El Escorial , the monastery-palace built by Philip II of Spain . Under Henry VIII and Elizabeth I , England was largely isolated from architectural developments on the continent. The first classical building in England

6417-490: The new style were Burghley House (1550s–1580s) and Longleat , built by associates of Somerset. With those buildings, a new age of architecture began in England. Gothic architecture, usually churches or university buildings, continued to be built. Ireland was an island of Gothic architecture in the 17th and 18th centuries, with the construction of Derry Cathedral (completed 1633), Sligo Cathedral ( c.  1730 ), and Down Cathedral (1790–1818) are other examples. In

6510-532: The observations of the collapses of semicircular arches, with the crown moving down and haunches out. In this interpretation, the pointed arch was an attempt to strengthen the semicircular arch against a collapse by moving the crown up and haunches in. The reduction of thrust on supports that a pointed arch provided, as compared to a semicircular one with the same load and span, was quickly recognized by medieval European builders. They achieved this at first through experimentation, but technical literature dating to

6603-425: The old Romanesque church with the rib vault in order to remove walls and to make more space for windows. He described the new ambulatory as "a circular ring of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty." To support the vaults he also introduced columns with capitals of carved vegetal designs, modelled upon

6696-501: The old mediaeval style, which they termed Gothic, as synonymous with every thing that was barbarous and rude, it may be sufficient to refer to the celebrated Treatise of Sir Henry Wotton , entitled The Elements of Architecture , ... printed in London so early as 1624. ... But it was a strange misapplication of the term to use it for the pointed style, in contradistinction to the circular, formerly called Saxon, now Norman, Romanesque, &c. These latter styles, like Lombardic , Italian, and

6789-597: The others, continued to use six-part rib vaults); and Beauvais Cathedral (1225–). In central Europe, the High Gothic style appeared in the Holy Roman Empire , first at Toul (1220–), whose Romanesque cathedral was rebuilt in the style of Reims Cathedral; then Trier 's Liebfrauenkirche parish church (1228–), and then throughout the Reich , beginning with the Elisabethkirche at Marburg (1235–) and

6882-634: The period of the Ostrogothic Kingdom in Italy: There can be no doubt that the term 'Gothic' as applied to pointed styles of ecclesiastical architecture was used at first contemptuously, and in derision, by those who were ambitious to imitate and revive the Grecian orders of architecture, after the revival of classical literature. But, without citing many authorities, such as Christopher Wren , and others, who lent their aid in depreciating

6975-481: The pointed arch in European Romanesque architecture during the second half of the 11th century, for example at Cluny Abbey , is ascribed to the Islamic influence. Some researchers follow Viollet-le-Duc in acknowledging the spread of Arabic architecture forms through Italy, Spain and France, yet suggesting an independent invention of the pointed shape in some cases. The change was supposedly driven by

7068-437: The second quarter of the 19th century, neo-Gothic began to become promoted by influential establishment figures as the preferred style for ecclesiastical, civic and institutional architecture. The appeal of this Gothic revival (which after 1837, in Britain, is sometimes termed Victorian Gothic ), gradually widened to encompass "low church" as well as "high church" clients. This period of more universal appeal, spanning 1855–1885,

7161-539: The site, where the layers put them together, with the assurance that they would fit. The use of the equilateral triangle was given a theological explanation – the three sides represented the Holy Trinity . In the later years of the flamboyant Gothic the arches and windows often took on more elaborate forms, with tracery circles and multiple forms within forms. Some used a modification of the horseshoe arch , borrowed from Islamic architecture . The Tudor Arch of

7254-711: The square courtyard of the Louvre Palace designed by Pierre Lescot . Nonetheless, new Gothic buildings, particularly churches, continued to be built. New Gothic churches built in Paris in this period included Saint-Merri (1520–1552) and Saint-Germain l'Auxerrois . The first signs of classicism in Paris churches did not appear until 1540, at Saint-Gervais-Saint-Protais . The largest new church, Saint-Eustache (1532–1560), rivalled Notre-Dame in size, 105 m (344 ft) long, 44 m (144 ft) wide, and 35 m (115 ft) high. As construction of this church continued, elements of Renaissance decoration, including

7347-477: The story of the Virgin Mary but also, in a small corner of each window, illustrating the crafts of the guilds who donated those windows. The model of Chartres was followed by a series of new cathedrals of unprecedented height and size. These were Reims Cathedral (begun 1211), where coronations of the kings of France took place; Amiens Cathedral (1220–1226); Bourges Cathedral (1195–1230) (which, unlike

7440-734: The system of classical orders of columns, were added to the design, making it a Gothic-Renaissance hybrid. In Germany, some Italian elements were introduced at the Fugger Chapel of St. Anne's Church, Augsburg , (1510–1512) combined with Gothic vaults; and others appeared in the Church of St. Michael in Munich, but in Germany Renaissance elements were used primarily for decoration. Some Renaissance elements also appeared in Spain, in

7533-410: The term Gothic was first applied contemptuously during the later Renaissance , by those ambitious to revive the architecture of classical antiquity . The defining design element of Gothic architecture is the pointed arch . The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses , combined with elaborate tracery and stained glass windows. At

7626-519: The twelve apostles. The cross, visible close to the northern façade, dates back to the 15th century and was brought from the cemetery . During the Middle Ages , the floor of the cathedral had been covered by tombstones . For hygienic reasons, only the tradition of burying the bishops in their episcopal church has been preserved. However, some tombstones have been returned and can be seen today. The cathedral has only retained tombs dating back to

7719-544: The two pointed arches of Chytroi-Constantia Aqueduct in Cyprus dating back to the 7th century CE. The pointed arch became an early feature of architecture in the Islamic world . It appeared in early Islamic architecture , including in both Umayyad architecture and Abbasid architecture (late 7th to 9th centuries). The most advanced form of pointed arch in Islamic architecture was the four-centred arch , which appeared in

7812-441: The walls connected by arches to the upper walls. The buttresses counterbalanced the outward thrust from the rib vaults. This allowed the builders to construct higher, thinner walls and larger windows. Following the destruction by fire of the choir of Canterbury Cathedral in 1174, a group of master builders was invited to propose plans for the reconstruction. The master-builder William of Sens , who had worked on Sens Cathedral, won

7905-430: The walls, which had to be very thick, with few windows, to support the weight. In the rib vault, the thin stone ribs of the pointed arches distributed the weight outwards and downwards to the rows of pillars below. The result was that the walls could be thinner and higher, and they could have large windows between the columns. With the addition of the flying buttress , the weight could be supported by curving columns outside

7998-407: Was also influenced by the necessity of many churches, such as Chartres Cathedral and Canterbury Cathedral , to accommodate growing numbers of pilgrims. It adapted features from earlier styles. According to Charles Texier (French historian, architect, and archaeologist) and Josef Strzygowski (Polish-Austrian art historian), after lengthy research and study of cathedrals in the medieval city of Ani ,

8091-448: Was characterised by the multiplication of the ribs of the vaults, with new purely decorative ribs, called tiercons and liernes, and additional diagonal ribs. One common ornament of flamboyant in France is the arc-en-accolade , an arch over a window topped by a pinnacle, which was itself topped with fleuron , and flanked by other pinnacles. Examples of French flamboyant building include the west façade of Rouen Cathedral , and especially

8184-667: Was not owed to the Goths but to the Islamic Golden Age . He wrote: This we now call the Gothic manner of architecture (so the Italians called what was not after the Roman style) though the Goths were rather destroyers than builders; I think it should with more reason be called the Saracen style, for these people wanted neither arts nor learning: and after we in the west lost both, we borrowed again from them, out of their Arabic books, what they with great diligence had translated from

8277-409: Was soon introduced, which reduced the number of compartments from six to four, distributed the weight equally to four pillars, eliminating the need for alternating columns and pillars, and allowed the vault to span a wider space. This quadripartite vault was used at Amiens Cathedral , Chartres Cathedral , and Reims Cathedral , and gave these structures unprecedented height. Portals of Cathedrals in

8370-456: Was swiftly rebuilt in the new style, with contributions from King Philip II of France , Pope Celestine III , local gentry, merchants, craftsmen, and Richard the Lionheart , king of England. The builders simplified the elevation used at Notre Dame, eliminated the tribune galleries, and used flying buttresses to support the upper walls. The walls were filled with stained glass, mainly depicting

8463-578: Was the Old Somerset House in London (1547–1552) (since demolished), built by Edward Seymour, 1st Duke of Somerset , who was regent as Lord Protector for Edward VI until the young king came of age in 1547. Somerset's successor, John Dudley, 1st Duke of Northumberland , sent the architectural scholar John Shute to Italy to study the style. Shute published the first book in English on classical architecture in 1570. The first English houses in

8556-506: Was the lancet window , a tall and slender window with a pointed arch, which took its name from the lance . Lancet windows were often grouped into sets, with two, three or four adjacent windows. The late Gothic, also known as the Flamboyant Gothic , had windows with pointed arches that occupied nearly all the space of the walls. Notable examples are the windows of Sainte-Chapelle de Vincennes (1379–1480) The most common form of

8649-412: Was widespread and proved difficult to defeat. Vasari was echoed in the 16th century by François Rabelais , who referred to Goths and Ostrogoths ( Gotz and Ostrogotz ). The polymath architect Christopher Wren disapproved of the name Gothic for pointed architecture. He compared it to Islamic architecture , which he called the ' Saracen style', pointing out that the pointed arch's sophistication

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