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Ziltoid the Omniscient

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Ziltoid the Omniscient is the tenth studio album by Canadian metal musician Devin Townsend , released on his own label HevyDevy Records in May 2007, and distributed in America and Europe by InsideOut Music .

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100-463: The album is a concept album about an extraterrestrial being named Ziltoid from the planet Ziltoidia 9. Ziltoid travels to Earth in search of "your universe's ultimate cup of coffee". When a cup of coffee is delivered to him, he is appalled by its taste, declaring it "fetid", and summons the Ziltoidian warlords to attack Earth, facing the full might of Earth's army. Townsend describes the album as

200-482: A chuigushou . Ensembles consisting of mouth organs ( sheng ), shawms ( suona ), flutes ( dizi ) and percussion instruments (especially yunluo gongs ) are popular in northern villages; their music is descended from the imperial temple music of Beijing, Xi'an , Wutai shan and Tianjin . Xi'an drum music, consisting of wind and percussive instruments, is popular around Xi'an, and has received some commercial popularity outside of China. Another important instrument

300-430: A melody , often with repeating sections , and usually played a number of times. A collection of tunes with structural similarities is known as a tune-family . America's Musical Landscape says "the most common form for tunes in folk music is AABB, also known as binary form ." In some traditions, tunes may be strung together in medleys or " sets ." Throughout most of human history, listening to recorded music

400-619: A pipa , as well as other traditional instruments. The music is generally sorrowful and typically deals with love-stricken people. Further south, in Shantou , Hakka and Chaozhou , zheng ensembles are popular. Sizhu ensembles use flutes and bowed or plucked string instruments to make harmonious and melodious music that has become popular in the West among some listeners. These are popular in Nanjing and Hangzhou , as well as elsewhere along

500-512: A "Traditional music" category that subsequently evolved into others. The term "folk", by the start of the 21st century, could cover singer-songwriters, such as Donovan from Scotland and American Bob Dylan , who emerged in the 1960s and much more. This completed a process to where "folk music" no longer meant only traditional folk music. Traditional folk music often includes sung words , although folk instrumental music occurs commonly in dance music traditions. Narrative verse looms large in

600-517: A "guitar instructional", in which Townsend plays extracts from the songs "Wrong Side" by Strapping Young Lad and "Truth", and talks about the equipment he uses for recording and live performances. Five webisode skits performed with the Ziltoid puppet, originally broadcast on MySpace , are also included. Concept album A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This

700-625: A central concept, such as cars, surfing, and teenage lifestyles. Writing in 101 Albums That Changed Popular Music , Chris Smith commented: "Though albums such as Frank Sinatra's 1955 In the Wee Small Hours and Marty Robbins ' 1959 Gunfighter Ballads and Trail Songs had already introduced concept albums, [the Beach Boys' 1963 album] Little Deuce Coupe was the first to comprise almost all original material rather than standard covers." Music historian Larry Starr , who identifies

800-401: A class dynamic to popular understandings of American folk music. This was the final element of the foundation upon which the early folk music revivalists constructed their own view of Americanism. Sandburg's working-class Americans joined with the ethnically , racially , and regionally diverse citizens that other scholars, public intellectuals, and folklorists celebrated their own definitions of

900-419: A cultural dichotomy , the other side of which is found not only in the lower layers of feudal, capitalist and some oriental societies but also in 'primitive' societies and in parts of 'popular cultures'". One widely used definition is simply "Folk music is what the people sing." For Scholes, as well as for Cecil Sharp and Béla Bartók , there was a sense of the music of the country as distinct from that of

1000-587: A great body of English rural traditional song, music and dance, under the aegis of what became and remains the English Folk Dance and Song Society (EFDSS). Sharp campaigned with some success to have English traditional songs (in his own heavily edited and expurgated versions) to be taught to school children in hopes of reviving and prolonging the popularity of those songs. Throughout the 1960s and early to mid-1970s, American scholar Bertrand Harris Bronson published an exhaustive four-volume collection of

1100-399: A lower class" in culturally and socially stratified societies. In these terms, folk music may be seen as part of a "schema comprising four musical types: 'primitive' or 'tribal'; 'elite' or 'art'; 'folk'; and 'popular'." Music in this genre is also often called traditional music. Although the term is usually only descriptive, in some cases people use it as the name of a genre. For example,

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1200-726: A mix between Strapping Young Lad and The Devin Townsend Band , with a storyline like that of Punky Brüster 's Cooked on Phonics . The album is a solo album, with all music written, mixed, produced and performed by Townsend. All drum tracks were produced with EZdrummer , a software drum machine , using the Drumkit from Hell expansion. Townsend played a world exclusive ZTO concert in Tuska Open Air Metal Festival in Helsinki on July 2, 2010, where

1300-404: A particular interest in folklore. Carl Sandburg often traveled the U.S. as a writer and a poet. He also collected songs in his travels and, in 1927, published them in the book The American Songbag . Rachel Donaldson, a historian who worked for Vanderbilt, later stated this about The American Songbird in her analysis of the folk music revival. "In his collections of folk songs, Sandburg added

1400-401: A people's folklore , or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles . The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached

1500-695: A possible better system, through the lens of the Great Depression. Woody Guthrie exemplifies songwriters and artists with such an outlook. Folk music festivals proliferated during the 1930s. President Franklin Roosevelt was a fan of folk music, hosted folk concerts at the White House , and often patronized folk festivals. One prominent festival was Sarah Gertrude Knott 's National Folk Festival , established in St. Louis, Missouri in 1934. Under

1600-621: A reference to beautiful women, while in the past they were notorious for their erotic content. The village "mountain songs" ( shan'ge ) of Jiangsu province were also well known for their amorous themes. Other regional song traditions include the "strummed lyrics" ( tanci ) of the Lower Yangtze Delta, the Cantonese Wooden Fish tradition ( muyu or muk-yu ) and the Drum Songs ( guci ) of north China. In

1700-553: A revolutionary tool to preserve vanishing musical forms. The earliest American folk music scholars were with the American Folklore Society (AFS), which emerged in the late 1800s. Their studies expanded to include Native American music , but still treated folk music as a historical item preserved in isolated societies as well. In North America, during the 1930s and 1940s, the Library of Congress worked through

1800-422: A rock album (as a story, play, or opus), or a project that either revolves around a specific theme or a collection of related materials. AllMusic writes, "A concept album could be a collection of songs by an individual songwriter or a particular theme – these are the concept LPs that reigned in the '50s ... the phrase 'concept album' is inextricably tied to the late 1960s, when rock & rollers began stretching

1900-411: A special category for "concept album" in its annual recordings of the year awards , to celebrate "albums where a creative mind has curated something visionary, a programme whose whole speaks more powerfully than its parts. A thought-through journey, which compels to be heard in one sitting." In a year-ending essay on the album in 2019, Ann Powers wrote for Slate that the year found the medium in

2000-432: A state of flux. In her observation, many recording artists revitalized the concept album around autobiographical narratives and personal themes, such as intimacy, intersectionality , African-American life, boundaries among women, and grief associated with death. She cited such albums as Brittany Howard 's Jaime , Raphael Saadiq 's Jimmy Lee , Jamila Woods ' Legacy! Legacy! , Rapsody 's Eve , Jenny Lewis ' On

2100-466: A suite of original songs about a man's search for love. In the early 1960s, concept albums began featuring highly in American country music , but the fact went largely unacknowledged by rock/pop fans and critics, who would only begin noting "concept albums" as a phenomenon later in the decade, when albums became closely aligned with countercultural ideology, resulting in a recognised " album era " and

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2200-567: A traditional song would undergo a process of improvement akin to biological natural selection : only those new variants that were the most appealing to ordinary singers would be picked up by others and transmitted onward in time. Thus, over time we would expect each traditional song to become more aesthetically appealing, due to incremental community improvement. Literary interest in the popular ballad form dates back at least to Thomas Percy and William Wordsworth . English Elizabethan and Stuart composers had often evolved their music from folk themes,

2300-434: A tragic or regretful nature, prominently figures in many folk traditions. Nursery rhymes , children's songs and nonsense verse used to amuse or quiet children also are frequent subjects of traditional songs. Music transmitted by word of mouth through a community, in time, develops many variants, since this transmission cannot produce word-for-word and note-for-note accuracy. In addition, folk singers may choose to modify

2400-464: A zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times, but the term folk music has typically not been applied to the new music created during those revivals. This type of folk music also includes fusion genres such as folk rock , folk metal , and others. While contemporary folk music

2500-549: Is Woody Guthrie's 1940 album Dust Bowl Ballads . The Independent regards it as "perhaps" one of the first concept albums, consisting exclusively of semi-autobiographical songs about the hardships of American migrant labourers during the 1930s. In the late 1940s, the LP record was introduced, with space age pop composers producing concept albums soon after. Themes included exploring wild life and dealing with emotions, with some albums meant to be played while dining or relaxing. This

2600-494: Is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival . Some types of folk music may be called world music . Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with

2700-507: Is a genre generally distinct from traditional folk music, in U.S. English it shares the same name, and it often shares the same performers and venues as traditional folk music. The terms folk music , folk song , and folk dance are comparatively recent expressions. They are extensions of the term folklore , which was coined in 1846 by the English antiquarian William Thoms to describe "the traditions, customs, and superstitions of

2800-408: Is an ancient folk song from India, a country of Asia, of Meiteis of Manipur , that is an example of Asian folk music, and how they put it into its own genre. Archaeological discoveries date Chinese folk music back 7000 years; it is largely based on the pentatonic scale . Han traditional weddings and funerals usually include a form of oboe called a suona , and apercussive ensembles called

2900-467: Is another example of a modern concept album. Dorian Lynskey, writing for GQ , noted a resurgence of concept albums in the 2010s due to streaming : "This is happening not in spite of the rise of streaming and playlists, but because of it. Threatened with redundancy in the digital era, albums have fought back by becoming more album-like." Cucchiara argues that concept albums should also describe "this new generation of concept albums, for one key reason. This

3000-467: Is because the unison between the songs on a particular album has now been expanded into a broader field of visual and artistic design and marketing strategies that play into the themes and stories that form the album." Towards the end of the 80s, however, as heavy metal suited a fairly niche crowd, a few heavy metal artists began producing concept albums, particularly among the more progressive groups. King Diamond's Abigail and Savatage's Hall of

3100-530: Is generally no "authoritative" version of song. Researchers in traditional songs have encountered countless versions of the Barbara Allen ballad throughout the English-speaking world, and these versions often differ greatly from each other. The original is not known; many versions can lay an equal claim to authenticity. Influential folklorist Cecil Sharp felt that these competing variants of

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3200-433: Is one of the most famous concept albums by any artist. In addition to The Wall , Danesi highlights Genesis ' The Lamb Lies Down on Broadway (1974) and Frank Zappa 's Joe's Garage (1979) as other culturally significant concept albums. According to author Edward Macan, concept albums as a recurrent theme in progressive rock was directly inspired by the counterculture associated with "the proto-progressive bands of

3300-402: Is the sheng , a type of Chinese pipe , an ancient instrument that is ancestor of all Western free reed instruments, such as the accordion . Parades led by Western-type brass bands are common, often competing in volume with a shawm/chuigushou band. In southern Fujian and Taiwan , Nanyin or Nanguan is a genre of traditional ballads. They are sung by a woman accompanied by a xiao and

3400-616: Is the provenance of the American Folklife Center" at the library of Congress. Africa is a vast continent and its regions and nations have distinct musical traditions. The music of North Africa for the most part has a different history from Sub-Saharan African music traditions . The music and dance forms of the African diaspora , including African American music and many Caribbean genres like soca , calypso and Zouk ; and Latin American music genres like

3500-465: Is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie 's Dust Bowl Ballads (1940) and

3600-467: The Grammy Award previously used the terms "traditional music" and "traditional folk" for folk music that is not contemporary folk music. Folk music may include most indigenous music . From a historical perspective, traditional folk music had these characteristics: As a side-effect, the following characteristics are sometimes present: In folk music, a tune is a short instrumental piece ,

3700-474: The Great Depression . Regionalism and cultural pluralism grew as influences and themes. During this time folk music began to become enmeshed with political and social activism themes and movements. Two related developments were the U.S. Communist Party's interest in folk music as a way to reach and influence Americans, and politically active prominent folk musicians and scholars seeing communism as

3800-752: The PRC . Folk songs have been recorded since ancient times in China. The term Yuefu was used for a broad range of songs such as ballads, laments, folk songs, love songs, and songs performed at court. China is a vast country, with a multiplicity of linguistic and geographic regions. Folk songs are categorized by geographic region, language type, ethnicity, social function (e.g. work song, ritual song, courting song) and musical type. Modern anthologies collected by Chinese folklorists distinguish between traditional songs, revolutionary songs, and newly invented songs. The songs of northwest China are known as "flower songs" ( hua'er ),

3900-481: The Traditional 18 Dances display the dancing of birds and animals. For example: Musical types include: The classical Sinhalese orchestra consists of five categories of instruments, but among the percussion instruments, the drum is essential for dance. The vibrant beat of the rhythm of the drums form the basic of the dance. The dancers' feet bounce off the floor and they leap and swirl in patterns that reflect

4000-439: The samba , Cuban rumba , salsa ; and other clave (rhythm) -based genres, were founded to varying degrees on the music of enslaved Africans , which has in turn influenced African popular music . Many Asian civilizations distinguish between art /court/classical styles and "folk" music. For example, the late Alam Lohar is an example of a South Asian singer who was classified as a folk singer. Khunung Eshei/Khuland Eshei

4100-652: The 1960s", observing: "the consistent use of lengthy forms such as the programmatic song cycle of the concept album and the multimovement suite underscores the hippies' new, drug-induced conception of time." Progressive soul musicians inspired by this approach conceived concept albums during this era reflecting themes and concerns of the African-American experience , including Marvin Gaye (1971's What's Going On ) and George Clinton (the 1975 Parliament album Mothership Connection and Dope Dogs ). With

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4200-432: The American folk, definitions that the folk revivalists used in constructing their own understanding of American folk music, and an overarching American identity". Prior to the 1930s, the study of folk music was primarily the province of scholars and collectors. The 1930s saw the beginnings of larger scale themes, commonalities, and linkages in folk music developing in the populace and practitioners as well, often related to

4300-575: The Association for Cultural Equity, is "distinct from the thousands of earlier recordings on acetate and aluminum discs he made from 1933 to 1942 under the auspices of the Library of Congress. This earlier collection—which includes the famous Jelly Roll Morton, Woody Guthrie, Lead Belly, and Muddy Waters sessions, as well as Lomax's prodigious collections made in Haiti and Eastern Kentucky (1937) —

4400-469: The Beach Boys' 1964 releases Shut Down Volume 2 and All Summer Long as heralding the album era, cites Pet Sounds as the first rock concept album on the basis that it had been "conceived as an integrated whole, with interrelated songs arranged in a deliberate sequence." The 100 Greatest Bands of All Time (2015) states that the Ventures "pioneered the idea of the rock concept album years before

4500-790: The Fan" from Ocean Machine . "Hyperdrive" was later re-recorded for Addicted . Ziltoid the Omniscient was released May 21, 2007, on Townsend's independent label HevyDevy Records. It was distributed in Canada by HevyDevy, in Japan by Sony , and in Europe by InsideOut . A special two-disc edition was also released with three bonus tracks and various multimedia features. All tracks are written by Devin Townsend The bonus video material contains

4600-647: The Line , Julia Jacklin 's Crushing , Joe Henry 's The Gospel According to Water , and Nick Cave 's Ghosteen . Although concept albums have only been popularized and somewhat defined recently, the concept has existed far longer than rock. For example, Vivaldi's 'The Four Seasons', and Camille Saint-Saëns 'Le Carnaval des Animaux' (The Carnival of the Animals) are built upon the same idea of an overarching theme or concept, though they are not traditionally thought of as albums. Folk music Folk music

4700-561: The Moon (1973) and the Eagles ' Hotel California (1976)." In 2015, Rolling Stone ranked Dark Side of the Moon at number one among the 50 greatest progressive rock albums of all time, also noting the LP's stature as the second-best-selling album of all time. Pink Floyd's The Wall (1979), a semi-autobiographical story modeled after the band's Roger Waters and former member Syd Barrett ,

4800-602: The Mountain King , both released in 1987, stand some of the earliest examples of concept albums produced by a heavy metal artist. A year later, Iron Maiden's , Seventh Son of a Seventh Son , released in 1988, would become one of the most notable examples of a heavy metal concept album at the time. Around this time, progressive metal began taking form with artists such as Queensrÿche , Fates Warning , and Savatage. Shortly later in 1988, Queensrÿche would release Operation: Mindcrime , which would be considered one of

4900-494: The Who's Tommy is "popularly thought of as the first rock opera, an extra-long concept album with characters, a consistent storyline, and a slight bit of pomposity", it is preceded by the shorter concept albums Ogdens' Nut Gone Flake ( Small Faces , 1968) and S.F. Sorrow ( The Pretty Things , 1968). Author Jim Cullen states: "The concept album reached its apogee in the 1970s in ambitious records like Pink Floyd 's Dark Side of

5000-529: The album changed from a collection of heterogeneous songs into a narrative work with a single theme, in which individual songs segue into one another." Speaking of concepts in albums during the 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981), because "overall impression" of an album matters, "concept intensifies the impact" of certain albums "in more or less

5100-465: The classical suite was based upon stylised folk-dances, and Joseph Haydn 's use of folk melodies is noted. But the emergence of the term "folk" coincided with an "outburst of national feeling all over Europe" that was particularly strong at the edges of Europe, where national identity was most asserted. Nationalist composers emerged in Central Europe, Russia, Scandinavia, Spain and Britain:

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5200-556: The concept album "was originally defined as a long-player where the songs were based on one dramatic idea – but the term is subjective." A precursor to this type of album can be found in the 19th-century song cycle , which ran into similar difficulties in classification. The extremely broad definitions of a "concept album" could potentially encompass all soundtracks , compilations , cast recordings , greatest hits albums , tribute albums , Christmas albums , and live albums . The most common definitions refer to an expanded approach to

5300-412: The definition a bit, to where the album is the concept, then it is clear that progressive rock is entirely a music of concept albums—and this flows rather directly of Rubber Soul (December 1965) and then Revolver (1966), Pet Sounds , and Sergeant Pepper's . ... in the wake of these albums, many rock musicians took up "the complete album approach." Popmatters ' Sarah Zupko notes that while

5400-546: The elements of nature, and have been enjoyed and developed in the Buddhist environment. The music is of several types and uses only a few types of instruments. The folk songs and poems were used in social gatherings to work together. The Indian influenced classical music has grown to be unique. The traditional drama, music and songs of Sinhala Light Music are typically Sri Lankan. The temple paintings and carvings feature birds, elephants, wild animals, flowers, and trees, and

5500-476: The emergence of MTV as a music video network which valued singles over albums, concept albums became less dominant in the 1980s. Some artists, however, still released concept albums and experienced success in the 1990s and 2000s. NME ' s Emily Barker cites Green Day 's American Idiot (2004) as one of the "more notable" examples, having brought the concept album back to high-charting positions. My Chemical Romance ’s The Black Parade (2006)

5600-481: The end of the 1930s these and others had turned American folk music into a social movement. Sometimes folk musicians became scholars and advocates themselves. For example, Jean Ritchie (1922–2015) was the youngest child of a large family from Viper, Kentucky that had preserved many of the old Appalachian traditional songs. Ritchie, living in a time when the Appalachians had opened up to outside influence,

5700-455: The field of classical music has adopted the idea of the concept album, citing such historical examples as Schubert's Winterreise and Schumann's Liederkreis as prototypes for contemporary composers and musicians. Classical composers and performers increasingly adopt production and marketing strategies that unify otherwise disparate works into concept albums or concerts. Since 2019, the classical music magazine Gramophone has included

5800-534: The first 'concept album' even though the songs were unrelated." Author Bill Martin relates the assumed concept albums of the 1960s to progressive rock : In discussions of progressive rock, the idea of the "concept album" is mentioned frequently. If this term refers to albums that have thematic unity and development throughout, then in reality there are probably fewer concept albums than one might first think. Pet Sounds and Sergeant Pepper's do not qualify according to this criterion ... However, if we instead stretch

5900-446: The first 'concept album', but Sgt. Pepper was the record that made that idea convincing to most ears." Musicologist Allan Moore says that "Even though previous albums had set a unified mood (notably Sinatra's Songs for Swingin' Lovers! ), it was on the basis of the influence of Sgt. Pepper that the penchant for the concept album was born." Adding to Sgt. Pepper ' s claim, the artwork reinforced its central theme by depicting

6000-408: The first progressive metal albums, and was also a concept album. Thus it could be argued that from the genre's inception, progressive metal has been a hotspot for concept albums, like its rock counterpart. Other notable progressive metal concept albums are Dream Theater 's Metropolis Pt. 2: Scenes from a Memory , Opeth 's Still Life , and Orphaned Land 's Mabool . In the 21st century,

6100-448: The four Beatles in uniform as members of the Sgt. Pepper band, while the record omitted the gaps that usually separated album tracks. Music critic and journalist Neil Slaven stated that Frank Zappa 's Absolutely Free , released the same day as Sgt. Pepper , was "very much a concept album, but The Beatles effortlessly stole his thunder", and subsequently Sgt. Pepper was hailed as "perhaps

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6200-510: The genre is generally acknowledged to have been born". Writing in his Concise Dictionary of Popular Culture , Marcel Danesi identifies the Beatles' Rubber Soul (1965) and the Who's The Who Sell Out (1967) as other examples of early concept albums. Brian Boyd of The Irish Times names the Kinks ' Face to Face (1966) as the first concept album: "Written entirely by Ray Davies ,

6300-579: The introduction of the rock concept album. The author Carys Wyn Jones writes that the Beach Boys ' Pet Sounds (1966), the Beatles ' Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and the Who 's Tommy (1969) are variously cited as "the first concept album", usually for their "uniform excellence rather than some lyrical theme or underlying musical motif". Other records have been claimed as "early" or "first" concept albums. The Beach Boys' first six albums, released over 1962–64, featured collections of songs unified respectively by

6400-399: The laborers who sing them to coordinate their efforts in accordance with the rhythms of the songs. They are frequently, but not invariably, composed. In the American armed forces , a lively oral tradition preserves jody calls ("Duckworth chants") which are sung while soldiers are on the march. Professional sailors made similar use of a large body of sea shanties . Love poetry , often of

6500-563: The last 20 years of his life working on an Interactive Multimedia educational computer project he called the Global Jukebox , which included 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes , and 5,000 photographs. As of March 2012, this has been accomplished. Approximately 17,400 of Lomax's recordings from 1946 and later have been made available free online. This material from Alan Lomax's independent archive, begun in 1946, which has been digitized and offered by

6600-425: The limits of their art form." Author Jim Cullen describes it as "a collection of discrete but thematically unified songs whose whole is greater than the sum of its parts ... sometimes [erroneously] assumed to be a product of the rock era." Author Roy Shuker defines concept albums and rock operas as albums that are "unified by a theme, which can be instrumental, compositional, narrative, or lyrical. ... In this form,

6700-408: The loss of traditional music is slowed in nations or regions where traditional folk music is a badge of cultural or national identity. Much of what is known about folk music prior to the development of audio recording technology in the 19th century comes from fieldwork and writings of scholars, collectors and proponents. Starting in the 19th century, academics and amateur scholars, taking note of

6800-457: The modern movie Songcatcher . One strong theme amongst folk scholars in the early decades of the 20th century was regionalism , the analysis of the diversity of folk music (and related cultures) based on regions of the US rather than based on a given song's historical roots. Later, a dynamic of class and circumstances was added to this. The most prominent regionalists were literary figures with

6900-567: The music of Dvořák , Smetana , Grieg , Rimsky-Korsakov , Brahms , Liszt , de Falla , Wagner , Sibelius , Vaughan Williams , Bartók , and many others drew upon folk melodies. While the loss of traditional folk music in the face of the rise of popular music is a worldwide phenomenon, it is not one occurring at a uniform rate throughout the world. The process is most advanced "where industrialization and commercialisation of culture are most advanced" but also occurs more gradually even in settings of lower technological advancement. However,

7000-591: The musical traditions being lost, initiated various efforts to preserve the music of the people. One such effort was the collection by Francis James Child in the late 19th century of the texts of over three hundred ballads in the English and Scots traditions (called the Child Ballads ), some of which predated the 16th century. Contemporaneously with Child, the Reverend Sabine Baring-Gould and later Cecil Sharp worked to preserve

7100-408: The offices of traditional music collectors Robert Winslow Gordon , Alan Lomax and others to capture as much North American field material as possible. John Lomax (the father of Alan Lomax) was the first prominent scholar to study distinctly American folk music such as that of cowboys and southern blacks. His first major published work was in 1911, Cowboy Songs and Other Frontier Ballads . and

7200-705: The other. In the proliferation of popular music genres, some traditional folk music became also referred to as " World music " or "Roots music". The English term " folklore ", to describe traditional folk music and dance, entered the vocabulary of many continental European nations, each of which had its folk-song collectors and revivalists. The distinction between "authentic" folk and national and popular song in general has always been loose, particularly in America and Germany – for example, popular songwriters such as Stephen Foster could be termed "folk" in America. The International Folk Music Council definition allows that

7300-805: The outcomes of battles or lament tragedies or natural disasters . Sometimes, as in the triumphant Song of Deborah found in the Biblical Book of Judges , these songs celebrate victory. Laments for lost battles and wars, and the lives lost in them, are equally prominent in many traditions; these laments keep alive the cause for which the battle was fought. The narratives of traditional songs often also remember folk heroes such as John Henry or Robin Hood . Some traditional song narratives recall supernatural events or mysterious deaths. Hymns and other forms of religious music are often of traditional and unknown origin. Western musical notation

7400-449: The pace of many activities such as planting , weeding , reaping , threshing , weaving , and milling . In leisure time , singing and playing musical instruments were common forms of entertainment and history-telling—even more common than today when electrically enabled technologies and widespread literacy make other forms of entertainment and information-sharing competitive. Some believe that folk music originated as art music that

7500-400: The preservation of songs as artifacts of deceased cultures. "Functional" folklorists (e.g. Botkin and Alan Lomax) maintained that songs only retain relevance when used by those cultures which retain the traditions which birthed those songs. "Left-wing" folk revivalists (e.g. Charles Seeger and Lawrence Gellert) emphasized music's role "in 'people's' struggles for social and political rights". By

7600-441: The songs so that the lyrics created a flow from track to track, affording an impression of a narrative, as in musical comedy or opera . ... [He was the] first pop singer to bring a consciously artistic attitude to recording." Singer/pianist Nat "King" Cole (who, along with Sinatra, often collaborated with arranger Nelson Riddle during this era) was also an early pioneer of concept albums, as with his Wild Is Love (1960),

7700-471: The songs they hear. For example, around 1970 the song Mullā Mohammed Jān spread from Herat to the rest of Afghanistan , and Iran where it was recorded. Due to its repetitive refrain and the predictability of the second half of each verse, it allowed for both its popularization, and for each singer to create their own version of the song without being overly-concerned for a melody or restrictive poetic rhythm. Because variants proliferate naturally, there

7800-505: The songs were supposed to be linked by pieces of music, so that the album would play without gaps, but the record company baulked at such radicalism. It's not one of the band's finest works, but it did have an impact." "Popular consensus" for the first rock concept album, according to AllMusic, favours Sgt. Pepper . According to music critic Tim Riley , "Strictly speaking, the Mothers of Invention 's Freak Out! [1966] has claims as

7900-497: The southern Yangtze area. Jiangnan Sizhu (silk and bamboo music from Jiangnan ) is a style of instrumental music, often played by amateur musicians in tea houses in Shanghai. Guangdong Music or Cantonese Music is instrumental music from Guangzhou and surrounding areas. The music from this region influenced Yueju (Cantonese Opera) music, which would later grow popular during the self-described "Golden Age" of China under

8000-643: The sponsorship of the Washington Post , the festival was held in Washington, DC at Constitution Hall from 1937 to 1942. The folk music movement, festivals, and the wartime effort were seen as forces for social goods such as democracy, cultural pluralism, and the removal of culture and race-based barriers. The American folk music revivalists of the 1930s approached folk music in different ways. Three primary schools of thought emerged: "Traditionalists" (e.g. Sarah Gertrude Knott and John Lomax ) emphasized

8100-565: The term "folk music": newly composed songs, fixed in form and by known authors, which imitated some form of traditional music. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959; in 1970 the term was dropped in favor of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". After that, they had

8200-490: The term can also apply to music that, "...has originated with an individual composer and has subsequently been absorbed into the unwritten, living tradition of a community. But the term does not cover a song, dance, or tune that has been taken over ready-made and remains unchanged." The post– World War II folk revival in America and in Britain started a new genre, Contemporary Folk Music , and brought an additional meaning to

8300-602: The term folk music should be used. Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of "old songs, with no known composers," another is that of music that has been submitted to an evolutionary "process of oral transmission ... the fashioning and re-fashioning of the music by the community that give it its folk character." Such definitions depend upon "(cultural) processes rather than abstract musical types...", upon " continuity and oral transmission ...seen as characterizing one side of

8400-947: The texts of 217,996 Latvian folk songs, the Latvju dainas . In Norway the work of collectors such as Ludvig Mathias Lindeman was extensively used by Edvard Grieg in his Lyric Pieces for piano and in other works, which became immensely popular. Around this time, composers of classical music developed a strong interest in collecting traditional songs, and a number of composers carried out their own field work on traditional music. These included Percy Grainger and Ralph Vaughan Williams in England and Béla Bartók in Hungary. These composers, like many of their predecessors, both made arrangements of folk songs and incorporated traditional material into original classical compositions. The advent of audio recording technology provided folklorists with

8500-530: The then-known variations of both the texts and tunes associated with what came to be known as the Child Canon. He also advanced some significant theories concerning the workings of oral-aural tradition. Similar activity was also under way in other countries. One of the most extensive was perhaps the work done in Riga by Krisjanis Barons , who between the years 1894 and 1915 published six volumes that included

8600-484: The town. Folk music was already, "...seen as the authentic expression of a way of life now past or about to disappear (or in some cases, to be preserved or somehow revived)," particularly in "a community uninfluenced by art music" and by commercial and printed song. Lloyd rejected this in favor of a simple distinction of economic class yet for him, true folk music was, in Charles Seeger 's words, "associated with

8700-478: The traditional folk music of many cultures. This encompasses such forms as traditional epic poetry , much of which was meant originally for oral performance, sometimes accompanied by instruments. Many epic poems of various cultures were pieced together from shorter pieces of traditional narrative verse, which explains their episodic structure, repetitive elements, and their frequent in medias res plot developments. Other forms of traditional narrative verse relate

8800-658: The twenty-first century many cherished Chinese folk songs have been inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity . In the process, songs once seen as vulgar are now being reconstructed as romantic courtship songs. Regional song competitions, popular in many communities, have promoted professional folk singing as a career, with some individual folk singers having gained national prominence. The art, music and dance of Sri Lanka derive from

8900-526: The uncultured classes". The term further derives from the German expression Volk , in the sense of "the people as a whole" as applied to popular and national music by Johann Gottfried Herder and the German Romantics over half a century earlier. Though it is understood that folk music is the music of the people, observers find a more precise definition to be elusive. Some do not even agree that

9000-476: The way Sgt. Pepper intended", as well as "a species of concept that pushes a rhythmically unrelenting album like The Wild Magnolias or a vocally irresistible one like Shirley Brown 's Woman to Woman , to a deeper level of significance." In the 2016 BBC documentary When Pop Went Epic: The Crazy World of the Concept Album , narrated by Rick Wakeman , it is suggested that the first concept album

9100-775: The whole Ziltoid album was played, with a regular Devin Townsend Project set the next day. Townsend published a series of online videos involving Ziltoid in a series titled ZTV. In 2014, Townsend announced the recording of Z² , a sequel to the original rock opera. The recording of Z² started in May 2014, and the album was released on October 27, 2014. Townsend's wife, Tracy Turner, gave birth to their first son, Reyner Liam Johnstan Townsend, on October 4, 2006. Around this time, Townsend withdrew from touring with his extreme metal band Strapping Young Lad and his progressive metal group The Devin Townsend Band , explaining that he

9200-602: Was accompanied in the mid-1950s with the invention of the gatefold , which allowed room for liner notes to explain the concept. Singer Frank Sinatra recorded several concept albums prior to the 1960s rock era, including In the Wee Small Hours (1955) and Frank Sinatra Sings for Only the Lonely (1958). Sinatra is occasionally credited as the inventor of the concept album, beginning with The Voice of Frank Sinatra (1946), which led to similar work by Bing Crosby . According to biographer Will Friedwald, Sinatra "sequenced

9300-538: Was arguably the most prominent US folk music scholar of his time, notably during the beginnings of the folk music revival in the 1930s and early 1940s. Cecil Sharp also worked in America, recording the traditional songs of the Appalachian Mountains in 1916–1918 in collaboration with Maud Karpeles and Olive Dame Campbell and is considered the first major scholar covering American folk music. Campbell and Sharp are represented under other names by actors in

9400-411: Was burnt out on touring and interviewing. Townsend released an ambient album, The Hummer , around this time. Townsend then began work on his next solo album, Ziltoid the Omniscient . "And I really mean solo, in the true sense of the word", explained Townsend. "Nobody was around. For four months I worked completely on my own. I recorded each instrumental track and I also programmed all the drums. ... I

9500-424: Was changed and probably debased by oral transmission while reflecting the character of the society that produced it. In many societies, especially preliterate ones, the cultural transmission of folk music requires learning by ear , although notation has evolved in some cultures. Different cultures may have different notions concerning a division between "folk" music on the one hand and of "art" and "court" music on

9600-405: Was not possible. Music was made by common people during both their work and leisure, as well as during religious activities. The work of economic production was often manual and communal. Manual labor often included singing by the workers, which served several practical purposes. It reduced the boredom of repetitive tasks, it kept the rhythm during synchronized pushes and pulls, and it set

9700-411: Was originally created to preserve the lines of Gregorian chant , which before its invention was taught as an oral tradition in monastic communities. Traditional songs such as Green grow the rushes, O present religious lore in a mnemonic form, as do Western Christmas carols and similar traditional songs. Work songs frequently feature call and response structures and are designed to enable

9800-417: Was sound engineer and producer and I mixed every note in my cellar with a minimum of gear. I wanted to prove to myself that I could do it all on my own." Townsend programmed the drums using Drumkit from Hell , a software drum machine provided to him by Fredrik Thordendal of Meshuggah . "Color Your World" uses a rhythmic pattern spelling "om" from "Info Dump" on SYL's Alien . It also references "Voices in

9900-434: Was subsequently popularized by traditional pop singer Frank Sinatra 's 1940s–50s string of albums, although the term is more often associated with rock music . In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera . There is no clear definition of a "concept album". Fiona Sturges of The Independent stated that

10000-499: Was university educated and ultimately moved to New York City, where she made a number of classic recordings of the family repertoire and published an important compilation of these songs. In January 2012, the American Folklife Center at the Library of Congress , with the Association for Cultural Equity, announced that they would release Lomax's vast archive of 1946 and later recording in digital form. Lomax spent

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