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83-460: Cowboy Junkies are an alternative country and folk rock band formed in Toronto , Ontario , Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before

166-473: A (expletive) ole world, but this ole girl, well she ain't giving in.' While it hasn't exactly turned into a hard-rock band (the closely drawn, highly literate, mood-conscious internal monologue remains the signature of the band's style), those aggressive opening and closing moments do signal a desire to avoid being typecast as that whispering band that found success by recording in an echoing church." The Cowboy Junkies' sixth studio album, Lay It Down (1996),

249-832: A 25-minute sketch show pilot on CBC in Canada and HBO in the United States, leading to it being picked up as a series in 1989 by both networks. From 1987 to 1990, the Journal of Wild Culture held its regular avant-garde vaudeville nights, the Café of Wild Culture, featuring a mix of artists exploring the magazine's ecology and imagination mandate. Since the 1990s the Rivoli has been home to The ALTdot COMedy Lounge , Toronto's most popular alternative comedy show. Many big name Canadian and international artists who have played at

332-424: A Calrec Ambisonic microphone at the wholesale price of $ 9,000. The Cowboy Junkies and Moore came together at the rehearsal space on June 26, 1986, and turned the garage into a recording studio. Moore arranged the group around his Calrec, jury-rigged a control room in the kitchen, and started recording. The Cowboy Junkies shopped their material but were unable to find a label to distribute their work, so they revived

415-476: A couple hours, record some tracks, and be done by the end of the day was a departure from their habit of trying to complete an album's worth of songs in a set recording period. On each visit, they would record two or three songs. They also took the opportunity to re-record songs. After the band had recorded fifteen tracks, they listened and decided they had the songs they needed, with two additional songs recorded at Peter Moore 's home studio. One Soul Now (2004)

498-403: A drummer, and saxophonist, played whatever they wished on their instruments at the same time. Germinal released two studio albums: Germinal 1 (1983) and Din (1984). The music newspaper New Musical Express said Germinal "ranks among the most innovative and aggressive sounds to emerge from the independent scene this year." Alan Anton and Michael Timmins had a somewhat different take, saying, "It

581-535: A few months, the Kids would be noticed by the Saturday Night Live scouts and its co-creator and returning producer Lorne Michaels , an established Toronto-raised show business insider who, following an audition that also took place at the Rivoli, proceeded to hire McCulloch and McKinney as writers for SNL' s 1985-86 season . Three years later, in fall 1988, he put the entire troupe on television as

664-476: A new musical direction. Margo was drafted to join and recalls, "I was contemplating going on to graduate school, staying in school. That was safe. I never wanted to be a musician or be onstage." Nevertheless, Michael Timmins began to hear something in what they were doing with their initial jams, realizing that a female voice was what the band needed. Michael Timmins said, "I thought if you had this female voice on top of it, you could do anything you wanted." However,

747-467: A particular theme regarding music, but are based on a set of paintings by their friend, artist Enrique Martinez Celaya . The group found the name appropriate, since they have been touring for over 30 years. The Junkies had no recording contract when they created the Nomad Series , which freed them up to be experimental with their music, to avoid categorizing the planned releases. The first album in

830-514: A stray note to be found. . . . Timmons' [sic] guitar playing has grown more aggressive over the years." For the twentieth anniversary of their breakthrough studio album, The Trinity Session (1988), the Cowboy Junkies reinterpreted the album to highlight what twenty years of performing experience brought to the songs. In order to expand upon the goal of reinterpreting, the Cowboy Junkies invited three guest musicians whose work has affected

913-673: A variety of clubs. In early 1981, the Hunger Project embarked on a multi-city tour of the United States. After that, Hunger Project moved to the United Kingdom, where they toured for three months and released the single "The Same Inside/Assembly" on their independent label, Latent Recordings . When Hunger Project disbanded, Alan Anton and Michael Timmins remained in London and started an improvisational band named Germinal. The members – Michael Timmins on guitar, Alan Anton on bass,

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996-465: A version of the genre under the name insurgent country . The bands Blue Mountain , Whiskeytown , Blood Oranges and Drive-By Truckers further developed this tradition before most began to move more in the direction of rock music in the 2000s. The Rivoli The club originally earned a reputation as one of Canada's hippest music clubs, and many major Canadian comedy and musical performers have played on its stage, including The Kids in

1079-403: A vision, the Cowboy Junkies dispensed with high-tech trumpery and made their record simply and seriously. That attitude helped make the album as important as it is inspiring." The album was included in the book 1001 Albums You Must Hear Before You Die . The band's third studio album was more challenging, requiring three attempts to get the sound the band desired. Yet despite the problems with

1162-474: A week at a time and between chopping wood, cooking, boating, whittling, hiking and staring into the fire, worked up some songs that were as laid back and sparse as the setting." When the Junkies went to record the songs, they felt that their chosen songs would come together if they could "find a studio which would approximate the vibe of Rock Island in the sense of a relaxed but focused mood and its remoteness from

1245-712: Is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop . Alternative country artists are often influenced by alternative rock . Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock , indie rock , punk rock , heartland rock , Southern rock , progressive country , outlaw country , neotraditional country , Texas country , Red Dirt , roots rock , indie folk , folk rock , rockabilly , bluegrass , and honky tonk . In

1328-450: Is a smaller bar in the back room, and some bar seating along the side walls. The audience area is sometimes open for standing room, sometimes tables and chairs are set up, and sometimes chairs are set up in rows. Seating is rarely assigned or reserved. Patrons are typically free to eat or drink in the front room without paying for admission to shows. The Rivoli's menu is known for an eclectic and upscale motif. The Rivoli sign, seen outside

1411-451: Is a song cycle about male-female relationships. Margo Timmins describes the theme of the album as "there is love and there is all that conspires to steal love away." Michael Timmins says, "It is a very dense and complex work both lyrically and musically." Music critic, Mike Boehm, summed the album up this way: "By the album's end, Margo Timmins, the singer known for her preternatural hush, can be heard declaring herself with assertive bite: 'It's

1494-457: Is also included in the project. In order to create the same atmosphere, they kept rehearsal to a minimum, getting together for a few hours a day before the recording. The guest musicians worked with the band to re-imagine the songs, making suggestions, trying out fresh nuances. The album contains a performance film, Trinity Revisited , and a documentary film, Trinity Session Revisited . Directors Pierre and François Lamoureux, produced and recorded

1577-510: Is the June 25, 2002 documentary Open Road , a four-hour DVD/CD documentary of performances from 2001. The DVD contains their Quebec City Summer Festival concert. In June 2007, they performed alongside the Boston Pops at Boston Symphony Hall conducted by Keith Lockhart . On January 1, 2017, Cowboy Junkies were part of CBC's The Strombo Show ' s Hip 30. Canadian bands covered songs from

1660-515: The 17th best Dylan cover of all time the month after it premiered. Their nineteenth studio album, a cover album, Songs of the Recollection , was released on March 25, 2022. Such Ferocious Beauty followed in 2023. Michael Timmins states that "By the Spring of 1990 we had been on the road for close to two years straight, trying to stay right-side-up in the whirlwind of attention that

1743-576: The 1990s, the term alternative country , paralleling alternative rock, began to be used to describe a diverse group of musicians and singers operating outside the traditions and industry of mainstream country music. Many eschewed the increasingly polished production values and pop sensibilities of the Nashville -dominated industry for a more lo-fi sound, frequently infused with a strong punk and rock and roll aesthetic. Lyrics may be bleak or socially aware, but also more heartfelt and less likely to use

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1826-552: The Carter Family , often cited as major influences. Another major influence was country rock , the result of fusing country music with a rock & roll sound. The third factor was punk rock , which supplied an energy and DIY attitude . Attempts to combine punk and country had been pioneered by a number of bands prior to 1990, including Nashville 's Jason and the Scorchers , San Francisco ’s American Music Club , and

1909-439: The Cowboy Junkies, and whose work and lives were affected by the album. Guest musicians on the 2007 album include Natalie Merchant , Vic Chesnutt , and Ryan Adams . Each does lead vocal on one of the album's songs (Merchant on "To Love Is to Bury", Chesnutt on "Postcard Blues", and Adams on "200 More Miles"). They also perform on other tracks. Jeff Bird, a session musician who has appeared on virtually every Cowboy Junkies album,

1992-579: The Hall , Gordon Downie , The Frantics , Sean Cullen and the infamous Dark Shows . The Drowsy Chaperone premiered at the Rivoli and went on to subsequent productions and eventually a highly successful run on Broadway. The venue is also the subject of the comedy series Nirvanna the Band the Show in which each episode Nirvanna The Band try to get a show at the club. The venue is divided into three main areas,

2075-637: The Minneapolis-based band the Jayhawks , along with the 1980s Southern Californian cowpunk scene with bands such as the Long Ryders and X . However, the “alt country” label did not gain popularity among music journalists until the release of Uncle Tupelo 's 1990 LP No Depression , which has been credited as being the first "alt-country" album. It is also the namesake of the online notice board and eventually magazine that underpinned

2158-560: The Rivoli: Canadian music legend Neil Young played a private concert at The Rivoli on November 10, 2023. The event was a 50th birthday celebration for the billionaire CEO of the Canada Goose clothing company, Dani Reiss . Arkells also played at the event. In 2014, the original owners sold the business to Jenna Wood, Sarah Henning, and Jessica McHardy. Henning left the venture in early 2020; several months later amid

2241-854: The Tragically Hip to commemorate the Hip's 30th anniversary. Including the compilation albums Open Road and The Radio One Sessions (both 2002), the Junkies have published seven of their live performances. There are four band members, all siblings except Anton, who created and performed in two prior bands with Michael Timmins. Since their second studio album the band has performed and recorded with multi-instrumentalist Jeff Bird, whose current role includes acoustic and electric mandolins, harmonica, percussion, and samples. Alternative country Alternative country (commonly abbreviated to alt-country ; also known as alternative country rock , insurgent country , Americana , or y'allternative )

2324-449: The age of 45, Cowboy Junkies friend, Vic Chesnutt , died from an overdose of muscle relaxants . Chesnutt was generally a friendly and cheerful man, but he sometimes suffered bouts of severe depression. Demons , released January 18, 2011, is the Cowboy Junkies tribute to him. The band had included him in their twentieth anniversary celebration of The Trinity Session when they made Trinity Revisited (2007). Chesnutt sang lead vocals on

2407-399: The album and the films. Although the album was not recorded with a single microphone like the original album, the directors placed the musicians in a circle and used a surround microphone, augmented the recording with ten close-mics to record them. The Nomad Series (2017) is a set of four studio albums that was released over three years from 2010 to 2012. The Nomad Series is not based on

2490-636: The album. They approached the project as a reaction against the MIDI –dominated musical styles of the '80s. Moore said, "I was angry that music had gotten into drum machines and MIDI. No humanity, no nothing. I'm listening to these recordings from the '50s with two or three mics and I'm going, 'Man that's real music.'" He chose the Church of the Holy Trinity in Toronto for its natural reverb. To better persuade

2573-425: The audience a lot of the time." When the Cowboy Junkies were ready to record a studio album the band sought a like-minded recording engineer. They met Peter Moore at a dinner party, and when they began talking about recording equipment and techniques, they found that Moore's interest in single-microphone recording meshed with their desire to capture the intimate sound of their rehearsal garage. Moore had just purchased

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2656-486: The back of the bar-restaurant in addition to appearing at other performance venues around the city such as the Poor Alex Theatre , Factory Theatre , and Theatresports competitions at Harbourfront Centre . The group would soon be joined by Frank van Keeken, Norm Hiscock , Garry Campbell, Toronto actor Scott Thompson , as well as Bruce McCulloch and Mark McKinney who had moved from Alberta . By 1984,

2739-444: The band talked about walking away having maintained their artistic integrity throughout a 30-year career. As Cowboy Junkies pass the quarter century mark, the Toronto band must rest well at night. The band's consistent work flies under the radar more times than not and the band sounds content with keeping it that way." He continues, "One of the band's live staples in recent years is "Hunted" from 1994's Pale Sun Crescent Moon . Revisiting

2822-495: The band were touring and playing songs on the Sharon tape. As the band listened, new ideas for them evolved. They also wrote additional songs. Although the band truly loved the recordings, the songs continued to develop on stage, and they believed the session no longer accurately represented where they were as a band. In 2022, however, they released the Sharon session as a special edition vinyl album as well as in streaming formats. At

2905-554: The band would perform at The Rivoli which had a small space in the back. The group would perform a rhythmic groove while Margo sang improvised vocal melodies and portions of old blues songs. Many times the Junkies entire performance would be a single jam session. Peter Moore , a recording enthusiast who had ambitions of becoming a producer, was at their first show. According to Moore, "I was mesmerized by Margo. The very first show, people weren't paying attention to them, because they were playing so softly and quietly. Margo had her back to

2988-427: The clichés sometimes used by mainstream country musicians. In other respects, the musical styles of artists that fall within this genre often have little in common, ranging from traditional American folk music and bluegrass, through rockabilly and honky-tonk, to music that is indistinguishable from mainstream rock or country. This already broad labeling has been further confused by alternative country artists disavowing

3071-523: The club on Queen Street West, features the handwriting of musician Mary Margaret O'Hara . Launched in 1982 by the hospitality entrepreneurs Andre Rosenbaum, David Stearn, and Jeff Strasburg (already partners, since 1978, in Queen Mother Cafe down the street), their new venture the Rivoli almost immediately became synonymous with Toronto's 1980s black-garbed Queen West scene . Mike Myers' Saturday Night Live German club character Dieter

3154-566: The club owners down there took a liking to what we were doing so we spent a lot of time crossing the kudzu choked highways that ran through the heart of the old Confederacy. Those were the days when having to spend a night in a hotel room would mean the difference between eating the next day or paying for the gas to get us to the next town, so we spent a lot of our time sleeping on the floors of friendly promoters, fans, waitresses and bartenders." The band's next project, The Trinity Session (1988), became their breakthrough. Peter Moore again produced

3237-484: The end of the tour, they decided to go into Eastern Studios in downtown Toronto and reinvent how they recorded themselves. The Caution Horses sessions went quickly and smoothly, and were recorded over several days in December 1989. Michael Timmins believes: "The beauty of the recording and one of the reasons it remains one of our favourites is that it captures the essence of the band which magically fell together during

3320-603: The entertainment industry. Talent scouts for Montreal 's Just For Laughs comedy festival and the major television networks still routinely trawl the Monday night comedy shows. Soon after opening, among the variety of acts, the Rivoli began hosting an early iteration of The Kids in the Hall comedy troupe, consisting at the time of Toronto-based improv comedy performers Dave Foley , Kevin McDonald , and Luciano "Luc" Casimiri who did their short 10-minute sketch comedy sets at

3403-439: The family garage using a single ambisonic microphone. The band gained wide recognition with their second studio album, The Trinity Session (1988), recorded in 1987 at Toronto's Church of the Holy Trinity . Their sound, again with Peter Moore using the ambisonic microphone, and their mix of blues , country , folk , rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named

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3486-448: The following week, bringing more people along, only to then be disappointed by not recognizing any of the sketches. To that end, during spring 1985, the Kids decided to temporarily break with their new-material-every-week practice by doing a 'best of' week, which they were accommodated for by the Rivoli owners that in addition to Monday, also allowed them to perform on the more coveted Wednesday, Thursday, Friday, and Saturday nights. Within

3569-412: The front, the upstairs and the back. The front of the venue has a bar along most of its west wall. The east side of the front room, separated from the bar by a dividing wall, are tables for dining. Upstairs there is a pool hall with 11 vintage and antique tables. The space is large and sometimes dance nights or private parties are hosted there. The back room of the venue contains a stage at the back. There

3652-523: The great tradition of albums that establish a mood and sustain it so consistently that the entire record seems like one continuously unfolding song. The mood in this instance is hypnotic and introspective – an intense, melancholic longing that blends the elemental emotions of country music and the blues with the poetic world-weariness of the Velvet Underground . [...] Having good songs, the skill to convey what they have to say and, most important,

3735-564: The group had just come off the road after a gruelling tour and were tired, particularly Margo Timmins who had a terrible head cold. After a few hours they realized the session wasn't working out, and they left. The second attempt was made on April 21 of 1987 when Peter Moore rented the Sharon Temple , an historic landmark located in the village of Sharon, Ontario. Michael Timmins recalls, "The arrangements that we had developed for this new set of songs were at times so full and lush, unlike

3818-627: The indie label Latent Recordings that Michael Timmins and Anton had used for their Hunger Project and Germinal works, and released Whites Off Earth Now!! in October 1986. They sold 3,000 copies. The band then toured the US. Michael Timmins described the experience: "While touring Whites we had spent a lot of time in the Southern states, especially Virginia, Georgia and the Carolinas. For some reason

3901-610: The introspective nature of winter. The album is a return to the folk vibe the band played with in the late 80s and early 90s. Songwriter Michael Timmins states: "I started to think in terms of an album of songs reflecting on the lives of characters I'd written about early in the bands career and bringing those characters . . . into the future to see where their lives were at now." About his lyrics, Timmins says: "Some of those songs have little touch points where . . . you can see how they connect to earlier songs -- even character's names and stuff pops into them, and that's intentional." The style of

3984-472: The making of it, the band considers it a very exciting and turbulent time in their career and state that The Caution Horses (1990) remains one of their favourite albums. The band rented a small recording studio in the docklands of Toronto with the intention of using the room like the garage their debut studio album was recorded in, instead of a room with live acoustics like the church room they used for The Trinity Session (1988). The session went badly because

4067-466: The movement, mainstream artists declaring they are part of it, and retroactive claims that past or veteran musicians are alternative country. No Depression , the best-known magazine dedicated to the genre, declared that it covered "alternative-country music (whatever that is)". Alternative country drew on traditional American country music, the music of working people, preserved and celebrated by practitioners such as Woody Guthrie , Hank Williams , and

4150-467: The movement. They released three more influential albums, signing to a major label, before they broke up in 1994, with members and figures associated with them going on to form three major bands in the genre: Wilco , Son Volt and Bottle Rockets . Bottle Rockets signed, along with acts like Freakwater , Old 97's and Robbie Fulks , to the Chicago-based indie label, Bloodshot , who pioneered

4233-498: The music industry mainland." They found a big-porched southern house in Athens, Georgia that fit their needs. The Junkies moved into the rented home in the suburbs of Athens in June 1995. The producer and engineer John Keane had built a homey but state-of-the-art studio, and the band settled in quickly. The Cowboy Junkies' last studio album of the decade is an alternative country album, Miles from Our Home (1998). Wanting to repeat

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4316-421: The officials of the historic church, Moore claimed "The Timmins Family Singers" were recording a Christmas special. The session began early on November 27, 1987. Songs with the fewest instruments were recorded first, and then the songs with gradually more complex arrangements. In this way Moore was able to solve acoustic problems one by one. To better balance Margo's vocals against the electric guitars and drums, she

4399-467: The other: Margo began to realize that her singing voice was more effective quiet. We began to realize, if we can get down underneath Margo, the sound will be more effective. Pete picked up brushes – he was just learning to play drums at that point. Everything sort of came down. We learned to play with less volume." When the unnamed band was preparing for its first gig, the members considered various names before choosing Cowboy Junkies. During their early gigs

4482-409: The process of writing and creating used for Lay It Down , Michael Timmins found a house near a gristmill on a pond, a couple hours drive from Toronto, where he spent six months writing songs. During that time, Margo and Peter Timmins and Alan Anton would come down to work on songs. Then Michael wrote more, until the songs were worked out and ready to record. On New Year's Day in 1997, just as Timmins

4565-438: The recording of The Trinity Session and which forged its own voice, under the glare of a very intense spotlight, in the clubs and concert halls of the world." With their next studio album, Black Eyed Man (1992), Michael Timmins wanted to explore music structure, specifically time shifts and tempo shifts; while Margo Timmins wanted to expand her singing style and her range. Several musicians from previous albums showed up during

4648-404: The recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. Cowboy Junkies' 1986 debut studio album, produced by Canadian producer Peter Moore , was the blues -inspired Whites Off Earth Now!! , recorded in

4731-603: The recording one of the 10 best albums of 1988. Cowboy Junkies have gone on to record 16 studio albums and five live albums, with tour dates booked into 2025. Alan Anton and Michael Timmins, lifelong friends who met in kindergarten, formed their first band in high school. In 1979, influenced by post-punk bands such as Siouxsie and the Banshees and Joy Division , they recruited drummer Geoff Railton and vocalist Liza Dawson-Whisker, and formed Hunger Project in Toronto. They moved to Manhattan 's Lower East Side and performed at

4814-519: The recordings to Joby Baker in British Columbia with instructions to create loops of the sounds, and to use his imagination. The core of the album is built around a fictional love story between two people who live in different worlds that always keep them apart. Renmin Park is also a thank-you letter to the people of the city that so kindly welcomed him and his family. On December 25, 2009, at

4897-482: The rehearsal sessions, along with about twenty five other Toronto players that were known to the band, or recruited because of their skills with instruments the band wanted to include in the album. Realizing he needed a theme to hold the album together what Michael Timmins decided upon was "love found, love lost and love betrayed - it was to be the journey of the faceless, nameless and haunted Black Eyed Man." The band's fifth studio album, Pale Sun, Crescent Moon (1993)

4980-643: The series is Renmin Park (2010), which is based on ideas the band's principal songwriter, Michael Timmins, got while living in China for three months with his wife and three children. Two of his children were adopted from China, and during their stay they visited the birth village of his adopted daughters. Most of their time was spent in Jingjiang , situated on the Yangtze River about two hours' drive from Shanghai . The music that inspired Timmins most during

5063-448: The slow musical tempos and whispery, hushed tones that defined their early work was not just musical inspiration, but came about by necessity. Their recording studio was their repurposed garage, which was just behind the house and bordered closely with their neighbours. On their first jam session, the police showed up due to a noise complaint from the neighbour. According to Michael Timmins, "We realized we had to tone down. One thing fed into

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5146-443: The song here, the original sounds frail and timid in comparison. Margo belts out the lyrics with the dry bitterness of someone who has witnessed first-hand the arrows that fly between men and women. As the band shakes the rafters, Bird delivers a mandolin solo that redefines the possibilities of the instrument." The Wilderness was released on March 27, 2012, and is the fourth and final entry of The Nomad Series . The album reflects

5229-697: The song, "Postcard Blues." He had also toured with the group several times, starting with the tour supporting Lay It Down (1996). Michael Timmins stated, "One of the hopes of this album is that it inspires people to seek out the originals and keep his music alive. We had intended to do an album where he would write the songs, and we would be the band. Now we're trying to fulfil a bit of that desire." The Cowboy Junkies managed to turn an album born from grief into an assertion of life. On October 14, 2011, music critic Jason Lent began his review of Sing in My Meadow with this observation, "When R.E.M. called it quits,

5312-598: The songs on the album comes closer to the typical Cowboy Junkies music, more than the other albums in The Nomad series . The Cowboy Junkies studio album, All That Reckoning , was released on July 13, 2018. In an interview about the upcoming album with Billboard , guitarist and songwriter Michael Timmins said, "There's a lot of pressures and a lot of crumbling of institutions, very little foundation to put one's feet on again, especially at an older age. You sort of expect things to be there and realize, 'My God, what I thought

5395-539: The songs would work, then go to a studio. Now, the band recorded everything as they worked through the rehearsal process. The Cowboy Junkies next project was Early 21st Century Blues , which was recorded February through March 2005, and released in August of that year. It was begun a few months after their previous tour. The theme for the album was war, violence, fear, greed, ignorance, or loss, and everybody had to bring two or three songs written by other people. This album

5478-430: The sound of early blues musicians Lightnin' Hopkins , John Lee Hooker , Bukka White , and Robert Johnson . Germinal broke up after three years in autumn of 1984. Alan Anton moved to Berlin and Michael Timmins returned to New York City. Upon their return to Toronto in 1985, Alan Anton and Michael Timmins rented a house, insulated the tiny garage, and, with younger brother Pete Timmins sitting in on drums, began exploring

5561-467: The spareness of most of Trinity's songs, that we were immediately confronted with the problem of how to control this swirl of sound so that it didn't just turn to mush on tape. Another problem was that the Temple was a lot more acoustically lively than any of us had imagined. As a result when the music swelled it would often spill over into Margo's vocal mic and feedback." At the end of three days during which

5644-403: The temperature would drop below freezing, Michael Timmins states, "When we packed up and left Sharon that day I don't think that any of us felt that we had captured anything special. It had been a difficult three days and I think that we were all just happy that on that third day we had at least made some decent recordings of the songs if not necessarily memorable ones." Over the next several months

5727-676: The troupe found its core five on-stage players—Foley, McDonald, Thompson, McCulloch, and McKinney—who began performing a lot more frequently at the Rivoli as part of comedian Briane Nasimok 's comedy night showcase on Mondays, eventually taking it over for themselves. On McCulloch's insistence, the group decided to do a fresh stage show every week at the venue—getting together on Fridays after finishing their full-time day jobs and coming up with an hour worth of material by Monday night. Their 2-hour Monday night Rivoli shows consisted of an hour of new material followed by an hour of improv. Though initially performing for small audiences of 10 to 15 people,

5810-511: The troupe kept on with their Monday night Rivoli shows, and, over the years that followed, continued developing a quirky and surreal sketch comedy repertoire —distinct from other Toronto comedy staples, the Second City and Yuk Yuk's . Building an audience proved difficult due to the group's insistence on not repeating previously-performed material; they often faced situations with individual audience members liking them one Monday and returning

5893-399: The visit was found at Renmin Park, where a variety of musicians would gather throughout the day, bringing their erhus, pipas, shangxians, various percussion instruments; and a mix of singers performed. Timmins found most of the musicians outstanding, he thought the singers were good because they all performed with passion. About halfway through the visit, Timmins was introduced to Eric Chen, who

5976-591: Was a standard, whether it be an institution or a way of dealing with people in our society, is disappearing." In 2019, they joined the Canadian Music Hall of Fame . The Cowboy Junkies' eighteenth studio album, Ghosts , was released digitally on March 30, 2020. The band contributed a cover version of Bob Dylan 's 2020 song " I've Made Up My Mind to Give Myself to You " to the Dylan Revisited compilation album in 2021. Variety ranked it

6059-690: Was a tremendous success on all levels and thankfully the BBC was there to record one of the shows at The Royal Exchange Theatre in Manchester ." The Cowboy Junkies have performed on The Tonight Show Starring Johnny Carson , The Tonight Show with Jay Leno , The David Letterman Show , The Tonight Show Starring Jimmy Fallon , Late Night with Conan O'Brien , Later... with Jools Holland , Saturday Night Live , at Canadian Songwriters Hall of Fame , when they were inducted in 2015, and many other venues. Among their recorded and commercially available concerts

6142-477: Was created by the release of The Trinity Session (1988) and the subsequent release of The Caution Horses (1990). We had accumulated, literally, trunks full of press clippings from around the world, but most importantly we had built up our confidence on stage. Margo was emerging as a true front-person and we were gelling as band. In May of that year we landed in the London for our first full fledge UK tour and were greeted with much adulation and interest. The tour

6225-497: Was inspired by a Rivoli waiter. This reputation waned as the club's clientele became more eclectic and upscale, but the Rivoli's atmosphere is still unique. The Rivoli has had a long association with alternative comedy , of the sketch , improv , and stand-up variety. Additionally, primarily through its Monday night comedy shows, the venue developed a reputation as a breeding ground or career springboard for talented comedy performers, some of whom would go on to prominent careers in

6308-405: Was one in which the group wanted to make the music outside of Toronto and away from usual routines, so they searched for a place that was a comfortable drive away from Toronto, but would feel remote. Alan Anton recalls, "We found Rock Island, named not for music but for geology. It is actually one big rock with stuff growing on it and has one small house with a great stone fireplace. We went there for

6391-466: Was passionate about music, and became Timmins' friend. Chen brought Timmins a variety of CDs and videos that showcased the Chinese rock scene. Michael asked his brother, Peter Timmins, to send him a high-end portable recorder, which he carried everywhere he went, and recorded music, conversations, exercise classes, badminton games, traffic, students chatter in classrooms, street hawkers, and more. He sent

6474-534: Was planning the album, the band heard that Townes Van Zandt had died. Van Zandt was a friend of the band, had toured with them in their bus in 1990, and was perhaps the biggest influence as a songwriter on Michael. On the day that Michael Timmins had heard that Van Zandt had died he wrote the first draft of "Blue Guitar", "as a tribute to the man who had the bluest guitar that I had ever heard." Throughout their career, Cowboy Junkies have approached each studio album to see where they can change or improve. Open , which

6557-419: Was recorded over the course of a year, from October 2002 to October 2003. Its central idea is that everyone is interconnected. When the band returned home after their Open Tour, they decided to turn their rehearsal area into a recording studio which they dubbed The Clubhouse. This new arrangement changed the process of how they created their tracks. Previously, they would start in the rehearsal space, determine how

6640-402: Was recorded through a PA system left behind by a previous group. By making subtle changes in volume and placement relative to the microphone over six hours, Moore and the band finally reached the distinctive sound of the album. Music critic for Rolling Stone magazine, Anthony DeCurtis , summed up the result of the group's efforts in a four-star review of the album: "The Trinity Session is in

6723-492: Was released on May 15, 2001, follows in that tradition. While they were on a tour to support their live album Waltz Across America , which lasted nine months and had many breaks in the schedule, they began working on new material. They added two to three new songs a month into their performances, allowing the songs to evolve on stage. During breaks, they would go to sound engineer Daryl Smith's studio, Chemical Sound, to live record material they had created. Being able to set up in

6806-422: Was the ultimate release for us. But for the audience, it was quite a chore." In London, they developed journeyman skills as musicians, and expanded their knowledge of music history — Michael Timmins worked in a record store for a year to make ends meet while with Germinal. Among those who were to influence Michael Timmins and Alan Anton were jazz musicians Cecil Taylor , Ornette Coleman , John Coltrane , along with

6889-689: Was unique in that John Timmins recorded with his siblings, playing guitar. At the End of Paths Taken was released on April 9, 2007. Michael Timmins wrote songs that "reflect the complex, frustrating, edifying, and conflict-ridden web of relationships that constitute the family, from nuclear to extended to global. He is a parent, and a son with aging parents. He plays with his siblings in the Cowboy Junkies." Timmins blends his alternative country music sound with ferocious guitar work on "My Little Basquiat" and "Mountain". At times Timmins sounds as if he has lost control of his guitar playing, "until you realize there's not

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