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101-477: The following museums and art galleries are located in Cambridge , England : Museum A museum is an institution dedicated to displaying and/or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than

202-603: A Popemobile , donated to the museum in 1985 by the Canadian Conference of Catholic Bishops ; and a Henry Seth Taylor steam buggy , the first automobile produced in Canada. The museum acquired the steam buggy in 1984. Notable computational artifacts in the museum's collection include two Millionaire calculators ; and the DRTE Computer , which was gifted to the museum in 1968. Other notable artifacts in

303-413: A library , and usually focus on a specific theme, such as the arts , science , natural history or local history . Public museums that host exhibitions and interactive demonstrations are often tourist attractions , and many attract large numbers of visitors from outside their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of

404-517: A collection of 60 kites, primarily from Asia. The museum's medical collection also has a medical collection numbering over 8,000 pieces, most of which originated from the former Academy of Medicine Collection. In 2021, the museum started a COVID-19 pandemic collection, whose earliest items includes the Pfizer–BioNTech COVID-19 vaccine , and the 10-millionth face mask produced at CAMI Automotive . All items that are deaccessioned from

505-453: A contractor when necessary. The cultural property stored in museums is threatened in many countries by natural disaster , war , terrorist attacks or other emergencies. To this end, an internationally important aspect is a strong bundling of existing resources and the networking of existing specialist competencies in order to prevent any loss or damage to cultural property or to keep damage as low as possible. International partner for museums

606-471: A culture. As historian Steven Conn writes, "To see the thing itself, with one's own eyes and in a public place, surrounded by other people having some version of the same experience, can be enchanting." Museum purposes vary from institution to institution. Some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over

707-718: A full-time director to whom authority is delegated for day-to-day operations; Have the financial resources sufficient to operate effectively; Demonstrate that it meets the Core Standards for Museums; Successfully complete the Core Documents Verification Program". Additionally, there is a legal definition of museum in United States legislation authorizing the establishment of the Institute of Museum and Library Services : "Museum means

808-459: A museum and on display, they not only got to show their fantastic finds but also used the museum as a way to sort and "manage the empirical explosion of materials that wider dissemination of ancient texts, increased travel, voyages of discovery, and more systematic forms of communication and exchange had produced". One of these naturalists and collectors was Ulisse Aldrovandi , whose collection policy of gathering as many objects and facts about them

909-554: A museum is successful, as happened in Bilbao, others continue especially if a museum struggles to attract visitors. The Taubman Museum of Art is an example of an expensive museum (eventually $ 66 million) that attained little success and continues to have a low endowment for its size. Some museum activists see this method of museum use as a deeply flawed model for such institutions. Steven Conn, one such museum proponent, believes that "to ask museums to solve our political and economic problems

1010-402: A museum's collection typically determines the museum's size, whereas its collection reflects the type of museum it is. Many museums normally display a "permanent collection" of important selected objects in its area of specialization, and may periodically display "special collections" on a temporary basis. The following is a list to give an idea of the major museum types. While comprehensive, it

1111-509: A notable person, or a given period of time. Museums also can be based on the main source of funding: central or federal government, provinces, regions, universities; towns and communities; other subsidised; nonsubsidised and private. It may sometimes be useful to distinguish between diachronic museums which interpret the way its subject matter has developed and evolved through time (e.g., Lower East Side Tenement Museum and Diachronic Museum of Larissa ), and synchronic museums which interpret

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1212-442: A number of improvements added to the building, including seismic upgrades to the facility, and a complete replacement of the roof which also supports photovoltaic panels. A new mechanical room was also built, allowing staff to more precisely control the temperature in the building, and better host fragile artifacts susceptible to damage. The façade at the entrance of the museum features an articulated roof. The articulated roof at

1313-508: A palace of Henry VIII , in England opened the council room to the general public to create an interactive environment for visitors. Rather than allowing visitors to handle 500-year-old objects, however, the museum created replicas, as well as replica costumes. The daily activities, historic clothing, and even temperature changes immerse the visitor in an impression of what Tudor life may have been. Major professional organizations from around

1414-536: A place or temple dedicated to the muses (the patron divinities in Greek mythology of the arts), and hence was a building set apart for study and the arts, especially the Musaeum (institute) for philosophy and research at Alexandria , built under Ptolemy I Soter about 280 BC. The purpose of modern museums is to collect, preserve, interpret, and display objects of artistic, cultural, or scientific significance for

1515-407: A public, tribal, or private nonprofit institution which is organized on a permanent basis for essentially educational, cultural heritage, or aesthetic purposes and which, using a professional staff: Owns or uses tangible objects, either animate or inanimate; Cares for these objects; and Exhibits them to the general public on a regular basis" (Museum Services Act 1976). One of the oldest museums known

1616-903: A series of standards and best practices that help guide the management of museums. Various positions within the museum carry out the policies established by the Board and the Director. All museum employees should work together toward the museum's institutional goal. Here is a list of positions commonly found at museums: Other positions commonly found at museums include: building operator, public programming staff, photographer , librarian , archivist , groundskeeper , volunteer coordinator, preparator, security staff, development officer, membership officer, business officer, gift shop manager, public relations staff, and graphic designer . At smaller museums, staff members often fulfill multiple roles. Some of these positions are excluded entirely or may be carried out by

1717-458: A travelling exhibition on human sexuality after receiving criticism from select groups and James Moore , the minister of Canadian Heritage . The museum removed a video covering masturbation from the exhibition and placed a minimum age requirement to view the exhibition. The museum was forced to close its doors to the public in September 2014 after it found high levels of airborne mould in

1818-706: A variety of artifacts is also spread throughout the museum's exhibitions. The museum has also organized exhibitions alongside other Canadian governmental agencies, with the Cipher-Decipher travelling exhibition having been organized in partnership with the Communications Security Establishment . Some exhibitions feature exhibits with corporate sponsors, such as the ZOOOMobile, a car building station sponsored by Michelin . Although several exhibits have corporate sponsors,

1919-565: Is Ennigaldi-Nanna's museum , built by Princess Ennigaldi in modern Iraq at the end of the Neo-Babylonian Empire . The site dates from c.  530 BC , and contained artifacts from earlier Mesopotamian civilizations . Notably, a clay drum label—written in three languages—was found at the site, referencing the history and discovery of a museum item. Ancient Greeks and Romans collected and displayed art and objects but perceived museums differently from modern-day views. In

2020-773: Is UNESCO and Blue Shield International in accordance with the Hague Convention for the Protection of Cultural Property from 1954 and its 2nd Protocol from 1999. For legal reasons, there are many international collaborations between museums, and the local Blue Shield organizations. Blue Shield has conducted extensive missions to protect museums and cultural assets in armed conflict, such as 2011 in Egypt and Libya, 2013 in Syria and 2014 in Mali and Iraq. During these operations,

2121-535: Is a collection of 750,000 photographs dating as early as the 1850s. The collection was donated to the museum by the Canadian National Railway in 1999. The Petrovic collection is a collection of over 130 artifacts including rulers, compasses, and other measuring instruments from the 12th to 19th centuries. The collection was purchased by the museum for C$ 35,000 in 1980. The museum also has a collection of radio artifacts numbering 70 pieces; and

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2222-554: Is believed to be one of the earliest museums in the world. While it connected to the Library of Alexandria it is not clear if the museum was in a different building from the library or was part of the library complex. While little was known about the museum it was an inspiration for museums during the early Renaissance period. The royal palaces also functioned as a kind of museum outfitted with art and objects from conquered territories and gifts from ambassadors from other kingdoms allowing

2323-420: Is designed with glazed walls from the exhibit spaces, acting as a functional exhibit for the museum with its colour coded piping. The museum organizes a number of permanent, temporary, and travelling exhibitions . The museum's permanent and temporary exhibitions place an emphasis on being interactive with visitors. Although the museum is primarily interactive, a number of traditional display cases containing

2424-448: Is no longer a main purpose of most museums. While there is an ongoing debate about the purposes of interpretation of a museum's collection, there has been a consistent mission to protect and preserve cultural artifacts for future generations. Much care, expertise, and expense is invested in preservation efforts to retard decomposition in ageing documents, artifacts, artworks, and buildings. All museums display objects that are important to

2525-404: Is not a definitive list. Private museums are organized by individuals and managed by a board and museum officers, but public museums are created and managed by federal, state, or local governments. A government can charter a museum through legislative action but the museum can still be private as it is not part of the government. The distinction regulates the ownership and legal accountability for

2626-438: Is not necessarily a negative development; Dorothy Canfield Fisher observed that the reduction in objects has pushed museums to grow from institutions that artlessly showcased their many artifacts (in the style of early cabinets of curiosity) to instead "thinning out" the objects presented "for a general view of any given subject or period, and to put the rest away in archive-storage-rooms, where they could be consulted by students,

2727-634: Is particularly true in the case of postindustrial cities. Examples of museums fulfilling these economic roles exist around the world. For example, the Guggenheim Museum Bilbao was built in Bilbao, Spain in a move by the Basque regional government to revitalize the dilapidated old port area of that city. The Basque government agreed to pay $ 100 million for the construction of the museum, a price tag that caused many Bilbaoans to protest against

2828-417: Is to set them up for inevitable failure and to set us (the visitor) up for inevitable disappointment." Museums are facing funding shortages. Funding for museums comes from four major categories, and as of 2009 the breakdown for the United States is as follows: Government support (at all levels) 24.4%, private (charitable) giving 36.5%, earned income 27.6%, and investment income 11.5%. Government funding from

2929-518: The Age of Enlightenment saw their ideas of the museum as superior and based their natural history museums on "organization and taxonomy" rather than displaying everything in any order after the style of Aldrovandi. The first "public" museums were often accessible only for the middle and upper classes. It could be difficult to gain entrance. When the British Museum opened to the public in 1759, it

3030-466: The American Alliance of Museums does not have such a definition, their list of accreditation criteria to participate in their Accreditation Program states a museum must: "Be a legally organized nonprofit institution or part of a nonprofit organization or government entity; Be essentially educational in nature; Have a formally stated and approved mission; Use and interpret objects or a site for

3131-538: The National Endowment for the Arts , the largest museum funder in the United States, decreased by 19.586 million between 2011 and 2015, adjusted for inflation. The average spent per visitor in an art museum in 2016 was $ 8 between admissions, store and restaurant, where the average expense per visitor was $ 55. Corporations , which fall into the private giving category, can be a good source of funding to make up

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3232-617: The Newark Museum in a series of books in the early 20th century so that other museum founders could plan their museums. Dana suggested that potential founders of museums should form a committee first, and reach out to the community for input as to what the museum should supply or do for the community. According to Dana, museums should be planned according to community's needs: "The new museum ... does not build on an educational superstition. It examines its community's life first, and then straightway bends its energies to supplying some

3333-482: The Smithsonian Institution stated that he wanted to establish an institution "for the increase and diffusion of knowledge". In the late 19th century, museums of natural history exemplified the scientific drive for classifying life and interpreting the world. Their purpose was to gather examples from each field of knowledge for research and display. Concurrently, as American colleges expanded during

3434-629: The Titanic Belfast , built on disused shipyards in Belfast , Northern Ireland , incidentally for the same price as the Guggenheim Museum Bilbao and by the same architect, Frank Gehry , in time for the 100th anniversary of Titanic 's maiden voyage in 2012. Initially expecting modest visitor numbers of 425,000 annually, first year visitor numbers reached over 800,000, with almost 60% coming from outside Northern Ireland. In

3535-675: The United States Holocaust Memorial Museum in Washington, D.C. uses many artifacts in their memorable exhibitions. Museums are laid out in a specific way for a specific reason and each person who enters the doors of a museum will see its collection completely differently to the person behind them- this is what makes museums fascinating because they are represented differently to each individual. In recent years, some cities have turned to museums as an avenue for economic development or rejuvenation. This

3636-834: The interpretive plan for an exhibit, determining the most effective, engaging and appropriate methods of communicating a message or telling a story. The process will often mirror the architectural process or schedule, moving from conceptual plan, through schematic design, design development, contract document, fabrication, and installation. Museums of all sizes may also contract the outside services of exhibit fabrication businesses. Some museum scholars have even begun to question whether museums truly need artifacts at all. Historian Steven Conn provocatively asks this question, suggesting that there are fewer objects in all museums now, as they have been progressively replaced by interactive technology. As educational programming has grown in museums, mass collections of objects have receded in importance. This

3737-499: The 1860s. The British Museum was described by one of their delegates as a 'hakubutsukan', a 'house of extensive things' – this would eventually become accepted as the equivalent word for 'museum' in Japan and China. American museums eventually joined European museums as the world's leading centers for the production of new knowledge in their fields of interest. A period of intense museum building, in both an intellectual and physical sense

3838-520: The 19th century, they also developed their own natural history collections to support the education of their students. By the last quarter of the 19th century, scientific research in universities was shifting toward biological research on a cellular level, and cutting-edge research moved from museums to university laboratories. While many large museums, such as the Smithsonian Institution, are still respected as research centers, research

3939-665: The British Museum for its possession of rare antiquities from Egypt, Greece, and the Middle East. The roles associated with the management of a museum largely depend on the size of the institution. Together, the Board and the Director establish a system of governance that is guided by policies that set standards for the institution. Documents that set these standards include an institutional or strategic plan, institutional code of ethics, bylaws, and collections policy. The American Alliance of Museums (AAM) has also formulated

4040-740: The Crown corporation, including the Canada Science and Technology Museum, the Canada Aviation and Space Museum, and the Canadian Agriculture and Food Museum. Prior to the construction of the Ingenium Centre, the site was occupied by the museum's observatory; which was dismantled in 2016. The grounds of the museum includes a 4.0 hectares (10 acres) park in front of the building, and includes a pathway that leads to

4141-621: The National Museum of Science and Technology, alongside the Canada Aviation Museum and the Agriculture Museum . In 2000, the National Museum of Science and Technology was renamed the Canada Science and Technology Museum. During the early 2000s, several plans were proposed by the federal government to move the museum building from its location to a new site. In 2012, the museum was prompted to modify

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4242-697: The United States, several Native American tribes and advocacy groups have lobbied extensively for the repatriation of sacred objects and the reburial of human remains. In 1990, Congress passed the Native American Graves Protection and Repatriation Act (NAGPRA), which required federal agencies and federally funded institutions to repatriate Native American "cultural items" to culturally affiliate tribes and groups. Similarly, many European museum collections often contain objects and cultural artifacts acquired through imperialism and colonization . Some historians and scholars have criticized

4343-543: The United States, similar projects include the 81,000 square foot Taubman Museum of Art in Roanoke, Virginia and The Broad in Los Angeles . Museums being used as a cultural economic driver by city and local governments has proven to be controversial among museum activists and local populations alike. Public protests have occurred in numerous cities which have tried to employ museums in this way. While most subside if

4444-402: The bone structure inside their body, and their muscle and blood systems. The medical exhibition occupies 330 square metres (3,500 sq ft) of space, and includes nearly 100 pieces from the museum's collection. A specimen bottle containing the first appendix removed through an appendectomy , by Abraham Groves , is on display in the exhibition. Wearable Tech is a permanent exhibition at

4545-597: The building's entrance. The most recent changes to the surrounding park occurred with the approval of a new landscaping project approved by the National Capital Commission in 2017. The museum first occupied the site in 1967, having repurposed a pre-existing bakery and distribution centre for its own use. The building was later renovated and expanded to 13,458 square metres (144,860 sq ft) from 2014 to 2017, with designs by Canadian architecture firm NORR. The 2014 to 2017 renovations also saw

4646-497: The building, and its southern wall risked collapse. In November 2014, it was announced that the building would remain closed to the public until 2017, as a part of a C$ 80.5 million overhaul of the building's interior and façade, and expand the building's exhibition space. During the closure, several larger artifacts displayed outside, including the Atlas rocket and a pumpjack originally from Saskatchewan were dismantled. The former

4747-533: The care of the collections. Canada Science and Technology Museum The museum originated as the science and technology branch of the defunct National Museum of Canada. The branch opened its own building in 1967, and subsequently became its own institution in 1968, named the National Museum of Science and Technology . The museum adopted its current name in 2000. The museum's building underwent significant renovations from 2014 to 2017, which saw most of

4848-431: The chosen artifacts. These elements of planning have their roots with John Cotton Dana, who was perturbed at the historical placement of museums outside of cities, and in areas that were not easily accessed by the public, in gloomy European style buildings. Questions of accessibility continue to the present day. Many museums strive to make their buildings, programming, ideas, and collections more publicly accessible than in

4949-404: The classical period, the museums were the temples and their precincts which housed collections of votive offerings. Paintings and sculptures were displayed in gardens, forums, theaters, and bathhouses. In the ancient past there was little differentiation between libraries and museums with both occupying the building and were frequently connected to a temple or royal palace. The Museum of Alexandria

5050-513: The colder climate, the ceramic white tiles were installed with Neolith stone slabs. Use of the Neolith slabs also allowed NORR to incorporate sharp angles and smooth expanses into their building designs. A three-minute looping video is played on the LED surface, with a second phase of the film projected on the flat ceramic wall facing St. Laurent Boulevard during the evenings. The interior entrance of

5151-539: The development of more modern 19th-century museums was part of new strategies by Western governments to produce a citizenry that, rather than be directed by coercive or external forces, monitored and regulated its own conduct. To incorporate the masses in this strategy, the private space of museums that previously had been restricted and socially exclusive were made public. As such, objects and artifacts, particularly those related to high culture, became instruments for these "new tasks of social management". Universities became

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5252-512: The earliest known museum in ancient times , museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. The English word museum comes from Latin , and is pluralized as museums (or rarely, musea ). It is originally from the Ancient Greek Μουσεῖον ( mouseion ), which denotes

5353-400: The entrance is raised 12 metres (40 ft) in height, and includes 108.9 square metres (1,172 sq ft) canopy. The building's entrance is cladded in a white ceramic material that doubles as a 76-metre-long (250 ft) projection screen. In total, approximately 2,025.2 square metres (21,799 sq ft) of ceramic material was used throughout the building's façade. To accommodate

5454-400: The first 20 years of operation, the museum's collecting and research efforts focused on "type collecting," as curators attempted to assemble a collection of different types of machines, and researched only their function and internal operations. A shift towards public history and exploring the cultural role these technologies played in society did not emerge until the 1980s. The museum hosts

5555-409: The former use and status of an object. Religious or holy objects, for instance, are handled according to cultural rules. Jewish objects that contain the name of God may not be discarded, but need to be buried. Although most museums do not allow physical contact with the associated artifacts, there are some that are interactive and encourage a more hands-on approach. In 2009, Hampton Court Palace ,

5656-697: The funding gap. The amount corporations currently give to museums accounts for just 5% of total funding. Corporate giving to the arts, however, was set to increase by 3.3% in 2017. Most mid-size and large museums employ exhibit design staff for graphic and environmental design projects, including exhibitions. In addition to traditional 2-D and 3-D designers and architects, these staff departments may include audio-visual specialists, software designers, audience research, evaluation specialists, writers, editors, and preparators or art handlers. These staff specialists may also be charged with supervising contract design or production services. The exhibit design process builds on

5757-427: The locomotives have formed part of an exhibit on steam power, being exhibited next to a steam engine from a Canadian Coast Guard ship. The museum's collection preserves objects and data relating to the scientific and technological heritage of the country. The museum's collections originates from a small collection of artifacts transferred to the institution from the defunct National Museum of Canada in 1966. In 1989,

5858-422: The looting of the collection is to be prevented in particular. The design of museums has evolved throughout history. However, museum planning involves planning the actual mission of the museum along with planning the space that the collection of the museum will be housed in. Intentional museum planning has its beginnings with the museum founder and librarian John Cotton Dana . Dana detailed the process of founding

5959-407: The material which that community needs, and to making that material's presence widely known, and to presenting it in such a way as to secure it for the maximum of use and the maximum efficiency of that use." The way that museums are planned and designed vary according to what collections they house, but overall, they adhere to planning a space that is easily accessed by the public and easily displays

6060-424: The museum adopted a collection development strategy that provided its collection team with a more focused approach to explore how science and technology contributed to the "transformation of Canada". The museum's collection has grown through acquisitions and donations. Approximately 90 per cent of items in the museum's collection are donated, most of whom were gifted to the museum at the donor's initiative. However,

6161-609: The museum and relocated online. In 2018, the museum announced it had suspended large-scale collecting efforts, until new storage facilities at the Ingenium Centre were completed, and its excess items were moved inside it. The museum is situated in Ottawa, adjacent to the Sheffield Glen neighbourhood on St. Laurent Boulevard . The museum building is situated next to the Ingenium Centre, a building that houses Ingenium's research labs and storage facilities for museums operated by

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6262-402: The museum does not accept conditional donations. As of 2021, the permanent collection includes approximately 20,000 artifact lots with 60,000 individual objects and 80,000 photos and other associated archival materials; providing the museum with the largest collection of scientific and technological artifacts in Canada. Items rom the collection date from the 12th century to present. Items from

6363-552: The museum features an interactive light and sound display inspired after auroras . The building's contains five main galleries, a temporary exhibition space, an artifacts gallery, creative spaces and classrooms, theatres, cafeterias, boutiques, and offices. The building contains over 7,400 square metres (80,000 sq ft) of exhibition space, including a 850 square metres (9,200 sq ft) temporary exhibition hall for travelling exhibitions. The museum's chiller boiler system provides localized heating and cooling controls, and

6464-409: The museum landscape has become so varied, that it may not be sufficient to use traditional categories to comprehend fully the vast variety existing throughout the world. However, it may be useful to categorize museums in different ways under multiple perspectives. Museums can vary based on size, from large institutions, to very small institutions focusing on specific subjects, such as a specific location,

6565-617: The museum planning process. Some museum experiences have very few or no artifacts and do not necessarily call themselves museums, and their mission reflects this; the Griffith Observatory in Los Angeles and the National Constitution Center in Philadelphia , being notable examples where there are few artifacts, but strong, memorable stories are told or information is interpreted. In contrast,

6666-581: The museum retains all rights and control over the content of the exhibition. Permanent exhibitions include Artifact Alley , an exhibition at the centre of the museum that features over 700 artifacts on display; the Sound by Design , an interactive exhibition where visitors can try a variety of instruments and musical inventions; and The Great Outdoors , an exhibition on transportation and outdoor recreation. The permanent exhibition Medical Sensations also includes an interactive exhibit that allows visitors to see

6767-456: The museum which displays a variety of body-worn artifacts drawn from the museum's collections, including a modernized amauti , Google Glass , and Newtsuit . Crazy Kitchen is an exhibition that explores human perception, and is the oldest permanent exhibition maintained by the museum. Crazy Kitchen and the locomotives installed inside are the only remaining exhibits that date back to the museum's opening in 1967. Since its renovations in 2017,

6868-587: The museum's collection includes an electronic sackbut ; the first electron microscope produced in North America; the country's largest refracting telescope , from the Dominion Observatory ; the original hitchBOT that travelled across Canada; and George Klein 's prototype for the world's first motorized wheelchair. The Canada Science and Technology Museum acquired the prototype from the National Museum of American History in 2005. In

6969-522: The museum's collection must be approved by its board of trustees and offered to another museum before it is disposed of through other channels like Crown Assets Distribution . Notable artifacts related to transportation include the last spike for the transcontinental Canadian Pacific Railway ; a McLaughlin-Buick and railway car used during the 1939 royal tour of Canada ; the Bras d'Or prototype hydrofoil ; two nocturnals dating back to 17th century;

7070-647: The museum's collection that are not on display are stored in the Ingenium Centre's storage facilities. Items from the museum's library and archives is also located in the Ingenium Centre, sharing facilities with the Canada Agriculture and Food Museum. The collection is organized into eight categories, communications; computing and mathematics; domestic technologies; energy and mining; industrial technology; medical technology; scientific instruments; and transportation. The permanent collection also contains several smaller collections. The CN Photo Collection

7171-585: The museum, including an Atlas long-range rocket in 1973, and a pre-fabricated iron lighthouse in 1980. The lighthouse was originally built during the 1860s in Cape North , Nova Scotia , before it was disassembled and brought to Ottawa. In 1990, the National Museums of Canada Corporation was disbanded. A new Crown corporation, Ingenium , was formed through the Museums Act, 1990 to manage

7272-561: The natural history branch forming the National Museum of Natural Sciences , and the science and technology branch forming the National Museum of Science and Technology. The National Museums of Canada Corporation was also formed that year to manage the new institutions, including the National Museum of Science and Technology. The museum's early exhibition designs were inspired by equivalent museums in Europe that emphasized interactive exhibitions. A number of larger artifacts were installed outside

7373-525: The only people who really needed to see them". This phenomenon of disappearing objects is especially present in science museums like the Museum of Science and Industry in Chicago , which have a high visitorship of school-aged children who may benefit more from hands-on interactive technology than reading a label beside an artifact. There is no definitive standard as to the set types of museums. Additionally,

7474-504: The original structure renovated. The museum's collection contains over 20,000 artifact lots with 60,000 individual objects, some of which are on display in the museum's exhibitions. The museum also hosts and organizes a number of temporary and travelling exhibitions . The institution originates from the science and technology branch of the defunct National Museum of Canada. The National Museum of Canada originates from an institution formed in 1842, although its science and technology branch

7575-407: The outskirts of Ottawa was selected for use by the science and technology branch. The building opened to the public on 16 November 1967. In its first year, the museum attracted over 400,000 visitors. On 1 April 1968, the different branches of the National Museum of Canada were split up into several different institutions, with the museum's human history branch forming the National Museum of Man ,

7676-415: The past. Not every museum is participating in this trend, but that seems to be the trajectory of museums in the twenty-first century with its emphasis on inclusiveness. One pioneering way museums are attempting to make their collections more accessible is with open storage. Most of a museum's collection is typically locked away in a secure location to be preserved, but the result is most people never get to see

7777-570: The personal collection of Elias Ashmole , was set up in the University of Oxford to be open to the public and is considered by some to be the first modern public museum. The collection included that of Elias Ashmole which he had collected himself, including objects he had acquired from the gardeners, travellers and collectors John Tradescant the elder and his son of the same name . The collection included antique coins, books, engravings, geological specimens, and zoological specimens—one of which

7878-685: The preservation of their objects. They displayed objects as well as their functions. One exhibit featured a historical printing press that a staff member used for visitors to create museum memorabilia. Some museums seek to reach a wide audience, such as a national or state museum, while others have specific audiences, like the LDS Church History Museum or local history organizations. Generally speaking, museums collect objects of significance that comply with their mission statement for conservation and display. Apart from questions of provenance and conservation, museums take into consideration

7979-422: The primary centers for innovative research in the United States well before the start of World War II . Nevertheless, museums to this day contribute new knowledge to their fields and continue to build collections that are useful for both research and display. The late twentieth century witnessed intense debate concerning the repatriation of religious, ethnic, and cultural artifacts housed in museum collections. In

8080-442: The private collections of wealthy individuals, families or institutions of art and rare or curious natural objects and artifacts . These were often displayed in so-called "wonder rooms" or cabinets of curiosities . These contemporary museums first emerged in western Europe, then spread into other parts of the world. Public access to these museums was often possible for the "respectable", especially to private art collections, but at

8181-400: The project. Nonetheless, over 1.1 million people visited the museum in 2015, indicating it appeared to have paid off for the local government despite local backlash; key to this is the large demographic of foreign visitors to the museum, with 63% of the visitors residing outside of Spain and thus feeding foreign investment straight into Bilbao. A similar project to that undertaken in Bilbao was

8282-484: The public presentation of regularly scheduled programs and exhibits; Have a formal and appropriate program of documentation, care, and use of collections or objects; Carry out the above functions primarily at a physical facility or site; Have been open to the public for at least two years; Be open to the public at least 1,000 hours a year; Have accessioned 80 percent of its permanent collection; Have at least one paid professional staff with museum knowledge and experience; Have

8383-407: The public, accessible and inclusive, museums foster diversity and sustainability. They operate and communicate ethically, professionally and with the participation of communities, offering varied experiences for education, enjoyment, reflection and knowledge sharing." The Canadian Museums Association 's definition: "A museum is a non-profit, permanent establishment, that does not exist primarily for

8484-708: The purpose of conducting temporary exhibitions and that is open to the public during regular hours and administered in the public interest for the purpose of conserving, preserving, studying, interpreting, assembling and exhibiting to the public for the instruction and enjoyment of the public, objects and specimens or educational and cultural value including artistic, scientific, historical and technological material." The United Kingdom's Museums Association 's definition: "Museums enable people to explore collections for inspiration, learning and enjoyment. They are institutions that collect, safeguard and make accessible artifacts and specimens, which they hold in trust for society." While

8585-578: The ruler to display the amassed collections to guests and to visiting dignitaries. Also in Alexandria from the time of Ptolemy II Philadelphus (r. 285–246 BCE), was the first zoological park. At first used by Philadelphus in an attempt to domesticate African elephants for use in war, the elephants were also used for show along with a menagerie of other animals specimens including hartebeests , ostriches , zebras , leopards , giraffes , rhinoceros , and pythons . Early museums began as

8686-461: The study and education of the public. To city leaders, an active museum community can be seen as a gauge of the cultural or economic health of a city, and a way to increase the sophistication of its inhabitants. To museum professionals, a museum might be seen as a way to educate the public about the museum's mission, such as civil rights or environmentalism . Museums are, above all, storehouses of knowledge. In 1829, James Smithson's bequest funding

8787-451: The subject matter which now include content in the form of images, audio and visual effects, and interactive exhibits. Museum creation begins with a museum plan, created through a museum planning process. The process involves identifying the museum's vision and the resources, organization and experiences needed to realize this vision. A feasibility study, analysis of comparable facilities, and an interpretive plan are all developed as part of

8888-494: The type of collections they display, to include: fine arts , applied arts , craft , archaeology , anthropology and ethnology , biography , history , cultural history , science , technology , children's museums , natural history , botanical and zoological gardens . Within these categories, many museums specialize further, e.g., museums of modern art , folk art , local history , military history , aviation history , philately , agriculture , or geology . The size of

8989-471: The vast majority of collections. The Brooklyn Museum's Luce Center for American Art practices this open storage where the public can view items not on display, albeit with minimal interpretation. The practice of open storage is all part of an ongoing debate in the museum field of the role objects play and how accessible they should be. In terms of modern museums, interpretive museums, as opposed to art museums, have missions reflecting curatorial guidance through

9090-766: The way its subject matter existed at a certain point in time (e.g., the Anne Frank House and Colonial Williamsburg ). According to University of Florida Professor Eric Kilgerman, "While a museum in which a particular narrative unfolds within its halls is diachronic, those museums that limit their space to a single experience are called synchronic." In her book Civilizing the Museum , author Elaine Heumann Gurian proposes that there are five categories of museums based on intention and not content: object centered, narrative, client centered, community centered, and national. Museums can also be categorized into major groups by

9191-428: The whim of the owner and his staff. One way that elite men during this time period gained a higher social status in the world of elites was by becoming a collector of these curious objects and displaying them. Many of the items in these collections were new discoveries and these collectors or naturalists, since many of these people held interest in natural sciences, were eager to obtain them. By putting their collections in

9292-475: The world offer some definitions as to what constitutes a museum, and their purpose. Common themes in all the definitions are public good and the care, preservation, and interpretation of collections. The International Council of Museums ' current definition of a museum (adopted in 2022): "A museum is a not-for-profit, permanent institution in the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage. Open to

9393-540: Was "encyclopedic" in nature, reminiscent of that of Pliny, the Roman philosopher and naturalist. The idea was to consume and collect as much knowledge as possible, to put everything they collected and everything they knew in these displays. In time, however, museum philosophy would change and the encyclopedic nature of information that was so enjoyed by Aldrovandi and his cohorts would be dismissed as well as "the museums that contained this knowledge". The 18th-century scholars of

9494-435: Was a concern that large crowds could damage the artifacts. Prospective visitors to the British Museum had to apply in writing for admission, and small groups were allowed into the galleries each day. The British Museum became increasingly popular during the 19th century, amongst all age groups and social classes who visited the British Museum, especially on public holidays. The Ashmolean Museum , however, founded in 1677 from

9595-496: Was charged with organizing the Louvre as a national public museum and the centerpiece of a planned national museum system. As Napoléon I conquered the great cities of Europe, confiscating art objects as he went, the collections grew and the organizational task became more and more complicated. After Napoleon was defeated in 1815, many of the treasures he had amassed were gradually returned to their owners (and many were not). His plan

9696-522: Was dismantled and destroyed in accordance with the rocket's owner, the United States Air Force , whereas the latter was dismantled and placed in storage. During the building's closure, the institution lent out the museum's exhibitions for public display. The new building was reopened to the public on 17 November 2017. As a result of the renovations, portraits of Canadian Science and Engineering Hall of Fame inductees were removed from

9797-711: Was never fully realized, but his concept of a museum as an agent of nationalistic fervor had a profound influence throughout Europe. Chinese and Japanese visitors to Europe were fascinated by the museums they saw there, but had cultural difficulties in grasping their purpose and finding an equivalent Chinese or Japanese term for them. Chinese visitors in the early 19th century named these museums based on what they contained, so defined them as "bone amassing buildings" or "courtyards of treasures" or "painting pavilions" or "curio stores" or "halls of military feats" or "gardens of everything". Japan first encountered Western museum institutions when it participated in Europe's World's Fairs in

9898-503: Was not formed until 1966. The science and technology branch was headed by its own director, David McCurdy Baird , and had a small collection of artifacts transferred under its care by the National Museum of Canada. Baird was hired as the museum's first director in October 1966 to help oversee the design and installation of the science and technology museum. In April 1967, the former bakery and distribution centre for Morrison Lamothe in

9999-586: Was realized in the late 19th and early 20th centuries (this is often called "The Museum Period" or "The Museum Age"). While many American museums, both natural history museums and art museums alike, were founded with the intention of focusing on the scientific discoveries and artistic developments in North America, many moved to emulate their European counterparts in certain ways (including the development of Classical collections from ancient Egypt , Greece , Mesopotamia , and Rome ). Drawing on Michel Foucault 's concept of liberal government, Tony Bennett has suggested

10100-807: Was the Louvre in Paris , opened in 1793 during the French Revolution , which enabled for the first time free access to the former French royal collections for people of all stations and status. The fabulous art treasures collected by the French monarchy over centuries were accessible to the public three days each " décade " (the 10-day unit which had replaced the week in the French Republican Calendar ). The Conservatoire du muséum national des Arts (National Museum of Arts's Conservatory)

10201-480: Was the stuffed body of the last dodo ever seen in Europe; but by 1755 the stuffed dodo was so moth-eaten that it was destroyed, except for its head and one claw. The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The first building, which became known as the Old Ashmolean , is sometimes attributed to Sir Christopher Wren or Thomas Wood. In France, the first public museum

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