117-456: Castle Wolfenstein is a 1981 action-adventure game developed by Silas Warner for the Apple II and published by Muse Software in 1981. It is one of the earliest games based on stealth mechanics. A port to Atari 8-bit computers was released in 1982, followed by Commodore 64 (1983) and MS-DOS (1984). The player takes the role of an Allied prisoner of war during World War II who
234-627: A fantasy " setting. Tutankham , debuted by Konami in January 1982, was an action-adventure released for arcades . It combined maze, shoot 'em up, puzzle-solving and adventure elements, with a 1983 review by Computer and Video Games magazine calling it "the first game that effectively combined the elements of an adventure game with frenetic shoot 'em up gameplay." It inspired the similar Time Bandit (1983). Action Quest , released in May 1982, blended puzzle elements of adventure games into
351-446: A joystick -controlled, arcade-style action game, which surprised reviewers at the time. While noting some similarities to Adventure , IGN argues that The Legend of Zelda (1986) by Nintendo "helped to establish a new subgenre of action-adventure", becoming a success due to how it combined elements from different genres to create a compelling hybrid, including exploration, adventure-style inventory puzzles , an action component,
468-493: A military objective of some sort. They take place in the actual combat zones of World War II, against the established enemies, on the ground, the sea, or in the air. They contain many repeated events, such as mail call, all presented visually with appropriate uniforms , equipment, and iconography of battle. Further, Basinger considers Bataan to provide a definition-by-example of "the World War II combat film", in which
585-571: A monetary system , and simplified RPG-style level building without the experience points . The Legend of Zelda series was the most prolific action-adventure game franchise through to the 2000s. Roe R. Adams also cited the arcade-style side-scrolling fantasy games Castlevania (1986), Trojan (1986) and Wizards & Warriors (1987) as early examples of action-adventure games. Games like Brain Breaker (1985), Xanadu (1985), Metroid (1986) and Vampire Killer (1986) combined
702-767: A subgenre of open world action-adventure video games in the third-person perspective . They are characterized by their likeness to the Grand Theft Auto series in either gameplay or overall design. In these types of open world games, players may find and use a variety of vehicles and weapons while roaming freely in an open world setting. Metroidvania is a portmanteau of Metroid and Castlevania ; such games are sometimes referred to as "search action", and are generally based on two-dimensional platformers. They emphasize both exploration and puzzle-solving with traditional platform gameplay. Survival horror games emphasize "inventory management" and making sure
819-531: A British family on the home front; Edge of Darkness (1943) showed Norwegian resistance fighters, and The North Star (1943) showed the Soviet Union and its Communist Party . Towards the end of the war popular books provided higher quality and more serious stories for films such as Guadalcanal Diary (1943), Mervyn LeRoy 's Thirty Seconds Over Tokyo (1944), and John Ford 's They Were Expendable (1945). The Soviet Union, too, appreciated
936-644: A Japanese perspective. These "generally fail to explain the cause of the war". In the decades immediately after the Second World War, Japanese films often focused on human tragedy rather than combat, such as The Burmese Harp (1956) and Fires on the Plain (1959). From the late 1990s, films started to take a positive view of the war and of Japanese actions. These nationalistic films, including Pride (1998), Merdeka 17805 (2001), and The Truth about Nanjing (2007), have emphasized positive traits of
1053-424: A Japanese soldier beheads an American: the victim shows pain and his lips freeze in a scream, yet no blood spurts and his head does not fall off. Basinger points out that while this is physically unrealistic, psychologically it may not have been. The wartime audience was, she points out, well aware of friends and relatives who had been killed or who had come home wounded. The Axis powers similarly made films during
1170-423: A Western like Sam Peckinpah 's The Wild Bunch and "war-movie escapades" like The Dirty Dozen . The film historian Jeanine Basinger states that she began with a preconception of what the war film genre would be, namely that: What I knew in advance was what presumably every member of our culture would know about World War II combat films—that they contained a hero , a group of mixed types [of people], and
1287-545: A choice of what to say. The NPC gives a scripted response to the player, and the game offers the player several new ways to respond. Due to the action-adventure subgenre's broad and inclusive nature, it causes some players to have difficulty finishing a particular game. Companies have devised ways to give the player help, such as offering clues or allowing the player to skip puzzles to compensate for this lack of ability. Brett Weiss cites Atari 's Superman (1979) as an action-adventure game, with Retro Gamer crediting it as
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#17327834316991404-482: A close second. The costliest war in U.S. history in terms of American life, this war has been the subject of, or the backdrop to, numerous films, documentaries and mini-series. One of the earliest films using the Civil War as its subject was D.W. Griffith 's 1910 silent picture, The Fugitive . Films that have the war as its main subject, or about a certain aspect of the war, include the 1989 film Glory , about
1521-474: A combination of complex story elements, which are often displayed for players using audio and video. The story is heavily reliant upon the player character's movement, which triggers story events and thus affects the flow of the game. Popular examples of action-adventure games include The Legend of Zelda , God of War , and Tomb Raider series. There is a good deal of controversy over what actually constitutes an action-adventure game. One definition of
1638-448: A complex text parser and no free-moving character. While they share general gameplay dynamics, action-adventures vary widely in the design of their viewpoints, including bird's eye , side-scrolling, first-person, third-person , over-the-shoulder, or even a 3/4 isometric view . Many action-adventure games simulate a conversation through a conversation tree . When the player encounters a non-player character , they are allowed to select
1755-414: A diverse and apparently unsuited group of "hastily assembled volunteers" hold off a much larger group of the enemy through their "bravery and tenacity". She argues that the combat film is not a subgenre but the only genuine kind of war film. Since she notes that there were in fact only five true combat films made during the Second World War, in her view these few films, central to the genre, are outweighed by
1872-517: A game with a mix of elements from an action game and an adventure game , especially crucial elements like puzzles inspired by older adventure games. Action-adventures require many of the same physical skills as action games, but may also offer a storyline, numerous characters, an inventory system, dialogue, and other features of adventure games. They are typically faster-paced than pure adventure games, because they include both physical and conceptual challenges. Action-adventure games normally include
1989-431: A modified version of the game replacing assets and text with references to The Smurfs , is considered one of the first game mods . Silas Warner died in 2004 after a long illness. Action-adventure game An action-adventure game is a video game hybrid genre that combines core elements from both the action game and adventure game genres. Typically, classical adventure games have situational problems for
2106-477: A powerful emotional impact. It was watched by some 20 million people in Britain in its six weeks of exhibition, making it what the critic Francine Stock called "one of the most successful films of all time". The 1925 American film The Big Parade depicted unglamorous elements of war: the protagonist loses his leg, and his friends are killed. William A. Wellman 's Wings (1927) showed aerial combat during
2223-528: A quiet Russian and an extrovert southerner from Odessa, singing in his dugout. The many Soviet films about the Second World War include both large-scale epics such as Yury Ozerov 's Battle of Moscow (1985) and Mikhail Kalatozov 's more psychological The Cranes are Flying (1957) on the cruel effects of war; it won the 1958 Palme d'Or at Cannes. Japanese directors have made popular films such as Submarine I-57 Will Not Surrender (1959), Battle of Okinawa (1971) and Japan's Longest Day (1967) from
2340-711: A side-scrolling platformer format with adventure exploration, creating the Metroidvania platform-adventure subgenre. Similarly, games like 005 (1981), Castle Wolfenstein and Metal Gear (1987) combined action-adventure exploration with stealth mechanics, laying the foundations for the stealth game subgenre, which would later be popularized in 1998 with the releases of Metal Gear Solid , Tenchu: Stealth Assassins , and Thief: The Dark Project . The cinematic platformer Prince of Persia (1989) featured action-adventure elements, inspiring games such as Another World (1991) and Flashback (1992). Alone in
2457-400: A single avatar as the protagonist . This type of game is often quite similar to role-playing video games . They are distinct from graphic adventures , which sometimes have free-moving central characters, but also a wider variety of commands and fewer or no action game elements and are distinct too from text adventures , characterized by many different commands introduced by the user via
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#17327834316992574-505: A traditional war film should have a hero, a group, and an objective, and that the group should contain "an Italian, a Jew, a cynical complainer from Brooklyn, a sharpshooter from the mountains, a midwesterner (nicknamed by his state, 'Iowa' or 'Dakota'), and a character who must be initiated in some way". Films based on real commando missions, like The Gift Horse (1952) based on the St. Nazaire Raid , and Ill Met by Moonlight (1956) based on
2691-426: A wall, the screen "goes into hysterics for a few seconds". Herring added that playing the game with a keyboard is "inconvenient" as the player does not have time to perform game actions quickly enough but concluded by stating Castle Wolfenstein has "simple but effective graphics" and called the game "addicting". InfoWorld 's Essential Guide to Atari Computers recommended the game as among the best adventure games for
2808-486: Is a two-dimensional action-adventure game played from a top-down perspective using a keyboard , joystick , or paddles . It has also been described as a maze game . There are eight difficulty levels in the game that are determined by the player's rank. The player takes the role of an Allied spy that has been captured by Nazis and imprisoned in a dungeon within Castle Wolfenstein for interrogation by
2925-735: Is an action game that includes situational problem-solving. Adventure gamers may also be purists, rejecting any game that makes use of physical challenges or time pressure. Regardless, the action-adventure label is prominent in articles over the internet and media. The term "action-adventure" is usually substituted for a particular subgenre due to its wide scope. Although action-adventure games are diverse and difficult to classify, there are some distinct subgenres. Many games with gameplay similar to those in The Legend of Zelda series are called Zelda clones or Zelda -like games. Popular subgenres include: A Grand Theft Auto clone belongs to
3042-473: Is held captive in the fictional Castle Wolfenstein. After escaping from a cell, the player's objective is to find the Nazis' secret war plans and escape from the castle. Nazi soldiers can be dealt with via impersonation, sneaking, or killing. Warner was inspired by the 1961 film The Guns of Navarone and the 1980 arcade video game Berzerk . The 60 room castle is procedurally generated . Castle Wolfenstein
3159-496: Is regarded as the first commercial trainer in video gaming. According to Harvey Bernstein of Antic , after its release, Castle Wolfenstein "quickly shot to the top of the charts" and became "one of the most popular games for any microcomputer". In the October 1982 issue of Computer Gaming World , associate publisher and game merchandiser Dana Lombardy released an incomplete list of top-selling games as of 30 June 1982, where
3276-609: The Uncharted franchise, The Legend of Zelda: Breath of the Wild and Ark: Survival Evolved . War film War film is a film genre concerned with warfare , typically about naval , air , or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat , survival and escape, camaraderie between soldiers , sacrifice,
3393-664: The Algerian War (1954–1956). It was shot on location as an Italo-Algerian co-production. It had the black and white newsreel style of Italian neorealism , and even-handedly depicts violence on both sides. It won various awards including Golden Lion at the Venice Film Festival . It was attacked by French critics and was for five years banned in France as well as Jamila, the Algerian (1958). Few films before
3510-463: The Battle of Stalingrad . Feature films made in the west during the war were subject to censorship and were not always realistic in nature. One of the first to attempt to represent violence, and which was praised at the time for "gritty realism", was Tay Garnett 's Bataan (1943). The depiction actually remained stylised. Jeanine Basinger gives as an example the "worst image for stark violence" when
3627-658: The Indonesian war of independence (1945–1949). Two other films about the same period portray the Indonesian equivalent of the Chinese Long March : Usmar Ismail 's Darah dan Doa ( The Long March , literally "Blood and Prayer", 1950) and Mereka Kembali ( They Return , 1975). Each of these films interprets the past from the perspective of its own time. The more recent Merdeka (Freedom) trilogy (2009–2011), starting with Merah Putih ("Red and White",
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3744-705: The Mekong Delta during the Vietnam War. The film cuts to an (American) "helicopter-eye view", contrasting painfully with the human tenderness seen earlier. Dino Mustafić's Remake (2003), written by Zlatko Topčić , tells the parallel coming-of-age stories of a father living in Sarajevo during World War II and his son living through the Siege of Sarajevo during the Bosnian War . According to Topčić,
3861-466: The SS Stormtroopers . While the spy is waiting for interrogation, a dying prisoner emerges from a hiding place and hands the player a fully loaded pistol with 10 rounds, and three grenades before passing away. The objective is to escape from the castle and if the player finds the battle plans before escaping, they will be promoted and the complexity of the subsequent run will be increased, while
3978-638: The Second World War came from Britain and combined the functions of documentary and propaganda. Films such as The Lion Has Wings and Target for Tonight were made under the control of the Films Division of the Ministry of Information. The British film industry began to combine documentary techniques with fictional stories in films like Noël Coward and David Lean 's In Which We Serve (1942)—"the most successful British film of
4095-857: The Western Desert of North Africa and the Pacific in the Second World War, Vietnam , or the Soviet–Afghan War ; and films set in specific domains of war, such as the infantry, the air, at sea, in submarines or at prisoner of war camps. The war film genre is not necessarily tightly defined: the American Film Institute , for example, speaks of "films to grapple with the Great War" without attempting to classify these. However, some directors and critics have offered at least tentative definitions. The director Sam Fuller defined
4212-497: The battle of the Atlantic . Others, like The Dam Busters (1954), with its exciting tale of the inventor Barnes Wallis 's unorthodox bouncing bomb and its distinctive theme music , were true stories. The Dam Busters became the most popular film in Britain in 1955, and remained a favourite as of 2015 with a 100% score on Rotten Tomatoes , though, partly because it celebrated an "exclusively British [victory]", it failed in
4329-480: The genre by saying that "a war film's objective, no matter how personal or emotional, is to make a viewer feel war." John Belton identified four narrative elements of the war film within the context of Hollywood production: a) the suspension of civilian morality during times of war, b) primacy of collective goals over individual motivations, c) rivalry between men in predominantly male groups as well as marginalization and objectification of women, and d) depiction of
4446-818: The "first to utilize multiple screens as playing area". Mark J.P. Wolf credits Adventure (1980) for the Atari VCS as the earliest-known action-adventure game. The game involves exploring a 2D environment, finding and using items which each have prescribed abilities, and fighting dragons in real-time like in an action game . Muse Software 's Castle Wolfenstein (1981) was another early action-adventure game, merging exploration, combat, stealth, and maze game elements, drawing inspiration from arcade shoot 'em ups and maze games (such as maze-shooter Berzerk ) and war films (such as The Guns of Navarone ). According to Wizardry developer Roe R. Adams, early action-adventure games "were basically arcade games done in
4563-473: The 1950s and 1960s. War film production in the United Kingdom and United States reached its zenith in the mid-1950s. Its popularity in the United Kingdom was brought on by the critical and commercial success of Charles Frend 's The Cruel Sea (1953). Like others of the period, The Cruel Sea was based on a bestselling novel, in this case the former naval commander Nicholas Monsarrat 's story of
4680-416: The 1992 game Wolfenstein 3D developed by id Software . John Romero stated the original idea was to create a 3D Castle Wolfenstein but did not have the rights to the game during development. Many options for the game's title were proposed and rejected and, eventually, id Software bought the rights to use Wolfenstein from Silas Warner. The original concept of Wolfenstein 3D changed significantly because
4797-663: The American Indian Wars of the 19th century were called war films in the time before the First World War. The critic Julian Smith argues, on the contrary, that the war film lacks the formal boundaries of a genre like the Western , but that in practice, "successful and influential" war films are about modern wars, in particular World War II, with the combination of mobile forces and mass killing. The film scholar Kathryn Kane points out some similarities between
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4914-733: The American market. A large number of war films were made in the 1955–1958 period in particular. In 1957 alone, Bitter Victory , Count Five and Die , The Enemy Below , Ill Met by Moonlight , Men in War , The One That Got Away , and Seven Thunders , and the highly successful, critically acclaimed pictures The Bridge on the River Kwai (which won the Academy Award for Best Picture that year ) and Paths of Glory were released. Some, such as Bitter Victory , focused more on
5031-755: The Americans. Similarly, the country's films about the Korean War show victory without help from the Chinese. The film scholar Johannes Schönherr concludes that the purpose of these films is "to portray North Korea as a country under siege", and that since the U.S. and its "puppet" South Korea invaded the North once, they would do so again. Gillo Pontecorvo 's dramatic The Battle of Algiers (( Italian : La battaglia di Algeri ; Arabic : معركة الجزائر ; French : La Bataille d'Alger ), 1966) portrayed events in
5148-674: The Apple II and the game was made on other platforms. A port to the Atari 8-bit computers was published six months after the Apple release, and a Commodore 64 version in 1983 and to MS-DOS in 1984. Following the game's release, a software developed by Moxie, The Great Escape Utility , was marketed in 1983, promising bug fixes to speed up the opening of chests and the startup time of the game. It also allowed players to choose their starting location and gain an unlimited amount of items. The software
5265-481: The Atari 8-bit, stating that while entertaining it was "too gory for young kids". Antic criticized the Atari 8-bit version's use of the Apple II original's " lousy sound and black-white-green-purple graphics ". In a 1991 Computer Gaming World survey of strategy and war games, M. Evan Brooks called the game an "arcade classic", and stated that despite the outdated graphics, it had remained in his "fond memories". In 1996,
5382-893: The Central Powers and the Allies produced war documentaries. The films were also used as propaganda in neutral countries like the United States. Among these was a film shot on the Eastern Front by official war photographer to the Central Powers, Albert K. Dawson : The Battle and Fall of Przemysl (1915), depicting the Siege of Przemyśl , disastrous for the Austrians, with incidents reenacted using soldiers as extras. The 1915 Australian film Within Our Gates (also known as Deeds that Won Gallipoli ) by Frank Harvey
5499-490: The Dark (1992) used 3D graphics , which would later be popularized by Resident Evil (1996) and Tomb Raider (1996). Resident Evil in particular created the survival horror subgenre, inspiring titles such as Silent Hill (1999) and Fatal Frame (2001). Action-adventure games have gone on to become more popular than the pure adventure games and pure platform games that inspired them. Recent examples include
5616-635: The Golden Mulberry at the Udine Far East Film Festival, but was criticised for its nationalistic sympathy with kamikaze pilots. The wartime authorities in both Britain and America produced a wide variety of documentary films. Their purposes included military training, advice to civilians, and encouragement to maintain security. Since these films often carried messages, they grade into propaganda. Similarly, commercially produced films often combined information, support for
5733-463: The Japanese military and contended that the Japanese were victims of post-war vindictiveness and viciousness. Such films have, however, been subject to protest for revisionism . The Eternal Zero (2013) narrates the tale of a Zero fighter pilot who is considered a coward by his comrades, as he returns alive from his missions. It broke the record takings for a Japanese live action film, and won
5850-431: The Japanese state as one great family and the Japanese people as an "innocent, suffering, self-sacrificing people". Dower comments that the perversity of this image "is obvious: it is devoid of any recognition that, at every level, the Japanese also victimized others." According to Andrew Pulver of The Guardian , the public fascination with war films became an "obsession", with over 200 war films produced in each decade of
5967-540: The Maine Victims , Blanket-Tossing of a New Recruit , and Soldiers Washing Dishes . These non-combat films were accompanied by "reenactments" of fighting, such as of Theodore Roosevelt 's "Rough Riders" in action against the Spanish, staged in the United States. During the First World War, many films were made about life in the war. Topics included prisoners of war, covert operations, and military training. Both
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#17327834316996084-615: The Russian people to battle, actual fighting, Germans surrendering and dead, and atrocities including murdered children and hanged civilians. It won an Academy Award in 1943 for best documentary. Newsreel cameras were similarly rushed to Stalingrad early in 1943 to record "the spectacle which greeted the Russian soldiers"—the starvation of Russian prisoners of war in the Voropovono camp by the German Sixth Army , defeated in
6201-629: The Second Sino–Japanese War from 1937 onwards did war film become a serious genre in China, with nationalistic films such as Shi Dongshan 's Protect Our Land (1938). The Chinese Civil War, too, attracted films such as Cheng Yin 's From Victory to Victory (1952). A more humanistic film set in the same period is Xie Jin 's The Cradle (1979), while more recent large-scale commercial films include Lu Chuan 's City of Life and Death (2009). Chinese directors have repeatedly attempted to cover
6318-458: The Second World War, for propaganda and other purposes. In Germany, the army high command brought out Sieg im Westen ("Victory in the West", 1941). Other Nazi propaganda films had varied subjects, as with Kolberg (1945), which depicts stubborn Prussian resistance in the Siege of Kolberg (1807) to the invading French troops under Napoleon . The propaganda minister Joseph Goebbels chose
6435-446: The advent of Castle Wolfenstein , after which other games using the same ideas began to appear. In its review of the series, Xbox Wire called Castle Wolfenstein a "proto-stealth game" that contains "innovations that would go on to become standards in the stealth genre". When speaking with Retro Gamer , Wolfenstein 3D co-creator John Romero credited Castle Wolfenstein as the "original stealth shooter". Castle Smurfenstein ,
6552-532: The atrocities committed by the Japanese during the Nanjing Massacre (1937–1938), with films such as the political melodrama Massacre in Nanjing , Mou Tun Fei 's docudrama Black Sun: The Nanking Massacre , and the "contrived Sino–Japanese romance" Don't Cry, Nanking . Zhang Yimou 's epic Chinese film Flowers of War (2011), based on Geling Yan 's novel, portrays the violent events through
6669-664: The attempted invasion of the Russian city of Novgorod by the Teutonic Knights . By April 1939 the film had been seen by 23,000,000 people. In 1941 the director and three others were awarded the Stalin Prize for their contributions. The film features a musical score by the classical composer Sergei Prokofiev , considered by artists such as the composer André Previn the best ever written for cinema. Russell Merritt, writing in Film Quarterly , describes it as
6786-643: The behavior of the castle's guards, while the third disk handled the player character's behavior. According to Warner, a lot of work went into synchronizing the programs, and he was satisfied with the result. For the soundtrack, he implemented his own voice for the German guards, using Apple II software called The Voice (also published by Muse Software). He used German phrases such as Achtung , Schweinhund , Halt , and five other German phrases. Muse Software released Castle Wolfenstein in September 1981 for
6903-497: The best of popular Indonesian cinema". It was the first Indonesian film to become well known internationally. War has been the Soviet Union's cinema's major genre, becoming known indeed as the "cinema front", and its war films ranged from grim portrayals of atrocities to sentimental and even quietly subversive accounts. Leonid Lukov 's popular and "beautiful" Two Warriors (1943) depicted two stereotypical Soviet soldiers,
7020-470: The capture of the German commander of Crete, inspired fictional adventure films such as The Guns of Navarone (1961), The Train (1964), and Where Eagles Dare (1968). These used the war as a backdrop for spectacular action. Darryl F. Zanuck produced the 178 minute documentary drama The Longest Day (1962), based on the first day of the D-Day landings , achieving commercial success and Oscars. It
7137-771: The castle's layout changes and the game starts again. The game takes place in a procedurally-generated castle of approximately 60 rooms that house standard Nazi guards and SS Stormtroopers identified by their bulletproof vests marked with the SS insignia . Standard guards can be eliminated with a pistol and have a chance to surrender if the player points a pistol at them even if they have no ammunition, and SS Stormtroopers with grenades because they usually wear body armor. Enemies can be looted once surrendered or after they've been eliminated and can possess ammunition, grenades, and keys which can be used on doors and chests. Doors and chests can be opened more quickly by shooting at them but will attract
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#17327834316997254-562: The colours of the flag of the new Indonesia), revisits the campaign for independence through the lives of a diverse group of cadets who become guerillas. Karya's November 1828 (1979) looks at Indonesia's struggle for independence through historical drama about the Java or Diponegoro War (1825–1830), though the colonial enemy was the same, the Dutch . Deanne Schultz considered it "a valuable interpretation" of Indonesian history that "embodies
7371-494: The comment that "for all its epic pretensions (as if epic were a matter of running time, tumescent music and earnest voice-over pronouncements), the movie works best as a bang-and-boom action picture". Steven Spielberg 's Saving Private Ryan (1998) uses hand-held camera, sound design, staging, and increased audio-visual detail to defamiliarise viewers accustomed to conventional combat films, so as to create what film historian Stuart Bender calls "reported realism", whether or not
7488-804: The common Japanese soldier as an individual and as a family man, and even enemy Chinese soldiers are presented as individuals, sometimes fighting bravely. Once war with the United States was declared, the Japanese conflict became known as the Pacific War . Japanese film critics worried that even with Western film techniques, their film output failed to represent native Japanese values. The historian John Dower found that Japanese wartime films had been largely forgotten, as "losers do not get reruns", yet they were so subtle and skilful that Frank Capra thought Chocolate and Soldiers unbeatable. Heroes were typically low-ranking officers, not samurai , calmly devoted to his men and his country. These films did not personalise
7605-670: The cost of authenticity. Although the 1918 Finnish Civil War between Whites and Reds remained a controversial topic a century later in Finland , many Finnish filmmakers have taken up the subject, often basing their work on a book. In 1957, Toivo Särkkä 's 1918 , based on Jarl Hemmer 's play and novel, was screened at the 7th Berlin International Film Festival . Recent films include Lauri Törhönen 's 2007 The Border , and Aku Louhimies 's 2008 Tears of April , based on Leena Lander 's novel. Perhaps
7722-492: The destructive impact of American military presence on village life. The violent action films Shiri (1999) and Joint Security Area (2000) presented North Korea in a favourable light. Films in North Korea were made by government film studios and had clear political messages. The first was My Home Village (1949), on the liberation of Korea from the Japanese, presented as the work of Kim Il Sung without help from
7839-508: The developers decided the core of the gameplay would be fast and simple so features such as the ability to drag and loot fallen enemy soldiers were withdrawn. Further development by other studios led to the emergence of one of the longest-living video series; as of 2021, there are 13 Wolfenstein games, the most recent of which, Wolfenstein: Youngblood and Wolfenstein: Cyberpilot , are spin-offs released in 2019. Multiple media outlets considered Castle Wolfenstein to be significant in
7956-401: The enemy and therefore lacked hatred, though Great Britain could figure as the "cultural enemy". For Japanese film-makers, war was not a cause but more like a natural disaster, and "what mattered was not whom one fought but how well". Asian enemies, especially the Chinese, were often portrayed as redeemable and even possible marriage partners. Japanese wartime films do not glorify war, but present
8073-503: The entire breadth of the war. Some films deal with the human aspects of the war, such as The Red Badge of Courage (1951), or Shenandoah (1965), on the tragedy that the war inflicted on the civilian population. Ken Burns 's The Civil War is the most-watched documentary in the history of PBS . The first war films come from the Spanish–American War of 1898. Short "actualities"—documentary film-clips—included Burial of
8190-414: The escape" is "worth the wait". Richard Herring of Ahoy! , reviewing the game's Commodore 64 version, also complained about Castle Wolfenstein ' s slow gameplay, especially the long time it took to open the chests. He also stated that each room must be loaded from the floppy disk , causing a lag when each room is entered. Herring also mentioned a bug , in which if the player character bumps into
8307-513: The eyes of a 13-year-old girl. Many Indonesian films deal with the occupation of the archipelago by the Japanese during the Second World War. Teguh Karya 's Doea Tanda Mata ( Mementos , literally "Two Eye Marks", 1985) covers the limited nationalist resistance to Dutch colonial rule in the 1930s. A third group of films such as Enam Djam di Jogja ( Six Hours in Yogyakarta , 1951) and Serangan Fajar ( Attack at Dawn , 1983) covers
8424-516: The facts", yet imply that "their version is as good as the truth". For example, he calls the 2000 American film U-571 a "shameless deception" for pretending that a US warship had helped to win the Battle of the Atlantic—seven months before America entered the war. He is equally critical of Christopher Nolan 's 2017 film Dunkirk with its unhistorically empty beaches, low-level air combat over
8541-848: The fate of the principal characters". This in turn pushes combat scenes to the climactic ends of war films. Not all critics agree, either, that war films must be about 20th-century wars. James Clarke includes Edward Zwick 's Oscar-winning Glory (1990) among the war films he discusses in detail; it is set in the American Civil War , and he lists six other films about that war which he considers "notable". The screenwriter and scholar Eric R. Williams identifies war films as one of eleven super-genres in his screenwriters' taxonomy , claiming that all feature-length narrative films can be classified as belonging to one of them. The British military historian Antony Beevor "despair[s]" at how film-makers from America and Britain "play fast and loose with
8658-512: The fighting, the successful South Korean action film Piagol about leftist guerrilla atrocities encouraged other film-makers. The 1960s military government punished pro-communist film-makers and gave Grand Bell Awards to films with the strongest anti-communist message. The Taebaek Mountains (1994) dealt with leftists from the south who fought for the communists, while Silver Stallion (1991) and Spring in My Hometown (1998) showed
8775-813: The film Pearl Harbor 's US-biased portrayal of events is a compensation for technical assistance received from the US armed forces, noting that the premiere was held on board a U.S. Navy carrier. In another case, the U.S. Navy objected to elements of Crimson Tide , especially mutiny on board an American naval vessel, so the film was produced without their assistance. The film historian Jonathan Rayner observes that such films "have also clearly been intended to serve vital propagandist, recruitment and public relations functions". The first Chinese war films were newsreels like Battle of Wuhan (1911) and Battle of Shanghai (1913). Still in films such as Xu Xinfu 's Battle Exploits (1925), war featured mainly as background. Only with
8892-609: The first formal unit of the Union Army during the American Civil War to be made up entirely of Black volunteers. Some films such as Gettysburg focused on a single battle during the war, or even on a single incident, like the French short film La Rivière du Hibou ( An Occurrence at Owl Creek Bridge ) and Disney 's The Great Locomotive Chase (1956). Others like the 1993 miniseries North and South spanned
9009-463: The futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War ; the most popular subjects are the Second World War and the American Civil War . The stories told may be fiction , historical drama , or biographical . Critics have noted similarities between the Western and
9126-503: The game further. He was uninterested in using space as a setting due to his belief that there were so many of them on the market. The concept changed after Warner watched the 1961 British-American war film The Guns of Navarone and was amazed by the Allied commandos who broke into a German fortress to destroy the German artillery battery . Within the same day, he played Berzerk , a multidirectional shooter arcade video game in which
9243-426: The game landed in 13th place with 20,000 copies sold. The game ultimately sold about 50,000 copies by 1983. Creative Computing Video and Arcade Games ' s Andrew Brill complained about the Apple version's slow gameplay, which according to Brill is mainly due to the time taken to open chests that contain "completely useless" items, which Brill regarded as the game's "most frustrating feature", but added "thrill of
9360-456: The game restarts with the castle's layout preserved and the same chests and guards. If they are killed by their own grenade, the game restarts in a newly generated castle. Castle Wolfenstein was developed by Silas Warner at Muse Software and the game's cover art was drawn by John Benson. The game was initially conceptualized as a game set in the mid-1980s in what Warner describes as "a guy running around rooms" and did not know how to develop
9477-474: The game, which took 35 to 60 seconds to complete before the gameplay of the original Apple version started; as a result, the game produced a new set of 60 rooms, the arrangement of which was nearly always different. He designed the game's architecture using three programs, each of which was on separate floppy disks and later integrated into a single floppy disk. The first one initialized the graphics and shuffled 64 interchangeable floor plans. The second disk governed
9594-406: The gameplay still follows a number of adventure game genre tropes (gathering items , exploration of and interaction with one's environment, often including an overworld connecting areas of importance, and puzzle-solving). While the controls are arcade-style (character movement, few action commands) there is an ultimate goal beyond a high score. In most action-adventure games, the player controls
9711-508: The greatest screenplay ever written for the motion-picture medium"; Richard Attenborough 's satirical anti-war musical comedy based on Joan Littlewood 's play of the same name, Oh! What a Lovely War (1969); Spielberg's 2011 war drama War Horse was based on Michael Morpurgo 's children's novel of the same name . Many of the films promoted as "documentaries" added context to authentic battlefield scenes by staging critical events, and invented episodes and dialog to enhance excitement at
9828-417: The guards in the room, and if the chest contains ammunition and grenades, they will explode resulting in immediate death. Chests may contain bulletproof vests, uniforms, and secret documents, or sauerkraut , sausages, and schnapps that do not affect the gameplay. Uniforms allow the player character to pass guards unnoticed, but they are ineffective against SS Stormtroopers. If the player dies from enemy gunfire,
9945-407: The historical subject as suitable for the worsening situation facing Nazi Germany when it was filmed from October 1943 to August 1944. At over eight million marks, using thousands of soldiers as extras and 100 railway wagonloads of salt to simulate snow, it was the most costly German film made during the war. The actual siege ended with the surrender of the town; in the film, the French generals abandon
10062-464: The last of the traditional war films, while the controversy around the help given by the U.S. Army and Zanuck's "disregard for Pentagon relations" changed the way that Hollywood and the Army collaborated. Zanuck, by then an executive at 20th Century Fox , set up an American–Japanese co-production for Richard Fleischer 's Tora! Tora! Tora! (1970) to depict what "really happened on December 7, 1941" in
10179-460: The late 1970s about the Vietnam War actually depicted combat; exceptions include The Green Berets (1968). Critics such as Basinger explain that Hollywood avoided the subject because of opposition to United States involvement in the Vietnam War , making the subject divisive; in addition, the film industry was in crisis, and the army did not wish to assist in making anti-war films. From
10296-798: The late 1970s, independently financed and produced films showed Hollywood that Vietnam could be treated in film. Successful but very different portrayals of the war in which America had been defeated included Michael Cimino 's The Deer Hunter (1978), and Francis Ford Coppola 's Apocalypse Now (1979). With the shift in American politics to the right in the 1980s, military success could again be shown in films such as Oliver Stone 's Platoon (1986), Stanley Kubrick 's Full Metal Jacket (1987) and John Irvin 's Hamburger Hill (1987). The Vietnamese director Nguyễn Hồng Sến [ vi ] 's The Abandoned Field: Free Fire Zone ( Cánh đồng hoang , 1979) gives an "unnerving and compelling .. subjective-camera-eye-view" of life under helicopter fire in
10413-535: The many other films that are only just war films. However, other critics such as Russell Earl Shain propose a far broader definition of war film, to include films that deal "with the roles of civilians, espionage agents, and soldiers in any of the aspects of war (i.e. preparation, cause, prevention, conduct, daily life, and consequences or aftermath.)" Neale points out that genres overlap, with combat scenes for different purposes in other types of film, and suggests that war films are characterised by combat which "determines
10530-534: The metaphor of hunting to criticise the aggressiveness of Spanish fascism . It won the Silver Bear for Best Director at the 16th Berlin International Film Festival in 1966. Ken Loach 's Land and Freedom ( Tierra y Libertad , 1995), loosely based on George Orwell 's Homage to Catalonia , follows a British communist through the war to reveal the painful contradictions within the anti-fascist Republican side. Samuel Fuller 's The Steel Helmet (1951)
10647-665: The most famous film about the Finnish Civil War is Edvin Laine 's 1968 Here, Beneath the North Star , based on the first two books of Väinö Linna 's Under the North Star trilogy; it describing the civil war from the losing side, Finland's Red Guards . The Spanish Civil War has attracted directors from different countries. Sam Wood 's For Whom the Bell Tolls (1943), based on Ernest Hemingway 's book of
10764-489: The player has enough ammunition and recovery items to " survive " the horror setting. This is a thematic genre with diverse gameplay, so not all survival horror games share all the features. The Resident Evil franchise popularized this subgenre. Action-adventure games are faster-paced than pure adventure games, and include physical as well as conceptual challenges where the story is enacted rather than narrated. While motion-based, often reflexive, actions are required,
10881-467: The player navigates through a maze with laser-shooting robots. He decided to use the same concept but with Nazi soldiers instead of robots. His idea was to take the basic common concept of an arcade shoot 'em up, where players dodge enemies with the intent of killing them, and change the objective to escape the enemy guards and their castle with shooting guards simply a means to an end and not an end in itself. Warner implemented procedural level generation to
10998-473: The player to explore and solve to complete a storyline, involving little to no action . If there is action, it is generally confined to isolated instances. Classical action games, on the other hand, have gameplay based on real-time interactions that challenges the player's reflexes and eye-hand coordination . Action-adventure games combine these genres by engaging both eye-hand coordination and problem-solving skills. An action adventure game can be defined as
11115-465: The popular Sands of Iwo Jima (1949) starring John Wayne . U.S. Marines considered Sands of Iwo Jima visually authentic, but found Lewis Milestone's Battle Cry (1955), with its attention to the lives of the men, the more realistic film. The formula for a successful war film consisted, according to Lawrence Suid, of a small group of ethnically diverse men; an unreasonable senior officer; cowards became heroic, or died. Jeanine Basinger suggests that
11232-514: The portrayal is genuinely more realistic. Jeanine Basinger notes that critics experienced it as "groundbreaking and anti-generic", with, in James Wolcott's words, a "desire to bury the cornball, recruiting poster legend of John Wayne: to get it right this time"; and that combat films have always been "grounded in the need to help an audience understand and accept war". Its success revived interest in World War II films. Others tried to portray
11349-480: The propaganda value of film, to publicise both victories and German atrocities. Ilya Kopalin's documentary Moscow Strikes Back ( Russian : Разгром немецких войск под Москвой , literally "The rout of the German troops near Moscow"), was made during the Battle of Moscow between October 1941 and January 1942. It depicted civilians helping to defend the city, the parade in Red Square and Stalin 's speech rousing
11466-456: The psychological battle between officers and egotism rather than events during the war. The Bridge on the River Kwai brought a new complexity to the war picture, with a sense of moral uncertainty surrounding war. By the end of the decade the "sense of shared achievement" which had been common in war films "began to evaporate", according to Pulver. Hollywood films in the 1950s and 1960s could display spectacular heroics or self-sacrifice, as in
11583-783: The reality of the war, as in Joseph Vilsmaier 's Stalingrad (1993), which The New York Times said "goes about as far as a movie can go in depicting modern warfare as a stomach-turning form of mass slaughter". Many war films have been produced with the cooperation of a nation's military forces. Since the Second World War, the United States Navy has provided ships and technical guidance for films such as Top Gun . The U.S. Air Force assisted with The Big Lift , Strategic Air Command and A Gathering of Eagles , which were filmed on Air Force bases; Air Force personnel appeared in many roles. Critics have argued that
11700-399: The reintegration of veterans. The fateful nature of battle scenes means that war films often end with them. The film critic Stephen Neale suggests that the genre is for the most part well defined and uncontentious, since war films are simply those about war being waged in the 20th century, with combat scenes central to the drama. However, Neale notes, films set in the American Civil War or
11817-439: The same magazine listed Castle Wolfenstein as the 116th best game of all time. In 1984, Muse Software released a sequel, Beyond Castle Wolfenstein , with similar graphics and gameplay. It adds some new features, such as the use of a knife, the ability to bribe guards, and a pass system in which guards periodically summon the player character and ask him or her to show the correct pass. Castle Wolfenstein directly influenced
11934-599: The same name , portrays the fated romance between an American played by Gary Cooper and a partisan played by Ingrid Bergman against the backdrop of the civil war. The epic 168-minute film with its landscapes shot in Technicolor and a "beautiful" orchestral score was a success both with audiences and with critics. Alain Resnais 's Guernica (1950) uses Picasso 's 1937 painting of the same name to protest against war. Carlos Saura 's La Caza (The Hunt, 1966) uses
12051-515: The sea, and rescues mainly by the "little ships". Beevor feels, however, that Continental European film-makers are often "far more scrupulous"; for example, in his view the 2004 German film Downfall accurately depicted the historical events of Hitler's final days in his Berlin bunker, and he considers the 1965 French film The 317th Platoon , set in Vietnam, "the greatest war movie ever made". The 1966 film The Battle of Algiers is, he argues,
12168-526: The shaping of the stealth games genre. Though no more Wolfenstein games were released by Muse Entertainment after Beyond Castle Wolfenstein , Metal Gear series and several other video games took elements and inspiration from the two original games. Casey Alkaisy, marketing manager at DICE , in his review of stealth games on Gamasutra , said the first foundations of the stealth genre were laid down in Pac-Man but its game mechanics only took shape with
12285-471: The siege. For Japan, the war began with the undeclared war and invasion of China in 1937 , which the Japanese authorities called "The China Incident". The government dispatched a "pen brigade" to write and film the action in China with "humanist values". Tomotaka Tasaka 's Mud and Soldiers (1939) for instance, shot on location in China, Kōzaburō Yoshimura 's Legend of Tank Commander Nishizumi , and Sato Takeshi 's Chocolate and Soldiers (1938) show
12402-461: The story is based on incidents from his own life. The Iraq War served as the background story of U.S. movies, like The Hurt Locker from 2008, Green Zone from 2010, and American Sniper from 2014. The War in Afghanistan since 2001 was depicted in various movies, among them Restrepo in 2010 and Lone Survivor from 2013. The first popular Allied war films made during
12519-541: The surprise attack on Pearl Harbor . The film, panned by Roger Ebert and The New York Times , was a major success in Japan. Its realistic-looking attack footage was reused in later films such as Midway (1976), The Final Countdown (1980), and Australia (2008). The story was revisited in Pearl Harbor (2001), described by The New York Times as a "noisy, expensive and very long new blockbuster", with
12636-430: The term "action-adventure" may be '"An action/adventure game is a game that has enough action in it not to be called an adventure game, but not enough action to be called an action game." In some cases an action game with puzzles will be classified as an action-adventure game, but if these puzzles are quite simple they might be classified as an action game. Others see action games as a pure genre, while an action-adventure
12753-516: The war and was made in cooperation with the Army Air Corps. It proved a powerful recruiting tool. It became the first film (in any genre) to be awarded an Oscar for best picture. Later films of varied genres that deal with the First World War include David Lean 's "colossal epic", both war film and biopic Lawrence of Arabia (1962), shot in the then unfamiliar and exciting 70mm Technicolor , and described by Steven Spielberg as "maybe
12870-493: The war effort, and a degree of propaganda. Newsreels , ostensibly simply for information, were made in both Allied and Axis countries, and were often dramatised. More recently, in the Iran–Iraq War , Morteza Avini 's Ravayat-e Fath (Chronicles of Victory) television series combined front-line footage with commentary. Sergei Eisenstein 's 1938 historical drama Alexander Nevsky depicts Prince Alexander 's defeat of
12987-506: The war film genre and the Western. Both genres use opposing concepts like war and peace, civilization and savagery. War films usually frame World War II as a conflict between "good" and "evil" as represented by the Allied forces and Nazi Germany whereas the Western portrays the conflict between civilized settlers and the savage indigenous peoples. James Clarke notes the similarity between
13104-403: The war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, include anti-war , comedy , propaganda , and documentary . There are similarly subgenres of the war film in specific theatres such as
13221-699: The war years" — Millions Like Us (1943), and The Way Ahead (1944). In America, documentaries were produced in various ways: General Marshall commissioned the Why We Fight propaganda series from Frank Capra; the War Department's Information-Education Division started out making training films for the U.S. Air Force and U.S. Navy; the Army made its own through the U.S. Signal Corps, including John Huston 's The Battle of San Pietro . Hollywood made films with propaganda messages about America's allies, such as Mrs. Miniver (1942), which portrayed
13338-594: Was described by the Motion Picture News as "a really good war story, which is exceptional". The 1916 British film The Battle of the Somme , by two official cinematographers, Geoffrey Malins and John McDowell, combined documentary and propaganda, seeking to give the public an impression of what trench warfare was like. Much of the film was shot on location at the Western Front in France; it had
13455-557: Was followed by large-scale but thoughtful films like Andrei Tarkovsky 's Ivan's Childhood (1962), and quasi- documentary all-star epics filmed in Europe such as Battle of the Bulge (1965), Battle of Britain (1969), The Battle of Neretva (1969), Midway (1976), and A Bridge Too Far (1977). In Lawrence Suid's view, The Longest Day "served as the model for all subsequent combat spectaculars". However, its cost also made it
13572-451: Was made during the Korean War (1950–1953). The critic Guy Westwell notes that it questioned the conduct of the war, as did later films like The Bridges at Toko-Ri (1954) and Pork Chop Hill (1959). Fuller agreed that all his films were anti-war. No Hollywood films about the Korean War did well at the box office; the historian Lary May suggested in 2001 that they reminded American viewers of "the only war we have lost". In 1955, after
13689-512: Was positively received by critics and became one of the best-selling games of the early 1980s. The game was praised for its graphics, and gameplay, but criticized for long waiting times when opening chests. It had a direct influence on modern stealth games. A sequel was released in 1984: Beyond Castle Wolfenstein . The rights to the Wolfenstein name were purchased for the 1992 first person shooter Wolfenstein 3D . Castle Wolfenstein
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