Misplaced Pages

Charon

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

A katabasis or catabasis ( Ancient Greek : κατάβασις , romanized :  katábasis , lit.   'descent'; from κατὰ ( katà )  'down' and βαίνω ( baínō )  'go') is a journey to the underworld . Its original sense is usually associated with Greek mythology and Classical mythology more broadly, where the protagonist visits the Greek underworld , also known as Hades. The term is also used in a broad sense of any journey to the realm of the dead in other mythological and religious traditions. A katabasis is similar to a nekyia or necromancy, where one experiences a vision of the underworld or its inhabitants; a nekyia does not generally involve a physical visit, however. One of the most famous examples is that of Odysseus , who performs something on the border of a nekyia and a katabasis in book 11 of the Odyssey ; he visits the border of the realms before calling the dead to him using a blood rite, with it being disputed whether he was at the highest realm of the underworld or the lowest edge of the living world where he performed this.

#880119

111-525: In Greek mythology , Charon or Kharon ( / ˈ k ɛər ɒ n , - ən / KAIR -on, -⁠ən ; Ancient Greek : Χάρων ) is a psychopomp , the ferryman of the Greek underworld . He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx , which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near

222-579: A pederastic light . Alexandrian poets at first, then more generally literary mythographers in the early Roman Empire, often re-adapted stories of Greek mythological characters in this fashion. The achievement of epic poetry was to create story-cycles and, as a result, to develop a new sense of mythological chronology. Thus, Greek mythology unfolds as a phase in the development of the world and of humans. While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of

333-677: A Christian moralizing perspective. The discovery of the Mycenaean civilization by the German amateur archaeologist Heinrich Schliemann in the nineteenth century, and the discovery of the Minoan civilization in Crete by the British archaeologist Arthur Evans in the twentieth century, helped to explain many existing questions about Homer's epics and provided archaeological evidence for many of

444-403: A bluish-gray color. The word may be a euphemism for death. Flashing eyes may indicate the anger or irascibility of Charon as he is often characterized in literature, but the etymology is not certain. The ancient historian Diodorus Siculus thought that the ferryman and his name had been imported from Egypt . Charon is first attested in the now fragmentary Greek epic poem Minyas , which includes

555-585: A collection of epic poems , starts with the events leading up to the war: Eris and the golden apple of Kallisti , the Judgement of Paris , the abduction of Helen , the sacrifice of Iphigenia at Aulis . To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus 's brother, Agamemnon, king of Argos, or Mycenae , but the Trojans refused to return Helen. The Iliad , which

666-492: A combination of their name and epithets , that identify them by these distinctions from other manifestations of themselves (e.g., Apollo Musagetes is " Apollo , [as] leader of the Muses "). Alternatively, the epithet may identify a particular and localized aspect of the god, sometimes thought to be already ancient during the classical epoch of Greece. Most gods were associated with specific aspects of life. For example, Aphrodite

777-525: A convenient framework into which to fit their own courtly and chivalric ideals. Twelfth-century authors, such as Benoît de Sainte-Maure ( Roman de Troie [Romance of Troy, 1154–60]) and Joseph of Exeter ( De Bello Troiano [On the Trojan War, 1183]) describe the war while rewriting the standard version they found in Dictys and Dares . They thus follow Horace 's advice and Virgil's example: they rewrite

888-406: A description of a descent to the underworld and possibly dates back to the 6th century BC. No ancient source provides a genealogy for Charon, except for one reference making him a son of Akmon (father of Uranus)  [ de ] , found in the entry "Akmonides" in the lexicon of Hesychius , which is dubious and the text may be corrupt. Neither Pauly-Wissowa nor Daremberg and Saglio offer

999-713: A fierce ferryman who guides his craft with a long pole. When the boatman tells Heracles to halt, the Greek hero uses his strength to gain passage, overpowering Charon with the boatman's own pole. In the second century, Lucian employed Charon as a figure in his Dialogues of the Dead , most notably in Parts 4 and 10 ("Hermes and Charon" and "Charon and Hermes"). In the 14th century, Dante Alighieri described Charon in his Divine Comedy , drawing from Virgil's depiction in Aeneid 6. Charon

1110-489: A flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon, and stars. The Sun ( Helios ) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades and his predecessors, home of

1221-498: A genealogy for Charon. In Genealogia Deorum Gentilium , the Italian Renaissance writer Giovanni Boccaccio wrote that Charon, who he identified as the god of time, was a son of Erebus and Night . The idea appears to have originated from the similarity between the names "Charon" and " Chronos " (a connection already made by earlier writers such as Fulgentius ), the fact that both are said to be very old, and that

SECTION 10

#1732771900881

1332-558: A god "greater than he", Zeus swallowed her. She was already pregnant with Athena , however, and she burst forth from his head—fully-grown and dressed for war. The earliest Greek thought about poetry considered the theogonies to be the prototypical poetic genre—the prototypical mythos —and imputed almost magical powers to it. Orpheus , the archetypal poet, also was the archetypal singer of theogonies, which he uses to calm seas and storms in Apollonius' Argonautica , and to move

1443-513: A limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities also honored the more well-known gods with unusual local rites and associated strange myths with them that were unknown elsewhere. During the heroic age, the cult of heroes (or demigods) supplemented that of the gods. "The origins of humanity [were] ascribed to various figures, including Zeus and Prometheus ." Bridging

1554-463: A living hero decide to stay in the Underworld forever. Famous examples of katabases in Greek mythology include Orpheus , who enters the underworld in order to bring Eurydice back to the world of the living, and Odysseus , who seeks to consult with the prophet Tiresias for knowledge. In Roman mythology , Aeneas seeks out his father Anchises to learn of prophecies of his fate and that of

1665-445: A loved one is sought, while in other stories knowledge and secret revelations is the goal. The ability to enter the realm of the dead while still alive, and to return, is proof of the classical hero's exceptional status as more than mortal. A deity who returns from the underworld demonstrates eschatological themes such as the cyclical nature of time and existence, or the defeat of death and the possibility of immortality . A katabasis

1776-405: A musical contest with Apollo . Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus ' punishment of the king of Thrace , Lycurgus , whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of

1887-458: A number of local legends became attached. The story of Medea , in particular, caught the imagination of the tragic poets. In between the Argo and the Trojan War, there was a generation known chiefly for its horrific crimes. This includes the doings of Atreus and Thyestes at Argos. Behind the myth of the house of Atreus (one of the two principal heroic dynasties with the house of Labdacus ) lies

1998-403: A poem of Troy instead of telling something completely new. Descent to the underworld The trip to the underworld is a mytheme of comparative mythology found in a diverse number of religions from around the world. The hero or upper-world deity journeys to the underworld or to the land of the dead and returns. The nature of the quest differs; sometimes an object or the rescue of

2109-482: A proper burial, and Odysseus agrees. The next to appear to Odysseus is his mother, Anticlea . As Odysseus has been away fighting the Trojan War for nearly 20 years, he is surprised and saddened by the sight of her soul. Tiresias , the soul whom Odysseus came to see, next appears to him. Tiresias gives him several pieces of information concerning his nostos (homecoming) and his life after. Tiresias details Poseidon 's anger at Odysseus' blinding of Polyphemos (and

2220-507: A spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the Balkan Peninsula invaded, they brought with them a new pantheon of gods, based on conquest, force, prowess in battle, and violent heroism. Other older gods of the agricultural world fused with those of the more powerful invaders or else faded into insignificance. After

2331-423: A utopian land where heroes and good people reside. There, Aeneas finds his father, who tells him of the rich history of Rome to come. In Ovid 's poetic collection of mythological stories, he includes accounts of katabasis as well. In book 4, he includes an account of Juno's descent to Hades to bring her perceived justice to Ino. Ovid describes Juno's path to the underworld, noting Cerberus' presence. Juno seeks

SECTION 20

#1732771900881

2442-509: Is arguably a specific type of the famous Hero's journey . In the Hero's journey, the hero travels to a forbidden, unknown realm; a katabasis is when that place is specifically the underworld. Pilar Serrano uses the term to encompass brief or chronic stays in the underworld as well, such as those of Lazarus , and Castor and Pollux . A katabasis is in general followed by an anabasis (a going up) to distinguish itself from death; very rarely does

2553-573: Is commonly depicted as a living skeleton in a cowl , much like the Grim Reaper . The French artist Gustave Dore depicted Charon in two of his illustrations for Dante's Divine Comedy . The Flemish painter Joachim Patinir depicted Charon in his Crossing the River Styx . And the Spanish painter Jose Benlliure y Gil portrayed Charon in his La Barca de Caronte . Though named after Charon,

2664-585: Is not as heroic as he needs to be, others arguing that Aeneas has not yet fulfilled his destiny, and several arguing that he is still a hero, with this section added purely for drama. Aeneas buries Misenus and he and the Sibyl prepare a sacrifice to enter the Underworld. Aeneas first encounters several beings and monsters as he enters: Sorrows, Heartaches, Diseases, Senility, Terror, Hunger, Evil, Crime, Poverty, Death, Hard Labor, Sleep, Evil Pleasures of Mind, War, Family Vengeance, Mad Civil Strife, Scylla , Briareus ,

2775-461: Is portrayed as a sacrificer, mentioned as a founder of altars, and imagined as a voracious eater himself; it is in this role that he appears in comedy. While his tragic end provided much material for tragedy— Heracles is regarded by Thalia Papadopoulou as "a play of great significance in examination of other Euripidean dramas." In art and literature, Heracles was represented as an enormously strong man of moderate height; his characteristic weapon

2886-619: Is set in the tenth year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of Achilles' beloved comrade Patroclus and Priam 's eldest son, Hector . After Hector's death, the Trojans were joined by two exotic allies, Penthesilea , queen of the Amazons , and Memnon , king of the Ethiopians and son of the dawn-goddess, Eos . Achilles killed both of these, but Paris then managed to kill Achilles with an arrow in

2997-476: Is that "the Greek gods are persons, not abstractions, ideas or concepts." Regardless of their underlying forms, the Ancient Greek gods have many fantastic abilities; most significantly, the gods are not affected by disease and can be wounded only under highly unusual circumstances. The Greeks considered immortality as the distinctive characteristic of their gods; this immortality, as well as unfading youth,

3108-665: Is the first named mythological character Dante meets in the underworld, in Canto III of the Inferno . Dante depicts him as having eyes of fire. Elsewhere, Charon appears as a mean-spirited and gaunt old man or as a winged demon wielding a double hammer, although Michelangelo's interpretation, influenced by Dante's depiction in the Inferno , shows him with an oar over his shoulder, ready to beat those who delay ("batte col remo qualunque s'adagia", Inferno 3, verse 111). In modern times, he

3219-631: Is then visited by Leda , the mother of Castor and Polydeuces and Iphimedeia , mother of the Aloadae by Poseidon. Odysseus then sees a list of women whom he only briefly mentions: Phaedra , Procris , Ariadne , Maera, Clymene , and Eriphyle , all also lovers of gods or heroes. Next to visit Odysseus is Agamemnon , the king of Mycenae . Agamemnon tells Odysseus of his death by his wife, Clytemnestra , and her lover Aegisthus . He warns Odysseus to return to Ithaca in secret and be wary of his own wife. Odysseus then encounters Achilles , who asks after

3330-428: Is then visited by a string of souls of past queens. He first sees Tyro , the mother of Pelias and Neleus by Poseidon. He next talks to Antiope , the mother of Amphion and Zethus (the founders of Thebes) by Zeus . Then, he is visited by Alcmene , the mother of Heracles by Zeus, and Heracle's wife Megara . He is also visited by Epicaste , the mother of Oedipus, and Chloris , the queen of Pylos . Odysseus

3441-589: The Chimera and Medusa . Bellerophon's adventures are commonplace types, similar to the adventures of Heracles and Theseus. Sending a hero to his presumed death is also a recurrent theme of this early heroic tradition, used in the cases of Perseus and Bellerophon. The only surviving Hellenistic epic, the Argonautica of Apollonius of Rhodes (epic poet, scholar, and director of the Library of Alexandria ) tells

Charon - Misplaced Pages Continue

3552-476: The Derveni Papyrus now proves that at least in the fifth-century BC a theogonic-cosmogonic poem of Orpheus was in existence. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as

3663-520: The Geometric period from c.  900 BC to c.  800 BC onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases, the existence of this corpus of data is an indication that many elements of Greek mythology have strong factual and historical roots. Mythical narration plays an important role in nearly every genre of Greek literature. Nevertheless,

3774-539: The Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Nevertheless, it contains many important details that would otherwise be lost. This category includes the works of: Prose writers from the same periods who make reference to myths include Apuleius , Petronius , Lollianus , and Heliodorus . Two other important non-poetical sources are the Fabulae and Astronomica of

3885-638: The Hydra , the Chimaera , the Gorgons , the Harpies , and Cerberus . Next, Aeneas encounters Charon , the ferryman who leads souls into the Underworld, and the mass of people who are unburied. His first conversation is with Palinurus , a man of his crew who fell overboard and died on their journey. Palinurus begs Aeneas to bury him so he can enter the Underworld. The Sibyl convinces Charon to carry them across

3996-598: The Parthenon depicting the sack of Troy); this artistic preference for themes deriving from the Trojan Cycle indicates its importance to the Ancient Greek civilization. The same mythological cycle also inspired a series of posterior European literary writings. For instance, Trojan Medieval European writers, unacquainted with Homer at first hand, found in the Troy legend a rich source of heroic and romantic storytelling and

4107-692: The Peloponnesian kingdoms of Mycenae , Sparta and Argos , claiming, according to legend, a right to rule them through their ancestor. Their rise to dominance is frequently called the " Dorian invasion ". The Lydian and later the Macedonian kings, as rulers of the same rank, also became Heracleidae. Other members of this earliest generation of heroes such as Perseus, Deucalion , Theseus and Bellerophon , have many traits in common with Heracles. Like him, their exploits are solitary, fantastic and border on fairy tale , as they slay monsters such as

4218-622: The Roman Empire . In the 11th book of the Odyssey , Odysseus follows the advice of Circe to consult Tiresias in Hades , the land of the dead. Odysseus sets out an offering of honey, milk, wine, water, and barley before slaughtering two sheep to add fresh blood to the meal. The souls of many then appear to him. The first to appear to Odysseus is Elpenor , his crew member who died prior to leaving Circe's island. Elpenor asks Odysseus to give him

4329-589: The Roman culture because of the story of Aeneas , a Trojan hero whose journey from Troy led to the founding of the city that would one day become Rome, as recounted in Virgil's Aeneid (Book II of Virgil's Aeneid contains the best-known account of the sack of Troy). Finally there are two pseudo-chronicles written in Latin that passed under the names of Dictys Cretensis and Dares Phrygius . The Trojan War cycle ,

4440-548: The ancient Greek religion 's view of the origin and nature of the world ; the lives and activities of deities , heroes , and mythological creatures ; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in

4551-623: The dwarf planet Pluto , is named after him. The hadrosaurid Charonosaurus is named in Charon's honor because it was found along the banks of the Amur River in the Far East. Greek mythology Greek mythology is the body of myths originally told by the ancient Greeks , and a genre of ancient Greek folklore , today absorbed alongside Roman mythology into the broader designation of classical mythology . These stories concern

Charon - Misplaced Pages Continue

4662-469: The god of old age is said to be the child of Erebus and Night according to Cicero 's De natura deorum . Charon is depicted in the art of ancient Greece . Attic funerary vases of the 5th and 4th centuries BC are often decorated with scenes of the dead boarding Charon's boat. On the earlier such vases, he looks like a rough, unkempt Athenian seaman dressed in reddish-brown, holding his ferryman's pole in his right hand and using his left hand to receive

4773-693: The 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer 's epic poems , the Iliad and the Odyssey . Two poems by Homer's near contemporary Hesiod , the Theogony and the Works and Days , contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and

4884-473: The Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy (1992) regards "the larger Homeric Hymns as simple preludes (compared with Theogony ), each of which invokes one god." The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert , the defining characteristic of Greek anthropomorphism

4995-550: The Etruscan death-demon Charun has a different origin and functions, being an assistant to Death as well as psychopomp and guardian, delivering the newly dead to the underworld by horseback or chariot. He is winged, with pointed ears and a hideous and threatening appearance, and has a vulture's beak. He is armed with a very large hammer, with which to "mercilessly pummel" the dead. Most accounts, including Pausanias (10.28) and later Dante 's Inferno (3.78), associate Charon with

5106-580: The Furies (Tisiphone, Megara, and Alecto ) to destroy the house of Cadmus , namely Ino and her husband Athamas . While in the underworld, Juno passes several souls who are being punished in Hades. Hades is also a person, and he needs to get rid of those souls because he needs them to fully recover ( Tantalus , Sisyphus , Ixion , and the Belides ). When the Furies agree to Juno's request, she happily returns to

5217-558: The Greek leaders (including the wanderings of Odysseus and Aeneas (the Aeneid ), and the murder of Agamemnon) were told in two epics, the Returns (the lost Nostoi ) and Homer's Odyssey . The Trojan cycle also includes the adventures of the children of the Trojan generation (e.g., Orestes and Telemachus ). The Trojan War provided a variety of themes and became a main source of inspiration for Ancient Greek artists (e.g. metopes on

5328-472: The Greek world and noted the stories they heard, supplied numerous local myths and legends, often giving little-known alternative versions. Herodotus in particular, searched the various traditions he encountered and found the historical or mythological roots in the confrontation between Greece and the East. Herodotus attempted to reconcile origins and the blending of differing cultural concepts. The poetry of

5439-553: The Olympians, the Greeks worshipped various gods of the countryside, the satyr-god Pan , Nymphs (spirits of rivers), Naiads (who dwelled in springs), Dryads (who were spirits of the trees), Nereids (who inhabited the sea), river gods, Satyrs , and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor

5550-764: The Roman writer styled as Pseudo- Hyginus , the Imagines of Philostratus the Elder and Philostratus the Younger , and the Descriptions of Callistratus . Finally, several Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. These preservers of myth include Arnobius , Hesychius , the author of the Suda , John Tzetzes , and Eustathius . They often treat mythology from

5661-519: The Trojan cycle, as well as the adventures of Heracles. These visual representations of myths are important for two reasons. Firstly, many Greek myths are attested on vases earlier than in literary sources: of the twelve labors of Heracles, for example, only the Cerberus adventure occurs in a contemporary literary text. Secondly, visual sources sometimes represent myths or mythical scenes that are not attested in any extant literary source. In some cases,

SECTION 50

#1732771900881

5772-500: The Underworld. She also tells Aeneas to bury his dead friend and prepare cattle for sacrifice. When Aeneas reaches the forest to find the golden branch, he is guided by birds to the tree, and the branch breaks into his hand. The branch, however, does not easily break off as the Sibyl said would happen to a person fated to go to the Underworld – the branch is described as " cunctantem " ("hesitant"). The implications of this have been debated by scholars – some arguing that it means that Aeneas

5883-456: The age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment. Tales of love often involve incest, or

5994-481: The appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus , or when Marsyas invents the aulos and enters into

6105-623: The army of the dead." Another important difference between the hero cult and the cult of gods is that the hero becomes the centre of local group identity. The monumental events of Heracles are regarded as the dawn of the age of heroes. To the Heroic Age are also ascribed three great events: the Argonautic expedition, the Theban Cycle , and the Trojan War . Some scholars believe that behind Heracles' complicated mythology there

6216-454: The arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae , the king of Thebes , Pentheus , is punished by Dionysus, because he disrespected the god and spied on his Maenads , the female worshippers of the god. In another story, based on an old folktale-motif, and echoing a similar theme, Demeter

6327-590: The basis for the collection; however, the "Library" discusses events that occurred long after his death, hence the name Pseudo-Apollodorus. Among the earliest literary sources are Homer 's two epic poems, the Iliad and the Odyssey . Other poets completed the Epic Cycle , but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no direct connection with Homer. The oldest are choral hymns from

6438-409: The beginnings of the universe in human language. The most widely accepted version at the time, although a philosophical account of the beginning of things, is reported by Hesiod , in his Theogony . He begins with Chaos , a yawning nothingness. Next comes Gaia (Earth), "the ever-sure foundation of all", and then Tartarus , "in the depth of the wide-pathed Earth", and Eros (Love), "fairest among

6549-483: The coming troubles as a consequence), warns Odysseus not to eat the livestock of the god Helios , and prophesies Odysseus' return home to Ithaca and his eventual death at sea at an old age. After Tiresias instructs Odysseus to allow the spirits he wants to talk to drink the sacrificial blood he used to find Tiresias, he is again given the chance to see his mother, and she tells him of the suffering of his family as they await his return home. As his mother leaves, Odysseus

6660-512: The composition of the story of the Argonauts is earlier than Odyssey , which shows familiarity with the exploits of Jason (the wandering of Odysseus may have been partly founded on it). In ancient times, the expedition was regarded as a historical fact, an incident in the opening up of the Black Sea to Greek commerce and colonization. It was also extremely popular, forming a cycle to which

6771-451: The concept and ritual. The age in which the heroes lived is known as the Heroic age . The epic and genealogical poetry created cycles of stories clustered around particular heroes or events and established the family relationships between the heroes of different stories; they thus arranged the stories in sequence. According to Ken Dowden (1992), "there is even a saga effect: We can follow

SECTION 60

#1732771900881

6882-400: The culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from

6993-461: The dead. Influences from other cultures always afforded new themes. According to Classical-era mythology, after the overthrow of the Titans, the new pantheon of gods and goddesses was confirmed. Among the principal Greek gods were the Olympians, residing on Mount Olympus under the eye of Zeus. (The limitation of their number to twelve seems to have been a comparatively modern idea.) Besides

7104-514: The deathless gods". Without male assistance, Gaia gave birth to Uranus (the Sky) who then fertilized her. From that union were born first the Titans —six males: Coeus , Crius , Cronus , Hyperion , Iapetus , and Oceanus ; and six females: Mnemosyne , Phoebe , Rhea , Theia , Themis , and Tethys . After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by

7215-485: The deceased. Hermes sometimes stands by in his role as psychopomp . On later vases, Charon is given a more "kindly and refined" demeanor. In the 1st century BC, the Roman poet Virgil describes Charon, manning his rust-colored skiff, in the course of Aeneas 's descent to the underworld ( Aeneid , Book 6), after the Cumaean Sibyl has directed the hero to the golden bough that will allow him to return to

7326-473: The decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Epic Cycle as well as the adventures of Heracles . In the succeeding Archaic , Classical , and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on

7437-624: The divine-focused Theogony and Homeric Hymns in both size and popularity. Under the influence of Homer the "hero cult" leads to a restructuring in spiritual life, expressed in the separation of the realm of the gods from the realm of the dead (heroes), of the Chthonic from the Olympian. In the Works and Days , Hesiod makes use of a scheme of Four Ages of Man (or Races): Golden, Silver, Bronze, and Iron. These races or ages are separate creations of

7548-480: The earlier part of the so-called Lyric age . Hesiod , a possible contemporary with Homer, offers in his Theogony ( Origin of the Gods ) the fullest account of the earliest Greek myths, dealing with the creation of the world, the origin of the gods, Titans , and Giants , as well as elaborate genealogies, folktales, and aetiological myths. Hesiod's Works and Days , a didactic poem about farming life, also includes

7659-410: The epic. Unlike Odysseus, Aeneas seeks to enter the Underworld, rather than bring the spirits of the dead to him through sacrifice. He begins his journey with a visit to the Cumaean Sibyl (a priestess of Apollo) and asks for her assistance to journey to the Underworld and visit his father. The priestess tells him to find the Golden Bough , and if the branch breaks off in his hands, he is fated to go to

7770-410: The evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using animism , assigned

7881-405: The fates of some families in successive generations." After the rise of the hero cult, gods and heroes constitute the sacral sphere and are invoked together in oaths and prayers which are addressed to them. Burkert (2002) notes that "the roster of heroes, again in contrast to the gods, is never given fixed and final form. Great gods are no longer born, but new heroes can always be raised up from

7992-509: The first known representation of a myth in geometric art predates its first known representation in late archaic poetry, by several centuries. In the Archaic ( c.  750  – c.  500 BC ), Classical ( c.  480 –323 BC), and Hellenistic (323–146 BC) periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has changed over time to accommodate

8103-472: The gods, the Golden Age belonging to the reign of Cronos, the subsequent races to the creation of Zeus . The presence of evil was explained by the myth of Pandora , when all of the best of human capabilities, save hope, had been spilled out of her overturned jar. In Metamorphoses , Ovid follows Hesiod's concept of the four ages. "Myths of origin" or " creation myths " represent an attempt to explain

8214-496: The heavens, where she is purified by Iris. The next major katabasis in the Metamorphoses occurs in book 5 by Proserpina , the daughter of Ceres , who is kidnapped by Dis . As Proserpina is picking flowers, Pluto falls in love with her and decides to grab her and take her to the underworld in his chariot. Worried about her now-missing daughter, Ceres becomes distraught and searches for Proserpina. When Ceres discovers

8325-541: The heel. Achilles' heel was the only part of his body which was not invulnerable to damage by human weaponry. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium ). Finally, with Athena's help, they built the Trojan Horse . Despite the warnings of Priam's daughter Cassandra , the Trojans were persuaded by Sinon , a Greek who feigned desertion, to take

8436-729: The highest social prestige through his appointment as official ancestor of the Dorian kings. This probably served as a legitimation for the Dorian migrations into the Peloponnese . Hyllus , the eponymous hero of one Dorian phyle , became the son of Heracles and one of the Heracleidae or Heraclids (the numerous descendants of Heracles, especially the descendants of Hyllus —other Heracleidae included Macaria , Lamos, Manto , Bianor , Tlepolemus , and Telephus ). These Heraclids conquered

8547-420: The horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea-serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of

8658-480: The kidnapping, she goes to Jove to attempt to get Proserpina back. He agrees that she should be returned as long as Proserpina has not touched any food in the underworld. However, she has eaten pomegranate seeds, and cannot be returned to Ceres. To ensure compromise between Ceres and Dis, Jove divides the year into halves and commands that Proserpina must spend equal parts of the year between her mother and her husband. From that point on, Proserpina makes annual trips to

8769-576: The middle of the Archaic period, myths about relationships between male gods and male heroes became more and more frequent, indicating the parallel development of pedagogic pederasty ( παιδικὸς ἔρως , eros paidikos ), thought to have been introduced around 630 BC. By the end of the fifth-century  BC, poets had assigned at least one eromenos , an adolescent boy who was their sexual companion, to every important god except Ares and many legendary figures. Previously existing myths, such as those of Achilles and Patroclus , also then were cast in

8880-415: The mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil 's epic poem, Aeneid , the dead who could not pay the fee, and those who had received no funeral rites, had to wander

8991-577: The myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from the mythical land of Colchis . In the Argonautica , Jason is impelled on his quest by king Pelias , who receives a prophecy that a man with one sandal would be his nemesis . Jason loses a sandal in a river, arrives at the court of Pelias, and the epic is set in motion. Nearly every member of the next generation of heroes, as well as Heracles, went with Jason in

9102-479: The mythological details about gods and heroes. The evidence about myths and rituals at Mycenaean and Minoan sites is entirely monumental, as the Linear B script (an ancient form of Greek found in both Crete and mainland Greece) was used mainly to record inventories, although certain names of gods and heroes have been tentatively identified. Geometric designs on pottery of the eighth-century  BC depict scenes from

9213-530: The myths of Prometheus , Pandora , and the Five Ages . The poet advises on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar , Bacchylides and Simonides , and bucolic poets such as Theocritus and Bion , relate individual mythological incidents. Additionally, myth

9324-462: The near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again. The name Charon is most often explained as a proper noun from χάρων ( charon ), a poetic form of χαρωπός ( charopós ) 'of keen gaze', referring either to fierce, flashing, or feverish eyes, or to eyes of

9435-492: The one-eyed Cyclopes and the Hecatoncheires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus ("the wily, youngest and most terrible of Gaia 's children") was convinced by Gaia to castrate his father. He did this and became the ruler of the Titans with his sister-wife, Rhea, as his consort, and the other Titans became his court. A motif of father-against-son conflict

9546-473: The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus. This work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c.  180 BC to c.  125 BC and wrote on many of these topics. His writings may have formed

9657-637: The origin of sacrificial practices. Myths are also preserved in the Homeric Hymns , in fragments of epic poems of the Epic Cycle , in lyric poems , in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age , and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias . Aside from this narrative deposit in ancient Greek literature , pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and

9768-524: The place for the blessed. On the way, they pass the place for tortured souls and the Sibyl describes some of the tortured's fates. Tityos has his liver eaten by a vulture daily. Pirithous and Ixion have a rock constantly hanging over them at all times. Many others face the punishment of moving rocks, being stretched, and being tied to wheels. The two then enter the Estates of the Blessed, where they see

9879-459: The problem of the devolution of power and of the mode of accession to sovereignty. The twins Atreus and Thyestes with their descendants played the leading role in the tragedy of the devolution of power in Mycenae. The Theban Cycle deals with events associated especially with Cadmus , the city's founder, and later with the doings of Laius and Oedipus at Thebes; a series of stories that lead to

9990-431: The river Styx in exchange for the golden bough. Aeneas encounters Minos pronouncing judgment on souls and the souls that died for love: Phaedra , Procris , Eriphyle , Evadne , Pasiphae , Laodamia , Caeneus , and Dido . Next, Aeneas sees heroes of battle: Tydeus , Parthenopaeus, Adrastus , Glaucus , Medon , Thersilochus, Polyboetes , Idaeus, Agamemnon , and Deiphobus . The Sibyl then leads Aeneas to Elysium ,

10101-510: The seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite , where the goddess lies with Anchises to produce Aeneas . The second type (tales of punishment) involves

10212-593: The ship Argo to fetch the Golden Fleece. This generation also included Theseus , who went to Crete to slay the Minotaur ; Atalanta , the female heroine, and Meleager , who once had an epic cycle of his own to rival the Iliad and Odyssey . Pindar , Apollonius and the Bibliotheca endeavor to give full lists of the Argonauts. Although Apollonius wrote his poem in the 3rd century BC,

10323-483: The society while the beliefs were held. After they ceased to become religious beliefs, few would have known the rites and rituals. Allusions often existed, however, to aspects that were quite public. Images existed on pottery and religious artwork that were interpreted and more likely, misinterpreted in many diverse myths and tales. A few fragments of these works survive in quotations by Neoplatonist philosophers and recently unearthed papyrus scraps. One of these scraps,

10434-615: The stone, which had been sitting in Cronus's stomach all this time. Zeus then challenged Cronus to war for the kingship of the gods. At last, with the help of the Cyclopes (whom Zeus freed from Tartarus), Zeus and his siblings were victorious, while Cronus and the Titans were hurled down to imprisonment in Tartarus . Zeus was plagued by the same concern, and after a prophecy that the offspring of his first wife, Metis , would give birth to

10545-406: The stony hearts of the underworld gods in his descent to Hades . When Hermes invents the lyre in the Homeric Hymn to Hermes , the first thing he does is sing about the birth of the gods. Hesiod's Theogony is not only the fullest surviving account of the gods but also the fullest surviving account of the archaic poet's function, with its long preliminary invocation to the Muses . Theogony also

10656-567: The swamps of the river Acheron . Ancient Greek literary sources such as Pindar , Aeschylus , Euripides , Plato , and Callimachus also place Charon on the Acheron. Roman poets, including Propertius , Ovid , and Statius , name the river as the Styx , perhaps following the geography of Virgil's underworld in the Aeneid , where Charon is associated with both rivers. Charon , the largest moon of

10767-473: The tale known to us through tragedy (e.g. Sophocles' Oedipus Rex ) and later mythological accounts. Greek mythology culminates in the Trojan War, fought between Greece and Troy , and its aftermath. In Homer's works, such as the Iliad , the chief stories have already taken shape and substance, and individual themes were elaborated later, especially in Greek drama. The Trojan War also elicited great interest in

10878-495: The theme by Ovid in the Metamorphoses . Orpheus is distraught by the death of his wife, Eurydice . He enters the Underworld through the Spartan Gates and visits Dis and Proserpina to beg for the return of his bride. Overcome by the heartfelt song of Orpheus, Proserpina calls Eurydice to leave with her husband–on the condition that he does not look back until he reaches the exit. When he looks back, his wife disappears, and he

10989-423: The underworld, spending half the year there. Ovid also briefly mentions the katabasis of Hercules in book 7. Ovid is telling the etiological story of Medea 's poison for Theseus . When Hercules traveled to the Underworld to capture Cerberus as one of his 12 Labours , Cerberus spread white foam from his mouths, which grew poisonous plants. The katabasis of Orpheus in book 10 is the last major inclusion of

11100-577: The war of the Seven against Thebes and the eventual pillage of that city at the hands of the Epigoni . (It is not known whether the Seven figured in early epic.) As far as Oedipus is concerned, early epic accounts seem to have him continuing to rule at Thebes after the revelation that Iokaste was his mother, and subsequently marrying a second wife who becomes the mother of his children—markedly different from

11211-502: The well-being of his father Peleus and his son Neoptolemus . Odysseus reassures Achilles of his son's bravery in fighting the Trojans. Odysseus then begins seeing figures of dead souls who do not talk directly to him: Ajax , Minos , Orion , Tityos , Tantalus , and Sisyphus . Odysseus ends his visit with Heracles, who asks about Odysseus' intention in Hades. Odysseus begins to get fearful as he waits for more heroes and leaves. The katabasis of Virgil 's Aeneid occurs in book 6 of

11322-479: The world of the living: There Charon stands, who rules the dreary coast; A sordid god: down from his hairy chin A length of beard descends, uncombed, unclean; His eyes, like hollow furnaces on fire; A girdle, foul with grease, binds his obscene attire. Other Latin authors also describe Charon, among them Seneca in his tragedy Hercules Furens , where Charon is described in verses 762–777 as an old man clad in foul garb, with haggard cheeks and an unkempt beard,

11433-434: The world" may be divided into three or four broader periods: While the age of gods often has been of more interest to contemporary students of myth, the Greek authors of the archaic and classical eras had a clear preference for the age of heroes, establishing a chronology and record of human accomplishments after the questions of how the world came into being were explained. For example, the heroic Iliad and Odyssey dwarfed

11544-598: Was central to classical Athenian drama . The tragic playwrights Aeschylus , Sophocles , and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories (e.g. Agamemnon and his children, Oedipus , Jason , Medea , etc.) took on their classic form in these tragedies. The comic playwright Aristophanes also used myths, in The Birds and The Frogs . Historians Herodotus and Diodorus Siculus , and geographers Pausanias and Strabo , who traveled throughout

11655-478: Was insured by the constant use of nectar and ambrosia , by which the divine blood was renewed in their veins. Each god descends from his or her own genealogy, pursues differing interests, has a certain area of expertise, and is governed by a unique personality; however, these descriptions arise from a multiplicity of archaic local variants, which do not always agree with one another. When these gods are called upon in poetry, prayer, or cult, they are referred to by

11766-592: Was probably a real man, perhaps a chieftain-vassal of the kingdom of Argos . Some scholars suggest the story of Heracles is an allegory for the sun's yearly passage through the twelve constellations of the zodiac. Others point to earlier myths from other cultures, showing the story of Heracles as a local adaptation of hero myths already well established. Traditionally, Heracles was the son of Zeus and Alcmene , granddaughter of Perseus . His fantastic solitary exploits, with their many folk-tale themes, provided much material for popular legend. According to Burkert (2002), "He

11877-511: Was repeated when Cronus was confronted by his son, Zeus . Because Cronus had betrayed his father, he feared that his offspring would do the same, and so each time Rhea gave birth, he snatched up the child and ate it. Rhea hated this and tricked him by hiding Zeus and wrapping a stone in a baby's blanket, which Cronus ate. When Zeus was full-grown, he fed Cronus a drugged drink which caused him to vomit, throwing up Rhea's other children, including Poseidon , Hades , Hestia , Demeter , and Hera , and

11988-591: Was searching for her daughter, Persephone , having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus , the King of Eleusis in Attica . As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand

12099-575: Was the bow but frequently also the club. Vase paintings demonstrate the unparalleled popularity of Heracles, his fight with the lion being depicted many hundreds of times. Heracles also entered Etruscan and Roman mythology and cult, and the exclamation "mehercule" became as familiar to the Romans as "Herakleis" was to the Greeks. In Italy he was worshipped as a god of merchants and traders, although others also prayed to him for his characteristic gifts of good luck or rescue from danger. Heracles attained

12210-431: Was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus , revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to

12321-503: Was the subject of many lost poems, including those attributed to Orpheus, Musaeus , Epimenides , Abaris , and other legendary seers, which were used in private ritual purifications and mystery-rites . There are indications that Plato was familiar with some version of the Orphic theogony. A silence would have been expected about religious rites and beliefs, however, and that nature of the culture would not have been reported by members of

#880119