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Afrofuturism

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138-489: Afrofuturism is a cultural aesthetic , philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction , encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism

276-413: A machine learning approach, where large numbers of manually rated photographs are used to "teach" a computer about what visual properties are of relevance to aesthetic quality. A study by Y. Li and C. J. Hu employed Birkhoff's measurement in their statistical learning approach where order and complexity of an image determined aesthetic value. The image complexity was computed using information theory while

414-413: A subject -based, inductive approach. The analysis of individual experience and behaviour based on experimental methods is a central part of experimental aesthetics. In particular, the perception of works of art, music, sound, or modern items such as websites or other IT products is studied. Experimental aesthetics is strongly oriented towards the natural sciences . Modern approaches mostly come from

552-406: A work of art ), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art . In the words of one philosopher, "Philosophy of art is about art. Aesthetics is about many things—including art. But it is also about our experience of breathtaking landscapes or the pattern of shadows on the wall opposite your office. Philosophers of art weigh

690-407: A "cornerstone of early 80's beatbox afrofuturism". During the 1980s, the burgeoning Detroit techno scene also developed a futurist vision specific to Detroit's suburban black community. A newer generation of artists are creating mainstream Afrofuturist music – for example, Janelle Monáe , Outkast , Missy Elliott , Solange , jazz composer Nicole Mitchell and Erykah Badu . In

828-411: A Renaissance Madonna for aesthetic reasons, but such objects often had (and sometimes still have) specific devotional functions. "Rules of composition" that might be read into Duchamp 's Fountain or John Cage 's 4′33″ do not locate the works in a recognizable style (or certainly not a style recognizable at the time of the works' realization). Moreover, some of Dutton's categories seem too broad:

966-500: A better time to get paid than when you're my age. You know what to do with money. You don't buy as much pussy or drugs with it – you just buy some ." In 1989, Clinton released The Cinderella Theory on Paisley Park , Prince's record label. Clinton continued his work with Paisley Park with Hey, Man, Smell My Finger in 1993. The year 1994 saw Clinton contribute to several tracks on Primal Scream 's studio album Give Out But Don't Give Up . In 1995, Clinton sang "Mind Games" on

1104-410: A black artist space, and occupied by four artists (Antoine Williams, Donté Hayes, Deborah Goffe, and André M. Zachery), embodying Afrofuturism, flexibly defining the term, as envisioning black people in the future and how that "connects with science and technology and new discoveries" and how parts of black history shape "the future, community, self-determination, [and] working towards a goal" according to

1242-423: A culturally contingent conception of art versus one that is purely theoretical. They study the varieties of art in relation to their physical, social, and cultural environments. Aesthetic philosophers sometimes also refer to psychological studies to help understand how people see, hear, imagine, think, learn, and act in relation to the materials and problems of art. Aesthetic psychology studies the creative process and

1380-466: A deviant beauty, a beauty in which disembodiment is both inhumane, yet distinct; Afro-Futuristic artists speculate on the future, where Afro-Surrealism is about the present. Afrofuturism takes representations of the lived realities of black people in the past and present, and reexamines the narratives to attempt to build new truths outside of the dominant cultural narrative. By analyzing the ways in which alienation has occurred, Afrofuturism works to connect

1518-470: A facsimile/copy). Aesthetic judgments can often be very fine-grained and internally contradictory. Likewise aesthetic judgments seem often to be at least partly intellectual and interpretative. What a thing means or symbolizes is often what is being judged. Modern aestheticians have asserted that will and desire were almost dormant in aesthetic experience, yet preference and choice have seemed important aesthetics to some 20th-century thinkers. The point

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1656-469: A group of researchers at the IBM T. J. Watson Research Center. The tool predicted aesthetics based on the values of narrative elements. A relation between Max Bense 's mathematical formulation of aesthetics in terms of "redundancy" and "complexity" and theories of musical anticipation was offered using the notion of Information Rate. Evolutionary aesthetics refers to evolutionary psychology theories in which

1794-484: A man "if he says that ' Canary wine is pleasant,' he is quite content if someone else corrects his expression and remind him that he ought to say instead: 'It is pleasant to me ,'" because "every one has his own [ sense of] taste ". The case of "beauty" is different from mere "pleasantness" because "if he gives out anything as beautiful, he supposes in others the same satisfaction—he judges not merely for himself, but for every one, and speaks of beauty as if it were

1932-432: A member of University of Chicago's Arts Incubator, is currently exploring the relation between Afrofuturism and the grotesque through her visual and written work with weaves and collected hair. Recently, she also created an audio narrative in collaboration with another Afrofuturist, Perpetual Rebel, called The Two Thousand and Thirteen Narrative(s) of Naima Brown , which explores the ideas of identity and transformation within

2070-504: A more equitable and inclusive future. Additional musical artists to emerge since the turn of the millennium regarded as Afrofuturist include dBridge , SBTRKT , Shabazz Palaces , Heavyweight Dub Champion , and Drexciya (with Gerald Donald ). Other artists include visual artists Hebru Brantley as well as contemporary artist Rashid Johnson , a Chicago native currently based in New York. In 2013, Chicago resident Ytasha L. Womack wrote

2208-546: A particular conception of art that arose with the Renaissance and was still dominant in the eighteenth century (but was supplanted later). The discipline of aesthetics, which originated in the eighteenth century, mistook this transient state of affairs for a revelation of the permanent nature of art. Brian Massumi suggests to reconsider beauty following the aesthetical thought in the philosophy of Deleuze and Guattari . Walter Benjamin echoed Malraux in believing aesthetics

2346-613: A philosophical rationale for peace education . Beauty is one of the main subjects of aesthetics, together with art and taste . Many of its definitions include the idea that an object is beautiful if perceiving it is accompanied by aesthetic pleasure . Among the examples of beautiful objects are landscapes, sunsets, humans and works of art. Beauty is a positive aesthetic value that contrasts with ugliness as its negative counterpart. Different intuitions commonly associated with beauty and its nature are in conflict with each other, which poses certain difficulties for understanding it. On

2484-433: A physicist might entertain hypothetical worlds in his/her imagination in the course of formulating a theory. Another problem is that Dutton's categories seek to universalize traditional European notions of aesthetics and art forgetting that, as André Malraux and others have pointed out, there have been large numbers of cultures in which such ideas (including the idea "art" itself) were non-existent. Aesthetic ethics refers to

2622-422: A piece of art. In this field, aesthetics is not considered to be dependent on taste but is a matter of cognition, and, consequently, learning. In 1928, the mathematician George David Birkhoff created an aesthetic measure M = O / C {\displaystyle M=O/C} as the ratio of order to complexity. In the 1960s and 1970s, Max Bense , Abraham Moles and Frieder Nake were among

2760-416: A predecessor to Afrofuturist literature. Yaszek believes that Ellison does not offer any other futures so that the next generation of authors can. A number of contemporary science fiction and speculative fiction authors have also been characterized as Afrofuturist or as employing Afrofuturist themes by one person or another. Nancy Farmer won a Newbery Honor for her afrofuturist young adult novel The Ear,

2898-548: A property of things." Viewer interpretations of beauty may on occasion be observed to possess two concepts of value: aesthetics and taste. Aesthetics is the philosophical notion of beauty. Taste is a result of an education process and awareness of elite cultural values learned through exposure to mass culture . Bourdieu examined how the elite in society define the aesthetic values like taste and how varying levels of exposure to these values can result in variations by class, cultural background, and education. According to Kant, beauty

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3036-910: A seminal group show of Visual Afrofuturists focusing on unambiguous science fiction and fantasy based art. The show, titled 'Unveiling Visions: The Alchemy of the Black Imagination' ran from 1 October 2015 – 16 January 2016. The closing night coincided with the Schomburg Black Comic Book Day. Unveiling Visions was curated by artist John Jennings (co-founder of artist duo, Black Kirby w/Professor Stacey Robinson) and Afrofuturist Scholar, Reynaldo Anderson (founder of The Black Speculative Arts Movement). The show featured artists such as Tony Puryear, Sheeba Maya, Mshindo Kuumba, Eric Wilkerson, Manzel Bowman, Grey Williamson, Tim Fielder, Stacey Robinson, and Shawn Alleyne. Unveiling Visions liner notes state: "exhibition includes artifacts from

3174-624: A staple in Afrofuturistic music, with Janelle Monáe , a notable contemporary musical artist, incorporating characters and sci-fi storylines into their Afrofuturistic music and album visuals. This also applies to Jimi Hendrix 's work such as Electric Ladyland and " Third Stone from the Sun ". Provoked by Miles Davis to use electric keyboards, Herbie Hancock quickly developed his taste for gadgets into an appreciation for electric and synthesized sounds. He did this in his solo career throughout

3312-569: A way to ensure they follow the "Standards" and are not classified as a "Dirty Computer". Monáe's artistic vision extends beyond mere entertainment, serving as a reflection of present realities and a cautionary tale for the future. By embracing Afrofuturist themes and leveraging technology as a narrative device, Monáe invites audiences to confront uncomfortable truths and contemplate the potential consequences of unchecked power and systemic injustice. Through her music and storytelling, Monáe continues to use artistic expression to challenge societal norms for

3450-455: A wide scope of enunciations and theories regarding the dystopian or utopian parts of future (or potentially elective) lives or real factors, including, in numerous examples, contact with outsider others. In other words, good fiction writing should not be judged by a person's color or race. Tim Fielder 's 2021 graphic novel Infinitum: An Afrofuturist Tale features the partially historical narrative of an immortal African king. In February 2021,

3588-408: A work, though possibly of interest in themselves, have no bearing on the correct interpretation of the work." Gaut and Livingston define the intentionalists as distinct from formalists stating that: "Intentionalists, unlike formalists, hold that reference to intentions is essential in fixing the correct interpretation of works." They quote Richard Wollheim as stating that, "The task of criticism

3726-672: A year, the NMAAHC opened an exhibit titled Afrofuturism: A History of Black Futures . The museum also released an accompanying book called with the same name. Jared Richardson's Attack of the Boogeywoman: Visualizing Black Women's Grotesquerie in Afrofuturism assesses how the aesthetic functions as a space for black women to engage with the intersection of topics such as race, gender, and sexuality. The representation and treatment of black female bodies

3864-581: Is a key factor of Afrofuturism. This is evident in The Memory Librarian: and Other Stories by Dirty Computer . The first example of technology being used as a warning of what is to come if we do not proceed with caution and change our current socio-political climate, as well as a symbol for future and current ways of oppression. In this story, technology is used to wipe memories. Hence, its victims are reborn without knowing their past selves, only what they have been conditioned to believe according to

4002-533: Is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime. What was new was a refusal to credit the higher status of certain types, where the taxonomy implied a preference for tragedy and the sublime to comedy and the Rococo . Croce suggested that "expression"

4140-563: Is already made by Hume , but see Mary Mothersill, "Beauty and the Critic's Judgment", in The Blackwell Guide to Aesthetics , 2004. Thus aesthetic judgments might be seen to be based on the senses, emotions, intellectual opinions, will, desires, culture, preferences, values, subconscious behaviour, conscious decision, training, instinct, sociological institutions, or some complex combination of these, depending on exactly which theory

4278-427: Is central in the way that beauty was once thought to be central. George Dickie suggested that the sociological institutions of the art world were the glue binding art and sensibility into unities. Marshall McLuhan suggested that art always functions as a "counter-environment" designed to make visible what is usually invisible about a society. Theodor Adorno felt that aesthetics could not proceed without confronting

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4416-427: Is consistent with Trey Ellis' essay, "The New Black Aesthetic" in that the art seeks to disturb. Afro-Futuristic art samples from old art pieces updating them with current images. This technique calls to the forefront those past images and the sentiments, memories, or ideas around them and combines them with new images in a way that those of the current generation can still identify. Afro-Futuristic artists seek to propose

4554-502: Is deconstructed by Afrofuturist contemporaries and amplified to alien and gruesome dimensions by artists such as Wangechi Mutu and Shoshanna Weinberger. Beyoncé 's 2016 short film Lemonade included feminist afrofuturism in its concept. The film featured music duo Ibeyi , artist Laolu Senbanjo , actresses Amandla Stenberg , Quvenzhané Wallis , and Zendaya , as well as YouTube singing stars Chloe x Halle , ballet dancer Michaela DePrince , and 2015 Sports Illustrated Sportsperson of

4692-696: Is employed. A third major topic in the study of aesthetic judgments is how they are unified across art forms. For instance, the source of a painting's beauty has a different character to that of beautiful music, suggesting their aesthetics differ in kind. The distinct inability of language to express aesthetic judgment and the role of social construction further cloud this issue. The philosopher Denis Dutton identified six universal signatures in human aesthetics: Artists such as Thomas Hirschhorn have indicated that there are too many exceptions to Dutton's categories. For example, Hirschhorn's installations deliberately eschew technical virtuosity. People can appreciate

4830-442: Is for it to cause disinterested pleasure. Other conceptions include defining beautiful objects in terms of their value, of a loving attitude towards them or of their function. During the first half of the twentieth century, a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art, including the literary arts and the visual arts, to each other. This resulted in

4968-494: Is most commonly associated with science fiction , it can also encompass other speculative genres such as fantasy , alternate history and magic realism , and can also be found in music. The term was coined by American cultural critic Mark Dery in 1993 and explored in the late 1990s through conversations led by Alondra Nelson . Ytasha L. Womack , writer of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture , defines it as "an intersection of imagination, technology,

5106-499: Is sometimes equated with truth. Recent research found that people use beauty as an indication for truth in mathematical pattern tasks. However, scientists including the mathematician David Orrell and physicist Marcelo Gleiser have argued that the emphasis on aesthetic criteria such as symmetry is equally capable of leading scientists astray. Computational approaches to aesthetics emerged amid efforts to use computer science methods "to predict, convey, and evoke emotional response to

5244-422: Is subjective and universal; thus certain things are beautiful to everyone. In the opinion of Władysław Tatarkiewicz , there are six conditions for the presentation of art: beauty, form, representation, reproduction of reality, artistic expression and innovation. However, one may not be able to pin down these qualities in a work of art. The question of whether there are facts about aesthetic judgments belongs to

5382-742: Is the "critical reflection on art, culture and nature ". Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. Both aesthetics and

5520-532: Is the reconstruction of the creative process, where the creative process must in turn be thought of as something not stopping short of, but terminating on, the work of art itself." A large number of derivative forms of aesthetics have developed as contemporary and transitory forms of inquiry associated with the field of aesthetics which include the post-modern, psychoanalytic, scientific, and mathematical among others. Early-twentieth-century artists, poets and composers challenged existing notions of beauty, broadening

5658-488: Is usually defined as 'primitive' art, or un-harmonious, non-cathartic art, camp art, which 'beauty' posits and creates, dichotomously, as its opposite, without even the need of formal statements, but which will be 'perceived' as ugly. Likewise, aesthetic judgments may be culturally conditioned to some extent. Victorians in Britain often saw African sculpture as ugly, but just a few decades later, Edwardian audiences saw

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5796-549: Is wiping out one's memory. This is shown visually in her short film Dirty Computer . Monáe highlights how oppressors can easily use technology to control the oppressed. The other two examples of how Monáe uses technology to showcase the relationship between humans is how AI is utilized in a more technologically advanced way as well as Seshet, the Director Memory Librarian, amongst others in an authoritative position able to access people's dreams and memories as

5934-699: The African diaspora . Contemporary practice retroactively identifies and documents historical instances of Afrofuturist practice and integrates them into the canon. For example, the Dark Matter anthologies edited by Sheree Thomas feature contemporary black science fiction , discuss Ralph Ellison's Invisible Man in her introduction, "Looking for the Invisible", and also include older works by W. E. B. Du Bois , Charles W. Chesnutt , and George S. Schuyler . Lisa Yazsek argues that Ralph Ellison 's 1952 novel, Invisible Man , should be thought of as

6072-789: The Cartoon Network show Space Ghost Coast to Coast . Clinton also appeared as the voice of the Funktipus, the DJ of the funk radio station Bounce FM in the 2004 video game Grand Theft Auto: San Andreas , in which his song "Loopzilla" also appeared. Rapper Dr. Dre often sampled Clinton's music, helping to bring about the G-funk era. In 1999, Clinton collaborated with Lil' Kim and Fred Durst for rap metal group Methods of Mayhem 's single " Get Naked ". Displaying his influence on rap and hip hop, Clinton also worked with Tupac Shakur on

6210-580: The Glastonbury Festival to perform Ronson's hit " Uptown Funk ". Clinton also appears with Kendrick Lamar on the song "Wesley's Theory" from the album To Pimp a Butterfly . In March 2017, Clinton appeared on the Adult Swim television series FishCenter Live . The Outline ' s Samuel Argyle described it as "[t]he episode that makes the most cohesive narrative sense." Clinton and Parliament-Funkadelic were slated to headline

6348-546: The Hayward Gallery organised an exhibition of 11 contemporary artists from the African diaspora, who draw on science fiction, myth and Afrofuturism to question our knowledge of the world, curated by Ekow Eshun . Some of the artists included in the exhibition were Nick Cave , Rashad Newsome , Kara Walker , Hew Locke , Wangechi Mutu , Lina Iris Viktor and Ellen Gallagher . Starting on March 24, 2023, and lasting

6486-520: The John Lennon tribute Working Class Hero . Clinton then signed with Sony 550 and released T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership) in 1996. Clinton appeared in films such as Graffiti Bridge (1990), House Party (1990), PCU (1994), Good Burger (1997), and The Breaks (1999). In 1994, he appeared as the host of the anthology television film Cosmic Slop . In 1997, he appeared as himself in

6624-473: The Marvel Comics superhero Black Panther can also be cited. Afrofuturism within music represents a diaspora of music that is non-traditional, focusing on the topic of blackness, space, and technology. It heavily features the artificial sounds of synthesizers and drum machines while incorporating lyrical themes of black history and cultural pride, progress, spirituality, and science fiction. One of

6762-548: The Metropolitan Museum of Art opened Before Yesterday We Could Fly: An Afrofuturist Period Room , an art exhibition engaging themes of Afrofuturism in a "period room" format of installation, envisioning the past, present, and future home of someone who lived in Seneca Village , a largely African American settlement destroyed to make way for the construction of Central Park in the mid-1800s. In 2022,

6900-701: The New York Times reported that in the coming year, fans would see a number of graphic novels and comics with Afrofuturist themes, including some devoted to the fictional gene, and "reissues of Afrofuturist titles from comic-book houses like DC and Dark Horse." This includes the new novels After the Rain , Hardears , Black Star , and Infinitum , the latter by Tim Fielder, a new installment of N.K. Jemisin 's Far Sector , The Black Panther by Ta-Nehisi Coates and many other re-issued comics like E.X.O., along with an upcoming animated series named Iwájú . Around

7038-513: The awe inspired by a sublime landscape might physically manifest with an increased heart-rate or pupil dilation. As seen, emotions are conformed to 'cultural' reactions, therefore aesthetics is always characterized by 'regional responses', as Francis Grose was the first to affirm in his Rules for Drawing Caricaturas: With an Essay on Comic Painting (1788), published in W. Hogarth, The Analysis of Beauty, Bagster, London s.d. (1791? [1753]), pp. 1–24. Francis Grose can therefore be claimed to be

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7176-412: The entropy , which assigns higher value to simpler artworks. In the 1990s, Jürgen Schmidhuber described an algorithmic theory of beauty. This theory takes the subjectivity of the observer into account and postulates that among several observations classified as comparable by a given subjective observer, the most aesthetically pleasing is the one that is encoded by the shortest description, following

7314-494: The "Standards". Those who are in minority groups, such as BIPOC and the LGBTQ+, are seen as "Dirty" and must be wiped clean. Monáe expands on this on page fourteen when Seshet goes out with Alethia, "With New Dawn, any gender nonconformity is enough to get you a deviant code appended to your number-dirty computer, recommended for urgent cleaning- and she doesn’t want to flag anyone tonight". The "urgent cleaning" that Seshet contemplates

7452-475: The "Uncanny" as aesthetical affect. Following Freud and Merleau-Ponty , Jacques Lacan theorized aesthetics in terms of sublimation and the Thing. The relation of Marxist aesthetics to post-modern aesthetics is still a contentious area of debate. The field of experimental aesthetics was founded by Gustav Theodor Fechner in the 19th century. Experimental aesthetics in these times had been characterized by

7590-399: The "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. Aesthetics typically considers questions of beauty as well as of art. It examines topics such as art works, aesthetic experience, and aesthetic judgment. Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily

7728-478: The 1970s and 1980s, at the same time adopting tribal names for his group and increasingly using electronics in his music, in a techno-primitive direction. His record covers were a very important element in this aesthetic, involving artists such as Robert Springett, Victor Moscoso and Nobuyuki Nakanishi. In 1975, Japanese artist Tadanori Yokoo used elements of science fiction, along with Eastern subterranean myths, to depict an advanced civilization in his design of

7866-759: The 1970s, with over 40 R&B hit singles (including three number ones) and three platinum albums . From 1971 to late 1973, Clinton and several other members of the band settled in Toronto . During their years in Toronto, they honed their live show and recorded the album America Eats Its Young , which was their first to feature Bootsy Collins . In the 1980s, Clinton began to encounter legal difficulties arising from PolyGram 's acquisition of Parliament's label, Casablanca Records . He recorded several solo albums, although all of these records featured contributions from P-Funk's core musicians. This period of Clinton's career

8004-484: The 1982 album Computer Games and would go on to influence 1990s hip-hop and G-funk . Clinton is regarded, along with James Brown and Sly Stone , as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards . George Edward Clinton

8142-561: The African diaspora with its histories and knowledge of racialized bodies. Space and aliens function as key products of the science fiction elements; black people are envisioned to have been the first aliens by way of the Middle Passage . Their alien status connotes being in a foreign land with no history, but as also being disconnected from the past via the traditions of slavery where slaves were made to renounce their ties to Africa in service of their slave master. Kodwo Eshun locates

8280-555: The Corridor Gallery in Brooklyn, New York. The multidisciplinary art exhibit looks at the relationship between magical realism and afrofuturism through the black diaspora. In a description of the collection, Sandy stated: "There's a lot of looking back and looking forward happening in this work... [and there's a lot of] celebrating those journeys whether they are intentional or forced journeys." The exhibition Afro-Tech and

8418-657: The Eye, and the Arm . Steven Barnes has been called an Afrofuturist author for his alternate-history novels Lion's Blood and Zulu Heart . N.K. Jemisin , Nalo Hopkinson , and Colson Whitehead have also been referred to as Afrofuturist authors. Butler inspired a movement with vision amongst the black speculative fiction writers. Octavia Butler's novels are often associated with Afrofuturism; this association has been somewhat controversial, since Butler incorporates multi-ethnic and multi-species communities that insist on "hybridity beyond

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8556-674: The Future of Re-Invention ran from 21 October 2017 until 22 April 2018 at Dortmunder U in Dortmund, Germany and looked at "speculative visions of the future and current developments in the field of digital technology by artists and inventors from Africa and the African diaspora...." These Afrofuturist artists used their art as revolution in that they saw its purpose as inspiring black people to imagine new possibilities and futures. "Black Metropolis: 30 Years of Afrofuturism, Comics, Music, Animation, Decapitated Chickens, Heroes, Villains and Negroes"

8694-570: The House" was co-written by Clinton. Clinton also provided the voice of King Quincy, leader of the funk trolls, in the 2020 animated film, Trolls World Tour . In 2022, Clinton competed in season eight of The Masked Singer as "Gopher". After being eliminated on "Hall of Fame Night" alongside George Foreman as "Venus Fly Trap", Clinton did a performance of "Give Up the Funk (Tear the Roof Off

8832-550: The R&;B Top 30, "Nubian Nut", "Last Dance", and " Do Fries Go with That Shake? " He is also a notable music producer who works on almost all the albums he performs on, and has produced albums for Bootsy Collins and Red Hot Chili Peppers , among others. In 1985, he was recruited by the Chili Peppers to produce their album Freaky Styley , because the band members were huge fans of his and of funk in general. Clinton wrote

8970-699: The Schomburg collections that are connected to Afrofuturism, black speculative imagination and Diasporan cultural production. Offering a fresh perspective on the power of speculative imagination and the struggle for various freedoms of expression in popular culture, Unveiling Visions showcases illustrations and other graphics that highlight those popularly found in science fiction, magical realism and fantasy. Items on display include film posters, comics, T-shirts, magazines, CD covers, playbills, religious literature, and more." In April 2016, Niama Safia Sandy curated an exhibit entitled "Black Magic: AfroPasts / Afrofutures" at

9108-646: The Sucker)" while backed up by Sheila E. , Nick Cannon , and Robin Thicke . He also exhibited paintings and sculptures in a solo show at Jeffrey Deitch Gallery in Los Angeles with artist Lauren Halsey . Clinton married Stephanie Lynn Clinton in 1990. In February 2013, after 22 years of marriage, he filed for divorce. Clinton is married to Carlon Thompson-Clinton, his manager of over 10 years. On February 1, 2010, Clinton's 50-year-old son, George Clinton Jr.,

9246-621: The Top 20 on the R&;B charts, followed by " Atomic Dog ", which reached #1 R&B and #101 on the pop chart. In the next four years, Clinton released three more studio albums ( You Shouldn't-Nuf Bit Fish , Some of My Best Jokes Are Friends , and R&B Skeletons in the Closet ) as well as a live album, Mothership Connection (Live from the Summit, Houston, Texas) and charting three singles in

9384-540: The Year Serena Williams , and the sophisticated womanist poetry of Somali-British writer  Warsan Shire . The mothers of Trayvon Martin (Sybrina Fulton), Michael Brown (Lesley McFadden), Eric Garner (Gwen Carr) are featured holding pictures of their deceased sons in homage to the importance of their lives. In D. Scot Miller's Afro-Surreal Manifesto, Afro-Surrealism is juxtaposed with European surrealism, with European surrealism being empirical. It

9522-407: The aesthetic experience. Aesthetics is for the artist as ornithology is for the birds. Aesthetics examines affective domain response to an object or phenomenon. Judgements of aesthetic value rely on the ability to discriminate at a sensory level. However, aesthetic judgments usually go beyond sensory discrimination. For David Hume , delicacy of taste is not merely "the ability to detect all

9660-525: The album Trilogy: Conflict, Climax, Resolution ; Killah Priest on "Come With me" from the album Priesthood ; the Wu-Tang Clan on "Wolves" from the album 8 Diagrams . Clinton founded a record label called The C Kunspyruhzy in 2003. He had a cameo appearance in " Where Were We? ", the season two premiere of the CBS television sitcom How I Met Your Mother , on September 18, 2006. He appeared on

9798-410: The artist. In 1946, William K. Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled " The Intentional Fallacy ", in which they argued strongly against the relevance of an author's intention , or "intended meaning" in the analysis of a literary work. For Wimsatt and Beardsley, the words on the page were all that mattered; importation of meanings from outside

9936-586: The basic aesthetic preferences of Homo sapiens are argued to have evolved in order to enhance survival and reproductive success. One example being that humans are argued to find beautiful and prefer landscapes which were good habitats in the ancestral environment. Another example is that body symmetry and proportion are important aspects of physical attractiveness which may be due to this indicating good health during body growth. Evolutionary explanations for aesthetical preferences are important parts of evolutionary musicology , Darwinian literary studies , and

10074-580: The branch of metaphilosophy known as meta-aesthetics . Aesthetic judgment is closely tied to disgust . Responses like disgust show that sensory detection is linked in instinctual ways to facial expressions including physiological responses like the gag reflex . Disgust is triggered largely by dissonance ; as Darwin pointed out, seeing a stripe of soup in a man's beard is disgusting even though neither soup nor beards are themselves disgusting. Aesthetic judgments may be linked to emotions or, like emotions, partially embodied in physical reactions. For example,

10212-519: The center's coordinator, Dellyssa Edinboro. In February 2023, Megan Jordan of Rolling Stone argued that the series My Dad the Bounty Hunter is an "Afrofuturist marvel" which tells a futuristic and relatable story that "center[s] Black characters while expanding the audience’s imagination", provides thoughts of what the world could be "in true Black sci-fi fashion", and normalizes "Black heroism for future generations". The series premiered

10350-420: The companies of Idris Elba and his wife, Sabrina Dhowre , would be developing an Afrofuturist adult animated , sci-fi , series, tentatively titled Dantai , for Crunchyroll , which would be about a time when biotech has "created an ever-widening gap between the haves and have-nots". The series was also described as an "afropunk sci-fi series". In an April 2021 interview with Den of Geek , Idris Elba he said

10488-539: The context of hair and African-American culture. The movement has grown globally in the arts. Afrofuturist Society was founded by curator Gia Hamilton in New Orleans. Artists like Demetrius Oliver from New York, Cyrus Kabiru from Nairobi , Lina Iris Viktor from Liberia , famed Nigerian-American solar muralist, Shala., and Wanuri Kahiu of Kenya have all steeped their work in the cosmos or sci-fi. Today, Afrofuturism has been portrayed in popular movies like

10626-548: The cover art for African-American jazz musician Miles Davis's live album Agharta . Other musicians typically regarded as working in or greatly influenced by the Afrofuturist tradition include reggae producers Lee "Scratch" Perry and Scientist , hip-hop artists Afrika Bambaataa and Tricky , electronic musicians Larry Heard , A Guy Called Gerald , Juan Atkins , Jeff Mills , Newcleus and Lotti Golden & Richard Scher, writers of " Light Years Away ", described as

10764-634: The direction of previous approaches. Schmidhuber's theory explicitly distinguishes between that which is beautiful and that which is interesting , stating that interestingness corresponds to the first derivative of subjectively perceived beauty. He supposes that every observer continually tries to improve the predictability and compressibility of their observations by identifying regularities like repetition, symmetry , and fractal self-similarity . Since about 2005, computer scientists have attempted to develop automated methods to infer aesthetic quality of images. Typically, these approaches follow

10902-686: The earliest examples of this aesthetic can be seen in the film Space Is the Place which depicts the free jazz band of Sun Ra involved in a science fiction plot where the musician starts preparing a group of young black folks to colonize an outer planet, thus giving birth to a new afro-centric civilization in another planet. Studies on Afrofuturistic music highlight the genre's challenging of sonic norms by blending elements found in Hip-Hop, Jazz, R&B, Funk, and Electronic music. Melting together different sounds and cultures with Afrofuturist music emphasizes

11040-475: The early 1990s, Mark Dery , in his 1993 essay "Black to the Future", began to write about the features he saw as common in African-American science fiction. Dery dubbed this phenomenon Afrofuturism. Afrofuturist art has been written about by scholars like Alondra Nelson , Greg Tate , Tricia Rose , Kodwo Eshun , and others. In an interview, Alondra Nelson explained Afrofuturism as a way of looking at

11178-399: The feature film Black Panther . American costume designer Ruth E. Carter brought her vision to life. To best represent her work, she borrowed ideas from true African designs. "To imagine the fictional African nation of Wakanda , without the influence of [European colonizers], Ms. Carter borrowed from indigenous people across the continent ." In early February 2021, it was announced that

11316-630: The fields of cognitive psychology ( aesthetic cognitivism ) or neuroscience ( neuroaesthetics ). Mathematical considerations, such as symmetry and complexity , are used for analysis in theoretical aesthetics. This is different from the aesthetic considerations of applied aesthetics used in the study of mathematical beauty . Aesthetic considerations such as symmetry and simplicity are used in areas of philosophy, such as ethics and theoretical physics and cosmology to define truth , outside of empirical considerations. Beauty and Truth have been argued to be nearly synonymous, as reflected in

11454-537: The first alienation within the context of the Middle Passage. He writes that Afrofuturist texts work to reimagine slavery and alienation by using "extraterritoriality as a hyperbolic trope to explore the historical terms, the everyday implications of forcibly imposed dislocation, and the constitution of Black Atlantic subjectivities". This location of dystopian futures and present realities places science fiction and novels built around dystopian societies directly in

11592-489: The first critical 'aesthetic regionalist' in proclaiming the anti-universality of aesthetics in contrast to the perilous and always resurgent dictatorship of beauty. 'Aesthetic Regionalism' can thus be seen as a political statement and stance which vies against any universal notion of beauty to safeguard the counter-tradition of aesthetics related to what has been considered and dubbed un-beautiful just because one's culture does not contemplate it, e.g. Edmund Burke's sublime, what

11730-451: The first to analyze links between aesthetics, information processing , and information theory . Max Bense, for example, built on Birkhoff's aesthetic measure and proposed a similar information theoretic measure M a ¨ = R / H {\displaystyle M_{\ddot {a}}=R/H} , where R {\displaystyle R} is the redundancy and H {\displaystyle H}

11868-429: The forms differ in their manner of imitation – through narrative or character, through change or no change, and through drama or no drama. Erich Auerbach has extended the discussion of history of aesthetics in his book titled Mimesis . Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that

12006-411: The future and liberation". She also follows up with a quote by the curator Ingrid LaFleur, who defines it as "a way of imagining possible futures through a black cultural lens". Kathy Brown paraphrases Bennett Capers' 2019 work in stating that Afrofuturism is about "forward thinking as well as backward thinking, while having a distressing past, a distressing present, but still looking forward to thriving in

12144-775: The future". Others have said that the genre is "fluid and malleable", bringing together technology, African culture, and "other influences". Seminal Afrofuturistic works include the novels of Samuel R. Delany and Octavia Butler ; the canvases of Jean-Michel Basquiat and Angelbert Metoyer , and the photography of Renée Cox ; the cosmic avant-garde jazz of Sun Ra and his Arkestra; the explicitly extraterrestrial mythos of Parliament-Funkadelic ; Earth, Wind and Fire with their overt Afrocentric symbolism, bold performance attire and hopeful visions of Black sovereignty; Herbie Hancock 's partnership with Robert Springett and other visual artists, while developing his use of synthesizers. The Jonzun Crew , Warp 9 , Deltron 3030 , Kool Keith , and

12282-402: The idea that human conduct and behaviour ought to be governed by that which is beautiful and attractive. John Dewey has pointed out that the unity of aesthetics and ethics is in fact reflected in our understanding of behaviour being "fair"—the word having a double meaning of attractive and morally acceptable. More recently, James Page has suggested that aesthetic ethics might be taken to form

12420-541: The independent Detroit soul music labels, the Parliaments eventually found success under the names Parliament and Funkadelic in the 1970s (see also P-Funk ). These two bands combined the elements of musicians such as Jimi Hendrix , Sly and the Family Stone , Frank Zappa , and James Brown while exploring various sounds, technology, and lyricism. Clinton and Parliament-Funkadelic dominated Black music during

12558-546: The ingredients in a composition", but also the sensitivity "to pains as well as pleasures, which escape the rest of mankind." Thus, sensory discrimination is linked to capacity for pleasure . For Immanuel Kant ( Critique of Judgment , 1790), "enjoyment" is the result when pleasure arises from sensation, but judging something to be "beautiful" has a third requirement: sensation must give rise to pleasure by engaging reflective contemplation. Judgements of beauty are sensory, emotional and intellectual all at once. Kant observed of

12696-496: The intro to Snoop Dogg 's Tha Blue Carpet Treatment album, released in 2007. Clinton was also a judge for the 5th annual Independent Music Awards. On September 16, 2008, Clinton released a solo album, George Clinton and His Gangsters of Love , on Shanachie Records . Largely a covers album, Gangsters features guest appearances from Sly Stone , El DeBarge , Red Hot Chili Peppers , RZA , Carlos Santana , gospel singer Kim Burrell and more. On September 10, 2009, Clinton

12834-491: The leading theorists from this school, Stanley Fish , was himself trained by New Critics. Fish criticizes Wimsatt and Beardsley in his essay "Literature in the Reader" (1970). As summarized by Berys Gaut and Livingston in their essay "The Creation of Art": "Structuralist and post-structuralists theorists and critics were sharply critical of many aspects of New Criticism, beginning with the emphasis on aesthetic appreciation and

12972-456: The mimetic arts possesses what Stephen Halliwell calls "highly structured procedures for the achievement of their purposes." For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, and poetry with language. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly,

13110-668: The music and the band. That's the real P-Funk legacy. They'll still be funkin' long after I stop." Earlier in 2018, he told Rolling Stone that he had made a hologram , suggesting that the band could "have it start performing in Vegas". In December 2018, the Recording Academy announced that Clinton and Parliament-Funkadelic would be given Lifetime Achievement Awards . The awards were presented on May 11, 2019. Clinton collaborated with Flying Lotus on his new album Flamagra released on May 24, 2019. The track "Burning Down

13248-425: The narrative of two immortal Africans Doro and Anyanwu features science fiction technologies and an alternate anti-colonialist history of seventeenth century America. At the most straightforward sci-fi stories (likewise alluded to in this book as Sci-Fi and SF) is a social classification worried about parts of futurism, envisioned advances as well as between planetarism. Those focuses or direction take into consideration

13386-416: The objective side of beauty by defining it in terms of the relation between the beautiful object as a whole and its parts: the parts should stand in the right proportion to each other and thus compose an integrated harmonious whole. Hedonist conceptions , on the other hand, focus more on the subjective side by drawing a necessary connection between pleasure and beauty, e.g. that for an object to be beautiful

13524-448: The observer. One way to achieve this is to hold that an object is beautiful if it has the power to bring about certain aesthetic experiences in the perceiving subject. This is often combined with the view that the subject needs to have the ability to correctly perceive and judge beauty, sometimes referred to as "sense of taste". Various conceptions of how to define and understand beauty have been suggested. Classical conceptions emphasize

13662-403: The one hand, beauty is ascribed to things as an objective, public feature. On the other hand, it seems to depend on the subjective, emotional response of the observer. It is said, for example, that "beauty is in the eye of the beholder". It may be possible to reconcile these intuitions by affirming that it depends both on the objective features of the beautiful thing and the subjective response of

13800-416: The oppressive natures of Earth. Other influences include Blade Runner and Star Wars . Additionally, Monáe expanded contemporary Afrofuturist explorations to literary media. In 2022, Monáe released a companion to her 2018 album, Dirty Computer , called The Memory Librarian: And Other Stories of Dirty Computer . Janelle Monáe uses technology to shed light on current social and political issues which

13938-461: The order was determined using fractal compression. There is also the case of the Acquine engine, developed at Penn State University , that rates natural photographs uploaded by users. There have also been relatively successful attempts with regard to chess and music. Computational approaches have also been attempted in film making as demonstrated by a software model developed by Chitra Dorai and

14076-922: The otherworldly, alternative nature that defines most Afrofuturist works. When performed live, the genre has been observed to combine distinct sounds and sound cultures across the African Diaspora. Jamaican-American party host, DJ Kool Herc, was a well-renowned DJ in the 1970s. He was one of the many disc jockeys on the 70s New York music scene responsible for mixing Jamaica's signature hefty, booming sound systems with R&B and Rap, bass-heavy African American genres. This combination maximized audience immersion and storytelling capabilities. Present-day Afrofuturistic musicians, such as Hip-Hop duo, Outkast , and Jazz composer, Nicole Mitchell , have traces of DJ Kool Herc's multi-cultural influences in their song arrangements and performances, utilizing his signature beat isolation and sound systems decades later. Afrofuturism

14214-426: The perception of artwork; artworks presented in a classical museum context are liked more and rated more interesting than when presented in a sterile laboratory context. While specific results depend heavily on the style of the presented artwork, overall, the effect of context proved to be more important for the perception of artwork than the effect of genuineness (whether the artwork was being presented as original or as

14352-477: The philosophy of art as aesthetics covering the visual arts, the literary arts, the musical arts and other artists forms of expression can be dated back at least to Aristotle and the ancient Greeks. Aristotle writing of the literary arts in his Poetics stated that epic poetry , tragedy, comedy, dithyrambic poetry , painting, sculpture, music, and dance are all fundamentally acts of mimesis , each varying in imitation by medium, object, and manner. Aristotle applies

14490-530: The philosophy of art try to find answers to what exactly is art and what makes good art. The word aesthetic is derived from the Ancient Greek αἰσθητικός ( aisthētikós , "perceptive, sensitive, pertaining to sensory perception"), which in turn comes from αἰσθάνομαι ( aisthánomai , "I perceive, sense, learn") and is related to αἴσθησις ( aísthēsis , "perception, sensation"). Aesthetics in this central sense has been said to start with

14628-461: The poem" ) in 1735; Baumgarten chose "aesthetics" because he wished to emphasize the experience of art as a means of knowing. Baumgarten's definition of aesthetics in the fragment Aesthetica (1750) is occasionally considered the first definition of modern aesthetics. The term was introduced into the English language by Thomas Carlyle in his Life of Friedrich Schiller (1825). The history of

14766-507: The point of discomfort". In Samuel R. Delany 's "The Mirror of Afrofuturism," in which he claims Afrofuturism as a genre does not exist, he explains how Butler, specifically her 2003 short story " Amnesty ", contains "something more powerful than any local notion of what creates racial distinctions." Portland State University Single Sign-On - Stale Request However, the fourth book of the science fiction Patternist series , Wild Seed , particularly fits ideas of Afrofuturist thematic concerns, as

14904-613: The realms of slavery and freedom through the world of cyborgs and the fashion industry. She is credited with proliferating Afrofuturist funk into a new neo-Afrofuturism by use of her Metropolis -inspired alter-ego, Cindi Mayweather, who incites a rebellion against the Great Divide, a secret society, in order to liberate citizens who have fallen under their oppression. This ArchAndroid role reflects earlier Afrofuturistic figures Sun Ra and George Clinton, who created their own visuals as extraterrestrial beings rescuing African-Americans from

15042-472: The rise of the New Criticism school and debate concerning the intentional fallacy . At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of

15180-535: The role of the culture industry in the commodification of art and aesthetic experience. Hal Foster attempted to portray the reaction against beauty and Modernist art in The Anti-Aesthetic: Essays on Postmodern Culture . Arthur Danto has described this reaction as "kalliphobia" (after the Greek word for beauty, κάλλος kallos ). André Malraux explains that the notion of beauty was connected to

15318-457: The same month. It was later renewed for a second season, as stated in May 2023. The creation of the term Afrofuturism, in the 1990s, was often primarily used to categorize "speculative fiction that treats African-American themes and addresses African-American concerns in the context of 20th-century technoculture," but was soon expanded to include artistic, scientific, and spiritual practices throughout

15456-530: The same sculptures as beautiful. Evaluations of beauty may well be linked to desirability, perhaps even to sexual desirability. Thus, judgments of aesthetic value can become linked to judgments of economic, political, or moral value. In a current context, a Lamborghini might be judged to be beautiful partly because it is desirable as a status symbol, or it may be judged to be repulsive partly because it signifies over-consumption and offends political or moral values. The context of its presentation also affects

15594-788: The same time, Kenyan artist Kevo Abbra, inspired by Afrofuturism in the 1990s, was interviewed, explaining how artistic expression has developed over time and his current artistic style. The first issue of the new Black Panther series was released on 16 February. As a part of the MOMA's PS1 festival, King Britt curated Moondance: A Night in the Afro Future in 2014. From noon to six p.m. on 13 April, people could attend Moondance and listen to lectures, live music or watch dance performances in celebration of Afrofuturism in contemporary culture. Schomburg Center for Research in Black Culture held

15732-439: The scope of art and aesthetics. In 1941, Eli Siegel , American philosopher and poet, founded Aesthetic Realism , the philosophy that reality itself is aesthetic, and that "The world, art, and self explain each other: each is the aesthetic oneness of opposites." Various attempts have been made to define Post-Modern Aesthetics. The challenge to the assumption that beauty was central to art and aesthetics, thought to be original,

15870-635: The series is "mainly the brainchild" of his wife, who he described as a "super geek when it comes to anime." Russell Contreras, in Axios , noted that Afrofuturism is growing in popularity, even as some worry it will be co-opted, and black writers announced in 2021, "Afrofuturist projects around gaming and virtual reality". In February 2021, the Center for Afrofuturist Studies, located at Public Space One in Iowa City, celebrated its fifth anniversary, flourishing as

16008-553: The series of articles on "The Pleasures of the Imagination", which the journalist Joseph Addison wrote in the early issues of the magazine The Spectator in 1712. The term aesthetics was appropriated and coined with new meaning by the German philosopher Alexander Baumgarten in his dissertation Meditationes philosophicae de nonnullis ad poema pertinentibus (English: "Philosophical considerations of some matters pertaining

16146-677: The seventh annual Treefort Music Fest in Boise, Idaho in 2018. The release of a new Parliament album, Medicaid Fraud Dogg , was announced in March 2018. It was released May 22, 2018. In April 2018, Clinton announced that he would retire from touring in May 2019. Billboard reported that Clinton had recently undergone pacemaker surgery, but he said that was not a factor in his decision. He indicated that he expected Parliament-Funkadelic would continue to tour without him, saying "Truth be told, it's never really been about me. It's always been about

16284-400: The so-called autonomy of art, but they reiterated the attack on biographical criticisms' assumption that the artist's activities and experience were a privileged critical topic." These authors contend that: "Anti-intentionalists, such as formalists, hold that the intentions involved in the making of art are irrelevant or peripheral to correctly interpreting art. So details of the act of creating

16422-464: The song "Can't C Me" from the album All Eyez on Me ; Ice Cube on the song and video for " Bop Gun (One Nation) " on the Lethal Injection album (which sampled Funkadelic's earlier hit " One Nation Under a Groove "); Outkast on the song "Synthesizer" from the album Aquemini ; Redman on the song "J.U.M.P." from the album Malpractice ; Souls of Mischief on "Mama Knows Best" from

16560-478: The statement "Beauty is truth, truth beauty" in the poem " Ode on a Grecian Urn " by John Keats , or by the Hindu motto "Satyam Shivam Sundaram" (Satya (Truth) is Shiva (God), and Shiva is Sundaram (Beautiful)). The fact that judgments of beauty and judgments of truth both are influenced by processing fluency , which is the ease with which information can be processed, has been presented as an explanation for why beauty

16698-486: The study Afrofuturism: The World of Black Science Fiction and Fantasy , and William Hayashi has published all three volumes of his Darkside Trilogy which tells the story of what happens in America when the country discovers African Americans secretly living on the backside of the moon since before the arrival of Neil Armstrong, an extreme vision of segregation imposed by technologically advanced blacks. Krista Franklin ,

16836-518: The study of the evolution of emotion . George Clinton (funk musician) George Edward Clinton (born July 22, 1941 ) is an American singer, songwriter, record producer and bandleader. His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic ) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism , outlandish fashion, psychedelia , and surreal humor . He launched his solo career with

16974-992: The subject position of black people which covers themes of alienation and aspirations for a utopic future. The idea of "alien" or "other" is a theme often explored. Additionally, Nelson says that discussions around race, access, and technology often bolster uncritical claims about a so-called " digital divide ". Nelson is of the opinion that the digital divide overemphasizes the association of racial and economic inequality with limited access to technology, and that this association then begins to construct blackness "as always oppositional to technologically driven chronicles of progress". Contemporary Afrofuturism often explores metaphysical areas such as "cosmogony, cosmology, and speculative philosophy". A new generation of recording artists has embraced Afrofuturism through their music and fashion, including Solange Knowles , Rihanna , and Beyoncé . Other artists such as Erykah Badu , Missy Elliott and Janelle Monáe have expanded on these themes incorporating

17112-427: The term mimesis both as a property of a work of art and also as the product of the artist's intention and contends that the audience's realisation of the mimesis is vital to understanding the work itself. Aristotle states that mimesis is a natural instinct of humanity that separates humans from animals and that all human artistry "follows the pattern of nature". Because of this, Aristotle believed that each of

17250-430: The text was considered irrelevant, and potentially distracting. In another essay, " The Affective Fallacy ," which served as a kind of sister essay to "The Intentional Fallacy", Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. This fallacy would later be repudiated by theorists from the reader-response school of literary theory. One of

17388-403: The tradition of black realities. Aesthetic Aesthetics (also spelled esthetics ) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art . Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics

17526-447: The use of cyborg and metallic visuals into their style. Other 21st century musicians who have been characterized as Afrofuturist include singer FKA Twigs , musical duo Ibeyi , musical artist Spoek Mathambo , DJ/producer Ras G , and musician and filmmaker Flying Lotus . Janelle Monáe's work emphasizes Afofuturist themes in urban contemporary music. Her notable works include the music videos "Prime Time" and "Many Moons", which explore

17664-554: The vocals and lyrics to the title track, which was originally intended by the band to be left as an instrumental piece. The album was not a commercial success at the time. In 1987, Clinton was recruited to write the theme song for The Tracey Ullman Show , "You're Thinking Right". During the mid to late 1980s, many hip-hop and rap artists cited Clinton's earlier music as an influence. Along with James Brown , Clinton's songs with Parliament-Funkadelic were often sampled by rap producers. "Sure, sample my stuff…" he remarked in 1996; "Ain't

17802-749: Was a comparatively recent invention, a view proven wrong in the late 1970s, when Abraham Moles and Frieder Nake analyzed links between beauty, information processing, and information theory. Denis Dutton in "The Art Instinct" also proposed that an aesthetic sense was a vital evolutionary factor. Jean-François Lyotard re-invokes the Kantian distinction between taste and the sublime . Sublime painting, unlike kitsch realism , "... will enable us to see only by making it impossible to see; it will please only by causing pain." Sigmund Freud inaugurated aesthetical thinking in Psychoanalysis mainly via

17940-614: Was a label also retroactively applied to George Clinton and his bands Parliament and Funkadelic with his magnum opus Mothership Connection (1975) and the subsequent The Clones of Dr. Funkenstein , P-Funk Earth Tour , Funkentelechy Vs. the Placebo Syndrome , and Motor Booty Affair . George Clinton's work and appearance embody Afrofuturistic themes, sporting shiny, futuristic clothing both on and off stage, using sci-fi and cosmic album theming, and addressing Black history in his lyrics. Parliament's Mothership Connection

18078-507: Was a one-man show focusing on the career of cartoonist and visual afrofuturist, Tim Fielder. The show, designed to travel over multiple gallery spaces, opened at New York Gallatin Galleries from 23 to 30 May 2016. Curated by Boston Fielder, the exhibit featured both published and unpublished work ranging from independent comics art for alternative magazine, Between C & D and mainstream comics work done for Marvel Comics. Black Metropolis

18216-576: Was awarded an Honorary Doctorate of Music from Berklee College of Music . During the commencement concert, Clinton joined the college's P-Funk Ensemble to perform hits like "Testify," "Give Up the Funk," and "One Nation Under a Groove". He was accompanied by longtime horn players Bennie Cowan and Greg Thomas. Clinton was a guest star in Odd Future 's television show Loiter Squad on Adult Swim in 2013. On June 27, 2015, Clinton joined Mark Ronson , Mary J. Blige and Grandmaster Flash on stage at

18354-683: Was awarded the Urban Icon Award from Broadcast Music Incorporated . The ceremony featured P-Funk associate Bootsy Collins , as well contemporary performers such as Big Boi from Outkast and Cee-Lo Green from Goodie Mob . Also in 2009, Clinton was inducted into the North Carolina Music Hall of Fame . On March 7, 2010, Clinton voiced a colorful blob alien version of himself in T-Pain 's Adult Swim television movie Freaknik: The Musical . In May 2012, Clinton

18492-719: Was born in Kannapolis, North Carolina , grew up in Plainfield, New Jersey , and as of 2024 has lived in Tallahassee, Florida for thirty years. During his teen years, Clinton formed a doo-wop group inspired by Frankie Lymon & the Teenagers called the Parliaments , while straightening hair at a barbershop in Plainfield, New Jersey . The West End of Plainfield was once home to a barbershop on 216 Plainfield Avenue known as "Silk Palace". Owned in part by Clinton, it

18630-511: Was marred by multiple legal problems resulting in financial difficulties due to royalty and copyright issues, notably with Bridgeport Music , who Clinton claims fraudulently obtained the copyrights to many of his recordings. In 1982, Clinton was signed to Capitol Records under two names: his own as a solo artist, and as the P-Funk All-Stars, releasing Computer Games under his own name that same year. The single " Loopzilla " hit

18768-591: Was recognized for its themes of Black liberation and space in song arrangement, lyricism, and album visual aesthetics. The album cover art depicts a Black person, dressed head-to-toe in chrome, hanging out of a UFO in space. The album also introduces two of Clinton's alter egos, the Lollipop Man and Star Child. Parliament Funkadelic's strong worldbuilding and establishment of individualism and escapism in their work have been partly attributed to their inclusion of characters and alter egos in their music. Alter egos remain

18906-486: Was revived at The Hammonds House Museum in Atlanta, Georgia for the museum's 30th Anniversary, from 12 October–25 November 2018. Afrofuturism Art coincides with Afrofuturism Literature occasionally, such as in science fiction comic books. Just as Afrofuturism explores possibilities, so do the art in Afrofuturism comic books. For example, Black Panther, the movie and comic book is a form of Afrofuturism Literature. In 2021,

19044-503: Was staffed by various members of Parliament-Funkadelic, and known as the "hangout for all the local singers and musicians" in Plainfield's 1950s and 1960s doo-wop, soul , rock , and proto- funk music scene. For a period in the 1960s Clinton was a staff songwriter for Motown . Despite initial commercial failure and one major hit single (" (I Wanna) Testify " in 1967), as well as arranging and producing scores of singles on many of

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