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Alexander Korda

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Hungarian , or Magyar ( magyar nyelv , pronounced [ˈmɒɟɒr ˈɲɛlv] ), is a Uralic language of the Ugric branch spoken in Hungary and parts of several neighboring countries. It is the official language of Hungary and one of the 24 official languages of the European Union. Outside Hungary, it is also spoken by Hungarian communities in southern Slovakia , western Ukraine ( Transcarpathia ), central and western Romania ( Transylvania ), northern Serbia ( Vojvodina ), northern Croatia , northeastern Slovenia ( Prekmurje ), and eastern Austria ( Burgenland ).

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83-519: Sir Alexander Korda ( / ˈ k ɔːr d ə / ; born Sándor László Kellner ; Hungarian : Korda Sándor ; 16 September 1893 – 23 January 1956) was a Hungarian–born British film director, producer, and screenwriter, who founded his own film production studios and film distribution company. Born in Hungary , where he began his career, he worked briefly in the Austrian and German film industries during

166-614: A Jewish family in Pusztatúrpásztó , Austria-Hungary . His parents were Henrik Kellner and Ernesztina Weisz. He had two younger brothers, Zoltan and Vincent , who also had careers in the film industry, often working with Alexander. After the death of his father, Korda began writing film reviews to support his family. He also changed the family name, deriving the new name Korda from the Latin phrase " sursum corda " ("lift up your hearts"). Having been excused from military service in

249-615: A Turkic language continued to be a matter of impassioned political controversy throughout the 18th and into the 19th centuries. During the latter half of the 19th century, a competing hypothesis proposed a Turkic affinity of Hungarian, or, alternatively, that both the Uralic and the Turkic families formed part of a superfamily of Ural–Altaic languages . Following an academic debate known as Az ugor-török háború ("the Ugric-Turkic war"),

332-417: A circumfix , to change a word's meaning and its grammatical function. Hungarian uses vowel harmony to attach suffixes to words. That means that most suffixes have two or three different forms, and the choice between them depends on the vowels of the head word. There are some minor and unpredictable exceptions to the rule. Nouns have 18 cases , which are formed regularly with suffixes. The nominative case

415-513: A big hit with Elephant Boy (1937) directed by his brother from a Rudyard Kipling story; it made a star of Sabu . Korda also made some cheaper films: Farewell Again (1938), Storm in a Teacup (1938) with Leigh and Rex Harrison , The Squeaker (1937), Action for Slander (1937), Return of the Scarlet Pimpernel (1937) and Paradise for Two (1937). Knight Without Armour (1937) with Donat and Marlene Dietrich

498-707: A high proportion of words specific to agriculture and livestock are of Chuvash origin. A strong Chuvash influence was also apparent in Hungarian burial customs. The first written accounts of Hungarian date to the 10th century, such as mostly Hungarian personal names and place names in De Administrando Imperio , written in Greek by Eastern Roman Emperor Constantine VII . No significant texts written in Old Hungarian script have survived, because

581-656: A hit. The Man Between (1953) was an attempt to repeat the success of The Third Man . Korda then helped to make The Heart of the Matter (1954), Hobson's Choice (1954), The Belles of St. Trinian's (1954), and The Teckman Mystery (1954). Hungarian language It is also spoken by Hungarian diaspora communities worldwide, especially in North America (particularly the United States and Canada ) and Israel . With 14 million speakers, it

664-530: A massive hit with another adventure film directed by Zoltan, The Four Feathers (1939). By 1939 Michael Powell had been hired as a contract director by Korda on the strength of The Edge of the World (1937). Korda set him to work on some projects such as Burmese Silver that were subsequently cancelled. Nonetheless, Powell was brought in to save a film that was being made as a vehicle for two of Korda's star players, Conrad Veidt and Valerie Hobson . The film

747-399: A millennium. These include tehén 'cow' (cf. Avestan daénu ); tíz 'ten' (cf. Avestan dasa ); tej 'milk' (cf. Persian dáje 'wet nurse'); and nád 'reed' (from late Middle Iranian ; cf. Middle Persian nāy and Modern Persian ney ). Archaeological evidence from present-day southern Bashkortostan confirms the existence of Hungarian settlements between

830-750: A million additional people scattered in other parts of the world. For example, there are more than one hundred thousand Hungarian speakers in the Hungarian American community and 1.5 million with Hungarian ancestry in the United States . Hungarian is the official language of Hungary, and thus an official language of the European Union. Hungarian is also one of the official languages of Serbian province of Vojvodina and an official language of three municipalities in Slovenia : Hodoš , Dobrovnik and Lendava , along with Slovene . Hungarian

913-406: A process of nyelvújítás ( language revitalization ). Some words were shortened ( győzedelem > győzelem , 'victory' or 'triumph'); a number of dialectal words spread nationally ( e.g. , cselleng 'dawdle'); extinct words were reintroduced ( dísz , 'décor'); a wide range of expressions were coined using the various derivative suffixes; and some other, less frequently used methods of expanding

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996-713: A serious problem in Britain in the winter months. He concluded: "Hollywood, as well as the rest of the world, will be watching with interest what Korda does at Denham". Korda was naturalised as a British subject on 28 October 1936. That same year Korda was an important contributor to the Moyne Commission, formed to protect British film production from competition, mainly from the United States. Korda said: "If American interests obtained control of British production companies, they may make British pictures here, but

1079-1069: A similarly dramatic way over these three centuries. After the arrival of the Hungarians in the Carpathian Basin , the language came into contact with a variety of speech communities , among them Slavic , Turkic , and German . Turkic loans from this period come mainly from the Pechenegs and Cumanians , who settled in Hungary during the 12th and 13th centuries: e.g. koboz " cobza " (cf. Turkish kopuz 'lute'); komondor "mop dog" (< * kumandur < Cuman ). Hungarian borrowed 20% of words from neighbouring Slavic languages : e.g. tégla 'brick'; mák 'poppy seed'; szerda 'Wednesday'; csütörtök 'Thursday'...; karácsony 'Christmas'. These languages in turn borrowed words from Hungarian: e.g. Serbo-Croatian ašov from Hungarian ásó 'spade'. About 1.6 percent of

1162-528: A star of Charles Laughton . Korda followed it with The Girl from Maxim's (1933), which he shot in English and French. He tried to repeat the success of Henry with The Private Life of Don Juan (1934) starring Douglas Fairbanks , which he directed, and The Rise of Catherine the Great (1934) which he did not. Neither did as well as Henry . Korda produced a well-respected short, The Private Life of

1245-566: A success with Marius (1931) starring Raimu from the play by Marcel Pagnol . He followed it with the Swedish and German versions of Marius, respectfully Longing for the Sea (1931), and The Golden Anchor (1932). Korda relocated to London where he made Service for Ladies (1932) for Paramount. He produced Women Who Play (1932) for them. Korda then decided to form his own company. In 1932 he founded London Films . Its first production

1328-923: A £1 million loss to MGM. The only film to come out of the deal was Perfect Strangers (1945), directed by Korda, and starring Robert Donat and Deborah Kerr . Via London Films Korda bought a controlling interest in British Lion Films . He produced A Man About the House (1947). In 1948 London Films received an advance payment of £375,000, the largest single payment received by a British film company, for three films, An Ideal Husband (1947) (which Korda directed), Anna Karenina (1948) and Mine Own Executioner (1948). The company released three other films, Bonnie Prince Charlie (1948), The Winslow Boy (1948) and The Fallen Idol (1948). The Winslow Boy and Fallen Idol were hits. An Ideal Husband and Anna Karenina had some acclaim, but lost money at

1411-400: Is subject–verb–object (SVO). However, Hungarian is a topic-prominent language , and so has a word order that depends not only on syntax but also on the topic–comment structure of the sentence (for example, what aspect is assumed to be known and what is emphasized). A Hungarian sentence generally has the following order: topic, comment (or focus), verb and the rest. The topic shows that

1494-534: Is always on the first syllable of a word, as in Finnish and the neighbouring Slovak and Czech . There is a secondary stress on other syllables in compounds: viszontlátásra ("goodbye") is pronounced /ˈvisontˌlaːtaːʃrɒ/ . Elongated vowels in non-initial syllables may seem to be stressed to an English-speaker, as length and stress correlate in English. Hungarian is an agglutinative language . It uses various affixes , mainly suffixes but also some prefixes and

1577-549: Is expressed by a possessive suffix on the possessed object, rather than the possessor as in English (Peter's apple becomes Péter almája , literally 'Peter apple-his'). Noun plurals are formed with –k ( az almák 'the apples'), but after a numeral, the singular is used ( két alma 'two apples', literally 'two apple'; not *két almák ). Unlike English, Hungarian uses case suffixes and nearly always postpositions instead of prepositions. There are two types of articles in Hungarian, definite and indefinite, which roughly correspond to

1660-442: Is marked with boldface. Hungarian has a four-tiered system for expressing levels of politeness. From highest to lowest: The four-tiered system has somewhat been eroded due to the recent expansion of " tegeződés " and " önözés ". Some anomalies emerged with the arrival of multinational companies who have addressed their customers in the te (least polite) form right from the beginning of their presence in Hungary. A typical example

1743-588: Is no longer clear that it is a valid group. When the Samoyed languages were determined to be part of the family, it was thought at first that Finnic and Ugric (the most divergent branches within Finno-Ugric) were closer to each other than to the Samoyed branch of the family, but that is now frequently questioned. The name of Hungary could be a result of regular sound changes of Ungrian/Ugrian , and

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1826-623: Is officially recognized as a minority or regional language in Austria , Croatia , Romania , Zakarpattia in Ukraine , and Slovakia . In Romania it is a recognized minority language used at local level in communes, towns and municipalities with an ethnic Hungarian population of over 20%. The dialects of Hungarian identified by Ethnologue are: Alföld, West Danube, Danube-Tisza, King's Pass Hungarian, Northeast Hungarian, Northwest Hungarian, Székely and West Hungarian. These dialects are, for

1909-399: Is sometimes described as having free word order, different word orders are generally not interchangeable, and the neutral order is not always correct to use. The intonation is also different with different topic-comment structures. The topic usually has a rising intonation, the focus having a falling intonation. In the following examples, the topic is marked with italics, and the focus (comment)

1992-482: Is the Funeral Sermon and Prayer , which dates to the 1190s. Although the orthography of these early texts differed considerably from that used today, contemporary Hungarians can still understand a great deal of the reconstructed spoken language, despite changes in grammar and vocabulary. A more extensive body of Hungarian literature arose after 1300. The earliest known example of Hungarian religious poetry

2075-700: Is the 14th-century Lamentations of Mary . The first Bible translation was the Hussite Bible in the 1430s. The standard language lost its diphthongs , and several postpositions transformed into suffixes , including reá "onto" (the phrase utu rea "onto the way" found in the 1055 text would later become út ra ). There were also changes in the system of vowel harmony . At one time, Hungarian used six verb tenses , while today only two or three are used. In 1533, Kraków printer Benedek Komjáti published Letters of St. Paul in Hungarian (modern orthography: A Szent Pál levelei magyar nyelven ),

2158-477: Is the Swedish furniture shop IKEA , whose web site and other publications address the customers in te form. When a news site asked IKEA—using the te form—why they address their customers this way, IKEA's PR Manager explained in his answer—using the ön form—that their way of communication reflects IKEA's open-mindedness and the Swedish culture. However IKEA in France uses the polite ( vous ) form. Another example

2241-594: Is the Uralic family's largest member by number of speakers. Hungarian is a member of the Uralic language family . Linguistic connections between Hungarian and other Uralic languages were noticed in the 1670s, and the family itself was established in 1717. Hungarian has traditionally been assigned to the Ugric branch along with the Mansi and Khanty languages of western Siberia ( Khanty–Mansia region of North Asia ), but it

2324-485: Is the communication of Yettel Hungary (earlier Telenor, a mobile network operator) towards its customers. Yettel chose to communicate towards business customers in the polite ön form while all other customers are addressed in the less polite te form. During the first early phase of Hungarian language reforms (late 18th and early 19th centuries) more than ten thousand words were coined, several thousand of which are still actively used today (see also Ferenc Kazinczy ,

2407-407: Is unmarked ( az alma 'the apple') and, for example, the accusative is marked with the suffix –t ( az almát '[I eat] the apple'). Half of the cases express a combination of the source-location-target and surface-inside-proximity ternary distinctions (three times three cases); there is a separate case ending – ból / –ből meaning a combination of source and insideness: 'from inside of'. Possession

2490-684: The Romanian lexicon is of Hungarian origin. In the 21st century, studies support an origin of the Uralic languages, including early Hungarian, in eastern or central Siberia , somewhere between the Ob and Yenisei rivers or near the Sayan mountains in the Russian – Mongolian border region. A 2019 study based on genetics, archaeology and linguistics, found that early Uralic speakers arrived in Europe from

2573-845: The Volga River and the Ural Mountains . The Onoğurs (and Bulgars ) later had a great influence on the language, especially between the 5th and 9th centuries. This layer of Turkic loans is large and varied (e.g. szó ' word ' , from Turkic ; and daru ' crane ' , from the related Permic languages ), and includes words borrowed from Oghur Turkic ; e.g. borjú ' calf ' (cf. Chuvash păru , părăv vs. Turkish buzağı ); dél 'noon; south' (cf. Chuvash tĕl vs. Turkish dial. düš ). Many words related to agriculture, state administration and even family relationships show evidence of such backgrounds. Hungarian syntax and grammar were not influenced in

Alexander Korda - Misplaced Pages Continue

2656-672: The programmers he had previously directed in the United States. He collaborated with several figures who would contribute to his future success in Britain. Korda was offered a series of scripts, all of which he disliked, before he finally agreed to make The Princess and the Plumber (1930). Korda's reluctance to make the film led to his conflict with studio bosses, which brought to an end his first period in Hollywood. Korda went to France where he made The Men Around Lucy (1931) for Paramount. He also made Rive gauche (1931). Korda had

2739-892: The 2011 Hungarian census, 9,896,333 people (99.6% of the total population) speak Hungarian, of whom 9,827,875 people (98.9%) speak it as a first language, while 68,458 people (0.7%) speak it as a second language . About 2.2 million speakers live in other areas that were part of the Kingdom of Hungary before the Treaty of Trianon (1920). Of these, the largest group lives in Transylvania , the western half of present-day Romania , where there are approximately 1.25 million Hungarians . There are large Hungarian communities also in Slovakia , Serbia and Ukraine , and Hungarians can also be found in Austria , Croatia , and Slovenia , as well as about

2822-871: The Austro-Hungarian Army in the First World War, because he was short-sighted , Korda became an important figure in the Hungarian film industry, initially through his magazines Pesti Mozi , Mozihét and Világ . This led to invitations to write screenplays. His first script was for Watchhouse in the Carpathians (1914), which he also helped to direct. He also made a film with Gyula Zilahy , The Duped Journalist (1914), and directed Tutyu and Totyo (1915), The Officer's Swordknot (1915) and Lyon Lea (1915). In 1916, Korda established his own production company, Corvin Film . Its first film

2905-481: The Devil (1929) with Maria Korda (who now spelled her name with a K). The latter two, though still Silent films , had sound effects and music added to their soundtracks during Hollywood's transition to fully synchronized Sound films . Korda's next film The Squall (1929), with a young Myrna Loy , was his first talkie and featured a Hungarian setting. Although, like many other directors, Korda had misgivings about

2988-575: The Finno-Ugric hypothesis was concluded the sounder of the two, mainly based on work by the German linguist Josef Budenz . Hungarians did, in fact, absorb some Turkic influences during several centuries of cohabitation. The influence on Hungarians was mainly from the Turkic Oghur speakers such as Sabirs , Bulgars of Atil , Kabars and Khazars . The Oghur tribes are often connected with

3071-562: The Gannets (1934), and enjoyed a big success as producer of The Scarlet Pimpernel (1934). Also popular was Sanders of the River (1935) starring Paul Robeson and directed by his brother, and The Ghost Goes West (1936) starring Donat. His other credits as producer include Moscow Nights (1936) with Laurence Olivier , Men Are Not Gods (1936), and Forget Me Not (1936). Korda directed Rembrandt (1936) with Laughton, which

3154-520: The Hungarian lexemes collected from technical texts, dialects etc. would total up to 1,000,000 words. Parts of the lexicon can be organized using word-bushes (see an example on the right). The words in these bushes share a common root, are related through inflection, derivation and compounding, and are usually broadly related in meaning. Faun (film) Faun is a 1918 Hungarian silent drama film directed by Alexander Korda and starring Gábor Rajnay , Dezsõ Gyárfás and Artúr Somlay . It

3237-534: The Hungarian language contains 75,000 words, and the Comprehensive Dictionary of Hungarian Language (to be published in 18 volumes in the next twenty years) is planned to contain 110,000 words. The default Hungarian lexicon is usually estimated to comprise 60,000 to 100,000 words. (Independently of specific languages, speakers actively use at most 10,000 to 20,000 words, with an average intellectual using 25,000 to 30,000 words. ) However, all

3320-514: The Hungarians whose exoethnonym is usually derived from Onogurs (> (H)ungars), a Turkic tribal confederation . The similarity between customs of Hungarians and the Chuvash people , the only surviving member of the Oghur tribes, is visible. For example, the Hungarians appear to have learned animal husbandry techniques from the Oghur speaking Chuvash people (or historically Suvar people ), as

3403-568: The Islands (1952), Home at Seven (1952), Who Goes There! (1952), The Holly and the Ivy (1952), The Ringer (1952), Folly to Be Wise (1953), Twice Upon a Time (1953), The Captain's Paradise (1953), and The Story of Gilbert and Sullivan (1953). Cry, the Beloved Country (1951), directed by Zoltan, was acclaimed. The Sound Barrier (1952) from David Lean was

Alexander Korda - Misplaced Pages Continue

3486-452: The Ugric and Finnic languages is greater, but the correspondences are also regular. The traditional view holds that the Hungarian language diverged from its Ugric relatives in the first half of the 1st millennium BC, in western Siberia east of the southern Urals . In Hungarian, Iranian loanwords date back to the time immediately following the breakup of Ugric and probably span well over

3569-517: The United States on board the steamer Olympic , with a view to Korda taking up a contract with the American studio First National . In Hollywood both struggled to adapt to the studio system . Korda had to wait some time before gaining his first directorial assignment, The Stolen Bride (1927), a Hungarian-themed romance about a peasant's love for a countess. The film starred the American actress Billie Dove rather than Korda's wife. Following

3652-429: The art at the time). It was "not only the most up-to-date of all the world's studios" but a "complete community in itself" from foundry and blacksmith's shops to projection theatres, with "unusually good dressing and bathroom accommodations" and able to easily manage crowds of 500. Macauley pointed to the special construction designed to ensure that even dense fog would not penetrate the buildings and interfere with filming,

3735-606: The box office. Bonnie Prince Charlie was a fiasco. Korda was also badly hurt by the trade war between the British and American film industries in the late 1940s. Korda did recover, in part due to a £3 million loan British Lion received from the National Film Finance Corporation . In 1948 Korda signed a co-production deal with David O. Selznick . This resulted in The Third Man (1949) which

3818-465: The east, specifically from eastern Siberia. Hungarian historian and archaeologist Gyula László claims that geological data from pollen analysis seems to contradict the placing of the ancient Hungarian homeland near the Urals. Today, the consensus among linguists is that Hungarian is a member of the Uralic family of languages. The classification of Hungarian as a Uralic/Finno-Ugric rather than

3901-630: The equivalents in English. Adjectives precede nouns ( a piros alma 'the red apple') and have three degrees: positive ( piros 'red'), comparative ( pirosabb 'redder') and superlative ( a legpirosabb 'the reddest'). If the noun takes the plural or a case, an attributive adjective is invariable: a piros almák 'the red apples'. However, a predicative adjective agrees with the noun: az almák piros ak 'the apples are red'. Adjectives by themselves can behave as nouns (and so can take case suffixes): Melyik almát kéred? – A piros at . 'Which apple would you like? – The red one'. The neutral word order

3984-522: The era of silent films , before being based in Hollywood from 1926 to 1930 for the first of his two brief periods there (the other was during World War II ). The change led to a divorce from his first wife, the Hungarian film actress María Corda , who was unable to make the transition from silent films to " talkies " because of her Hungarian accent. From 1930, Korda was active in the British film industry, and soon became one of its leading figures. He

4067-908: The fact that the Eastern Slavs referred to Hungarians as Ǫgry/Ǫgrove (sg. Ǫgrinŭ ) seemed to confirm that. Current literature favors the hypothesis that it comes from the name of the Turkic tribe Onoğur (which means ' ten arrows ' or ' ten tribes ' ). There are numerous regular sound correspondences between Hungarian and the other Ugric languages. For example, Hungarian /aː/ corresponds to Khanty /o/ in certain positions, and Hungarian /h/ corresponds to Khanty /x/ , while Hungarian final /z/ corresponds to Khanty final /t/ . For example, Hungarian ház [haːz] ' house ' vs. Khanty xot [xot] ' house ' , and Hungarian száz [saːz] ' hundred ' vs. Khanty sot [sot] ' hundred ' . The distance between

4150-419: The first Hungarian-language book set in movable type . By the 17th century, the language already closely resembled its present-day form, although two of the past tenses remained in use. German, Italian and French loans also began to appear. Further Turkish words were borrowed during the period of Ottoman rule (1541 to 1699). In the 19th century, a group of writers, most notably Ferenc Kazinczy , spearheaded

4233-572: The historical epic The Prince and the Pauper (1920). The film was a major international success and inspired Korda with the idea of making "international films" with global box office appeal. Korda's next two films, Masters of the Sea (1922) and A Vanished World (1922), were both nautical -set adventures based on Hungarian novels. By that stage, Korda had grown irritated with Kolowrat's interference with his work and left Sascha to make an independent film, Samson and Delilah (1922), set in

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4316-482: The language holds official status nationally in Hungary and regionally in Romania , Slovakia , Serbia , Austria and Slovenia . In 2014 The proportion of Transylvanian students studying Hungarian exceeded the proportion of Hungarian students, which shows that the effects of Romanianization are slowly getting reversed and regaining popularity. The Dictate of Trianon resulted in a high proportion of Hungarians in

4399-436: The language were utilized. This movement produced more than ten thousand words, most of which are used actively today. The 19th and 20th centuries saw further standardization of the language, and differences between mutually comprehensible dialects gradually diminished. In 1920, Hungary signed the Treaty of Trianon , losing 71 percent of its territory and one-third of the ethnic Hungarian population along with it. Today,

4482-489: The leading figure of the Hungarian language reforms.) Kazinczy's chief goal was to replace existing words of German and Latin origins with newly created Hungarian words. As a result, Kazinczy and his later followers (the reformers) significantly reduced the formerly high ratio of words of Latin and German origins in the Hungarian language, which were related to social sciences, natural sciences, politics and economics, institutional names, fashion etc. Giving an accurate estimate for

4565-487: The life of Madame Du Barry based on an original screenplay by Lajos Bíró . The film may have been intended to showcase Maria Corda's star potential to producers in Hollywood. Korda made his final German film, Madame Wants No Children (1926), for the Berlin-based subsidiary of the American studio Fox . Although made later, it was released before A Modern Dubarry . In December 1926 Korda and his wife sailed for

4648-448: The medium of writing used at the time, wood, is perishable. The Kingdom of Hungary was founded in 1000 by Stephen I . The country became a Western -styled Christian ( Roman Catholic ) state, with Latin script replacing Hungarian runes . The earliest remaining fragments of the language are found in the establishing charter of the abbey of Tihany from 1055, intermingled with Latin text. The first extant text fully written in Hungarian

4731-411: The moderate success of The Stolen Bride Korda worked on the comedy The Private Life of Helen of Troy (1927), replacing the previous director, George Fitzmaurice . The film retells the story of Helen of Troy , parodying the historical epics of the era by transforming the classical characters into everyday people with modern problems. The film was a significant success for Korda, with his wife playing

4814-574: The most part, mutually intelligible . The Hungarian Csángó dialect, which is mentioned but not listed separately by Ethnologue, is spoken primarily in Bacău County in eastern Romania. The Csángó Hungarian group has been largely isolated from other Hungarian people , and therefore preserved features that closely resemble earlier forms of Hungarian. Hungarian has 14 vowel phonemes and 25 consonant phonemes. The vowel phonemes can be grouped as pairs of short and long vowels such as o and ó . Most of

4897-553: The name of the country, " Magyarország " (Hungary), pronounced /ˈmɒɟɒrorsaːɡ/ . It is one of three palatal consonants, the others being ⟨ty⟩ and ⟨ny⟩ . Historically a fourth palatalized consonant ʎ existed, still written ⟨ly⟩ . A single 'r' is pronounced as an alveolar tap ( akkora 'of that size'), but a double 'r' is pronounced as an alveolar trill ( akkorra 'by that time'), like in Spanish and Italian . Primary stress

4980-407: The new information for the listeners that may not have been known or that their knowledge must be corrected. For example, "Én vagyok az apád". ('I am your father'. Literally, 'It is I who am your father'.), from the movie The Empire Strikes Back , the pronoun I ( én ) is in the focus and implies that it is new information, and the listener thought that someone else is his father. Although Hungarian

5063-415: The new technology, he quickly adapted to making sound films. Korda's marriage was strained in Hollywood. The arrival of sound films wrecked his wife's career, as her heavy accent made her unemployable for most American films. Love and the Devil was the last of Korda's films she appeared in, and she made only two more films. She became increasingly resentful of the switch in their relationship, as her career

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5146-448: The novel by Mihály Babits ), and Magic (1917). Korda later regarded Harrison and Barrison (1917) as his best film. He also made Faun (1918), Man of Gold (1918), and Mary Ann (1918). Under the shortlived Hungarian Soviet Republic Korda made Ave Caesar! (1919), White Rose (1919), Yamata (1919) and Neither at Home or Abroad (1919). His final Hungarian film was Number 111 (1919). In October 1919 Korda

5229-485: The pairs have an almost similar pronunciation and vary significantly only in their duration. However, pairs a / á and e / é differ both in closedness and length. Consonant length is also distinctive in Hungarian. Most consonant phonemes can occur as geminates . The sound voiced palatal plosive /ɟ/ , written ⟨gy⟩ , sounds similar to 'd' in British English 'duty'. It occurs in

5312-442: The pictures made would be just as American as those made in Hollywood. We are now on the verge of forming a British school of film-making in this country." Korda produced Fire Over England (1937) with Olivier and Vivien Leigh . He also attempted a version of I, Claudius with Laughton and Merle Oberon , but it was abandoned with only a few scenes shot. Korda made Dark Journey (1937) with Conrad Veidt and Leigh, and had

5395-514: The property. London Film's Denham Film Studios was financed by the Prudential and opened in 1936. On 21 June 1936, Thurston Macauley, London correspondent to The New York Times , filed a story headlined "The Korda Workshop at Denham" describing the facility, located on 165 acres of woodland, field and river scenery suitable for filming, with 28 acres of buildings and a planned total of fifteen 250-foot by 130-foot sound stages (state of

5478-411: The proposition is only for that particular thing or aspect, and it implies that the proposition is not true for some others. For example, in " Az almát János látja". ('It is John who sees the apple'. Literally 'The apple John sees.'), the apple is in the topic, implying that other objects may be seen by not him but other people (the pear may be seen by Peter). The topic part may be empty. The focus shows

5561-496: The role of Helen. The film was his most satisfying work in the United States and provided the template for his later success in Britain. After this film, however, Korda became pigeonholed as a director of female stars and exotic foreign locations. He was generally given similar assignments for the remainder of his first period in Hollywood. His next few films were disappointments as his career lost its momentum: Yellow Lily (1928), Night Watch (1928) both with Dove, and Love and

5644-609: The studio system. He hoped to save up enough money to return to Europe and begin producing on a large scale there, but his lavish personal spending and the large amounts he lost in the Wall Street Crash prevented this. When his producer, Ned Marin , moved from First National to the Fox Film Corporation Korda followed him. Korda's new contract gave him $ 100,000 a year. His first film for Fox, Women Everywhere (1930), cost slightly more than some of

5727-414: The surrounding 7 countries, so it is widely spoken or understood. Although host countries are not always considerate of Hungarian language users, communities are strong. The Szeklers , for example, form their own region and have their own national museum, educational institutions, and hospitals. Hungarian has about 13 million native speakers, of whom more than 9.8 million live in Hungary. According to

5810-517: The total word count is difficult, since it is hard to define a "word" in agglutinating languages, due to the existence of affixed words and compound words. To obtain a meaningful definition of compound words, it is necessary to exclude compounds whose meaning is the mere sum of its elements. The largest dictionaries giving translations from Hungarian to another language contain 120,000 words and phrases (but this may include redundant phrases as well, because of translation issues) . The new desk lexicon of

5893-586: The world of opera. The film was made on a lavish scale, with large crowd scenes. The lengthy shooting schedule lasted 160 working days. The film was unsuccessful. Korda left Vienna and travelled to Germany. He had frequent problems with money, and often had to receive support from friends and business associates, but in Berlin he raised funding for the melodrama The Unknown Tomorrow (1923). With backing from Germany's biggest film company, UFA , Korda returned to Vienna to make Everybody's Woman (1924). While he

5976-748: Was The Spy in Black (1939), where Powell first met Emeric Pressburger . Korda also produced the comedy Over the Moon (1939) and the drama 21 Days (1939). Korda soon ran into financial difficulties, and management of the Denham complex was merged with Pinewood in 1939, becoming part of the Rank Organisation . The outbreak of the Second World War in Europe meant that The Thief of Bagdad had to be completed in Hollywood, where Korda

6059-565: Was Wedding Rehearsal (1932). He then produced Men of Tomorrow (1932), co-directed by his brother Zoltan Korda , That Night in London (1932) starring Robert Donat , Strange Evidence (1933), Counsel's Opinion (1933), and Cash (1933). Korda had a huge hit with The Private Life of Henry VIII (1933), which he directed. It was nominated for the Academy Award for Best Picture , established Korda internationally and made

6142-591: Was White Nights (1916), which was a big success. Korda went on to build Corvin into one of the largest film companies in Hungary with such productions as The Grandmother (1916), Tales of the Typewriter (1916), The Man with Two Hearts (1916), The One Million Pound Note (1916), Cyclamen (1916), Struggling Hearts (1916), The Laughing Saskia (1916), Miska the Magnate (1916), St. Peter's Umbrella (1917), The Stork Caliph (1917) (from

6225-563: Was a critical rather than a commercial success. Things to Come (1936), directed by William Cameron Menzies , has come to be regarded as a classic. It was written by H. G. Wells and Korda's The Man Who Could Work Miracles (1936) is based on a Wells short story. Korda also commissioned and financed the documentary Conquest of the Air (1936). Korda bought property in Denham, Buckinghamshire , including Hills House , and built film studios on

6308-528: Was a success both critically and financially. London Films made several films with smaller budgets: The Cure for Love (1949), The Happiest Days of Your Life (1950), The Angel with the Trumpet (1950), My Daughter Joy (1950), State Secret (1950), The Wooden Horse (1950), Seven Days to Noon (1951), Lady Godiva Rides Again (1951), The Wonder Kid (1951), and Mr. Denning Drives North (1951). Korda also helped to finance Outcast of

6391-574: Was an expensive epic that failed to recoup its money. The Divorce of Lady X (1938) was a comedy with Olivier and Merle Oberon. Korda had a big success with The Drum (1938), directed by Zoltan and starring Sabu. He produced South Riding (1938), The Challenge (1938), The Rebel Son (1939) and Prison Without Bars (1938). During the Second World War Korda made more propaganda films, including Q Planes (1939), with Olivier, and The Lion Has Wings (1939). Korda had

6474-424: Was appointed a Knight Bachelor , for his contribution to the war effort, in the 1942 Birthday Honours . On 22 September 1942 he was knighted at an investiture ceremony at Buckingham Palace by George VI . He was the first film director to receive the honour. He returned to Britain in 1943 as production chief of MGM-London films , with a £35 million ten-year programme. The scheme ended after one year, one film and

6557-590: Was arrested during the White Terror that followed the overthrow of the Communist government, but was soon released. He then left Hungary for Austria. He never returned to his country of birth. After leaving Hungary, Korda accepted an invitation from Count Alexander Kolowrat to work for his company Sascha-Film in the Austrian capital Vienna. Korda worked alongside Kolowrat, who had attracted several leading Hungarian and German directors into his employment, on

6640-472: Was based again for a few years. While he was in the United States he produced and directed That Hamilton Woman (UK title: Lady Hamilton) (1941) with Laurence Olivier and Vivien Leigh , and produced Lydia (1941) with Oberon. He also supervised Jungle Book (1942), a live-action version of Kipling 's stories, directed by Zoltán Korda. He also had minor involvement in To Be or Not to Be (1942). Korda

6723-458: Was now over while Korda, who had once relied on her for the success of his films, was relatively flourishing. Their marriage collapsed, and they divorced in 1930. Korda made two more sound films at First National: Her Private Life (1929) and Lilies of the Field (1930), both of which were remakes of earlier silent films. Korda grew more frustrated in Hollywood as he came to strongly dislike

6806-425: Was the founder of London Films and, post-war, the owner of British Lion Films , a film distribution company. Korda produced many outstanding classics of the British film industry, including The Private Life of Henry VIII , Rembrandt , Things To Come , The Thief of Baghdad and The Third Man . In 1942, Korda became the first filmmaker to receive a knighthood . Korda was born Sándor László Kellner into

6889-566: Was there he began work on his next film, the historical Tragedy in the House of Habsburg (1924), which portrayed the Mayerling Incident . It earned back around half of its production costs. He followed this with Dancing Mad (1925), another melodrama. Korda cast his wife Maria Corda [ sic ] as the female lead in all his German-language films. To a large degree the success of his productions depended on her star power. Korda cast her again in A Modern Dubarry (1927), an update of

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