Bhimkund (also known as Neelkund ) is a natural water tank and a holy place in Madhya Pradesh , India. It is located near Bajna village in Chhatarpur district , Madhya Pradesh. It is 77 km away from Chhatarpur by road in the Bundelkhand region.
70-470: Bhimkund is a natural water source and a holy place that dates from the era of the Mahabharata . The water of the kund (tank) is so clean and transparent that one can clearly see fish swimming in the water. The kund lies in a cave, about 3 metres from the mouth. To the left of the entrance is a small Shivalinga . The pool is a deep indigo blue which contrasts with the red stone walls. A story from
140-422: A pathyā ("normal") form or one of several vipulā ("extended") forms. The form of the second foot of the first pāda (II.) limits the possible patterns the first foot (I.) may assume. The scheme below, given by Macdonell, shows his understanding of the form of the śloka in the classical period of Sanskrit literature (4th–11th centuries CE): [REDACTED] In poems of the intermediate period, such as
210-407: A śloka is recited, performers sometimes leave a pause after each pāda , at other times only after the second pāda . (See External links.) A Shloka has to be composed in a specific metre (chhanda), with a specific number of lines with a specific number of words per line, each word could be a mantra. For example, viṣṇu sahastranāma is in anuṣṭup chhanda (two lines of four words each). A mantra, on
280-457: A particularly close connection to Vedic ( Brahmana ) literature. The Panchavimsha Brahmana (at 25.15.3) enumerates the officiant priests of a sarpasattra among whom the names Dhritarashtra and Janamejaya, two main figures of the Mahābhārata' s sarpasattra , as well as Takshaka , a snake in the Mahābhārata , occur. The Suparnakhyana , a late Vedic period poem considered to be among
350-550: A pond and assumes it is not water and falls in. Bhima , Arjuna , the twins and the servants laugh at him. In popular adaptations, this insult is wrongly attributed to Draupadi, even though in the Sanskrit epic, it was the Pandavas (except Yudhishthira) who had insulted Duryodhana. Enraged by the insult, and jealous at seeing the wealth of the Pandavas, Duryodhana decides to host a dice-game on Shakuni's suggestion. This suggestion
420-461: A princess from Gandhara, who blindfolds herself for the rest of her life so that she may feel the pain that her husband feels. Her brother Shakuni is enraged by this and vows to take revenge on the Kuru family. One day, when Pandu is relaxing in the forest, he hears the sound of a wild animal. He shoots an arrow in the direction of the sound. However, the arrow hits the sage Kindama , who was engaged in
490-522: A proverb, saying"; but in particular it refers to the 32- syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature. In its usual form it consists of four pādas or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to
560-468: A role in the Mahābhārata , some parts of the epic may have already been known in his day. Another aspect is that Panini determined the accent of mahā-bhārata . However, the Mahābhārata was not recited in Vedic accent . The Greek writer Dio Chrysostom ( c. 40 – c. 120 CE ) reported that Homer 's poetry was being sung even in India. Many scholars have taken this as evidence for
630-401: A sexual act in the guise of a deer. He curses Pandu that if he engages in a sexual act, he will die. Pandu then retires to the forest along with his two wives, and his brother Dhritarashtra rules thereafter, despite his blindness. Pandu's older queen Kunti, however, had been given a boon by Sage Durvasa that she could invoke any god using a special mantra. Kunti uses this boon to ask Dharma ,
700-467: A similar distinction. At least three redactions of the text are commonly recognized: Jaya (Victory) with 8,800 verses attributed to Vyasa, the Bharata with 24,000 verses as recited by Vaisampayana , and finally the Mahābhārata as recited by Ugrashrava Sauti with over 100,000 verses. However, some scholars, such as John Brockington, argue that Jaya and Bharata refer to the same text, and ascribe
770-520: A tunnel. They escape to safety through the tunnel and go into hiding. During this time, Bhima marries a demoness Hidimbi and has a son Ghatotkacha . Back in Hastinapur, the Pandavas and Kunti are presumed dead. Whilst they were in hiding, the Pandavas learn of a swayamvara which is taking place for the hand of the Pāñcāla princess Draupadī . The Pandavas, disguised as Brahmins , come to witness
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#1732797948597840-589: A very short uneventful life and dies. Vichitravirya, the younger son, rules Hastinapura . Meanwhile, the King of Kāśī arranges a swayamvara for his three daughters, neglecting to invite the royal family of Hastinapur. To arrange the marriage of young Vichitravirya, Bhishma attends the swayamvara of the three princesses Amba , Ambika , and Ambalika , uninvited, and proceeds to abduct them. Ambika and Ambalika consent to be married to Vichitravirya. The oldest princess Amba, however, informs Bhishma that she wishes to marry
910-629: Is as follows: The historicity of the Kurukshetra War is unclear. Many historians estimate the date of the Kurukshetra war to Iron Age India of the 10th century BCE. The setting of the epic has a historical precedent in Iron Age ( Vedic ) India, where the Kuru kingdom was the center of political power during roughly 1200 to 800 BCE. A dynastic conflict of the period could have been
980-559: Is based on a story that is the precursor to the Mahābhārata . The Urubhanga , a Sanskrit play written by Bhasa who is believed to have lived before Kalidasa, is based on the slaying of Duryodhana by the splitting of his thighs by Bhima . The copper-plate inscription of the Maharaja Sharvanatha (533–534 CE) from Khoh ( Satna District, Madhya Pradesh ) describes the Mahābhārata as a "collection of 100,000 verses" ( śata-sahasri saṃhitā ). The division into 18 parvas
1050-426: Is born blind. Ambalika turns pale and bloodless upon seeing him, and thus her son Pandu is born pale and unhealthy (the term Pandu may also mean 'jaundiced' ). Due to the physical challenges of the first two children, Satyavati asks Vyasa to try once again. However, Ambika and Ambalika send their maid instead, to Vyasa's room. Vyasa fathers a third son, Vidura , by the maid. He is born healthy and grows up to be one of
1120-587: Is first recited at Takshashila by the sage Vaisampayana , a disciple of Vyasa, to the King Janamejaya who was the great-grandson of the Pandava prince Arjuna . The story is then recited again by a professional storyteller named Ugrashrava Sauti , many years later, to an assemblage of sages performing the 12-year sacrifice for the king Saunaka Kulapati in the Naimisha Forest . The text
1190-652: Is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism , the other being the Rāmāyaṇa . It narrates the events and aftermath of the Kurukshetra War , a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas . It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among
1260-415: Is reborn to King Drupada as Shikhandi (or Shikhandini) and causes Bhishma's fall, with the help of Arjuna , in the battle of Kurukshetra. When Vichitravirya dies young without any heirs, Satyavati asks her first son Vyasa , born to her from a previous union with the sage Parashara , to father children with the widows. The eldest, Ambika, shuts her eyes when she sees him, and so her son Dhritarashtra
1330-578: Is right, as well as the converse. The Mahābhārata itself ends with the death of Krishna , and the subsequent end of his dynasty and ascent of the Pandava brothers to heaven. It also marks the beginning of the Hindu age of Kali Yuga , the fourth and final age of humankind, in which great values and noble ideas have crumbled, and people are heading towards the complete dissolution of right action, morality, and virtue. King Janamejaya's ancestor, Shantanu ,
1400-430: Is translated as "Great Bharat (India)", or "the story of the great descendents of Bharata ", or as " The Great Indian Tale ". The Mahābhārata is the longest epic poem known and has been described as "the longest poem ever written". Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. At about 1.8 million words in total,
1470-669: The Kali Yuga epoch, based on planetary conjunctions, by Aryabhata (6th century). Aryabhata's date of 18 February 3102 BCE for Mahābhārata war has become widespread in Indian tradition. Some sources mark this as the disappearance of Krishna from the Earth. The Aihole inscription of Pulakeshin II , dated to Saka 556 = 634 CE, claims that 3,735 years have elapsed since the Bhārata battle, putting
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#17327979485971540-632: The na- , bha- , ma- , and ra-vipulā . A fifth vipulā , known as the minor Ionic, in which the first pāda ends | u u – x |, is sometimes found in the Mahābhārata , although rarely. Macdonell's chart given above is in fact too restrictive with regard the first four syllables in a vipulā verse. For example, the first quarter verse of the Rāmayaṇa (critical edition) contains a na-vipulā and scans ⏑ – – – ⏑ ⏑ ⏑ – ( tapaḥsvādhyāyanirataṃ ). Other examples are easy to find among classical poets, e.g., Rāmacarita 1.76 manyur dehāvadhir ayaṃ – – – – ⏑ ⏑ ⏑ –. In
1610-581: The Bhagavad Gita , a fourth vipulā is found. This occurs 28 times in the Bhagavad Gita, that is, as often as the third vipulā . When this vipulā is used, there is a word-break (caesura) after the fourth syllable: Two rules that always apply are: The pathyā and vipulā half-verses are arranged in the table above in order of frequency of occurrence. Out of 2579 half-verses taken from Kalidasa , Bharavi , Magha , and Bilhana , each of
1680-597: The Guru–shishya tradition , which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Ganesha who wrote down the text to Vyasa's dictation, but this is regarded by scholars as a later interpolation to the epic and the "Critical Edition" does not include Ganesha. The epic employs the story within a story structure, otherwise known as frametales , popular in many Indian religious and non-religious works. It
1750-658: The Kaurava and the Pandava . Although the Kaurava is the senior branch of the family, Duryodhana , the eldest Kaurava, is younger than Yudhishthira , the eldest Pandava. Both Duryodhana and Yudhishthira claim to be first in line to inherit the throne. The struggle culminates in the Kurukshetra War , in which the Pandavas are ultimately victorious. The battle produces complex conflicts of kinship and friendship, instances of family loyalty and duty taking precedence over what
1820-509: The Kushan Period (200 CE). According to what one figure says at Mbh. 1.1.50, there were three versions of the epic, beginning with Manu (1.1.27), Astika (1.3, sub-Parva 5), or Vasu (1.57), respectively. These versions would correspond to the addition of one and then another 'frame' settings of dialogues. The Vasu version would omit the frame settings and begin with the account of the birth of Vyasa. The astika version would add
1890-459: The Mahabharata links Bhimkund with the Pandavas . Weary under the scorching Surya , Draupadi fainted of thirst. Bhim , the strongest of the five brothers, hit the ground with his gada water surged out and the pool came into being. The roof of the cave has a small opening just above the kund ; this is the place Bhim is said to have hit with his gada . Another legend has it that
1960-413: The Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahabharata can be traced back to Vedic times. The background to the Mahābhārata suggests the origin of the epic occurs "after the very early Vedic period " and before " the first Indian 'empire' was to rise in the third century B.C." That this is "a date not too far removed from
2030-427: The Mahābhārata is attributed to Vyāsa . There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period ( c. 4th century CE ). The title
2100-564: The Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa . Within the Indian tradition it is sometimes called the fifth Veda . The epic is traditionally ascribed to the sage Vyasa , who is also a major figure in the epic. Vyasa described it as being an itihasa ( transl. history ). He also describes
2170-668: The Vedic anuṣṭubh metre, but with stricter rules. The śloka is the basis for Indian epic poetry , and may be considered the Indian verse form par excellence , occurring as it does far more frequently than any other metre in classical Sanskrit poetry . The śloka is the verse-form generally used in the Mahabharata , the Ramayana , the Puranas , Smritis , and scientific treatises of Hinduism such as Sushruta Samhita and Charaka Samhita . The Mahabharata , for example, features many verse metres in its chapters, but 95% of
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2240-543: The sarpasattra and ashvamedha material from Brahmanical literature, introduce the name Mahābhārata , and identify Vyasa as the work's author. The redactors of these additions were probably Pancharatrin scholars who according to Oberlies (1998) likely retained control over the text until its final redaction. Mention of the Huna in the Bhishma Parva however appears to imply that this Parva may have been edited around
2310-630: The wife of all five brothers . After the wedding, the Pandava brothers are invited back to Hastinapura. The Kuru family elders and relatives negotiate and broker a split of the kingdom, with the Pandavas obtaining and demanding only a wild forest inhabited by Takshaka , the king of snakes, and his family. Through hard work, the Pandavas build a new glorious capital for the territory at Indraprastha . Shortly after this, Arjuna elopes with and then marries Krishna's sister, Subhadra . Yudhishthira wishes to establish his position as king; he seeks Krishna's advice. Krishna advises him, and after due preparation and
2380-672: The "earliest traces of epic poetry in India," is an older, shorter precursor to the expanded legend of Garuda that is included in the Astika Parva , within the Adi Parva of the Mahābhārata . The earliest known references to bhārata and the compound mahābhārata date to the Ashtadhyayi ( sutra 6.2.38) of Panini ( fl. 4th century BCE) and the Ashvalayana Grihyasutra (3.4.4). This may mean that
2450-478: The 13th year, they must remain hidden called as Agyaata Vaasa . If they are discovered by the Kauravas in the 13th year of their exile, then they will be forced into exile for another 12 years. Shloka Shloka or śloka ( Sanskrit : श्लोक śloka , from the root श्रु śru , lit. ' hear ' in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza;
2520-427: The 4th century. The Adi Parva includes the snake sacrifice ( sarpasattra ) of Janamejaya , explaining its motivation, detailing why all snakes in existence were intended to be destroyed, and why despite this, there are still snakes in existence. This sarpasattra material was often considered an independent tale added to a version of the Mahābhārata by "thematic attraction" (Minkowski 1991), and considered to have
2590-518: The 78 CE. This places Yudhishthara (and therefore, the Mahabharata war) around 2448–2449 BCE (2526–78). Some scholars have attempted to identify the "Shaka" calendar era mentioned by Varāhamihira with other eras, but such identifications place Varāhamihira in the first century BCE, which is impossible as he refers to the 5th century astronomer Aryabhata . Kalhana 's Rajatarangini (11th century), apparently relying on Varāhamihira, also states that
2660-465: The 8th or 9th century B.C." is likely. The Mahabharata started as an orally-transmitted tale of the charioteer bards . It is generally agreed that "Unlike the Vedas , which have to be preserved letter-perfect, the epic was a popular work whose reciters would inevitably conform to changes in language and style," so the earliest 'surviving' components of this dynamic text are believed to be no older than
2730-466: The Pandava brothers, from their youth and into manhood, leads to the Kurukshetra war. After the deaths of their mother (Madri) and father (Pandu), the Pandavas and their mother Kunti return to the palace of Hastinapur. Yudhishthira is made Crown Prince by Dhritarashtra, under considerable pressure from his courtiers. Dhritarashtra wanted his son Duryodhana to become king and lets his ambition get in
2800-570: The Pandavas flourished 653 years after the beginning of the Kali Yuga; Kalhana adds that people who believe that the Bharata war was fought at the end of the Dvapara Yuga are foolish. The core story of the work is that of a dynastic struggle for the throne of Hastinapura , the kingdom ruled by the Kuru clan. The two collateral branches of the family that participate in the struggle are
2870-886: The Vedic sage Narada performed the Gandharva Gaanam (celestial song) in praise of Lord Vishnu . Pleased with his devotion, Vishnu emerged from the kund and the water turned blue because of Vishnu’s dark complexion. [1] The pool is also known as Neel Kund (blue pool) and Narada Kund (Njaya pool) 24°26′18″N 79°22′34″E / 24.438335°N 79.37608°E / 24.438335; 79.37608 Mahabharata Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Mahābhārata ( / m ə ˌ h ɑː ˈ b ɑːr ə t ə , ˌ m ɑː h ə -/ mə- HAH - BAR -ə-tə, MAH -hə- ; Sanskrit : महाभारतम् , IAST : Mahābhāratam , pronounced [mɐɦaːˈbʱaːrɐt̪ɐm] )
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2940-671: The attempt but is interrupted by Draupadi who refuses to marry a suta (this has been excised from the Critical Edition of Mahabharata as later interpolation ). After this, the swayamvara is opened to the Brahmins leading Arjuna to win the contest and marry Draupadi. The Pandavas return home and inform their meditating mother that Arjuna has won a competition and to look at what they have brought back. Without looking, Kunti asks them to share whatever Arjuna has won amongst themselves, thinking it to be alms . Thus, Draupadi ends up being
3010-461: The author of the Rāmāyaṇa , in grief on seeing a hunter shoot down one of two birds in love. On seeing the sorrow (śoka) of the widowed bird, he was reminded of the sorrow Sītā felt on being separated from Shri Rama and began composing the Ramayana in shlokas. For this he is called the Ādikavi (first poet.) Each 16-syllable hemistich (half-verse), of two 8-syllable pādas , can take either
3080-442: The average duration of a reign, arrived at an estimate of 850 BCE for Adhisimakrishna, and thus approximately 950 BCE for the Bharata battle. B. B. Lal used the same approach with a more conservative assumption of the average reign to estimate a date of 836 BCE, and correlated this with archaeological evidence from Painted Grey Ware (PGW) sites, the association being strong between PGW artifacts and places mentioned in
3150-603: The birth of Parikshit (Arjuna's grandson) and the accession of Mahapadma Nanda (400–329 BCE), which would yield an estimate of about 1400 BCE for the Bharata battle. However, this would imply improbably long reigns on average for the kings listed in the genealogies. Of the second kind is analysis of parallel genealogies in the Puranas between the times of Adhisimakrishna ( Parikshit 's great-grandson) and Mahapadma Nanda . Pargiter accordingly estimated 26 generations by averaging 10 different dynastic lists and, assuming 18 years for
3220-602: The core 24,000 verses, known as the Bhārata , as well as an early version of the extended Mahābhārata , were composed by the 4th century BCE. However, it is uncertain whether Panini referred to the epic, as bhārata was also used to describe other things. Albrecht Weber mentions the Rigvedic tribe of the Bharatas , where a great person might have been designated as Mahā-Bhārata. However, as Panini also mentions figures that play
3290-511: The date of Mahābhārata war at 3137BCE. Another traditional school of astronomers and historians, represented by Vrddha Garga , Varāhamihira and Kalhana , place the Bharata war 653 years after the Kali Yuga epoch, corresponding to 2449 BCE. According to Varāhamihira's Bṛhat Saṃhitā (6th century), Yudhishthara lived 2,526 years before the beginning of the Shaka era , which begins in
3360-482: The earliest 'external' references we have to the epic, which include an reference in Panini 's 4th century BCE grammar Ashtadhyayi 4:2:56. Vishnu Sukthankar, editor of the first great critical edition of the Mahābhārata , commented: "It is useless to think of reconstructing a fluid text in an original shape, based on an archetype and a stemma codicum . What then is possible? Our objective can only be to reconstruct
3430-458: The elimination of some opposition, Yudhishthira carries out the rājasūya yagna ceremony; he is thus recognized as pre-eminent among kings. The Pandavas have a new palace built for them, by Maya the Danava . They invite their Kaurava cousins to Indraprastha. Duryodhana walks round the palace, and mistakes a glossy floor for water, and will not step in. After being told of his error, he then sees
3500-489: The entire court, but Draupadi's disrobe is prevented by Krishna, who miraculously make her dress endless, therefore it couldn't be removed. Dhritarashtra, Bhishma, and the other elders are aghast at the situation, but Duryodhana is adamant that there is no place for two crown princes in Hastinapura. Against his wishes Dhritarashtra calls for another dice game. The Pandavas are required to go into exile for 12 years, and in
3570-467: The epic. John Keay suggests "their core narratives seem to relate to events from a period prior to all but the Rig Veda." Attempts to date the events using methods of archaeoastronomy have produced, depending on which passages are chosen and how they are interpreted, estimates ranging from the late 4th to the mid-2nd millennium BCE. The late 4th-millennium date has a precedent in the calculation of
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#17327979485973640-406: The event. Meanwhile, Krishna, who has already befriended Draupadi, tells her to look out for Arjuna (though now believed to be dead). The task was to string a mighty steel bow and shoot a target on the ceiling, which was the eye of a moving artificial fish, while looking at its reflection in oil below. In popular versions, after all the princes fail, many being unable to lift the bow, Karna proceeds to
3710-643: The existence of a Māhabhārata at this date, whose episodes Dio or his sources identify with the story of the Iliad . Several stories within the Mahābhārata took on separate identities of their own in Classical Sanskrit literature . For instance, the Abhijnanashkuntala by the renowned Sanskrit poet Kalidasa ( c. 400 CE ), believed to have lived in the era of the Gupta dynasty,
3780-399: The five brothers, who are from then on usually referred to as the Pandava brothers. Dhritarashtra has a hundred sons, and one daughter— Duhsala —through Gandhari , all born after the birth of Yudhishthira. These are the Kaurava brothers, the eldest being Duryodhana , and the second Dushasana . Other Kaurava brothers include Vikarna and Sukarna. The rivalry and enmity between them and
3850-481: The four admissible forms of śloka in this order claims the following share: 2289, 116, 89, 85; that is, 89% of the half-verses have the regular pathyā form. The various vipulā s, in the order above, are known to scholars writing in English as the first, second, third and fourth vipulā , or the paeanic , choriambic , molossic , and trochaic vipulā respectively. In Sanskrit writers, they are referred to as
3920-552: The frequency of the vipulā s and the patterns in the earlier part of the pāda have been carried out to try to establish the preferences of various authors for different metrical patterns. It is believed that this may help to establish relative dates for the poems, and to identify interpolated passages. A typical śloka is the following, which opens the Bhagavad Gita : From the period of high classical Sanskrit literature comes this benediction, which opens Bāṇabhaṭṭa 's biographical poem Harṣacaritam (7th century CE): When
3990-483: The god of justice, Vayu , the god of the wind, and Indra , the lord of the heavens for sons. She gives birth to three sons, Yudhishthira , Bhima , and Arjuna , through these gods. Kunti shares her mantra with the younger queen Madri , who bears the twins Nakula and Sahadeva through the Ashwini twins. However, Pandu and Madri indulge in lovemaking, and Pandu dies. Madri commits suicide out of remorse. Kunti raises
4060-455: The inspiration for the Jaya , the foundation on which the Mahābhārata corpus was built, with a climactic battle, eventually coming to be viewed as an epochal event. Puranic literature presents genealogical lists associated with the Mahābhārata narrative. The evidence of the Puranas is of two kinds. Of the first kind, there is the direct statement that there were 1,015 (or 1,050) years between
4130-438: The king of Hastinapura , had a short-lived marriage with the goddess Ganga and had a son, Devavrata (later to be called Bhishma , a great warrior), who becomes the heir apparent. Many years later, when King Shantanu goes hunting, he sees Satyavati , the daughter of the chief of fishermen, and asks her father for her hand. Her father refuses to consent to the marriage unless Shantanu promises to make any future son of Satyavati
4200-429: The king of Shalva whom Bhishma defeated at their swayamvara. Bhishma lets her leave to marry the king of Shalva, but Shalva refuses to marry her, still smarting at his humiliation at the hands of Bhishma. Amba then returns to marry Bhishma but he refuses due to his vow of celibacy. Amba becomes enraged and becomes Bhishma's bitter enemy, holding him responsible for her plight. She vows to kill him in her next life. Later she
4270-408: The king upon his death. To resolve his father's dilemma, Devavrata agrees to relinquish his right to the throne. As the fisherman is not sure about the prince's children honoring the promise, Devavrata also takes a vow of lifelong celibacy to guarantee his father's promise. Shantanu has two sons by Satyavati, Chitrāngada and Vichitravirya . Upon Shantanu's death, Chitrangada becomes king. He lives
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#17327979485974340-403: The ma-vipulā, a caesura is not obligatory after the fifth syllable, e.g., Śiśupālavadha 2.1a yiyakṣamāṇenāhūtaḥ ⏑ – ⏑ – – – – –. Noteworthy is the avoidance of an iambic cadence in the first pāda . By comparison, syllables 5–8 of any pāda in the old Vedic anuṣṭubh metre typically had the iambic ending u – u x (where "x" represents an anceps syllable). Statistical studies examining
4410-432: The oldest form of the text which it is possible to reach based on the manuscript material available." That manuscript evidence is somewhat late, given its material composition and the climate of India, but it is very extensive. The Mahābhārata itself (1.1.61) distinguishes a core portion of 24,000 verses: the Bhārata proper, as opposed to additional secondary material, while the Ashvalayana Grihyasutra (3.4.4) makes
4480-402: The principal works and stories in the Mahābhārata are the Bhagavad Gita , the story of Damayanti , the story of Shakuntala , the story of Pururava and Urvashi , the story of Savitri and Satyavan , the story of Kacha and Devayani , the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa , often considered as works in their own right. Traditionally, the authorship of
4550-467: The stanzas are ślokas of the anuṣṭubh type, and most of the rest are tristubh s. The anuṣṭubh is found in Vedic texts, but its presence is minor, and triṣṭubh and gāyatrī metres dominate in the Rigveda . A dominating presence of ślokas in a text is a marker that the text is likely post-Vedic. The traditional view is that this form of verse was involuntarily composed by Vālmīki ,
4620-588: The theory of Jaya with 8,800 verses to a misreading of a verse in the Adi Parva (1.1.81). The redaction of this large body of text was carried out after formal principles, emphasizing the numbers 18 and 12. The addition of the latest parts may be dated by the absence of the Anushasana Parva and the Virata Parva from the " Spitzer manuscript ". The oldest surviving Sanskrit text dates to
4690-471: The way of preserving justice. Shakuni, Duryodhana, and Dushasana plot to get rid of the Pandavas. Shakuni calls the architect Purochana to build a palace out of flammable materials like lac and ghee. He then arranges for the Pandavas and the Queen Mother Kunti to stay there, intending to set it alight. However, the Pandavas are warned by their wise uncle, Vidura , who sends them a miner to dig
4760-535: The wisest figures in the Mahabharata . He serves as Prime Minister (Mahamantri or Mahatma) to King Pandu and King Dhritarashtra. When the princes grow up, Dhritarashtra is about to be crowned king by Bhishma when Vidura intervenes and uses his knowledge of politics to assert that a blind person cannot be king. This is because a blind man cannot control and protect his subjects. The throne is then given to Pandu because of Dhritarashtra's blindness. Pandu marries twice, to Kunti and Madri . Dhritarashtra marries Gandhari ,
4830-460: Was accepted by Yudhisthira despite the rest of the Pandavas advising him not to play. Shakuni , Duryodhana's uncle, now arranges a dice game, playing against Yudhishthira with loaded dice. In the dice game, Yudhishthira loses all his wealth, then his kingdom. Yudhishthira then gambles his brothers, himself, and finally his wife into servitude. The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of
4900-453: Was described by some early 20th-century Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the original poem must once have carried an immense "tragic force" but dismissed the full text as a "horrible chaos." Moritz Winternitz ( Geschichte der indischen Literatur 1909) considered that "only unpoetical theologists and clumsy scribes" could have lumped the parts of disparate origin into an unordered whole. Research on
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