Blues Busters is a 1950 American comedy film directed by William Beaudine and starring The Bowery Boys . The film was released on October 29, 1950 by Monogram Pictures and is the twentieth film in the series.
80-440: Sach develops an uncanny ability to sing, after having his tonsils removed, and Slip convinces Louie to turn his sweet shop into a nightclub , The Bowery Palace, after unsuccessfully trying to get Sach a singing job at a neighboring club, The Rio Cabana. After Sach's singing makes him a star, Rick Martin, the owner of the now-rival club, tries to hire him away but is unsuccessful. Rick gets his lady friend, Lola, to get Sach to sign
160-542: A Business Improvement District organization dedicated to improving the Theater District, defines the district as an irregularly shaped area within the bounding box of 40th Street, 6th Avenue, 53rd Street, and 9th Avenue. As of 2024, the Vivian Beaumont Theater (part of Lincoln Center ) is the only Broadway-class theater not located in the Theater District. The area known as Theatre Row
240-402: A club culture with many Italian American, African American, gay, and Hispanic people. In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture , particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine (nicknamed "blow"), amyl nitrite " poppers ", and
320-475: A contract with him, using the pretense that she is asking for his autograph. Rick then goes after the Bowery Palace's other star, Sally Dolan. She, however, does not want to go because Rick is after more than just her singing talent. She tips off Lola about what Rick is up to and Lola agrees to testify that Sach's signature was just an autograph and not a signed contract, thereby allowing him to return to
400-414: A law where for every three men, there was one woman. The women often sought these experiences to seek safety in a venue that embraced the independent woman – with an eye to one or more of the same or opposite sex or none. Although the culture that surrounded disco was progressive in dance couples, cross-genre music, and a push to put the physical over the rational, the role of women looked to be placed in
480-417: A mass phenomenon. In Germany, the first discothèque on record that involved a disc jockey was Scotch-Club , which opened in 1959. Its, and therefore the world's first DJ was 19-year-old local cub reporter Klaus Quirini who had been sent to write a story about the strange new phenomenon of public record-playing; fueled by whisky , he jumped on stage and started announcing records as he played them and took
560-563: A national historic site" ( H.R. 6885 ). The proposed legislation, which was not enacted, would have required the Federal Government to aid financially and otherwise in preserving the district and its historic theatre houses as an official National Historic Site . The Save the Theatres campaign then turned their efforts toward supporting the establishment of the Theater District as a New York City historic district under
640-644: A nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). In some countries, nightclubs are also referred to as "discos" or "discothèques" ( German : Disko or Diskothek (outdated; nowadays: Club ); French : discothèque ; Italian , Portuguese , and Spanish : discoteca, antro (common in Mexico), and boliche (common in Argentina, Uruguay, and Paraguay), discos
720-532: A piano or a jukebox. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's 21 Club , Copacabana , El Morocco , and the Stork Club . These nightclubs featured big bands . During America's Prohibition, new speakeasies and nightclubs appeared on a weekly basis. Texas Guinan opened and ran many, and had many padlocked by the police. Harlem had its own clubs including
800-486: A police officer. In this era, nightclubbing was generally the preserve of those with money. In Paris, Josephine Baker ran several nightclubs during the 1920s including Chez Josephine, as did her friend Bricktop who ran Bricktops. Jazz singer and Broadway star Adelaide Hall and her husband Bert Hicks opened the nightclub La Grosse Pomme on Rue Pigalle in Montmartre on December 9, 1937. Hall and Hicks also owned
880-529: A significant role in the evolution of clubbing , DJ culture, and nightlife. Significant New York nightclubs of the period were Area , Danceteria , and The Limelight . However, the seismic shift in nightlife was the emergence of rave culture in the UK. A mixture of free and commercial outdoor parties were held in fields, warehouses, and abandoned buildings, by various groups such as Biology, Sunrise, Confusion, Hedonism, Rage & Energy, and many others. This laid
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#1732790537585960-422: A single turntable when a jukebox was not available. These discothèques were also patronized by anti- Vichy youth called zazous . In Nazi Germany , there were underground discothèques patronized by anti-Nazi youth called the " Swing Kids ". The end of World War II saw the beginning of a transformation in the nightclub: no longer the preserve of a moneyed elite, over several decades, the nightclub steadily became
1040-818: Is a club that is open at night , usually for drinking , dancing and other entertainment. Nightclubs often have a bar and discothèque (usually simply known as disco ) with a dance floor, laser lighting displays , and a stage for live music or a disc jockey (DJ) who mixes recorded music. Nightclubs tend to be smaller than live music venues like theatres and stadiums , with few or no seats for customers. Nightclubs generally restrict access to people in terms of age, attire , personal belongings , and behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for
1120-613: Is an area on 42nd Street from Ninth Avenue to Eleventh Avenue , which includes many Off-Broadway and Off-Off-Broadway theaters. In 1836, mayor Cornelius Lawrence opened 42nd Street to encourage the city's northern expansion, saying " move up town and enjoy the pure, clean air". The Theater District began attracting theaters and restaurants after the Metropolitan Opera House moved to West 39th Street and Broadway in 1883. Oscar Hammerstein I opened his Victoria Theatre on 42nd Street in 1899. Accessibility to
1200-482: Is commonly used in all others in Latin America). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as " retro music night" or a "singles night". In Hong Kong and China, nightclub is used as a euphemism for a hostess club , and
1280-518: Is credited as the first modern nightclub, being built in 1886 and starting off as a "social hall", originally functioning as a home for dance and political activism events. Reisenweber's Cafe is credited for introducing jazz and cabaret to New Yorkers. The jukebox (a coin-operated record-player) was invented by the Pacific Phonograph Company in 1889 by its managers Louis Glass and his partner William S. Arnold. The first
1360-629: Is the name given to the section of Broadway which runs through the Theater District. It also contains recording studios, record label offices, theatrical agencies, television studios, restaurants, movie theaters, Duffy Square , Shubert Alley , the Brill Building , and Madame Tussauds New York . The City of New York defines the subdistrict for zoning purposes to extend from 40th Street to 57th Street and from Sixth Avenue to Eighth Avenue, with an additional area west of Eighth Avenue from 42nd Street to 45th Street. The Times Square Alliance,
1440-763: The Cotton Club . Midtown New York had a string of nightclubs, many named after bandleaders such as Paul Whiteman , Vincent Lopez , and Roger Wolfe Kahn who opened Le Perroquet de Paris at a cost of $ 250,000. It was billed as America's most beautiful and sophisticated nightclub and featured the young Kahn and his band most evenings. Pre-World War II Soho in London offered café society , cabaret , burlesque jazz, and bohemian clubs similar to those in New York, Paris , and Berlin . Nightclubs in London were tied much to
1520-707: The Delphi Filmpalast ), Kakadu , Femina-Palast , Palais am Zoo , Gourmenia-Palast , Uhlandeck , and the Haus Vaterland . In the 1920s, the nightlife of the city was dominated by party drugs such as cocaine . Hundreds of venues in the city, which at the time had a sinful reputation, offered in addition to bars, stages, and dance floors an erotic nightlife, such as small booths where lovers could withdraw to for intimate moments. These venues were aimed at rich and poor people, gays , lesbians , nudists , and gangsters alike. In 1930s Shanghai ,
1600-593: The Ed Sullivan , Royale (Bernard B. Jacobs) , Shubert , St. James , and Winter Garden . In March 1988, the New York City Board of Estimate approved the 28 landmark designations that had been approved in 1987 and 1988. Of these, both the interior and exterior of 19 theaters were protected, while only the interiors of seven theaters (including the Lyceum, whose exterior was already protected) and
1680-608: The Electric Circus , and Dom. While the discothèque swept Europe throughout the 1960s, it did not become widely popular in the United States until the 1970s, where the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs until the disco era. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's , in Berkeley Square , London. In 1962,
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#17327905375851760-574: The Middle Earth club (at 43 King Street) and eventually the Roundhouse in 1968. Both the UFO Club and Middle Earth were short-lived but saw performances by artists such as house-band Pink Floyd , Soft Machine , Procol Harum , Fairport Convention , Arthur Brown , and Jimi Hendrix ; DJ John Peel was a regular. These clubs germinated what would later become the underground gig scene of
1840-641: The Palace in mid-1987. The LPC designated the Al Hirschfeld , Belasco , Booth , and Brooks Atkinson (Lena Horne) , as well as the Broadhurst , Ethel Barrymore , and Biltmore (Samuel J. Friedman) in early November 1987. This was followed by the Cort (James Earl Jones) , 46th Street (Richard Rodgers) , John Golden , Hayes , Hudson , Imperial , and Mark Hellinger later the same month, as well as
1920-682: The Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. Sybil Burton opened the "Arthur" discothèque in 1965 on East 54th Street in Manhattan on the site of the old El Morocco nightclub and it became the first, foremost, and hottest disco in New York City through 1969. In Germany in the 1960s, when Berlin was divided by the Wall , Munich became Germany's epicenter of nightlife for
2000-528: The Wigan Casino , known for the acrobatic dancing of its clubgoers; each of these clubs was known for all-nighters. Disco has its roots in the underground club scene. During the early 1970s in New York City, disco clubs were places where oppressed or marginalized groups such as gay people, African Americans , Latinos , Italian Americans , and Jews could party without following male to female dance protocol or exclusive club policies. Discothèques had
2080-495: The communist victory in 1949 as The Red Capitol Cinema , dedicated to Maoist propaganda films, before fading into obscurity. It reopened as The Paramount in 2008. In occupied France , jazz and bebop music, and the jitterbug dance were banned by the Nazis as "decadent American influences", so as an act of resistance, people met at hidden basements called discothèques where they danced to jazz and swing music , played on
2160-586: The glam rock ( T. Rex , David Bowie, Roxy Music ) and punk rock cultures in London produced their own set of nightclubs, starting with Billy's at 69 Dean Street (known for its David Bowie nights), Louise's on Poland Street (the first true punk club and hangout of the Sex Pistols , Siouxsie Sioux plus the Bromley Contingent , and then Blitz (the home of the Blitz Kids ). Crackers
2240-489: The " Theater Subdistrict ", is an area and neighborhood in Midtown Manhattan where most Broadway theaters are located, in addition to other theaters, movie theaters, restaurants, hotels, and other places of entertainment. It is bounded by West 40th Street on the south, West 54th Street on the north, Sixth Avenue on the east and Eighth Avenue on the west, and includes Times Square . The Great White Way
2320-452: The "Theater Subdistrict". Each theater's land lot could be developed with a certain maximum floor area, but many theaters used far less floor area than the maximum. The zoning plan allowed the unused development rights on the theaters' site to be sold to developers of nearby buildings that needed more than the maximum floor area. The LPC considered protecting close to 50 "legitimate theaters" as individual city landmarks in 1982, following
2400-406: The "other quintessential 1970s club drug Quaalude , which suspended motor coordination and turned one's arms and legs to Jell-O ". The "massive quantities of drugs ingested in discotheques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex . While the dance floor was the central arena of seduction, actual sex usually took place in
2480-723: The 1960s, along with musicians such as the Beatles . Discothèques began to appear in New York City in 1964: the Village Vanguard offered dancing between jazz sets; Shepheard's, located in the basement of the Drake Hotel , was small but popular; L'Interdit and Il Mio (at Delmonico's ) were private; the El Morocco had an on-premises disco called Garrison; and the Stork Club had one in its Shermaine suite. Larger discos opened in 1966: Cheetah, with room for 2000 dancers,
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2560-998: The 1960s, but especially with the rise of electronic dance music since the late 1980s. VJing gained more and more importance. VJs ("video jockeys") mix video content in a similar manner that DJs mix audio content, creating a visual experience that is intended to complement the music. The 2020s started with the global COVID-19 pandemic , which closed nightclubs worldwide – the first ever synchronized, global shutdown of nightlife. In response, online "virtual nightclubs" developed, hosted on video-conferencing platforms such as Zoom . As countries relaxed lockdown rules following drops in case numbers, some nightclubs reopened in repurposed form as sat-down pubs. As vaccine rollouts reached advanced stages, nightclubs were able to reopen with looser restrictions, such as producing certification of full vaccination upon entry. Theater District, Manhattan New York City 's Theater District , sometimes spelled Theatre District and officially zoned as
2640-583: The 1970s and 1980s, at venues such as the 100 Club and The Clarendon in Hammersmith . During the 1960s, the Clarendon was a country & western club, having earlier been an upmarket jazz, dining , and dancing club in the pre-War era. In the north of England, the distinct northern soul movement spanned Manchester 's Twisted Wheel Club , the Blackpool Mecca , Cleethorpes Pier , and
2720-949: The 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave , the Camden Palace , and Club for Heroes . These clubs grew out of the earlier Mandrake and Billy's (later Gossip's) at 69 Dean Street, in the basement below the ground floor Gargoyle Club . Both music and fashion embraced the aesthetics of the movement. Bands included Depeche Mode , Yazoo , The Human League , Duran Duran , Eurythmics , and Ultravox . Reggae -influenced bands included Boy George and Culture Club , and electronic vibe bands included Visage . At London nightclubs, young men would often wear make-up and young women would wear men's suits. Leigh Bowery 's Taboo (which opened in 1985) bridged
2800-696: The 1982 plan were the Neil Simon , Ambassador , and Virginia (August Wilson) in August 1985. The landmark plan was then deferred temporarily until some landmark guidelines were enacted; the guidelines, implemented in December 1985, allowed operators to modify theaters for productions without having to consult the LPC. The three theaters' operators objected to the landmark statuses. Landmark designations of theaters increased significantly in 1987, starting with
2880-490: The Bowery Palace. However, by this time Sach has gone to a doctor to help cure the "tickle in his throat' and he has lost the ability to sing. The working title of the film was The Bowery Thrush . It is the last Bowery Boys film with Gabriel Dell . Tired of taking a back seat to co-stars Leo Gorcey and Huntz Hall , he decided to quit the series. The film was released twice on home media, first on VHS by Warner Brothers on September 1, 1998 and then Warner Archives released
2960-540: The Embassy, which was never a Broadway venue. In December 1987, the LPC designated the Eugene O'Neill , Henry Miller's (Stephen Sondheim) , Longacre , Lunt-Fontanne , Majestic , Music Box , and Plymouth (Gerald Schoenfeld) as landmarks, as well as the Lyceum's interior. These actions brought the number of current or former Broadway theaters with landmark status to 26. Five more landmarks were designated by early 1988:
3040-693: The LPC's designations of these theaters the next year. The dispute went all the way to the Supreme Court of the United States , which upheld the designations in 1992. In January 2001, the New York Appellate Division , First Department in Fisher v. Giuliani , partially upheld the 1998 expansion of the Theater Subdistrict zoning regulations, which added receiving sites along Eighth Avenue where development rights from
3120-654: The New Romantic and acid house scenes. With the birth of house music in the mid-1980s and then acid house, kickstarted by Chris Sullivan's The Wag Club (on the site of the earlier The Flamingo Club ), a cultural revolution swept around the world; first in Chicago at the Warehouse and then London and New York City. London clubs such as Clink Street , Revolution in Progress (RiP), Philip Sallon's The Mudd Club , Danny Rampling 's Shoom (starting in December 1987 in
3200-776: The Starship Discovery One. In San Francisco, there was the Trocadero Transfer , the I-Beam , and the End Up . In Spain during the 1970s, the first clubs and discos opened in Ibiza , an island which had been a popular destination for hippie travelers since the 1960s and now was experiencing a tourist boom. The first ever " Superclub " in Ibiza was the now-abandoned "Festival Club" at Sant Josep de sa Talaia , which
3280-511: The Theater District improved as electrified trolley lines started in 1899, followed by the opening of the New York City Subway 's first line in 1904. "The Great White Way" is a nickname for a section of Broadway in Midtown Manhattan that encompasses the Theater District. In 1880, Broadway between Union Square and Madison Square was illuminated by Brush arc lamps , making it among the first electrically lighted streets in
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3360-558: The Theater Subdistrict Council (TSC), a not-for-profit corporation. The TSC administers the Theater Subdistrict Fund and allocates grants. The New York City Zoning Resolution for special purpose districts, as amended on April 30, 2012, contains special regulations for the Theater Subdistrict, including the transfer of development rights, incentives for the rehabilitation of existing theaters,
3440-609: The Theatres " in Manhattan. The primary initial goal of the "Save the Theatres" effort, which was sponsored by Papp's not-for-profit group and supported by the Actors Equity union, was to save several theater buildings in the Theatre District neighborhood from their impending demolition by monied Manhattan development interests. Papp provided financial resources, campaign buttons, posters, and newspaper ads for
3520-454: The UK government's Criminal Justice Act , which largely ended the rave movement by criminalizing any gathering of 20 or more people where music ("sounds wholly or predominantly characterized by the emission of a succession of repetitive beats") was played. Commercial clubs immediately capitalized on the situation causing a boom in "Superclubs" in the UK, such as Ministry of Sound (London), Renaissance , and Cream ( Liverpool ). These developed
3600-519: The United States. By the 1890s, 23rd Street to 34th Street was so brightly illuminated by electrical advertising signs people began calling it "The Great White Way". As the theater district shifted uptown just before the turn of the century, the nickname stuck and became synonymous. Over the years, the district has been referred to by New Yorkers as "the Rialto", "The Main Stem", and "Broadway". Around
3680-505: The association of the term with the sex trade has driven out the regular usage of the term. In the United States , New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upscale visitors. New York's theater district gradually moved northward during this half century, from The Bowery up Broadway through Union Square and Madison Square , settling around Times Square at
3760-513: The basement of Southwark's Fitness Centre), Paul Oakenfold 's Spectrum , and Nicky Holloway 's The Trip fused the eclecticism and ethos of [Ibiza with the new electronic music from the US. The largest UK cities like Birmingham , Leeds (The Orbit), Liverpool ( Quadrant Park and 051), Manchester ( The Haçienda ), Newcastle , and Swansea , and several key European places like Paris ( Les Bains-Douches ), Ibiza ( Pacha ), and Rimini , also played
3840-629: The big clubs were The Paramount Club (opened in 1933) and Ciro's (opened in 1936). Other clubs of the era were the Metropole and the Canidrome . Jazz bands , big bands, and singers performed for a bowtied clientele. The Paramount and Ciro's in particular were fiercely rivalrous and attracted many customers from the underworld. Shanghai's clubs fell into decline after the Japanese invasion of 1937 and eventually closed. The Paramount reopened after
3920-639: The chic Florida Club in London's Mayfair. In Germany during the Golden Twenties , there was a need to dance away the memories of the First World War . In Berlin, where a " tango fever" had already swept dancing establishments in the early 1910s, 899 venues with a dancing licence were registered by 1930, including the Moka Efti , Casanova , Scala , Delphi-Palast (destroyed in WW2, replaced by
4000-576: The city. In 1967, Germany's first large-scale discothèque opened in Munich as the club Blow Up , which because of its extravagance and excesses quickly gained international reputation. In parallel, the hippie movement spawned Britain's first club for psychedelic music , the UFO Club (at the Blarney Club, 31 Tottenham Court Road , London from 23 Dec 1966 to Oct 1967) which then became
4080-464: The club-as-spectacle theme pioneered in the 1970s and 1980s by Pacha (Ibiza) and Juliana's Tokyo (Japan), creating a global phenomenon; however, many clubs such as The Cross in London, preserved the more underground feel of the former era. Since the late 2000s, venues that received high media attention include Berghain in Berlin and Fabric in London. Video art has been used in nightclubs since
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#17327905375854160-481: The destruction of the Helen Hayes and Morosco theatres. A city-landmark status would prevent the theaters from being modified without the LPC's permission, thereby protecting them from development. The landmarks under consideration included both facades and interiors, which were designated separately. Manhattan Community Board 5 , under whose jurisdiction the vast majority of the theaters fell, supported many of
4240-614: The effort; recruited a publicist and actors to promote the cause; and provided a various stage and street venues for public events in support of the campaign for saving the historic theatres. At Papp's behest, in July 1982, U.S. Representative Donald J. Mitchell of New York and 13 co-sponsors introduced a bill titled "A bill to designate the Broadway/Times Square Theatre District in the City of New York as
4320-620: The end of the 19th century. Stars such as Edwin Booth and Lillian Russell were among the early Broadway performers. Prostitutes served a wide variety of clientele, from sailors on leave to playboys. The first nightclubs appeared in New York City in the 1840s and 1850s, including McGlory's, and the Haymarket. They enjoyed a national reputation for vaudeville , live music, and dance. They tolerated unlicensed liquor, commercial sex, and gambling cards, chiefly Faro . Practically all gambling
4400-420: The exterior of the Lyceum Theatre became the first Broadway theatre to receive the landmark status designation from the New York City Landmarks Preservation Commission (LPC). This was followed in 1979 by the exterior and interior of the New Amsterdam Theatre . In early 1982, Joseph Papp , the Broadway theatrical producer, and director who had established The Public Theater , led a campaign called " Save
4480-460: The exteriors of two theaters were approved. Several theater owners argued that the landmark designations impacted them negatively, despite Koch's outreach to theater owners. The Shuberts , the Nederlanders , and Jujamcyn collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters on the merit that the designations severely limited the extent to which the theaters could be modified. The New York Supreme Court upheld
4560-399: The film on made-to-order DVD in the United States as part of "The Bowery Boys, Volume One" on November 23, 2012. According to a July 3, 1950 The Hollywood Reporter news item, singer Bob Carroll was the singing double for Huntz Hall, but reviews credit John Laurenz as his singing double. Carroll's participation in the final film has not been confirmed. Nightclub A nightclub
4640-520: The ground for what was unfold in the 1990s, initially in the United Kingdom, Germany, and the United States and then worldwide from the 2000s onwards. In Europe and North America, nightclubs play disco-influenced dance music such as house music , techno , Eurodance and other dance music styles such as electronica , breakbeat , and trance . Most nightclubs in major cities in the U.S. that have an early adulthood clientele, play hip hop , dance-pop , house, and/or trance music. These clubs are generally
4720-419: The idea of " high society ", via organisations such as the Kit Kat Club (which took its name from the political Kit-Cat Club in Pall Mall, London ) and the Café de Paris . The 43 Club on Gerrard Street was run by Kate Meyrick the 'Night Club Queen'. Meyrick ran several London nightclubs in the 1920s and early 1930s, during which time she served prison sentences for breaching licensing laws and bribing
4800-454: The idea of dancing to records at her premises' basement in 1957. It stayed popular into the 1960s. It later became a 1940s-themed club called the Black Gardenia but has since closed. The Flamingo Club on Wardour Street in London ran between 1952 and 1967 and was known for its role in the growth of rhythm and blues and jazz in the UK. It earned a controversial reputation with gangsters and prostitutes said to have been frequent visitors in
4880-507: The jukebox with two turntables that she operated herself so there would be no breaks between the music. This was the world's first-ever "discothèque". The Whisky à Gogo set into place the standard elements of the modern post-World War II discothèque -style nightclub. In London, by the end of the 1950s, several of the coffee bars in London's Soho introduced afternoon dancing. These prototype discothèques were nothing like modern-day nightclubs, as they were unlicensed, daytime venues where coffee
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#17327905375854960-427: The landmarked Broadway theaters could be sold. Community and civil society organizations opposed the expansion of the district as it would impinge the nearby residential neighborhood of Hell's Kitchen/Clinton. The court objection, filed in 1999, did not challenge the pre-existing Theater Subdistrict itself or the original development rights zoning legislation. Under the 1998 zoning regulation, New York City also created
5040-421: The largest and most frequented of all of the different types of clubs. Techno clubs are popular around the world since the early 1990s. Well known examples of the 1990s include Tresor , E-Werk , and Bunker in Berlin ; Omen and Dorian Gray in Frankfurt ; Ultraschall , KW – Das Heizkraftwerk , and Natraj Temple in Munich; and Stammheim in Kassel . The Castlemorton Common Festival in 1992 triggered
5120-429: The most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music. The genre of disco has changed through the years. It is classified both as a musical genre and as a nightclub; and in the late seventies, disco began to act as a safe haven for social outcasts. This club culture that originated in downtown New York, was attended by a variety of different ethnicities and economic backgrounds. It
5200-450: The nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases, the disco became a kind of "main course" in a hedonist 's menu for a night out." Well known 1970s discothèques included celebrity hangouts such as Manhattan's Studio 54 , which was operated by Steve Rubell and Ian Schrager . Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use
5280-451: The next two decades with numerous nightclubs and discothèques such as Big Apple , PN hit-house , Tiffany , Domicile , Hot Club , Piper Club , Why Not , Crash , Sugar Shack , the underwater discothèque Yellow Submarine , and Mrs. Henderson , where stars such as Mick Jagger , Keith Richards , Freddie Mercury , and David Bowie went in and out and which led to artists such as Giorgio Moroder , Donna Summer , and Mercury settling in
5360-430: The original batch, and being London's longest running one-nighter club, Gaz's Rockin' Blues , is still going as of 2020. The new wave music scene grew out of Blitz and the Cha Cha Club in Charing Cross . Whilst overall, the club scene was fairly small and hidden away in basements, cellars, and warehouses, London's complicated mix of punk, New Romantic , New Wave, and gay clubs in the late 1970s and early 1980s paved
5440-430: The proposed landmark protections. An advisory panel under mayor Koch voted to allow the LPC consider theaters not only on their historical significance but also on their architectural merits. In response to objections from some of the major theatrical operators, several dozen scenic and lighting designers offered to work on the LPC for creating guidelines for potential landmarks. The first theaters to be landmarked under
5520-404: The purview of the LPC. In December 1983, Save the Theatres prepared "The Broadway Theater District, a Preservation Development and Management Plan," and demanded that each theater in the district receive landmark designation. Mayor Ed Koch ultimately responded by creating a Theater Advisory Council, that included Papp as a member, and which eventually led to the area being officially zoned as
5600-513: The role of safety net. It brought together people from different backgrounds. These clubs acted as safe havens for homosexual partygoers to dance in peace and away from public scrutiny. By the late 1970s, many major U.S. cities had thriving disco club scenes centered on discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "a smooth mix of long single records to keep people 'dancing all night long ' ". Some of
5680-434: The stage-name DJ Heinrich. In the US, Connie's Inn and the Cotton Club in Harlem , NY were popular venues for white audiences. Before 1953 and some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named Le Whisky à Gogo , founded in 1947 on the rue de Seine by Paul Pacine, Régine Zylberberg in 1953 laid down a dance floor, suspended coloured lights, and replaced
5760-524: The turn of the 20th century, it was simply called "The Street". By the 1970s, 42nd Street was seedy and run-down; X-rated movie houses, peep shows , and so-called grindhouses began to locate there. It was considered by some New Yorkers as a somewhat dangerous place to venture. However, in the 1990s the entire area was significantly revitalized by the city. Most of the adult theater businesses closed and an array of new theaters, multiplex movie houses, restaurants, and tourist attractions opened. In 1974,
5840-592: The way for acid house to flourish in the late 1980s, initially with Shoom and two acid house nights at Heaven : Spectrum and Rage. In the north of England, what later became the "alternative" scene was centred around the Roxy/Bowie room at Pips in Manchester, which opened in 1972; as small as this scene was, many notable figures attended the club, and Joy Division played their first gig there, billed as "Warsaw" before changing their name that night. During
5920-598: Was a key part of the jazz- funk scene and also the early punk scene via its Vortex nights. The underground warehouse party scene was kicked off by Toyah Willcox with her Mayhem Studios at Patcham Terrace in Battersea . The emergence of this highly experimental artistic scene in London can be credited almost entirely to Rusty Egan , Steve Strange , the Bromley Contingent's Philip Sallon , and Chris Sullivan. Dozens of clubs came and went, but one of
6000-652: Was an inexpensive activity to indulge in, and discos united a multitude of different minorities in a way never seen before; including those in the gay and psychedelic communities. The music ultimately was what brought people together. Some cities had disco dance instructors or dance schools that taught people how to do popular disco dances such as "touch dancing", the " hustle ", and the " cha-cha-cha ". There were also disco fashions that discotheque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "hedonistic loft parties" had
6080-455: Was built between 1969 and 1972 and serviced tourists who were bused in until it closed in 1974. Responding to this influx of visitors, locals opened the first large clubs Pacha , Amnesia , and the Ku-club (renamed Privilege in 1995). By the early 1980s, the term "disco" had largely fallen out of favour in the United States . In parallel to the disco scene and quite separate from it,
6160-548: Was illegal in the city (except upscale horseracing tracks), and regular payoffs to political and police leadership was necessary. Prices were high and they were patronized by an upscale audience. Timothy Gilfoyle called them "the first nightclubs". By contrast, Owney Geoghegan ran the toughest nightclub in New York from 1880 to 1883. It catered to a downscale clientele and besides the usual illegal liquor, gambling, and prostitution, it featured nightly fistfights and occasional shootings, stabbings, and police raids. Webster Hall
6240-676: Was installed at the Palais Royale Saloon, San Francisco on November 23, 1889, becoming an overnight sensation. The advent of the jukebox fueled the Prohibition -era boom in underground illegal speakeasy bars, which needed music but could not afford a live band and needed precious space for paying customers. Webster Hall stayed open, with rumors circulating of Al Capone 's involvement and police bribery. From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on
6320-590: Was rampant. Its dance floor was decorated with an image of the " Man in the Moon " that included an animated cocaine spoon . Other 1970s discothèques in New York City were Manhattan's Starship Discovery One at 350 West 42nd Street , Roseland Ballroom , Xenon , The Loft , the Paradise Garage , a recently renovated Copacabana , and Aux Puces, one of the first gay disco bars. The album cover of Saturday Night Band's Come On and Dance, Dance featured two dancers in
6400-474: Was the drink of choice and that catered to a very young public – mostly made up of French and Italians working illegally, mostly in catering, to learn English, as well as au pair girls from most of western Europe. A well known venue was Les Enfants Terribles at 93 Dean St., in Soho , London. Initially opening as a coffee-bar, it was run by Betty Passes who claimed to be the inventor of disco after she pioneered
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