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63-530: Donato Bramante (1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari , was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome , where his plan for St. Peter's Basilica formed the basis of the design executed by Michelangelo . His Tempietto ( San Pietro in Montorio ) marked

126-677: A Canon in the Cathedral of Todi in 1260. He never forgot his roots in Todi, later describing the city as "the dwelling place of my early youth," the city which "nourished me while still of tender years," and as a place where he "held lasting memories." In 1290 the city had 40,000 inhabitants. Communal autonomy was lost in 1367 when the city was annexed to the Papal States : the local overlordship shifted among various families (the Tomacelli,

189-644: A cornice . There is a regular repetition of openings on each floor, and the centrally placed door is marked by a feature such as a balcony, or rusticated surround. An early and much copied prototype was the façade for the Palazzo Rucellai (1446 and 1451) in Florence with its three registers of pilasters . Roman and Greek orders of columns are used: Tuscan , Doric , Ionic , Corinthian and Composite . The orders can either be structural, supporting an arcade or architrave, or purely decorative, set against

252-510: A pediment and organised by a system of pilasters , arches and entablatures . The columns and windows show a progression towards the centre. One of the first true Renaissance façades was Pienza Cathedral (1459–62), which has been attributed to the Florentine architect Bernardo Gambarelli (known as Rossellino ) with Leone Battista Alberti perhaps having some responsibility in its design as well. Domestic buildings are often surmounted by

315-517: A Roma.L'uomo, le idee e l'opera. Silvia Editrice ISBN 978-88-96036-63-1. Renaissance architecture Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and

378-408: A centralized Greek cross plan that symbolized sublime perfection for him and his generation (compare Santa Maria della Consolazione at Todi , influenced by Bramante's work) was fundamentally altered by the extension of the nave after his death in 1514. Bramante's plan envisaged four great chapels filling the corner spaces between the equal transepts , each one capped with a smaller dome surrounding

441-728: A mathematical order – linear perspective . Todi In the 1990s, Richard S. Levine , a professor of Architecture at the University of Kentucky , included Todi in academic design exercises aimed at conceiving hypothetical improvements to the city and presented its results in a conference titled "The Sustainable City of the Past and the Sustainable City of the Future". As a result, the Italian press incorrectly reported on Todi as

504-521: A question of practice, but also a matter for theoretical discussion. Printing played a large role in the dissemination of ideas. In the 15th century the courts of certain other Italian states became centres for spreading of Renaissance philosophy, art and architecture. In Mantua at the court of the Gonzaga , Alberti designed two churches, the Basilica of Sant'Andrea and San Sebastiano . Urbino

567-530: A section of entablature between the capital and the springing of the arch. Alberti was one of the first to use the arch on a monumental scale at the Basilica of Sant'Andrea, Mantua . Vaults do not have ribs. They are semi-circular or segmental and on a square plan, unlike the Gothic vault which is frequently rectangular. The barrel vault is returned to architectural vocabulary as at St. Andrea in Mantua. The dome

630-490: A sort of Proto-Renaissance style, before the construction of fully formulated Renaissance buildings. Each country in turn then grafted its own architectural traditions to the new style, so that Renaissance buildings across Europe are diversified by region. Within Italy the evolution of Renaissance architecture into Mannerism, with widely diverging tendencies in the work of Michelangelo , Giulio Romano and Andrea Palladio , led to

693-577: A triangular or segmental pediment. Openings that do not have doors are usually arched and frequently have a large or decorative keystone. Windows may be paired and set within a semi-circular arch. They may have square lintels and triangular or segmental pediments , which are often used alternately. Emblematic in this respect is the Palazzo Farnese in Rome, begun in 1517. In the Mannerist period

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756-547: A wall in the form of pilasters. During the Renaissance, architects aimed to use columns, pilasters , and entablatures as an integrated system. One of the first buildings to use pilasters as an integrated system was in the Old Sacristy (1421–1440) by Brunelleschi. Arches are semi-circular or (in the Mannerist style) segmental. Arches are often used in arcades, supported on piers or columns with capitals. There may be

819-458: Is sited over some huge ancient Roman cisterns, with more than 500 pits, which remained in use until 1925. Over the ages, Todi has been surrounded by three more or less complete concentric walls: the outermost is medieval, the middle wall is Roman , and the innermost is recognizable as partly Etruscan. Sights include also a colossal Roman niched substructure of uncertain purpose (the Nicchioni),

882-543: Is the birthplace of the Franciscan poet Jacopone da Todi , who is buried in a special crypt in the church of S. Fortunato. Almost all Todi's main medieval monuments – the co-cathedral church ( Duomo ), the Palazzo del Capitano , the Palazzo del Priore and the Palazzo del Popolo – front on the main square ( Piazza del Popolo ) on the lower breast of the hill: the piazza is often used as a movie set. The whole landscape

945-884: Is used frequently, both as a very large structural feature that is visible from the exterior, and also as a means of roofing smaller spaces where they are only visible internally. After the success of the dome in Brunelleschi's design for Florence Cathedral and its use in Bramante's plan for St. Peter's Basilica (1506) in Rome, the dome became an indispensable element in church architecture and later even for secular architecture, such as Palladio's Villa Rotonda . Roofs are fitted with flat or coffered ceilings. They are not left open as in Medieval architecture. They are frequently painted or decorated. Doors usually have square lintels. They may be set with in an arch or surmounted by

1008-534: The Cathedral , setting the design and creating the crypt and part of the apse) and possibly Legnano . However, in 1499, with his Sforza patron driven from Milan by an invading French army, Bramante made his way to Rome, where he was already known to the powerful Cardinal Riario . In Rome, he was soon recognized by Cardinal Della Rovere , shortly to become Pope Julius II . For Ferdinand of Aragon and Isabella of Castile or possibly Julius II, Bramante designed one of

1071-504: The Florence Baptistery and Pisa Cathedral . Italy had never fully adopted the Gothic style of architecture. Apart from Milan Cathedral , (influenced by French Rayonnant Gothic), few Italian churches show the emphasis on vertical, the clustered shafts, ornate tracery and complex ribbed vaulting that characterise Gothic in other parts of Europe. The presence, particularly in Rome, of ancient architectural remains showing

1134-546: The Gothic siege. In Lombard times, Todi was part of the Duchy of Spoleto . After the 12th century, the city started to expand again: the government was held first by consuls, and then by podestà and a people's captain, some of whom achieved wide fame. In 1244 the new quarters, housing mainly the new artisan classes, were enclosed in a new circle of walls. Benedetto Caetani, the latter Pope Boniface VIII , started his career as

1197-736: The Loggia and Odeo Cornaro in the garden of Alvise Cornaro . In southern Italy, Renaissance masters were called to Naples by Alfonso V of Aragon after his conquest of the Kingdom of Naples . The most notable examples of Renaissance architecture in that city are the Cappella Caracciolo , attributed to Bramante, and the Palazzo Orsini di Gravina , built by Gabriele d'Angelo between 1513 and 1549. The Classical orders were analysed and reconstructed to serve new purposes. While

1260-599: The Malatesta , Braccio da Montone , Francesco Sforza and others). Although reduced to half of its former population, Todi lived a brief period of splendour under bishop Angelo Cesi , who rebuilt several edifices or added new ones, like the Cesia Fountain that still bears his name. In July 1849 Todi received Giuseppe Garibaldi , who was fleeing after the failed democratic attempt of the Republic of Rome . Todi

1323-669: The Mars of Todi , discovered in 1835 in the nearby Montesanto; and now at the Gregorian Etruscan section of the Vatican Museums , but a copy is kept in the crypt of the Cathedral . It was the home of Trajan 's family, the Ulpi Traiani . Christianity spread to Todi very early, through the efforts of St. Terentianus . Bishop St. Fortunatus became the patron saint of the city for his heroic defence of it during

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1386-614: The Palazzo Medici Riccardi (1444–1460) in Florence. Internal walls are smoothly plastered and surfaced with lime wash . For more formal spaces, internal surfaces are decorated with frescoes . Courses, mouldings and all decorative details are carved with great precision. Studying and mastering the details of the ancient Romans was one of the important aspects of Renaissance theory. The different orders each required different sets of details. Some architects were stricter in their use of classical details than others, but there

1449-621: The Palladian arch was employed, using a motif of a high semi-circular topped opening flanked with two lower square-topped openings. Windows are used to bring light into the building and in domestic architecture, to give views. Stained glass, although sometimes present, is not a feature. External walls are generally constructed of brick, rendered, or faced with stone in highly finished ashlar masonry, laid in straight courses. The corners of buildings are often emphasized by rusticated quoins . Basements and ground floors were often rusticated , as at

1512-576: The Sforza , the Castello Sforzesco was built. Venetian Renaissance architecture developed a particularly distinctive character because of local conditions. San Zaccaria received its Renaissance façade at the hands of Antonio Gambello and Mauro Codussi , begun in the 1480s. Giovanni Maria Falconetto , the Veronese architect-sculptor, introduced Renaissance architecture to Padua with

1575-498: The giant order in his architecture, a large pilaster that stretches from the bottom to the top of a façade. He used this in his design for the Piazza del Campidoglio in Rome. Prior to the 20th century, the term Mannerism had negative connotations, but it is now used to describe the historical period in more general non-judgemental terms. As the new style of architecture spread out from Italy, most other European countries developed

1638-464: The 15th century. Conversely, there was no call for enormous sporting fixtures and public bath houses such as the Romans had built. The plans of Renaissance buildings have a square, symmetrical appearance in which proportions are usually based on a module. Within a church, the module is often the width of an aisle. The need to integrate the design of the plan with the façade was introduced as an issue in

1701-513: The Baroque style in which the same architectural vocabulary was used for very different rhetoric. Outside Italy, Baroque architecture was more widespread and fully developed than the Renaissance style, with significant buildings as far afield as Mexico and the Philippines . Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance. It is in Florence that

1764-466: The High Renaissance, concepts derived from classical antiquity were developed and used with greater confidence. The most representative architect is Donato Bramante (1444–1514), who expanded the applicability of classical architecture to contemporary buildings. His Tempietto di San Pietro in Montorio (1503) was directly inspired by circular Roman temples . He was, however, hardly a slave to

1827-403: The Renaissance view of architecture is Filippo Brunelleschi, (1377–1446). The underlying feature of the work of Brunelleschi was "order". In the early 15th century, Brunelleschi began to look at the world to see what the rules were that governed one's way of seeing. He observed that the way one sees regular structures such as the Florence Baptistery and the tiled pavement surrounding it follows

1890-470: The adoption of Classical detail and ornamentation. Space, as an element of architecture, was used differently than it was in the Middle Ages . Space was organised by proportional logic, its form and rhythm subject to geometry, rather than being created by intuition as in Medieval buildings. The prime example of this is the Basilica of San Lorenzo, Florence by Filippo Brunelleschi (1377–1446). During

1953-657: The beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred. Bramante was born under the name Donato d'Augnolo , Donato di Pascuccio d'Antonio, or Donato Pascuccio d'Antonio in Fermignano near Urbino . Here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltro 's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew

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2016-563: The building are clearly Florentine in style, particularly the inner courtyard, but it is not known who the designer was. Ferrara , under the Este , was expanded in the late 15th century, with several new palaces being built such as the Palazzo dei Diamanti and Palazzo Schifanoia for Borso d'Este . In Milan , under the Visconti , the Certosa di Pavia was completed, and then later under

2079-512: The church, but by guilds representing the wealth and power of the city. Brunelleschi's dome at Florence Cathedral, more than any other building, belonged to the populace because the construction of each of the eight segments was achieved by a different quarter of the city. As in the Platonic Academy of Athens , it was seen by those of Humanist understanding that those people who had the benefit of wealth and education ought to promote

2142-490: The classical forms and it was his style that was to dominate Italian architecture in the 16th century. During the Mannerist period, architects experimented with using architectural forms to emphasize solid and spatial relationships. The Renaissance ideal of harmony gave way to freer and more imaginative rhythms. The best known architect associated with the Mannerist style was Michelangelo (1475–1564), who frequently used

2205-414: The construction of the grandest European architectural commission of the 16th century, the complete rebuilding of St Peter's Basilica . The cornerstone of the first of the great piers of the crossing was laid with ceremony on 17 April 1506. Very few drawings by Bramante survive, though some by his assistants do, demonstrating the extent of the team which had been assembled. Bramante's vision for St Peter's,

2268-659: The development of the modern interpretation of the Italian Renaissance . The folio of measured drawings Édifices de Rome moderne; ou, Recueil des palais, maisons, églises, couvents et autres monuments (The Buildings of Modern Rome), first published in 1840 by Paul Letarouilly, also played an important part in the revival of interest in this period. Erwin Panofsky , Renaissance and Renascences in Western Art , (New York: Harper and Row, 1960) The Renaissance style

2331-455: The early Renaissance, Venice controlled sea trade over goods from the East. The large towns of Northern Italy were prosperous through trade with the rest of Europe, Genoa providing a seaport for the goods of France and Spain; Milan and Turin being centres of overland trade, and maintaining substantial metalworking industries. Trade brought wool from England to Florence, ideally located on

2394-770: The enormous Florence Cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. However, as the technology and finance were found to complete it, the rising dome did credit not only to the Virgin Mary, its architect and the Church but also to the Signoria , the Guilds and the sectors of the city from which the manpower to construct it was drawn. The dome inspired further religious works in Florence. The development of printed books,

2457-616: The famous trompe-l'œil choir of the church of Santa Maria presso San Satiro (1482–1486). Space was limited, and Bramante made a theatrical apse in bas-relief , combining the painterly arts of perspective with Roman details. There is an octagonal sacristy, surmounted by a dome . In Milan, Bramante also built the tribune of Santa Maria delle Grazie (1492–99); other early works include the Cloisters of Sant'Ambrogio , Milan (1497–1498), and some other constructions in Pavia (where he worked on

2520-581: The frontier with the Etruscan dominions. It probably was still under the latter's influence when it was conquered by the Romans in 217 BC. According to Silius Italicus , it had a double line of walls that stopped Hannibal himself after his victory at Lake Trasimeno . In most Latin texts, the name of the town took the form Tuder . A notable archeologic find from the Etruscan period is an ancient bronze,

2583-710: The great dome over the crossing. So Bramante's original plan was very much more Romano-Byzantine in its forms than the basilica that was actually built. (See St Peter's Basilica for further details.) Bramante also worked on several other commissions. Among his earliest works in Rome, before the Basilica's construction was under way, is the cloister (1500–1504) of Santa Maria della Pace near Piazza Navona . In addition to building, Bramante wrote about architecture and composed eighty sonnets . 11.^Guagliumi Silvia.(2014) Donato Bramante.Pittore e sommo architetto in Lombardia e

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2646-653: The late 14th century did not produce buildings that are considered to be part of the Renaissance. As a result, the word Renaissance among architectural historians usually applies to the period 1400 to c.  1525 , or later in the case of non-Italian Renaissances. Historians often use the following designations: During the Quattrocento, sometimes known as the Early Renaissance, concepts of architectural order were explored and rules were formulated. The study of classical antiquity led in particular to

2709-559: The mid 15th century and gained momentum in the 16th century, reaching its peak in the Baroque period. The construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St. Peter's Basilica , one of Christendom's most significant churches, were part of this process. In the wealthy Republic of Florence , the impetus for church-building was more civic than spiritual. The unfinished state of

2772-623: The most harmonious buildings of the Renaissance: the Tempietto (1502) of San Pietro in Montorio on the Janiculum . Despite its small scale, the construction has all the rigorous proportions and symmetry of Classical structures, surrounded by slender Doric columns, surmounted by a dome. According to a later engraving by Sebastiano Serlio , Bramante planned to set it within a colonnaded courtyard. In November 1503, Julius engaged Bramante for

2835-606: The new architectural style had its beginning, not slowly evolving in the way that Gothic grew out of Romanesque , but consciously brought to being by particular architects who sought to revive the order of a past " Golden Age ". The scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about. Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in

2898-413: The obvious distinguishing features of Classical Roman architecture were adopted by Renaissance architects, the forms and purposes of buildings had changed over time, as had the structure of cities. Among the earliest buildings of the reborn Classicism were the type of churches that the Romans had never constructed. Neither were there models for the type of large city dwellings required by wealthy merchants of

2961-508: The ordered Classical style provided an inspiration to artists at a time when philosophy was also turning towards the Classical. In the 15th century, Florence and Venice extended their power through much of the area that surrounded them, making the movement of artists possible. This enabled Florence to have significant artistic influence in Milan , and through Milan, France . In 1377,

3024-509: The painters Melozzo da Forlì and Piero della Francesca well, who were interested in the rules of perspective and illusionistic features in Andrea Mantegna 's painting. Around 1474, Bramante moved to Milan , a city with a deep Gothic architectural tradition, and built several churches in the new Antique style. The Duke, Ludovico Sforza , made him virtually his court architect, beginning in 1476, with commissions that culminated in

3087-641: The promotion of civil peace and order were seen as the marks of citizenship. This led to the building of structures such as Brunelleschi's Hospital of the Innocents with its elegant colonnade forming a link between the charitable building and the public square, and the Laurentian Library where the collection of books established by the Medici family could be consulted by scholars. Some major ecclesiastical building works were also commissioned, not by

3150-626: The pursuit of learning and the creation of that which was beautiful. To this end, wealthy families—the Medici of Florence, the Gonzaga of Mantua, the Farnese in Rome, the Sforzas in Milan—gathered around them people of learning and ability, promoting the skills and creating employment for the most talented artists and architects of their day. During the Renaissance, architecture became not only

3213-590: The rediscovery of ancient writings, the expanding of political and trade contacts and the exploration of the world all increased knowledge and the desire for education. The reading of philosophies that were not based on Christian theology led to the development of humanism through which it was clear that while God had established and maintained order in the Universe, it was the role of Man to establish and maintain order in Society. Through humanism, civic pride and

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3276-452: The regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture , of which many examples remained. Orderly arrangements of columns , pilasters and lintels , as well as the use of semicircular arches, hemispherical domes , niches and aediculae replaced the more complex proportional systems and irregular profiles of medieval buildings. The word "Renaissance" derives from

3339-673: The return of the Pope from the Avignon Papacy and the re-establishment of the Papal court in Rome, brought wealth and importance to that city, as well as a renewal in the importance of the Pope in Italy, which was further strengthened by the Council of Constance in 1417. Successive Popes, especially Julius II , 1503–13, sought to extend the Papacy's temporal power throughout Italy. In

3402-480: The river for the production of fine cloth, the industry on which its wealth was founded. By dominating Pisa , Florence gained a seaport, and became the most powerful state in Tuscany. In this commercial climate, one family in particular turned their attention from trade to the lucrative business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, by reason of both wealth and influence. Along

3465-416: The small remnants of a Roman amphitheatre, about a dozen smaller churches, and a few Renaissance or classical palazzi, among which the most important is one by Vignola. In the country outside of the city has many historical castles, fortresses and ancient churches including the famous Todi Castle . Associazione Sportiva Dilettantistica Todi Calcio is an Italian association football club, based in

3528-417: The term rinascita , which means rebirth, first appeared in Giorgio Vasari 's Lives of the Most Excellent Painters, Sculptors, and Architects , 1550. Although the term Renaissance was used first by the French historian Jules Michelet , it was given its more lasting definition from the Swiss historian Jacob Burckhardt , whose book The Civilization of the Renaissance in Italy , 1860, was influential in

3591-432: The trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. The return of the Pope Gregory XI from Avignon in September 1377 and the resultant new emphasis on Rome as the center of Christian spirituality, brought about a surge in the building of churches in Rome such as had not taken place for nearly a thousand years. This commenced in

3654-444: The work of Filippo Brunelleschi , but he was never able to carry this aspect of his work into fruition. The first building to demonstrate this was Basilica of Sant'Andrea, Mantua by Leone Battista Alberti . The development of the plan in secular architecture was to take place in the 16th century and culminated with the work of Palladio . Façades are symmetrical around their vertical axis. Church façades are generally surmounted by

3717-415: The world's most livable city . According to the legend, said to have been recorded around 1330 BC by a mythological Quirinus Colonus, Todi was built by Hercules , who here killed Cacus , and gave the city the name of Eclis . Historical Todi was founded by the ancient Italic people of the Umbri , in the 8th-7th century BC, with the name of Tutere . The name means "border", the city being located on

3780-497: Was also a good deal of innovation in solving problems, especially at corners. Mouldings stand out around doors and windows rather than being recessed, as in Gothic architecture. Sculptured figures may be set in niches or placed on plinths. They are not integral to the building as in Medieval architecture. The leading architects of the Early Renaissance or Quattrocento were Filippo Brunelleschi , Michelozzo and Leon Battista Alberti . The person generally credited with bringing about

3843-407: Was an important centre with the Ducal Palace being constructed for Federico da Montefeltro in the mid 15th century. The Duke employed Luciano Laurana from Dalmatia , renowned for his expertise at fortification. The design incorporates much of the earlier medieval building and includes an unusual turreted three-storeyed façade. Laurana was assisted by Francesco di Giorgio Martini. Later parts of

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3906-406: Was recognized by contemporaries in the term "all'antica" , or "in the ancient manner" (of the Romans). Historians often divide the Renaissance in Italy into three phases. Whereas art historians might talk of an Early Renaissance period, in which they include developments in 14th-century painting and sculpture, this is usually not the case in architectural history. The bleak economic conditions of

3969-401: Was succeeded by Baroque architecture and neoclassical architecture . Developed first in Florence , with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry , proportion , geometry and

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