126-579: George Wither (11 June 1588 O.S. (21 June 1588 NS ) – 2 May 1667 O.S. (12 May 1667 NS ) ) was a prolific English poet, pamphleteer , satirist and writer of hymns. Wither's long life spanned one of the most tumultuous periods in the history of England, during the reigns of Elizabeth I, James I, and Charles I, the Civil War, the Parliamentary period and the Restoration period. Wither
252-551: A London setting, themes of trickery and money, and a distinct moral ambiguity, despite Jonson's professed aim in the Prologue to Volpone to "mix profit with your pleasure". His late plays or " dotages ", particularly The Magnetic Lady and The Sad Shepherd , exhibit signs of an accommodation with the romantic tendencies of Elizabethan comedy . Within this general progression, however, Jonson's comic style remained constant and easily recognisable. He announces his programme in
378-460: A bold appeal to King James for his release, claiming that he had "not sought to scandalize the state, nor sowne sedition." The cause for his initial imprisonment is somewhat unclear, as the Abuses were in fact very general, and had not satirized any one person by name. Charles Lamb commented that a man should be convicted of libel when he named no names but Hate, and Envy, and Lust, and Avarice,
504-556: A brief Bible verse (the neck-verse ), forfeiting his "goods and chattels" and being branded with the so-called Tyburn T on his left thumb. While in jail Jonson converted to Catholicism, possibly through the influence of fellow-prisoner Father Thomas Wright , a Jesuit priest. In 1598 Jonson produced his first great success, Every Man in His Humour , capitalising on the vogue for humorous plays which George Chapman had begun with An Humorous Day's Mirth . William Shakespeare
630-567: A brief spell of imprisonment imposed to mark the authorities' displeasure at the work, in the second week of October 1605, he was present at a supper party attended by most of the Gunpowder Plot conspirators. After the plot's discovery, he appears to have avoided further imprisonment; he volunteered what he knew of the affair to the investigator Robert Cecil and the Privy Council. Father Thomas Wright, who heard Fawkes's confession,
756-642: A calendar change, respectively. Usually, they refer to the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 1582 and 1923. In England , Wales , Ireland and Britain's American colonies , there were two calendar changes, both in 1752. The first adjusted the start of a new year from 25 March ( Lady Day , the Feast of the Annunciation ) to 1 January,
882-399: A century, has left a very uneven impression of his interests and affected his poetic reputation. George Gilfillan wrote that "Wither was a man of real genius, but seems to have been partially insane". Herbert Grierson found something to praise in early love poems, but spoke of "endless diffuse didactic and pious poems, if they can be called poems". C. V. Wedgwood wrote "every so often in
1008-544: A change which Scotland had made in 1600. The second discarded the Julian calendar in favour of the Gregorian calendar, skipping 11 days in the month of September to do so. To accommodate the two calendar changes, writers used dual dating to identify a given day by giving its date according to both styles of dating. For countries such as Russia where no start-of-year adjustment took place, O.S. and N.S. simply indicate
1134-423: A charge of recusancy , with Jonson alone additionally accused of allowing his fame as a Catholic to "seduce" citizens to the cause. This was a serious matter (the Gunpowder Plot was still fresh in people's minds) but he explained that his failure to take communion was only because he had not found sound theological endorsement for the practice, and by paying a fine of thirteen shillings (156 pence ) he escaped
1260-902: A cousin of King James, in Leith, and was made an honorary burgess of Edinburgh at a dinner laid on by the city on 26 September. He stayed in Scotland until late January 1619, and the best-remembered hospitality he enjoyed was that of the Scottish poet, William Drummond of Hawthornden , sited on the River Esk . Drummond undertook to record as much of Jonson's conversation as he could in his diary, and thus recorded aspects of Jonson's personality that would otherwise have been less clearly seen. Jonson delivers his opinions, in Drummond's terse reporting, in an expansive and even magisterial mood. Drummond noted he
1386-408: A family friend paid for his studies at Westminster School , where the antiquarian , historian, topographer and officer of arms William Camden (1551–1623) was one of his masters. The pupil and master became friends, and the intellectual influence of Camden's broad-ranging scholarship upon Jonson's art and literary style remained notable, until Camden's death in 1623. At Westminster School he met
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#17327794789311512-399: A famous poem to Camden and lines to Lucy Harington, are longer and are mostly addressed to specific individuals. Although it is included among the epigrams, " On My First Sonne " is neither satirical nor very short; the poem, intensely personal and deeply felt, typifies a genre that would come to be called "lyric poetry." It is possible that the spelling of 'son' as 'Sonne' is meant to allude to
1638-534: A few months. Like his earlier invective, it was said to be libellous, and Wither was again imprisoned, but shortly afterwards released without formal trial on the plea that the book had been duly licensed. Ben Jonson turned satire back on Wither, portrayed as the Chronomastix of the masque Time Vindicated . Wither avenged himself, by a reference to Jonson's drunken conclave. He was obliged to print this book with his own hand, in consequence of his quarrel with
1764-652: A fixed engagement in the Admiral's Men , then performing under Philip Henslowe 's management at The Rose . John Aubrey reports, on uncertain authority, that Jonson was not successful as an actor; whatever his skills as an actor, he was more valuable to the company as a writer. By this time Jonson had begun to write original plays for the Admiral's Men; in 1598 he was mentioned by Francis Meres in his Palladis Tamia as one of "the best for tragedy." None of his early tragedies survive, however. An undated comedy, The Case
1890-459: A letter dated "12/22 Dec. 1635". In his biography of John Dee , The Queen's Conjurer , Benjamin Woolley surmises that because Dee fought unsuccessfully for England to embrace the 1583/84 date set for the change, "England remained outside the Gregorian system for a further 170 years, communications during that period customarily carrying two dates". In contrast, Thomas Jefferson , who lived while
2016-454: A line when he wrote. His own claimed response was "Would he had blotted a thousand!" However, Jonson explains, "Hee was (indeed) honest, and of an open, and free nature: had an excellent Phantsie ; brave notions and gentle expressions: wherein hee flow'd with that facility, that sometime it was necessary he should be stopp'd". Jonson concludes that "there was ever more in him to be praised than to be pardoned." When Shakespeare died, he said, "He
2142-399: A long panegyric of a mistress, partly real, partly allegorical, written chiefly in seven-syllabled verse. Wither had begun as a moderate in politics and religion, but his Puritan leanings became more pronounced, as he moved from an Arminian to a more Calvinist position. His later work consists of religious poetry, and of controversial and political tracts. From 1614 he began to work on
2268-681: A new psalm translation, a project in tune with the circle round Sir Edwin Sandys that Wither frequented. Preparation to the Psalter (1619) was an early work in English on literary aspects of the Bible, and initiated a campaign by Wither to substitute his own writings for the dominant psalms . His Hymnes and Songs of the Church (1622–1623) were aimed to counter exclusive psalmody , represented by
2394-601: A nonsensical line in Julius Caesar and the setting of The Winter's Tale on the non-existent seacoast of Bohemia. Drummond also reported Jonson as saying that Shakespeare "wanted art" (i.e., lacked skill). In "De Shakespeare Nostrat" in Timber , which was published posthumously and reflects his lifetime of practical experience, Jonson offers a fuller and more conciliatory comment. He recalls being told by certain actors that Shakespeare never blotted (i.e., crossed out)
2520-470: A number of Jonson's plays, at least two of which ( Every Man in His Humour and Sejanus His Fall ) Shakespeare certainly acted in. However, it is now impossible to tell how much personal communication they had, and tales of their friendship cannot be substantiated. Jonson's most influential and revealing commentary on Shakespeare is the second of the two poems that he contributed to the prefatory verse that opens Shakespeare's First Folio . This poem, "To
2646-551: A poem called "The Scourge", in which the Lord Chancellor was attacked, and a series of epigrams . Despite the fact that the satires referenced nobody by name, and that Wither had published them a year before with no trouble, he was arrested for libel "on or about 20 March 1614" and held in the Marshalsea prison for four months before being released. In A Satyre: Dedicated to His Most Excellent Majestie , Wither made
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#17327794789312772-511: A portrait of Jonson, offers a caricature that is recognisable from Drummond's report – boasting about himself and condemning other poets, criticising performances of his plays and calling attention to himself in any available way. This " War of the Theatres " appears to have ended with reconciliation on all sides. Jonson collaborated with Dekker on a pageant welcoming James I to England in 1603 although Drummond reports that Jonson called Dekker
2898-468: A remarkable new direction for Jonson: a move into pastoral drama. During the early 1630s, he also conducted a correspondence with James Howell , who warned him about disfavour at court in the wake of his dispute with Jones. According to a contemporary letter written by Edward Thelwall of Gray's Inn , Jonson died on 18 August 1637 (O.S. 6 August). He died in London. His funeral was held the next day. It
3024-498: A rising quality, but of a consistent political attitude. Where Hill identifies connections via the aristocratic patrons and politics, Alastair Fowler takes Drayton to be the poetic centre of a group, which besides Wither comprised Browne, John Davies of Hereford , William Drummond of Hawthornden , George Sandys and Joshua Sylvester . From c.1640 onwards, Wither assumed an overtly prophetic voice. His wide range of publication, in prose as well as various poetic genres over nearly half
3150-447: A rogue. Marston dedicated The Malcontent to Jonson and the two collaborated with Chapman on Eastward Ho! , a 1605 play whose anti-Scottish sentiment briefly landed both Jonson and Chapman in jail. At the beginning of the English reign of James VI and I in 1603 Jonson joined other poets and playwrights in welcoming the new king. Jonson quickly adapted himself to the additional demand for masques and entertainments introduced with
3276-656: A second similar patent was finally disallowed by the House of Lords . Wither defended himself in The Schollers Purgatory (1624). In this document, a 140-page diatribe against the Stationers Company for their refusal to print his work, Wither blames them for his financial ruin and hardship. Some more of Wither's religious poetry is contained in Heleluiah: or Britain's Second Remembrancer , which
3402-430: A series of setbacks drained his strength and damaged his reputation. He resumed writing regular plays in the 1620s, but these are not considered among his best. They are of significant interest, however, for their portrayal of Charles I 's England. The Staple of News , for example, offers a remarkable look at the earliest stage of English journalism. The lukewarm reception given that play was, however, nothing compared to
3528-911: A start-of-year adjustment works well with little confusion for events before the introduction of the Gregorian calendar. For example, the Battle of Agincourt is well known to have been fought on 25 October 1415, which is Saint Crispin's Day . However, for the period between the first introduction of the Gregorian calendar on 15 October 1582 and its introduction in Britain on 14 September 1752, there can be considerable confusion between events in Continental Western Europe and in British domains. Events in Continental Western Europe are usually reported in English-language histories by using
3654-706: A supporter of the Commonwealth who also proposed a more egalitarian social vision. His Respublica Anglicana (1650) was a reply to the Anarchia Anglicana (1649) of Theodorus Verax ( Clement Walker ), a Presbyterian opponent of the Independents. It defended ' engagement ', the notion that recognition of the Parliamentary regime should be required. Wither was a trustee of the Committee for the Sale of
3780-480: Is 9 February 1649, the date by which his contemporaries in some parts of continental Europe would have recorded his execution. The O.S./N.S. designation is particularly relevant for dates which fall between the start of the "historical year" (1 January) and the legal start date, where different. This was 25 March in England, Wales, Ireland and the colonies until 1752, and until 1600 in Scotland. In Britain, 1 January
3906-425: Is Altered , is markedly similar to Shakespeare's romantic comedies in its foreign setting, emphasis on genial wit and love-plot. Henslowe's diary indicates that Jonson had a hand in numerous other plays, including many in genres such as English history with which he is not otherwise associated. The comedies of his middle career, from Eastward Hoe to The Devil Is an Ass are for the most part city comedy , with
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4032-507: Is Altered , may be his earliest surviving play. In 1597, a play which he co-wrote with Thomas Nashe , The Isle of Dogs , was suppressed after causing great offence. Arrest warrants for Jonson and Nashe were issued by Queen Elizabeth I 's so-called interrogator, Richard Topcliffe . Jonson was jailed in Marshalsea Prison and charged with "Leude and mutynous behaviour", while Nashe managed to escape to Great Yarmouth . Two of
4158-409: Is Altered , Jonson eschewed distant locations, noble characters, romantic plots and other staples of Elizabethan comedy, focusing instead on the satiric and realistic inheritance of new comedy . He set his plays in contemporary settings, peopled them with recognisable types, and set them to actions that, if not strictly realistic, involved everyday motives such as greed and jealousy . In accordance with
4284-422: Is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox ( c. 1606 ), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare , during the reign of James I ." Jonson was a classically educated , well-read and cultured man of
4410-472: Is found definitely siding with the Parliament . He sold his estate to raise a troop of horse, and was placed by a parliamentary committee in command of Farnham Castle . After a few days occupation he left the place undefended, and marched to London . His own house near Farnham was plundered, and he himself was captured by a troop of Royalist horse, owing his life to the intervention of Sir John Denham , on
4536-602: Is in the British Museum . In 1636 he translated The Nature of Man by Nemesius . Wither had served as captain of horse in 1639 in the expedition of Charles I against the Scottish Covenanters , and his religious rather than his political convictions must be accepted as the explanation of the fact that, three years after the Scottish expedition, at the outbreak of the English Civil War , he
4662-691: Is like one of the indictments in the Pilgrim's Progress , where Faithful is arraigned for having 'railed on our noble Prince Beelzebub, and spoken contemptibly of his honourable friends, the Lord Old Man, the Lord Carnal Delight, and the Lord Luxurious'. This view has been held by most later critics and scholars, in addition to the possibility of earlier editions containing text which was erased in later editions. Several scholars in
4788-537: The Dunciad "Withers, Ward, and Gildon rest" together "Safe, where no Critics damn, no duns molest". He was early known in the pastoral genre. He had figured as one of the interlocutors, Roget, in his friend William Browne 's Shepherds Pipe , with which were bound up eclogues by other poets, among them one by Wither. During his imprisonment he wrote what may be regarded as a continuation of Browne's work, The Shepherd's Hunting (printed 1615)—eclogues in which
4914-528: The Bodleian Library . Other editions of this book, which contained the lyric "Shall I, wasting in despair", appeared in 1617 and 1619. In 1621, he returned to the satiric vein with Wither's Motto: Nec habeo, nec careo, nec curo (Latin for "I have not, I want not, I care not"). It was said to be libellous, and Wither, for the second time, was imprisoned, but shortly afterwards released. In 1622 appeared his Faire-Virtue, The Mistresse of Phil Arete ,
5040-658: The English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642). Jonson was born in June 1572 —possibly on the 11th —in or near London. In midlife, Jonson said his paternal grandfather, who "served King Henry 8 and
5166-609: The Russian Empire and the very beginning of Soviet Russia . For example, in the article "The October (November) Revolution", the Encyclopædia Britannica uses the format of "25 October (7 November, New Style)" to describe the date of the start of the revolution. The Latin equivalents, which are used in many languages, are, on the one hand, stili veteris (genitive) or stilo vetere (ablative), abbreviated st.v. , and meaning "(of/in) old style" ; and, on
George Wither - Misplaced Pages Continue
5292-533: The Song for the Happily Married, Part 3 No. 21 ("Since they in singing take delight") and the Song for a Shepherd, Part 3 No. 41 ("Renowned men their herds to keep"). Wither has been classified as a Spenserian , with Michael Drayton , Giles Fletcher , Phineas Fletcher , and Henry More . The early Jacobean Spenserians were generally republican rather than imperial (at least in terms of ancient Rome), of
5418-468: The Sternhold and Hopkins Psalter . Orlando Gibbons provided tunes for some of them. They were issued under a patent of King James I ordaining that they should be bound up with every copy of the authorized metrical psalms offered for sale. This patent was opposed, as inconsistent with their privilege to print the singing-psalms, by the Stationers Company , to Wither's great mortification and loss, and
5544-485: The sonnet form, with which it shares some features. A few other so-called epigrams share this quality. Jonson's poems of "The Forest" also appeared in the first folio. Most of the fifteen poems are addressed to Jonson's aristocratic supporters, but the most famous are his country-house poem "To Penshurst" and the poem " To Celia " ("Come, my Celia, let us prove") that appears also in Volpone . Underwood , published in
5670-597: The "country party" rather than the "court party", nostalgic for Elizabeth I, and in favour of the older ornateness rather than the plain style of James I, however Wither is described by Joan Grundy as adopting a deliberate plainness of style. According to Christopher Hill : ... we can trace a line from Spenser ... through a group of poets ... ranging from Shakespeare, Drayton, the two Fletchers, William Browne and Samuel Daniel to George Wither. Or again: A line of poets could be traced from Sidney and Spenser through Sylvester and Browne to Wither— not, admittedly, of
5796-414: The 1616 folio) is an entry in a genre that was popular among late-Elizabethan and Jacobean audiences, although Jonson was perhaps the only poet of his time to work in its full classical range. The epigrams explore various attitudes, most from the satiric stock of the day: complaints against women, courtiers and spies abound. The condemnatory poems are short and anonymous; Jonson's epigrams of praise, including
5922-459: The 19th century, a practice that the author Karen Bellenir considered to reveal a deep emotional resistance to calendar reform. Ben Jonson Benjamin Jonson ( c. 11 June 1572 – 18 August [ O.S. 6 August] 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours ; he
6048-539: The 4th century , had drifted from reality . The Gregorian calendar reform also dealt with the accumulated difference between these figures, between the years 325 and 1582, by skipping 10 days to set the ecclesiastical date of the equinox to be 21 March, the median date of its occurrence at the time of the First Council of Nicea in 325. Countries that adopted the Gregorian calendar after 1699 needed to skip an additional day for each subsequent new century that
6174-583: The Boyne was commemorated with smaller parades on 1 July. However, both events were combined in the late 18th century, and continue to be celebrated as " The Twelfth ". Because of the differences, British writers and their correspondents often employed two dates, a practice called dual dating , more or less automatically. Letters concerning diplomacy and international trade thus sometimes bore both Julian and Gregorian dates to prevent confusion. For example, Sir William Boswell wrote to Sir John Coke from The Hague
6300-462: The British Isles and colonies converted to the Gregorian calendar, instructed that his tombstone bear his date of birth by using the Julian calendar (notated O.S. for Old Style) and his date of death by using the Gregorian calendar. At Jefferson's birth, the difference was eleven days between the Julian and Gregorian calendars and so his birthday of 2 April in the Julian calendar is 13 April in
6426-611: The British Poets , vol. v. (1819). Most of Wither's works were edited in twenty volumes for the Spenser Society (1871–82); a selection was included by Henry Morley in his Companion Poets (1891); Fidelia and Fair Virtue are included in Edward Arber 's English Garner (vol. iv, 1882; vol. vi, 1883), and The Poetry of George Wither was edited by Frank Sidgwick in 1902. A selection of Wither's hymns
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#17327794789316552-410: The British colonies, changed the start of the year from 25 March to 1 January, with effect from "the day after 31 December 1751". (Scotland had already made this aspect of the changes, on 1 January 1600.) The second (in effect ) adopted the Gregorian calendar in place of the Julian calendar. Thus "New Style" can refer to the start-of-year adjustment , to the adoption of the Gregorian calendar , or to
6678-615: The Church of England); the carving shows a distinct space between "O" and "rare". A monument to Jonson was erected in about 1723 by the Earl of Oxford and is in the eastern aisle of Westminster Abbey's Poets' Corner . It includes a portrait medallion and the same inscription as on the gravestone. It seems Jonson was to have had a monument erected by subscription soon after his death but the English Civil War intervened. Apart from two tragedies, Sejanus and Catiline , that largely failed to impress Renaissance audiences, Jonson's work for
6804-462: The Continent, Jonson returned to England and worked as an actor and as a playwright. As an actor, he was the protagonist "Hieronimo" (Geronimo) in the play The Spanish Tragedy ( c. 1586 ), by Thomas Kyd (1558–94), the first revenge tragedy in English literature. By 1597, he was a working playwright employed by Philip Henslowe , the leading producer for the English public theatre; by
6930-625: The English Civil War, the "Tribe of Ben" touted his importance, and during the Restoration Jonson's satirical comedies and his theory and practice of "humour characters" (which are often misunderstood; see William Congreve's letters for clarification) was extremely influential, providing the blueprint for many Restoration comedies. John Aubrey wrote of Jonson in Brief Lives . By 1700, Jonson's status began to decline. In
7056-497: The First Folio, and he may have been inspired to write this poem by reading his fellow playwright's works, a number of which had been previously either unpublished or available in less satisfactory versions, in a relatively complete form. Jonson was a towering literary figure, and his influence was enormous for he has been described as "One of the most vigorous minds that ever added to the strength of English literature". Before
7182-623: The Gregorian calendar. For example, the Battle of Blenheim is always given as 13 August 1704. However, confusion occurs when an event involves both. For example, William III of England arrived at Brixham in England on 5 November (Julian calendar), after he had set sail from the Netherlands on 11 November (Gregorian calendar) 1688. The Battle of the Boyne in Ireland took place a few months later on 1 July 1690 (Julian calendar). That maps to 11 July (Gregorian calendar), conveniently close to
7308-466: The Gregorian calendar. Similarly, George Washington is now officially reported as having been born on 22 February 1732, rather than on 11 February 1731/32 (Julian calendar). The philosopher Jeremy Bentham , born on 4 February 1747/8 (Julian calendar), in later life celebrated his birthday on 15 February. There is some evidence that the calendar change was not easily accepted. Many British people continued to celebrate their holidays "Old Style" well into
7434-430: The Julian and Gregorian dating systems respectively. The need to correct the calendar arose from the realisation that the correct figure for the number of days in a year is not 365.25 (365 days 6 hours) as assumed by the Julian calendar but slightly less (c. 365.242 days). The Julian calendar therefore has too many leap years . The consequence was that the basis for the calculation of the date of Easter , as decided in
7560-581: The Julian calendar had added since then. When the British Empire did so in 1752, the gap had grown to eleven days; when Russia did so (as its civil calendar ) in 1918, thirteen days needed to be skipped. In the Kingdom of Great Britain and its possessions, the Calendar (New Style) Act 1750 introduced two concurrent changes to the calendar. The first, which applied to England, Wales, Ireland and
7686-517: The Julian date of the subsequent (and more decisive) Battle of Aughrim on 12 July 1691 (Julian). The latter battle was commemorated annually throughout the 18th century on 12 July, following the usual historical convention of commemorating events of that period within Great Britain and Ireland by mapping the Julian date directly onto the modern Gregorian calendar date (as happens, for example, with Guy Fawkes Night on 5 November). The Battle of
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#17327794789317812-596: The King was in residence. The Masque of Blackness was praised by Algernon Charles Swinburne as the consummate example of this now-extinct genre, which mingled speech, dancing and spectacle. On many of these projects, he collaborated, not always peacefully, with designer Inigo Jones . For example, Jones designed the scenery for Jonson's masque Oberon, the Faery Prince performed at Whitehall on 1 January 1611 in which Prince Henry , eldest son of James I, appeared in
7938-648: The Late King's Goods and was paid £100 in March 1650 for his work making inventories of the former royal palaces. A small place given him by the Protector was forfeited after Wither expressed criticism of Cromwell. He was involved in 11 court cases, from 1643 to 1661, including Onslow's libel suit over the poem Justiarius Justificatus . At the Restoration he was arrested, and remained in prison for three years. He
8064-521: The Memory of My Beloved the Author, Mr. William Shakespeare and What He Hath Left Us" , did a good deal to create the traditional view of Shakespeare as a poet who, despite "small Latine, and lesse Greeke", had a natural genius. The poem has traditionally been thought to exemplify the contrast which Jonson perceived between himself, the disciplined and erudite classicist, scornful of ignorance and sceptical of
8190-599: The Spanish—;and Catholic—government. Pritchard mentions that Northampton was at the height of his power when Wither was arrested, and notes that he was not able to secure his release until after Northampton's death in June 1614. After his release from prison, Wither was admitted, in 1615, to Lincoln's Inn . In 1621, Wither's satirical Wither's Motto: Nec habeo, nec careo, nec curo (Latin for "I have not, I want not, I care not") sold over 30,000 copies of this poem were sold, according to his own account within
8316-476: The Stationers Company. Wither was in London during the plague of 1625, and in 1628 published Britain's Remembrancer , a voluminous poem on the subject, interspersed with denunciations of the wickedness of the times, and prophecies of the disasters about to fall upon England. It reflects on nature of poetry and prophecy, explores the fault lines in politics, and rejects tyranny of the sort the king
8442-469: The Welsh poet Hugh Holland , with whom he established an "enduring relationship". Both of them would write preliminary poems for William Shakespeare 's First Folio (1623). On leaving Westminster School in 1589, Jonson attended St John's College, Cambridge , to continue his book learning. However, because of his unwilled apprenticeship to his bricklayer stepfather, he returned after a month. According to
8568-415: The actors, Gabriel Spenser and Robert Shaw, were also imprisoned. A year later, Jonson was again briefly imprisoned, this time in Newgate Prison , for killing Gabriel Spenser in a duel on 22 September 1598 in Hogsden Fields (today part of Hoxton ). Tried on a charge of manslaughter , Jonson pleaded guilty but was released by benefit of clergy , a legal ploy through which he gained leniency by reciting
8694-436: The ages of fifteen and seventeen he studied at Magdalen College, Oxford . Despite his neighbours' advice that his father put him to some mechanic trade, he was sent to one of the Inns of Chancery , eventually obtaining an introduction at Court. It is thought that he spent some time in Ireland, perhaps with Adam Loftus at Rathfarnham Castle . He wrote what amounted to a masque for a wedding that took place there in 1610, of
8820-409: The barren acres of his verse is a stretch enlivened by real wit and observation, or fired with a sudden intensity of feeling". After a period of neglect, George Ellis anthologised Wither in Specimens of the Early English Poets (1790). Samuel Egerton Brydges published The Shepherds Hunting (1814), Fidelia (1815) and Fair Virtue (1818), and a selection appeared in Ezekiel Sanford 's Works of
8946-416: The careful attention to form and style that often came naturally to those trained in classics in the humanist manner. Jonson largely avoided the debates about rhyme and meter that had consumed Elizabethan classicists such as Thomas Campion and Gabriel Harvey . Accepting both rhyme and stress, Jonson used them to mimic the classical qualities of simplicity, restraint and precision. "Epigrams" (published in
9072-666: The churchman and historian Thomas Fuller (1608–61), Jonson at this time built a garden wall in Lincoln's Inn . After having been an apprentice bricklayer, Jonson went to the Netherlands and volunteered to soldier with the English regiments of Sir Francis Vere (1560–1609) in Flanders . England was allied with the Dutch in their fight for independence as well as the ongoing war with Spain . The Hawthornden Manuscripts (1619), of
9198-492: The combination of the two. It was through their use in the Calendar Act that the notations "Old Style" and "New Style" came into common usage. When recording British history, it is usual to quote the date as originally recorded at the time of the event, but with the year number adjusted to start on 1 January. The latter adjustment may be needed because the start of the civil calendar year had not always been 1 January and
9324-466: The comedies Volpone (acted 1605 and printed in 1607), Epicoene, or the Silent Woman (1609), The Alchemist (1610), Bartholomew Fair (1614) and The Devil Is an Ass (1616). The Alchemist and Volpone were immediately successful. Of Epicoene , Jonson told Drummond of a satirical verse which reported that the play's subtitle was appropriate since its audience had refused to applaud
9450-539: The conversations between Ben Jonson and the poet William Drummond of Hawthornden (1585–1649), report that, when in Flanders, Jonson engaged, fought and killed an enemy soldier in single combat , and took for trophies the weapons of the vanquished soldier. Johnson is reputed to have visited the antiquary Sir Robert Cotton at a residence of his in Chester early in the 17th century. After his military activity on
9576-441: The dismal failure of The New Inn ; the cold reception given this play prompted Jonson to write a poem condemning his audience ( An Ode to Himself ), which in turn prompted Thomas Carew , one of the "Tribe of Ben", to respond in a poem that asks Jonson to recognise his own decline. The principal factor in Jonson's partial eclipse was, however, the death of James and the accession of King Charles I in 1625. Jonson felt neglected by
9702-543: The end of the following December, 1661/62 , a form of dual dating to indicate that in the following twelve weeks or so, the year was 1661 Old Style but 1662 New Style. Some more modern sources, often more academic ones (e.g. the History of Parliament ) also use the 1661/62 style for the period between 1 January and 24 March for years before the introduction of the New Style calendar in England. The Gregorian calendar
9828-828: The expanded folio of 1640, is a larger and more heterogeneous group of poems. It contains A Celebration of Charis , Jonson's most extended effort at love poetry; various religious pieces; encomiastic poems including the poem to Shakespeare and a sonnet on Mary Wroth ; the Execration against Vulcan and others. The 1640 volume also contains three elegies which have often been ascribed to Donne (one of them appeared in Donne's posthumous collected poems). There are many legends about Jonson's rivalry with Shakespeare . William Drummond reports that during their conversation, Jonson scoffed at two apparent absurdities in Shakespeare's plays:
9954-532: The first volume of the folio-collected edition of his works that year. Other volumes followed in 1640–41 and 1692. (See: Ben Jonson folios ) On 8 July 1618 Jonson set out from Bishopsgate in London to walk to Edinburgh, arriving in Scotland's capital on 17 September. For the most part he followed the Great North Road , and was treated to lavish and enthusiastic welcomes in both towns and country houses. On his arrival he lodged initially with John Stuart,
10080-399: The full amount, and complained from time to time of his embarrassments and of the slight rewards he received for his services. An order was made to settle a yearly income of £150 on Wither, chargeable on Sir John Denham's sequestrated estate, but there is no evidence that he ever received it. He became a political and religious writer using verse as his medium. He is considered to stand out as
10206-410: The ground that so long as Wither lived he himself could not be accounted the worst poet in England. A reported episode from 1642 or 1643 has Wither with Henry Marten mocking the coronation regalia. At this time, in any case, Wither's views were converging with those of the advocates of true popular sovereignty, and his political poem Vox Pacifica called for a purge of Parliament. He was promoted to
10332-447: The inscription. Another theory suggests that the tribute came from William Davenant , Jonson's successor as Poet Laureate (and card-playing companion of Young), as the same phrase appears on Davenant's nearby gravestone, but essayist Leigh Hunt contends that Davenant's wording represented no more than Young's coinage, cheaply re-used. The fact that Jonson was buried in an upright position was an indication of his reduced circumstances at
10458-405: The late 19th and early 20th centuries also claimed that Wither had offended Lord Chancellor Ellesmere with one of the verses in Abuses . This claim, however, was rejected by Pritchard, who blames the misreading of the verses. Pritchard makes the case that the reason for Wither's imprisonment was that he angered Henry Howard, 1st Earl of Northampton , by accusing him and others of colluding with
10584-452: The masses, and Shakespeare, represented in the poem as a kind of natural wonder whose genius was not subject to any rules except those of the audiences for which he wrote. But the poem itself qualifies this view: Some view this elegy as a conventional exercise, but others see it as a heartfelt tribute to the "Sweet Swan of Avon", the "Soul of the Age!" It has been argued that Jonson helped to edit
10710-463: The more common "Johnson", the playwright's own particular preference became "Jonson". Jonson's father lost his property, was imprisoned, and, as a Protestant, suffered forfeiture under Queen Mary . Becoming a clergyman upon his release, he died a month before his son's birth. His widow married a master bricklayer two years later. Jonson attended school in St Martin's Lane in London. Later,
10836-478: The more serious penalties at the authorities' disposal. His habit was to slip outside during the sacrament, a common routine at the time—indeed it was one followed by the royal consort, Queen Anne of Denmark , herself—to show political loyalty while not offending the conscience. Leading church figures, including John Overall , Dean of St Paul's , were tasked with winning Jonson back to Protestantism, but these overtures were resisted. In May 1610 Henry IV of France
10962-563: The new court. A decisive quarrel with Jones harmed his career as a writer of court masques, although he continued to entertain the court on an irregular basis. For his part, Charles displayed a certain degree of care for the great poet of his father's day: he increased Jonson's annual pension to £100 and included a tierce of wine and beer. Despite the strokes that he suffered in the 1620s, Jonson continued to write. At his death in 1637 he seems to have been working on another play, The Sad Shepherd . Though only two acts are extant, this represents
11088-530: The new reign and fostered by both the king and his consort Anne of Denmark . In addition to his popularity on the public stage and in the royal hall, he enjoyed the patronage of aristocrats such as Elizabeth Sidney (daughter of Sir Philip Sidney ) and Lady Mary Wroth . This connection with the Sidney family provided the impetus for one of Jonson's most famous lyrics, the country house poem To Penshurst . In February 1603 John Manningham reported that Jonson
11214-688: The next year, the production of Every Man in His Humour (1598) had established Jonson's reputation as a dramatist. Jonson described his wife to William Drummond as "a shrew, yet honest". The identity of Jonson's wife is obscure, though she sometimes is identified as "Ann Lewis", the woman who married a Benjamin Jonson in 1594, at the church of St Magnus-the-Martyr , near London Bridge . The registers of St Martin-in-the-Fields record that Mary Jonson, their eldest daughter, died in November 1593, at six months of age. A decade later, in 1603, Benjamin Jonson, their eldest son, died of bubonic plague when he
11340-462: The orders of Lord Burghley , was permitted to minister to the inmates of London prisons. It may have been that Jonson, fearing that his trial would go against him, was seeking the unequivocal absolution that Catholicism could offer if he were sentenced to death. Alternatively, he could have been looking to personal advantage from accepting conversion since Father Wright's protector, the Earl of Essex ,
11466-456: The other, stili novi or stilo novo , abbreviated st.n. and meaning "(of/in) new style". The Latin abbreviations may be capitalised differently by different users, e.g., St.n. or St.N. for stili novi . There are equivalents for these terms in other languages as well, such as the German a.St. (" alter Stil " for O.S.). Usually, the mapping of New Style dates onto Old Style dates with
11592-495: The parents of Francis Willughby . He wrote an elegy (1612) on the death of Henry Frederick, Prince of Wales , and a volume of gratulatory poems (1613) on the marriage of the princess Elizabeth . Some time between 1611 and 1613 he wrote Abuses Stript and Whipt , twenty satires directed against Revenge, Ambition, Lust. These satires—aimed at exposing "th'abuses of these wicked Times"—achieved some popular success and there were seven printings from 1613 to 1617. The volume included
11718-414: The play (i.e., remained silent). Yet Epicoene , along with Bartholomew Fair and (to a lesser extent) The Devil is an Ass have in modern times achieved a certain degree of recognition. While his life during this period was apparently more settled than it had been in the 1590s, his financial security was still not assured. Jonson recounted that his father had been a prosperous Protestant landowner until
11844-402: The plot mostly takes second place to a variety of incident and comic set-pieces. They are, also, notably ill-tempered. Thomas Davies called Poetaster "a contemptible mixture of the serio-comic, where the names of Augustus Caesar , Maecenas , Virgil , Horace , Ovid and Tibullus , are all sacrificed upon the altar of private resentment". Another early comedy in a different vein, The Case
11970-577: The priest alone drinks the wine. The exact date of the ceremony is unknown. However, his interest in Catholic belief and practice remained with him until his death. Jonson's productivity began to decline in the 1620s, but he remained well-known. In that time, the Sons of Ben or the "Tribe of Ben", those younger poets such as Robert Herrick , Richard Lovelace , and Sir John Suckling who took their bearing in verse from Jonson, rose to prominence. However,
12096-442: The prologue to the folio version of Every Man in His Humour : he promises to represent "deeds, and language, such as men do use". He planned to write comedies that revived the classical premises of Elizabethan dramatic theory—or rather, since all but the loosest English comedies could claim some descent from Plautus and Terence , he intended to apply those premises with rigour. This commitment entailed negations: after The Case
12222-478: The public theatres was in comedy. These plays vary in some respects. The minor early plays, particularly those written for boy players , present somewhat looser plots and less-developed characters than those written later, for adult companies. Already in the plays which were his salvos in the Poets' War, he displays the keen eye for absurdity and hypocrisy that marks his best-known plays; in these early efforts, however,
12348-484: The rank of major. He was present at the siege of Gloucester (1643) and at Naseby (1645). He had been deprived in 1643 of his nominal command, and of his commission as justice of the peace , in consequence of an attack upon Sir Richard Onslow , who was, he maintained, responsible for the Farnham disaster. In the same year parliament made him a grant of £2000 for the loss of his property, but he apparently never received
12474-414: The reign of " Bloody Mary " and had suffered imprisonment and the forfeiture of his wealth during that monarch's attempt to restore England to Catholicism. On Elizabeth 's accession, he had been freed and had been able to travel to London to become a clergyman. (All that is known of Jonson's father, who died a month before his son was born, comes from the poet's own narrative.) Jonson's elementary education
12600-449: The temper of his age, he was often so broad in his characterisation that many of his most famous scenes border on the farcical (as William Congreve , for example, judged Epicoene ). He was more diligent in adhering to the classical unities than many of his peers—although as Margaret Cavendish noted, the unity of action in the major comedies was rather compromised by Jonson's abundance of incident. To this classical model, Jonson applied
12726-415: The time of his death, although it has also been written that he asked for a grave exactly 18 inches square from the monarch and received an upright grave to fit in the requested space. It has been pointed out that the inscription could be read "Orare Ben Jonson" (pray for Ben Jonson), possibly in an allusion to Jonson's acceptance of Catholic doctrine during his lifetime (although he had returned to
12852-422: The title role. Perhaps partly as a result of this new career, Jonson gave up writing plays for the public theatres for a decade. He later told Drummond that he had made less than two hundred pounds on all his plays together. In 1616 Jonson received a yearly pension of 100 marks (about £60), leading some to identify him as England's first Poet Laureate . This sign of royal favour may have encouraged him to publish
12978-472: The troublesome twelve years he remained a Catholic. His stance received attention beyond the low-level intolerance to which most followers of that faith were exposed. The first draft of his play Sejanus His Fall was banned for " popery ", and did not re-appear until some offending passages were cut. In January 1606 he (with Anne, his wife) appeared before the Consistory Court in London to answer
13104-459: The two features of his style which save his classical imitations from mere pedantry: the vividness with which he depicted the lives of his characters and the intricacy of his plots. Coleridge, for instance, claimed that The Alchemist had one of the three most perfect plots in literature. Jonson's poetry, like his drama, is informed by his classical learning. Some of his better-known poems are close translations of Greek or Roman models; all display
13230-414: The two poets appear as Willie and Roget (in later editions Philarete). It is largely allegorical. The fourth of these eclogues contains a famous passage in praise of poetry; the poets are explicit that pastoral is just a preliminary to other work. In 1615, the year of his release from prison and admission to Lincoln's Inn, Wither printed privately Fidelia , a love elegy , of which there is a unique copy in
13356-446: Was "a great lover and praiser of himself, a contemner and scorner of others". On returning to England, he was awarded an honorary Master of Arts degree from Oxford University. The period between 1605 and 1620 may be viewed as Jonson's heyday. By 1616 he had produced all the plays on which his present reputation as a dramatist is based, including the tragedy Catiline (acted and printed 1611), which achieved limited success and
13482-536: Was a conforming Anglican; but by this time he had moved closer to the Quakers . In Parallelogrammaton (1662) he compared to them as predecessors the prophets Ezekiel and Habakkuk . Wither died in London. His extant writings, noted by Thomas Park in Brydges's British Bibliographer , number over a hundred. Wither wrote, generally, in a pure English idiom, and preferred the reputation of "rusticity". According to
13608-524: Was a gentleman", was a member of the extended Johnston family of Annandale in the Dumfries and Galloway , a genealogy that is attested by the three spindles ( rhombi ) in the Jonson family coat of arms : one spindle is a diamond-shaped heraldic device used by the Johnston family. His ancestors spelt the family name with a letter "t" (Johnstone or Johnstoun). While the spelling had eventually changed to
13734-480: Was altered at different times in different countries. From 1155 to 1752, the civil or legal year in England began on 25 March ( Lady Day ); so for example, the execution of Charles I was recorded at the time in Parliament as happening on 30 January 164 8 (Old Style). In newer English-language texts, this date is usually shown as "30 January 164 9 " (New Style). The corresponding date in the Gregorian calendar
13860-416: Was among the first actors to be cast. Jonson followed this in 1599 with Every Man out of His Humour , a pedantic attempt to imitate Aristophanes . It is not known whether this was a success on stage, but when published it proved popular and went through several editions. Jonson's other work for the theatre in the last years of Elizabeth I's reign was marked by fighting and controversy. Cynthia's Revels
13986-401: Was among those who might hope to rise to influence after the succession of a new monarch. Jonson's conversion came at a weighty time in affairs of state; the royal succession, from the childless Elizabeth, had not been settled and Essex's Catholic allies were hopeful that a sympathetic ruler might attain the throne. Conviction, and certainly not expedience alone, sustained Jonson's faith during
14112-471: Was assassinated, purportedly in the name of the Pope; he had been a Catholic monarch respected in England for tolerance towards Protestants, and his murder seems to have been the immediate cause of Jonson's decision to rejoin the Church of England. He did this in flamboyant style, pointedly drinking a full chalice of communion wine at the eucharist to demonstrate his renunciation of the Catholic rite, in which
14238-496: Was attended by "all or the greatest part of the nobility then in town". He is buried in the north aisle of the nave in Westminster Abbey , with the inscription "O Rare Ben Johnson [ sic ]" set in the slab over his grave. John Aubrey , in a more meticulous record than usual, notes that a passer-by, John Young of Great Milton , Oxfordshire , saw the bare grave marker and on impulse paid a workman eighteen pence to make
14364-551: Was born in Bentworth , near Alton , in the heart of Hampshire , the son of George Wither Senior of that place and his wife, Mary, who was possibly from the family of Hunt. His grandfather, Richard Wither, lived at Manydown in Wootton St Lawrence , where the family had resided since at least 1344. His early schooling took place under Rev. John Greaves, the father of John , Sir Edward and Thomas Greaves . Between
14490-596: Was celebrated as the New Year festival from as early as the 13th century, despite the recorded (civil) year not incrementing until 25 March, but the "year starting 25th March was called the Civil or Legal Year, although the phrase Old Style was more commonly used". To reduce misunderstandings about the date, it was normal even in semi-official documents such as parish registers to place a statutory new-year heading after 24 March (for example "1661") and another heading from
14616-416: Was denounced for fostering. In 1635 he was employed by Henry Taunton , a London publisher, to write English verses illustrative of the allegorical plates of Crispijn van de Passe , originally designed for the emblem book by Gabriel Rollenhagen , "Nucleus emblematum selectissimorum" (1610–1613). The book was published as a Collection of Emblemes, Ancient and Moderne , of which the only perfect copy known
14742-549: Was implemented in Russia on 14 February 1918 by dropping the Julian dates of 1–13 February 1918 , pursuant to a Sovnarkom decree signed 24 January 1918 (Julian) by Vladimir Lenin . The decree required that the Julian date was to be written in parentheses after the Gregorian date, until 1 July 1918. It is common in English-language publications to use the familiar Old Style or New Style terms to discuss events and personalities in other countries, especially with reference to
14868-436: Was in a small church school attached to St Martin-in-the-Fields parish, and at the age of about seven he secured a place at Westminster School , then part of Westminster Abbey . Notwithstanding this emphatically Protestant grounding, Jonson maintained an interest in Catholic doctrine throughout his adult life and, at a particularly perilous time while a religious war with Spain was widely expected and persecution of Catholics
14994-556: Was intensifying, he converted to the faith. This took place in October 1598, while Jonson was on remand in Newgate Gaol charged with manslaughter . Jonson's biographer Ian Donaldson is among those who suggest that the conversion was instigated by Father Thomas Wright, a Jesuit priest who had resigned from the order over his acceptance of Queen Elizabeth's right to rule in England. Wright, although placed under house arrest on
15120-416: Was known to Jonson from prison in 1598 and Cecil may have directed him to bring the priest before the council, as a witness. At the same time, Jonson pursued a more prestigious career, writing masques for James's court. The Satyr (1603) and The Masque of Blackness (1605) are two of about two dozen masques which Jonson wrote for James or for Queen Anne, some of them performed at Apethorpe Palace when
15246-542: Was living on Robert Townsend, son of Sir Roger Townshend , and "scorns the world." Perhaps this explains why his trouble with English authorities continued. That same year he was questioned by the Privy Council about Sejanus , a politically themed play about corruption in the Roman Empire. He was again in trouble for topical allusions in a play, now lost, in which he took part. Shortly after his release from
15372-487: Was not of an age, but for all time." Thomas Fuller relates stories of Jonson and Shakespeare engaging in debates in the Mermaid Tavern ; Fuller imagines conversations in which Shakespeare would run rings around the more learned but more ponderous Jonson. That the two men knew each other personally is beyond doubt, not only because of the tone of Jonson's references to him but because Shakespeare's company produced
15498-707: Was printed in Holland in 1641. This work assumed the knowledge of metrical psalms. Besides hymns, the book contains songs, especially the Cradle Song, Part 1 No. 50 ("Sleep, baby, sleep, what ails my dear"), the Anniversary Marriage Song, Part 2 No. 17 ("Lord, living here are we"), the Perambulation Song, Part 2 No. 24 ("Lord, it hath pleased Thee to say"), the Song for Lovers, Part 3 No. 20 ("Come, sweet heart, come, let us prove"),
15624-674: Was produced by the Children of the Chapel Royal at Blackfriars Theatre in 1600. It satirised both John Marston , who Jonson believed had accused him of lustfulness in Histriomastix , and Thomas Dekker . Jonson attacked the two poets again in Poetaster (1601). Dekker responded with Satiromastix , subtitled "the untrussing of the humorous poet". The final scene of this play, while certainly not to be taken at face value as
15750-583: Was published in 2011 by The Phoenix Press in The Gibbons Songbook. While primarily a realisation of the tunes Orlando Gibbons wrote for The Hymns and Songs of the Church , a selection of verses from the hymns is paired with the original verses from the King James Bible which inspired Wither to create the hymns. Old Style and New Style dates Old Style ( O.S. ) and New Style ( N.S. ) indicate dating systems before and after
15876-400: Was seven years old, upon which Jonson wrote the elegiac " On My First Sonne " (1603). A second son, also named Benjamin Jonson, died in 1635. During that period , Jonson and his wife lived separate lives for five years; Jonson enjoyed the residential hospitality of his patrons, Esme Stuart, 3rd Duke of Lennox and 7th Seigneur d'Aubigny and Sir Robert Townshend. By summer 1597, Jonson had
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