Misplaced Pages

Electric Mud

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Electric Mud is the fifth studio album by Muddy Waters , with members of Rotary Connection playing as his backing band. Released in 1968, it presents Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record it in an attempt to appeal to a rock audience.

#700299

103-497: The album peaked at number 127 on Billboard 200 album chart. It was controversial for its fusion of electric blues with psychedelic elements. The 1960s saw Marshall Chess seeking to introduce Muddy Waters' music to a younger audience; Chess Records , Waters' record label, founded by Marshall's father, Leonard Chess , released a series of compilation albums of Muddy Waters' older music repackaged with psychedelic artwork. In 1967, Marshall Chess formed Cadet Concept Records as

206-400: A CD-DA layer. The optophone , first presented in 1913, was an early device that used light for both recording and playback of sound signals on a transparent photograph . More than thirty years later, American inventor James T. Russell has been credited with inventing the first system to record digital media on a photosensitive plate. Russell's patent application was filed in 1966, and he

309-494: A Red Book CD; thus, the mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono ); an MP3 CD , can have audio file formats with mono sound. CD-Text is an extension of the Red Book specification for an audio CD that allows for the storage of additional text information (e.g., album name, song name, artist) on a standards-compliant audio CD. The information

412-474: A 150-minute playing time, 44,056 Hz sampling rate, 16-bit linear resolution, and cross-interleaved Reed-Solomon coding (CIRC) error correction code —specifications similar to those later settled upon for the standard compact disc format in 1980. Technical details of Sony's digital audio disc were presented during the 62nd AES Convention, held on 13–16 March 1979, in Brussels . Sony's AES technical paper

515-603: A CD. VCDs are playable in dedicated VCD players, most modern DVD-Video players, personal computers, and some video game consoles. The VCD standard was created in 1993 by Sony, Philips, Matsushita , and JVC and is referred to as the White Book standard. Overall picture quality is intended to be comparable to VHS video. Poorly compressed VCD video can sometimes be of lower quality than VHS video, but VCD exhibits block artifacts rather than analog noise and does not deteriorate further with each use. 352×240 (or SIF ) resolution

618-553: A beauty parlor. On November 19, 1996, the album was reissued on compact disc by Chess Records. On November 22, 2011, Electric Mud and After the Rain were combined on a single compact disc by BGO Records. A new vinyl edition was released by Third Man Records in November 2017. Electric Mud sold 150,000 copies within the first six weeks of release. Peaking at number 127 on Billboard magazine's Billboard 200 album chart, it

721-479: A diameter of 20 cm (7.9 in) and a sound quality superior to that of the vinyl record. However, due to the unsatisfactory performance of the analog format, two Philips research engineers recommended a digital format in March 1974. In 1977, Philips then established a laboratory with the mission of creating a digital audio disc. The diameter of Philips's prototype compact disc was set at 11.5 cm (4.5 in),

824-417: A disc played from beginning to end slows its rotation rate during playback. The program area is 86.05 cm and the length of the recordable spiral is 86.05 cm / 1.6 μm = 5.38 km. With a scanning speed of 1.2 m/s, the playing time is 74 minutes or 650 MiB of data on a CD-ROM. A disc with data packed slightly more densely is tolerated by most players (though some old ones fail). Using

927-400: A former member of the task force, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing time, and disc diameter. The task force consisted of around 6 persons, though according to Philips, the compact disc was "invented collectively by a large group of people working as a team". Early milestones in the launch and adoption of

1030-469: A graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information. CD + Extended Graphics (CD+EG, also known as CD+XG) is an improved variant of

1133-662: A joint task force of engineers to design a new digital audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980. After their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $ 1,000, over 400,000 CD players were sold in the United States between 1983 and 1984. By 1988, CD sales in the United States surpassed those of vinyl LPs, and, by 1992, CD sales surpassed those of prerecorded music-cassette tapes. The success of

SECTION 10

#1732801475701

1236-563: A joint task force of engineers to design a new digital audio disc. Led by engineers Kees Schouhamer Immink and Toshitada Doi , the research pushed forward laser and optical disc technology. After a year of experimentation and discussion, the task force produced the Red Book CD-DA standard. First published in 1980, the standard was formally adopted by the IEC as an international standard in 1987, with various amendments becoming part of

1339-453: A linear velocity of 1.2 m/s and a narrower track pitch of 1.5 μm increases the playing time to 80 minutes, and data capacity to 700 MiB. Even denser tracks are possible, with semi-standard 90 minute/800 MiB discs having 1.33 μm, and 99 minute/870 MiB having 1.26 μm, but compatibility suffers as density increases. A CD is read by focusing a 780 nm wavelength ( near infrared ) semiconductor laser through

1442-476: A malfunctioning CD writer . Error scanning can reliably predict data losses caused by media deterioration. Support of error scanning differs between vendors and models of optical disc drives , and extended error scanning (known as "advanced error scanning" in Nero DiscSpeed ) has only been available on Plextor and some BenQ optical drives so far, as of 2020. The digital data on a CD begins at

1545-526: A more accurate picture of any given year's best-selling albums, as a title that hypothetically spent nine weeks at No. 1 in March could possibly have sold fewer copies than one spending six weeks at No. 3 in January. Albums at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked lower than one would expect on a year-end tally, yet are ranked on

1648-412: A musician, Paul McCartney has the most top-10 albums, with 51. This includes 32 with The Beatles , 11 solo albums, seven albums with the group Wings , and one album credited to him and his first wife, Linda McCartney . Note: Swift is the first living artist to chart five albums in the top 10 simultaneously.  She was previously the first living soloist to have four albums simultaneously chart in

1751-408: A new algorithm with data from all major on-demand audio subscription and online music sales services in the U.S. Starting on the issue dated January 18, 2020, Billboard updated its method again by incorporating video data from YouTube , along with visual plays from digital platforms like Apple Music , Spotify , Tidal , Vevo and, as of the issue dated March 23, 2021, from Facebook . As of

1854-400: A new algorithm, utilizing data from all of the major on-demand audio subscription services, including Spotify , Apple Music , Google Play and Groove Music . Under the new methodology, 10 track sales or 1,500 song streams from an album are treated as equivalent to one purchase of the album. Billboard continues to publish a pure album sales chart, called " Top Album Sales ", that maintains

1957-407: A subsidiary of Chess Records. The label's first release was the self-titled debut album of Rotary Connection , a psychedelic band . The next project Chess conceived was Electric Mud , a psychedelic rock concept album ; Marshall later stated, "I came up with the idea of Electric Mud to help Muddy make money. It wasn't to bastardize the blues. It was like a painting, and Muddy was going to be in

2060-460: A variation of this technique called pulse-density modulation (PDM), while Matsushita (now Panasonic ) chose pulse-width modulation (PWM), advertising it as MASH, which is an acronym derived from their patented Multi-stAge noiSe-sHaping PWM topology. The CD was primarily planned as the successor to the vinyl record for playing music, rather than as a data storage medium. However, CDs have grown to encompass other applications. In 1983, following

2163-445: A week spent at No. 200, two points for a week spent at No. 199, etc., up to 200 points for each week spent at No. 1). Other factors, including an album's total weeks spent on the chart and its peak position, are calculated into an album's year-end total. Since Billboard began obtaining sales information from Nielsen SoundScan, the year-end charts are now calculated by a very straightforward cumulative total of yearlong sales. This gives

SECTION 20

#1732801475701

2266-451: A worm gear is used, a second shorter-throw linear motor, in the form of a coil and magnet, makes fine position adjustments to track eccentricities in the disk at high speed. Some CD drives (particularly those manufactured by Philips during the 1980s and early 1990s) use a swing arm similar to that seen on a gramophone. The pits and lands do not directly represent the 0s and 1s of binary data . Instead, non-return-to-zero, inverted encoding

2369-600: Is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. It uses the Compact Disc Digital Audio format which typically provides 74 minutes of audio on a disc. In later years, the compact disc was adapted for non-audio computer data storage purposes as CD-ROM and its derivatives. First released in Japan in October 1982,

2472-506: Is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the color of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on

2575-407: Is playable in standard CD players, thus making them backward compatible. CD- MIDI is a format used to store music-performance data, which upon playback is performed by electronic instruments that synthesize the audio. Hence, unlike the original Red Book CD-DA, these recordings are not digitally sampled audio recordings. The CD-MIDI format is defined as an extension of the original Red Book . For

2678-510: Is protected by a film of lacquer normally spin coated directly on the reflective layer. The label is printed on the lacquer layer, usually by screen printing or offset printing . CD data is represented as tiny indentations known as pits , encoded in a spiral track molded into the top of the polycarbonate layer. The areas between pits are known as lands . Each pit is approximately 100  nm deep by 500 nm wide, and varies from 850 nm to 3.5  μm in length. The distance between

2781-444: Is routinely extended to 80 minutes and 700  MiB ( 734,003,200  bytes), 90 minutes 800  MiB ( 838,860,800  bytes), or 99 minutes 870  MiB ( 912,261,120  bytes) by arranging data more closely on the same-sized disc. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they have been used for CD singles or delivering device drivers . The CD gained rapid popularity in

2884-480: Is stored either in the lead-in area of the CD, where there are roughly five kilobytes of space available or in the subcode channels R to W on the disc, which can store about 31 megabytes. Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output

2987-408: Is used: a change from either pit to land or land to pit indicates a 1, while no change indicates a series of 0s. There must be at least two, and no more than ten 0s between each 1, which is defined by the length of the pit. This, in turn, is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding , finally revealing

3090-497: The Billboard Top LPs (1961–1972), Billboard Top LPs & Tape (1972–1984), Billboard Top 200 Albums (1984–1985), Billboard Top Pop Albums (1985–1991), and Billboard 200 Top Albums (1991–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015,

3193-473: The Billboard 200). A new chart that keeps the previous criteria for the Billboard 200 – dubbed the " Top Current Albums " chart – was also introduced in the same issue. Billboard has adjusted its policies for Christmas and holiday albums several times. The albums were eligible for the main album charts until 1963, when a " Christmas Albums " chart was created. Albums appearing here were not listed on

Electric Mud - Misplaced Pages Continue

3296-560: The Billboard 200. "Both Dark Side of the Moon and The Wall should be in the Billboard Top 200," said former Pink Floyd member Roger Waters in 1992. " The Wall still does anything up to four million each year... They've created a catalog chart in which to place all these old albums, leaving the main chart free for all the artists the record companies will want to book advertising space for. It just offers further evidence of

3399-483: The Compact Disc + Graphics (CD+G) format. Like CD+G, CD+EG uses basic CD-ROM features to display text and video information in addition to the music being played. This extra data is stored in subcode channels R-W. Very few CD+EG discs have been published. Super Audio CD (SACD) is a high-resolution, read-only optical audio disc format that was designed to provide higher-fidelity digital audio reproduction than

3502-650: The Recording Industry Association of America when Gold, Platinum and Diamond album awards are announced. (RIAA awards reflect wholesale shipments , not retail sales .) Beginning with the December 13, 2014, issue, Billboard updated the methodology of its album chart again, changing from a "pure sales-based ranking" to one measuring "multi-metric consumption". With this overhaul, the Billboard 200 includes on-demand streaming and digital track sales (as measured by Nielsen SoundScan) by way of

3605-522: The Red Book . Introduced in 1999, it was developed by Sony and Philips, the same companies that created the Red Book . SACD was in a format war with DVD-Audio , but neither has replaced audio CDs. The SACD standard is referred to as the Scarlet Book standard. Titles in the SACD format can be issued as hybrid discs; these discs contain the SACD audio stream as well as a standard audio CD layer which

3708-752: The vinyl revival . During the 2010s, the increasing popularity of solid-state media and music streaming services caused automakers to remove automotive CD players in favor of minijack auxiliary inputs, wired connections to USB devices and wireless Bluetooth connections. Automakers viewed CD players as using up valuable space and taking up weight which could be reallocated to more popular features, like large touchscreens. By 2021, only Lexus and General Motors were still including CD players as standard equipment with certain vehicles. CDs continued to be strong in some markets such as Japan where 132 million units were produced in 2019. The decline in CD sales has slowed in recent years; in 2021, CD sales increased in

3811-403: The "Top Holiday Albums" list and the Billboard 200. Since May 25, 1991, the Billboard 200's positions have been derived from Nielsen SoundScan sales data; as of 2008 , it is contributed to by approximately 14,000 music sellers. Because these numbers are supplied by a subset of sellers rather than record labels , it is common for these numbers to be substantially lower than those reported by

3914-501: The "Top LPs" chart, and in 1974, this rule was reverted and holiday albums again appeared within the main list. In 1983, the " Christmas Albums " chart was resurrected, but a title's appearance here did not disqualify it from appearing on the "Top Pop Albums" chart. In 1990, the chart was retitled " Top Holiday Albums "; as of 2009 , it holds 50 positions and runs for several weeks during the end-of-calendar-year holiday season. Its current policy allows holiday albums to concurrently chart on

4017-465: The 10 longest rises to number one on the Billboard 200 since the adoption of Nielsen Music data in 1991. Note: Newhart, Meader and Fontaine's albums were all number one on the mono chart but not on the stereo chart. Garland is listed on a technicality; she has 17 pop hits, but all were from 1939 to 1955 – all before the 1958 establishment of the Hot 100. Compact disc The compact disc ( CD )

4120-716: The 120 mm size was adopted. The adoption of EFM in June 1980 allowed 30 percent more playing time that would have resulted in 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 millimetres (3.9 in). Instead, the information density was lowered by 30 percent to keep the playing time at 74 minutes. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD , DVD , HD DVD , and Blu-ray Disc. The 80-millimetre (3.1 in) diameter discs (" Mini CDs ") can hold up to 24 minutes of music or 210 MiB. The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA)

4223-496: The 1990s, quickly outselling all other audio formats in the United States by 1991, ending the market dominance of the phonograph record and the cassette tape . By 2000, the CD accounted for 92.3% of the entire market share in regard to US music sales . The CD is considered the last dominant audio format of the album era , as the rise of MP3 , iTunes , cellular ringtones , and other downloadable music formats in

Electric Mud - Misplaced Pages Continue

4326-611: The 2000s designed as successors to the CD: the Super Audio CD (SACD) and DVD-Audio . However neither of these were adopted partly due to increased relevance of digital (virtual) music and the apparent lack of audible improvements in audio quality to most human ears. These effectively extended the CD's longevity in the music market. With the advent and popularity of Internet-based distribution of files in lossy-compressed audio formats such as MP3 , sales of CDs began to decline in

4429-502: The 2000s. For example, between 2000 and 2008, despite overall growth in music sales and one anomalous year of increase, major-label CD sales declined overall by 20%. Despite rapidly declining sales year-over-year, the pervasiveness of the technology lingered for a time, with companies placing CDs in pharmacies, supermarkets, and filling station convenience stores to target buyers less likely to be able to use Internet-based distribution. In 2012, CDs and DVDs made up only 34% of music sales in

4532-405: The CD was the second optical disc technology to be invented, after the much larger LaserDisc (LD). By 2007, 200 billion CDs (including audio CDs, CD-ROMs and CD-Rs) had been sold worldwide. Standard CDs have a diameter of 120 mm (4.7 in), and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650   MiB ( 681,574,400  bytes) of data. Capacity

4635-467: The CD's introduction, Immink and Joseph Braat presented the first experiments with erasable compact discs during the 73rd AES Convention . In June 1985, the computer-readable CD-ROM (read-only memory) and, in 1990, recordable CD-R discs were introduced. Recordable CDs became an alternative to tape for recording and distributing music and could be duplicated without degradation in sound quality. Other newer video formats such as DVD and Blu-ray use

4738-475: The DAC. Even when using high-precision components, this approach was prone to decoding errors. Another issue was jitter , a time-related defect. Confronted with the instability of DACs, manufacturers initially turned to increasing the number of bits in the DAC and using several DACs per audio channel, averaging their output. This increased the cost of CD players but did not solve the core problem. A breakthrough in

4841-480: The Electric Niggers, but my dad wouldn't let me." The album incorporates use of wah-wah pedal and fuzzbox . Marshall Chess augmented the rhythm of Muddy Waters' live band with the use of electronic organ and saxophone . According to Marshall Chess, "It was never an attempt to make Muddy Waters a psychedelic artist; it was a concept album like David Bowie being Ziggy Stardust ." Muddy Waters said of

4944-451: The US for the first time since 2004, with Axios citing its rise to "young people who are finding they like hard copies of music in the digital age". It came at the same time as both vinyl and cassette reached sales levels not seen in 30 years. The RIAA reported that CD revenue made a dip in 2022, before increasing again in 2023 and overtook downloading for the first time in over a decade. In

5047-521: The US, 33.4 million CD albums were sold in the year 2022. In France in 2023, 10.5 million CDs were sold, almost double that of vinyl, but both of them represented generated 12% each of the French music industry revenues. Sony and Philips received praise for the development of the compact disc from professional organizations. These awards include: A CD is made from 1.2-millimetre (0.047 in) thick, polycarbonate plastic, and weighs 14–33 grams. From

5150-464: The United States (yet purchased in the U.S. as imports) are not eligible to chart. A long-standing policy rendering titles that are sold exclusively by specific retail outlets (such as Walmart and Starbucks ) ineligible for charting, was reversed on November 7, 2007, and took effect in the issue dated November 17, 2007. On December 13, 2014, Billboard began to include on-demand streaming and digital track sales (as measured by Nielsen SoundScan) using

5253-672: The United States. By 2015, only 24% of music in the United States was purchased on physical media, two thirds of this consisting of CDs; however, in the same year in Japan, over 80% of music was bought on CDs and other physical formats. In 2018, U.S. CD sales were 52 million units—less than 6% of the peak sales volume in 2000. In the UK, 32 million units were sold, almost 100 million fewer than in 2008. In 2018, Best Buy announced plans to decrease their focus on CD sales, however, while continuing to sell records, sales of which are growing during

SECTION 50

#1732801475701

5356-461: The United States. It is published weekly by Billboard magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones " that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include

5459-606: The album as being "crass". However, the album has attracted new admirers among the hip hop scene; in Lost in the Grooves: Scram's Capricious Guide to the Music You Missed , Gene Sculatti wrote that "The rhythm seems to anticipate hip-hop by three decades." Rapper Chuck D said of the album, "to me it's a brilliant record. I've played it about a thousand times. The voice and character of Muddy Waters stand above

5562-444: The album did not refer to the use of electric guitar , as Muddy Waters had played the instrument since he first signed with Chess Records. The use of the term "electric" is used in a psychedelic context. Electric Mud was released in 1968 with a simple black and white cover that did not make it obvious that the music on the album was psychedelic. The album's inner spread featured photographs of Muddy Waters having his hair processed at

5665-653: The album for inspiration before performing live. Waters later claimed that he disliked the album and its sound, and that he did not consider the album to be blues . He stated, "Every time I go into Chess, [they] put some un-blues players with me [...] If you change my sound, then you gonna change the whole man." In the biography The Mojo Man , Muddy Waters stated "That Electric Mud record was dogshit. But when it came out, it started selling like wild, but then they started sending them back. They said, 'This can't be Muddy Waters with all this shit going on, all this wha-wha and fuzztone.'" AllMusic reviewer Richie Unterberger panned

5768-736: The album's sound, "That guitar sounds just like a cat – meow – and the drums have a loping, busy beat." "I'm Your Hoochie Coochie Man" incorporates free jazz influences, with Gene Barge performing a concert harp . Muddy Waters performs the vocals of " Let's Spend the Night Together ", a cover of the Rolling Stones ' 1967 single, in gospel - soul style with heavy influence from Cream's “ Sunshine of Your Love .” The track "She's All Right" interpolates The Temptations ' " My Girl ". According to Buddy Guy , "[Muddy Waters couldn't] feel this psychedelic stuff at all   ... and if

5871-562: The automatic thing that struck me right away was the Electric Mud thing." The documentary series The Blues , produced by Martin Scorsese , depicts the recording band for Electric Mud performing with Chuck D and members of The Roots . The original LP record cover listed the track times in seconds only. Billboard 200 The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in

5974-406: The bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. Because the pits are indented into the top layer of the disc and are read through the transparent polycarbonate base, the pits form bumps when read. The laser hits the disc, casting a circle of light wider than the modulated spiral track reflecting partially from

6077-451: The center of the disc and proceeds toward the edge, which allows adaptation to the different sizes available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74-, 80, 90, or 99-minute audio capacity and a 650, 700, 800, or 870 MiB (737,280,000-byte) data capacity. Discs are 1.2 millimetres (0.047 in) thick, with a 15 millimetres (0.59 in) center hole. The size of

6180-407: The center outward, components are: the center spindle hole (15 mm), the first-transition area (clamping ring), the clamping area (stacking ring), the second-transition area (mirror band), the program (data) area, and the rim. The inner program area occupies a radius from 25 to 58 mm. A thin layer of aluminum or, more rarely, gold is applied to the surface, making it reflective. The metal

6283-450: The compact disc has been credited to the cooperation between Philips and Sony, which together agreed upon and developed compatible hardware. The unified design of the compact disc allowed consumers to purchase any disc or player from any company and allowed the CD to dominate the at-home music market unchallenged. In 1974, Lou Ottens, director of the audio division of Philips, started a small group to develop an analog optical audio disc with

SECTION 60

#1732801475701

6386-462: The consolidated "Top LPs" chart debuted in 1963. In 1982, Billboard began publishing a "Midline Albums" chart (alternatively titled "Midline LPs"), which ranked older or mid-priced titles. The chart held 50 positions and was published on a biweekly (and later triweekly) basis. On May 25, 1991, Billboard premiered the " Top Pop Catalog Albums " chart, the criteria for which were albums that were more than 18 months old and had fallen below no. 100 on

6489-457: The contemporary styles to which his pioneering efforts have led." Although American critics panned the album, it was better received in England. According to Marshall Chess, "It was the biggest Muddy Waters record we ever had at Chess, and it dropped instantly. The English accepted it; they are more eccentric." Muddy Waters recorded After the Rain the following year, incorporating elements of

6592-423: The diagonal of an audio cassette. Heitaro Nakajima , who developed an early digital audio recorder within Japan's national public broadcasting organization, NHK , in 1970, became general manager of Sony's audio department in 1971. In 1973, his team developed a digital PCM adaptor that made audio recordings using a Betamax video recorder. After this, in 1974 the leap to storing digital audio on an optical disc

6695-428: The dishonesty that's rife in this business." Starting with the issue dated December 5, 2009, however, the catalog limitations – which removed albums over 18 months old that had dropped below No. 100 and had no currently running singles – for the Billboard 200 were lifted, turning the chart into an all-inclusive list of the 200 highest-selling albums in the country (essentially changing " Top Comprehensive Albums " into

6798-595: The feeling is gone, that's it. You can't get too busy behind a singer. You've got to let him sing it." Muddy Waters' previous albums replicated the sound of his live performances. Working with a studio band rather than his own was problematic for Muddy Waters, who could not perform material from the album live. He stated "What the hell do you have a record for if you can't play the first time it's out? I'm so sick of that   ... If you've got to have big amplifiers and wah-wahs and equipment to make you guitar say different things, well, hell, you can't play no blues." The title of

6901-516: The first few years of its existence, the CD was a medium used purely for audio. In 1988, the Yellow Book CD-ROM standard was established by Sony and Philips, which defined a non-volatile optical data computer data storage medium using the same physical format as audio compact discs, readable by a computer with a CD-ROM drive. Video CD (VCD, View CD, and Compact Disc digital video) is a standard digital format for storing video media on

7004-463: The first four UK albums by the Beatles were released in mono on compact disc. The growing acceptance of the CD in 1983 marks the beginning of the popular digital audio revolution. It was enthusiastically received, especially in the early-adopting classical music and audiophile communities, and its handling quality received particular praise. As the price of players gradually came down, and with

7107-406: The first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Prior to Nielsen SoundScan, year-end charts were calculated by an inverse-point system based solely on an album's performance on the Billboard 200 (e.g., an album would be given one point for

7210-418: The following year's chart as well, as their cumulative points are split between the two chart-years. In 2015, Billboard compiled a ranking of the 100 best-performing albums on the Billboard 200 over its 52 years, along with the best-performing artists. Shown below are the top 10 albums and top 10 artists over the 52-year period of the Billboard 200, through October 2015. Also shown are the artists placing

7313-813: The format included: The first artist to sell a million copies on CD was Dire Straits , with their 1985 album Brothers in Arms . One of the first CD markets was devoted to reissuing popular music whose commercial potential was already proven. The first major artist to have their entire catalog converted to CD was David Bowie , whose first fourteen studio albums (up to Scary Monsters (and Super Creeps) ) of (then) sixteen were made available by RCA Records in February 1985, along with four greatest hits albums; his fifteenth and sixteenth albums ( Let's Dance and Tonight , respectively) had already been issued on CD by EMI Records in 1983 and 1984, respectively. On 26 February 1987,

7416-474: The hole was chosen by Joop Sinjou and based on a Dutch 10-cent coin: a dubbeltje . Philips/Sony patented the physical dimensions. The official Philips history says the capacity was specified by Sony executive Norio Ohga to be able to contain the entirety of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink , as the EFM code format had not yet been decided in December 1979, when

7519-399: The increase in album sales as the early 1950s format wars stabilized into market dominance by 45 RPM singles and long-playing 12-inch albums – and with 78 RPM record and long-playing 10-inch album sales decreasing dramatically – Billboard premiered a weekly "Best-Selling Popular Albums" chart on March 24, 1956. The position count varied anywhere from 10 to 30 albums. The first no. 1 album on

7622-505: The introduction of the portable Discman , the CD began to gain popularity in the larger popular and rock music markets. With the rise in CD sales, pre-recorded cassette tape sales began to decline in the late 1980s; CD sales overtook cassette sales in the early 1990s. In 1988, 400 million CDs were manufactured by 50 pressing plants around the world. Early CD players employed binary-weighted digital-to-analog converters (DAC), which contained individual electrical components for each bit of

7725-402: The issue dated November 30, 2024, the number-one album on the chart is Golden Hour: Part.2 by Ateez . Billboard began an album chart in 1945. Initially only five positions long, the album chart was not published on a weekly basis, with weeks sometimes passing before it was updated. A biweekly (though with a few gaps), 15-position "Best-Selling Popular Albums" chart appeared in 1955. With

7828-476: The label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to enter the CD and corrode the metal reflective layer and/or interfere with the focus of the laser on the pits, a condition known as disc rot . The fungus Geotrichum candidum has been found—under conditions of high heat and humidity—to consume

7931-510: The lands and partially from the top of any bumps where they are present. As the laser passes over a pit (bump), its height means that the round trip path of the light reflected from its peak is 1/2 wavelength out of phase with the light reflected from the land around it. This is because the height of a bump is around 1/4 of the wavelength of the light used, so the light falls 1/4 out of phase before reflection and another 1/4 wavelength out of phase after reflection. This causes partial cancellation of

8034-419: The laser's reflection from the surface. By measuring the reflected intensity change with a photodiode , a modulated signal is read back from the disc. To accommodate the spiral pattern of data, the laser is placed on a mobile mechanism within the disc tray of any CD player. This mechanism typically takes the form of a sled that moves along a rail. The sled can be driven by a worm gear or linear motor . Where

8137-428: The late 1980s culminated in development of the 1-bit DAC , which converts high-resolution low-frequency digital input signal into a lower-resolution high-frequency signal that is mapped to voltages and then smoothed with an analog filter. The temporary use of a lower-resolution signal simplified circuit design and improved efficiency, which is why it became dominant in CD players starting from the early 1990s. Philips used

8240-652: The main stereo and mono album charts. Mono albums were moved to the "Essential Inventory – Mono" chart (25 positions) after spending 40 weeks on the "Mono Action Chart", and stereo albums were moved to the "Essential Inventory – Stereo" chart (20 positions) after 20 weeks on the "Stereo Action Chart". In January 1961, the "Action Charts" became "Action Albums – Stereophonic" (15 positions) and "Action Albums – Monophonic" (24 positions). Albums appeared on either chart for up to nine weeks, and were then moved to an "Essential Inventory" list of approximately 200 titles and with no numerical ranking. This list continued to be published until

8343-557: The mid-2000s ended the decade-long dominance of the CD. The format was later adapted (as CD-ROM ) for general purpose data storage and initially could hold much more data than a personal computer hard disk drive . Several other formats were further derived, both pre-pressed and blank user writable, including write-once audio and data storage ( CD-R ), rewritable media ( CD-RW ), Video CD (VCD), Super Video CD (SVCD), Photo CD , Picture CD , Compact Disc-Interactive ( CD-i ), Enhanced Music CD , and Super Audio CD (SACD) which may have

8446-407: The most albums on the overall "all-time" top 100 album list. Source: Source: Source: List of acts with the most weeks at number one on the Billboard 200 since August 17, 1963. List of acts who reached number one on the Billboard 200 with a new album in consecutive calendar years since August 17, 1963. The following artists are the only ones with 30 or more top-10 albums: Note: As

8549-470: The new music. Muddy's vocals project . That's what created a hook for me to get into it: these vocals are actually pulling the music." Chuck D stated that he had been introduced to Electric Mud by a member of Public Enemy , which sparked an interest in Muddy Waters' earlier work, and in roots-oriented blues. Chuck D explained, "It took me a while to warm up to traditional blues. A whole new world. But

8652-753: The new weekly list was Belafonte by Harry Belafonte . The chart was renamed "Best-Selling Pop Albums" later in 1956, and then "Best-Selling Pop LPs" in 1957. Beginning on May 25, 1959, Billboard split the ranking into two charts: "Best-Selling Stereophonic LPs" for stereo albums (30 positions) and "Best-Selling Monophonic LPs" for mono albums (50 positions). These were renamed "Stereo Action Charts" (30 positions) and "Mono Action Charts" (40 positions), respectively, in 1960. In January 1961, they became "Action Albums – Stereophonic" (15 positions) and "Action Albums – Monophonic" (25 positions), and three months later, they became "Top LPs – Stereo" (50 positions) and "Top LPs – Monaural" (150 positions). On August 17, 1963,

8755-422: The painting. It wasn't to change his sound, it was a way to get it to that market." Chess hoped the new albums would sell well among fans of psychedelic rock bands influenced by Muddy Waters and Howlin' Wolf . According to Muddy Waters, "Quite naturally, I like a good-selling record. I was looking at it because I played for so many of these so-called hippies that I thought probably I could reach them." To provide

8858-536: The polycarbonate plastic and aluminium found in CDs. The data integrity of compact discs can be measured using surface error scanning , which can measure the rates of different types of data errors, known as C1 , C2 , CU and extended (finer-grain) error measurements known as E11 , E12 , E21 , E22 , E31 and E32 , of which higher rates indicate a possibly damaged or unclean data surface, low media quality, deteriorating media and recordable media written to by

8961-507: The prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s. Although originally dismissed by Philips Research management as a trivial pursuit, the CD became the primary focus for Philips as the LaserDisc format struggled. In 1979, Sony and Philips set up

9064-496: The psychedelic sound Chess sought for the album, he assembled "the hottest, most avant garde jazz rock guys in Chicago ": Gene Barge , Pete Cosey , Roland Faulkner, Morris Jennings , Louis Satterfield , Charles Stepney and Phil Upchurch . According to one account of the album's recording, Cosey, Upchurch and Jennings joked about calling the group "The Electric Niggers". According to Marshall Chess, "We were going to call them

9167-543: The raw data stored on the disc. These encoding techniques (defined in the Red Book ) were originally designed for CD Digital Audio , but they later became a standard for almost all CD formats (such as CD-ROM ). CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on

9270-432: The same physical geometry as CD, and most DVD and Blu-ray players are backward compatible with audio CDs. CD sales in the United States peaked by 2000. By the early 2000s, the CD player had largely replaced the audio cassette player as standard equipment in new automobiles, with 2010 being the final model year for any car in the United States to have a factory-equipped cassette player. Two new formats were marketed in

9373-417: The sound of Electric Mud . According to Cosey, "I'll never forget, as soon as I walked into the studio for the follow-up and Muddy saw me, he threw his arms around me, said 'Hey, how you doing, boy, play some of that stuff you played on that last album.'" While blues purists criticized the album, Pete Cosey learned from Jimi Hendrix 's valet that Hendrix would listen to "Herbert Harper's Free Press News" from

9476-511: The standard in 1996. Philips coined the term compact disc in line with another audio product, the Compact Cassette , and contributed the general manufacturing process , based on video LaserDisc technology. Philips also contributed eight-to-fourteen modulation (EFM), while Sony contributed the error-correction method, CIRC, which offers resilience to defects such as scratches and fingerprints. The Compact Disc Story , told by

9579-460: The stereo album chart; it was number one for 12 weeks on the mono album chart. ‡ The South Pacific soundtrack ran for 28 weeks at number one on the stereo album chart; it was number one for three weeks on the mono album chart. § This is the Blue Hawaii album's run on the mono album chart; it was number one for four weeks on the stereo album chart. Notes: Here are the albums to complete

9682-428: The stereo and mono charts were combined into a 150-position chart called "Top LPs". On April 1, 1967, the chart was expanded to 175 positions, and then finally to 200 positions on May 13, 1967. In February 1972, the album chart's title was changed to "Top LPs & Tape"; in 1984, it was retitled "Top 200 Albums"; in 1985, it was retitled again to "Top Pop Albums"; in 1991, it became the " Billboard 200 Top Albums"; and it

9785-401: The top 10 for 5 consecutive weeks. Note: Had the  Billboard 200 allowed catalog albums to chart previous to December 5, 2009, Michael Jackson  would have claimed six simultaneous top 10 titles for two consecutive weeks and  The Beatles  would have claimed five simultaneous top 10 titles that year. † The West Side Story soundtrack ran for 53 weeks at number one on

9888-550: The tracking week begins on Friday (to coincide with the Global Release Day of the music industry ) and ends on Thursday. A new chart is published the following Tuesday, post dated to the Saturday of that week, four days later. The chart's streaming schedule is also tracked from Friday to Thursday. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for retail sale in

9991-438: The traditional Billboard 200 methodology but is based exclusively on SoundScan's sales data. Beginning on January 18, 2020, Billboard incorporated video and audio data from YouTube , along with visual plays from streaming services like Apple Music , Spotify, Tidal and Vevo , into the Billboard 200. The change has also impacted Billboard 's genre-specific album charts. Billboard 's "chart year" runs from

10094-420: The windings (the pitch ) is 1.6 μm (measured center-to-center, not between the edges). When playing an audio CD, a motor within the CD player spins the disc to a scanning velocity of 1.2–1.4 m/s ( constant linear velocity , CLV)—equivalent to approximately 500 RPM at the inside of the disc, and approximately 200 RPM at the outside edge. The track on the CD begins at the inside and spirals outward so

10197-437: Was Muddy Waters' first album to appear on the Billboard and Cash Box charts. However, among critics and blues purists, Electric Mud is Waters' "most polarizing record", according to Waters biographer Robert Gordon. Blues purists criticized the album's psychedelic sound. In a Rolling Stone feature, Pete Welding wrote, "'Electric Mud' does great disservice to one of the blues' most important innovators, and prostitutes

10300-464: Was easily made. Sony first publicly demonstrated an optical digital audio disc in September 1976. A year later, in September 1977, Sony showed the press a 30 cm (12 in) disc that could play an hour of digital audio (44,100 Hz sampling rate and 16-bit resolution) using modified frequency modulation encoding. In September 1978, the company demonstrated an optical digital audio disc with

10403-624: Was given its current title of the " Billboard 200" on March 14, 1992. From the end of 1970 to 1985, Billboard also printed a " Bubbling Under the Top LPs " albums chart paired with the " Bubbling Under the Hot 100 " singles chart, which listed albums that had not yet charted on what was then the "Top LPs & Tape" chart. In 1960, Billboard began concurrently publishing album charts that ranked sales of older or mid-priced titles. These "Essential Inventory" charts were divided by stereo and mono albums, and featured titles that had already appeared on

10506-461: Was granted a patent in 1970. Following litigation, Sony and Philips licensed Russell's patents for recording in 1988. It is debatable whether Russell's concepts, patents, and prototypes instigated and in some measure influenced the compact disc's design. The compact disc is an evolution of LaserDisc technology, where a focused laser beam is used that enables the high information density required for high-quality digital audio signals. Unlike

10609-514: Was published on 1 March 1979. A week later, on 8 March, Philips publicly demonstrated a prototype of an optical digital audio disc at a press conference called "Philips Introduce Compact Disc" in Eindhoven , Netherlands. Sony executive Norio Ohga , later CEO and chairman of Sony, and Heitaro Nakajima were convinced of the format's commercial potential and pushed further development despite widespread skepticism. In 1979, Sony and Philips set up

#700299