Misplaced Pages

#390609

127-395: Film Threat is an American online film review publication, and earlier, a national magazine that focused primarily on independent film , although it also reviewed videos and DVDs of mainstream films, as well as Hollywood movies in theaters. It first appeared as a photocopied zine in 1985, created by Wayne State University students Chris Gore and André Seewood. In 1997, Film Threat

254-424: A big budget adaptation of Frank Herbert 's science fiction novel Dune for Italian producer Dino De Laurentiis 's De Laurentiis Entertainment Group , on the condition that the company release a second Lynch project, over which the director would have complete creative control. Although De Laurentiis hoped it would be the next Star Wars , Lynch's Dune (1984) was a critical and commercial flop, grossing

381-410: A billion-dollar deal, acquired New Line Cinema, Fine Line Features , and Castle Rock Entertainment in 1994. The acquisitions proved to be a good move for Turner Broadcasting as New Line released The Mask and Dumb & Dumber , Castle Rock released The Shawshank Redemption , and Miramax released Pulp Fiction , all in 1994. The acquisitions of the smaller studios by conglomerate Hollywood

508-475: A built-in national rating, in order to avoid presenting movies to inappropriately young audiences. Following the advent of television and the Paramount Case , the major studios attempted to lure audiences with spectacle. Widescreen processes and technical improvements, such as Cinemascope , stereo sound, 3-D and others, were developed in an attempt to retain the dwindling audience by giving them

635-459: A centralized archive. Founded in 1962 by Jonas Mekas , Stan Brakhage , Shirley Clarke , Gregory Markopoulos , and others, the Cooperative provided an important outlet for many of cinema's creative luminaries in the 1960s, including Jack Smith and Andy Warhol . When he returned to America, Ken Anger would debut many of his most important works there. Mekas and Brakhage would go on to found

762-550: A company." Additionally, the CEO confirmed that Kickstarter stood by its decision to fire the two employees and would be pursuing legal action to fight their claims. The statement immediately resulted in criticism and calls for boycotts from creators who had previously used the platform, while writer Neil Gaiman tweeted that he would be unlikely to post support for or links to new Kickstarter campaigns "as long as they are anti-union." Kickstarter employees continued to file complaints to

889-481: A costly distribution system or concede defeat. The veteran producer Joseph Schenck was hired as president. Not only had he been producing pictures for a decade, but he brought along commitments for films starring his wife, Norma Talmadge , his sister-in-law, Constance Talmadge , and his brother-in-law, Buster Keaton . Contracts were signed with a number of independent producers, especially Samuel Goldwyn , Howard Hughes and later Alexander Korda . Schenck also formed

1016-490: A crowd of like-minded avant-garde filmmakers who were interested in creating films as works of art rather than entertainment. Based upon a common belief that the "official cinema" was "running out of breath" and had become "morally corrupt, aesthetically obsolete, thematically superficial, [and] temperamentally boring", this new crop of independents formed The Film-Makers' Cooperative , an artist-run, non-profit organization which they would use to distribute their films through

1143-466: A data breach of almost 5.2 million users' data, including email addresses, usernames and salted SHA-1 hashes of passwords. On March 19, 2019, Kickstarter's staff announced plans to unionize as part of the Office and Professional Employees International Union (OPEIU), which would make Kickstarter the only major tech company to have a union. Shortly after the announcement, three senior staffers released

1270-482: A decade. Unlike the former, John Waters released most of his films during his early life through his own production company, Dreamland Productions . In the early 1980s, New Line Cinema agreed to work with him on Polyester (1981). During the 1980s, Waters would become a pillar of the New York–based independent film movement known as the " Cinema of Transgression ", a term coined by Nick Zedd in 1985 to describe

1397-505: A fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi (1983). However, Lynch had seen what had happened to Lucas and his comrades in arms after their failed attempt to do away with the studio system. He refused the opportunity, stating that he would rather work on his own projects. Lynch instead chose to direct

SECTION 10

#1732797842391

1524-546: A few dozen or possibly a few hundred screens in select urban markets. Films like these usually cost less than $ 10 million, but frequently less than $ 5 million, with small marketing budgets that escalate if and when a particular film performs. The independent film industry exists globally. Many of the most prestigious film festivals are hosted in various cities around the world. The Berlin International Film Festival attracts over 130 countries, making it

1651-500: A for-profit "unsolicited submission" service, charging independent filmmakers who wished to have their work reviewed by the site. In 2015, Gore reacquired Film Threat and took the site offline, seeking to reboot the brand with a "Save Film Threat…" crowdfunding attempt at Kickstarter , which ran from March 19 to April 22. The attempt failed, with pledges totaling $ 63,725 falling short of the goal of $ 125,000. In late August 2016, Gore started another Kickstarter campaign to save and revamp

1778-405: A larger-than-life experience. The 1950s and early 1960s saw a Hollywood dominated by musicals, historical epics, and other films which benefited from these advances. This proved commercially viable during most of the 1950s. However, by the late 1960s, audience share was dwindling at an alarming rate. Several costly flops, including Cleopatra (1963) and Hello, Dolly! (1969) put severe strain on

1905-478: A loose-knit group of like-minded New York artists using shock value and humor in their Super 8 mm films and video art . Other key players in this movement included Kembra Pfahler , Casandra Stark , Beth B , Tommy Turner, Richard Kern and Lydia Lunch . Rallying around such institutions as the Film-Makers' Cooperative and Anthology Film Archives, this new generation of independents devoted themselves to

2032-497: A mainstream film production if it has the necessary funding and distribution. In 1908, the Motion Picture Patents Company or "Edison Trust" was formed as a trust . The Trust was a cartel that held a monopoly on film production and distribution comprising all the major film companies of the time ( Edison , Biograph , Vitagraph , Essanay , Selig , Lubin , Kalem , American Star , American Pathé ),

2159-463: A memo dissenting against the decision, claiming that it is too extreme and that it would be a "misappropriation of unions for use by privileged workers." According to Kickstarter employees, they wanted to found a union both for enabling collective bargaining for wages and for "giving employees more clout," allowing them to work for goals that they saw in their interest and the public's interest. In May, Aziz Hasan, then CEO of Kickstarter, announced that

2286-526: A mere $ 27.4 million domestically against a $ 45 million budget. De Laurentiis, furious that the film had been a commercial disaster, was then forced to produce any film Lynch desired. He offered Lynch only $ 6 million in order to minimize the risk if the film had failed to recoup its costs; however, the film, Blue Velvet (1986), was a resounding success, earning him another Academy Award for Best Director nod. Lynch subsequently returned to independent filmmaking, and did not work with another major studio for over

2413-494: A more mainstream release for the magazine, while its new offshoot Film Threat Video Guide , edited by Williams, continued to focus on the underground films and filmmakers that the magazine had featured in its early days. Film Threat eventually found a new home with Larry Flynt Publications (LFP), relaunching in November, 1991 as Volume 2, Issue 1. "I darted to the newsstand to grab the first glossy edition of what promised to be

2540-714: A number of filmmakers responded by building their own cameras and moving their operations to Hollywood, California , where the distance from Edison's home base of New Jersey made it more difficult for the MPPC to enforce its patents. The Edison Trust was soon ended by two decisions of the Supreme Court of the United States : one in 1912, which canceled the patent on raw film, and a second in 1915, which cancelled all MPPC patents. Though these decisions succeeded at legalizing independent film, they would do little to remedy

2667-403: A number of milestones. A dock made for the iPhone designed by Casey Hopkins became the first Kickstarter project to exceed one million dollars in pledges. A few hours later, a new adventure game project started by computer game developers, Double Fine Productions , reached the same figure, having been launched less than 24 hours earlier, and finished with over $ 3 million pledged. This was also

SECTION 20

#1732797842391

2794-450: A number of young film makers began to experiment with transgression not as a box-office draw, but as an artistic act . Directors such as John Waters and David Lynch would make a name for themselves by the early 1970s for the bizarre and often disturbing imagery which characterized their films. When Lynch's first feature film, Eraserhead (1977), brought Lynch to the attention of producer Mel Brooks , he soon found himself in charge of

2921-456: A product. To underscore the notion that Kickstarter is a place in which creators and audiences make things together, creators across all categories are asked to describe the risks and challenges a project faces in producing it. This educates the public about the project goals and encourages contributions to the community. Several creative works have gone on to receive critical acclaim and accolades after being funded on Kickstarter. Others, such as

3048-690: A project's success or failure on Kickstarter. Some key findings from the analysis were that increasing goal size is negatively associated successfully, projects that are featured on the Kickstarter homepage have an 89% chance of being successful, compared to 30% without, and that for an average $ 10,000 project, a 30-day project has a 35% chance of success, while a 60-day project has a 29% chance of success, all other things being constant. The ten largest Kickstarter projects by funds raised are listed below. Among successful projects, most raise between $ 1,000 and $ 9,999. These dollar amounts drop to less than half in

3175-449: A project. They also warn project leaders that they could be liable for legal damages from backers for failure to deliver on promises. Projects might also fail even after a successful fundraising campaign when creators underestimate the total costs required or technical difficulties to be overcome. When asked what made Kickstarter different from other crowdfunding platforms, co-founder Perry Chen said: "I wonder if people really know what

3302-705: A public company in 2019 via an initial public offering raising $ 1.1 billion. Cards Against Humanity originated with a $ 4,000 Kickstarter campaign in 2010. Both Kickstarter and project creators have cancelled projects that appeared to have been fraudulent. Questions were raised about the projects in internet communities related to the fields of the projects. The concerns raised were: apparent copying of graphics from other sources; unrealistic performance or price claims; and failure of project sponsors to deliver on prior Kickstarter projects. Some notable cancelled projects include: Many individual Kickstarter projects caused controversy: In February 2014, Kickstarter announced

3429-434: A punk rock-attitude movie magazine—and then, the people from this magazine would eventually go off and make films. Wouldn't it be great?" In issue 9, Film Threat became a printed magazine, and also around this time, Seewood left the project to pursue independent filmmaking and to write seriously about the cinema. This second life of Film Threat included Gore and "Square Dance Instructor" Paul Zimmerman getting kicked out of

3556-505: A quarterly print and e-book edition beginning in September 2011, relying upon crowdfunding for the resources. The campaign to return Film Threat to print raised only $ 5,111 of its $ 60,000 crowd-funding goal (based on two coinciding $ 30000 campaigns, one of which was cancelled on June 11), and were unsuccessful in its attempt to raise the necessary monies by the conclusion of the crowdfunding campaign. In 2011, Film Threat instituted

3683-623: A result of the falling cost of technology to make, edit and digitally distribute films, filmmaking is more widely accessible than ever before. Full-length films are often showcased at film festivals such as the Sundance Film Festival, Slamdance Film Festival, South by Southwest Festival, Raindance Film Festival, Telluride Film Festival, and Palm Springs Film Festival. Award winners from these exhibitions are more likely to get picked up for distribution by major film distributors. Film festivals and screenings like these are just one of

3810-508: A separate partnership with Pickford and Chaplin to buy and build theaters under the United Artists name. Still, even with a broadening of the company, UA struggled. The coming of sound ended the careers of Pickford and Fairbanks. Chaplin, rich enough to do what he pleased, worked only occasionally. Schenck resigned in 1933 to organize a new company with Darryl F. Zanuck , Twentieth Century Pictures , which soon provided four pictures

3937-581: A studio's ability to package and release their work. This table lists the companies active in late 1935 illustrates the categories commonly used to characterize the Hollywood system. The studio system quickly became so powerful that some filmmakers once again sought independence. On May 24, 1916, the Lincoln Motion Picture Company was formed, the first movie studio owned and controlled by independent filmmakers. In 1919, four of

Film Threat - Misplaced Pages Continue

4064-496: A success rate of 37.45% (success rate being how many were successfully funded by reaching their set goal). The total amount pledged was $ 4,690,286,673. The business grew quickly in its early years. In 2010 Kickstarter had 3,910 successful projects and $ 27,638,318 pledged. The corresponding figures for 2011 were 11,836 successfully funded projects and $ 99,344,381 pledged; and there were 18,109 successfully funded projects, $ 610,352 pledged in 2012. On February 9, 2012, Kickstarter hit

4191-515: A vacant lot near Georgia Street in downtown Los Angeles . While there, the company decided to explore new territories, traveling several miles north to Hollywood , a little village that was friendly and positive about the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 1800s, while it belonged to Mexico. Griffith stayed there for months and made several films before returning to New York. During

4318-429: A variety of reasons: if they truly believe in the message of the film, they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director they admire. Examples of

4445-529: A year (so that those laid off can return to job openings), and a release from noncompete agreements for those who accept severance pay. In December 2021, Kickstarter announced they would be moving their platform to blockchain , with the aim of making the tools required for creating a crowdfunding site available to anyone. The pivot came on the back of a $ 100 million investment from the crypto fund of Andreessen Horowitz . The decision backfired, alienated many users, damaging Kickstarter's reputation. Kickstarter

4572-403: A year to UA's schedule. He was replaced as president by sales manager Al Lichtman who himself resigned after only a few months. Pickford produced a few films, and at various times Goldwyn, Korda, Walt Disney , Walter Wanger , and David O. Selznick were made "producing partners" (i.e., sharing in the profits), but ownership still rested with the founders. As the years passed and the dynamics of

4699-478: Is also more of a push from EU National governments to fund all aspects of the arts, including film. The European Commission for Culture has an Audiovisual sector, for example, whose role is most notably to help distribute and promote films and festivals across Europe. Additionally, the Commission organizes policymaking, research, and reporting on "media literacy" and "digital distribution." As with other media,

4826-419: Is one of a number of crowdfunding platforms for gathering money from the public, which circumvents traditional avenues of investment. Project creators choose a deadline and a minimum funding goal. If the goal is not met by the deadline, no funds are collected (a kind of assurance contract ). The Kickstarter platform is open to backers from anywhere in the world and to creators from many countries, including

4953-410: Is said to have observed, "The inmates are taking over the asylum." The four partners, with advice from McAdoo (son-in-law and former Treasury Secretary of then-President Woodrow Wilson ), formed their distribution company, with Hiram Abrams as its first managing director. The original terms called for Pickford, Fairbanks, Griffith, and Chaplin to independently produce five pictures each year, but by

5080-546: The de facto ban on small productions; the independent filmmakers who had fled to Southern California during the enforcement of the trust had already laid the groundwork for the studio system of classical Hollywood cinema . In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of performers Blanche Sweet , Lillian Gish , Mary Pickford , Lionel Barrymore , and others. They began filming on

5207-648: The American Civil Liberties Union . Following on the heels of Easy Rider shortly afterward was the revived United Artists' Midnight Cowboy (also 1969), which, like Easy Rider , took numerous cues from Kenneth Anger and his influences in the French New Wave. It became the first and only X rated film to win the Academy Award for Best Picture. Midnight Cowboy also held the distinction of featuring cameo roles by many of

Film Threat - Misplaced Pages Continue

5334-555: The Anthology Film Archives in 1970, which would likewise prove essential to the development and preservation of independent films, even to this day. Not all low-budget films existed as non-commercial art ventures. The success of films like Little Fugitive , which had been made with low (or sometimes non-existent ) budgets encouraged a huge boom in popularity for non-studio films. Low-budget film making promised exponentially greater returns (in terms of percentages) if

5461-617: The Mirisch brothers, Billy Wilder , Joseph E. Levine and others. By the late 1950s, RKO had ceased film production, and the remaining four of the big five had recognized that they did not know how to reach the youth audience. In an attempt to capture this audience, the Studios hired a host of young filmmakers (many of whom were mentored by Roger Corman ) and allowed them to make their films with relatively little studio control. Warner Brothers offered first-time producer Warren Beatty 40% of

5588-721: The Ouya console, have resulted in commercial failure. The documentary short "Sun Come Up" and documentary short "Incident in New Baghdad" were each nominated for an Academy Award ; contemporary art projects "EyeWriter" and "Hip-Hop Word Count" were both chosen to exhibit in the Museum of Modern Art in 2011; filmmaker Matt Porterfield was selected to screen his film Putty Hill at the Whitney Biennial In 2012; author Rob Walker's Hypothetical Futures project exhibited at

5715-461: The U.S. domestic box office revenue was from independent studios. The 1990s saw the rise and success of independent films not only through the film festival circuit but at the box office as well while established actors, such as Bruce Willis , John Travolta , and Tim Robbins , found success themselves both in independent films and Hollywood studio films. Teenage Mutant Ninja Turtles in 1990 from New Line Cinema grossed over $ 100 million in

5842-599: The World War I effort. Already veterans of Hollywood, the four film stars began to talk of forming their own company to better control their own work as well as their futures. They were spurred on by the actions of established Hollywood producers and distributors, who were making moves to tighten their control over their stars' salaries and creative license. With the addition of Griffith, planning began, but Hart bowed out before things had formalized. When he heard about their scheme, Richard A. Rowland , head of Metro Pictures ,

5969-404: The blockbuster Star Wars and Indiana Jones franchises. In fact, the only two movies of the movement which can be described as uncompromisingly independent are Easy Rider at the beginning, and Peter Bogdanovich 's They All Laughed , at the end. Peter Bogdanovich bought back the rights from the studio to his 1980 film and paid for its distribution out of his own pocket, convinced that

6096-967: The iPhone . The app was aimed at users who create and back projects and was the first time Kickstarter had an official mobile presence. On October 31, 2012, Kickstarter opened projects based in the United Kingdom, followed by projects based in Canada on September 9, 2013, Australia and New Zealand on November 13, 2013, the Netherlands on April 28, 2014, Denmark , Ireland , Norway , and Sweden on September 15, 2014, Germany on April 28, 2015, France and Spain on May 19, 2015, Austria , Belgium , Italy , Luxembourg and Switzerland on June 16, 2015, Singapore and Hong Kong on August 30, 2016, Mexico on November 15, 2016, and Japan on September 12, 2017. In July 2017, Strickler announced his resignation. On April 20, 2020, Kickstarter announced that it

6223-611: The "Best Inventions of 2010" and "Best Websites of 2011". Kickstarter reportedly raised $ 10 million funding from backers including NYC-based venture firm Union Square Ventures and angel investors such as Jack Dorsey , Zach Klein and Caterina Fake . The company was based at 58 Kent Street in Greenpoint, Brooklyn until they transitioned to a fully remote workforce after the COVID-19 pandemic . On February 14, 2013, Kickstarter released an iOS app called Kickstarter for

6350-659: The "prosumer" camera segment and film schools for those who are less autodidactic. Film programs in universities such as NYU in New York and USC in Los Angeles have benefited from this transitional growth. The economic side of filmmaking is also less of an obstacle than before, because the backing of a major studio is no longer needed to access necessary movie funding. Crowdfunding services like Kickstarter , Pozible , and Tubestart have helped people raise thousands of dollars; enough to fund their own, low-budget productions. As

6477-485: The $ 5 million film The Elephant Man (1980) for Paramount. Though Eraserhead was strictly an out-of-pocket, low-budget, independent film, Lynch made the transition with unprecedented grace. The film was a huge commercial success, and earned eight Academy Award nominations, including Best Director and Best Adapted Screenplay nods for Lynch. It also established his place as a commercially viable, if somewhat dark and unconventional, Hollywood director. Seeing Lynch as

SECTION 50

#1732797842391

6604-473: The 13th International Venice Architecture Biennale; musician Amanda Palmer 's album Theatre is Evil debuted at No. 10 on the Billboard 200; designer Scott Wilson won a National Design Award from Smithsonian's Cooper-Hewitt, National Design Museum following the success of his TikTok + LunaTik project; the Kickstarter funded GoldieBlox toy gained nationwide distribution in 2013; and approximately 10% of

6731-423: The 1950s progressed, the new low-budget paradigm of filmmaking gained increased recognition internationally, with films such as Satyajit Ray 's critically acclaimed Apu Trilogy (1955–1959). Unlike the films made within the studio system, these new low-budget films could afford to take risks and explore new artistic territory outside the classical Hollywood narrative. Maya Deren was soon joined in New York by

6858-417: The 1988 Toronto Festival of Festivals , only to return the following year under fake names representing a fake publication, Film Forum . In issue 18, San Francisco State student David E. Williams wrote in, sparking a friendship with Gore that led to both of them relocating to Los Angeles in summer 1989 to work on the magazine. During the early 1990s, Film Threat was transformed as Gore attempted to find

6985-414: The 20% mark reach their goal. Creators categorize their projects into one of 13 categories and 36 subcategories. They are: Art, Comics, Dance, Design, Fashion, Film and Video, Food, Games, Music, Photography, Publishing, Technology and Theater. Of these categories, Film & Video and Music are the largest categories and have raised the most money. These categories, along with Games, account for over half

7112-479: The B-grade shlock film soon fell to the level of the Z movie , a niche category of films with production values so low that they became a spectacle in their own right. The cult audiences these pictures attracted soon made them ideal candidates for midnight movie screenings revolving around audience participation and cosplay . In 1968, a young filmmaker named George A. Romero shocked audiences with Night of

7239-586: The Design, Games, and Technology categories. However, the median amount raised for the latter two categories remains in the four-figure range. There is substantial variation in the success rate of projects falling under different categories. Over two thirds of completed dance projects have been successful. In contrast, fewer than 30% of completed fashion projects have reached their goal. Most failing projects fail to achieve 20% of their goals and this trend applies across all categories. Indeed, over 80% of projects that pass

7366-615: The Edison era of the early 1900s, many Jewish immigrants had found jobs in the U.S. film industry. Under the Edison Trust, they were able to make their mark in a brand-new business: the exhibition of films in storefront theaters called nickelodeons . Within a few years, ambitious men like Samuel Goldwyn , Carl Laemmle , Adolph Zukor , Louis B. Mayer , and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to

7493-627: The Hollywood movie studios to sell their theater chains and to eliminate certain anti-competitive practices. This effectively brought an end to the studio system of Hollywood's Golden Age . By 1958, many of the reasons for creating the SIMPP had been corrected and SIMPP closed its offices. The efforts of the SIMPP and the advent of inexpensive portable cameras during World War II effectively made it possible for any person in America with an interest in making films to write, produce, and direct one without

7620-534: The Living Dead , a new kind of intense and unforgiving independent horror film. This film was released just after the abandonment of the production code, but before the adoption of the MPAA rating system . As such, it was the first and last film of its kind to enjoy a completely unrestricted screening, in which young children were able to witness Romero's new brand of highly realistic gore. This film would help to set

7747-520: The NLRB, which forced Kickstarter to allow its employees a formal vote on unionization. The vote was held on the morning of February 18, 2020, with 46 voting in favor of joining the OPEIU and 37 voting against. The CEO at the time, Aziz Hasan, said after the vote, "We support and respect this decision, and we are proud of the fair and democratic process that got us here." With this, the OPEIU will now work with

SECTION 60

#1732797842391

7874-526: The Pickford/Fairbanks Studio, but did not own a studio lot as such. Because of this, many of their films would be shot on location. Primarily acting as bankers, they offered money to independent producers. Thus UA did not have the overhead, the maintenance or the expensive production staff which ran up costs at other studios. UA went public in 1956, and as the other mainstream studios fell into decline, UA prospered, adding relationships with

8001-452: The US, UK, Canada, Australia, New Zealand, The Netherlands , Denmark, Ireland, Norway, Sweden, Spain, France, Germany, Austria, Italy, Belgium, Luxembourg, Switzerland and Mexico. Kickstarter applies a 5% fee on the total amount of the funds raised. Its payments processor applies an additional 3–5% fee. Unlike many forums for fundraising or investment , Kickstarter claims no ownership over

8128-449: The United States . The Hollywood oligopoly replaced the Edison monopoly. Within this new system, a pecking order was soon established which left little room for any newcomers. By the mid-1930s, at the top were the five major studios, 20th Century Fox , Metro-Goldwyn-Mayer , Paramount Pictures , RKO Pictures , and Warner Bros. Then came three smaller companies, Columbia Pictures , United Artists , and Universal Studios . Finally there

8255-404: The United States making it the most successful indie film in box-office history to that point. Miramax Films had a string of hits with Sex, Lies, and Videotape , My Left Foot , and Clerks , putting Miramax and New Line Cinema in the sights of big companies looking to cash in on the success of independent studios. In 1993, Disney bought Miramax for $ 60 million. Turner Broadcasting , in

8382-530: The aid of any major film studio . These circumstances soon resulted in a number of critically acclaimed and highly influential works, including Maya Deren 's Meshes of the Afternoon in 1943, Kenneth Anger's Fireworks in 1947, and Morris Engel, Ruth Orkin and Ray Abrashkin's Little Fugitive in 1953. Filmmakers such as Ken Jacobs , with little or no formal training, began to experiment with new ways of making and shooting films. Little Fugitive became

8509-411: The availability of new technologies has fueled the democratization of filmmaking and the growth of independent film. In the late forties and fifties, new inexpensive portable cameras made it easier for independent filmmakers to produce content without studio backing. The emergence of camcorders in the eighties broadened the pool of filmmakers experimenting with the newly available technology. More recently,

8636-433: The business changed, these "producing partners" drifted away. Goldwyn and Disney left for RKO , Wanger for Universal Pictures , Selznick and Korda for retirement . By the late 1940s, United Artists had virtually ceased to exist as either a producer or distributor. In 1941, Mary Pickford , Charles Chaplin , Walt Disney , Orson Welles , Samuel Goldwyn , David O. Selznick , Alexander Korda , and Walter Wanger —many of

8763-546: The climate of independent horror for decades to come, as films like The Texas Chain Saw Massacre (1974) and Cannibal Holocaust (1980) continued to push the envelope. With the production code abandoned and violent and disturbing films like Romero's gaining popularity, Hollywood opted to placate the uneasy filmgoing public with the MPAA ratings system, which would place restrictions on ticket sales to young people. Unlike

8890-451: The company says it was for "performance issues." After these allegations, some Kickstarter creators have started a campaign against Kickstarter to let its employees unionize. On September 28, Kickstarter confirmed that it would not recognise the unionisation effort. In a statement addressed to project creators, the CEO stated that unionisation would turn workplace relations "inherently adversarial" and that it "doesn't reflect who we are as

9017-503: The company would require an election for the union rather than voluntarily recognizing it, saying that "our view is that we are better set up to be successful without the framework of a union." On September 16, the employees filed a complaint against Kickstarter with the National Labor Relations Board (NLRB) after two employees were terminated. According to the workers, they were fired for unionizing, although

9144-573: The course of 2009, the site was edited by Don R. Lewis and Matthew Sorrento, before a brief hiatus where the site went offline in December 2009. On January 25, 2010, during the Sundance Film Festival , Gore sold the website and rights to the magazine to former editor Bell, who then relocated Film Threat to New Jersey and relaunched the website on February 23, 2010. On May 11, 2011, Film Threat announced that it planned to produce

9271-569: The craft. Aspiring filmmakers can range from those simply with access to a smartphone or digital camera, to those who write "spec" scripts (to pitch to studios), actively network, and use crowdsourcing and other financing to get their films professionally produced. Oftentimes, aspiring filmmakers have other day-jobs to support themselves financially while they pitch their scripts and ideas to independent film production companies, talent agents, and wealthy investors. This recent technology-fueled renaissance has helped fuel other supporting industries such as

9398-551: The defiance of the now-establishment New Hollywood, proposing that "all film schools be blown up and all boring films never be made again." In 1978, Sterling Van Wagenen and Charles Gary Allison , with Chairperson Robert Redford , (veteran of New Hollywood and star of Butch Cassidy and the Sundance Kid ) founded the Utah/US Film Festival in an effort to attract more filmmakers to Utah and showcase what

9525-442: The definition of crowdfunding is. Or, if there's even an agreed upon definition of what it is. We haven't actively supported the use of the term because it can provoke more confusion. In our case, we focus on a middle ground between patronage and commerce. People are offering cool stuff and experiences in exchange for the support of their ideas. People are creating these mini-economies around their project ideas. So, you aren't coming to

9652-489: The features released in the United States and usually cost between $ 5 and $ 10 million to produce. Hollywood was producing these three different classes of feature films by means of three different types of producers. The superior products were the large, budget blockbusters and high-cost star vehicles marketed by the six major studio producer-distributors. Budgets on the major studios' pictures averaged $ 100 million, with approximately one-third of it spent on marketing because of

9779-406: The film could have a successful run in the theaters. During this time, independent producer/director Roger Corman began a sweeping body of work that would become legendary for its frugality and grueling shooting schedule. Until his so-called "retirement" as a director in 1971 (he continued to produce films even after this date), he would produce up to seven movies a year, matching and often exceeding

9906-428: The filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them. Film critic Manohla Dargis described this era as the "halcyon age" of the decade's filmmaking that "was less revolution than business as usual, with rebel hype". She also pointed out in her New York Times article that enthusiasts insisted this era

10033-580: The films accepted into the Sundance , SXSW and Tribeca Film Festivals are projects funded on Kickstarter. The Glowing Plant project was the first and only synthetic biology campaign on Kickstarter. The Oculus Rift began as a 2012 Kickstarter project and became one of the most funded projects at the time. The company was then acquired by Facebook two years later for $ 2 billion. Peloton Interactive sold its first exercise bike on Kickstarter in 2013 with an early bird price tag of $ 1,500. It became

10160-608: The first independent film to be nominated for Academy Award for Best Original Screenplay at the American Academy Awards . It also received Silver Lion at Venice . Both Engel and Anger's films won acclaim overseas from the burgeoning French New Wave , with Fireworks inspiring praise and an invitation to study under him in Europe from Jean Cocteau , and François Truffaut citing Little Fugitive as an essential inspiration to his seminal work, The 400 Blows . As

10287-483: The first time Kickstarter raised over a million dollars in pledges in a single day. On August 30, 2014, the "Coolest Cooler", an icebox created by Ryan Grepper, became the most funded Kickstarter project in history, with US$ 13.28 million in funding, breaking the record previously held by the Pebble smartwatch . From 2012 to 2013, Wharton professor Ethan Mollick and Jeanne Pi conducted research into what contributes to

10414-401: The five-per-year schedule that the executives at United Artists had once thought impossible. Like those of the avant-garde, the films of Roger Corman took advantage of the fact that unlike the studio system, independent films had never been bound by its self-imposed production code . Corman's example (and that of others like him) would help start a boom in independent B-movies in the 1960s,

10541-508: The following year, two New Hollywood directors had become sufficiently established for Coppola to be offered oversight of Paramount's The Godfather (1972) and Lucas had obtained studio funding for American Graffiti (1973) from Universal. In the mid-1970s, the major Hollywood studios continued to tap these new filmmakers for both ideas and personnel, producing films such as Paper Moon (1973) and Taxi Driver (1976), all of which met with critical and commercial success. These successes by

10668-652: The game. Though the eventual breakup of the studio system and its restrictive chain-theater distribution network would leave independent movie houses eager for the kind of populist, seat-filling product of the Poverty Row studios, that same paradigm shift would also lead to the decline and ultimate disappearance of "Poverty Row" as a Hollywood phenomenon. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on

10795-531: The gross on his film Bonnie and Clyde (1967) instead of a minimal fee. The movie had grossed over $ 70 million worldwide by 1973. These initial successes paved the way for the studio to relinquish almost complete control to the film school generation and began what the media dubbed " New Hollywood ." Dennis Hopper , the American actor, made his writing and directing debut with Easy Rider (1969). Along with his producer/co-star/co-writer Peter Fonda , Hopper

10922-401: The indie and mainstream equally. Over the first 14 years of its online life, FilmThreat.com continued in the tradition of its print counterpart, courting controversy—such as when editor Ron Wells wrote a scathing criticism of Harry Knowles . Chris Gore was succeeded as editor of the website by Ron Wells (1997–2003), who was then followed by Eric Campos (2003–6) and then Mark Bell (2006–8). Over

11049-487: The large release campaigns. Another class of Hollywood feature film included art films, specialty films, and other niche-market fare controlled by the conglomerates' indie subsidiaries. Budgets on these indie films averaged $ 40 million per release in the early 2000s, with $ 10 million to $ 15 million spent on marketing (MPA, 2006:12). The final class of film consisted of genre and specialty films whose release campaigns were administered by independent producer-distributors with only

11176-778: The largest film festival in the world. Other large events include the Toronto International Film Festival , Hong Kong International Film Festival , and the Panafrican Film and TV Festival of Ouagadougou . The European Union , specifically through the European Cinema and VOD Initiative (ECVI), has established programs that attempt to adapt the film industry to an increasing digital demand for film on video on demand services, outside of theatrical screenings. With this program, VOD offerings are paired with traditional movie screenings. There

11303-579: The latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction . Generally, the marketing of independent films is characterized by limited release , often at independent movie theaters , but they can also have major marketing campaigns and a wide release . Independent films are often screened at local, national, or international film festivals before distribution (theatrical or retail release). An independent film production can rival

11430-510: The leading distributor ( George Kleine ) and the biggest supplier of raw film, Eastman Kodak . A number of filmmakers declined or were refused membership to the trust and came to be described as "independent". At the time of the formation of the MPPC, Thomas Edison owned most of the major patents relating to motion pictures, including that for raw film . The MPPC vigorously enforced its patents, constantly bringing suits and receiving injunctions against independent filmmakers. Because of this,

11557-427: The leading figures in American silent cinema ( Mary Pickford , Charles Chaplin , Douglas Fairbanks , and D. W. Griffith ) formed United Artists. Each held a 20% stake, with the remaining 20% held by lawyer William Gibbs McAdoo . The idea for the venture originated with Fairbanks, Chaplin, Pickford, and cowboy star William S. Hart a year earlier as they were traveling around the U.S. selling Liberty bonds to help

11684-470: The magazine continued to grow, but Film Threat' s tenure with LFP ended after 28 issues in February 1993. Gore managed to buy back the rights from LFP, and launched the magazine, for a third time, in December 1996. He printed only two issues, before retiring the magazine in 1997. Gore launched Film Threat as a website in 1996. At first a sparse collection of film news, FilmThreat.com grew, covering both

11811-473: The members of New Hollywood led each of them, in turn, to make more and more extravagant demands, both on the studio and eventually on the audience. While most members of the New Hollywood generation were, or started out as, independent filmmakers, a number of their projects were produced and released by major studios. The New Hollywood generation soon became firmly entrenched in a revived incarnation of

11938-690: The money raised. Video games and tabletop games alone account for more than $ 2 out of every $ 10 spent on Kickstarter. To maintain its focus as a funding platform for creative projects, Kickstarter has outlined three guidelines for all project creators to follow: creators can fund projects only; projects must fit within one of the site's 13 creative categories; and creators must abide by the site's prohibited uses, which include charity and awareness campaigns. Kickstarter has additional requirements for hardware and product design projects. These include The guidelines are designed to reinforce Kickstarter's position that people are backing projects, not placing orders for

12065-536: The old studios from financial ruin by providing them with a new formula for success. Indeed, it was during this period that the very definition of an independent film became blurred. Though Midnight Cowboy was financed by United Artists, the company was certainly a studio. Likewise, Zoetrope was another "independent studio" which worked within the system to make a space for independent directors who needed funding. George Lucas would leave Zoetrope in 1971 to create his own independent studio, Lucasfilm , which would produce

12192-1098: The options in which movies can be independently produced/released. Kickstarter Kickstarter, PBC is an American public benefit corporation based in Brooklyn , New York , that maintains a global crowdfunding platform focused on creativity. The company's stated mission is to "help bring creative projects to life". As of February 2023, Kickstarter has received US$ 7 billion in pledges from 21.7 million backers to fund 233,626 projects, such as films, music, stage shows, comics, journalism, video games, board games, technology, publishing, and food-related projects. People who back Kickstarter projects are offered tangible rewards or experiences in exchange for their pledges. This model traces its roots to subscription model of arts patronage, in which artists would go directly to their audiences to fund their work. Kickstarter launched on April 28, 2009, by Perry Chen , Yancey Strickler , and Charles Adler. The New York Times called Kickstarter "the people's NEA ". Time named it one of

12319-628: The picture was better than what the studio believed — he eventually went bankrupt because of this. In retrospect, it can be seen that Steven Spielberg 's Jaws (1975) and George Lucas 's Star Wars (1977) marked the beginning of the end for the New Hollywood. With their unprecedented box-office successes, these movies jump-started Hollywood's blockbuster mentality, giving studios a new paradigm as to how to make money in this changing commercial landscape. The focus on high-concept premises, with greater concentration on tie-in merchandise (such as toys), spin-offs into other media (such as soundtracks), and

12446-431: The potential of independent film could be. At the time, the main focus of the event was to present a series of retrospective films and filmmaker panel discussions; however it also included a small program of new independent films. The jury of the 1978 festival was headed by Gary Allison , and included Verna Fields , Linwood Gale Dunn , Katherine Ross , Charles E. Sellier Jr. , Mark Rydell , and Anthea Sylbert . In 1981,

12573-485: The principal aim of which was to bring in the youth market which the major studios had lost touch with. By promising sex , wanton violence , drug use , and nudity , these films hoped to draw audiences to independent theaters by offering to show them what the major studios could not. Horror and science fiction films experienced a period of tremendous growth during this time. As these tiny producers, theaters, and distributors continued to attempt to undercut one another,

12700-638: The production code, this rating system posed a threat to independent films in that it would affect the number of tickets they could sell and cut into the grindhouse theaters' share of the youth market. This change would further widen the divide between commercial and non-commercial films. However, having a film audience-classified is strictly voluntary for independents and there is no legal impediment to releasing movies on an unrated basis. However, unrated movies face obstacles in marketing because media outlets, such as TV channels, newspapers and websites, often place their own restrictions on movies that do not come with

12827-434: The production side of the business. After hearing about Biograph's success in Hollywood, in 1913 many such would-be movie-makers headed west to avoid the fees imposed by Edison. Soon they were the heads of a new kind of enterprise: the movie studio . By establishing a new system of production, distribution, and exhibition which was independent of The Edison Trust in New York, these studios opened up new horizons for cinema in

12954-598: The production, distribution, and exhibition of films. In 1942, the SIMPP filed an antitrust suit against Paramount's United Detroit Theatres. The complaint accused Paramount of conspiracy to control first-run and subsequent-run theaters in Detroit. It was the first antitrust suit brought by producers against exhibitors alleging monopoly and restraint of trade. In 1948, the United States Supreme Court Paramount Decision ordered

13081-513: The projects and the work they produce. The web pages of projects launched on the site are permanently archived and accessible to the public. After funding is completed, projects and uploaded media cannot be edited or removed from the site. There is no guarantee that people who post projects on Kickstarter will deliver on their projects, use the money to implement their projects, or that the completed projects will meet backers' expectations. Kickstarter advises backers to use their judgment on supporting

13208-466: The same people who were members of United Artists—founded the Society of Independent Motion Picture Producers . Later members included William Cagney , Sol Lesser , and Hal Roach . The Society aimed to preserve the rights of independent producers in an industry overwhelmingly controlled by the studio system. SIMPP fought to end monopolistic practices by the five major Hollywood studios which controlled

13335-559: The same time that the maverick film students of the American New Wave were developing the skills they would use to take over Hollywood, many of their peers had begun to develop their style of filmmaking in a different direction. Influenced by foreign and art house directors such as Ingmar Bergman and Federico Fellini , exploitation shockers (i.e. Joseph P. Mawra , Michael Findlay , and Henri Pachard ) and avant-garde cinema, ( Kenneth Anger , Maya Deren and Bruce Conner )

13462-561: The same year that United Artists, bought out by MGM after the financial failure of Michael Cimino 's Heaven's Gate (1980), ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. In 1985, the now well-established Sundance Institute, headed by Sterling Van Wagenen, took over management of the US Film Festival, which

13589-483: The scripts were based on studio pitches and subsequently paid for by the studios, the production financing was from the studio, and the marketing and distribution of the films were designed and controlled by the studio's advertising agency. Though Coppola made considerable efforts to resist the influence of the studios, opting to finance his risky 1979 film Apocalypse Now himself rather than compromise with skeptical studio executives, he, and filmmakers like him, had saved

13716-473: The site to get something for nothing; you are trying to create value for the people who support you. We focus on creative projects—music, film, technology, art, design, food and publishing—and within the category of crowdfunding of the arts, we are probably ten times the size of all the others combined." On June 21, 2012, Kickstarter began publishing statistics on its projects. As of December 4, 2019, there were 469,286 launched projects (3,524 in progress), with

13843-409: The studio system, which financed the development, production and distribution of their films. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. Seemingly independent films such as Taxi Driver , The Last Picture Show and others were studio films:

13970-411: The studios. Meanwhile, in 1951, lawyers-turned-producers Arthur Krim and Robert Benjamin had made a deal with the remaining stockholders of United Artists which would allow them to make an attempt to revive the company and, if the attempt was successful, buy it after five years. The attempt was a success, and in 1955 United Artists became the first "studio" without an actual studio. UA leased space at

14097-408: The switch from film to digital cameras, inexpensive non-linear editing and the move to distribution via the internet have led to more people being able to make and exhibit movies of their own, including young people and individuals from marginalized communities. These people may have little to no formal technical or academic training, but instead are autodidactic filmmakers, using online sources to learn

14224-407: The time the company got underway in 1920–1921, feature films were becoming more expensive and more polished, and running times had settled at around ninety minutes (or eight reels). It was believed that no one, no matter how popular, could produce and star in five quality feature films a year. By 1924, Griffith had dropped out and the company was facing a crisis: either bring in others to help support

14351-636: The top Warhol superstars , who had already become symbols of the militantly anti-Hollywood climate of NYC's independent film community. Within a month, another young Corman trainee, Francis Ford Coppola , made his debut in Spain at the Donostia-San Sebastian International Film Festival with The Rain People (1969), a film he had produced through his own company, American Zoetrope . Though The Rain People

14478-454: The turning of the tide for 'Let's-Blow-and-Stroke-the-Interviewee' type film journalism. And whose face did I see? Macaulay Culkin 's," stated filmmaker Kevin Smith of the first issue of Film Threat' s new edition. In 1993, the magazine—then published bimonthly—had a circulation of 125,000, and was competing with such titles as Premiere . Paul Zimmerman became executive editor in 1994, and

14605-519: The union effort, Kickstarter United, to bargain with Kickstarter management for a contract. As of May 2, 2020, 60% of the workforce was part of the union. On December 8, 2021, Kickstarter announced a plan to develop a decentralized protocol on blockchain platform Celo to build an open source and blockchain-based crowdfunding infrastructure and then move its own website to that system. The announcement prompted backlash from creators and backers on Twitter , many of whom pledged to abandon Kickstarter if

14732-536: The untimely death of Collider founder John Schnepp, whom Gore knew. Film Threat held its fifth Award This! ceremony at the Frida Cinema on December 10, 2023, a venue they have returned to since 2021. Previous events were held at Studio Movie Grill in Glendale, California. Independent film It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for

14859-444: The use of sequels (which had been made more respectable by Coppola's The Godfather Part II ), all showed the studios how to make money in the new environment. On realizing how much money could potentially be made in films, major corporations started buying up the remaining Hollywood studios, saving them from the oblivion which befell RKO in the 50s. Eventually, even RKO was revived, the corporate mentality these companies brought to

14986-631: The website with a more modest goal of $ 37,500. The campaign brought in $ 56,199 (against the stretch goal of $ 50,000, enabling the production of a documentary about Film Threat .) On February 6, 2017, the Film Threat website was relaunched. It also has a presence on YouTube, where Gore reviews films, many of which are mainstream releases, alongside new personality Alan Ng. Gore also has playlists dedicated to various film festivals, and so-called "Gore Rants" where he rails against certain practices in Hollywood. One rant targeted people trying to profit from

15113-401: Was " Poverty Row ", a catch-all term used to encompass any other smaller studio that managed to fight their way up into the increasingly exclusive movie business. While the small studios that made up Poverty Row could be characterized as existing "independently" of any major studio, they utilized the same kind of vertically and horizontally integrated systems of business as the larger players in

15240-636: Was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)." During the 1970s, shifts in thematic depictions of sexuality and violence occurred in American cinema, prominently featuring heightened depictions of realistic sex and violence. Directors who wished to reach mainstream audiences of Old Hollywood quickly learned to stylize these themes to make their films appealing and attractive rather than repulsive or obscene. However, at

15367-522: Was a plan in part to take over the independent film industry and at the same time start "independent" studios of their own. The following are all "indie" studios owned by conglomerate Hollywood: By the early 2000s, Hollywood was producing three different classes of films: 1) big-budget blockbusters , 2) art films , specialty films and niche-market films produced by the conglomerate-owned "indies" and 3) genre and specialty films coming from true indie studios and producers. The third category comprised over half

15494-639: Was converted to a solely online resource. The current incarnation of Film Threat accepts money from filmmakers who are looking for a way to promote their films. Since 2011, those seeking a review from the site can pay between $ 50 and $ 400 for varying levels of service, ranging from a "guaranteed review within 7–10 days" to a package that includes a guarantee of "100K minimum impressions". The initial issues of Film Threat combined theories on cinematic narrative form and political ideology by Seewood and cinematic material and parody of mainstream film by Gore. In Gore's own words, "I thought, wouldn't it be great to start

15621-481: Was experiencing financial difficulties. Gary Beer and Sterling Van Wagenen spearheaded production of the inaugural Sundance Film Festival which included Program Director Tony Safford and Administrative Director Jenny Walz Selby. In 1991, the festival was officially renamed the Sundance Film Festival, after Redford's famous role as The Sundance Kid . Through this festival the Independent Cinema movement

15748-645: Was largely overlooked by American audiences, Zoetrope would become a powerful force in New Hollywood. Through Zoetrope, Coppola formed a distribution agreement with studio giant Warner Bros., which he would exploit to achieve wide releases for his films without making himself subject to their control. These three films provided the major Hollywood studios with both an example to follow and a new crop of talent to draw from. Zoetrope co-founder George Lucas made his feature film debut with THX 1138 (1971), also released by Zoetrope through their deal with Warner Bros., announcing himself as another major talent of New Hollywood. By

15875-510: Was launched. Such notable figures as Kevin Smith , Robert Rodriguez , Quentin Tarantino , David O. Russell , Paul Thomas Anderson , Steven Soderbergh , James Wan , Hal Hartley , Joel and Ethan Coen and Jim Jarmusch garnered resounding critical acclaim and unprecedented box office sales. The significance of the Sundance Film Festival is documented in the work of Professor Emanuel Levy Cinema of Outsiders: The Rise of American Independent Film, (NYU Press, 1999; 2001). In 2005, about 15% of

16002-551: Was likely going to lay off workers due to the coronavirus pandemic causing the number of active projects to be "about 35% below what it was at this time last year with no clear sign of rebound." The layoff was reported by the union to affect up to 45% of the employees, although Kickstarter has yet to report the scale of the layoff as of May 2, 2020. The union negotiated a settlement for laid off employees including four months of severance pay and up to six months of continued health benefits for anyone who gets laid off, recall rights for

16129-408: Was responsible for one of the first completely independent films of New Hollywood. Easy Rider debuted at Cannes and garnered the "First Film Award" ( French : Prix de la premiere oeuvre ) after which it received two Oscar nominations, one for best original screenplay and one for Corman-alum Jack Nicholson 's breakthrough performance in the supporting role of George Hanson, an alcoholic lawyer for

#390609