Konchi-in (金地院) is a Buddhist temple in Sakyō-ku, Kyoto , western Japan.
104-486: The temple is renowned for its Crane and Turtle Garden . [REDACTED] Media related to Konchi-in at Wikimedia Commons This article about a Japanese religious building or structure is a stub . You can help Misplaced Pages by expanding it . Japanese garden Japanese gardens ( 日本庭園 , nihon teien ) are traditional gardens whose designs are accompanied by Japanese aesthetics and philosophical ideas, avoid artificial ornamentation, and highlight
208-513: A central administration and an imperial court attended by subordinate clan chieftains but with no permanent capital. By the mid-seventh century, the agricultural lands had grown to a substantial public domain, subject to central policy. The basic administrative unit was the county, and society was organized into occupation groups. Most people were farmers; other were fishers, weavers, potters, artisans, armorers, and ritual specialists. From 600 to 659, Japan sent seven emissaries to Tang China. But for
312-506: A challenge for the gardeners. Due to the absolute importance of the arrangement of natural rocks and trees, finding the right material becomes highly selective. The serenity of a Japanese landscape and the simple but deliberate structures of the Japanese gardens are a unique quality, with the two most important principles of garden design being "scaled reduction and symbolization". Japanese gardens always feature water, either physically with
416-618: A composition whose function is to incite mediation." Several of the famous Zen gardens of Kyoto were the work of one man, Musō Soseki (1275–1351). He was a monk, a ninth-generation descendant of the Emperor Uda and a formidable court politician, writer and organizer, who armed and financed ships to open trade with China, and founded an organization called the Five Mountains, made up of the most powerful Zen monasteries in Kyoto. He
520-480: A garden, though the tsubo-niwa style of tiny gardens in passages and other spaces, as well as bonsai (in Japan always grown outside) and houseplants mitigates this, and domestic garden tourism is very important. The Japanese tradition has long been to keep a well-designed garden as near as possible to its original condition, and many famous gardens appear to have changed little over several centuries, apart from
624-715: A much more radical approach to the traditions. One example is Awaji Yumebutai , a garden on the island of Awaji , in the Seto Inland Sea of Japan, designed by Tadao Ando . It was built as part of a resort and conference center on a steep slope, where land had been stripped away to make an island for an airport. Japanese gardens are distinctive in their symbolism of nature, with traditional Japanese gardens being very different in style from occidental gardens: "Western gardens are typically optimised for visual appeal while Japanese gardens are modelled with spiritual and philosophical ideas in mind." Japanese gardens are conceived as
728-653: A new garden architecture style appeared, created by the followers of Pure Land Buddhism . These were called "Paradise Gardens", built to represent the legendary Paradise of the West, where the Amida Buddha ruled. These were built by noblemen who wanted to assert their power and independence from the Imperial household, which was growing weaker. The best surviving example of a Paradise Garden is Byōdō-in in Uji , near Kyoto. It
832-451: A pond or stream, or symbolically, represented by white sand in a dry rock garden. In Buddhist symbolism, water and stone are thought of as yin and yang , two opposites that complement and complete each other. A traditional garden will usually have an irregular-shaped pond or, in larger gardens, two or more ponds connected by a channel or stream, and a cascade, a miniature version of Japan's famous mountain waterfalls. In traditional gardens,
936-487: A precedent: Japan never again accepted a "subordinate" status in its relations with China, except for Ashikaga Yoshimitsu , who accepted such a relationship with China in the 15th century. As a result, Japan in this period received no title from Chinese dynasties, while they did send tribute ( 有貢無封 , yūkō mufū ) . From the Chinese point of view, the class or position of Japan was demoted from previous centuries in which
1040-523: A promenade garden, meant to be seen from the winding garden paths, with elements of the Zen garden, such as artificial mountains, meant to be contemplated from a distance. The most famous garden of this kind, built in 1592, is situated near the Tokushima castle on the island of Shikoku . Its notable features include a bridge 10.5 metres (34 ft) long made of two natural stones. Another notable garden of
1144-482: A prototype for future Japanese architecture. They opened up onto the garden, so that the garden seemed entirely part of the building; whether the visitor was inside or outside of the building, they would ideally always feel they were in the center of nature. The garden buildings were arranged so that were always seen from a diagonal, rather than straight on. This arrangement had the poetic name ganko , which meant literally "a formation of wild geese in flight". Most of
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#17327723902751248-554: A representation of a natural setting, tying in to Japanese connections between the land and Shinto spiritualism, where spirits are commonly found in nature; as such, Japanese gardens tend to incorporate natural materials, with the aim of creating a space that captures the beauties of nature in a realistic manner. Traditional Japanese gardens can be categorized into three types: tsukiyama (hill gardens), karesansui (dry gardens) and chaniwa gardens (tea gardens). The small space given to create these gardens usually poses
1352-425: A role in Japanese gardens than in the West, though seasonally flowering shrubs and trees are important, all the more dramatic because of the contrast with the usual predominant green. Evergreen plants are "the bones of the garden" in Japan. Though a natural-seeming appearance is the aim, Japanese gardeners often shape their plants, including trees, with great rigour. Japanese literature on gardening goes back almost
1456-445: A stimulant to keep awake during long periods of meditation. The first great tea master, Sen no Rikyū (1522–1591), defined in the most minute detail the appearance and rules of the tea house and tea garden, following the principle of wabi ( 侘び , "sober refinement and calm") . Following Sen no Rikyū's rules, the teahouse was supposed to suggest the cottage of a hermit-monk. It was a small and very plain wooden structure, often with
1560-548: A subordinate status in its relations with China. The introduction of Buddhism to Japan is attributed to the Baekje king Seong in 538, exposing Japan to a new body of religious doctrine. The Soga clan , a Japanese court family that rose to prominence with the ascension of the Emperor Kinmei about 531, favored the adoption of Buddhism and of governmental and cultural models based on Chinese Confucianism . But some at
1664-533: A system of patrimonial rule based on an elaborate legal code that emerged from the Taika Reform. The Taika Reform, influenced by Chinese practices, started with land redistribution aimed at ending the existing landholding system of the great clans and their control over domains and occupational groups. What were once called "private lands and private people" ( 私地私民 , shichi shimin ) became "public lands and public people" ( 公地公民 , kōchi kōmin ) , as
1768-564: A system of trade roads (the aforementioned Gokishichidō ), built numerous Buddhist temples , had court chronicles compiled, sent students to China to study Buddhism and Confucianism, and sent Ono no Imoko to China as an emissary ( 遣隋使 , Kenzuishi ) . Six official missions of envoys, priests, and students were sent to China in the seventh century. Some remained twenty years or more; many of those who returned became prominent reformers. The sending of such scholars to learn Chinese political systems showed significant change from envoys in
1872-413: A thatched roof, with just enough room inside for two tatami mats. The only decoration allowed inside a scroll with an inscription and a branch of a tree. It did not have a view of the garden. The garden was also small, and constantly watered to be damp and green. It usually had a cherry tree or elm to bring color in the spring, but otherwise did not have bright flowers or exotic plants that would distract
1976-404: A thousand years, and several different styles of garden have developed, some with religious or philosophical implications. A characteristic of Japanese gardens is that they are designed to be seen from specific points. Some of the most significant different traditional styles of Japanese garden are the chisen-shoyū-teien ("lake-spring-boat excursion garden"), which was imported from China during
2080-539: Is also distinguished by the change in the name of the country from Wa ( 倭 ) to Nippon ( 日本 ) . The term "Asuka period" was first used to describe a period in the history of Japanese fine-arts and architecture. It was proposed by fine-arts scholars Sekino Tadasu ( 関野貞 ) and Okakura Kakuzō around 1900. Sekino dated the Asuka period as ending with the Taika Reform of 646. Okakura, however, saw it as ending with
2184-459: Is an expression of the smile that is called the " archaic smile ". Kudara Kannon at Hōryū-ji is the most prominent Buddhist sculpture from this period. The second stage of Buddhist art , coming after the Asuka (cultural) period, is known as the Hakuhō culture ( 白鳳文化 , Hakuhō Bunka ) , and is generally dated from the Taika Reform (646) until the moving of the capital to Nara in 710. During
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#17327723902752288-516: Is believed to have followed the style of the Six Dynasties of China. The characteristics of the sculptures of this age are also referred to as Tori Style, taken from the name of prominent sculptor Kuratsukuri Tori , grandson of Chinese immigrant Shiba Tatto. Some of the characteristics of the style include marked, almond-shaped eyes, and symmetrically arranged folds in the clothing. The most striking and distinguishing feature of these sculptures
2392-566: The Man'yōshū , the "Collection of Countless Leaves", the oldest known collection of Japanese poetry. The Nara period is named after its capital city Nara . The first authentically Japanese gardens were built in this city at the end of the 8th century. Shorelines and stone settings were naturalistic, different from the heavier, earlier continental mode of constructing pond edges. Two such gardens have been found at excavations, both of which were used for poetry-writing festivities. One of these gardens,
2496-639: The daimyō , around which new cities and gardens appeared. The characteristic garden of the period featured one or more ponds or lakes next to the main residence, or shoin , not far from the castle. These gardens were meant to be seen from above, from the castle or residence. The daimyō had developed the skills of cutting and lifting large rocks to build their castles, and they had armies of soldiers to move them. The artificial lakes were surrounded by beaches of small stones and decorated with arrangements of boulders, with natural stone bridges and stepping stones . The gardens of this period combined elements of
2600-593: The Daijō-kan ( 太政官 ) , with its eight ministries (for central administration, ceremonies, civil affairs, the imperial household, justice, military affairs, people's affairs, and the treasury). Although the Chinese-style civil service examination system was not adopted, the college office ( 大学寮 , Daigaku Ryō ) was founded for training future bureaucrats based on the Confucian classics. Tradition circumvented
2704-587: The Asuka period ( c. 6th to 7th century ). Japanese gardens first appeared on the island of Honshu , the large central island of Japan. Their aesthetic was influenced by the distinct characteristics of the Honshu landscape: rugged volcanic peaks, narrow valleys, mountain streams with waterfalls and cascades, lakes, and beaches of small stones. They were also influenced by the rich variety of flowers and different species of trees, particularly evergreen trees, on
2808-463: The Chinese zodiac year in which the coup took place, 645. Although it did not constitute a legal code, the Taika Reform mandated a series of reforms that established the ritsuryō system of social, fiscal, and administrative mechanisms of the seventh to tenth centuries. Ritsu ( 律 ) was a code of penal laws, while ryō ( 令 ) was an administrative code. Combined, the two terms came to describe
2912-580: The Eight Immortals , who lived in perfect harmony with nature. Each Immortal flew from his mountain home on the back of a crane . The islands themselves were located on the back of an enormous sea turtle . In Japan, the five islands of the Chinese legend became one island, called Horai-zen, or Mount Horai . Replicas of this legendary mountain, the symbol of a perfect world, are a common feature of Japanese gardens, as are rocks representing turtles and cranes. The earliest recorded Japanese gardens were
3016-638: The Emperor of Japan ruled relatively uncontested from modern-day Nara Prefecture , then known as Yamato Province . The second half of the Kofun period, exercised power over clans in Kyūshū and Honshū , bestowing titles, some hereditary, on clan chieftains. The Yamato name became synonymous with all of Japan as the Yamato rulers suppressed other clans and acquired agricultural lands. Based on Chinese models (including
3120-461: The Heian period (794–1185). These were designed to be seen from small boats on the central lake. No original examples of these survive, but they were replaced by the "paradise garden" associated with Pure Land Buddhism , with a Buddha shrine on an island in the lake. Later large gardens are often in the kaiyū-shiki-teien , or promenade garden style, designed to be seen from a path circulating around
3224-633: The Kyoto Imperial Palace of 794, the Heian-jingū , was built in Kyoto in 1895 to celebrate the 1100th birthday of the city. The south garden is famous for its cherry blossom in spring, and for azaleas in the early summer. The west garden is known for its irises in June, and the large east garden lake recalls the leisurely boating parties of the 8th century. Near the end of the Heian period,
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3328-645: The Shōwa period (1926–1989), many traditional gardens were built by businessmen and politicians. After World War II, the principal builders of gardens were no longer private individuals, but banks, hotels, universities and government agencies. The Japanese garden became an extension of the landscape architecture with the building. New gardens were designed by landscape architects , and often used modern building materials such as concrete. Some modern Japanese gardens, such as Tōfuku-ji , designed by Mirei Shigemori , were inspired by classical models. Other modern gardens have taken
3432-566: The imperial Japanese embassies to China were established. Although the missions continued, the transformation of Japan through Chinese influences declined, despite the close connections that had existed during the early Kofun period. Meanwhile, the kingdoms of the Korean peninsula, often at odds with each other, frequently sent diplomatic missions with gifts to Japan, probably with the aim of securing Japanese neutrality or diplomatic/military support in their rivalries; ultimately, this proved to be of
3536-565: The pleasure gardens of the emperors and nobles. They are mentioned in several brief passages of the Nihon Shoki , the first chronicle of Japanese history, published in 720 CE. In spring 74 CE, the chronicle recorded: "The Emperor Keikō put a few carp into a pond, and rejoiced to see them morning and evening". The following year, "The Emperor launched a double-hulled boat in the pond of Ijishi at Ihare, and went aboard with his imperial concubine, and they feasted sumptuously together". In 486,
3640-466: The ritsu of the code was adopted from the Chinese system, the ryō was arranged in a local style. Some scholars argue that it was to a certain extent based on Chinese models. The Taihō Code provided for Confucian-model penal provisions (light rather than harsh punishments) and Chinese-style central administration through the Jingi-kan ( 神祇官 ) , which was devoted to Shinto and court rituals, and
3744-434: The "marsh pond" style, a large still pond with aquatic plants; the "mountain torrent style", with many rocks and cascades; and the "rose letters" style, an austere landscape with small, low plants, gentle relief and many scattered flat rocks. Asuka period The Asuka period ( 飛鳥時代 , Asuka jidai ) was a period in the history of Japan lasting from 538 to 710, although its beginning could be said to overlap with
3848-422: The Asuka period started with conflicts between clans over religious beliefs, later in the period, the imported religions became syncretized with Japan's native folk beliefs. Some architectural structures built in the period still remain today. Wooden buildings at Hōryū-ji , built in the seventh century, show some influence from Chinese and west Asian countries. For instance, the pillars at Hōryū-ji are similar to
3952-790: The East Palace garden at Heijō Palace , Nara, has been faithfully reconstructed using the same location and even the original garden features that had been excavated. It appears from the small amount of literary and archaeological evidence available that the Japanese gardens of this time were modest versions of the Imperial gardens of the Tang dynasty, with large lakes scattered with artificial islands and artificial mountains. Pond edges were constructed with heavy rocks as embankment. While these gardens had some Buddhist and Daoist symbolism, they were meant to be pleasure gardens, and places for festivals and celebrations. Recent archaeological excavations in
4056-521: The Goguryeo priests left Japan. The Yamato court, concentrated in the Asuka region, exercised power over clans in Kyushu and Honshu, bestowing titles, some hereditary, on clan chieftains. The Yamato name became synonymous with all of Japan as the Yamato rulers suppressed the clans and acquired agricultural lands. Based on Chinese models (including the adoption of the Chinese written language), they developed
4160-563: The Golden Pavilion , built in 1398, and Ginkaku-ji, the Silver Pavilion , built in 1482. In some ways they followed Zen principles of spontaneity, extreme simplicity and moderation, but in other ways they were traditional Chinese Song-dynasty temples; the upper floors of the Golden Pavilion were covered with gold leaf, and they were surrounded by traditional water gardens. The most notable garden style invented in this period
4264-651: The Japanese court sent fifteen more legations to the court of the Tang dynasty . These legations, with more than five hundred members each, included diplomats, scholars, students, Buddhist monks, and translators. They brought back Chinese writing, art objects, and detailed descriptions of Chinese gardens. In 612 CE, the Empress Suiko had a garden built with an artificial mountain, representing Shumi-Sen, or Mount Sumeru , reputed in Hindu and Buddhist legends to be located at
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4368-670: The Kofun period, in which the five kings of Wa sent envoys for the approval of their domains. In a move greatly resented by the Chinese, Shōtoku sought equality with the Chinese emperor by sending official correspondence that was addressed, "From the Son of Heaven in the Land of the Rising Sun to the Son of Heaven of the Land of the Setting Sun." Some would argue that Shōtoku's bold step set
4472-739: The Mongol invasions. The monks brought with them a new form of Buddhism, called simply Zen , or "meditation". Japan enjoyed a renaissance in religion, in the arts, and particularly in gardens. The term Zen garden appears in English writing in the 1930s for the first time, in Japan zen teien , or zenteki teien comes up even later, from the 1950s. It applies to a Song China -inspired composition technique derived from ink-painting. The composition or construction of such small, scenic gardens have no relation to religious Zen. Many famous temple gardens were built early in this period, including Kinkaku-ji,
4576-650: The Soga and the Nakatomi and Mononobe clans for more than a century, during which the Soga temporarily emerged ascendant. In the Taika Reform , the Funeral Simplification Edict was proclaimed, and the building of large kofun ( tumuli ) was banned. The edict also regulated size and shape of kofun by classes. As a result, later kofun , though much smaller, were distinguished by elaborate frescoes. Paintings and decorations in those kofun indicate
4680-508: The UK, where the climate was similar and Japanese plants grew well. Japanese gardens, typically a section of a larger garden, continue to be popular in the West, and many typical Japanese garden plants, such as cherry trees and the many varieties of Acer palmatum or Japanese maple, are also used in all types of garden, giving a faint hint of the style to very many gardens. The ideas central to Japanese gardens were first introduced to Japan during
4784-581: The Yamato court—such as the Nakatomi family , which was responsible for performing Shinto rituals at court, and the Mononobe , a military clan—were set on maintaining their prerogatives and resisted the alien religious influence of Buddhism. The Soga introduced Chinese-modeled fiscal policies, established the first national treasury, and considered the kingdoms of Korea as trade partners rather than as objects of territorial expansion. Acrimony continued between
4888-459: The adoption of the Chinese written language ), they developed a central administration and an imperial court attended by subordinate clan chieftains but with no permanent capital. By the mid-seventh century, the agricultural lands had grown to a substantial public domain, subject to central policy. The basic administrative unit of the Gokishichidō ( 五畿七道 , "five cities, seven roads") system
4992-656: The ancient capital of Nara have brought to light the remains of two 8th-century gardens associated with the Imperial Court, a pond and stream garden – the To-in – located within the precinct of the Imperial Palace and a stream garden – Kyuseki – found within the modern city. They may be modeled after Chinese gardens, but the rock formations found in the To-in would appear to have more in common with prehistoric Japanese stone monuments than with Chinese antecedents, and
5096-405: The arms of an armchair, with the garden between them. The gardens featured one or more lakes connected by bridges and winding streams. The south garden of the imperial residences had a uniquely Japanese feature: a large empty area of white sand or gravel. The emperor was the chief priest of Japan, and the white sand represented purity, and was a place where the gods could be invited to visit. The area
5200-455: The arrival of kami , and the Shinto reverence for great rocks, lakes, ancient trees, and other "dignitaries of nature" would exert an enduring influence on Japanese garden design. Japanese gardens were also strongly influenced by the Chinese philosophy of Daoism and Amida Buddhism, imported from China in or around 552 CE. Daoist legends spoke of five mountainous islands inhabited by
5304-401: The attention of the visitor. A path led to the entrance of the teahouse. Along the path was waiting bench for guests and a privy, and a stone water-basin near the teahouse, where the guests rinsed their hands and mouths before entering the tea room through a small, square door called nijiri-guchi , or "crawling-in entrance", which requires bending low to pass through. Sen no Rikyū decreed that
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#17327723902755408-523: The centre of the world. During the reign of the same empress, one of her ministers, Soga no Umako, had a garden built at his palace featuring a lake with several small islands, representing the islands of the Eight Immortals famous in Chinese legends and Daoist philosophy. This palace became the property of the Japanese emperors, was named "The Palace of the Isles", and was mentioned several times in
5512-471: The chronicle recorded that "The Emperor Kenzō went into the garden and feasted at the edge of a winding stream". Chinese gardens had a very strong influence on early Japanese gardens. In or around 552 CE, Buddhism was officially installed from China, via Korea, into Japan. Between 600 and 612 CE, the Japanese emperor sent four legations to the court of the Chinese Sui dynasty . Between 630 and 838 CE,
5616-480: The court now sought to assert its control over all of Japan and to make the people direct subjects of the throne. Land was no longer hereditary but reverted to the state at the death of the owner. Taxes were levied on harvests and on silk, cotton, cloth, thread, and other products. A corvée (labor) tax was established for military conscription and building public works. The hereditary titles of clan chieftains were abolished, and three ministries were established to advise
5720-422: The east, to enter the garden, pass under the house, and then leave from the southeast. In this way, the water of the blue dragon will carry away all the bad spirits from the house toward the white tiger. The Imperial gardens of the Heian period were water gardens , where visitors promenaded in elegant lacquered boats, listening to music, viewing the distant mountains, singing, reading poetry, painting, and admiring
5824-647: The emperors and the rivalry of feudal warlords resulted in two civil wars (1156 and 1159), which destroyed most of Kyoto and its gardens. The capital moved to Kamakura , and then in 1336 back to the Muromachi quarter of Kyoto. The emperors ruled in name only; real power was held by a military governor, the shōgun . During this period, the government reopened relations with China, which had been broken off almost three hundred years earlier. Japanese monks went again to study in China, and Chinese monks came to Japan, fleeing
5928-535: The end of the 16th century referring to isolated tea houses. It originally applied to the simple country houses of samurai warriors and Buddhist monks, but in the Edo period it was used in every kind of building, from houses to palaces. The sukiya style was used in the most famous garden of the period, the Katsura Imperial Villa in Kyoto. The buildings were built in a very simple, undecorated style,
6032-400: The first of eight sovereign empresses, is sometimes considered a mere figurehead for Umako and Prince Regent Shōtoku Taishi (574–622). However she wielded power in her own right, and the role of Shōtoku Taishi is often exaggerated to the point of legend. Shōtoku, recognized as a great intellectual of this period of reform, was a devout Buddhist and was well-read in Chinese literature . He
6136-455: The form of unusual rocks or trees marked with cords of rice fiber ( shimenawa ) and surrounded with white stones or pebbles, a symbol of purity. The white gravel courtyard became a distinctive feature of Shinto shrines, Imperial Palaces, Buddhist temples, and Zen gardens . Although its original meaning is somewhat obscure, one of the Japanese words for garden— niwa —came to mean a place that had been cleansed and purified in anticipation of
6240-562: The garden should be left unswept for several hours before the ceremony, so that leaves would be scattered in a natural way on the path. Notable gardens of the period include: During the Edo period , power was won and consolidated by the Tokugawa clan , who became the shōgun , and moved the capital to Edo , which became Tokyo . The emperor remained in Kyoto as a figurehead leader, with authority only over cultural and religious affairs. While
6344-399: The garden, with fixed stopping points for viewing. Specialized styles, often small sections in a larger garden, include the moss garden , the dry garden with gravel and rocks, associated with Zen Buddhism , the roji or teahouse garden, designed to be seen only from a short pathway, and the tsubo-niwa , a very small urban garden. Most modern Japanese homes have little space for
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#17327723902756448-461: The garden. Edo promenade gardens were often composed of a series of meisho , or "famous views", similar to postcards. These could be imitations of famous natural landscapes, like Mount Fuji , or scenes from Taoist or Buddhist legends, or landscapes illustrating verses of poetry. Unlike Zen gardens, they were designed to portray nature as it appeared, not the internal rules of nature. Well-known Edo-period gardens include: The Meiji period saw
6552-408: The gardens of nobles in the capital, the gardens of villas at the edge of the city, and the gardens of temples. The architecture of the palaces, residences and gardens in the Heian period followed Chinese practice. Houses and gardens were aligned on a north-south axis, with the residence to the north and the ceremonial buildings and main garden to the south, there were two long wings to the south, like
6656-443: The gardens of the Edo period were either promenade gardens or dry rock Zen gardens, and they were usually much larger than earlier gardens. The promenade gardens of the period made extensive use of borrowed scenery ( shakkei ). Vistas of distant mountains are integrated in the design of the garden; or, even better, building the garden on the side of a mountain and using the different elevations to attain views over landscapes outside
6760-528: The government. The revolt was led by Prince Naka no Ōe and Nakatomi no Kamatari , who seized control of the court from the Soga family and introduced the Taika Reform . The Japanese era corresponding to the years 645–649 was thus named Taika ( 大化 ) , meaning "great change" in reference to the Reform. The revolt leading to the Taika Reform is commonly called the Isshi Incident , referring to
6864-424: The greatest benefit to Baekje , as Japanese military support for that kingdom increased. People, many of them artisans and skilled workers, also emigrated to Japan from the Korean peninsula, including two high priests who arrived in Japan in 595: Eji from Goguryeo and Esō from Baekje. Kanroku also came from Baekje, and was a tutor to Prince Shōtoku , counseling him politically. When Japan allied with Baekje,
6968-491: The hope of keeping it above political frays, such as those precipitated by the Soga clan. Within the imperial family, however, power struggles continued as the emperor's brother and son vied for the throne in the Jinshin War . The brother, who later reigned as Emperor Tenmu , consolidated Tenji's reforms and state power in the imperial court. The ritsuryō system was codified in several stages. The Ōmi Code , named after
7072-445: The inevitable turnover of plants, in a way that is extremely rare in the West. Awareness of the Japanese style of gardening reached the West near the end of the 19th century, and was enthusiastically received as part of the fashion for Japonisme , and as Western gardening taste had by then turned away from rigid geometry to a more naturalistic style, of which the Japanese style was an attractive variant. There were immediately popular in
7176-425: The islands, and by the four distinct seasons in Japan, including hot, wet summers and snowy winters. Japanese gardens have their roots in the national religion of Shinto , with its story of the creation of eight perfect islands, and of the shinchi , the lakes of the gods. Prehistoric Shinto shrines to the kami , the gods and spirits, are found on beaches and in forests all over the island. They often took
7280-462: The kings received titles. On the other hand, Japan loosened its political relationships with China and consequently established extraordinary cultural and intellectual relationships. About twenty years after the deaths of Shōtoku Taishi (in 622), Soga no Umako (in 626), and Empress Suiko (in 628), court intrigues over succession led to a palace coup in 645 against the Soga clan 's monopolized control of
7384-450: The late seventh century, and simpler but distinctive tombs continued in use throughout the following period. In 675 the use of livestock and the consumption of some wild animals (horse, cattle, dogs, monkeys, birds) was banned by Emperor Tenmu due to the influence of Buddhism. This ban was renewed throughout the Asuka period, but ended with the Heian period. The pest animals, deer and wild boar , were not affected by this ban. Taoism
7488-520: The latter half of the 8th century, a large number of songs and poems were composed and performed by various ranked people from warriors to the Emperor. The earliest collection of these poems is known as the Man'yōshū ( 万葉集 , "collection of 10,000 leaves") . This includes works by several remarkable poets such as Princess Nukata and Kakinomoto no Hitomaro . Waka ( 和歌 , "Japanese song") also emerged as
7592-465: The main pavilion, or from the "Hall of the Pure View", located on a higher elevation in the garden. In the east of the garden, on a peninsula, is an arrangement of stones designed to represent the mythical Mount Horai. A wooden bridge leads to an island representing a crane, and a stone bridge connects this island to another representing a tortoise, which is connected by an earth-covered bridge back to
7696-421: The modernization of Japan, and the re-opening of Japan to the West. Many of the old private gardens had been abandoned and left to ruin. In 1871, a new law transformed many gardens from the earlier Edo period into public parks, preserving them. Garden designers, confronted with ideas from the West experimented with western styles, leading to such gardens as Kyu-Furukawa Gardens , or Shinjuku Gyoen . Others, more in
7800-464: The natural landscape. Plants and worn, aged materials are generally used by Japanese garden designers to suggest a natural landscape, and to express the fragility of existence as well as time's unstoppable advance. Ancient Japanese art inspired past garden designers. Water is an important feature of many gardens, as are rocks and often gravel. Despite there being many attractive Japanese flowering plants, herbaceous flowers generally play much less of
7904-575: The natural, serpentine course of the Kyuseki stream garden may be far less formal than what existed in Tang China. Whatever their origins, both the To-in and Kyuseki clearly anticipate certain developments in later Japanese gardens. In 794 CE, at the beginning of the Heian period (794–1185 CE), the Japanese court moved its capital to Heian-kyō (present-day Kyoto ). During this period, there were three different kinds of gardens: palace gardens and
8008-682: The next 32 years, during a period when Japan was formulating its laws based on Chinese texts, none were sent. Though Japan cut off diplomatic relations with China, Japan sent 11 emissaries to Silla , and Silla is also recorded in Nihon Shoki as sending embassies to Japan 17 times during the reigns of Emperor Tenmu and Empress Jitō . The ruling classes of Yamato and Baekje were on amicable terms, and Yamato deployed its navy to aid Baekje, in 660–663, against an invasion by Silla and Tang China (see battle of Baekgang ). Numerous official missions of envoys, priests, and students were sent to China in
8112-442: The north of Japan kept to Edo period blueprint design. A third wave was the naturalistic style of gardens, invented by captains of industry and powerful politicians like Aritomo Yamagata . Many gardeners soon were designing and constructing gardens catering to this taste. One of the gardens well-known for his technical perfection in this style was Ogawa Jihei VII , also known as Ueji. Notable gardens of this period include: During
8216-487: The peninsula. The garden also includes a waterfall at the foot of a wooded hill. One characteristic of the Momoyama period garden visible at Sanbō-in is the close proximity of the buildings to the water. The Momoyama period also saw the development of chanoyu (tea ceremony), the chashitsu (teahouse), and the roji (tea garden). Tea had been introduced to Japan from China by Buddhist monks, who used it as
8320-400: The period still existing is Sanbō-in , rebuilt by Toyotomi Hideyoshi in 1598 to celebrate the festival of the cherry blossom and to recreate the splendor of an ancient garden. Three hundred garden-builders worked on the project, digging the lakes and installing seven hundred boulders in a space of 540 square metres (5,800 sq ft). The garden was designed to be seen from the veranda of
8424-619: The pillars of the Parthenon of ancient Greece , as seen in their entasis . The five-storied pagoda ( 五重の塔 , go-jū no tō ) is a transformation from the Indian mound-like reliquary structure called a stupa . In addition, mural paintings in the Takamatsuzuka and Kitora kofun dating from the fifth century show strong influence from Tang dynasty and Goguryeo wall painting. The Japanese Buddhist sculpture art of this period
8528-418: The political center of Japan was now Tokyo, Kyoto remained the cultural capital, the center for religion and art. The shōgun provided the emperors with little power, but with generous subsidies for building gardens. The Edo period saw the widespread use of a new kind of Japanese architecture, called sukiya-zukuri , which means literally "building according to chosen taste". The term first appeared at
8632-530: The ponds and streams are carefully placed according to Buddhist geomancy , the art of putting things in the place most likely to attract good fortune. The rules for the placement of water were laid out in the first manual of Japanese gardens, the Sakuteiki ("Records of Garden Making") , in the 11th century. According to the Sakuteiki , water should enter the garden from the east or southeast and flow toward
8736-407: The porch of the residence the abbot of the monastery. There have been many debates about what the rocks are supposed to represent, but, as garden historian Gunter Nitschke wrote, "The garden at Ryōan-ji does not symbolize. It does not have the value of representing any natural beauty that can be found in the world, real or mythical. I consider it as an abstract composition of "natural" objects in space,
8840-433: The preceding Kofun period . The Yamato polity evolved greatly during the Asuka period, which is named after the Asuka region, about 25 km (16 mi) south of the modern city of Nara . The Asuka period is characterized by its significant artistic , social, and political transformations, having their origins in the late Kofun period. The introduction of Buddhism marked a change in Japanese society. The Asuka period
8944-590: The provincial site of Emperor Tenji's court, was completed in about 668. Further codification took place with the promulgation by Empress Jitō in 689 of the Asuka Kiyomihara Code , named for the location of the late Emperor Temmu's court. The ritsuryō system was further consolidated and codified in 701 under the Taihō Code , which, except for a few modifications and being relegated to primarily ceremonial functions, remained in force until 1868. Though
9048-577: The scenery. The social life in the gardens was memorably described in the classic Japanese novel The Tale of Genji , written in about 1005 by Murasaki Shikibu , a lady-in-waiting to the empress. The traces of one such artificial lake, Osawa no ike, near the Daikaku-ji temple in Kyoto, still can be seen. It was built by the Emperor Saga , who ruled from 809 to 823, and was said to be inspired by Dongting Lake in China. A scaled-down replica of
9152-420: The seventh century. Some remained twenty years or more; many of those who returned became prominent reformers. In a move greatly resented by the Chinese, Shotoku sought equality with the Chinese emperor by sending official correspondence addressed "From the Son of Heaven in the Land of the Rising Sun to the Son of Heaven of the Land of the Setting Sun." Shotoku's bold step set a precedent: Japan never again accepted
9256-404: The south, which represents fire, which are opposites ( yin and yang ) and therefore will bring good luck. The Sakuteiki recommends several possible miniature landscapes using lakes and streams: the "ocean style", which features rocks that appear to have been eroded by waves, a sandy beach, and pine trees; the "broad river style", recreating the course of a large river, winding like a serpent;
9360-497: The spread of Taoism and Buddhism in this period; the Takamatsuzuka Kofun and Kitora Kofun are notable for their wall paintings. The use of elaborate kofun tombs by the imperial family and other elite thus fell out of use amidst the rise of prevailing new Buddhist beliefs, which put greater emphasis on the transience of human life. Commoners and the elite in outlying regions, however, continued to use kofun until
9464-455: The system, however, as aristocratic birth continued to be the main qualification for higher position, and titles were soon hereditary again. The Taihō Code did not address the selection of the sovereign. Several empresses reigned from the fifth to the eighth centuries, but after 770 succession was restricted to males, usually from father to son, although sometimes from ruler to brother or uncle. Fujiwara no Fuhito , son of Nakatomi no Kamatari ,
9568-433: The throne: The country was divided into provinces headed by governors appointed by the court, and the provinces were further divided into districts and villages. Naka no Ōe assumed the title of Crown Prince , and Kamatari was granted a new family name— Fujiwara —in recognition of his great service to the imperial family. Fujiwara no Kamatari became the first in a long line of court aristocrats. Another, long-lasting change
9672-580: The transfer of the capital to the Heijō Palace of Nara. Although historians generally use Okakura's dating, many historians of art and architecture prefer Sekino's dating and use the term " Hakuhō period ( 白鳳時代 ) " to refer to the successive period. From the Asuka period in the 6th century, as a sub-division of the Yamato period ( 大和時代 , Yamato-jidai ) , is the first time in Japanese history when
9776-636: The west, because the east is the home of the Green Dragon ( seiryu ), an ancient Chinese divinity adopted in Japan, and the west is the home of the White Tiger, the divinity of the east. Water flowing from east to west will carry away evil, and the owner of the garden will be healthy and have a long life. According to the Sakuteiki , another favorable arrangement is for the water to flow from north, which represents water in Buddhist cosmology, to
9880-621: The west. In the lake in front of the temple is a small island of white stones, representing Mount Horai, the home of the Eight Immortals of the Daoists, connected to the temple by a bridge, which symbolized the way to paradise. It was designed for mediation and contemplation, not as a pleasure garden. It was a lesson in Daoist and Buddhist philosophy created with landscape and architecture, and a prototype for future Japanese gardens. Notable existing or recreated Heian gardens include: The weakness of
9984-528: Was also introduced during the Asuka period. The octagonal shape of monarchs' tombs of this age and the celestial maps drawn in the Kitora and Takamatsuzuka kofun reflect the Taoist cosmology. Taoist belief was eventually amalgamated with Shintō and Buddhism to establish new styles of rituals. Onmyōdō ( 陰陽道 ) , a sort of Japanese geomancy and cosmology , is one of the fruits of these religious mixtures. While
10088-552: Was among those who produced the Taihō Ritsuryō. According to history book Shoku Nihongi ( 続日本紀 ) , two of the 19 members of the committee drafting the Taihō Code were Chinese priests (Shoku Shugen and Satsu Koukaku). Chinese priests also took an active part as linguistic specialists, and received rewards two times from Empress Jitō . Chinese culture had been introduced to Japan by the Three Kingdoms of Korea before
10192-461: Was influenced by Confucian principles, including the Mandate of Heaven , which suggested that the sovereign ruled at the will of a supreme force. Under Shōtoku's direction, Confucian models of rank and etiquette were adopted, and his Seventeen-article constitution prescribed ways to bring harmony to a chaotic society in Confucian terms. In addition, Shōtoku adopted the Chinese calendar , developed
10296-513: Was originally the villa of Fujiwara Michinaga (966–1028), who married his daughters to the sons of the Emperor. After his death, his son transformed the villa into a temple, and in 1053 built the Hall of Phoenix, which still stands. The Hall is built in the traditional style of a Chinese Song dynasty temple, on an island in the lake. It houses a gilded statue of the Amitābha Buddha, looking to
10400-529: Was responsible for the building of the zen gardens of Nanzen-ji , Saihō-ji (the Moss Garden), and Tenryū-ji . Notable gardens of the Kamakura and Muromachi periods include: The Momoyama period was short, just 32 years, and was largely occupied with the wars between the daimyō , the leaders of the feudal Japanese clans. The new centers of power and culture in Japan were the fortified castles of
10504-406: Was the Zen garden, dry garden , or Japanese rock garden . One of the finest examples, and one of the best-known of all Japanese gardens is Ryōan-ji in Kyoto. This garden is just 9 metres (30 ft) wide and 24 metres (79 ft) long, composed of white sand carefully raked to suggest water, and fifteen rocks carefully arranged, like small islands. It is meant to be seen from a seated position on
10608-426: Was the county, and society was organized into occupation groups. Most people were farmers; others were fishers, weavers, potters, artisans, armorers, and ritual specialists. The Soga clan intermarried with the imperial family , and by 587 Soga no Umako , the Soga chieftain, was powerful enough to install his nephew as emperor and later to assassinate him and replace him with the Empress Suiko (r. 593–628). Suiko,
10712-414: Was the use of the name Nihon ( 日本 ) , or sometimes Dai Nippon ( 大日本 , "Great Japan") in diplomatic documents and chronicles. In 662, following the reigns of Naka no Ōe's uncle and mother, Naka no Ōe assumed the throne as Emperor Tenji , taking the additional title Emperor of Japan . This new title was intended to improve the Yamato clan's image and to emphasize the divine origins of the imperial family in
10816-407: Was used for religious ceremonies and dances for the welcoming of the gods. The layout of the garden itself was strictly determined according to the principles of traditional Chinese geomancy , or Feng Shui . The first known book on the art of the Japanese garden, the Sakuteiki ( Records of Garden Keeping ), written in the 11th century, said: It is a good omen to make the stream arrive from
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