194-444: Kay Francis (born Katharine Edwina Gibbs ; January 13, 1905 – August 26, 1968) was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star and highest-paid actress at Warner Bros. studio. She adopted her mother's maiden name (Francis) as her professional surname. Katharine Edwina Gibbs
388-475: A Pathé -Natan film, it is generally regarded as the initial French feature talkie, though it was shot, like Blackmail , at the Elstree studio , just outside London. The production company had contracted with RCA Photophone and Britain then had the nearest facility with the system. The Braunberger-Richebé talkie La Route est belle ( The Road Is Fine ), also shot at Elstree, followed a few weeks later. Before
582-768: A lithograph company. After establishing Warner Bros. Music, Harry appointed his son, Lewis, to manage the company. By 1931, the studio began to feel the effects of the Great Depression, reportedly losing $ 8 million, and an additional $ 14 million the following year. In 1931, Warner Bros. Music head Lewis Warner died from an infected wisdom tooth . Around that time, Zanuck hired screenwriter Wilson Mizner , who had little respect for authority and found it difficult to work with Jack, but became an asset. As time passed, Warner became more tolerant of Mizner and helped invest in Mizner's Brown Derby restaurant. Mizner died of
776-421: A "gangster studio". The studio's first gangster film, Little Caesar , was a great box office success and Edward G. Robinson starred in many of the subsequent Warner gangster films. The studio's next effort, The Public Enemy , made James Cagney arguably the studio's new top star, and Warner Bros. made more gangster films. "Movie for movie, Warners was the most reliable source of entertainment through
970-444: A "musical." (Griffith's Dream Street had essentially been a "goat gland.") Expectations swiftly changed, and the sound "fad" of 1927 became standard procedure by 1929. In February 1929, sixteen months after The Jazz Singer' s debut, Columbia Pictures became the last of the eight studios that would be known as " majors " during Hollywood's Golden Age to release its first part-talking feature, The Lone Wolf's Daughter . In late May,
1164-485: A Bosko clone. By the end of World War II, a new Schlesinger production team, including directors Friz Freleng (started in 1934), Tex Avery (started in 1935), Frank Tashlin (started in 1936), Bob Clampett (started in 1937), Chuck Jones (started in 1938), and Robert McKimson (started in 1946), was formed. Schlesinger's staff developed a fast-paced, irreverent style that made their cartoons globally popular. In 1935, Avery directed Porky Pig cartoons that established
1358-518: A Warner Bros. movie. This second Jolson screen smash demonstrated the movie musical's ability to turn a song into a national hit: inside of nine months, the Jolson number " Sonny Boy " had racked up 2 million record and 1.25 million sheet music sales. September 1928 also saw the release of Paul Terry 's Dinner Time , among the first animated cartoons produced with synchronized sound. Soon after he saw it, Walt Disney released his first sound picture,
1552-464: A Western Electric sound-on-film system. None of these pictures made much impact. The first successful European dramatic talkie was the all-British Blackmail . Directed by twenty-nine-year-old Alfred Hitchcock , the movie had its London debut June 21, 1929. Originally shot as a silent, Blackmail was restaged to include dialogue sequences, along with a score and sound effects, before its premiere. A British International Pictures (BIP) production, it
1746-422: A cash settlement. Nevertheless, Cagney left the studio to establish an independent film company with his brother Bill. The Cagneys released their films though Grand National Films ; however, they were not able to get good financing and ran out of money after their third film. Cagney then agreed to return to Warner Bros., after Jack agreed to a contract guaranteeing Cagney would be treated to his own terms. After
1940-541: A contract with Warner Brothers and W. J. Rich, a financier, giving them an exclusive license for recording and reproducing sound pictures under the Western Electric system. To exploit this license the Vitaphone Corporation was organized with Samuel L. Warner as its president. Vitaphone , as this system was now called, was publicly introduced on August 6, 1926, with the premiere of Don Juan ;
2134-628: A demonstration of the Western Electric sound-on-disc system and was sufficiently impressed to persuade his brothers to agree to experiment with using this system at New York City's Vitagraph Studios , which they had recently purchased. The tests were convincing to the Warner Brothers, if not to the executives of some other picture companies who witnessed them. Consequently, in April 1926 the Western Electric Company entered into
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#17327917428922328-954: A divorce. While there, she was courted by Bill Gaston, a former athlete at Harvard and member of the Boston Bar Association. Secretly married in October 1925, their marriage was short-lived, with only occasional visits between Bill in Boston and Kay in New York City following her mother's footsteps onto the stage. She made her Broadway debut as the Player Queen in a modern-dress version of Shakespeare's Hamlet in November 1925. She often "borrowed" wardrobe for fashionable nights out in New York that were reported on by
2522-540: A dog brought from France after World War I by an American soldier, established their reputation. Rin Tin Tin's third film was the feature Where the North Begins , which was so successful that Jack signed the dog to star in more films for $ 1,000 per week. Rin Tin Tin became the studio's top star. Jack nicknamed him "The Mortgage Lifter" and the success boosted Darryl F. Zanuck 's career. Zanuck eventually became
2716-572: A featured players contract with Paramount Pictures , Francis also made the move and created an immediate impression. She frequently co-starred with William Powell , first teaming in Street of Chance (1930) when David Selznick fought for the pairing after having seen Francis briefly in Behind the Make-up (1930). It worked, and they appeared in as many as six to eight movies together per year, making
2910-707: A few films each year under the First National name until 1938. For thirty years, certain Warner productions were identified (mainly for tax purposes) as 'A Warner Bros.–First National Picture.' In the latter part of 1929, Jack Warner hired George Arliss to star in Disraeli , which was a success. Arliss won an Academy Award for Best Actor and went on to star in nine more movies for the studio. In 1930, Harry acquired more theaters in Atlantic City , despite
3104-681: A few songs performed by Richard Tauber . The movie was made with the sound-on-film system controlled by the German-Dutch firm Tobis , corporate heirs to the Tri-Ergon concern. With an eye toward commanding the emerging European market for sound film, Tobis entered into a compact with its chief competitor, Klangfilm, a joint subsidiary of Germany's two leading electrical manufacturers. Early in 1929, Tobis and Klangfilm began comarketing their recording and playback technologies. As ERPI began to wire theaters around Europe, Tobis-Klangfilm claimed that
3298-467: A furious pace on sophisticated sound amplification technology that would allow recordings to be played back over loudspeakers at theater-filling volume. The new moving-coil speaker system was installed in New York's Warners Theatre at the end of July and its patent submission, for what Western Electric called the No. 555 Receiver, was filed on August 4, just two days before the premiere of Don Juan . Late in
3492-410: A gala preview screening of The False Madonna . In 1932, Francis's career at Paramount changed gears when Warner Bros. promised her star status at a better salary of $ 4,000 a week. Paramount sued Warner Bros. over the loss. Warner Bros. persuaded both Francis and Powell to join the ranks of their stars, along with Ruth Chatterton . After her first three featured roles had been as a villainess, Francis
3686-456: A generation. The primary issue was synchronization: pictures and sound were recorded and played back by separate devices, which were difficult to start and maintain in tandem. Sufficient playback volume was also hard to achieve. While motion picture projectors soon allowed film to be shown to large theater audiences, audio technology before the development of electric amplification could not project satisfactorily to fill large spaces. Finally, there
3880-729: A given name common in the Americas) became Albert Warner. Jack, the youngest brother, was born in London, Ontario , during the family's two-year residency in Canada. The three elder brothers began in the movie theater business, having acquired a movie projector with which they showed films in the mining towns of Pennsylvania and Ohio . In the beginning, Sam and Albert Warner invested $ 150 to present Life of an American Fireman and The Great Train Robbery . They opened their first theater,
4074-413: A gradual transition to sound—allowing the studios to spread out the capital costs of conversion and their directors and technical crews time to become familiar with the new technology. The Mandarin-language Gēnǚ hóng mǔdān ( 歌 女 紅 牡 丹 , Singsong Girl Red Peony ), starring Butterfly Wu, premiered as China's first feature talkie in 1930. By February of that year, production was apparently completed on
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#17327917428924268-460: A heart attack on April 3, 1933. By 1932, musicals were declining in popularity, and the studio was forced to cut musical numbers from many productions and advertise them as straight comedies. The public had begun to associate musicals with color, and thus studios began to abandon its use. Warner Bros. had a contract with Technicolor to produce two more pictures in that process. As a result, the first horror films in color were produced and released by
4462-462: A large section of the industry still saw the silent as a viable artistic and commercial prospect till about 1935." The situation was particularly acute in the Soviet Union; as of May 1933, fewer than one out of every hundred film projectors in the country was as yet equipped for sound. During the 1920s and 1930s, Japan was one of the world's two largest producers of motion pictures, along with
4656-406: A light valve, a thin ribbon of sensitive metal over a tiny slit. The sound reaching this ribbon would be converted into light by the shivering of the diaphragm, focusing the resulting light waves through the slit, where it would be photographed on the side of the film, on a strip about a tenth of an inch wide. In 1908, Lauste purchased a photographophone from Ruhmer, with the intention of perfecting
4850-684: A major Hollywood studio. The Jazz Singer had its European sound premiere at the Piccadilly Theatre in London on September 27, 1928. According to film historian Rachael Low , "Many in the industry realized at once that a change to sound production was inevitable." On January 16, 1929, the first European feature film with a synchronized vocal performance and recorded score premiered: the German production Ich küsse Ihre Hand, Madame ( I Kiss Your Hand, Madame ). Dialogueless, it contains only
5044-575: A major loan. With this new money, the Warners bought the pioneer Vitagraph Company which had a nationwide distribution system. In 1925, Warners' also experimented in radio, establishing a successful radio station, KFWB , in Los Angeles. Warner Bros. was a pioneer of films with synchronized sound (then known as "talking pictures" or "talkies"). In 1925, at Sam's urging, Warner's agreed to add this feature to their productions. By February 1926,
5238-546: A mascot to Warner Bros., its various divisions, and Six Flags (which Time Warner once owned). The success of the compilation film The Bugs Bunny/Road Runner Movie in 1979, featuring the archived film of these characters, prompted Warner Bros. to organize Warner Bros. Animation as a new production division to restart production of original material. According to Warner's autobiography, prior to US entry in World War II , Philip Kauffman, Warner Bros. German sales head,
5432-413: A month-long strike. In retaliation, Warner—during his 1947 testimony before Congress about Mission to Moscow —accused multiple employees of ties to Communists. By the end of 1947, the studio reached a record net profit of $ 22 million (equivalent to $ 300 million in 2023). Warner acquired Pathé News from RKO in 1947. On January 5, 1948, Warner offered the first color newsreel , covering
5626-428: A net profit of $ 674,158.00. By 1936, contracts of musical and silent stars were not renewed, instead being replaced by tough-talking, working-class types who better fit these pictures. As a result, Dorothy Mackaill , Dolores del Río , Bebe Daniels , Frank Fay , Winnie Lightner , Bernice Claire , Alexander Gray, Alice White , and Jack Mulhall that had characterized the urban, modern, and sophisticated attitude of
5820-568: A number of companies were making progress with systems that recorded movie sound on phonograph discs. In sound-on-disc technology from the era, a phonograph turntable is connected by a mechanical interlock to a specially modified film projector , allowing for synchronization. In 1921, the Photokinema sound-on-disc system developed by Orlando Kellum was employed to add synchronized sound sequences to D. W. Griffith 's failed silent film Dream Street . A love song, performed by star Ralph Graves,
6014-592: A part in the Broadway play Crime . A teenage Sylvia Sidney had its lead, but later said that Francis stole the show. After Francis's divorce from Gaston in September 1927, she became engaged to society playboy Alan Ryan Jr. She promised his family that she would not return to the stage – a vow that lasted only a few months before she was playing an aviator in a Rachel Crothers play, Venus . Francis appeared in only one other Broadway production, titled Elmer
Kay Francis - Misplaced Pages Continue
6208-521: A party of Countess Dorothy Dentice di Frasso 's in Beverly Hills. In March 1938, Louella Parsons reported on their intended marriage and that Francis would retire from films, but by October the two were traveling separately and Francis was still acting; by December, Barnekow had returned to Germany. Francis's clothes horse reputation and statuesque frame often led Warners' producers to concentrate resources on lavish sets and costumes rather than
6402-703: A popular 1944 film, Four Jills in a Jeep , with a cavalcade of stars and Martha Raye and Mitzi Mayfair joining Landis and Francis to fill out the complement of Jills. At the end of the war, Four Jills was given a four-star production by 20th Century Fox , but still needed distribution through Monogram, and the decade found Francis virtually unemployable in Hollywood. She signed a three-film contract with Poverty Row studio Monogram Pictures that gave her production credit as well as star billing. The resulting films Divorce , Wife Wanted and Allotment Wives had limited releases in 1945 and 1946. Francis spent
6596-486: A popular book by former ambassador James W. Gerard , was released. On April 4, 1923, with help from money loaned to Harry by his banker Motley Flint, they formally incorporated as Warner Bros. Pictures, Incorporated . (As late as the 1960s, Warner Bros. claimed 1905 as its founding date.) The first important deal was the acquisition of the rights to Avery Hopwood 's 1919 Broadway play, The Gold Diggers , from theatrical impresario David Belasco . However, Rin Tin Tin ,
6790-599: A quarter to six in the morning if I'm going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn't it? But never mind, that's my life ... As long as they pay me my salary, they can give me a broom and I'll sweep the stage. I don't give a damn. I want the money ... When I die, I want to be cremated so that no sign of my existence is left on this earth. I can't wait to be forgotten." —From Kay Francis's private diaries, c. 1938. Francis married three times, to James Dwight Francis (1922–1925); William Gaston (1925–1927); and Kenneth MacKenna (1931–1934). It
6984-431: A result of losses from the Great Depression, and Harry refused to restore it as the company recovered. Zanuck established his own company. Harry thereafter raised salaries for studio employees. In 1933, Warner was able to link up with newspaper tycoon William Randolph Hearst 's Cosmopolitan Films. Hearst had previously worked with MGM, but ended the association after a dispute with head producer Irving Thalberg over
7178-425: A result of their financial problems, Warner Bros. took the next step and released The Jazz Singer starring Al Jolson . This movie, which includes little sound dialogue, but did feature sound segments of Jolson singing, was a sensation. It signaled the beginning of the era of "talking pictures" and the twilight of the silent era. However, Sam died the night before the opening, preventing the brothers from attending
7372-458: A result, Harry Warner—while speaking at a convention of 1,500 independent exhibitors in Milwaukee, Wisconsin—was able to convince the filmmakers to spend $ 500,000 in newspaper advertising, and Harry saw this as an opportunity to establish theaters in places such as New York City and Los Angeles. As the studio prospered, it gained backing from Wall Street , and in 1924 Goldman Sachs arranged
7566-485: A screen. The phonograph was connected by an intricate arrangement of pulleys to the film projector, allowing—under ideal conditions—for synchronization. However, conditions were rarely ideal, and the new, improved Kinetophone was retired after little more than a year. By the mid-1910s, the groundswell in commercial sound motion picture exhibition had subsided. Beginning in 1914, The Photo-Drama of Creation , promoting Jehovah's Witnesses ' conception of humankind's genesis,
7760-448: A sound version of The Devil's Playground , arguably qualifying it as the first Australian talking motion picture; however, the May press screening of Commonwealth Film Contest prizewinner Fellers is the first verifiable public exhibition of an Australian talkie. In September 1930, a song performed by Indian star Sulochana , excerpted from the silent feature Madhuri (1928), was released as
7954-481: A subsidiary of British Talking Pictures, which purchased the primary Phonofilm assets. By the end of 1930, the Phonofilm business would be liquidated. In Europe, others were also working on the development of sound-on-film. In 1919, the same year that DeForest received his first patents in the field, three German inventors, Josef Engl (1893–1942), Hans Vogt (1890–1979), and Joseph Massolle (1889–1957), patented
Kay Francis - Misplaced Pages Continue
8148-576: A synchronized-sound short, the country's first. The following year, Ardeshir Irani directed the first Indian talking feature, the Hindi-Urdu Alam Ara , and produced Kalidas , primarily in Tamil with some Telugu. Nineteen-thirty-one also saw the first Bengali-language film, Jamai Sasthi , and the first movie fully spoken in Telugu, Bhakta Prahlada . In 1932, Ayodhyecha Raja became
8342-559: A system that recorded sound on a separate filmstrip running parallel with the image reel. Gaumont licensed the technology and briefly put it to commercial use under the name Cinéphone. US competition eclipsed Phonofilm. By September 1925, De Forest and Case's working arrangement had fallen through. The following July, Case joined Fox Film , Hollywood's third largest studio , to found the Fox-Case Corporation. The system developed by Case and his assistant, Earl Sponable, given
8536-407: A talkie: G'schichten aus der Steiermark ( Stories from Styria ), an Eagle Film–Ottoton Film production. On September 30, the first entirely German-made feature-length dramatic talkie, Das Land ohne Frauen ( Land Without Women ), premiered. A Tobis Filmkunst production, about one-quarter of the movie contained dialogue, which was strictly segregated from the special effects and music. The response
8730-515: A third of all movies produced in Japan were shot without dialogue. The enduring popularity of the silent medium in Japanese cinema owed in great part to the tradition of the benshi , a live narrator who performed as accompaniment to a film screening. As director Akira Kurosawa later described, the benshi "not only recounted the plot of the films, they enhanced the emotional content by performing
8924-518: A top producer and between 1928 and 1933 served as Jack's right-hand man and executive producer , with responsibilities including day-to-day film production. More success came after Ernst Lubitsch was hired as head director; Harry Rapf left the studio to join Metro-Goldwyn-Mayer . Lubitsch's film The Marriage Circle was the studio's most successful film of 1924, and was on The New York Times best list for that year. Despite
9118-515: A top star and signed him to a new contract, tripling his salary. In 1936, Harry's daughter Doris read a copy of Margaret Mitchell's Gone with the Wind and was interested in making a film adaptation. Doris offered Mitchell $ 50,000 for screen rights. Jack vetoed the deal, realizing it would be an expensive production. Major Paramount star George Raft also eventually proved to be a problem for Jack. Warner had signed him in 1939, finally bringing
9312-686: A top star. Following High Sierra and after Raft had once again turned the part down, Bogart was given the leading role in John Huston 's successful 1941 remake of the studio's 1931 pre-Code film, The Maltese Falcon , based upon the Dashiell Hammett novel. Warner's cartoon unit had its roots in the independent Harman and Ising studio. From 1930 to 1933, Walt Disney Studios alumni Hugh Harman and Rudolf Ising produced musical cartoons for Leon Schlesinger , who sold them to Warner. Harman and Ising introduced their character Bosko in
9506-545: A top studio in Hollywood , but this changed after 1935 as other studios, notably MGM, quickly overshadowed the prestige and glamor that previously characterized Warner Bros. However, in the late 1930s, Bette Davis became the studio's top draw and was even dubbed as "The Fifth Warner Brother". In 1935, Cagney sued Jack Warner for breach of contract. Cagney claimed Warner had forced him to star in more films than his contract required. Cagney eventually dropped his lawsuit after
9700-595: A total of 21 films between 1930 and 1932. Francis's career flourished at Paramount in spite of a slight, but distinctive rhotacism (she pronounced the letter "r" as "w") that gave rise to the nickname "Wavishing Kay Fwancis". She appeared in George Cukor 's "thrillingly amoral comedy" Girls About Town (1931) and 24 Hours (1931). On December 16, 1931, Francis and her co-stars opened the newly constructed art deco Paramount Theatre in Oakland, California, with
9894-415: A variety of ways. An increasing number of motion picture systems relied on gramophone records —known as sound-on-disc technology. The records themselves were often referred to as "Berliner discs", after one of the primary inventors in the field, German-American Emile Berliner . In 1902, Léon Gaumont demonstrated his sound-on-disc Chronophone, involving an electrical connection he had recently patented, to
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#173279174289210088-460: A very successful musical under the direction of Lloyd Bacon. Warner assigned Bacon to "more expensive productions including Footlight Parade , Wonder Bar , Broadway Gondolier " (which he also starred in), and Gold Diggers that saved the company from bankruptcy. In the wake of 42nd Street 's success, the studio produced profitable musicals. These starred Ruby Keeler and Dick Powell and were mostly directed by Busby Berkeley . In 1935,
10282-663: The Cascade , in New Castle, Pennsylvania , in 1903. When the original building was in danger of being demolished, the modern Warner Bros. called the current building owners and arranged to save it. The owners noted people across the country had asked them to protect it for its historical significance. In 1904, the Warners founded the Pittsburgh -based Duquesne Amusement & Supply Company, to distribute films. In 1912, Harry Warner hired an auditor named Paul Ashley Chase . By
10476-703: The French Photographic Society . Four years later, Gaumont introduced the Elgéphone, a compressed-air amplification system based on the Auxetophone, developed by British inventors Horace Short and Charles Parsons. Despite high expectations, Gaumont's sound innovations had only limited commercial success. Despite some improvements, they still did not satisfactorily address the three basic issues with sound film and were expensive as well. For some years, American inventor E. E. Norton's Cameraphone
10670-618: The Kinetophone in 1895, but individual, cabinet viewing of motion pictures was soon to be outmoded by successes in film projection. In 1899, a projected sound-film system known as Cinemacrophonograph or Phonorama, based primarily on the work of Swiss-born inventor François Dussaud, was exhibited in Paris; similar to the Kinetophone, the system required individual use of earphones. An improved cylinder-based system, Phono-Cinéma-Théâtre,
10864-463: The Mickey Mouse short Steamboat Willie . Over the course of 1928, as Warner Bros. began to rake in huge profits due to the popularity of its sound films , the other studios quickened the pace of their conversion to the new technology. Paramount, the industry leader, put out its first talkie in late September, Beggars of Life ; though it had just a few lines of dialogue, it demonstrated
11058-487: The Motion Picture Association of America , all with live-recorded sound. These were the first true sound films exhibited by a Hollywood studio. Warner Bros.' The Better 'Ole , technically similar to Don Juan , followed in October. Sound-on-film would ultimately win out over sound-on-disc because of a number of fundamental technical advantages: Nonetheless, in the early years, sound-on-disc had
11252-585: The Poverty Row section of Hollywood, and acquire a much larger studio lot in Burbank . They expanded by acquiring the Stanley Corporation, a major theater chain. This gave them a share in rival First National Pictures , of which Stanley owned one-third. In a bidding war with William Fox , Warner Bros. bought more First National shares on September 13, 1928; Jack also appointed Zanuck as
11446-818: The Tournament of Roses Parade and the Rose Bowl Game . In 1948, Bette Davis, still their top actress and now hostile to Jack, was a big problem for Harry after she and others left the studio after completing the film Beyond the Forest . Warner was a party to the United States v. Paramount Pictures, Inc. antitrust case of the 1940s. This action, brought by the Justice Department and the Federal Trade Commission , claimed
11640-579: The Tri-Ergon sound system. On September 17, 1922, the Tri-Ergon group gave a public screening of sound-on-film productions—including a dramatic talkie, Der Brandstifter ( The Arsonist ) —before an invited audience at the Alhambra Kino in Berlin. By the end of the decade, Tri-Ergon would be the dominant European sound system. In 1923, two Danish engineers, Axel Petersen and Arnold Poulsen, patented
11834-522: The Warner Bros. Television Group . Bugs Bunny , a character created for the Looney Tunes series, is the company's official mascot. The company's name originated from the founding Warner brothers (born Wonsal, Woron, and Wonskolaser before Anglicization): Harry , Albert , Sam , and Jack Warner. Harry, Albert and Sam emigrated as young children with their Polish-Jewish mother to
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#173279174289212028-480: The box office and the studio's net loss increased. During this time, Harry and six other movie studio figures were indicted for conspiracy to violate the Sherman Antitrust Act , through an attempt to gain a monopoly over St Louis movie theaters. In 1935, Harry was put on trial; after a mistrial, Harry sold the company's movie theaters and the case was never reopened. 1935 also saw the studio make
12222-764: The stage name Katharine Clinton . Kay often traveled with her mother. Kay attended Catholic schools when it was affordable, becoming a student at the Institute of the Holy Angels at age five. After also attending Miss Fuller's School for Young Ladies in Ossining, New York (1919) and the Cathedral School (1920), she enrolled at the Katharine Gibbs Secretarial School in New York City. While there she did nothing to discourage
12416-464: The 1920s gave way to James Cagney , Joan Blondell , Edward G. Robinson , Warren William and Barbara Stanwyck , who would be more acceptable to the common man. The studio was one of the most prolific producers of Pre-Code pictures and had a lot of trouble with the censors once they started clamping down on what they considered indecency (around 1934). As a result, Warner Bros. turned to historical pictures from around 1935 to avoid confrontations with
12610-551: The B's". Foy was able to garnish arguably more profits than any other B-film producer at the time. During Foy's time at the studio, however, Warner fired him seven different times. During 1936, The Story of Louis Pasteur proved a box office success and star Paul Muni won the Oscar for Best Actor in March 1937. The studio's 1937 film The Life of Emile Zola gave the studio the first of its seven Best Picture Oscars . In 1937,
12804-520: The Breen office. In 1936, following the success of The Petrified Forest , Jack signed Humphrey Bogart to a studio contract. Warner, however, did not think Bogart was star material, and cast Bogart in infrequent roles as a villain opposite either James Cagney or Edward Robinson over the next five years. After Hal B. Wallis succeeded Zanuck in 1933, and the Hays Code began to be enforced in 1935,
12998-759: The Flame (1930), Song of the West (1930), The Life of the Party (1930), Sweet Kitty Bellairs (1930), Under a Texas Moon (1930), Bride of the Regiment (1930), Viennese Nights (1931), Woman Hungry (1931), Kiss Me Again (1931), 50 Million Frenchmen (1931) and Manhattan Parade (1932). In addition to these, scores of features were released with Technicolor sequences, as well as numerous Technicolor Specials short subjects . The majority of these color films were musicals. In 1929, Warner Bros. bought
13192-582: The Gallows ). Several European nations with minor positions in the field also produced their first talking pictures—Belgium (in French), Denmark, Greece, and Romania. The Soviet Union's robust film industry came out with its first sound features in December 1930: Dziga Vertov 's nonfiction Enthusiasm had an experimental, dialogueless soundtrack; Abram Room 's documentary Plan velikikh rabot ( The Plan of
13386-406: The Great in 1928. Written by Ring Lardner , produced by George M. Cohan , and starring Walter Huston , the play nonetheless flopped. Though flat broke at the time, Francis was unwilling to ask friends for help and determined to "crawl out of this mess herself." Huston had been impressed by Francis's performance and encouraged her to take a screen test for his new studio, Paramount Pictures , and
13580-577: The Great Works ) had music and spoken voiceovers. Both were made with locally developed sound-on-film systems, two of the two hundred or so movie sound systems then available somewhere in the world. In June 1931, the Nikolai Ekk drama Putevka v zhizn ( The Road to Life or A Start in Life ), premiered as the Soviet Union's first true talking picture. Throughout much of Europe, conversion of exhibition venues lagged well behind production capacity, requiring talkies to be produced in parallel silent versions or simply shown without sound in many places. While
13774-407: The Mouse (31 minutes of dialogue) in May. On July 6, 1928, the first all-talking feature, Lights of New York , premiered. The film cost Warner Bros. only $ 23,000 to produce, but grossed $ 1,252,000, a record rate of return surpassing 5,000%. In September, the studio released another Al Jolson part-talking picture, The Singing Fool , which more than doubled The Jazz Singer' s earnings record for
13968-487: The Paris studios were fully sound-equipped—a process that stretched well into 1930—a number of other early French talkies were shot in Germany. The first all-talking German feature, Atlantik , had premiered in Berlin on October 28. Yet another Elstree-made movie, it was rather less German at heart than Les Trois masques and La Route est belle were French; a BIP production with a British scenarist and German director, it
14162-533: The Royal Hungarian Patent Court in 1918; the patent award was published four years later. Whether sound was captured on cylinder, disc, or film, none of the available technology was adequate for big-league commercial purposes, and for many years the heads of the major Hollywood film studios saw little benefit in producing sound motion pictures. A number of technological developments contributed to making sound cinema commercially viable by
14356-687: The St. Louis-based theater chain Skouras Brothers Enterprises . Following this takeover, Spyros Skouras , the driving force of the chain, became general manager of the Warner Brothers Theater Circuit in America. He worked successfully in that post for two years and turned its losses into profits. Harry produced an adaptation of a Cole Porter musical titled Fifty Million Frenchmen . Through First National,
14550-540: The United States ). In Europe (and, to a lesser degree, elsewhere), the new development was treated with suspicion by many filmmakers and critics, who worried that a focus on dialogue would subvert the unique aesthetic virtues of silent cinema. In Japan , where the popular film tradition integrated silent movie and live vocal performance ( benshi ), talking pictures were slow to take root. Conversely, in India, sound
14744-592: The United States from Krasnosielc , Poland (then part of Congress Poland within the Russian Empire ), in October 1889, a year after their father emigrated to the U.S. and settled in Baltimore , Maryland . As in many other immigrant families, the elder Wonsal children gradually acquired anglicized versions of their Yiddish -sounding names: Szmuel Wonsal became Samuel Warner (nicknamed "Sam"), Hirsz Wonsal became Harry Warner, and Aaron Wonsal (although born with
14938-417: The United States. By 1930, only half of the theaters had been wired for sound. Initially, all ERPI-wired theaters were made Vitaphone-compatible; most were equipped to project Movietone reels as well. However, even with access to both technologies, most of the Hollywood companies remained slow to produce talking features of their own. No studio besides Warner Bros. released even a part-talking feature until
15132-563: The United States. Though the country's film industry was among the first to produce both sound and talking features, the full changeover to sound proceeded much more slowly than in the West. It appears that the first Japanese sound film, Reimai ( Dawn ), was made in 1926 with the De Forest Phonofilm system. Using the sound-on-disc Minatoki system, the leading Nikkatsu studio produced a pair of talkies in 1929: Taii no musume ( The Captain's Daughter ) and Furusato ( Hometown ),
15326-461: The Vitaphone system, most of the film does not contain live-recorded audio, relying, like Sunrise and Don Juan , on a score and effects. When the movie's star, Al Jolson , sings, however, the film shifts to sound recorded on the set, including both his musical performances and two scenes with ad-libbed speech—one of Jolson's character, Jakie Rabinowitz (Jack Robin), addressing a cabaret audience;
15520-649: The Western Electric system infringed on the Tri-Ergon patents, stalling the introduction of American technology in many places. Just as RCA had entered the movie business to maximize its recording system's value, Tobis also established its own production operations. During 1929, most of the major European filmmaking countries began joining Hollywood in the changeover to sound. Many of the trend-setting European talkies were shot abroad as production companies leased studios while their own were being converted or as they deliberately targeted markets speaking different languages. One of Europe's first two feature-length dramatic talkies
15714-478: The Wind (1939), and, in the same year, to the termination of her contract. The Independent Theatre Owners Association paid for an advertisement in The Hollywood Reporter in May 1938 that included Francis, along with Greta Garbo , Joan Crawford , Fred Astaire , Mae West , Katharine Hepburn and others, on a list of stars dubbed " box office poison ". After her release from Warner Bros., she
15908-455: The all-talking Niebezpieczny romans ( Dangerous Love Affair ) in October. In Italy, whose once vibrant film industry had become moribund by the late 1920s, the first talkie, La Canzone dell'amore ( The Song of Love ), also came out in October; within two years, Italian cinema would be enjoying a revival. The first movie spoken in Czech debuted in 1930 as well, Tonka Šibenice ( Tonka of
16102-458: The assumption that her mother was Katharine Gibbs , the pioneering American businesswoman who had established the Gibbs chain of vocational schools. In 1922, 17-year-old Kay was engaged to James Dwight Francis, a well-to-do man from Pittsfield, Massachusetts . Their marriage, at New York's Saint Thomas Church, ended in divorce three years later. In the spring of 1925, Francis went to Paris to get
16296-476: The banner of De Forest Phonofilms . The set included the 11-minute short film From far Seville starring Concha Piquer . In 2010, a copy of the tape was found in the U.S. Library of Congress , where it is currently preserved. Critics attending the event praised the novelty but not the sound quality which received negative reviews in general. That June, De Forest entered into an extended legal battle with an employee, Freeman Harrison Owens , for title to one of
16490-526: The beginning of every showing of Don Juan across the country) in 1926. Many film production companies questioned the necessity. Don Juan did not recoup its production cost and Lubitsch left for MGM. By April 1927, the Big Five studios (First National, Paramount, MGM, Universal Pictures , and Producers Distributing) had ruined Warners, and Western Electric renewed Warner's Vitaphone contract with terms that allowed other film companies to test sound. As
16684-420: The beginning of the Great Depression. In July 1930, the studio's banker, Motley Flint, was murdered by a disgruntled investor in another company. Harry acquired a string of music publishers (including M. Witmark & Sons , Remick Music Corp. , and T.B. Harms, Inc. ) to form Warner Bros. Music. In April 1930, Warner Bros. acquired Brunswick Records . Harry obtained radio companies, foreign sound patents and
16878-401: The blind. Warner Bros. Warner Bros. Entertainment Inc. (commonly known as Warner Bros. , or abbreviated as WB , or WBEI ) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California , and a subsidiary of Warner Bros. Discovery (WBD). Founded in 1923 by four brothers, Harry , Albert , Sam , and Jack Warner ,
17072-401: The brothers acquired the studio in 1928. Thanks to the success of The Jazz Singer , the studio was cash-rich. Jolson's next film for the company, The Singing Fool was also a success. With the success of these first talkies ( The Jazz Singer , Lights of New York , The Singing Fool and The Terror ), Warner Bros. became a top studio and the brothers were now able to move out from
17266-417: The camera for particular shots. The necessity of staying within range of still microphones meant that actors also often had to limit their movements unnaturally. Show Girl in Hollywood (1930), from First National Pictures (which Warner Bros. had taken control of thanks to its profitable adventure into sound), gives a behind-the-scenes look at some of the techniques involved in shooting early talkies. Several of
17460-604: The character as the studio's first animated star. In addition to Porky, Daffy Duck (who debuted in 1937's Porky's Duck Hunt ), Elmer Fudd ( Elmer's Candid Camera , 1940), Bugs Bunny ( A Wild Hare , 1940), and Tweety ( A Tale of Two Kitties , 1942) would achieve star power. By 1942, the Schlesinger studio had surpassed Walt Disney Studios as the most successful producer of animated shorts. Warner Bros. bought Schlesinger's cartoon unit in 1944 and renamed it Warner Bros. Cartoons . However, senior management treated
17654-403: The commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as " talking pictures ", or " talkies ", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences)
17848-560: The company established itself as a leader in the American film industry before diversifying into animation , television , and video games , and is one of the "Big Five" major American film studios , as well as a member of the Motion Picture Association (MPA). The company is known for its film studio division, the Warner Bros. Motion Picture Group , which includes Warner Bros. Pictures , New Line Cinema , Warner Bros. Pictures Animation , Castle Rock Entertainment , DC Studios , and
18042-528: The company's remaining one-third share from Fox. The Justice Department agreed to allow the purchase if First National was maintained as a separate company. When the Great Depression hit, Warner asked for and got permission to merge the two studios. Soon afterward Warner Bros. moved to the First National lot in Burbank. Though the companies merged, the Justice Department required Warner to release
18236-738: The couple's amicable 1933 separation; they divorced in 1934. Francis frequently played long-suffering heroines, in films such as I Found Stella Parish , Secrets of an Actress , and Comet Over Broadway , displaying to good advantage lavish wardrobes that, in some cases, were more memorable than the characters she played – a fact often emphasized by contemporary film reviewers. As Belinda in Give Me Your Heart (1936) with co-stars George Brent and Roland Young , her performance had "reticence and pathos" and garnered welcoming reviews from The New York Times . In October 1937, Francis met aviation businessman Raven Freiherr von Barnekow at
18430-712: The crucial Phonofilm patents. Although De Forest ultimately won the case in the courts, Owens is today recognized as a central innovator in the field. The following year, De Forest's studio released the first commercial dramatic film shot as a talking picture—the two-reeler Love's Old Sweet Song , directed by J. Searle Dawley and featuring Una Merkel . However, phonofilm's stock in trade was not original dramas but celebrity documentaries, popular music acts, and comedy performances. President Calvin Coolidge , opera singer Abbie Mitchell , and vaudeville stars such as Phil Baker , Ben Bernie , Eddie Cantor and Oscar Levant appeared in
18624-440: The day's press. Francis claimed she got the part by "lying a lot, to the right people". One of them was producer Stuart Walker , who hired her to join his Portmanteau Theatre Company. She soon found herself commuting between Dayton and Cincinnati , Ohio, and Indianapolis , Indiana. She played wisecracking secretaries, saucy French floozies, walk-ons, bit parts, and heavies. By February 1927, Francis returned to New York and got
18818-531: The device into a commercial product. Though sound-on-film would eventually become the universal standard for synchronized sound cinema, Lauste never successfully exploited his innovations, which came to an effective dead end. In 1914, Finnish inventor Eric Tigerstedt was granted German patent 309,536 for his sound-on-film work; that same year, he apparently demonstrated a film made with the process to an audience of scientists in Berlin. Hungarian engineer Denes Mihaly submitted his sound-on-film Projectofon concept to
19012-404: The edge over sound-on-film in two substantial ways: As sound-on-film technology improved, both of these disadvantages were overcome. The third crucial set of innovations marked a major step forward in both the live recording of sound and its effective playback: In 1913, Western Electric , the manufacturing division of AT&T, acquired the rights to the de Forest audion , the forerunner of
19206-493: The end of the decade opposite Humphrey Bogart in the gangster film King of the Underworld , released in 1939. The movie was a remake of Paul Muni 's Dr. Socrates (1935), with Francis in the role of a doctor who is forced to treat Bogart's injured gangster character and then gets caught up with the law. Originally titled Lady Doctor, the film was shelved, then retitled Unlawful for reshoots to beef up Bogart's role. By
19400-642: The feature Don Juan starring John Barrymore . The film was silent, but it featured a large number of Vitaphone shorts at the beginning. To hype Don Juan ' s release, Harry acquired the large Piccadilly Theater in Manhattan , New York City , and renamed it Warners' Theatre. Don Juan premiered at the Warners' Theatre in New York on August 6, 1926. Throughout the early history of film distribution, theater owners hired orchestras to attend film showings, where they provided soundtracks . Through Vitaphone, Warner Bros. produced eight shorts (which were played at
19594-848: The film Gentlemen of the Press (1929). Paramount offered her a starting contract of $ 300 per week for five weeks. Francis made Press and the Marx Brothers film The Cocoanuts (1929) at Paramount's Astoria Studios in Astoria, Queens, New York before moving to Hollywood. Major film studios, which had formerly been based in New York, had relocated successfully to California. With the coming of sound pictures , even more Broadway actors were enticed to Hollywood, including Ann Harding , Aline MacMahon , Helen Twelvetrees , Spencer Tracy , Paul Muni , Barbara Stanwyck , Humphrey Bogart , James Cagney , Joan Blondell and Leslie Howard . Signed to
19788-435: The film "a good gimmick, but that's all it was." Not until May 1928 did the group of four big studios (PDC had dropped out of the alliance), along with United Artists and others, sign with ERPI for conversion of production facilities and theaters for sound film. It was a daunting commitment; revamping a single theater cost as much as $ 15,000 (the equivalent of $ 220,000 in 2019), and there were more than 20,000 movie theaters in
19982-573: The film's release, Warner Bros. had again changed titles to King of the Underworld while demoting Francis to second billing. With the start of World War II, Francis joined the war effort, doing volunteer work with the Naval Aid Auxiliary, where she was named head of the NAA's Hospital Unit. She also performed extensive war-zone touring, first chronicled in the book " Four Jills in a Jeep ", written by fellow volunteer Carole Landis . It became
20176-434: The film's soundtrack consisted of a musical score and sound effects (including, in a couple of crowd scenes, "wild", nonspecific vocals). Then, on October 6, 1927, Warner Bros.' The Jazz Singer premiered. It was a smash box office success for the mid-level studio, earning a total of $ 2.625 million in the United States and abroad, almost a million dollars more than the previous record for a Warner Bros. film. Produced with
20370-667: The film—sued the studio for displaying "vicious, untrue and false attacks" against him in the film. After appearing in the Warner's film The Man Who Played God , Bette Davis became a top star. In 1933, relief for the studio came after Franklin D. Roosevelt became president and began the New Deal . This economic rebound allowed Warner Bros. to again become profitable. The same year, Zanuck quit. Harry Warner's relationship with Zanuck had become strained after Harry strongly opposed allowing Zanuck's film Baby Face to step outside Hays Code boundaries. The studio reduced his salary as
20564-493: The firm's pictures. Hollywood remained suspicious, even fearful, of the new technology. As Photoplay editor James Quirk put it in March 1924, "Talking pictures are perfected, says Dr. Lee De Forest. So is castor oil ." De Forest's process continued to be used through 1927 in the United States for dozens of short Phonofilms; in the UK it was employed a few years longer for both shorts and features by British Sound Film Productions,
20758-476: The first Looney Tunes cartoon, Sinkin' in the Bathtub , and created a sister series, Merrie Melodies , in 1931. Harman and Ising broke away from Schlesinger in 1933 due to a contractual dispute, taking Bosko with them to MGM. As a result, Schlesinger started his own studio, Leon Schlesinger Productions , which continued with Merrie Melodies while starting production on Looney Tunes starring Buddy ,
20952-511: The first all-color, all-talking feature, Warner Bros.' On with the Show! , premiered. Yet most American movie theaters, especially outside of urban areas, were still not equipped for sound: while the number of sound cinemas grew from 100 to 800 between 1928 and 1929, they were still vastly outnumbered by silent theaters, which had actually grown in number as well, from 22,204 to 22,544. The studios, in parallel, were still not entirely convinced of
21146-471: The first commercial motion picture exhibition, he proposed a scheme for sound cinema that would combine his image-casting zoopraxiscope with Edison's recorded-sound technology. No agreement was reached, but within a year Edison commissioned the development of the Kinetoscope , essentially a "peep-show" system, as a visual complement to his cylinder phonograph . The two devices were brought together as
21340-423: The first feature-length movie to employ a synchronized sound system of any type throughout, its soundtrack contained a musical score and added sound effects , but no recorded dialogue—in other words, it had been staged and shot as a silent film. Accompanying Don Juan , however, were eight shorts of musical performances, mostly classical, as well as a four-minute filmed introduction by Will H. Hays , president of
21534-570: The first movie in which Marathi was spoken to be released (though Sant Tukaram was the first to go through the official censorship process); the first Gujarati-language film, Narsimha Mehta , and all-Tamil talkie, Kalava , debuted as well. The next year, Ardeshir Irani produced the first Persian-language talkie, Dukhtar-e-loor . Also in 1933, the first Cantonese-language films were produced in Hong Kong— Sha zai dongfang ( The Idiot's Wedding Night ) and Liang xing ( Conscience ); within two years,
21728-494: The first reported U.S. demonstration of a sound-on-film motion picture to members of the American Institute of Electrical Engineers . As with Lauste and Tigerstedt, Tykociner's system would never be taken advantage of commercially; however, De Forest's soon would. On April 15, 1923, at the New York City's Rivoli Theater, the first commercial screening of motion pictures with sound-on-film took place. This would become
21922-453: The five integrated studio-theater chain combinations restrained competition. The Supreme Court heard the case in 1948, and ruled for the government. As a result, Warner and four other major studios were forced to separate production from the exhibition. In 1949, the studio's net profit was only $ 10 million (equivalent to $ 128.06 million in 2023). Warner Bros. had two semi-independent production companies that released films through
22116-531: The front-runners came up with. In May, Warner Bros. sold back its exclusivity rights to ERPI (along with the Fox-Case sublicense) and signed a new royalty contract similar to Fox's for use of Western Electric technology. Fox and Warners pressed forward with sound cinema, moving in different directions both technologically and commercially: Fox moved into newsreels and then scored dramas, while Warners concentrated on talking features. Meanwhile, ERPI sought to corner
22310-420: The fundamental problems caused by the transition to sound were soon solved with new camera casings, known as " blimps ", designed to suppress noise and boom microphones that could be held just out of frame and moved with the actors. In 1931, a major improvement in playback fidelity was introduced: three-way speaker systems in which sound was separated into low, medium, and high frequencies and sent respectively to
22504-411: The future standard. It consisted of a set of short films varying in length and featuring some of the most popular stars of the 1920s (including Eddie Cantor , Harry Richman , Sophie Tucker , and George Jessel among others) doing stage performances such as vaudevilles , musical acts, and speeches which accompanied the screening of the silent feature film Bella Donna . All of them were presented under
22698-455: The governments of England and the United States. By the middle of 1943, however, audiences had tired of war films, but Warner continued to produce them, losing money. In honor of the studio's contributions to the cause, the Navy named a Liberty ship after the brothers' father, Benjamin Warner. Harry christened the ship. By the time the war ended, $ 20 million in war bonds were purchased through
22892-476: The late 1920s. Two involved contrasting approaches to synchronized sound reproduction, or playback: In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound -on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded onto the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture
23086-456: The latter directed by Kenji Mizoguchi . The rival Shochiku studio began the successful production of sound-on-film talkies in 1931 using a variable-density process called Tsuchibashi. Two years later, however, more than 80 percent of movies made in the country were still silents. Two of the country's leading directors, Mikio Naruse and Yasujirō Ozu , did not make their first sound films until 1935 and 1936, respectively. As late as 1938, over
23280-540: The lines are of varying width.) By October, the FBO-RCA alliance would lead to the creation of Hollywood's newest major studio, RKO Pictures . Meanwhile, Warner Bros. had released three more talkies, all profitable, if not at the level of The Jazz Singer : In March, Tenderloin appeared; it was billed by Warners as the first feature in which characters spoke their parts, though only 15 of its 88 minutes had dialogue. Glorious Betsy followed in April, and The Lion and
23474-481: The local film industry had fully converted to sound. Korea, where pyonsa (or byun-sa ) held a role and status similar to that of the Japanese benshi, in 1935 became the last country with a significant film industry to produce its first talking picture: Chunhyangjeon ( Korean : 춘향전 ; Hanja : 春香傳 ) is based on the seventeenth-century pansori folktale " Chunhyangga ", of which as many as fifteen film versions have been made through 2009. In
23668-439: The low-budget-oriented Film Booking Offices of America (FBO) premiered The Perfect Crime on June 17, 1928, eight months after The Jazz Singer . FBO had come under the effective control of a Western Electric competitor, General Electric 's RCA division, which was looking to market its new sound-on-film system, Photophone . Unlike Fox-Case's Movietone and De Forest's Phonofilm, which were variable-density systems, Photophone
23862-429: The manager of First National Pictures. In 1928, Warner Bros. released Lights of New York , the first all-talking feature. Due to its success, the movie industry converted entirely to sound almost overnight. By the end of 1929, all the major studios were exclusively making sound films. In 1929, First National Pictures released their first film with Warner Bros., Noah's Ark . Despite its expensive budget, Noah's Ark
24056-424: The market by signing up the five allied studios. The big sound film sensations of the year all took advantage of preexisting celebrity. On May 20, 1927, at New York City's Roxy Theater , Fox Movietone presented a sound film of the takeoff of Charles Lindbergh 's celebrated flight to Paris, recorded earlier that day. In June, a Fox sound newsreel depicting his return welcomes in New York City and Washington, D.C.,
24250-589: The name Movietone , thus became the first viable sound-on-film technology controlled by a Hollywood movie studio. The following year, Fox purchased the North American rights to the Tri-Ergon system, though the company found it inferior to Movietone and virtually impossible to integrate the two different systems to advantage. In 1927, as well, Fox retained the services of Freeman Owens, who had particular expertise in constructing cameras for synch-sound film. Parallel with improvements in sound-on-film technology,
24444-403: The other an exchange between him and his mother. The "natural" sounds of the settings were also audible. Though the success of The Jazz Singer was due largely to Jolson, already established as one of U.S. biggest music stars, and its limited use of synchronized sound hardly qualified it as an innovative sound film (let alone the "first"), the movie's profits were proof enough to the industry that
24638-525: The pace of conversion was relatively swift in Britain—with over 60 percent of theaters equipped for sound by the end of 1930, similar to the U.S. figure—in France, by contrast, more than half of theaters nationwide were still projecting in silence by late 1932. According to scholar Colin G. Crisp, "Anxiety about resuscitating the flow of silent films was frequently expressed in the [French] industrial press, and
24832-426: The premiere. Jack became sole head of production. Sam's death also had a great effect on Jack's emotional state, as Sam was arguably Jack's inspiration and favorite brother. In the years to come, Jack kept the studio under tight control. Firing employees was common. Among those whom Jack fired were Rin Tin Tin (in 1929) and Douglas Fairbanks Jr. (in 1933), the latter having served as First National's top star since
25026-410: The quality of the storylines, a move designed to appeal to Depression -era female audiences and capitalize on her reputation as the epitome of chic. Eventually, Francis herself became dissatisfied with these vehicles and began openly to feud with Warner Bros., even threatening a lawsuit against them for inferior scripts and treatment. This, in turn, led to her demotion to programmers , such as Women in
25220-470: The redubbed Vitaphone operation, leading to the production of Don Juan and its accompanying shorts over the following months. During the period when Vitaphone had exclusive access to the patents, the fidelity of recordings made for Warners films was markedly superior to those made for the company's sound-on-film competitors. Meanwhile, Bell Labs —the new name for the AT&;T research operation—was working at
25414-656: The remainder of the 1940s on the stage, appearing with some success in State of the Union and touring in various productions of plays, old and new, including Windy Hill , backed by former Warner Bros. colleague Ruth Chatterton. Declining health, aggravated by an accident in Columbus, Ohio during a tour of State of the Union in 1948, when she was badly burned by a radiator after passing out from an accidental overdose from pills, hastened her retirement from show business. This incident
25608-555: The revival was affected by Berkeley's arrest for killing three people while driving drunk. By the end of the year, people again tired of Warner Bros. musicals, and the studio — after the huge profits made by 1935 film Captain Blood — shifted its focus to Errol Flynn swashbucklers . With the collapse of the market for musicals, Warner Bros., under Zanuck, turned to more socially realistic storylines. Because of its many films about gangsters, Warner Bros. soon became known as
25802-431: The running time of 1000 ft of film at 90 ft/min (24 frames/s). Because of the larger diameter the minimum groove velocity of 70 ft/min (14 inches or 356 mm/s) was only slightly less than that of a standard 10-inch 78 rpm commercial disc. In 1925, the company publicly introduced a greatly improved system of electronic audio, including sensitive condenser microphones and rubber-line recorders (named after
25996-568: The selenium's resistance to electrical currents, which was used to modulate the sound produced in a telephone receiver. He called this invention the photographophone , which he summarized as: "It is truly a wonderful process: sound becomes electricity, becomes light, causes chemical actions, becomes light and electricity again, and finally sound." Ruhmer began a correspondence with the French-born, London-based Eugene Lauste , who had worked at Edison's lab between 1886 and 1892. In 1907, Lauste
26190-457: The short term, the introduction of live sound recording caused major difficulties in production. Cameras were noisy, so a soundproofed cabinet was used in many of the earliest talkies to isolate the loud equipment from the actors, at the expense of a drastic reduction in the ability to move the camera. For a time, multiple-camera shooting was used to compensate for the loss of mobility and innovative studio technicians could often find ways to liberate
26384-693: The sound quality was very poor and no other theaters could show the sound version of the film as no one had the Photokinema sound system installed. On Sunday, May 29, Dream Street opened at the Shubert Crescent Theater in Brooklyn with a program of short films made in Phonokinema. However, business was poor, and the program soon closed. In 1925, Sam Warner of Warner Bros. , then a small Hollywood studio with big ambitions, saw
26578-473: The sound-on-disc system were able to draw on expertise that Western Electric already had in electrical disc recording and were thus able to make faster initial progress. The main change required was to increase the playing time of the disc so that it could match that of a standard 1,000 ft (300 m) reel of 35 mm film. The chosen design used a disc nearly 16 inches (about 40 cm) in diameter rotating at 33 1/3 rpm. This could play for 11 minutes,
26772-576: The studio hired Midwestern radio announcer Ronald Reagan , who would eventually become the President of the United States . Although Reagan was initially a B-film actor, Warner Bros. was impressed by his performance in the final scene of Knute Rockne, All American , and agreed to pair him with Flynn in Santa Fe Trail (1940). Reagan then returned to B-films. After his performance in the studio's 1942 Kings Row , Warner decided to make Reagan
26966-411: The studio reported a net loss of $ 333,413. After a long period denying Sam's request for sound, Harry agreed to change, as long as the studio's use of synchronized sound was for background music purposes only. The Warners signed a contract with the sound engineer company Western Electric and established Vitaphone . In 1926, Vitaphone began making films with music and effects tracks, most notably, in
27160-467: The studio since 1935. The court ruled in de Havilland's favor and she left the studio in favor of RKO Radio Pictures, and, eventually, Paramount. Through de Havilland's victory, many of the studio's longtime actors were now freed from their contracts, and Harry decided to terminate the studio's suspension policy. The same year, Jack signed newly released MGM actress Joan Crawford , a former top star who found her career fading. Crawford's first role with
27354-587: The studio was 1944's Hollywood Canteen . Her first starring role at the studio, in the title role as Mildred Pierce (1945), revived her career and earned her an Oscar for Best Actress. In the post-war years, Warner Bros. prospered greatly and continued to create new stars, including Lauren Bacall and Doris Day . By 1946, company payroll reached $ 600,000 a week and net profit topped $ 19.4 million (equivalent to $ 303.1 million in 2023). Jack Warner continued to refuse to meet Screen Actors Guild salary demands. In September 1946, employees engaged in
27548-399: The studio was forced to abandon this realistic approach in order to produce more moralistic, idealized pictures. The studio's historical dramas, melodramas (or "women's pictures"), swashbucklers, and adaptations of best-sellers, with stars like Bette Davis , Olivia de Havilland , Paul Muni , and Errol Flynn , avoided the censors. In 1936, Bette Davis, by now arguably the studio's top star,
27742-408: The studio's profit increased substantially. After the success of the studio's 1929 First National film Noah's Ark , Harry agreed to make Michael Curtiz a major director at the Burbank studio. Mort Blumenstock, a First National screenwriter, became a top writer at the brothers' New York headquarters. In the third quarter, Warner Bros. gained complete control of First National, when Harry purchased
27936-411: The studio's recognition of the new medium's power. Interference , Paramount's first all-talker, debuted in November. The process known as "goat glanding" briefly became widespread: soundtracks, sometimes including a smatter of post-dubbed dialogue or song, were added to movies that had been shot, and in some cases released, as silents. A few minutes of singing could qualify such a newly endowed film as
28130-513: The studio's top gangster stars after appearing in the successful film, which convinced audiences to question the American legal system. By January 1933, the film's protagonist Robert Elliot Burns—still imprisoned in New Jersey—and other chain gang prisoners nationwide appealed and were released. In January 1933, Georgia chain gang warden J. Harold Hardy—who was also made into a character in
28324-1049: The studio, the Red Cross collected 5,200 pints of blood plasma from studio employees and 763 of the studio's employees served in the armed forces, including Harry Warner's son-in-law Milton Sperling and Jack's son Jack Warner Jr. Following a dispute over ownership of Casablanca 's Oscar for Best Picture, Wallis resigned. After Casablanca made Bogart a top star, Bogart's relationship with Jack deteriorated. In 1943, Olivia de Havilland (whom Warner frequently loaned to other studios) sued Warner for breach of contract. De Havilland had refused to portray famed abolitionist Elizabeth Blackwell in an upcoming film for Columbia Pictures . Warner responded by sending 150 telegrams to different film production companies, warning them not to hire her for any role. Afterwards, de Havilland discovered employment contracts in California could only last seven years ; de Havilland had been under contract with
28518-424: The studio. One of these was Sperling 's United States Pictures . Sound picture A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film . The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization
28712-629: The studio: Doctor X (1932) and Mystery of the Wax Museum (1933). In the latter part of 1931, Harry Warner rented the Teddington Studios in London, England. The studio focused on making " quota quickies " for the domestic British market and Irving Asher was appointed as the studio's head producer. In 1934, Harry officially purchased the Teddington Studios. In February 1933, Warner Bros. produced 42nd Street ,
28906-466: The sublicense, both Warners and ERPI received a share of Fox's related revenues. The patents of all three concerns were cross-licensed. Superior recording and amplification technology was now available to two Hollywood studios, pursuing two very different methods of sound reproduction. The new year would finally see the emergence of sound cinema as a significant commercial medium. In 1929 a "new RCA Photophone portable sound and picture reproducing system"
29100-410: The success of Yankee Doodle Dandy at the box office, Cagney again questioned if the studio would meet his salary demand and again quit to form his own film production and distribution company with Bill. Another employee with whom Warner had troubles was studio producer Bryan Foy . In 1936, Wallis hired Foy as a producer for the studio's low budget B movies leading to his nickname "the keeper of
29294-698: The success of Rin Tin Tin and Lubitsch, Warner's remained a lesser studio. Sam and Jack decided to offer Broadway actor John Barrymore the lead role in Beau Brummel . The film was so successful that Harry signed Barrymore to a long-term contract; like The Marriage Circle , Beau Brummel was named one of the ten best films of the year by the Times . By the end of 1924, Warner Bros. was arguably Hollywood's most successful independent studio, where it competed with "The Big Three" Studios ( First National , Paramount Pictures , and Metro-Goldwyn-Mayer (MGM)). As
29488-483: The talkies' universal appeal—until mid-1930, the majority of Hollywood movies were produced in dual versions, silent as well as talking. Though few in the industry predicted it, silent film as a viable commercial medium in the United States would soon be little more than a memory. Points West , a Hoot Gibson Western released by Universal Pictures in August 1929, was the last purely silent mainstream feature put out by
29682-437: The technology was worth investing in. The development of commercial sound cinema had proceeded in fits and starts before The Jazz Singer , and the film's success did not change things overnight. Influential gossip columnist Louella Parsons ' reaction to The Jazz Singer was badly off the mark: "I have no fear that the screeching sound film will ever disturb our theaters," while MGM head of production Irving Thalberg called
29876-459: The third top 1930s gangster actor into the Warners fold, knowing that he could carry any gangster picture when either Robinson or Cagney were on suspension. Raft had difficulty working with Bogart and refused to co-star with him. Eventually, Warner agreed to release Raft from his contract in 1943. After Raft had turned the role down, the studio gave Bogart the role of "Mad Dog" Roy Earle in the 1941 film High Sierra , which helped establish him as
30070-476: The thirties and forties, even though it was clearly the most budget-conscious of them all." — Film historian Andrew Sarris in "You Ain't Heard Nothin' Yet.": The American Talking Film History & Memory, 1927–1949 . Another gangster film the studio produced was the critically acclaimed I Am a Fugitive from a Chain Gang , based on a true story and starring Paul Muni , joining Cagney and Robinson as one of
30264-417: The time of World War I , they had begun producing films; in the early 1920s they acquired their first studio facilities on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now-controller Chase, handled finance and distribution in New York City. During World War I their first nationally syndicated film, My Four Years in Germany , based on
30458-407: The transmitting arc-light as varying shades of light and dark bands onto a continuous roll of photographic film. He then determined that he could reverse the process and reproduce the recorded sound from this photographic strip by shining a bright light through the running filmstrip, with the resulting varying light illuminating a selenium cell. The changes in brightness caused a corresponding change to
30652-610: The treatment of Hearst's longstanding mistress, actress Marion Davies , who was struggling for box office success. Through his partnership with Hearst, Warner signed Davies to a studio contract. Hearst's company and Davies' films, however, did not increase the studio's profits. In 1934, the studio lost over $ 2.5 million, of which $ 500,000 was the result of a 1934 fire at the Burbank studio, destroying 20 years' worth of early Vitagraph, Warner Bros. and First National films. The following year, Hearst's film adaption of William Shakespeare 's A Midsummer Night's Dream (1935) failed at
30846-567: The triode vacuum tube . Over the next few years they developed it into a predictable and reliable device that made electronic amplification possible for the first time. Western Electric then branched-out into developing uses for the vacuum tube including public address systems and an electrical recording system for the recording industry. Beginning in 1922, the research branch of Western Electric began working intensively on recording technology for both sound-on-disc and sound-on film synchronised sound systems for motion-pictures. The engineers working on
31040-446: The unit with indifference, beginning with the installation as senior producer of Edward Selzer , whom the creative staff considered an interfering incompetent. Jack Warner had little regard for the company's short film product and reputedly was so ignorant about the studio's animation division that he was mistakenly convinced that the unit produced cartoons of Mickey Mouse , the flagship character of Walt Disney Productions . He sold off
31234-464: The unit's pre-August 1948 library for $ 3,000 each, which proved a shortsighted transaction in light of its eventual value. Warner Bros. Cartoons continued, with intermittent interruptions, until 1969 when it was dissolved as the parent company ceased its production of film shorts entirely. Characters such as Bugs Bunny, Daffy Duck, Tweety , Sylvester , and Porky Pig became central to the company's image in subsequent decades. Bugs in particular remains
31428-415: The use of a rubber damping band for recording with better frequency response onto a wax master disc ). That May, the company licensed entrepreneur Walter J. Rich to exploit the system for commercial motion pictures; he founded Vitagraph, in which Warner Bros. acquired a half interest, just one month later. In April 1926, Warners signed a contract with AT&T for exclusive use of its film sound technology for
31622-421: The voices and sound effects and providing evocative descriptions of events and images on the screen.... The most popular narrators were stars in their own right, solely responsible for the patronage of a particular theatre." Film historian Mariann Lewinsky argues, The end of silent film in the West and in Japan was imposed by the industry and the market, not by any inner need or natural evolution.... Silent cinema
31816-520: The war, eliminating its B Pictures unit in 1941. Bryan Foy joined Twentieth Century Fox. During the war era, the studio made Casablanca ; Now, Voyager ; Yankee Doodle Dandy (all 1942); This Is the Army , and Mission to Moscow (both 1943). The last of these films became controversial a few years afterwards. At the premieres of Yankee Doodle Dandy (in Los Angeles, New York, and London), audiences purchased $ 15.6 million in war bonds for
32010-478: The year, AT&T/Western Electric created a licensing division, Electrical Research Products Inc. (ERPI), to handle rights to the company's film-related audio technology. Vitaphone still had legal exclusivity, but having lapsed in its royalty payments, effective control of the rights was in ERPI's hands. On December 31, 1926, Warners granted Fox-Case a sublicense for the use of the Western Electric system; in exchange for
32204-465: Was The Jazz Singer , which premiered on October 6, 1927. A major hit, it was made with Vitaphone , which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures. By the early 1930s, the talkies were a global phenomenon. In the United States, they helped secure Hollywood's position as one of the world's most powerful cultural/commercial centers of influence (see Cinema of
32398-425: Was a highly pleasurable and fully mature form. It didn't lack anything, least in Japan, where there was always the human voice doing the dialogues and the commentary. Sound films were not better, just more economical. As a cinema owner you didn't have to pay the wages of musicians and benshi any more. And a good benshi was a star demanding star payment. By the same token, the viability of the benshi system facilitated
32592-416: Was a variable-area system—a refinement in the way the audio signal was inscribed on film that would ultimately become the standard. (In both sorts of systems, a specially-designed lamp, whose exposure to the film is determined by the audio input, is used to record sound photographically as a series of minuscule lines. In a variable-density process, the lines are of varying darkness; in a variable-area process,
32786-459: Was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case . At the University of Illinois , Polish-born research engineer Joseph Tykociński-Tykociner was working independently on a similar process. On June 9, 1922, he gave
32980-502: Was also shot in English as Atlantic . The entirely German Aafa-Film production It's You I Have Loved ( Dich hab ich geliebt ) opened three and a half weeks later. It was not "Germany's First Talking Film", as the marketing had it, but it was the first to be released in the United States. In 1930, the first Polish talkies premiered, using sound-on-disc systems: Moralność pani Dulskiej ( The Morality of Mrs. Dulska ) in March and
33174-400: Was awarded the first patent for sound-on-film technology, involving the transformation of sound into light waves that are photographically recorded direct onto celluloid . As described by historian Scott Eyman, It was a double system, that is, the sound was on a different piece of film from the picture.... In essence, the sound was captured by a microphone and translated into light waves via
33368-551: Was born in Oklahoma City , Oklahoma Territory (present-day Oklahoma), in 1905, the only child of Joseph Sprague Gibbs and Katharine Clinton ( née Francis), an actress. Wed in 1903, her parents divorced in 1909 when Kay's mother left her alcoholic father and took Kay with her. Her mother had been born in Nova Scotia , Canada, and was a moderately successful actress and singer on a hardscrabble theatrical circuit under
33562-449: Was created in still a different sort of twist on multinational moviemaking: The Crimson Circle was a coproduction between director Friedrich Zelnik 's Efzet-Film company and British Sound Film Productions (BSFP). In 1928, the film had been released as the silent Der Rote Kreis in Germany, where it was shot; English dialogue was apparently dubbed in much later using the De Forest Phonofilm process controlled by BSFP's corporate parent. It
33756-820: Was described in the industry journal Projection Engineering. In Australia, Hoyts and Gilby Talkies Pty., Ltd were touring talking pictures to country towns. The same year the White Star Line installed talking picture equipment on the s.s. Majestic. The features shown on the first voyage were Show Boat and Broadway . In February 1927, an agreement was signed by five leading Hollywood movie companies: Famous Players–Lasky (soon to be part of Paramount ), Metro-Goldwyn-Mayer , Universal , First National , and Cecil B. DeMille 's small but prestigious Producers Distributing Corporation (PDC). The five studios agreed to collectively select just one provider for sound conversion, and then waited to see what sort of results
33950-623: Was developed by Clément-Maurice Gratioulet and Henri Lioret of France, allowing short films of theater, opera, and ballet excerpts to be presented at the Paris Exposition in 1900. These appear to be the first publicly exhibited films with projection of both image and recorded sound. Phonorama and yet another sound-film system—Théâtroscope—were also presented at the Exposition. Three major problems persisted, leading to motion pictures and sound recording largely taking separate paths for
34144-411: Was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos. The primary steps in
34338-486: Was erroneously reported by Walter Winchell that her third had been to screenwriter John Meehan around 1929. She had affairs with Maurice Chevalier and Raven Freiherr von Barnekow . Her diaries, which are preserved along with her film-related material in an academic collection at Wesleyan University open to scholars and researchers, paint a picture of a woman whose personal life was often in disarray. She regularly socialized with gay men, one of whom, Anderson Lawler ,
34532-433: Was first reported as a fainting spell brought on by the pills, with a complication of respiratory infection. Her manager and traveling companion had arrived at Francis's hotel room and, in an attempt to revive the unconscious actress with fresh air, burned her legs on the radiator near the window. She recovered in an oxygen tent at the local hospital; soon retiring from acting and then, public life. "My life? Well, I get up at
34726-520: Was given a British trade screening in March 1929, as was a part-talking film made entirely in the UK: The Clue of the New Pin , a British Lion production using the sound-on-disc British Photophone system. In May, Black Waters , which British and Dominions Film Corporation promoted as the first UK all-talker, received its initial trade screening; it had been shot completely in Hollywood with
34920-682: Was given roles with a more sympathetic screen persona, such as in The False Madonna , where she plays a jaded society woman who learns the importance of hearth and home when nursing a terminally ill child. After Francis's career skyrocketed at Warner Bros., she was loaned back to Paramount for Ernst Lubitsch 's Trouble in Paradise (1932). From 1932 through 1936, Francis was the queen of the Warner Bros. lot, and, increasingly, her films were developed as star vehicles. By 1935, Francis
35114-543: Was murdered by the Nazis in Berlin in 1936. Harry produced the successful anti-German film The Life of Emile Zola (1937). After that, Harry supervised the production of more anti-German films, including Confessions of a Nazi Spy (1939), The Sea Hawk (1940), which made King Philip II an equivalent of Hitler , Sergeant York , and You're In The Army Now (1941). Harry then decided to focus on producing war films. Warners' cut its film production in half during
35308-564: Was one of the highest-paid actors, earning a yearly salary of $ 115,000, dwarfing the $ 18,000 Bette Davis – who would one day occupy Francis's dressing room – made. From 1930 to 1937, Francis appeared on the covers of 38 film magazines, second only to child sensation Shirley Temple 's 138. Soon after her arrival in Hollywood, she began an affair with actor and producer Kenneth MacKenna , whom she married in January 1931. MacKenna's Hollywood career foundered, having spent more time in New York with
35502-447: Was profitable. In 1929, Warner Bros. released On with the Show! , the first all-color all-talking feature. This was followed by Gold Diggers of Broadway which would play in theaters until 1939. The success of these pictures caused a color revolution. Warner Bros. color films from 1929 to 1931 included The Show of Shows (1929), Sally (1929), Bright Lights (1930), Golden Dawn (1930), Hold Everything (1930), Song of
35696-469: Was recorded on RCA Photophone, General Electric having bought a share of AEG so they could access the Tobis-Klangfilm markets. Blackmail was a substantial hit; critical response was also positive—notorious curmudgeon Hugh Castle, for example, called it "perhaps the most intelligent mixture of sound and silence we have yet seen." On August 23, the modest-sized Austrian film industry came out with
35890-422: Was recorded, as was a sequence of live vocal effects. Apparently, dialogue scenes were also recorded, but the results were unsatisfactory and the film was never publicly screened incorporating them. On May 1, 1921, Dream Street was re-released, with love song added, at New York City's Town Hall theater, qualifying it—however haphazardly—as the first feature-length film with a live-recorded vocal sequence. However,
36084-642: Was reportedly paid $ 10,000 by Warner Bros. to accompany her to Europe in 1934. In 1966, Francis was diagnosed with breast cancer and underwent a mastectomy, but the cancer had already spread. She died in 1968, aged 63. Anxious to be forgotten, she wanted neither services nor grave marker. Her body was immediately cremated , and according to her will her ashes were to be disposed of "how the undertaker sees fit." Having no living immediate family members, Francis left more than $ 1 million to The Seeing Eye , an organization in New Jersey, which trains guide dogs for
36278-481: Was screened around the United States: eight hours worth of projected visuals involving both slides and live action, synchronized with separately recorded lectures and musical performances played back on phonograph. Meanwhile, innovations continued on another significant front. In 1900, as part of the research he was conducting on the photophone , the German physicist Ernst Ruhmer recorded the fluctuations of
36472-507: Was shown. These were the two most acclaimed sound motion pictures to date. In May, as well, Fox had released the first Hollywood fiction film with synchronized dialogue: the short They're Coming to Get Me , starring comedian Chic Sale . After rereleasing a few silent feature hits, such as Seventh Heaven , with recorded music, Fox came out with its first original Movietone feature on September 23: Sunrise: A Song of Two Humans , by acclaimed German director F. W. Murnau . As with Don Juan ,
36666-420: Was the challenge of recording fidelity. The primitive systems of the era produced sound of very low quality unless the performers were stationed directly in front of the cumbersome recording devices (acoustical horns, for the most part), imposing severe limits on the sort of films that could be created with live-recorded sound. Cinematic innovators attempted to cope with the fundamental synchronization problem in
36860-673: Was the primary competitor to the Gaumont system (sources differ on whether the Cameraphone was disc- or cylinder-based); it ultimately failed for many of the same reasons that held back the Chronophone. In 1913, Edison introduced a new cylinder-based synch-sound apparatus known, just like his 1895 system, as the Kinetophone. Instead of films being shown to individual viewers in the Kinetoscope cabinet, they were now projected onto
37054-452: Was the transformative element that led to the rapid expansion of the nation's film industry . The idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself. On February 27, 1888, a couple of days after photographic pioneer Eadweard Muybridge gave a lecture not far from the laboratory of Thomas Edison , the two inventors met privately. Muybridge later claimed that on this occasion, six years before
37248-726: Was unable to secure another studio contract. Carole Lombard , who had been a supporting player in Francis's 1931 film Ladies' Man, insisted Francis be cast in her film In Name Only (1939). Francis had a supporting role to Lombard and Cary Grant , and it offered her an opportunity to engage in some serious acting. After this, she moved to supporting parts in other films, playing fast-talking, professional women – holding her own against Rosalind Russell in The Feminine Touch , for example – and mothers opposite rising young stars such as Deanna Durbin . Francis had one lead role at
37442-465: Was underwhelming. Sweden's first talkie, Konstgjorda Svensson ( Artificial Svensson ), premiered on October 14. Eight days later, Aubert Franco-Film came out with Le Collier de la reine ( The Queen's Necklace ), shot at the Épinay studio near Paris. Conceived as a silent film, it was given a Tobis-recorded score and a single talking sequence—the first dialogue scene in a French feature. On October 31, Les Trois masques ( The Three Masks ) debuted;
37636-447: Was unhappy with her roles. She traveled to England and tried to break her contract. Davis lost the lawsuit and returned to America. Although many of the studio's employees had problems with Jack Warner, they considered Albert and Harry fair. In the 1930s many actors and actresses who had characterized the realistic pre-Code era, but who were not suited to the new trend into moral and idealized pictures, disappeared. Warner Bros. remained
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