61-493: Highland Mary is a song composed in 1792 by Scottish poet Robert Burns . It is one of three works dedicated to Mary Campbell , with whom Burns was in love in the 1780s. The others, "Highland Lassie, O" and "Will Ye Go to the Indies My Mary?", were composed in 1786. "Highland Mary" consists of four stanzas that speak of Burns's affection for the lady, his melancholy at her death and his continued memory of her. The melody
122-566: A "heaven-taught ploughman". Burns influenced later Scottish writers, especially Hugh MacDiarmid , who fought to dismantle what he felt had become a sentimental cult that dominated Scottish literature. Burns had a significant influence on Alexander McLachlan and some influence on Robert Service . While this may not be so obvious in Service's English verse, which is Kiplingesque, it is more readily apparent in his Scots verse. Kincardineshire Too Many Requests If you report this error to
183-494: A 1792 poem argued as an example of his abolitionist views, is disputed. His name is absent from any abolitionist petition written in Scotland during the period, and according to academic Lisa Williams, Burns "is strangely silent on the question of chattel slavery compared to other contemporary poets. Perhaps this was due to his government position, severe limitations on free speech at the time or his association with beneficiaries of
244-451: A Mouse ", " Epitaph for James Smith ", and " To a Mountain Daisy ", many of which had been written at Mossgiel farm. The success of the work was immediate, and soon he was known across the country. Burns postponed his planned emigration to Jamaica on 1 September, and was at Mossgiel two days later when he learnt that Jean Armour had given birth to twins. On 4 September Thomas Blacklock wrote
305-574: A family, he accepted a job offer from Patrick Douglas, an absentee landowner who lived in Cumnock , to work on his sugar plantations near Port Antonio , Jamaica . Douglas' plantations were managed by his brother Charles, and the job offer, which had a salary of £30 per annum, entailed working in Jamaica as a "book-keeper", whose duties included serving as an assistant overseer to the Black slaves on
366-517: A four-volume edition of his complete works and a biography written by James Currie. Subscriptions were raised to meet the initial cost of publication, which was in the hands of Thomas Cadell and William Davies in London and William Creech, bookseller in Edinburgh. Hogg records that fund-raising for Burns's family was embarrassingly slow, and it took several years to accumulate significant funds through
427-416: A friend of mine overthrew all my schemes, by opening new prospects to my poetic ambition. The Doctor belonged to a set of critics for whose applause I had not dared to hope. His opinion that I would meet with encouragement in Edinburgh for a second edition, fired me so much, that away I posted for that city, without a single acquaintance, or a single letter of introduction." On 27 November 1786 Burns borrowed
488-524: A lasting impression on, the 16-year-old Walter Scott , who described him later with great admiration: [His person was strong and robust;] his manners rustic, not clownish, a sort of dignified plainness and simplicity which received part of its effect perhaps from knowledge of his extraordinary talents. His features are presented in Mr Nasmyth's picture but to me it conveys the idea that they are diminished, as if seen in perspective. I think his countenance
549-528: A letter expressing admiration for the poetry in the Kilmarnock volume, and suggesting an enlarged second edition. A copy of it was passed to Burns, who later recalled, "I had taken the last farewell of my few friends, my chest was on the road to Greenock; I had composed the last song I should ever measure in Scotland ;– 'The Gloomy night is gathering fast' – when a letter from Dr Blacklock to
610-527: A local plasterer of Queensbury Street, Dumfries. The skull was later returned to the tomb. A plaster cast was sent to George Combe , a Scottish lawyer and practitioner of phrenology based in Edinburgh. Combe published a report about his findings, entitled ‘Phrenological development of Robert Burns. From a cast on his skull moulded at Dumfries, the 31st day of March, 1834’. It is unknown how many casts were made by Fraser, with some sources reporting three were made. Six casts are known though some may be copies of
671-502: A paper attesting his marriage to Jean, but her father "was in the greatest distress, and fainted away". To avoid disgrace, her parents sent her to live with her uncle in Paisley . Although Armour's father initially forbade it, they were married in 1788. Armour bore him nine children, three of whom survived infancy. Burns had encountered financial difficulties due to his lack of success as a farmer. In order to make enough money to support
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#1732790194440732-432: A physical relationship, Burns moved on to Jenny Clow (1766–1792), Nancy's domestic servant, who bore him a son, Robert Burns Clow, in 1788. He also had an affair with a servant girl, Margaret "May" Cameron . His relationship with Nancy concluded in 1791 with a final meeting in Edinburgh before she sailed to Jamaica for what turned out to be a short-lived reconciliation with her estranged husband. Before she left, he sent her
793-609: A poet. He continued to write poems and songs and began a commonplace book in 1783, while his father fought a legal dispute with his landlord. The case went to the Court of Session , and Burnes was upheld in January 1784, a fortnight before he died. Robert and Gilbert made an ineffectual struggle to keep on the farm, but after its failure they moved to Mossgiel Farm , near Mauchline , in March, which they maintained with an uphill fight for
854-591: A pony and set out for Edinburgh . On 14 December William Creech issued subscription bills for the first Edinburgh edition of Poems, Chiefly in the Scottish dialect , which was published on 17 April 1787. Within a week of this event, Burns had sold his copyright to Creech for 100 guineas. For the edition, Creech commissioned Alexander Nasmyth to paint the oval bust-length portrait now in the Scottish National Portrait Gallery , which
915-399: A publisher commissioned arrangements of "Scottish, Welsh and Irish Airs" by such eminent composers of the day as Joseph Haydn and Ludwig van Beethoven , with new lyrics. The contributors of lyrics included Burns. While such arrangements had wide popular appeal, Beethoven's music was more advanced and difficult to play than Thomson intended. Burns described how he had to master singing
976-577: A third of the 600 songs in the whole collection, as well as making a considerable editorial contribution. The final volume was published in 1803. On his return from Edinburgh in February 1788, he resumed his relationship with Jean Armour and they married in March 1788. He took out a lease on Ellisland Farm, Dumfriesshire, settling there in June. He also took up a training position as an exciseman or gauger, which involved long rides and detailed bookkeeping. He
1037-585: A vow, and lock'd embrace, Our parting was fu' tender; And, pledging aft to meet again, We tore oursel's asunder; But, oh! fell Death's untimely frost, That nipt my flower sae early! - Now green's the sod, and cauld's the clay, That wraps my Highland Mary! O pale, pale now, those rosy lips, I aft hae kiss'd sae fondly! And clos'd for aye the sparkling glance That dwelt on me sae kindly! And mouldering now in silent dust, That heart that lo'ed me dearly - But still within my bosom's core Shall live my Highland Mary! This song-related article
1098-569: A warrant for an enormous sum ... I am wandering from one friend's house to another." On 31 July 1786 John Wilson published the volume of works by Robert Burns, Poems, Chiefly in the Scottish dialect . Known as the Kilmarnock volume , it sold for 3 shillings and contained much of his best writing, including "The Twa Dogs" (which features Luath, his Border Collie ), " Address to the Deil ", " Halloween ", " The Cotter's Saturday Night ", " To
1159-450: Is a stub . You can help Misplaced Pages by expanding it . Robert Burns Robert Burns (25 January 1759 – 21 July 1796), also known familiarly as Rabbie Burns , was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language , although much of his writing
1220-472: Is in a "light Scots dialect " of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement , and after his death he became a great source of inspiration to the founders of both liberalism and socialism , and a cultural icon in Scotland and among
1281-399: Is often sung at Hogmanay (the last day of the year), and " Scots Wha Hae " served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well known across the world today include " A Red, Red Rose ", " A Man's a Man for A' That ", " To a Louse ", " To a Mouse ", " The Battle of Sherramuir ", " Tam o' Shanter " and " Ae Fond Kiss ". Burns
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#17327901944401342-694: Is set to the tune of "Major Graham" and " The Battle of Sherramuir " is set to the "Cameronian Rant". Burns alienated some acquaintances by freely expressing sympathy with the French, and American Revolutions, for the advocates of democratic reform and votes for all men and the Society of the Friends of the People which advocated Parliamentary Reform. His political views came to the notice of his employers, to which he pleaded his innocence. Burns met other radicals at
1403-617: The American Revolution . Burns sent the poem anonymously in 1795 to the Glasgow Magazine . He was also a radical for reform and wrote poems for democracy, such as – "Parcel of Rogues to the Nation" and the "Rights of Women". Many of Burns's most famous poems are songs with the music based upon older traditional songs. For example, " Auld Lang Syne " is set to the traditional tune "Can Ye Labour Lea", " A Red, Red Rose "
1464-655: The Scottish Kirk of his time, Scottish cultural identity, poverty, sexuality, and the beneficial aspects of popular socialising (carousing, Scotch whisky, folk songs, and so forth). The strong emotional highs and lows associated with many of Burns's poems have led some, such as Burns biographer Robert Crawford, to suggest that he suffered from manic depression —a hypothesis that has been supported by analysis of various samples of his handwriting. Burns himself referred to suffering from episodes of what he called "blue devilism". The National Trust for Scotland has downplayed
1525-565: The Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature . In 2009 he was chosen as the greatest Scot by the Scottish public in a vote run by Scottish television channel STV . As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them. His poem (and song) " Auld Lang Syne "
1586-578: The University of Edinburgh , although influential friends offered to support his claims. He did however accept membership of the Royal Company of Archers in 1792. After giving up his farm, he removed to Dumfries. It was at this time that, being requested to write lyrics for The Melodies of Scotland , he responded by contributing over 100 songs. He made major contributions to George Thomson 's A Select Collection of Original Scottish Airs for
1647-626: The Globe Inn Dumfries. As an Exciseman he felt compelled to join the Royal Dumfries Volunteers in March 1795. Latterly Burns lived in Dumfries in a two-storey red sandstone house on Mill Hole Brae, now Burns Street. The home is now a museum. He went on long journeys on horseback, often in harsh weather conditions as an Excise Supervisor, and was kept very busy doing reports. The father of four young children, he
1708-492: The Voice as well as to James Johnson's Scots Musical Museum . Arguably his claim to immortality chiefly rests on these volumes, which placed him in the front rank of lyric poets . As a songwriter he provided his own lyrics, sometimes adapted from traditional words. He put words to Scottish folk melodies and airs which he collected, and composed his own arrangements of the music including modifying tunes or recreating melodies on
1769-416: The air with the verses I have framed. when I feel my Muse beginning to jade, I retire to the solitary fireside of my study, and there commit my effusions to paper, swinging, at intervals, on the hind-legs of my elbow chair, by way of calling forth my own critical strictures, as my, pen goes. Burns also worked to collect and preserve Scottish folk songs , sometimes revising, expanding, and adapting them. One of
1830-528: The basis of fragments. In letters he explained that he preferred simplicity, relating songs to spoken language which should be sung in traditional ways. The original instruments would be fiddle and the guitar of the period which was akin to a cittern , but the transcription of songs for piano has resulted in them usually being performed in classical concert or music hall styles. At the 3 week Celtic Connections festival Glasgow each January, Burns songs are often performed with both fiddle and guitar. Thomson as
1891-459: The better known of these collections is The Merry Muses of Caledonia (the title is not Burns's), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century. At Dumfries, he wrote his world famous song " A Man's a Man for A' That ", which was based on the writings in The Rights of Man by Thomas Paine , one of the chief political theoreticians of
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1952-509: The city also resulted in some lifelong friendships, among which were those with Lord Glencairn , and Frances Anna Dunlop (1730–1815), who became his occasional sponsor and with whom he corresponded for many years until a rift developed. He embarked on a relationship with the separated Agnes "Nancy" McLehose (1758–1841), with whom he exchanged passionate letters under pseudonyms (Burns called himself "Sylvander" and Nancy "Clarinda"). When it became clear that Nancy would not be easily seduced into
2013-495: The community of Tarbolton. To his father's disapproval, Robert joined a country dancing school in 1779 and, with Gilbert, formed the Tarbolton Bachelors' Club the following year. His earliest existing letters date from this time, when he began making romantic overtures to Alison Begbie (b. 1762). In spite of four songs written for her and a suggestion that he was willing to marry her, she rejected him. Robert Burns
2074-481: The efforts of John Syme and Alexander Cunningham . Burns was posthumously given the freedom of the town of Dumfries. Hogg records that Burns was given the freedom of the Burgh of Dumfries on 4 June 1787, 9 years before his death, and was also made an Honorary Burgess of Dumfries. Through his five surviving children (of 12 born), Burns has over 900 living descendants as of 2019. Armour died on 26 March 1834 and
2135-436: The group included Adam Rankine, James Kerr, James Bogie, Andrew Crombie and their assistants. The night before Armour's funeral, the group was supposedly granted permission to exhume Burns's body by Armour's brother, Robert Armour. The group attempted to enter the mausoleum at 7pm. There were many people present in the graveyard and they decided to try again later that evening. The skull was removed and taken to James Fraser,
2196-456: The house and took the tenancy of the 70-acre (280,000 m ) Mount Oliphant farm, southeast of Alloway. Here Burns grew up in poverty and hardship, and the severe manual labour of the farm left its traces in a weakened constitution. He was given irregular schooling and a lot of his education was with his father, who taught his children reading, writing, arithmetic, geography, and history and also wrote for them A Manual of Christian Belief . He
2257-468: The manuscript of " Ae Fond Kiss " as a farewell. In Edinburgh, in early 1787, he met James Johnson , a struggling music engraver and music seller with a love of old Scots songs and a determination to preserve them. Burns shared this interest and became an enthusiastic contributor to The Scots Musical Museum . The first volume was published in 1787 and included three songs by Burns. He contributed 40 songs to volume two, and he ended up responsible for about
2318-414: The next four years. In mid-1784 Burns came to know a group of girls known collectively as The Belles of Mauchline, one of whom was Jean Armour , the daughter of a stonemason from Mauchline. Burns's first child, Elizabeth "Bess" Burns , was born to his mother's servant, Elizabeth Paton , while he was embarking on a relationship with Jean Armour, who became pregnant with twins in March 1786. Burns signed
2379-488: The original cast. Burns's style is marked by spontaneity, directness, and sincerity, and ranges from the tender intensity of some of his lyrics through the humour of "Tam o' Shanter" and the satire of "Holy Willie's Prayer" and "The Holy Fair". Burns's poetry drew upon a substantial familiarity with and knowledge of Classical , Biblical , and English literature , as well as the Scottish Makar tradition. Burns
2440-518: The plantations (Burns himself described the position as being "a poor Negro driver"). The position, which was for a single man, would entail Burns living on a plantation in rustic conditions, as it was unlikely a book keeper would be housed in the plantation's great house . Some historians have argued in Burns's defence that in 1786, the Scottish abolitionist movement was just beginning to be broadly active. Burns's authorship of " The Slave's Lament ",
2501-405: The river Nith, now holds a unique collection of Burns's books, artefacts, and manuscripts and is mostly preserved as when Burns and his young family lived there. Burns gave up the farm in 1791 to move to Dumfries. About this time he was offered and declined an appointment in London on the staff of The Star newspaper , and refused to become a candidate for a newly created Chair of Agriculture in
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2562-555: The same day that Jean Armour's father tore up the paper in which Burns attested his marriage to Jean. To obtain a certificate that he was a free bachelor, Burns agreed on 25 June to stand for rebuke in the Mauchline kirk for three Sundays. He transferred his share in Mossgiel farm to his brother Gilbert on 22 July, and on 30 July wrote to tell his friend John Richmond that, "Armour has got a warrant to throw me in jail until I can find
2623-805: The slave trade system". Around the same time, Burns fell in love with a woman named Mary Campbell , whom he had seen in church while he was still living in Tarbolton. She was born near Dunoon and had lived in Campbeltown before moving to work in Ayrshire. He dedicated the poems "The Highland Lassie O", "Highland Mary", and "To Mary in Heaven" to her. His song "Will ye go to the Indies, my Mary, And leave auld Scotia's shore?" suggests that they planned to emigrate to Jamaica together. Their relationship has been
2684-714: The subject of much conjecture, and it has been suggested that on 14 May 1786 they exchanged Bibles and plighted their troth over the Water of Fail in a traditional form of marriage. Soon afterwards Mary Campbell left her work in Ayrshire, went to the seaport of Greenock , and sailed home to her parents in Campbeltown. In October 1786, Mary and her father sailed from Campbeltown to visit her brother in Greenock. Her brother fell ill with typhus , which she also caught while nursing him. She died of typhus on 20 or 21 October 1786 and
2745-481: The suggestion on the grounds that evidence is insufficient to support the claim. Burns is generally classified as a proto- Romantic poet , and he influenced William Wordsworth , Samuel Taylor Coleridge , and Percy Bysshe Shelley greatly. His direct literary influences in the use of Scots in poetry were Allan Ramsay and Robert Fergusson . The Edinburgh literati worked to sentimentalise Burns during his life and after his death, dismissing his education by calling him
2806-448: The tune before he composed the words: My way is: I consider the poetic sentiment, correspondent to my idea of the musical expression, then chuse my theme, begin one stanza, when that is composed—which is generally the most difficult part of the business—I walk out, sit down now and then, look out for objects in nature around me that are in unison or harmony with the cogitations of my fancy and workings of my bosom, humming every now and then
2867-559: Was initiated into the Masonic lodge St David, Tarbolton, on 4 July 1781, when he was 22. In December 1781, Burns moved temporarily to Irvine to learn to become a flax -dresser, but during the workers' celebrations for New Year 1781/1782 (which included Burns as a participant) the flax shop caught fire and was burnt to the ground. This venture accordingly came to an end, and Burns went home to Lochlea farm. During this time he met and befriended Richard Brown , who encouraged him to become
2928-473: Was 21, and a bacterial infection, possibly arising from a tooth abscess, may have exacerbated this. On the morning of 21 July 1796, Burns died in Dumfries, at the age of 37. The funeral took place on Monday 25 July 1796, the day that his son Maxwell was born. He was at first buried in the far corner of St. Michael's Churchyard in Dumfries; a simple "slab of freestone" was erected as his gravestone by Jean Armour, which some felt insulting to his memory. His body
2989-432: Was also frequently occupied as a song collector and songwriter . As his health began to give way, he aged prematurely and fell into fits of despondency. Rumours of intemperance (alleged mainly by temperance activist James Currie ) may have been overstated. Hard manual farm labour earlier in his life may have damaged Burns's health. Burns possibly had a long-standing rheumatic heart condition, perhaps beginning when he
3050-499: Was also taught and tutored by the young teacher John Murdoch (1747–1824), who opened an " adventure school " in Alloway in 1763 and taught Latin, French, and mathematics to both Robert and his brother Gilbert (1760–1827) from 1765 to 1768 until Murdoch left the parish. After a few years of home education, Burns was sent to Dalrymple Parish School in mid-1772 before returning at harvest time to full-time farm labouring until 1773, when he
3111-475: Was appointed to duties in Customs and Excise in 1789. Burns chose the land of Ellisland a few miles north of the town of Dumfries , from Patrick Miller's estate at Dalswinton, where he had a new farmhouse and byre built. He and Jean moved in the following summer 1789 to the new farm house at Ellisland. In November 1790, he had written his masterpiece, the narrative poem " Tam O' Shanter ". The Ellisland farm beside
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#17327901944403172-611: Was born two miles (3 km) south of Ayr , in Alloway , the eldest of the seven children of William Burnes (1721–1784), a self-educated tenant farmer from Dunnottar in the Mearns , and Agnes Broun (1732–1820), the daughter of a Kirkoswald tenant farmer. He was born in a house built by his father (now the Burns Cottage Museum), where he lived until Easter 1766, when he was seven years old. William Burnes sold
3233-491: Was buried there . As Burns lacked the funds to pay for his passage to Jamaica, Gavin Hamilton suggested that he should "publish his poems in the meantime by subscription, as a likely way of getting a little money to provide him more liberally in necessaries for Jamaica." On 3 April Burns sent proposals for publishing his Scotch Poems to John Wilson, a printer in Kilmarnock , who published these proposals on 14 April 1786, on
3294-409: Was consistently unfortunate, and migrated with his large family from farm to farm without ever being able to improve his circumstances. At Whitsun , 1777, he removed his large family from the unfavourable conditions of Mount Oliphant to the 130-acre (0.53 km ) farm at Lochlea , near Tarbolton , where they stayed until William Burnes's death in 1784. Subsequently, the family became integrated into
3355-440: Was engraved to provide a frontispiece for the book. Nasmyth had come to know Burns and his fresh and appealing image has become the basis for almost all subsequent representations of the poet. In Edinburgh, he was received as an equal by the city's men of letters—including Dugald Stewart, Robertson, Blair and others—and was a guest at aristocratic gatherings, where he bore himself with unaffected dignity. Here he encountered, and made
3416-627: Was eventually moved to its final location in the same cemetery, the Burns Mausoleum, in September 1817. The body of his widow Jean Armour was buried with his in 1834. Armour had taken steps to secure his personal property, partly by liquidating two promissory notes amounting to fifteen pounds sterling (about 1,100 pounds at 2009 prices). The family went to the Court of Session in 1798 with a plan to support his surviving children by publishing
3477-431: Was interred into the Burns Mausoleum on 31 March 1834. The opening of the mausoleum provided an opportunity to exhume Burns body by a local group who believed in phrenology , a pseudo-science whose practitioners believed an individual's personality could be predicted by measuring the skulls. The group was led by Archibald Blacklock, a surgeon, and John McDiarmid, Dumfries Courier editor and phrenologist. Other members of
3538-468: Was more massive than it looks in any of the portraits ... there was a strong expression of shrewdness in all his lineaments; the eye alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, and literally glowed when he spoke with feeling or interest. [I never saw such another eye in a human head, though I have seen the most distinguished men of my time.] The new edition of his poems brought Burns £400. His stay in
3599-554: Was sent to lodge with Murdoch for three weeks to study grammar, French, and Latin. By the age of 15, Burns was the principal labourer at Mount Oliphant. During the harvest of 1774, he was assisted by Nelly Kilpatrick (1759–1820), who inspired his first attempt at poetry, " O, Once I Lov'd A Bonnie Lass ". In 1775, he was sent to finish his education with a tutor at Kirkoswald, where he met Peggy Thompson (born 1762), to whom he wrote two songs, "Now Westlin' Winds" and " I Dream’d I Lay ". Despite his ability and character, William Burnes
3660-706: Was skilled in writing not only in the Scots language but also in the Scottish English dialect of the English language. Some of his works, such as "Love and Liberty" (also known as "The Jolly Beggars"), are written in both Scots and English for various effects. His themes included republicanism (he lived during the French Revolutionary period ) and Radicalism , which he expressed covertly in " Scots Wha Hae ", Scottish patriotism , anticlericalism , class inequalities, gender roles, commentary on
3721-599: Was that of "Katherine Ogie." Ye banks, and braes, and streams around The castle o' Montgomery, Green be your woods, and fair your flowers, Your waters never drumlie! There simmer first unfauld her robes, And there the langest tarry; For there I took the last Fareweel O' my sweet Highland Mary. How sweetly bloom'd the gay green birk! How rich the hawthorn's blossom! As underneath their fragrant shade, I clasp'd her to my bosom! The golden hours, on angel wings, Flew o'er me and my dearie; For dear to me, as light and life, Was my sweet Highland Mary! Wi' mony
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