Musical theatre is a form of theatrical performance that combines songs, spoken dialogue , acting and dance. The story and emotional content of a musical – humor, pathos , love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals .
172-456: The Phantom of the Opera is a musical by Andrew Lloyd Webber , lyrics by Charles Hart , additional lyrics by Richard Stilgoe , and a libretto by Lloyd Webber and Stilgoe. Based on the novel by Gaston Leroux , it tells the tragic story of beautiful soprano Christine Daaé , who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath
344-457: A masquerade ball . The Phantom, who has been conspicuously absent since the chandelier disaster, appears in costume as the Red Death . He announces that he has written an opera entitled Don Juan Triumphant , and demands that it be produced with Christine (who is now secretly engaged to Raoul) in the lead role. He pulls Christine's engagement ring from the chain around her neck and vanishes in
516-562: A "divine voice" let alone become a success, that "six months ago she sang like a crock/rusty hinge". In Susan Kay's novel Phantom , she is mentioned briefly through Erik’s point of view; as she is telling Christine of the Opera Ghost he listens to her story. "Never you mind how I know. I just do, that’s all. We know a lot about the Opera Ghost, Ma and I, but it isn’t safe to talk about it here. And you’d better believe me for your own good- he doesn’t like people who don’t know how to show
688-456: A 1992 interview. Maria Björnson designed the sets and over 200 costumes, including the elaborate gowns in the "Masquerade" sequence. Her set designs, including the chandelier, subterranean gondola, and sweeping staircase, earned her multiple awards. Hal Prince , director of Cabaret , Candide , Follies , and Lloyd Webber's Evita , directed the production, while Gillian Lynne , associate director and choreographer of Cats , provided
860-565: A Little Christmas", "I Am What I Am", "Mame", "The Best of Times", "Before the Parade Passes By", "Put On Your Sunday Clothes", "It Only Takes a Moment", "Bosom Buddies" and "I Won't Send Roses", recorded by such artists as Louis Armstrong , Eydie Gormé , Barbra Streisand , Petula Clark and Bernadette Peters. Herman's songbook has been the subject of two popular musical revues, Jerry's Girls (Broadway, 1985) and Showtune (off-Broadway, 2003). The musical started to diverge from
1032-504: A backdrop inexplicably falls from the flies, causing anxious chorus girls to shout, "He's here! The Phantom of the Opera!" The new owners, Firmin and André, try to downplay the incident, but Carlotta angrily storms offstage. Madame Giry , the Opéra's ballet mistress , suggests that Christine Daaé , a chorus girl and orphaned daughter of a prominent Swedish violinist, has been "well taught" and can sing Carlotta's role. As their only alternative
1204-579: A book musical are its music , lyrics and book . The book or script of a musical refers to the story, character development and dramatic structure, including the spoken dialogue and stage directions, but it can also refer to the dialogue and lyrics together, which are sometimes referred to as the libretto (Italian for "small book"). The music and lyrics together form the score of a musical and include songs, incidental music and musical scenes, which are "theatrical sequence[s] set to music, often combining song with spoken dialogue." The interpretation of
1376-518: A completely new genre – the musical play as distinguished from musical comedy. Now ... everything else was subservient to that play. Now ... came complete integration of song, humor and production numbers into a single and inextricable artistic entity." As the Great Depression set in during the post-Broadway national tour of Show Boat , the public turned back to mostly light, escapist song-and-dance entertainment. Audiences on both sides of
1548-483: A demand that Christine replace Carlotta in the starring role of the new opera, Il Muto ("Notes"). Firmin and André assure the furious Carlotta that she will remain the star ("Prima Donna"). The première of Il Muto initially goes well, until the Phantom suddenly enchants Carlotta's voice, reducing it to a frog-like croak. Firmin rushes to defuse the situation by announcing to the audience that Christine will take over
1720-462: A difficult relationship with her mother, who forced Meg into prostitution so they could support their establishment. She becomes jealous of her best friend Christine after working so hard for the Phantom's recognition and failing. After being disregarded by The Phantom and feeling unappreciated by her mother, she kidnaps Christine's child, Gustav, and threatens to kill him. A grieving, suicidal Meg goes on to rant about being used and cast aside then brings
1892-520: A few exceptions, compared with London runs, until the 1920s. Gilbert and Sullivan were widely pirated and also were imitated in New York by productions such as Reginald De Koven 's Robin Hood (1891) and John Philip Sousa 's El Capitan (1896). A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans on Broadway (largely inspired by the routines of
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#17327917393852064-402: A few players . Rock musicals usually employ a small group of mostly rock instruments, and some musicals may call for only a piano or two instruments. The music in musicals uses a range of "styles and influences including operetta , classical techniques, folk music , jazz [and] local or historical styles [that] are appropriate to the setting." Musicals may begin with an overture played by
2236-641: A five-minute song than are spoken in a five-minute block of dialogue. Therefore, there is less time to develop drama in a musical than in a straight play of equivalent length, since a musical usually devotes more time to music than to dialogue. Within the compressed nature of a musical, the writers must develop the characters and the plot. The material presented in a musical may be original, or it may be adapted from novels ( Wicked and Man of La Mancha ), plays ( Hello, Dolly! and Carousel ), classic legends ( Camelot ), historical events ( Evita and Hamilton ) or films ( The Producers and Billy Elliot ). On
2408-429: A flash of light ("Masquerade/Why So Silent"). Raoul accosts Madame Giry and demands that she reveal what she knows about the Phantom. She reluctantly explains that the Phantom is a brilliant scholar, magician, architect, inventor, and composer, who was born with a deformed face. Feared and reviled by society, he was cruelly exhibited in a cage as part of a travelling fair until he eventually escaped and took refuge beneath
2580-610: A letter that told her that Meg (should she deserve it) would become Empress. Early in the novel, it is explained in the Prologue that Meg Giry, after the story's events, had indeed become the Baroness de Castelot-Barbezac. In the Andrew Lloyd Webber adaptation, she is Christine's good friend and her personality is much sweeter, caring and innocent showing genuine concern for Christine's claim of an Angel of Music (really
2752-517: A love relationship sanctioned and restricted by Protestant ideals of marriage; that a married couple should make a moral home with children away from the city in a suburb or small town; that the woman's function was as homemaker and mother; and that Americans incorporate an independent and pioneering spirit or that their success is self-made. The 1950s were crucial to the development of the American musical. Damon Runyon 's eclectic characters were at
2924-453: A monkey figurine. He eyes it sadly, cryptically observing that it appears "exactly as she said". The next lot – Lot 666 – is a broken chandelier, portions of which have been renovated with electrical wiring. The auctioneer states that this chandelier was involved in a famous disaster, connected to "the strange affair of the Phantom of the Opera , a mystery never fully explained". He commands
3096-510: A musical adaptation of Oscar Wilde 's 1895 hit The Importance of Being Earnest . West Side Story (1957) transported Romeo and Juliet to modern day New York City and converted the feuding Montague and Capulet families into opposing ethnic gangs, the Jets and the Sharks. The book was adapted by Arthur Laurents , with music by Leonard Bernstein and lyrics by newcomer Stephen Sondheim . It
3268-416: A musical generally became more expensive. Shuffle Along (1921), an all-African American show, was a hit on Broadway. A new generation of composers of operettas also emerged in the 1920s, such as Rudolf Friml and Sigmund Romberg , to create a series of popular Broadway hits. In London, writer-stars such as Ivor Novello and Noël Coward became popular, but the primacy of British musical theatre from
3440-497: A musical is the responsibility of its creative team, which includes a director, a musical director, usually a choreographer and sometimes an orchestrator . A musical's production is also creatively characterized by technical aspects, such as set design , costumes , stage properties (props) , lighting and sound . The creative team, designs and interpretations generally change from the original production to succeeding productions. Some production elements, however, may be retained from
3612-467: A musical style more aptly suited to twentieth-century society and its vernacular idiom. It was from America that the more direct style emerged, and in America that it was able to flourish in a developing society less hidebound by nineteenth-century tradition." In France, comédie musicale was written between in the early decades of the century for such stars as Yvonne Printemps . Progressing far beyond
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#17327917393853784-547: A new Broadway record. In Britain, Me and My Girl ran for 1,646 performances. Still, a few creative teams began to build on Show Boat ' s innovations. Of Thee I Sing (1931), a political satire by the Gershwins, was the first musical awarded the Pulitzer Prize . As Thousands Cheer (1933), a revue by Irving Berlin and Moss Hart in which each song or sketch was based on a newspaper headline, marked
3956-460: A newer production that had previously toured the UK, speculation mounted that the original production of The Phantom of the Opera was to be overhauled or replaced entirely. Confirmation of this speculation was given on 28 July 2020, when Mackintosh announced that he and Lloyd Webber had decided to "permanently close" the original London production after a 33-year run, but that the two were "determined" for
4128-464: A number of blockbusters, like Fiddler on the Roof (1964; 3,242 performances), Hello, Dolly! (1964; 2,844 performances), Funny Girl (1964; 1,348 performances) and Man of La Mancha (1965; 2,328 performances), and some more risqué pieces like Cabaret , before ending with the emergence of the rock musical . In Britain, Oliver! (1960) ran for 2,618 performances, but the long-run champion of
4300-403: A proper respect, and when he’s angry terrible things happen." "What sort of things?" I heard real alarm enter the other voice now. "Awful things!" said Meg cheerfully, "truly awful. The floor in our dressing room starts to run with blood..." Up in box five I blinked in surprised amusement. That was a new one! Little Giry should be writing Gothic novels, not prancing around the stage dressed as
4472-521: A river ... with lots of obstacles and mishaps along the way". As transportation improved, poverty in London and New York diminished, and street lighting made for safer travel at night, the number of patrons for the growing number of theatres increased enormously. Plays ran longer, leading to better profits and improved production values, and men began to bring their families to the theatre. The first musical theatre piece to exceed 500 consecutive performances
4644-552: A run of 931 performances. Gilbert and Sullivan's influence on later musical theatre was profound, creating examples of how to "integrate" musicals so that the lyrics and dialogue advanced a coherent story. Their works were admired and copied by early authors and composers of musicals in Britain and America. A Trip to Chinatown (1891) was Broadway's long-run champion (until Irene in 1919), running for 657 performances, but New York runs continued to be relatively short, with
4816-544: A series of 2.5D musicals based on popular anime and manga comics has developed in recent decades. Shorter or simplified "junior" versions of many musicals are available for schools and youth groups, and very short works created or adapted for performance by children are sometimes called minimusicals . The antecedents of musical theatre in Europe can be traced back to the theatre of ancient Greece , where music and dance were included in stage comedies and tragedies during
4988-547: A series of successful Broadway shows, including On Your Toes (1936, with Ray Bolger , the first Broadway musical to make dramatic use of classical dance), Babes in Arms (1937) and The Boys from Syracuse (1938). Porter added Du Barry Was a Lady (1939). The longest-running piece of musical theatre of the 1930s in the US was Hellzapoppin (1938), a revue with audience participation, which played for 1,404 performances, setting
5160-789: A story-telling device in On Your Toes in 1936, which was followed by Agnes de Mille 's ballet and choreography in Oklahoma! . After Abbott collaborated with Jerome Robbins in On the Town and other shows, Robbins combined the roles of director and choreographer, emphasizing the story-telling power of dance in West Side Story , A Funny Thing Happened on the Way to the Forum (1962) and Fiddler on
5332-445: A water nymph! "...disembodied hands come out of the wall and crawl across the stage," continued Meg with glee, "and people just disappear and are never seen again. Like Joseph Buquet." In the musical Meg Giry is the one who suggests to the theatre managers to put Christine in the leading role of the opera Hannibal once leading lady Carlotta Giudicelli is spooked by the Phantom 's threats. Her mother, Madame Giry agrees and supports
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5504-606: A wedding dress; when the mirror image spreads its arms towards the real Christine, she faints from shock. The Phantom lays her on a bed and covers her tenderly with his cloak (" The Music of the Night "). As the Phantom is composing music at his organ, Christine awakens to the sound of the monkey music box ("I Remember"). She slips behind the Phantom, lifts his mask, and beholds his disfigured face. The Phantom rails at her prying, then ruefully expresses his longing to be loved ("Stranger Than You Dreamt It"). Moved by pity, Christine returns
5676-417: Is also, in the novel, portrayed as a young girl who adores having her own way and attention. Due to her mother's role as the keeper of Box Five, Meg occasionally acts as a source of information about the ghost to the other ballet girls. She is described by the author in the prologue as "the most charming star of our admirable corps de ballet." Madame Giry is compelled to work for the Phantom because he left her
5848-542: Is as the Broadway score but with 1 percussion part and 7 violins. The current Broadway orchestration is licensed by R&H Theatricals for amateur and professional productions. The only difference between the Broadway 29- and 27-piece orchestras is the smaller orchestra's lack of Violins VII & VIII. The Broadway production originally used a 29-piece pit orchestra: Percussion is split between two books – regular percussion and mallets: Cast recordings have been made of
6020-469: Is cancelling the sold-out show, the managers reluctantly audition her, and discover that she is indeed talented. As Christine sings the aria during the evening performance, the Opéra's new patron, Raoul, Vicomte de Chagny, recognizes her as his childhood friend and playmate ("Think of Me"). Backstage after her triumphant debut, Christine confesses to her friend, Madame Giry's daughter Meg , that her singing has been inspired by an unseen tutor she knows only as
6192-451: Is frequently longer than the second. The first act generally introduces nearly all of the characters and most of the music and often ends with the introduction of a dramatic conflict or plot complication while the second act may introduce a few new songs but usually contains reprises of important musical themes and resolves the conflict or complication. A book musical is usually built around four to six main theme tunes that are reprised later in
6364-477: Is often difficult to distinguish among the various kinds of musical theatre, including "musical play", "musical comedy", "operetta" and "light opera". Like opera, the singing in musical theatre is generally accompanied by an instrumental ensemble called a pit orchestra , located in a lowered area in front of the stage. While opera typically uses a conventional symphony orchestra , musicals are generally orchestrated for ensembles ranging from 27 players down to only
6536-464: Is primarily a singer and only secondarily an actor (and rarely needs to dance), a musical theatre performer is often an actor first but must also be a singer and dancer. Someone who is equally accomplished at all three is referred to as a "triple threat". Composers of music for musicals often consider the vocal demands of roles with musical theatre performers in mind. Today, large theatres that stage musicals generally use microphones and amplification of
6708-590: The COVID-19 pandemic . A new production of Phantom, with a "smaller orchestra and redesigned set", opened in the same theatre in July 2021. The original Broadway production played its final performance on 16 April 2023. In the year 1919, the Paris Opéra House hosts an auction of old theatre memorabilia. Among the attendees is an aged Raoul de Chagny , who purchases Lot 665, a papier-mâché music box with
6880-414: The Paris Opéra House . The musical opened in London's West End in 1986 and on Broadway in New York in 1988, in a production directed by Harold Prince and starring English classical soprano Sarah Brightman (Lloyd Webber's then-wife) as Christine Daaé, screen and stage star Michael Crawford as the Phantom, and international stage performer Steve Barton as Raoul. It won the 1986 Olivier Award and
7052-640: The Roaring Twenties , borrowing from vaudeville, music hall and other light entertainments, tended to emphasize big dance routines and popular songs at the expense of plot. Typical of the decade were lighthearted productions like Sally ; Lady, Be Good ; No, No, Nanette ; Oh, Kay! ; and Funny Face . Despite forgettable stories, these musicals featured stars such as Marilyn Miller and Fred Astaire and produced dozens of enduring popular songs by Kern, George and Ira Gershwin , Irving Berlin , Cole Porter and Rodgers and Hart . Popular music
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7224-491: The Tudor period that involved music, dancing, singing and acting, often with expensive costumes and a complex stage design . These developed into sung plays that are recognizable as English operas, the first usually being thought of as The Siege of Rhodes (1656). In France, meanwhile, Molière turned several of his farcical comedies into musical entertainments with songs (music provided by Jean-Baptiste Lully ) and dance in
7396-557: The minstrel shows ), followed by ragtime -tinged shows. Hundreds of musical comedies were staged on Broadway in the 1890s and early 20th century, composed of songs written in New York's Tin Pan Alley , including those by George M. Cohan , who worked to create an American style distinct from the Gilbert and Sullivan works. The most successful New York shows were often followed by extensive national tours. Meanwhile, musicals took over
7568-461: The "Angel of Music" ("Angel of Music"). Raoul visits Christine in her dressing room and the two reminisce about "Angel of Music" stories that her late father used to tell them. Christine confides that the Angel has visited her and taught her to sing ("Little Lotte"). Raoul indulges what he assumes are fantasies and insists on taking Christine to dinner. When Raoul leaves to fetch his hat, Christine hears
7740-543: The "Golden Age" of American musical theatre. Americana was displayed on Broadway during the "Golden Age", as the wartime cycle of shows began to arrive. An example of this is On the Town (1944), written by Betty Comden and Adolph Green , composed by Leonard Bernstein and choreographed by Jerome Robbins . The story is set during wartime and concerns three sailors who are on a 24-hour shore leave in New York City, during which each falls in love. The show also gives
7912-622: The 1850s to the 1870s and Johann Strauss II in the 1870s and 1880s. Offenbach's fertile melodies, combined with his librettists' witty satire, formed a model for the musical theatre that followed. Adaptations of the French operettas (played in mostly bad, risqué translations), musical burlesques , music hall, pantomime and burletta dominated the London musical stage into the 1870s. In America, mid-19th century musical theatre entertainments included crude variety revue , which eventually developed into vaudeville , minstrel shows , which soon crossed
8084-504: The 1910s, the team of P. G. Wodehouse , Guy Bolton and Jerome Kern , following in the footsteps of Gilbert and Sullivan , created the " Princess Theatre shows" and paved the way for Kern's later work by showing that a musical could combine light, popular entertainment with continuity between its story and songs. Historian Gerald Bordman wrote: These shows built and polished the mold from which almost all later major musical comedies evolved. ... The characters and situations were, within
8256-525: The 1988 Tony Award for Best Musical, with Crawford winning the Olivier and Tony for Best Actor in a Musical. A film adaptation , directed by Joel Schumacher , was released in 2004. The Phantom of the Opera was the longest running show in Broadway history , and celebrated its 10,000th performance on 11 February 2012, becoming the first Broadway production in history to do so. It is the second longest-running West End musical , after Les Misérables , and
8428-499: The 19th century through 1920 was gradually replaced by American innovation, especially after World War I, as Kern and other Tin Pan Alley composers began to bring new musical styles such as ragtime and jazz to the theatres, and the Shubert Brothers took control of the Broadway theatres. Musical theatre writer Andrew Lamb notes, "The operatic and theatrical styles of nineteenth-century social structures were replaced by
8600-412: The 19th century, such as music hall , melodrama and burletta , which were popularized partly because most London theatres were licensed only as music halls and not allowed to present plays without music. Colonial America did not have a significant theatre presence until 1752, when London entrepreneur William Hallam sent a company of actors to the colonies managed by his brother Lewis . In New York in
8772-423: The 2020 tour would be moved into the show's original home at Her Majesty's Theatre. Lloyd Webber and Mackintosh announced a planned reopening on 27 July 2021. Planning documentation submitted by LW Theatres confirmed considerable redesigns of Maria Björnson's set, with the removal of the Angel statue, reductions in the mobility of the travelator and candelabra, and fewer gargoyles on the proscenium as had featured in
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#17327917393858944-548: The 25th Anniversary UK and US Tours, these productions have all been "clones", using the original staging, direction, sets, and costume concepts. Notable international productions include the following: An edited production renamed Phantom: The Las Vegas Spectacular opened 24 June 2006 at The Venetian Las Vegas . The show starred Brent Barrett and Anthony Crivello as the Phantom, Sierra Boggess and Elizabeth Loyacano as Christine, and Tim Martin Gleason as Raoul. The theatre
9116-810: The 5th century BCE. The music from the ancient forms is lost, however, and they had little influence on later development of musical theatre. In the 12th and 13th centuries, religious dramas taught the liturgy . Groups of actors would use outdoor Pageant wagons (stages on wheels) to tell each part of the story. Poetic forms sometimes alternated with the prose dialogues, and liturgical chants gave way to new melodies. The European Renaissance saw older forms evolve into two antecedents of musical theatre: commedia dell'arte , where raucous clowns improvised familiar stories, and later, opera buffa . In England, Elizabethan and Jacobean plays frequently included music, and short musical plays began to be included in an evenings' dramatic entertainments. Court masques developed during
9288-551: The Angry Inch and other shows in recent decades. Parade is a sensitive exploration of both anti-Semitism and historical American racism, and Ragtime similarly explores the experience of immigrants and minorities in America. After the success of Hair , rock musicals flourished in the 1970s, with Jesus Christ Superstar , Godspell , The Rocky Horror Show , Evita and Two Gentlemen of Verona . Some of those began as " concept albums " which were then adapted to
9460-677: The Atlantic had little money to spend on entertainment, and only a few stage shows anywhere exceeded a run of 500 performances during the decade. The revue The Band Wagon (1931) starred dancing partners Fred Astaire and his sister Adele , while Porter's Anything Goes (1934) confirmed Ethel Merman 's position as the First Lady of musical theatre, a title she maintained for many years. Coward and Novello continued to deliver old fashioned, sentimental musicals, such as The Dancing Years , while Rodgers and Hart returned from Hollywood to create
9632-425: The Atlantic to Britain, and Victorian burlesque, first popularized in the US by British troupes. A hugely successful musical entertainment that premiered in New York in 1866, The Black Crook , combined dance and some original music that helped to tell the story. The spectacular production, famous for its skimpy costumes, ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and
9804-608: The Broadway production had played 13,981 performances (exceeding its London counterpart by 62 performances). Immediately following the closure of the Broadway production, Andrew Lloyd Webber appeared on the Tonight Show and hinted a likely revival of Phantom in the near future at a different theater. This is widely speculated by industry insiders to constitute a Broadway transfer of the downscaled second London production, particularly in light of that smaller production's planned US tour in 2024. A 25th-anniversary stage performance
9976-756: The English-speaking stage by competition from the ubiquitous Edwardian musical comedies, operettas returned to London and Broadway in 1907 with The Merry Widow , and adaptations of continental operettas became direct competitors with musicals. Franz Lehár and Oscar Straus composed new operettas that were popular in English until World War I. In America, Victor Herbert produced a string of enduring operettas including The Fortune Teller (1898), Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906) and Naughty Marietta (1910). In
10148-586: The Golden Age, automotive companies and other large corporations began to hire Broadway talent to write corporate musicals , private shows only seen by their employees or customers. The 1950s ended with Rodgers and Hammerstein 's last hit, The Sound of Music , which also became another hit for Mary Martin. It ran for 1,443 performances and shared the Tony Award for Best Musical. Together with its extremely successful 1965 film version , it has become one of
10320-649: The Las Vegas production closed on 2 September 2012, after five years and almost 2,700 performances. A production was originally planned for the first ever French production in Paris at the Mogador Theatre in September 2016. Sierra Boggess was set to reprise her performance as Christine and Garðar Thór Cortes was cast as The Phantom. A few days before the premiere, a fire damaged the stage floor and most of
10492-583: The London stage in the Gay Nineties , led by producer George Edwardes , who perceived that audiences wanted a new alternative to the Savoy -style comic operas and their intellectual, political, absurdist satire. He experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety and his other theatres. These drew on
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#173279173938510664-489: The London, Austrian, Dutch, German, Japanese, Swedish, Korean, Hungarian, Mexican, Polish, Russian and Canadian productions. Musical theatre Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and
10836-560: The Mountains (1,352 performances) and especially Chu Chin Chow . Its run of 2,238 performances was more than twice as long as any previous musical, setting a record that stood for nearly forty years. Even a revival of The Beggar's Opera held the stage for 1,463 performances. Revues like The Bing Boys Are Here in Britain, and those of Florenz Ziegfeld and his imitators in America, were also extraordinarily popular. The musicals of
11008-589: The Opera began Broadway previews at the Majestic Theatre on 9 January 1988 and opened on 26 January. Michael Crawford , Sarah Brightman , and Steve Barton reprised their respective roles from the West End. The rest of the original Broadway cast included Judy Kaye as Carlotta, Cris Groenendaal as Monsieur André, Nicholas Wyman as Monsieur Firmin, Elisa Heinsohn as Meg Giry, Leila Martin as Madame Giry, and David Romano as Piangi. When Crawford left
11180-464: The Phantom ("Why Have You Brought Me Here?/Raoul, I've Been There"). Raoul is skeptical but promises to love and protect her (" All I Ask of You "). The Phantom, who overheard their conversation, is heartbroken and swears revenge on Christine. In the auditorium, the chandelier crashes onto the stage during the Il Muto curtain call ("All I Ask of You (Reprise)"). Six months later, the Opera house hosts
11352-431: The Phantom as a young man. At the end of the musical, Meg finds the Phantom's mask that he had used to cover his disfigured face resting on his chair in his abandoned underground lair, and holds it. Meg has a larger role in the sequel musical, Love Never Dies , where she craves the Phantom's recognition of her talent and is in love with him, but he ignores her entirely and continues to obsess over Christine. She now has
11524-404: The Phantom that he's not alone and kisses him. Having experienced both kindness and compassion for the first time, the Phantom frees Raoul. He also tells Christine that he loves her and she tearfully exits the lair with Raoul. As the angry search mob closes in, the Phantom huddles on his throne beneath his cloak. Meg is the first to enter the lair. She approaches the Phantom's throne and pulls away
11696-436: The Phantom's masterwork, Don Juan Triumphant . "Here, Lloyd Webber pastiched various styles from the grand operas of Meyerbeer through to Mozart and even Gilbert and Sullivan ." These pieces are often presented as musical fragments, interrupted by dialogue or action sequences in order to clearly define the musical's "show within a show" format. The musical extracts from the Phantom's opera, "Don Juan Triumphant", heard during
11868-460: The Phantom) coaching her. Meg is more curvaceous and has blonde hair and blue eyes. In contrast to the musical version, in the novel, it is never mentioned that she is friends with Christine Daaé , and the only reference she makes about Christine is when confronted with the news that Christine was singing in the opening Gala, she tells Count Phillipe de Chagny that it was impossible for her to have
12040-540: The Phantom, Sierra Boggess as Christine, Hadley Fraser as Raoul, Wynne Evans as Piangi, Wendy Ferguson as Carlotta, Barry James as Monsieur Firmin, Gareth Snook as Monsieur Andre, Liz Robertson as Madame Giry, and Daisy Maywood as Meg Giry. Former West End Phantom Earl Carpenter played the Auctioneer. Lloyd Webber and several original cast members, including Crawford and Brightman, were in attendance, as well as Colm Wilkinson and Anthony Warlow who originated
12212-480: The Phantom, Christine visits her father's grave, begging for his guidance ("Wishing You Were Somehow Here Again"). The Phantom appears atop the mausoleum ("Wandering Child"). Christine begins to succumb to the Phantom's influence, but Raoul arrives to rescue her. The Phantom taunts Raoul, hurling fire balls at him until Christine begs Raoul to leave with her. Furious, the Phantom declares war upon them both. Don Juan Triumphant premieres with Christine and Piangi singing
12384-426: The Phantom, it was there!" Lloyd Webber first approached Jim Steinman to write the lyrics because of his "dark obsessive side", but he declined in order to fulfill his commitments on a Bonnie Tyler album. Alan Jay Lerner (1918—1986) was then recruited, but he became seriously ill after joining the project and was forced to withdraw; none of his contributions (mostly involving the song "Masquerade") are credited in
12556-424: The Phantom, with Katie Hall as Christine and Simon Bailey as Raoul. In November 2019, the co-producers of The Phantom of the Opera , Mackintosh and Lloyd Webber's Really Useful Group (RUG), announced that the show would again tour the UK and Ireland, but this time with a return to the original production rather than the 2012 production. Although this announcement stated that the tour would be an "exact replica" of
12728-655: The Post was the first show to call itself a "musical comedy." In 1874, Evangeline or The Belle of Arcadia , by Edward E. Rice and J. Cheever Goodwin , based loosely on Longfellow’s Evangeline , with an original American story and music, opened successfully in New York and was revived in Boston, New York, and in repeated tours. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 ( The Mulligan Guard Picnic ) and 1885. These musical comedies featured characters and situations taken from
12900-582: The Roof (1964). Bob Fosse choreographed for Abbott in The Pajama Game (1956) and Damn Yankees (1957), injecting playful sexuality into those hits. He was later the director-choreographer for Sweet Charity (1968), Pippin (1972) and Chicago (1975). Other notable director-choreographers have included Gower Champion , Tommy Tune , Michael Bennett , Gillian Lynne and Susan Stroman . Prominent directors have included Hal Prince , who also got his start with Abbott, and Trevor Nunn . During
13072-463: The Shrew for Kiss Me, Kate (1948, 1,077 performances). The American musicals overwhelmed the old-fashioned British Coward/Novello-style shows, one of the last big successes of which was Novello's Perchance to Dream (1945, 1,021 performances). The formula for the Golden Age musicals reflected one or more of four widely held perceptions of the "American dream": That stability and worth derives from
13244-497: The Times Square area until the 1920s and 1930s. New York runs lagged far behind those in London, but Laura Keene 's "musical burletta" Seven Sisters (1860) shattered previous New York musical theatre record, with a run of 253 performances. Around 1850, the French composer Hervé was experimenting with a form of comic musical theatre he called opérette . The best known composers of operetta were Jacques Offenbach from
13416-477: The United States and Britain, there are vibrant musical theatre scenes in continental Europe, Asia, Australasia, Canada and Latin America. Since the 20th century, the "book musical" has been defined as a musical play where songs and dances are fully integrated into a well-made story with serious dramatic goals and which is able to evoke genuine emotions other than laughter. The three main components of
13588-430: The West End in the 21st century have been presented in one act. Moments of greatest dramatic intensity in a book musical are often performed in song. Proverbially, "when the emotion becomes too strong for speech, you sing; when it becomes too strong for song, you dance." In a book musical, a song is ideally crafted to suit the character (or characters) and their situation within the story; although there have been times in
13760-507: The actors' singing voices in a way that would generally be disapproved of in an operatic context. Some works, including those by George Gershwin , Leonard Bernstein and Stephen Sondheim , have been made into both musical theatre and operatic productions. Similarly, some older operettas or light operas (such as The Pirates of Penzance by Gilbert and Sullivan ) have been produced in modern adaptations that treat them as musicals. For some works, production styles are almost as important as
13932-437: The auction assistants to turn on the power and light up the chandelier for all to see. As the overture plays, it flickers to life and ascends to the ceiling, as a transition back in time restores the opera house to its former grandeur ("Overture"). The year is 1881 – the cast of a new production, Hannibal , is rehearsing ("Hannibal Rehearsal"). Carlotta, the Opéra's resident soprano prima donna , begins to perform an aria when
14104-689: The audience with fantasy and fun, and which often succeeds, at any price." Howard Kissel from New York Daily News commended the production, calling it "a spectacular entertainment, visually the most impressive of the British musicals", and praised Lloyd Webber's score despite its "synthetic, borrowed quality" as well as Michael Crawford's "powerful" performance. Maria Björnson's set and costume design in particular garnered critical acclaim, with reviewers calling it "a breathtaking, witty, sensual tribute to 19th century theater" as well as "marvels of period atmospheric detail and technical savvy". On 12 March 2020,
14276-622: The backdrops and set pieces leading to the cancellation of the production. In 2011, the Really Useful Group (copyright owners of The Phantom of the Opera ) released certain rights to the musical in celebration of its 25th anniversary. In March 2011 Reed-Custer High School in Braidwood, Illinois, became the first school to perform The Phantom of the Opera under the new rights. Later in 2011, Stanwell School in Penarth became
14448-600: The cast to open the Broadway production they were replaced by Dave Willetts , Claire Moore , and Michael Ball respectively. The production celebrated its 10,000th performance on 23 October 2010, with Lloyd Webber and the original Phantom, Crawford, in attendance. The 30th anniversary was on 10 October 2016 with a special appearance of the original cast during the curtain call. It is the second longest-running musical in West End history behind Les Misérables , and third overall behind The Mousetrap . The production played its final and 13,919th performance on 14 March 2020, due to
14620-474: The characters express their ideas. It defied musical conventions by raising its first act curtain not on a bevy of chorus girls, but rather on a woman churning butter, with an off-stage voice singing the opening lines of Oh, What a Beautiful Mornin' unaccompanied. It drew rave reviews, set off a box-office frenzy and received a Pulitzer Prize . Brooks Atkinson wrote in The New York Times that
14792-439: The cloak, finding only his mask ("Finale"). In 1984, Lloyd Webber contacted Cameron Mackintosh , the co-producer of Cats and Song and Dance , to propose a new musical. He was aiming for a romantic and tragic piece, and suggested Gaston Leroux 's book The Phantom of the Opera as a basis. They screened both the 1925 Lon Chaney and the 1943 Claude Rains motion picture versions, but neither saw any effective way to make
14964-557: The comparatively frivolous musicals and sentimental operettas of the decade, Broadway's Show Boat (1927) represented an even more complete integration of book and score than the Princess Theatre musicals, with dramatic themes told through the music, dialogue, setting and movement. This was accomplished by combining the lyricism of Kern's music with the skillful libretto of Oscar Hammerstein II . One historian wrote, "Here we come to
15136-508: The continent, singspiel , comédie en vaudeville , opéra comique , zarzuela and other forms of light musical entertainment were emerging. The Beggar's Opera was the first recorded long-running play of any kind, running for 62 successive performances in 1728. It would take almost a century afterwards before any play broke 100 performances, but the record soon reached 150 in the late 1820s. Other musical theatre forms developed in England by
15308-452: The controversy surrounding it, ran for 108 performances. Rodgers and Hart's I'd Rather Be Right (1937) was a political satire with George M. Cohan as President Franklin D. Roosevelt , and Kurt Weill 's Knickerbocker Holiday depicted New York City's early history while good-naturedly satirizing Roosevelt's good intentions. The motion picture mounted a challenge to the stage. Silent films had presented only limited competition, but by
15480-548: The core of Frank Loesser 's and Abe Burrows ' Guys and Dolls , (1950, 1,200 performances); and the Gold Rush was the setting for Alan Jay Lerner and Frederick Loewe 's Paint Your Wagon (1951). The relatively brief seven-month run of that show did not discourage Lerner and Loewe from collaborating again, this time on My Fair Lady (1956), an adaptation of George Bernard Shaw 's Pygmalion starring Rex Harrison and Julie Andrews , which at 2,717 performances held
15652-494: The decade was The Black and White Minstrel Show (1962), which played for 4,344 performances. Two men had considerable impact on musical theatre history beginning in this decade: Stephen Sondheim and Jerry Herman . The first project for which Sondheim wrote both music and lyrics was A Funny Thing Happened on the Way to the Forum (1962, 964 performances), with a book based on the works of Plautus by Burt Shevelove and Larry Gelbart , starring Zero Mostel . Sondheim moved
15824-475: The decision. Normally she and Christine would be part of the ballet ensemble led by Madame Giry. At the end of Christine's performance, Christine confides in Meg in the musical number "Angel of Music" that she has been coached by a mysterious tutor who is calling her to him. Meg dismisses her claims, but after Christine's disappearance, comes to believe in the Phantom's powers, in part due to her mother's experiences with
15996-538: The designs of Maria Björnson, direction of Hal Prince, and choreography of Gillian Lynne would be "reimagined by a new team". The producer reconfirmed in an interview with the Daily Telegraph in April 2021 that the 2020 reduced touring redesigns would replace the originals at Her Majesty's Theatre. Full casting for the reopening was announced on 27 April 2021, with all previous longtime cast members having departed
16168-504: The direction of Hal Prince, then opened on 9 October. It was choreographed by Gillian Lynne and the sets were designed by Maria Björnson, with lighting by Andrew Bridge . Michael Crawford starred in the title role with Sarah Brightman as Christine, Steve Barton as Raoul, Rosemary Ashe as Carlotta, David Firth as Monsieur André, John Savident as Monsieur Firmin, Mary Millar as Madame Giry, Janet Devenish as Meg Giry, and John Aron as Piangi. When Crawford, Brightman, and Barton left
16340-403: The earlier musical forms of comic opera and operetta. The Geisha (1896) was one of the most successful in the 1890s, running for more than two years and achieving great international success. The Belle of New York (1898) became the first American musical to run for over a year in London. The British musical comedy Florodora (1899) was a popular success on both sides of the Atlantic, as
16512-409: The end of the 1920s, films like The Jazz Singer could be presented with synchronized sound. "Talkie" films at low prices effectively killed off vaudeville by the early 1930s. Despite the economic woes of the 1930s and the competition from film, the musical survived. In fact, it continued to evolve thematically beyond the gags and showgirls musicals of the Gay Nineties and Roaring Twenties and
16684-544: The end of the Golden Age, several shows tackled Jewish subjects and issues, such as Fiddler on the Roof , Milk and Honey , Blitz! and later Rags . The original concept that became West Side Story was set in the Lower East Side during Easter-Passover celebrations; the rival gangs were to be Jewish and Italian Catholic . The creative team later decided that the Polish (white) vs. Puerto Rican conflict
16856-480: The entire face and remained in place throughout the performance, obscuring the actor's vision and muffling his voice. Maria Björnson designed the now-iconic half-mask to replace it, and the unmasking sequence was added. Clips of this preview performance were included on the DVD of the 2004 film production. The Phantom of the Opera began previews at Her Majesty's Theatre in London's West End on 27 September 1986 under
17028-409: The everyday life of New York's lower classes. They starred high quality singers ( Lillian Russell , Vivienne Segal and Fay Templeton ) instead of the ladies of questionable repute who had starred in earlier musical forms. In 1879, The Brook by Nate Salsbury was another national success with contemporary American dance styles and an American story about "members of an acting company taking a trip down
17200-438: The first Broadway show in which an African-American, Ethel Waters , starred alongside white actors. Waters' numbers included " Supper Time ", a woman's lament for her husband who has been lynched. The Gershwins' Porgy and Bess (1935) featured an all African-American cast and blended operatic, folk and jazz idioms. The Cradle Will Rock (1937), directed by Orson Welles , was a highly political pro- union piece that, despite
17372-562: The first school in the UK to perform the show. A film adaptation, directed by Joel Schumacher and starring Gerard Butler as the Phantom, Emmy Rossum as Christine, Patrick Wilson as Raoul, Minnie Driver as Carlotta, and Miranda Richardson as Madame Giry, opened on 22 December 2004 in the US. The original casts of the English-speaking productions of The Phantom of the Opera : Source Notes The original orchestrations were written by David Cullen and Lloyd Webber. There are several orchestrations: The original London score
17544-515: The founding of the state of Israel, and continuing with the blockbuster hits Hello, Dolly! (1964, 2,844 performances), Mame (1966, 1,508 performances), and La Cage aux Folles (1983, 1,761 performances). Even his less successful shows like Dear World (1969) and Mack and Mabel (1974) have had memorable scores ( Mack and Mabel was later reworked into a London hit). Writing both words and music, many of Herman's show tunes have become popular standards, including " Hello, Dolly! ", "We Need
17716-472: The history of the musical (e.g. from the 1890s to the 1920s) when this integration between music and story has been tenuous. As The New York Times critic Ben Brantley described the ideal of song in theatre when reviewing the 2008 revival of Gypsy : "There is no separation at all between song and character, which is what happens in those uncommon moments when musicals reach upward to achieve their ideal reasons to be." Typically, many fewer words are sung in
17888-527: The impression of a country with an uncertain future, as the sailors and their women also have. Irving Berlin used sharpshooter Annie Oakley 's career as a basis for his Annie Get Your Gun (1946, 1,147 performances); Burton Lane , E. Y. Harburg and Fred Saidy combined political satire with Irish whimsy for their fantasy Finian's Rainbow (1947, 725 performances); and Cole Porter found inspiration in William Shakespeare 's The Taming of
18060-765: The integral musical staging and choreography. A preview of the first act was staged at Sydmonton Court (Lloyd Webber's home) in 1985, starring Colm Wilkinson (later the star of the Toronto production) as the Phantom, Sarah Brightman as Kristin (later Christine), and Clive Carter (later a member of the London cast) as Raoul, West End star David Burt was also featured as Monsieur Firmin and Jeff Shankley played opposite him as Monsieur André. This very preliminary production used Richard Stilgoe 's original unaltered lyrics, and many songs sported names that were later changed, such as "What Has Time Done to Me" ("Think of Me"), and "Papers" ("Notes"). The Phantom's original mask covered
18232-447: The interplay of lyrics and music in his shows. Some of Sondheim's notable innovations include a show presented in reverse ( Merrily We Roll Along ) and the above-mentioned Anyone Can Whistle , in which the first act ends with the cast informing the audience that they are mad. Jerry Herman played a significant role in American musical theatre, beginning with his first Broadway production, Milk and Honey (1961, 563 performances), about
18404-529: The jealous Phantom's voice and entreats him to reveal himself. The Phantom obliges by appearing in her mirror ("The Mirror/Angel of Music (Reprise)"). Christine is hypnotized and irresistibly drawn through the mirror to the Phantom, who leads her down into the shadowy sewers below the Opéra house. The two board a small boat and cross a subterranean lake to his secret lair (" The Phantom of the Opera "). The Phantom explains that he has chosen Christine to sing his musical compositions. A mirror reflects an image of her in
18576-440: The last two weeks on Broadway, Crawford was out sick. From 2 to 8 April and 13 April, understudy Jeremy Stolle played the Phantom. At four performances from 3 to 15 April, Ted Keegan played the Phantom. Laird Mackintosh played the Phantom during the 14 and 15 April evening performances and for the final performance on 16 April, becoming the last person to play the title role in the original Broadway production. By its closing date,
18748-548: The late 17th century. These influenced a brief period of English opera by composers such as John Blow and Henry Purcell . From the 18th century, the most popular forms of musical theatre in Britain were ballad operas , like John Gay 's The Beggar's Opera , that included lyrics written to the tunes of popular songs of the day (often spoofing opera), and later pantomime , which developed from commedia dell'arte, and comic opera with mostly romantic plot lines, like Michael Balfe 's The Bohemian Girl (1845). Meanwhile, on
18920-439: The latter stages of the show, are dissonant and modern—"suggesting, perhaps, that the Phantom is ahead of his time artistically". In the musical's title song, the signature, chromatic five-note descending eighth-note run from the major root to the flat 6th below is directly similar to a riff created by Pink Floyd for the track "Echoes" on their 1971 album Meddle , something noted with indignation by Pink Floyd's Roger Waters in
19092-447: The leap from film to stage. Later, in New York, Lloyd Webber found a second-hand copy of the original, long-out-of-print Leroux novel, which supplied the necessary inspiration to develop a musical: said Lloyd Webber, "I was actually writing something else at the time, and I realised that the reason I was hung up was because I was trying to write a major romantic story, and I had been trying to do that ever since I started my career. Then with
19264-402: The limitations of musical comedy license, believable and the humor came from the situations or the nature of the characters. Kern's exquisitely flowing melodies were employed to further the action or develop characterization. ... [Edwardian] musical comedy was often guilty of inserting songs in a hit-or-miss fashion. The Princess Theatre musicals brought about a change in approach. P. G. Wodehouse,
19436-450: The long-run record for many years. Popular Hollywood films were made of all of these musicals. Two hits by British creators in this decade were The Boy Friend (1954), which ran for 2,078 performances in London and marked Andrews' American debut, and Salad Days (1954), which broke the British long-run record with a run of 2,283 performances. Another record was set by The Threepenny Opera , which ran for 2,707 performances, becoming
19608-535: The longest-running off-Broadway musical until The Fantasticks . The production also broke ground by showing that musicals could be profitable off-Broadway in a small-scale, small orchestra format. This was confirmed in 1959 when a revival of Jerome Kern and P. G. Wodehouse 's Leave It to Jane ran for more than two years. The 1959–1960 off-Broadway season included a dozen musicals and revues including Little Mary Sunshine , The Fantasticks and Ernest in Love ,
19780-402: The mask to the Phantom, and he escorts her back above ground. Meanwhile, Joseph Buquet , the Opéra's chief stagehand, regales the chorus girls with tales of the "Opéra Ghost" and his terrible Punjab lasso. Madame Giry warns Buquet to restrain himself ("Magical Lasso"). Arguments break out in the managers' office between Firmin, André, Raoul, and Carlotta over notes sent by the Phantom, including
19952-419: The mobility of the 'travelator' bridge was reduced. Whereas Prince had envisioned the show as a "black box" production requiring the use of black velour and paint around the proscenium, this was removed as part of the restoration to Her Majesty's Theatre, with once blacked-out stage boxes returned to their original green and red colours and reintroduced for audience use. The orchestra was reduced to 14 players from
20124-767: The most famous musicals through the decades that followed include My Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015). Musicals are performed around the world. They may be presented in large venues, such as big-budget Broadway or West End productions in New York City or London. Alternatively, musicals may be staged in smaller venues, such as off-Broadway , off-off-Broadway , regional theatre , fringe theatre , or community theatre productions, or on tour . Musicals are often presented by amateur and school groups in churches, schools and other performance spaces. In addition to
20296-445: The most observant, literate and witty lyricist of his day, and the team of Bolton, Wodehouse and Kern had an influence felt to this day. The theatre-going public needed escapist entertainment during the dark times of World War I , and they flocked to the theatre. The 1919 hit musical Irene ran for 670 performances, a Broadway record that held until 1938. The British theatre public supported far longer runs like that of The Maid of
20468-585: The most popular musicals in history. In 1960, The Fantasticks was first produced off-Broadway. This intimate allegorical show would quietly run for over 40 years at the Sullivan Street Theatre in Greenwich Village , becoming by far the longest-running musical in history. Its authors produced other innovative works in the 1960s, such as Celebration and I Do! I Do! , the first two-character Broadway musical. The 1960s would see
20640-423: The music for a story about Rose Thompson Hovick , the mother of the titular stripper Gypsy Rose Lee . Although directors and choreographers have had a major influence on musical theatre style since at least the 19th century, George Abbott and his collaborators and successors took a central role in integrating movement and dance fully into musical theatre productions in the Golden Age. Abbott introduced ballet as
20812-480: The musical beyond its concentration on the romantic plots typical of earlier eras; his work tended to be darker, exploring the grittier sides of life both present and past. Other early Sondheim works include Anyone Can Whistle (1964, which ran only nine performances, despite having stars Lee Remick and Angela Lansbury ), and the successful Company (1970), Follies (1971) and A Little Night Music (1973). Later, Sondheim found inspiration in unlikely sources:
20984-415: The musical on Broadway and in the West End, alterations were made to the set design in order to make the tour "lighter". These included a scaling down of the production's false proscenium, with the centrepiece Angel statue designed by Maria Björnson removed. Performances of this latest 2020 tour were suspended from 16 March 2020 as a result of the COVID-19 pandemic . In May 2020, Mackintosh and RUG announced
21156-497: The musical to return to the West End. In response to this announcement, the Really Useful Group denied that the original production was permanently closing, stating that the extended closure was simply to enable a refurbishment of the theatre and that the show would return "unchanged" and any returning production would "not be a new version of the show", but without confirming upon request by The Stage as to whether
21328-418: The necessary encouragement for other gifted writers to create musical plays of their own". The two collaborators created an extraordinary collection of some of musical theatre's best loved and most enduring classics, including Carousel (1945), South Pacific (1949), The King and I (1951) and The Sound of Music (1959). Some of these musicals treat more serious subject matter than most earlier shows:
21500-766: The opening of Japan to Western trade for Pacific Overtures (1976), a legendary murderous barber seeking revenge in the Industrial Age of London for Sweeney Todd (1979), the paintings of Georges Seurat for Sunday in the Park with George (1984), fairy tales for Into the Woods (1987), and a collection of presidential assassins in Assassins (1990). While some critics have argued that some of Sondheim's musicals lack commercial appeal, others have praised their lyrical sophistication and musical complexity, as well as
21672-645: The opera house plunges into chaos. An angry mob, vowing vengeance for the murders of Buquet and Piangi, search for the Phantom. Madame Giry tells Raoul how to find the Phantom's subterranean lair and warns him to beware the magical lasso ("Down Once More/Track Down This Murderer"). In the lair, the Phantom forces Christine to don a wedding dress. Raoul comes to the rescue but is ensnared in the Punjab lasso. The Phantom offers Christine an ultimatum: if she will stay with him, he will spare Raoul, but if she refuses, Raoul will die ("The Point of No Return Reprise"). Christine tells
21844-467: The opera house. Raoul plots to use the première of Don Juan Triumphant to trap the Phantom and end his reign of terror, knowing he will attend the opera's debut. He begs Christine to help lure the Phantom into the trap ("Notes/Twisted Every Way"). During rehearsals, Piangi, the house tenor, sings his role incorrectly, causing chaos. The piano suddenly plays by itself, with the entire cast singing in harmony. Torn between her love for Raoul and her loyalty to
22016-502: The orchestra that "weav[es] together excerpts of the score's famous melodies." There are various Eastern traditions of theatre that include music, such as Chinese opera , Taiwanese opera , Japanese Noh and Indian musical theatre , including Sanskrit drama , Indian classical dance , Parsi theatre and Yakshagana . India has, since the 20th century, produced numerous musical films, referred to as " Bollywood " musicals, and in Japan
22188-476: The original 27. The reopened show's cast featured Killian Donnelly as the Phantom, Lucy St. Louis as Christine, Rhys Whitfield as Raoul, Saori Oda as Carlotta, and other cast members from the aborted 2020 UK tour. New casting was announced on 18 January 2023 with Earl Carpenter and Jon Robyns starring as the Phantom respectively from 13 February to 1 April and from 3 April 2023, and Holly-Anne Hull starring as Christine Daae from 23 January. The Phantom of
22360-464: The original production, for example, Bob Fosse 's choreography in Chicago . There is no fixed length for a musical. While it can range from a short one-act entertainment to several acts and several hours in length (or even a multi-evening presentation), most musicals range from one and a half to three hours. Musicals are usually presented in two acts, with one short intermission , and the first act
22532-475: The original production. It was additionally confirmed on 12 April 2021 that, contrary to claims by Lloyd Webber that the original production would return "in its entirety", the orchestra of the original production (once the largest for any West End musical) was to be halved for the show's return to the West End using the reduced tour orchestrations. On 15 April 2021, Mackintosh confirmed that the original staging would not be reinstated at Her Majesty's Theatre and that
22704-643: The other hand, many successful musical theatre works have been adapted for musical films , such as West Side Story , My Fair Lady , The Sound of Music , Oliver! and Chicago . Musical theatre is closely related to the theatrical form of opera, but the two are usually distinguished by weighing a number of factors. First, musicals generally have a greater focus on spoken dialogue. Some musicals, however, are entirely accompanied and sung-through, while some operas, such as Die Zauberflöte , and most operettas , have some unaccompanied dialogue. Second, musicals usually include more dancing as an essential part of
22876-415: The premature closure of the tour as a result. Rather than resume the tour following the end of COVID-19-related shutdowns, the producers installed that production into Her Majesty's Theatre in London in July 2021, where it replaced Hal Prince's original production. The Phantom of the Opera has been translated into several languages and produced in over 40 countries on 6 continents. With some exceptions like
23048-433: The production celebrated its 25th anniversary with its 10,400th performance. It is, by over 3,500 performances, the longest-running show in Broadway history . The 30th anniversary was on 26 January 2018 with special activities and an extra performance during the week. By April 2019, The Phantom of the Opera had been staged over 13,000 times. Howard McGillin and Hugh Panaro are the two longest running principal Phantoms in
23220-590: The production in October 1988 to appear in the first national tour he was replaced by noted baritone Timothy Nolen . Nolen was replaced by Groenendaal six months later. In March 1990, Barton returned to the production for a nine-month stint as the Phantom. The production continued to play at the Majestic, where it became the first Broadway musical in history to surpass 10,000 performances on 11 February 2012 before ultimately closing on 16 April 2023. On 26 January 2013,
23392-440: The production's 27-piece orchestra would return. In October 2020, Mackintosh contradicted this clarification by stating that the "new version" based on the 2020 UK tour would in fact be the production that would be staged at Her Majesty's Theatre post-pandemic. Mackintosh confirmed in an interview on 4 December 2020 that the original London staging had officially ended, with investors having been given their closing notices, and that
23564-463: The production. Norm Lewis was the first African American actor to portray the Phantom on Broadway. Critical reviews were mostly positive on opening. The New York Times ' Frank Rich writes: "It may be possible to have a terrible time at The Phantom of the Opera , but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower
23736-764: The relatively narrow confines of the 1950s. Rock music would be used in several Broadway musicals, beginning with Hair , which featured not only rock music but also nudity and controversial opinions about the Vietnam War , race relations and other social issues. After Show Boat and Porgy and Bess , and as the struggle in America and elsewhere for minorities' civil rights progressed, Hammerstein, Harold Arlen , Yip Harburg and others were emboldened to write more musicals and operas that aimed to normalize societal toleration of minorities and urged racial harmony. Early Golden Age works that focused on racial tolerance included Finian's Rainbow and South Pacific . Towards
23908-413: The respective lead roles of Aminta and Don Juan. During Don Juan and Aminta's duet, Christine realizes that the Phantom has somehow replaced Piangi ("Don Juan Triumphant/The Point of No Return"). She calmly removes his mask, revealing his deformed face to the horrified audience. Exposed, the Phantom hurriedly drags Christine off the stage and back to his lair. Piangi's garrotted body is revealed backstage and
24080-451: The revolution begun by Show Boat , by tightly integrating all the aspects of musical theatre, with a cohesive plot, songs that furthered the action of the story, and featured dream ballets and other dances that advanced the plot and developed the characters, rather than using dance as an excuse to parade scantily clad women across the stage. Rodgers and Hammerstein hired ballet choreographer Agnes de Mille , who used everyday motions to help
24252-804: The role of the Phantom in Canada and Australia respectively. A DVD and Blu-ray of the performance was released in February 2012, and it began airing in March 2012 on PBS 's "Great Performances" television series. In March 2012, a new production directed by Laurence Connor began a UK and Ireland tour to commemorate the 25th anniversary of the show, beginning at the Theatre Royal Plymouth and travelled to Manchester , Bristol , Dublin , Leeds , Edinburgh , Milton Keynes , Cardiff , and Southampton . John Owen-Jones and Earl Carpenter alternated as
24424-422: The same story by Ken Hill , Lloyd Webber's score is sometimes operatic in style but maintains the form and structure of a musical throughout. The full-fledged operatic passages are reserved principally for subsidiary characters such as André and Firmin, Carlotta, and Piangi. They are also used to provide the content of the fictional operas that are taking place within the show itself, viz., Hannibal , Il Muto , and
24596-437: The same time, Stephen Sondheim found success with some of his musicals, as mentioned above. Meg Giry Meg Giry is one of the fictional characters from Gaston Leroux 's 1910 novel The Phantom of the Opera . In the story, she is Madame Giry 's daughter. In the novel she is described as having “eyes black as sloes , hair black as ink, a swarthy complexion and a poor little skin stretched over poor little bones". She
24768-415: The sentimental romance of operetta, adding technical expertise and the fast-paced staging and naturalistic dialogue style led by director George Abbott . The 1940s began with more hits from Porter, Irving Berlin , Rodgers and Hart, Weill and Gershwin, some with runs over 500 performances as the economy rebounded, but artistic change was in the air. Rodgers and Hammerstein 's Oklahoma! (1943) completed
24940-522: The show suspended production due to the COVID-19 pandemic , and resumed performances on 22 October 2021. Unlike the West End production, the Broadway show returned with the original Harold Prince-directed production and Maria Björnson's original set and costume designs. After Prince's death in 2019, his daughter Daisy, who is also a theater director, began serving as an informal advisor for the production. The production struggled to return to pre-pandemic attendance levels after its return. In September 2022, it
25112-420: The show's opening number changed the history of musical theatre: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable." It was the first "blockbuster" Broadway show, running a total of 2,212 performances, and was made into a hit film. It remains one of the most frequently produced of the team's projects. William A. Everett and Paul R. Laird wrote that this
25284-412: The show's set design by Matt Kinley in order to "reduce running costs". This included, among other modifications, the loss of Maria Björnson's sculptures covering the sides of the proscenium (previously described by Harold Prince as the "key to the show") and the levitating Angel statue during the "All I Ask of You" sequence (replaced by a replica of Lequesne 's La Renommée retenant Pégase that appears on
25456-407: The show, although it sometimes consists of a series of songs not directly musically related. Spoken dialogue is generally interspersed between musical numbers, although "sung dialogue" or recitative may be used, especially in so-called " sung-through " musicals such as Jesus Christ Superstar , Falsettos , Les Misérables , Evita and Hamilton . Several shorter musicals on Broadway and in
25628-426: The show. The second West End production of Phantom opened on 27 July 2021 at Her Majesty's Theatre, where the original production had premiered 35 years previously. Although Lloyd Webber described the show as "substantially identical" to the original production, this second West End production is "a reduced, cheaper version, with 14 musicians in an orchestra that used to have 27". Alterations were additionally made to
25800-434: The show. Richard Stilgoe , the lyricist for Starlight Express , was then hired and wrote most of the original lyrics for the show. However, Charles Hart , a young and then-relatively unknown lyricist, later rewrote many of the lyrics, along with original lyrics for "Think of Me". Some of Stilgoe's original contributions are still present in the final version nevertheless. Inspired in part by an earlier musical version of
25972-477: The shutdown of theatres resulting from the COVID-19 pandemic . The following month, it was announced that an "extended closure" of the original London production would be required to refurbish the sets and the theatre. In July 2020, social media outlets posted photographs of the sets, props, and costumes being loaded out from Her Majesty's Theatre. As Mackintosh had only recently closed the original 1985 London production of Les Misérables in order to replace it with
26144-402: The stage). Other sequences, including that of the descent to the lair (in which doubles of the Phantom and Christine were excised, previously mobile candelabra became stationary, and the number of candles populating the lake were reduced), were also restaged by Seth Sklar-Heyn. The use of sweeping red curtain that had concluded each act of the original production was replaced by a painted flat, and
26316-476: The stage, most notably Jesus Christ Superstar and Evita . Others had no dialogue or were otherwise reminiscent of opera, with dramatic, emotional themes; these sometimes started as concept albums and were referred to as rock operas . Shows like Raisin , Dreamgirls , Purlie and The Wiz brought a significant African-American influence to Broadway. More varied musical genres and styles were incorporated into musicals both on and especially off-Broadway. At
26488-402: The standard for what was considered a successful show. These shows were designed for family audiences, a marked contrast from the risqué burlesques, bawdy music hall shows and French operettas that sometimes drew a crowd seeking less wholesome entertainment. Only a few 19th-century musical pieces exceeded the run of The Mikado , such as Dorothy , which opened in 1886 and set a new record with
26660-429: The starring role, and he instructs the conductor to bring the ballet forward to keep the audience entertained. Buquet's corpse drops from the rafters, hanging from the Punjab lasso. Mayhem erupts and the Phantom's evil & sinister laugh is heard throughout the auditorium ("Poor Fool, He Makes Me Laugh"). In the ensuing chaos, Christine escapes with Raoul to the rooftop and tells him about her subterranean encounter with
26832-515: The storytelling, particularly by the principal performers as well as the chorus. Third, musicals often use various genres of popular music or at least popular singing and musical styles. Finally, musicals usually avoid certain operatic conventions. In particular, a musical is almost always performed in the language of its audience. Musicals produced on Broadway or in the West End, for instance, are invariably sung in English, even if they were originally written in another language. While an opera singer
27004-623: The summer of 1753, they performed ballad-operas, such as The Beggar's Opera , and ballad-farces. By the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. Other early musical theatre in America consisted of British forms, such as burletta and pantomime, but what a piece was called did not necessarily define what it was. The 1852 Broadway extravaganza The Magic Deer advertised itself as "A Serio Comico Tragico Operatical Historical Extravaganzical Burletical Tale of Enchantment." Theatre in New York moved from downtown gradually to midtown from around 1850 and did not arrive in
27176-517: The third longest-running West End show overall, after The Mousetrap . With total estimated worldwide gross receipts of over $ 6 billion and total Broadway gross of over $ 1 billion, The Phantom of the Opera was the most financially successful entertainment event until The Lion King surpassed it in 2014. By 2019, it had been seen by over 140 million people in 183 cities across 41 countries. The original West End production at His Majesty's Theatre , London, ended its run in 2020, its run cut short by
27348-679: The traditions of comic opera and used elements of burlesque and of the Harrigan and Hart pieces. He replaced the bawdy women of burlesque with his "respectable" corps of Gaiety Girls to complete the musical and visual fun. The success of the first of these, In Town (1892) and A Gaiety Girl (1893) set the style for the next three decades. The plots were generally light, romantic "poor maiden loves aristocrat and wins him against all odds" shows, with music by Ivan Caryll , Sidney Jones and Lionel Monckton . These shows were immediately widely copied in America, and Edwardian musical comedy swept away
27520-533: The venue (not merely the stage) returned to its 1880s halcyon days. Almost 45 minutes' worth of material was eliminated, such as the Don Juan Triumphant rehearsal. "Poor Fool, He Makes Me Laugh" while "The Point of No Return" were significantly shortened. Other changes resembled those in the 2004 film , such as staging the chandelier crash at the plot's climax (during performance of "The Point of No Return") rather than mid-story. Due to economic reasons,
27692-449: The villain in Oklahoma! is a suspected murderer and psychopath; Carousel deals with spousal abuse, thievery, suicide and the afterlife; South Pacific explores miscegenation even more thoroughly than Show Boat ; the hero of The King and I dies onstage; and the backdrop of The Sound of Music is the annexation of Austria by Nazi Germany in 1938 . The show's creativity stimulated Rodgers and Hammerstein's contemporaries and ushered in
27864-464: The work's musical or dramatic content in defining into which art form the piece falls. Sondheim said, "I really think that when something plays Broadway it's a musical, and when it plays in an opera house it's opera. That's it. It's the terrain, the countryside, the expectations of the audience that make it one thing or another." There remains an overlap in form between lighter operatic forms and more musically complex or ambitious musicals. In practice, it
28036-504: The works of Harrigan and Hart in America. These were followed by Edwardian musical comedies , which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond the revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of
28208-420: Was A Chinese Honeymoon (1901), which ran for a record-setting 1,074 performances in London and 376 in New York. After the turn of the 20th century, Seymour Hicks joined forces with Edwardes and American producer Charles Frohman to create another decade of popular shows. Other enduring Edwardian musical comedy hits included The Arcadians (1909) and The Quaker Girl (1910). Virtually eliminated from
28380-420: Was a "show, that, like Show Boat , became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to Oklahoma! ". "After Oklahoma! , Rodgers and Hammerstein were the most important contributors to the musical-play form... The examples they set in creating vital plays, often rich with social thought, provided
28552-525: Was built specifically for the show to resemble the Opéra Garnier in Paris. The production ran 95 minutes with no intermission, and was directed and choreographed by Harold Prince and Gillian Lynne, with scenic designs by David Rockwell . The show featured updated technology and effects, including a re-engineered chandelier capable of reassembling in midair during the overture while the entire interior of
28724-468: Was dominated by musical theatre standards, such as " Fascinating Rhythm ", " Tea for Two " and " Someone to Watch Over Me ". Many shows were revues , series of sketches and songs with little or no connection between them. The best-known of these were the annual Ziegfeld Follies , spectacular song-and-dance revues on Broadway featuring extravagant sets, elaborate costumes and beautiful chorus girls. These spectacles also raised production values, and mounting
28896-586: Was fresher. Tolerance as an important theme in musicals has continued in recent decades. The final expression of West Side Story left a message of racial tolerance. By the end of the 1960s, musicals became racially integrated, with black and white cast members even covering each other's roles, as they did in Hair . Homosexuality has also been explored in musicals, starting with Hair , and even more overtly in La Cage aux Folles , Falsettos , Rent , Hedwig and
29068-541: Was held in London on 1 and 2 October 2011 at the Royal Albert Hall and was screened live in cinemas worldwide. The production was produced by Cameron Mackintosh, directed by Laurence Connor, musical staging & choreography by Gillian Lynne , set design by Matt Kinley, costume design by Maria Björnson, lighting design by Patrick Woodroffe, and sound design by Mick Potter. The cast included Ramin Karimloo as
29240-510: Was praised by critics for its innovations in music and choreography but was less commercially successful than the same year's The Music Man , written and composed by Meredith Willson , which won the Tony Award for Best Musical that year. West Side Story would get a film adaptation in 1961, which proved successful both critically and commercially. Laurents and Sondheim teamed up again for Gypsy (1959), with Jule Styne providing
29412-485: Was scheduled to close on 18 February 2023, shortly after its 35th anniversary. After this announcement, attendance surged, and the closing was pushed back to 16 April 2023. The final Broadway cast included Ben Crawford as the Phantom, Emilie Kouatchou as Christine, John Riddle as Raoul, Raquel Suarez Groen as Carlotta, Nehal Joshi as Monsieur André, Craig Bennett as Monsieur Firmin, Maree Johnson as Madame Giry, Carlton Moe as Piangi, and Sara Etsy as Meg Giry. However, during
29584-482: Was the French operetta The Chimes of Normandy in 1878 (705 performances). English comic opera adopted many of the successful ideas of European operetta, none more successfully than the series of more than a dozen long-running Gilbert and Sullivan comic operas, including H.M.S. Pinafore (1878) and The Mikado (1885). These were sensations on both sides of the Atlantic and in Australia and helped to raise
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