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160-634: Orlando di Lasso ( various other names ; probably c.  1532 – 14 June 1594) was a composer of the late Renaissance . The chief representative of the mature polyphonic style in the Franco-Flemish school , Lassus stands with William Byrd , Giovanni Pierluigi da Palestrina , and Tomás Luis de Victoria as one of the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Lasso's name appears in many forms, often changed depending on

320-696: A seconda prattica (an innovative practice involving monodic style and freedom in treatment of dissonance, both justified by the expressive setting of texts) during the late 16th and early 17th centuries. In the late 16th century, as the Renaissance era closed, an extremely manneristic style developed. In secular music, especially in the madrigal , there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi , Marenzio , and Gesualdo ). The term mannerism derives from art history. Beginning in Florence , there

480-500: A cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices. Musica reservata is either a style or a performance practice in a cappella vocal music of the latter half of the 16th century, mainly in Italy and southern Germany, involving refinement, exclusivity, and intense emotional expression of sung text. The cultivation of European music in

640-567: A collateral line of the Wettins since 1382, reverted to the main Wettin line after the death in 1482 of its last representative, Duke William III of Saxony. The unity of the country was then restored. Of great importance for the development of the country was the agreement reached in 1459 between Elector Frederick II and George of Poděbrady , King of Bohemia, in the Treaty of Eger . It brought about

800-521: A collateral line of the family. The duchies of Saxe-Zeitz, Saxe-Merseburg and Saxe-Weissenfels that were created reverted to Electoral Saxony in 1718, 1738 and 1746 respectively. In John George's time, the partitions weakened the electoral state economically, financially and politically, even though from a cultural point of view, new centers with palace buildings, cultural institutions and scientific facilities were established outside Dresden and Leipzig. The collateral lines striving for independence also limited

960-427: A court composer who was required to provide music for visits of dignitaries, weddings, treaties and other events of state. But it was as a composer of religious motets that Lasso achieved his widest and most lasting fame. Lasso's 1584 setting of the seven Penitential Psalms of David ( Psalmi Davidis poenitentiales ), ordered by King Charles IX of France , is one of the most famous collections of psalm settings of

1120-460: A different audience, since they are considerably different in tone and style from either the chansons or madrigals; in addition, he wrote them later in life, with none appearing until 1567, when he was already well-established at Munich. Many are on religious subjects, although light and comic verse is represented as well. He also wrote drinking songs in German, and contrasting with his parallel work in

1280-524: A few decades later in about 1476, the Flemish composer and music theorist Tinctoris reaffirmed the powerful influence Dunstaple had, stressing the "new art" that Dunstaple had inspired. Tinctoris hailed Dunstaple as the fons et origo of the style, its "wellspring and origin." The contenance angloise , while not defined by Martin le Franc, was probably a reference to Dunstaple's stylistic trait of using full triadic harmony (three note chords), along with

1440-517: A hereditary settlement and a clear demarcation of the borders between the Kingdom of Bohemia and Saxony. When Elector Frederick II died in Leipzig on 7 September 1464, his eldest son Ernest (r. 1464–1486) succeeded him at the age of 23. It marked the beginning of an almost twenty-year period of joint rule with his brother Duke Albert . Initially the two ruled in harmony, favored by

1600-647: A liking for the interval of the third . Assuming that he had been on the continent with the Duke of Bedford, Dunstaple would have been introduced to French fauxbourdon ; borrowing some of the sonorities, he created elegant harmonies in his own music using thirds and sixths (an example of a third interval is the notes C and E; an example of a sixth interval is the notes C and A). Taken together, these are seen as defining characteristics of early Renaissance music. Many of these traits may have originated in England, taking root in

1760-548: A metropolis in the east of the Holy Roman Empire passed to Leipzig and Dresden, as well as to the rising Brandenburg city of Berlin. When John George II (r. 1656–1680) succeeded his father, Electoral Saxony was still suffering from the economic consequences of the war. It was not until the reign of John George III (r. 1680–1691) that the war damage and dire social welfare situation were overcome. Resettlement of village farms and urban households proved to be

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1920-569: A prescriptive weight that overspecifies and distorts its original openness". Renaissance compositions were notated only in individual parts; scores were extremely rare, and barlines were not used. Note values were generally larger than are in use today; the primary unit of beat was the semibreve , or whole note . As had been the case since the Ars Nova (see Medieval music ), there could be either two or three of these for each breve (a double-whole note), which may be looked on as equivalent to

2080-478: A result of the increased use of paper (rather than vellum ), as the weaker paper was less able to withstand the scratching required to fill in solid noteheads; notation of previous times, written on vellum, had been black. Other colors, and later, filled-in notes, were used routinely as well, mainly to enforce the aforementioned imperfections or alterations and to call for other temporary rhythmical changes. Accidentals (e.g. added sharps, flats and naturals that change

2240-462: A rough consensus among musicologists is that it involves intensely expressive setting of text and chromaticism , and that it may have referred to music specifically written for connoisseurs. A famous composition by Lasso representative of this style is his series of 12 motets entitled Prophetiae Sibyllarum , in a wildly chromatic idiom which anticipates the work of Gesualdo ; some of the chord progressions in this piece were not to be heard again until

2400-462: A singer versed in counterpoint." (See musica ficta .) A singer would interpret his or her part by figuring cadential formulas with other parts in mind, and when singing together, musicians would avoid parallel octaves and parallel fifths or alter their cadential parts in light of decisions by other musicians. It is through contemporary tablatures for various plucked instruments that we have gained much information about which accidentals were performed by

2560-448: A solo instrument such as the lute, vihuela, harp, or keyboard. Such arrangements were called intabulations (It. intavolatura , Ger. Intabulierung ). Towards the end of the period, the early dramatic precursors of opera such as monody , the madrigal comedy , and the intermedio are heard. According to Margaret Bent : "Renaissance notation is under-prescriptive by our [modern] standards; when translated into modern form it acquires

2720-586: A stipulated tribute of 276,600 imperial thalers on 30 June 1650 did the last of the Swedes leave Leipzig. Life increasingly returned to normal after the hired mercenaries were also released. Most of the decrease in Saxony's population due to the war came about indirectly through epidemics and economic factors related to the stagnation of trade, but troop movements and wartime occupations also caused considerable loss in both urban and village populations. According to

2880-490: A texture dominated by the highest voice; the other two voices, unsupplied with text, were probably played by instruments. Du Fay was one of the last composers to make use of late-medieval polyphonic structural techniques such as isorhythm , and one of the first to employ the more mellifluous harmonies, phrasing and melodies characteristic of the early Renaissance. His compositions within the larger genres (masses, motets and chansons) are mostly similar to each other; his renown

3040-499: A variety of other sacred works. John Dunstaple (c. 1390–1453) was an English composer of polyphonic music of the late medieval era and early Renaissance periods. He was one of the most famous composers active in the early 15th century, a near-contemporary of Power, and was widely influential, not only in England but on the continent, especially in the developing style of the Burgundian School . Dunstaple's influence on

3200-595: A variety of texture and care in text-setting towards that end. The penultimate piece in the collection, his setting of the De profundis (Psalm 129/130), is considered by many scholars to be one of the high-water marks of Renaissance polyphony, ranking alongside the two settings of the same text by Josquin des Prez . Among his other liturgical compositions are hymns , canticles (including over 100 Magnificats ), responsories for Holy Week , Passions, Lamentations , and some independent pieces for major feasts. Lasso wrote in all

3360-522: A window of Prague Castle, marked the end of a long period of religious peace. Elector John George I (r. 1611–1656) joined the emperor's side with the goal of preserving the status quo of the 1555 Peace of Augsburg . Initially he and the elector of Mainz tried to mediate between Emperor Matthias and the Bohemian estates that were behind the defenestration. After the death of the emperor in March 1619,

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3520-810: Is a work actually known as the Jäger Mass ( Missa venatorum )—the "Hunter's Mass". Some of his masses show influence from the Venetian School , particularly in their use of polychoral techniques (for example, in the eight-voice Missa osculetur me , based on his own motet). Three of his masses are for double choir, and they may have been influential on the Venetians themselves; after all, Andrea Gabrieli visited Lasso in Munich in 1562, and many of Lasso's works were published in Venice. Even though Lasso used

3680-551: Is best known for his well-written melodies, and for his use of three themes: travel, God and sex . Gilles Binchois ( c.  1400 –1460) was a Dutch composer, one of the earliest members of the Burgundian school and one of the three most famous composers of the early 15th century. While often ranked behind his contemporaries Guillaume Dufay and John Dunstaple by contemporary scholars, his works were still cited, borrowed and used as source material after his death. Binchois

3840-409: Is considered to be a fine melodist, writing carefully shaped lines which are easy to sing and memorable. His tunes appeared in copies decades after his death and were often used as sources for mass composition by later composers. Most of his music, even his sacred music, is simple and clear in outline, sometimes even ascetic (monk-like). A greater contrast between Binchois and the extreme complexity of

4000-399: Is considered to be the first state parliament ( Landtag ) in Saxony. The estates were given the right to meet without being summoned by the ruler when there were reforms in taxation. As a result, state parliaments were held more and more frequently, and the Wettin "state of the estates" ( Ständestaat ) that lasted until the 19th century was formed. As was common in other German houses,

4160-623: Is known to survive, or ever to have existed: an interesting omission for a composer otherwise so wide-ranging and prolific, during an age when instrumental music was becoming an ever-more prominent means of expression, all over Europe. The German music publisher Adam Berg dedicated 5 volumes of his Patrocinium musicum (published from 1573–1580) to Lasso's music. Lasso remained Catholic during this age of religious discord, though this neither hindered him in writing worldly secular songs nor in employing music originally to racy texts in his Magnificats and masses employing parody technique. Nevertheless,

4320-409: Is largely due to what was perceived as his perfect control of the forms in which he worked, as well as his gift for memorable and singable melody. During the 15th century, he was universally regarded as the greatest composer of his time, an opinion that has largely survived to the present day. During the 16th century, Josquin des Prez ( c.  1450/1455  – 27 August 1521) gradually acquired

4480-425: The ars subtilior of the prior (fourteenth) century would be hard to imagine. Most of his secular songs are rondeaux , which became the most common song form during the century. He rarely wrote in strophic form , and his melodies are generally independent of the rhyme scheme of the verses they are set to. Binchois wrote music for the court, secular songs of love and chivalry that met the expectations and satisfied

4640-501: The Baroque , but for further explanation of this transition, see antiphon , concertato , monody , madrigal , and opera, as well as the works given under "Sources and further reading." Many instruments originated during the Renaissance; others were variations of, or improvements upon, instruments that had existed previously. Some have survived to the present day; others have disappeared, only to be recreated in order to perform music of

4800-519: The Basilica of Saint John Lateran , the ecumenical mother church of Rome and a spectacularly prestigious post indeed for a man only twenty-one years old. However, he stayed there for only a year. (Palestrina would assume this post a year later, in 1555.) No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to

4960-597: The Battle of Lützen the following year; both were won by the Protestant side. Leipzig was besieged several times, and its population declined from 17,000 to 14,000. Chemnitz was severely damaged and Freiberg lost its earlier importance. Other urban centers, notably Dresden/Meissen, were spared. Many smaller towns and villages fell victim to massive looting, especially after General Wallenstein gave free hand to his field marshal Heinrich Holk . From August to December 1632

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5120-497: The Battle of Vienna that ended the second Turkish siege of the city and ensured its independence. On 27 April 1694 the prince who until then had scarcely made an appearance took over the affairs of state of Saxony as Elector Frederick Augustus I (r. 1694–1733), better known as Augustus II the Strong. Festivities, baroque splendor, art and patronage, as well as lavish grandeur and ostentation characterized both his reign and

5280-536: The Croatian light cavalry raided numerous villages, plundering them, maltreating and killing the inhabitants and leaving a swath of destruction in its wake. In 1635 Saxony concluded the Peace of Prague with the emperor and in an appendix to the treaty the next year gained possession of Lusatia. Saxony's territory increased by about 13,000 square kilometers and almost reached its final borders. The devastation caused by

5440-651: The Duchy of Saxe-Wittenberg an electorate, a territory whose ruler was one of the prince-electors who chose the Holy Roman emperor. After the extinction of the male Saxe-Wittenberg line of the House of Ascania in 1422, the duchy and the electorate passed to the House of Wettin . The electoral privilege was tied only to the Electoral Circle , specifically the territory of the former Duchy of Saxe-Wittenberg. In

5600-680: The Hanseatic League , which included several cities along the river. The former colonized land between the Saale and Elbe was connected to the long-settled land in the west through its political upgrade, which occurred at almost the same time that the Hohenzollerns were granted the Electorate of Brandenburg . The Wettins rose to become the leading power in central Germany. Politically, they proved to be committed administrators of

5760-598: The Low Countries and had his early works published in Antwerp (1555–1556). In 1556 he joined the court of Albrecht V, Duke of Bavaria , who was consciously attempting to create a musical establishment on a par with the major courts in Italy. Lasso was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in Munich and decided to settle there. In 1558 he married Regina Wäckinger,

5920-439: The Low Countries , along with a flourishing system of music education in the area's many churches and cathedrals allowed the training of large numbers of singers, instrumentalists, and composers. These musicians were highly sought throughout Europe, particularly in Italy, where churches and aristocratic courts hired them as composers, performers, and teachers. Since the printing press made it easier to disseminate printed music, by

6080-539: The March of Lusatia since 1089 and of Meissen since 1125, gained a strategically important area to the north of their territories with Saxe-Wittenberg. It gave them a transportation connection to important northern German cities such as Magdeburg and a stronger integration into the middle Elbe country which was densely populated and important economically. Access to the Elbe made it possible for them to participate in trade with

6240-748: The Schmalkaldic War of 1546/47, which was won by the Catholics. The events of the Peasants' War of 1525 touched Saxon territories only marginally in the Vogtland and the Ore Mountains. The pressure on the peasantry was less in Saxony than in the southwestern areas of the Empire because of Saxony's strong sovereign position and administration which imposed barriers to arbitrary actions by

6400-678: The War of the Burgundian Succession . The period of the joint reign of Ernest and Albert saw extensive silver discoveries in the Ore Mountains that stimulated a sustained economic boom. The mining dividends enabled the Saxon princes to pursue a broad domestic and foreign policy agenda. They purchased lands within the Wettin dominion and expanded their territory to the north and east. Leipzig became an important economic center of

6560-415: The cornett and sackbut , and the tabor and tambourine . At the beginning of the 16th century, instruments were considered to be less important than voices. They were used for dances and to accompany vocal music. Instrumental music remained subordinated to vocal music, and much of its repertory was in varying ways derived from or dependent on vocal models. Various kinds of organs were commonly used in

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6720-413: The formes fixes ( rondeau , ballade, and virelai), which dominated secular European music of the 14th and 15th centuries. He also wrote a handful of Italian ballate , almost certainly while he was in Italy. As is the case with his motets, many of the songs were written for specific occasions, and many are datable, thus supplying useful biographical information. Most of his songs are for three voices, using

6880-583: The lute song . Mixed forms such as the motet-chanson and the secular motet also appeared. Purely instrumental music included consort music for recorders or viols and other instruments, and dances for various ensembles. Common instrumental genres were the toccata , prelude , ricercar , and canzona . Dances played by instrumental ensembles (or sometimes sung) included the basse danse (It. bassadanza ), tourdion , saltarello , pavane , galliard , allemande , courante , bransle , canarie , piva , and lavolta . Music of many genres could be arranged for

7040-501: The ordinary of the mass which were thematically unified and intended for contiguous performance. The Old Hall Manuscript contains his mass based on the Marian antiphon , Alma Redemptoris Mater , in which the antiphon is stated literally in the tenor voice in each movement, without melodic ornaments. This is the only cyclic setting of the mass ordinary which can be attributed to him. He wrote mass cycles, fragments, and single movements and

7200-453: The polyphonic style of the Franco-Flemish school . The invention of the printing press in 1439 made it cheaper and easier to distribute music and music theory texts on a wider geographic scale and to more people. Prior to the invention of printing, written music and music theory texts had to be hand-copied, a time-consuming and expensive process. Demand for music as entertainment and as a leisure activity for educated amateurs increased with

7360-449: The triangle , the Jew's harp, the tambourine, the bells, cymbals , the rumble-pot, and various kinds of drums. Woodwind instruments (aerophones) produce sound by means of a vibrating column of air within the pipe. Holes along the pipe allow the player to control the length of the column of air, and hence the pitch. There are several ways of making the air column vibrate, and these ways define

7520-645: The 1485 Treaty of Leipzig , the Wettin noble house was divided between the sons of Elector Frederick II into the Ernestine and Albertine lines, with the electoral district going to the Ernestines. In 1547, when the Ernestine elector John Frederick I was defeated in the Schmalkaldic War , the electoral district and electorship passed to the Albertine line. They remained electors until the dissolution of

7680-504: The 14th century, with highly independent voices (both in vocal music and in instrumental music). The beginning of the 15th century showed simplification, with the composers often striving for smoothness in the melodic parts. This was possible because of a greatly increased vocal range in music – in the Middle Ages, the narrow range made necessary frequent crossing of parts, thus requiring a greater contrast between them to distinguish

7840-602: The 20th century. Lasso wrote four settings of the Passion , one for each of the Evangelists, St. Matthew , Mark , Luke and John . All are for a cappella voices. He sets the words of Christ and the narration of the Evangelist as chant, while setting the passages for groups polyphonically. As a composer of motets, Lasso was one of the most diverse and prodigious of the entire Renaissance. His output varies from

8000-674: The Albertine duke George the Bearded fought against his ideas and rejected open action against the emperor. It was only after George's death that the Reformation was introduced in the Albertine part of the country. For their part, the Ernestines became involved in the Reformation throughout the Empire, forming with the Schmalkaldic League of Lutheran princes a counterweight to the imperial Catholic side and openly calling for it to be challenged. The religious differences led to

8160-788: The Americas began in the 16th century soon after the arrival of the Spanish, and the conquest of Mexico. Although fashioned in European style, uniquely Mexican hybrid works based on native Mexican language and European musical practice appeared very early. Musical practices in New Spain continually coincided with European tendencies throughout the subsequent Baroque and Classical music periods. Among these New World composers were Hernando Franco , Antonio de Salazar , and Manuel de Zumaya . In addition, writers since 1932 have observed what they call

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8320-484: The Baroque era. The main characteristics of Renaissance music are: The development of polyphony produced the notable changes in musical instruments that mark the Renaissance from the Middle Ages musically. Its use encouraged the use of larger ensembles and demanded sets of instruments that would blend together across the whole vocal range. As in the other arts, the music of the period was significantly influenced by

8480-616: The Basilica San Marco di Venezia (see Venetian School ). These multiple revolutions spread over Europe in the next several decades, beginning in Germany and then moving to Spain, France, and England somewhat later, demarcating the beginning of what we now know as the Baroque musical era. The Roman School was a group of composers of predominantly church music in Rome, spanning the late Renaissance and early Baroque eras. Many of

8640-514: The Bohemian estates deposed the newly crowned Ferdinand II and elected Frederick V of the Palatinate as their king. John George then agreed with Ferdinand II that Saxony should reconquer the two Bohemian tributary lands of Upper and Lower Lusatia for the emperor. In September 1620 Saxon troops marched into the two Lusatian territories and occupied them without major resistance. Because the emperor could not as agreed reimburse John George for

8800-653: The Burgundian School around the middle of the century. Because numerous copies of Dunstaple's works have been found in Italian and German manuscripts, his fame across Europe must have been widespread. Of the works attributed to him only about fifty survive, among which are two complete masses, three connected mass sections, fourteen individual mass sections, twelve complete isorhythmic motets and seven settings of Marian antiphons , such as Alma redemptoris Mater and Salve Regina, Mater misericordiae . Dunstaple

8960-960: The Catholic Counter-Reformation , which under Jesuit influence was reaching a peak in Bavaria in the late sixteenth century, had a demonstrable impact on Lasso's late work, including the liturgical music for the Roman Rite, the burgeoning number of Magnificats, the settings of the Catholic Ulenberg Psalter (1588), and especially the great penitential cycle of spiritual madrigals, the Lagrime di San Pietro (1594). Almost 60 masses have survived complete; most of them are parody masses using as melodic source material secular works written by himself or other composers. Technically impressive, they are nevertheless

9120-455: The Duchy of Saxe-Wittenberg in 1548, but contrary to the emperor's promises, he did not receive all of the Ernestine territories. The Ernestine line lost half of its possessions and retained only Weimar , Jena , Saalfeld , Weida , Gotha , Eisenach and Coburg . The fragmentation of the Ernestine possessions into numerous small states began in 1572. Two main Ernestine lines emerged in 1640,

9280-470: The Elbe towards the end of the 15th century. Dresden became the permanent residence of the elector, his councilors and administrative officials. The elector's increased expenses for equipping and maintaining an army and for his own court could no longer be met as before. The solution was to levy new types of taxes, which required the consent of the estates of the realm . The meeting of the estates that Elector Frederick II (r. 1428–1464) organized in 1438

9440-464: The Empire and built up a compact territory, especially through purchases in the 15th century. From the area around Wittenberg the name "Saxony" gradually spread to encompass all the Wettin territories on the upper Elbe. Since the ruler's place of residence and his visibility to the people gained in importance in the early phase of the Renaissance, the Wettins created a new seat in the Dresden valley of

9600-458: The Empire with an area of only about 4,500 to 5,000 square kilometers. There were no large urban centers, but the duchy's strategic location along the middle of the Elbe River gave the area promise. In November 1422 Albert III (r. 1419–1422), Elector and Duke of Saxe-Wittenberg, died without descendants who were entitled to inherit. The German king, on the basis of the provisions of

9760-692: The Golden Bull, confiscated the duchy as a vacant imperial fiefdom. Both the Lauenburg Ascanians under Duke Erich V and the Meissen Wettins in the person of Frederick I (r. 1423–1428) laid claim to Saxe-Wittenberg and the associated electoral privilege. Frederick I's claim was based on his support of the Catholic forces in the religious Hussite Wars of 1419–1434. In 1423 Sigismund , King of Germany and Bohemia, awarded

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9920-578: The Holy Roman Empire after the Habsburg states, with the ability to play a decisive role in imperial politics. The state along the middle course of the Elbe that Electoral Saxony formed was not, however, fully connected geographically. Elector Maurice and his successor, his brother Augustus (r. 1553–1586), worked to fill in the gaps. On 13 July 1547 the estates of the realm from the old and new territories were convened in Leipzig for two weeks as state parliament. Elector Maurice succeeded in clearing

10080-422: The Holy Roman Empire after the emperor granted it the right to hold fairs three times a year. At the imperial fairs the electors were able to convert their silver into cash, and with their filled coffers they started an active building program. Due to Leipzig's newly granted market and staple rights , traffic increased on the major trade routes that met in the city, and Leipzig became an important trading center for

10240-582: The Holy Roman Empire in 1806, after which they gained the Saxon kingship through an alliance with Napoleon. The Electorate of Saxony then became the Kingdom of Saxony . The Electorate of Saxony had a diversified economy and a high level of prosperity, although it suffered major setbacks during and following both the Thirty Years' War of 1618–1648 and the Seven Years' War of 1756–1763. Its middle-class structures were restricted in their development by

10400-473: The House of Saxe-Weimar and the House of Saxe-Gotha . While the former had only a few collateral lines which were eventually united to form Saxe-Weimar-Eisenach , the House of Saxe-Gotha counted a great many collateral lines, most of which ruled over their own lands. It was the Albertine territories that for the most part made up what is now Saxony. Once again it became the second most important German state in

10560-524: The Renaissance period, were masses and motets , with some other developments towards the end of the era, especially as composers of sacred music began to adopt secular (non-religious) musical forms (such as the madrigal ) for religious use. The 15th and 16th century masses had two kinds of sources that were used: monophonic (a single melody line) and polyphonic (multiple, independent melodic lines), with two main forms of elaboration, based on cantus firmus practice or, beginning some time around 1500,

10720-410: The Renaissance, from large church organs to small portatives and reed organs called regals . Brass instruments in the Renaissance were traditionally played by professionals. Some of the more common brass instruments that were played: As a family, strings were used in many circumstances, both sacred and secular. A few members of this family include: Some Renaissance percussion instruments include

10880-437: The Renaissance, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, and many others. Beginning in the late 20th century, numerous early music ensembles were formed. Ensembles specializing in music of the Renaissance era give concert tours and make recordings, using modern reproductions of historical instruments and using singing and performing styles which musicologists believe were used during

11040-489: The Thirty Years' War nevertheless continued, as battles against the Swedes went on for more than ten years. Electoral Saxony left the direct fighting provisionally with the armistice of 1645 and permanently through a 1646 treaty with Sweden. After the conclusion on 23 October 1648 of the Peace of Westphalia that ended the Thirty Years' War, Swedish troops were slow in leaving Electoral Saxony. Only after payment of

11200-684: The Wettins regularly divided their possessions among sons and brothers, which often led to intra-family tensions. After the death in 1440 of Frederick IV , Landgrave of Thuringia, the Landgraviate of Thuringia reverted to the Electorate. Disagreements between the landgrave's nephews Elector Frederick II and William III led to the Division of Altenburg of 1445, in which William III received the Thuringian and Franconian parts and Frederick

11360-445: The acquaintance of the madrigalist Spirito l'Hoste da Reggio , a formative influence on his early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany , who maintained a household there, and in 1553, he became maestro di cappella of

11520-551: The career of Guillaume Du Fay ( c.  1397 –1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformation in the florid counterpoint of Palestrina ( c.  1525 –1594) and the Roman School . Music

11680-445: The chanson and madrigal spread throughout Europe. Courts employed virtuoso performers, both singers and instrumentalists. Music also became more self-sufficient with its availability in printed form, existing for its own sake. Precursor versions of many familiar modern instruments (including the violin, guitar, lute and keyboard instruments) developed into new forms during the Renaissance. These instruments were modified to respond to

11840-478: The chapel for a year. Giovanni Gabrieli also possibly studied with him in the 1570s. His renown had spread outside strictly musical circles, for in 1570 Emperor Maximilian II conferred nobility upon him, a rare circumstance for a composer. Pope Gregory XIII knighted him and in 1571, and again in 1573, the king of France, Charles IX , invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lasso

12000-583: The composers had a direct connection to the Vatican and the papal chapel, though they worked at several churches; stylistically they are often contrasted with the Venetian School of composers, a concurrent movement which was much more progressive. By far the most famous composer of the Roman School is Giovanni Pierluigi da Palestrina. While best known as a prolific composer of masses and motets, he

12160-406: The contemporary, sonorous Venetian style, his harmonic language remained conservative in these works: he adapted the texture of the Venetians to his own artistic ends. Lasso is one of the composers of a style known as musica reservata —a term which has survived in many contemporary references, many of them seemingly contradictory. The exact meaning of the term is a matter of fierce debate, though

12320-480: The continent's musical vocabulary was enormous, particularly considering the relative paucity of his (attributable) works. He was recognized for possessing something never heard before in music of the Burgundian School : la contenance angloise ("the English countenance"), a term used by the poet Martin le Franc in his Le Champion des Dames. Le Franc added that the style influenced Dufay and Binchois . Writing

12480-564: The daughter of a maid of honor of the Duchess. They had two sons, both of whom became composers, and his daughter married the painter Hans von Aachen . By 1563 Lasso had been appointed maestro di cappella , succeeding Ludwig Daser in the post. Lasso remained in the service of Albrecht V and his heir, Wilhelm V , for the rest of his life. By the 1560s Lasso had become quite famous, and composers began to go to Munich to study with him. Andrea Gabrieli went there in 1562, and possibly remained in

12640-543: The developments which define the Early Modern period: the rise of humanistic thought; the recovery of the literary and artistic heritage of Ancient Greece and Ancient Rome ; increased innovation and discovery; the growth of commercial enterprises; the rise of a bourgeois class; and the Protestant Reformation . From this changing society emerged a common, unifying musical language, in particular,

12800-420: The different parts. The modal (as opposed to tonal , also known as "musical key", an approach developed in the subsequent Baroque music era, c. 1600–1750) characteristics of Renaissance music began to break down towards the end of the period with the increased use of root motions of fifths or fourths (see the " circle of fifths " for details). An example of a chord progression in which the chord roots move by

12960-644: The eastern part of the Electorate. Disputes over the division led to the Saxon Fratricidal War . After five years of fighting, the situation remained unchanged, although large areas of the country had been devastated. The war was ended with the Peace of Pforta on 27 January 1451. The treaty confirmed the Altenburg partition, temporarily dividing the Wettin domain into an eastern and a western part. The western part of Saxony, which had been ruled by

13120-418: The eastern part, which continued to bear the name Saxony, was enfeoffed to the House of Ascania . Bernhard III became the first Saxon duke. He did not succeed in establishing territorial rule over the full area of the old Duchy of Saxony that had been awarded to him, with the result that the new Ascanian Duchy of Saxony was formed only by his title and the imperial fiefs of Lauenburg and Wittenberg. Bernhard

13280-441: The economic capacity of the state and was ultimately financed at the expense of military strength. The financial problems led to the abandonment of important positions in central Germany. Electoral Saxony's overextension favored the rise of Brandenburg-Prussia to become the second major German and Protestant power in the Empire. Augustus reduced the influence of the nobility by establishing a centralized body for executive powers with

13440-419: The electoral dignity permanently and for itself alone. The Wittenberg Ascanians Albert I, Albert II and Rudolf I (r. 1298–1356) ruled as dukes of Saxony for almost 150 years. They secured the continuity of the dynasty with their sons and asserted themselves as heirs to the Saxon electoral privilege. The electors were mainly concerned with external conflicts with other territorial rulers and pushed forward

13600-565: The electoral district and Ernestine possessions of Saxony became the focus of European attention since it was there that the first phase of the Protestant Reformation was anchored. Elector Frederick the Wise (r. 1486–1525) protected Luther, most notably when he sheltered him at the Wartburg Castle for ten months in 1521/22 after Luther had refused to recant at the Diet of Worms , but

13760-434: The electoral privilege to Rudolf I as Duke of Saxe-Wittenberg and decreed the indivisibility of the territory. The dukes of Saxe-Wittenberg rose to a place among the highest-ranking princes of the Empire. In addition to being one of the seven German electorates, Saxe-Wittenberg had possession of the office of arch-marshal of the Holy Roman Empire. In terms of size, Saxe-Wittenberg remained a rather insignificant territory in

13920-440: The emergence of a bourgeois class. Dissemination of chansons , motets , and masses throughout Europe coincided with the unification of polyphonic practice into the fluid style which culminated in the second half of the sixteenth century in the work of composers such as Giovanni Pierluigi da Palestrina , Orlande de Lassus , Thomas Tallis , William Byrd and Tomás Luis de Victoria . Relative political stability and prosperity in

14080-554: The end of the 16th century, Italy had absorbed the northern musical influences with Venice , Rome, and other cities becoming centers of musical activity. This reversed the situation from a hundred years earlier. Opera, a dramatic staged genre in which singers are accompanied by instruments, arose at this time in Florence. Opera was developed as a deliberate attempt to resurrect the music of ancient Greece. Principal liturgical (church-based) musical forms, which remained in use throughout

14240-533: The entire Renaissance. According to George T. Ferris, it was claimed by some that he ordered them as an expiation of his soul after the massacre of St. Bartholomew of the Huguenots . The counterpoint is free, avoiding the pervasive imitation of the Netherlanders such as Gombert , and occasionally using expressive devices foreign to Palestrina. As elsewhere, Lasso strives for emotional impact, and uses

14400-566: The entire book can be heard as a unified composition with each madrigal a subsidiary part. Another form which Lasso cultivated was the French chanson, of which he wrote about 150. Most of them date from the 1550s, but he continued to write them even when he was in Germany: his last productions in this genre come from the 1580s. They were enormously popular in Europe, and of all his works, they were

14560-578: The era. One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages , thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth , the octave , and the unison ). Polyphony  – the use of multiple, independent melodic lines, performed simultaneously – became increasingly elaborate throughout

14720-578: The estate-owning nobility. In 1565, the Jews of Saxony were expelled. In the Battle of Mühlberg in the Schmalkaldic War, the Albertine duke Maurice of Saxony, an ally of Emperor Charles V , defeated the Ernestine elector John Frederick I (r. 1532–1547). In the Capitulation of Wittenberg , Maurice (r. 1547–1553) was enfeoffed with the electoral privilege in 1547 and with

14880-422: The estates were able to assert their right to self-assembly. John George I took advantage of the peace to put his territories in order. A clause in his will overrode the decree issued by Albert in 1499 which was intended to prevent a division in the inheritance. Small parts of Electoral Saxony were bequeathed to his three sons Augustus, Christian and Maurice. The bequests established independent duchies that created

15040-404: The evolution of musical ideas, and they presented new possibilities for composers and musicians to explore. Early forms of modern woodwind and brass instruments like the bassoon and trombone also appeared, extending the range of sonic color and increasing the sound of instrumental ensembles. During the 15th century, the sound of full triads became common, and towards the end of the 16th century

15200-416: The genre of the chanson, he also wrote songs on the unfortunate aspects of overindulgence. In the preface to his collection of German songs, Lasso states that he had composed Dutch songs. However, no Dutch song has been preserved. [REDACTED] Media related to Orlande de Lassus at Wikimedia Commons Renaissance music The period may be roughly subdivided, with an early period corresponding to

15360-480: The harmonization used a technique of parallel writing known as fauxbourdon , as in the following example, a setting of the Marian antiphon Ave maris stella . Du Fay may have been the first composer to use the term "fauxbourdon" for this simpler compositional style, prominent in 15th-century liturgical music in general and that of the Burgundian school in particular. Most of Du Fay's secular (non-religious) songs follow

15520-406: The help of a privy cabinet created in 1706. It had specialized departments and gradually became the supreme central authority over the competing privy council of the territorial princes. Augustus also introduced a transparent accounting system to verify expenditures and a chamber of accounts that effectively organized the tax system. As a result of it and of the military retrenchment, the national debt

15680-447: The historian Karlheinz Blaschke, Saxony's population was reduced by about half as a result of the war. Other authors point out that such a large decrease may have been true in individual regions, but that it cannot be applied to the entire population. The losses were mitigated to a large extent by religious refugees, about 150,000 of whom came to Saxony from Bohemia and Silesia. After the complete devastation of Magdeburg, its importance as

15840-572: The influence of the Catholic Counter-Reformation , which was supported by the emperor. Electoral Saxony tried to mediate between the parties in the Empire. In 1608 the Protestant Union was founded as an alliance of the Protestant imperial estates, followed in 1609 by the union of the Catholic imperial estates into the Catholic League . The 1618 Defenestration of Prague , in which angry Protestants threw Catholic officials out of

16000-420: The interval of a fourth would be the chord progression, in the key of C Major: "D minor/G Major/C Major" (these are all triads; three-note chords). The movement from the D minor chord to the G Major chord is an interval of a perfect fourth. The movement from the G Major chord to the C Major chord is also an interval of a perfect fourth. This later developed into one of the defining characteristics of tonality during

16160-461: The key of C). His choice of poetry varied widely, from Petrarch for his more serious work to the lightest verse for some of his amusing canzonettas . Lasso often preferred cyclic madrigals, i.e. settings of multiple poems in a group as a set of related pieces of music. For example, his fourth book of madrigals for five voices begins with a complete sestina by Petrarch, continues with two-part sonnets , and concludes with another sestina: therefore

16320-594: The letter. He was buried in Munich in the Alter Franziskaner Friedhof, a cemetery that was cleared of gravestones in 1789 and is now the site of Max-Joseph-Platz . One of the most prolific, versatile, and universal composers of the late Renaissance, Lasso wrote over 2,000 works in all Latin, French, Italian and German vocal genres known in his time. These include 530 motets , 175 Italian madrigals and villanellas , 150 French chansons , and 90 German lieder . No strictly instrumental music by Lasso

16480-530: The level of the breve–semibreve relationship, "perfect/imperfect prolation" at the level of the semibreve–minim, and existed in all possible combinations with each other. Three-to-one was called "perfect," and two-to-one "imperfect." Rules existed also whereby single notes could be halved or doubled in value ("imperfected" or "altered," respectively) when preceded or followed by other certain notes. Notes with black noteheads (such as quarter notes ) occurred less often. This development of white mensural notation may be

16640-478: The lower Rhine. Tensions that had their origins in family relations increased between the two brothers Ernest and Albert and culminated in the Partition of Leipzig of 11 November 1485. It was not originally intended to be permanent, but in the end it significantly weakened the powerful position of the Electorate of Saxony in the Holy Roman Empire and led to open confrontation. Ernest had his main focus in

16800-410: The lower parts; all of his sacred music is vocal. Instruments may have been used to reinforce the voices in actual performance for almost any of his works. Seven complete masses, 28 individual mass movements, 15 settings of chant used in mass propers, three Magnificats, two Benedicamus Domino settings, 15 antiphon settings (six of them Marian antiphons ), 27 hymns, 22 motets (13 of these isorhythmic in

16960-399: The manner of the country of origin while still showing his characteristic originality, wit, and terseness of statement. In his madrigals , many of which he wrote during his stay in Rome, his style is clear and concise, and he wrote tunes which were easily memorable; he also "signed" his work by frequently using the word 'lasso' (and often setting with the solfège syllables la-sol, i.e. A-G in

17120-470: The mid-15th century. Du Fay composed in most of the common forms of the day, including masses , motets , Magnificats , hymns , simple chant settings in fauxbourdon , and antiphons within the area of sacred music, and rondeaux , ballades , virelais and a few other chanson types within the realm of secular music. None of his surviving music is specifically instrumental, although instruments were certainly used for some of his secular music, especially for

17280-513: The mismanagement of Saxony's finances increased and budgets became unorganized, resulting in payment defaults and the danger of insolvency. After the death of the Polish king John III Sobieski in 1696, Augustus II the Strong converted to Catholicism and with Habsburg support, military pressure and bribes, won the free election for the kingship in 1697, becoming King Augustus II of Poland and Grand Duke of Lithuania. The political calculation behind

17440-491: The modern "measure," though it was itself a note value and a measure is not. The situation can be considered this way: it is the same as the rule by which in modern music a quarter-note may equal either two eighth-notes or three, which would be written as a "triplet." By the same reckoning, there could be two or three of the next smallest note, the "minim," (equivalent to the modern "half note") to each semibreve. These different permutations were called "perfect/imperfect tempus" at

17600-486: The more angular, austere 14th-century style which gave way to more melodic, sensuous treble-dominated part-writing with phrases ending in the "under-third" cadence in Du Fay's youth) and 87 chansons definitely by him have survived. Many of Du Fay's compositions were simple settings of chant, obviously designed for liturgical use, probably as substitutes for the unadorned chant, and can be seen as chant harmonizations. Often

17760-560: The most conservative part of his output. He usually conformed the style of the mass to the style of the source material, which ranged from Gregorian chant to contemporary madrigals, but always maintained an expressive and reverent character in the final product. Several of his masses are based on extremely secular French chansons; some of the source materials were outright obscene. Entre vous filles de quinze ans , "Oh you fifteen-year old girls", by Jacob Clemens non Papa , gave him source material for his 1581 Missa entre vous filles , probably

17920-427: The most difficult problem. The first sign of recovery was an increase in tax revenues. Mining, metallurgy, crafts, trade and transportation recovered slowly but steadily. The Saxon estates of the realm had regained influence during the war due to the territorial princes' great need for money. In the second half of the 17th century the electors had to convene the state parliament far more frequently than before, and in 1661

18080-407: The most modern styles and trends. In Ferrara , the center of avant-garde activity, he doubtless heard the madrigals being composed for the d' Este court. However, his own style remained conservative and became simpler and more refined as he aged. In the 1590s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called "melancholia hypocondriaca", but he

18240-515: The most scandalous of the lot. This practice was not only accepted but encouraged by his employer, which can be confirmed by evidence from their correspondence, much of which has survived. In addition to his traditional imitation masses, he wrote a considerable quantity of missae breves , "brief masses", syllabic short masses meant for brief services (for example, on days when Duke Albrecht went hunting: evidently he did not want to be detained by long-winded polyphonic music). The most extreme of these

18400-496: The most widely arranged for instruments such as lute and keyboard. Most were collected in the 1570s and 1580s in three publications: one by Petrus Phalesius the Elder in 1571, and two by Le Roy and Ballard in 1576 and 1584. Stylistically, they ranged from the dignified and serious, to playful, bawdy, and amorous compositions, as well as drinking songs suited to taverns. Lasso followed the polished, lyrical style of Sermisy rather than

18560-406: The new style of "pervasive imitation", in which composers would write music in which the different voices or parts would imitate the melodic and/or rhythmic motifs performed by other voices or parts. Several main types of masses were used: Masses were normally titled by the source from which they borrowed. Cantus firmus mass uses the same monophonic melody, usually drawn from chant and usually in

18720-524: The nobility and the administration and tended to lag behind contemporary western nations such as the Dutch Republic . Important humanistic and educational impulses came from Saxony through the Reformation that started in the Electorate in the early 1500s. Especially in the 18th century, Saxon culture and arts flourished. For about 200 years until the end of the 17th century, the Electorate was

18880-777: The north with his residence at Torgau and held the prestigious electoral district in the north. His territory consisted of 14 exclaves in addition to the main complex. The Ernestines retained the title of elector, which could be transferred to all male members of the family. Albert resided in Dresden as Duke of Saxony and was dominant in the east. He had the strategically better territory because it consisted of only two main areas and four exclaves. The two largest Saxon cities, Leipzig and Dresden, were located in his dominions. When Martin Luther posted his 95 theses in Wittenberg in 1517,

19040-461: The notes) were not always specified, somewhat as in certain fingering notations for guitar-family instruments ( tablatures ) today. However, Renaissance musicians would have been highly trained in dyadic counterpoint and thus possessed this and other information necessary to read a score correctly, even if the accidentals were not written in. As such, "what modern notation requires [accidentals] would then have been perfectly apparent without notation to

19200-665: The onset of a long economic upswing and increasing urban development. Agreement on political actions and decisions was ensured by a joint court in Dresden Castle . Together the brothers had the Albrechtsburg Castle built in Meissen on the French model. In their policy, they pursued additional accommodation with Bohemia and provided active military assistance to the Empire against the Ottoman Empire and in

19360-488: The original practitioners. For information on specific theorists, see Johannes Tinctoris , Franchinus Gaffurius , Heinrich Glarean , Pietro Aron , Nicola Vicentino , Tomás de Santa María , Gioseffo Zarlino , Vicente Lusitano , Vincenzo Galilei , Giovanni Artusi , Johannes Nucius , and Pietro Cerone . The key composers from the early Renaissance era also wrote in a late Medieval style, and as such, they are transitional figures. Leonel Power (c. 1370s or 1380s–1445)

19520-498: The orthodox Lutheran party, and the new church order was enforced nationwide. With Christian's death in 1591, the situation changed abruptly. Under a guardianship government established for the underaged Christian II (r. 1591–1611), Calvinist movements in Saxony were opposed with violence. Calvinist supporters were removed from all offices, and the houses of wealthy Calvinists were stormed and set on fire. The growing differences between reformed and orthodox Lutheranism strengthened

19680-526: The other German states of the time. After the western part of Saxony reverted to the main Wettin line following the death Duke William III in 1482, Saxony became the second power in the Holy Roman Empire next to the Habsburg domains. The family network of the Wettins expanded to include members who were ecclesiastical dignitaries in Magdeburg, Halberstadt and Mainz , with additional claims to duchies on

19840-543: The period on authentic instruments. As in the modern day, instruments may be classified as brass, strings, percussion, and woodwind. Medieval instruments in Europe had most commonly been used singly, often self-accompanied with a drone, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut (loud, shrill, outdoor instruments) and bas (quieter, more intimate instruments). Only two groups of instruments could play freely in both types of ensembles:

20000-903: The period. Augustan Dresden continued to develop into the "Florence on the Elbe". The period saw the building of the Zwinger Palace , the Taschenbergpalais , the Pillnitz Palace , the Moritzburg Castle and the Augustus Bridge . New church buildings included the Protestant Frauenkirche by George Bähr and the Catholic Dresden Cathedral of Gaetano Chiaveri . The luxurious life at court eventually exceeded

20160-438: The place in which his music was being performed or published. In addition to Orlando di Lasso, variations include Orlande de Lassus, Roland de Lassus, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Since these various spellings or translations of the same name have been known and accepted for centuries, and since there is no evidence that he stated a preference, none of them can be considered incorrect. Orlando de Lasso

20320-456: The political inheritance of Albert III as an imperial fiefdom to the Wettin margraves of Meissen and granted them the Electorate of Saxony along with its electoral privilege. The Margravate of Meissen was absorbed into the Electorate of Saxony, and Saxe-Wittenberg was incorporated into the Wettin dominion as an electoral district. It was able to maintain a quasi-dominant position in the Wettin state until 1548. The Wettins, who had been margraves of

20480-517: The preceding Medieval era, and probably a rich store of popular music of the late Middle Ages is lost. Secular music was music that was independent of churches. The main types were the German Lied , Italian frottola , the French chanson , the Italian madrigal , and the Spanish villancico . Other secular vocal genres included the caccia , rondeau , virelai , bergerette , ballade , musique mesurée , canzonetta , villanella , villotta , and

20640-527: The programmatic style of Clément Janequin for his writing. One of the most famous of Lasso's drinking songs was used by Shakespeare in Henry IV, Part II . English words are fitted to Un jour vis un foulon qui fouloit (as Monsieur Mingo ) and sung by the drunken Justice Silence, in Act V, Scene iii. A third type of secular composition by Lasso was the German Lied . Most of these he evidently intended for

20800-495: The prominent secular forms of the time. In the preface to his collection of German songs, Lasso lists his secular works: Italian madrigals and French chansons, German and Dutch songs. He is probably the only Renaissance composer to write prolifically in five languages – Latin in addition to those mentioned above – and he wrote with equal fluency in each. Many of his songs became hugely popular, circulating widely in Europe. In these various secular songs, he conforms to

20960-495: The reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame. In Venice , from about 1530 until around 1600, an impressive polychoral style developed, which gave Europe some of the grandest, most sonorous music composed up until that time, with multiple choirs of singers, brass and strings in different spatial locations in

21120-598: The second most important territory in the Holy Roman Empire and a key protector of its Protestant principalities. At the time of its greatest extent in 1807 (one year after it was elevated to the status of a kingdom), Saxony had reached a size of 34,994 square kilometers (about 13,500 square miles) and had a population of 2,010,000. From the end of the 12th to the middle of the 13th century, a narrow circle of imperial electors emerged that succeeded in excluding others from their number. The electoral college consisted initially of two ecclesiastical and two secular princes, one of whom

21280-540: The specific territory tied to was the Duchy of Saxe-Wittenberg. The Old Saxony of the early Middle Ages corresponded roughly to the present German state of Lower Saxony . In 1180 Emperor Frederick Barbarossa of the rival Hohenstaufen dynasty deprived the Saxon duke Henry the Lion of his power, and his duchy was divided, with the western part placed under the Archbishop of Cologne as the Duchy of Westphalia , while

21440-478: The subcategories of woodwind instruments. A player may blow across a mouth hole, as in a flute; into a mouthpiece with a single reed, as in a modern-day clarinet or saxophone; or a double reed, as in an oboe or bassoon. All three of these methods of tone production can be found in Renaissance instruments. Electorate of Saxony [REDACTED] The Electorate of Saxony , also known as Electoral Saxony ( German : Kurfürstentum Sachsen or Kursachsen ),

21600-445: The sublime to the ridiculous, and he showed a sense of humor not often associated with sacred music: for example, one of his motets satirizes poor singers (his setting of Super flumina Babylonis , for five voices) which includes stuttering, stopping and starting, and general confusion; it is related in concept if not in style to Mozart's A Musical Joke . Many of his motets were composed for ceremonial occasions, as could be expected of

21760-449: The system of church modes began to break down entirely, giving way to functional tonality (the system in which songs and pieces are based on musical "keys"), which would dominate Western art music for the next three centuries. From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works. A wide range of musical styles and genres flourished during

21920-533: The taste of the Dukes of Burgundy who employed him, and evidently loved his music accordingly. About half of his extant secular music is found in the Oxford Bodleian Library. Guillaume Du Fay ( c.  1397 –1474) was a Franco-Flemish composer of the early Renaissance. The central figure in the Burgundian School , he was regarded by his contemporaries as the leading composer in Europe in

22080-413: The tenor and most often in longer note values than the other voices. Other sacred genres were the madrigale spirituale and the laude . During the period, secular (non-religious) music had an increasing distribution, with a wide variety of forms, but one must be cautious about assuming an explosion in variety: since printing made music more widely available, much more has survived from this era than from

22240-597: The territorial development of the still sparsely populated area. In 1290 the duchy was extended to include the Burgraviate of Magdeburg and the Countship of Brehna . The electoral privilege was not institutionally regulated until 1356 and the Golden Bull , the fundamental law of the Empire settling the method of electing the German king by seven prince-electors. Through it Emperor Charles IV permanently granted

22400-527: The trend towards absolutist government that was growing in Electoral Saxony. Like other similarly-sized states of the time, Electoral Saxony pursued a foreign policy goal of advancing its own rise in a system of states dominated by rivalries. It remained at the side of the Austrian imperial house until the end of the 17th century. After the death of Emperor Ferdinand III in 1657, John George II

22560-478: The war costs, he had to give him the two Lusatias as a pledge in 1623. Saxony's relations with the emperor then began to deteriorate, in part because Saxony's neutrality was only minimally respected by the imperial troops led by Albrecht von Wallenstein , who on several occasions led marauding troops into Lusatia. John George also disliked the ruthlessly pursued recatholicization in Silesia and Bohemia, although he

22720-404: The way for the recognition of the new faith in the Empire. Under his rule, the Electorate of Saxony more than any other power in the Empire protected the Protestant faith. After the conclusion of the 1555 Peace of Augsburg that allowed rulers within the Empire to choose either Lutheranism or Catholicism, Saxony was firmly on the Habsburg side. Augustus, who had replaced Maurice as elector after he

22880-501: The whole of Europe. The customs revenues along the route in turn benefited the electoral treasury. In 1480 the printer Konrad Kachelofen from Nuremberg settled in Leipzig and with his letterpress began the Leipzig tradition of book printing. In 1483 Elector Ernest and Duke Albert established the Leipzig High Court . It was staffed by nobles and burghers and was the first independent public authority in Electoral Saxony that

23040-734: Was imperial vicar (regent) for more than a year until the election of the Habsburg Leopold I . Saxony took part in the Second Northern War against Sweden (1655–1660) and then the Austro-Turkish War (1663–1664). In the same year it became a member of the League of the Rhine and allowed the French to recruit on Saxon territory and to have its troops pass through it. In 1683 Elector John George III participated in

23200-502: Was a territory of the Holy Roman Empire from 1356 to 1806 initially centred on Wittenberg that came to include areas around the cities of Dresden , Leipzig and Chemnitz . It was a major Holy Roman state, being an electorate and the original protecting power of Protestant principalities until that role was later taken by its neighbor, Brandenburg-Prussia . In the Golden Bull of 1356 , Emperor Charles IV designated

23360-562: Was also an important madrigalist. His ability to bring together the functional needs of the Catholic Church with the prevailing musical styles during the Counter-Reformation period gave him his enduring fame. The brief but intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them, is known as the English Madrigal School . The English madrigals were

23520-470: Was an English composer of the late medieval and early Renaissance music eras. Along with John Dunstaple , he was one of the major figures in English music in the early 15th century. Power is the composer best represented in the Old Hall Manuscript , one of the only undamaged sources of English music from the early 15th century. He was one of the first composers to set separate movements of

23680-507: Was an attempt to revive the dramatic and musical forms of Ancient Greece, through the means of monody , a form of declaimed music over a simple accompaniment; a more extreme contrast with the preceding polyphonic style would be hard to find; this was also, at least at the outset, a secular trend. These musicians were known as the Florentine Camerata . We have already noted some of the musical developments that helped to usher in

23840-628: Was born in Mons in the County of Hainaut , Habsburg Netherlands (modern-day Belgium ). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve, he left the Low Countries with Ferrante Gonzaga and went to Mantua , Sicily , and later Milan (from 1547 to 1549). While in Milan, he made

24000-417: Was detached from the prince and court. An effective local and central administration secured the rule of the electors. Internal order was restored after the unrest and insecurity that robber barons had caused in Germany. Blood feuds were eliminated, the roads were secured from robbery, and an efficient legal system was established. Saxony became culturally, economically, and governmentally advanced compared to

24160-430: Was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich", he wrote to the Duke of Electorate of Saxony in 1580, upon receiving an offer for a position in Dresden . In the late 1570s and 1580s Lasso made several visits to Italy, where he encountered

24320-511: Was increasingly freed from medieval constraints, and more variety was permitted in range, rhythm, harmony, form, and notation. On the other hand, rules of counterpoint became more constrained, particularly with regard to treatment of dissonances . In the Renaissance, music became a vehicle for personal expression. Composers found ways to make vocal music more expressive of the texts they were setting. Secular music absorbed techniques from sacred music , and vice versa. Popular secular forms such as

24480-490: Was killed in battle in 1553, saw himself as the leader of the Lutheran imperial states in whose interest the status quo achieved between Protestants and Catholics was to be preserved. The Ernestine duke John Frederick II continued to claim the electoral privilege that had been revoked from his father. When his ally Wilhelm von Grumbach was placed under an imperial ban , John Frederick refused to act against him, and he too

24640-487: Was limited and manageable in spite of the high expenditures. A true absolutism did not develop in the Electorate. The inherent contradictions between the elector's claim to absolute power, the nobility's will to assert itself, and the aspirations of the burghers proved to be insurmountable. Because Augustus' son Frederick Augustus II (r. 1733–1763) had no political ambitions, he left the day-to-day political business to his prime minister Heinrich von Brühl . Under Brühl

24800-410: Was one of the first to compose masses using a single melody as cantus firmus . A good example of this technique is his Missa Rex seculorum . He is believed to have written secular (non-religious) music, but no songs in the vernacular can be attributed to him with any degree of certainty. Oswald von Wolkenstein (c. 1376–1445) is one of the most important composers of the early German Renaissance. He

24960-476: Was put under ban a year later. Emperor Ferdinand I entrusted Augustus with the execution of the imperial sentences, and his successful military actions against both Grumbach and John Frederick in 1567 consolidated Electoral Saxony's position in the Empire. The Albertine electoral privilege was never again challenged by the Ernestines. The introduction of Calvinism into Electoral Saxony began under Elector Christian I (r. 1586–1591). In time it prevailed over

25120-505: Was still able to compose as well as travel occasionally. His final work was often considered one of his best pieces: an exquisite set of twenty-one madrigali spirituali known as the Lagrime di San Pietro ("Tears of St. Peter"), which he dedicated to Pope Clement VIII , and which was published posthumously in 1595. Lasso died in Munich on 14 June 1594, the same day that his employer decided to dismiss him for economic reasons. He never saw

25280-489: Was succeeded by Albert I (r. 1212–1260). After his death in 1260, his sons John I and Albert II (r. 1260–1298) divided his land into the Duchies of Saxe-Wittenberg and Saxe-Lauenburg . Initially the brothers ruled together, but after Albert became burgrave of Magdeburg in 1269, a final division of the duchies under the two rulers became final and was formalized in 1296. Saxe-Wittenberg succeeded in claiming

25440-401: Was the duke of Saxony . The circle was extended in the 13th century to seven: the archbishops of Mainz , Trier and Cologne plus the count palatine of the Rhine , the margrave of Brandenburg , the king of Bohemia and the duke of Saxony. Tying electoral rights to individual territories took place in the early 13th century and solidified from then on. In the case of the Electorate of Saxony,

25600-411: Was unable to do anything about it. In 1631 he finally felt compelled to enter the war against the emperor on the side of Protestant Sweden. The decisive factor for the radical change in policy was the military situation – Swedish troops were already on Saxon soil at the time. The war affected Electoral Saxony especially badly in the west. The Battle of Breitenfeld took place near Leipzig in 1631, as did

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