Misplaced Pages

#716283

80-505: 15°19′13″N 76°28′17″E  /  15.3203°N 76.4713°E  / 15.3203; 76.4713 Lotus Mahal or Chitrangini Mahal is an important secular structure in Hampi , India . The Lotus Mahal is an example of Vijayanagara style of architecture and is a two storied structure built in Rubble masonry and finely plastered. The structure was used as residue place for royal family of

160-616: A Muslim mosque and tomb. The architecture is built from the abundant local stone; the dominant style is Dravidian , with roots in the developments in Hindu arts and architecture in the second half of the 1st millennium in the Deccan region. It also included elements of the arts that developed during the Hoysala Empire rule in the south between the 11th and 14th century such as in the pillars of Ramachandra temple and ceilings of some of

240-438: A Vijayanagara-era ghat and mandapa facilities for bathing. In front of the temple is a dipa stambha (lighting pillar) under a Pipal tree, and inside is a sanctum dedicated to Rama, Sita, Lakshmana and Hanuman. Nearby, and continuing until Kotitirtha to its north, are a number of smaller shrines, dedicated to Vitthala, Anjaneya, Shiva and other deities. On the rock face are reliefs of Anantashayana Vishnu (reclining Vishnu creating

320-524: A centre for craft production according to inscriptions found. The Hemakuta hill lies between the Virupaksha temple complex to the north and the Krishna temple to the south. It is a collection of modestly sized monuments that are preserved examples of pre-Vijayanagara and early-Vijayanagara temples and construction. The site has several important inscriptions, is easily accessible and provides views of

400-468: A face embossed with brass. The Virupaksha temple also has smaller shrines for two aspects of Parvati-Pampa and Bhuvaneshwari to the north of the main sanctum. Bhuvaneshwari shrine is of Chalukyan architecture and it uses granite instead of pot stone. The compound has a northern gopura, smaller than the eastern gopura, that opens to the Manmatha tank and a pathway to the river with stone reliefs related to

480-609: A historically important inscription that records that Kampila built the monument in the early 14th century. This inscription links Hampi with the Kampili kingdom and suggests an association of the Kampili history with that of Vijayanagara Empire that followed it. The style of temples on the Hemakuta hill suggest it may have been a study centre for experimenting with different types of Hindu temples. The styles present include those of

560-779: A large, square platform that likely had a wooden mandapa above it. This was burnt down during the destruction of Hampi. Hindu king The notable Hindu empires in India included the Guptas ( c.  320–550 AD ), the Cholas in Tamil Nadu ( c.  848–1279 AD ), and the Vijayanagara Empire ( c.  1336–1646 AD ). At different points in time, Hindu kingdoms had existed in Southeast Asia on

640-655: A massive destruction of the infrastructure fabric of Hampi and the metropolitan Vijayanagara. The city was pillaged, looted and burnt for six months after the war, then abandoned as ruins, which are now called the Group of Monuments at Hampi. Hampi and its nearby region remained a contested and fought-over region claimed by the local chiefs, the Hyderabad Muslim nizams , the Maratha Hindu kings, and Hyder Ali and his son Tipu Sultan of Mysore through

720-481: A terracotta seal dating to about the 2nd century CE have been found during site excavations. The town is mentioned in Badami Chalukya's inscriptions as Pampapura, dating from between the 6th and 8th centuries. By the 10th century, it had become a centre of religious and educational activities during the rule of the Hindu kings Kalyana Chalukyas , whose inscriptions state that the kings made land grants to

800-460: A top layer depicting a procession of the general public. The depiction mirrors the description of festivals and processions in surviving memoirs of Persians and Portuguese who visited the Vijayanagara capital. The inner walls of the temple has friezes containing extensive narration of the Hindu epic Ramayana . The temple has an entrance mandapa and a yajna ceremony hall, whose ceiling

880-498: A tradition. According to local tradition, the Virupaksha is the only temple that continued to be a gathering place of Hindus and frequented by pilgrims after the destruction of Hampi in 1565. The temple attracts large crowds; an annual fête with a chariot procession to mark the marriage of Virupaksha and Pampa is held in spring, as is the solemn festival of Maha Shivaratri . The temple has attracted criticism from tourists for its treatment of resident elephant, Lakshmi, who lives at

SECTION 10

#1732775666717

960-471: Is a broad road that allowed chariots to transport goods to and from the market, and hosted ceremonial functions and festive celebrations. To the north of this road and middle of the market is a large Pushkarani—a public utility-stepped water tank with an artistic pavilion in its centre. Next to the tank is a public hall (mandapa) for people to sit. The temple opens to the east; it has a gateway with reliefs of all ten avatars of Vishnu starting with Matsya at

1040-541: Is a community kitchen, a feature found in other major Hampi temples. A channel is cut into the rock to deliver water to the kitchen and the feeding hall. The courtyard after the small gopuram has dipa-stambha (lamp pillar) and Nandi. The courtyard after the small gopuram leads to the main mandapa of the Shiva temple, which consists of the original square mandapa and a rectangular extension composed of two fused squares and sixteen piers built by Krishnadevaraya. The ceiling of

1120-501: Is built by bricks and mortar .The ground floor is raised on a high ornamental stone basement with doubled recessed angles. The palace is built in the Zenana enclosure and was reserved for the royal women of the Vijayanagara Empire . according to historical accounts, the structure was built to serve the royal Muslim women of the empire. Also the king Krishnadevaraya used it as his council chamber for meeting with his ministers. The palace

1200-511: Is designed to ventilate fumes and smoke through the roof. Inside the main mandapa are four intricately carved pillars in the Hoysala style; these carving include depictions of Rama, Lakshmana, and Sita of Vaishnavism , Durga as Mahishasuramardini of Shaktism and Shiva-Parvati of Shaivism . Images are missing from the square sanctum. The temple has a smaller shrine with friezes depicting the legends of Vishnu avatars. This ruined temple complex

1280-585: Is known for its thousands of carvings and inscriptions, its elaborate frescoes depicting Hindu theosophy and its sprawling courtyard laid with gardens. The Kodandarama temple complex lies near the Tungabhadra River, and is north of Achyutaraya temple. The temple overlooks Chakratirtha , where the Tungabhadra turns northwards towards the Himalayas. The river banks, considered holy, accommodate

1360-538: Is only visible from the back of the statue. The monument is housed inside an open-pillared mandapa; the left hand and tusk have been damaged. The Hazara Rama temple, referred to as the Ramachandra temple in inscriptions, occupied the western part of the urban core in the royal centre section of Hampi. This temple was dedicated to Rama of the Ramayana fame, and an avatar of Vishnu. It was the ceremonial temple for

1440-413: Is part of the sacred centre of Vijayanagara. It is unclear when the temple complex was built, and who built it; most scholars date it to a period of construction in the early-to-mid-16th century. Some of the books mention that its construction began during the time of Devaraya II and continued during the reign of Krishnadevaraya, Achuytaraya, and probably Sadasivaraya and it stopped due to the destruction of

1520-405: Is the shrine for a 6.7 metres (22 ft)-high Narasimha—the man-lion avatar of Vishnu—seated in a yoga position. The Narasimha monolith originally had goddess Lakshmi with him, but it shows signs of extensive damage and a carbon-stained floor—evidence of attempts to burn the shrine down. The statue has been cleaned and parts of the shrine have been restored. The Achyutaraya temple, also called

1600-695: The Group of Monuments at Hampi , is a UNESCO World Heritage Site located in Hampi (City) , Ballari district now Vijayanagara district , east-central Karnataka , India . Hampi predates the Vijayanagara Empire ; it is mentioned in the Ramayana and the Puranas of Hinduism as Pampa Devi Tirtha Kshetra. Hampi continues as a religious centre, with the Virupaksha Temple , an active Adi Shankara -linked monastery and various monuments belonging to

1680-522: The Kannada word Hampa and the place Parvati pursued Shiva came to be known as Hampe or Hampi. The site was an early medieval era pilgrimage place known as Pampakshetra. Its fame came from the Kishkindha chapters of the Hindu epic Ramayana , where Rama and Lakshmana meet Hanuman , Sugriva and the monkey army in their search for kidnapped Sita . The Hampi area has many close resemblances to

SECTION 20

#1732775666717

1760-640: The Phamsana style. Two temple groups in this style look similar; each has a triple vimana consisting of square sanctums with each set connected to its own shared square mandapa. The towers (shikaras) on these are pyramidal granite structures consisting of eleven stacked, shrinking squares and a top in the Deccan-style square kalasha finial. Both sets are Shiva temples with triple linga; early sources misidentified these as Jain temples because of their simple exterior and interior walls. One of these groups has

1840-465: The Ramayana . To the west of this tank are shrines of Shaktism and Vaishnavism traditions, such as those for Durga and Vishnu respectively. Some of the shrines on this pilgrim's path were whitewashed in the 19th century under orders of the British India officer F.W. Robinson, who sought to restore the Virupaksha temple complex; whitewashing of this cluster of historic monuments has continued as

1920-534: The Vijayanagara Empire . Lotus Mahal literally means " Palace of Lotus". This structure was made for the royal family of the Vijayanagara Empire . The palace stands around a walled compound near the Royal centre. The structure is laid out symmetrically with equal projections on four sides. The dome gives an illustration of an open lotus bud. The curves of the palace are inspired by the Islamic architecture and protect

2000-416: The "Great Platform", "Audience Hall", "Dasara" or "Mahanavami Dibba" monument, is within a 7.5-hectare (19-acre) enclosure at one of the highest points inside the royal centre (urban core). It has ceremonial structures. It is mentioned in the memoirs of foreigners who visited Vijayanagara, some calling it the "House of Victory". The largest monument in this complex has three ascending square stages leading to

2080-406: The 11th-century; it was extended during the Vijayanagara era. The temple is a collection of smaller temples, a regularly repainted, 50-metre (160 ft) high gopuram , a Hindu monastery dedicated to Vidyaranya of Advaita Vedanta tradition, a water tank ( Manmatha ), a community kitchen, other monuments and a 750 metres (2,460 ft)-long ruined stone market with a monolithic Nandi shrine on

2160-606: The 18th century. In 1799, Tipu Sultan was defeated and killed when the British forces and Wadiyar dynasty aligned. The region then came under British influence. The ruins of Hampi were surveyed in 1800 by Scottish Colonel Colin Mackenzie , first Surveyor General of India . Mackenzie wrote that the Hampi site was abandoned and only wildlife live there. The 19th-century speculative articles by historians who followed Mackenzie blamed

2240-578: The 18th-century armies of Hyder Ali and the Marathas for the damage to the Hampi monuments. The Hampi site remained ignored until the mid-19th century, when Alexander Greenlaw visited and photographed the site in 1856. He created an archive of 60 calotype photographs of temples and royal structures that were standing in 1856. These photographs were held in a private collection in the United Kingdom and were not published until 1980. They are

2320-505: The Amman shrine and the Utsav mandapa (festival hall). The walled enclosure covers about 1.3 hectares (3.2 acres) with colonnaded verandahs lining the compound walls. In the south-east corner is a kitchen with a roof window ( clerestory ). Outside the temple compound, to its east-south-east, is a colonnaded market street almost one kilometre (0.62 miles) long; all of which is now in ruins. To

2400-561: The Chalukya period, the Rashtrakuta period and later periods. It may also have been the template for the original Virupaksha temple, which was later greatly expanded with gopuram, mandala and other additions. A similar monument dedicated to Narasimha, the man-lion avatar of Vishnu, is located east of Hampi; an inscription near it states that it was operating in 1379 CE. The Hemakuta hill also has monuments with two monolithic Ganesha ;

2480-655: The Hindu god of desire, erotic love, attraction, and affection—to awake Shiva from meditation. Kama reaches Shiva and shoots an arrow of desire. Shiva opens his third eye in his forehead and burns Kama to ashes. Parvati does not lose her hope or her resolve to win over Shiva; she begins to live like him and engage in the same activities—asceticism, yogin and tapasya —awakening him and attracting his interest. Shiva meets Parvati in disguised form and tries to discourage her, telling her Shiva's weaknesses and personality problems. Parvati refuses to listen and insists in her resolve. Shiva finally accepts her and they get married. Kama

Lotus Mahal - Misplaced Pages Continue

2560-573: The Kadalekalu Ganesha and the Sasivekalu Ganesha. The Kadalekalu Ganesha, named after Ganesha's gram -shaped belly, is in the middle of Hampi's sacred centre on the east side of the hill near Matanga. A colonnaded, open mandapa leads to the sanctum, which houses a monolithic image of Ganesha more than 4.5 metres (15 ft) high, which was carved in-situ from extant rock. Ganesha's tusk and other parts have been damaged, but

2640-411: The Kampili soldiers faced defeat by Tughlaq's army. In 1336 CE, the Vijayanagara Empire arose from the ruins of the Kampili kingdom. It grew into one of the famed Hindu empires of South India that ruled for over 200 years. The Vijayanagara Empire built its capital around Hampi, calling it Vijayanagara. Historians propose that Harihara I and Bukka I , the founders of the empire, were commanders in

2720-608: The King of Kakatiya Kingdom. When Muhammad Bin Tughlaq came looking for Baha-Ud-Din Gurshasp (who was taking refuge in the court of Pratap Rudra), Pratap Rudra was overthrown and Kakatiya was destroyed. During this time the two brothers Harihara I and Bukka I, with a small army came to the present site of Vijayanagara, Hampi. Vidyaranya, the 12th Jagadguru of the Śringeri Śarada Pītham took them under his protection and established them on

2800-538: The Tiruvengalanatha temple, is about 1 kilometre (0.62 miles) east of Virupaksha temple and a part of its sacred centre is close to the Tungabhadra River. It is referred to be in Achyutapura in inscriptions and is dated to 1534 CE. It is one of the four largest complexes in Hampi. The temple is unusual because it faces north. It is dedicated to Vishnu. In Vijayanagara times, the temple was approached from

2880-459: The UNESCO world heritage site are a subset of the Vijayanagara ruins. Almost all of the monuments were built between 1336 and 1570 CE during the Vijayanagara rule. The site has about 1,600 monuments and covers 41.5 square kilometres (16.0 sq mi). The Hampi site has been studied in three broad zones; the first has been named the "sacred centre" by scholars such as Burton Stein and othersl;

2960-440: The Vijayanagara dynastic emblems; a boar from Varaha , a sword, the sun and the moon. The temple and the market street are ruined but their layout suggests it was a major market with streets provided for chariot traffic. The Vitthala temple and market complex is over 3 kilometres (1.9 miles) north-east of the Virupaksha temple near the banks of the Tungabhadra River. It is an artistically sophisticated Hindu temple in Hampi, and

3040-483: The Vijayanagara empire. The urban core also includes public utility infrastructure such as roads, an aqueduct, water tanks, mandapa, gateways and markets, monasteries This distinction has been assisted by some seventy-seven stone inscriptions. Most of the monuments are Hindu; the temples and the public infrastructure such as tanks and markets include reliefs and artwork depicting Hindu deities and themes from Hindu texts. There are also six Jain temples and monuments and

3120-480: The Virupaksha temple complex. The architects also adopted an Indo-Islamic style in a few monuments, such as the Queen's bath and Elephant stables, which UNESCO says reflects a "highly evolved multi-religious and multi-ethnic society". The Virupaksha temple is the oldest shrine, the principal destination for pilgrims and tourists, and remains a Hindu worship site. Parts of the Shiva, Pampa and Durga temples existed in

3200-402: The Virupaksha temple. Several inscriptions from the 11th to 13th centuries are about the Hampi site, with a mention of gifts to goddess Hampa-devi. Between the 12th and 14th centuries, Hindu kings of the Hoysala Empire of South India built temples to Durga , Hampadevi and Shiva, according to an inscription dated about 1,199 CE. Hampi became the second royal residence; one of the Hoysala kings

3280-539: The army of the Hoysala Empire stationed in the Tungabhadra region to ward off Muslim invasions from the Northern India. Some claim that they were Telugu people, who took control of the northern parts of the Hoysala Empire during its decline. As per texts such as Vidyaranya Kalajana, Vidyaranya Vritanta, Rajakalanirnaya, Pitamahasamhita, Sivatatvaratnakara , they were treasury officers of Pratap Rudra,

Lotus Mahal - Misplaced Pages Continue

3360-442: The arts, maintained a strong military and fought many wars with sultanates to its north and east. They invested in roads, waterworks, agriculture, religious buildings and public infrastructure. This included, states UNESCO, "forts, riverside features, royal and sacred complexes, temples, shrines, pillared halls, mandapas (halls for people to sit), memorial structures, gateways, check posts, stables, water structures, and more". The site

3440-429: The back of the temple in a narrow alleyway. The Krishna temple, also called Balakrishna temple, on the other side of Hemakuta hill, is about 1 kilometre (0.62 miles) south of Virupaksha temple. It is dated to 1515 CE; this part of the Hampi complex is called Krishnapura in inscriptions. In front of the ruined temple is a long market street, also referred to locally as the bazaar. Between the colonnaded stone shop ruins

3520-425: The bottom. Inside is the ruined temple for Krishna and small, ruined shrines for goddesses. The temple compound is layered into mandapas, including an outer and an inner enclosure. The compound has two gopuram entrances. Inside, a 25 (5x5)-bay open mandapa leads to a 9 (3x3)-bay enclosed mandapa. The original image of Balakrishna (baby Krishna) in its sanctum is now in a Chennai museum. A modern road passes in front of

3600-416: The city in 1565. The inscriptions include male and female names, suggesting that the complex was built by multiple sponsors. The temple was dedicated to Vitthala , a form of Krishna also called Vithoba. The temple opens to the east, has a square plan and features an entrance gopuram with two side gopurams. The main temple stands in the middle of a paved courtyard and several subsidiary shrines, all aligned to

3680-511: The city of Hosapete 13 kilometres (8.1 miles) away, Hampi's ruins are spread over 4,100 hectares (16 sq mi) and it has been described by UNESCO as an "austere, grandiose site" of more than 1,600 surviving remains of the last great Hindu kingdom in South India that includes "forts, riverside features, royal and sacred complexes, temples, shrines, pillared halls, mandapas, memorial structures, water structures and others". The name

3760-591: The city was of metropolitan proportions; they called it "one of the most beautiful cities". While prosperous and in infrastructure, the Muslim-Hindu wars between Muslim Sultanates and Vijayanagara Empire continued. In 1565, at the Battle of Talikota , a coalition of Muslim sultanates entered into a war with the Vijayanagara Empire. They captured and beheaded the king Aliya Rama Raya , followed by

3840-528: The cosmic cycle, Ranganatha), friezes narrating the legends of Narasimha and Prahlada, and the twenty-four avatars of Vishnu according to the Puranic tradition of Vaishnavism. Near the river is a rock carved with Shaivism's 1,008 lingas. The Pattabhirama temple complex is in the southern suburban centre outside the sacred centre and the urban core, about 500 metres (550 yd) from the ASI Hampi museum. It

3920-528: The courtyard; it is an often-pictured symbol of Hampi. Above the chariot is a tower, which was removed during 1940s, as per historian Dr.S.Shettar. In the front of the stone chariot is a large, square, open-pillared, axial sabha mandapa , or community hall. The mandapa has four sections, two of which are aligned with the temple sanctum. The mandapa has 56 carved stone beams of different diameters, shape, length and surface finish that produces musical sounds when struck; according to local traditional belief, this hall

4000-413: The details and colour hues suggest all the ceiling paintings are from a 19th-century renovation, and the themes of the original paintings are unknown. The mandapa pillars have outsized yalis , mythical animal melding the features of a horse, lion and other animals with an armed warrior riding it—a characteristic Vijayanagara feature. The sanctum of the temple has a mukha-linga ; a Shiva linga with

4080-508: The east end. The temple faces eastwards, aligning the sanctums of the Shiva and Pampa Devi temples to the sunrise; a large gopuram marks its entrance. The superstructure is a pyramidal tower with pilastered storeys on each of which is artwork including erotic sculptures. The gopuram leads into a rectangular court that ends in another, smaller gopuram dated to 1510 CE. To its south side is a 100-column hall with Hindu-related reliefs on all four sides of each pillar. Connected to this public hall

SECTION 50

#1732775666717

4160-403: The east. The temple is a unified structure in a courtyard measuring 500 by 300 feet which is surrounded by a triple row of pillars. It is a low structure of one storey with an average height of 25 height. The temple has three distinct compartments: a garbhagriha, an ardhamandapa and a mahamandapa (or sabha mandapa). The Vitthala temple has a Garuda shrine in the form of a stone chariot in

4240-454: The eastern gopura, linking Kamalapuram to Hampi. The western gopuram has friezes of battle formation and soldiers. South of the Krishna temple's exterior are two adjacent shrines, one containing the largest monolithic Shiva Linga and the other with the largest monolithic Yoga- Narasimha avatar of Vishnu in Hampi. The 3 metres (9.8 ft) Shiva Linga stands in water in a cubical chamber and has three eyes sketched on its top. South of this

4320-539: The first time, uses Arabic terms such as "zenana" to describe some of the Hampi monuments. Some of these terms became the names thereafter. Alexander Rea , an officer of the Archaeological Survey department of the Madras Presidency within British India, published his survey of the site in 1885. Robert Sewell published his scholarly treatise A Forgotten Empire in 1900, bringing Hampi to

4400-425: The goddess Parvati in Hindu theology. According to mythology, the maiden Parvati (who is a reincarnation of Shiva's previous wife, Sati) resolves to marry the loner ascetic Shiva . Her parents learn of her desire and discourage her, but she pursues her desire. Shiva is lost in yogic meditation, oblivious to the world; Parvati appeals to the gods for help to awaken him and gain his attention. Indra sends Kamadeva —

4480-413: The left hand—which holds a rice cake treat with his trunk reaching out for it—has survived. The Sasivekalu Ganesha, named after Ganesha's mustard seed-shaped belly, is near the Krishna temple south-west of the Kadalekalu Ganesha. It is a 2.4 metres (7.9 ft)-high monolith that was also carved in-situ from extant rock. The Sasivekalu Ganesha is carved with his mother Parvati, in whose lap he sits. She

4560-411: The most valuable source of the mid-19th-century state of Hampi monuments to scholars. The monuments at this site would have had colours rather than the sandstone tint that they appear in today. A translation of the memoirs written by Abdul Razzaq , a Persian envoy in the court of Devaraya II (1424–1446), published in the early 1880s described some monuments of the abandoned site. This translation, for

4640-506: The north is another market and a south-facing shrine with reliefs of Ramayana scenes, Mahabharata scenes and of Vaishnava saints. The north street ended in a temple honouring the Hindu philosopher Ramanuja . The region around the Vitthala temple was called Vitthalapura. It hosted a Vaishnava matha (monastery), designed as a pilgrimage centre centred around the Alvar tradition. It was also

4720-535: The old city. Hampi was the capital of the Vijayanagara Empire from 1336 to 1565 (as Vijayanagara ), when it was abandoned. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River , with numerous temples, farms and trading markets. By 1500 CE, Hampi-Vijayanagara

4800-680: The open hall above the mandapa is painted, showing the Shaivism legend relating to Shiva-Parvati marriage; another section shows the legend of Rama-Sita of the Vaishnavism tradition. A third section depicts the legend of the love god Kama shooting an arrow at Shiva to get him interested in Parvati, and the fourth section shows the Advaita Hindu scholar Vidyaranya being carried in a procession. According to George Michell and other scholars,

4880-430: The palace from harsh weather conditions. It has two stories, both with arched openings in multiple planes surrounded by elaborate plaster designs. It has total of eight pyramidal towers over the corners and one big tower in the middle of the structure and is supported by 24 pillars. The pyramidal tower is influenced by Indian Architecture . The pillars are decorated with stone carved aquatic animals, plants etc. The palace

SECTION 60

#1732775666717

4960-653: The place described in the epic. The regional tradition believes that it is that place mentioned in the Ramayana, attracting pilgrims. It was brought to light by an engineer named colonel Colin Mackenzie during the 1800s. Emperor Ashoka 's Rock Edicts in Nittur and Udegolan—both in Bellary district 269-232 BCE—suggest this region was part of the Maurya Empire during the 3rd century BCE. A Brahmi inscription and

5040-563: The river, first past a ceremonial tank then along the market street with a broad road. The temple had an outer gopuram leading into a courtyard with a 100-column hall and an inner gopuram leading to the Vishnu temple. On each side of each pillar in the 100-column hall are reliefs of avatars of Vishnu; other deities such as Shiva, Surya, Durga; scenes of daily life— rishi , amorous couples, jokers; people in yoga asanas ; people in namaste poses; and Vijayanagara emblems. The temple gateway shows

5120-473: The royal family. The temple is dated to the early 15th century and is attributed to Devaraya I . The temple's outer walls portray the Hindu Mahanavami ( Dasara ) and the spring Holi festival procession and celebrations in parallel bands of artwork. The lowest band shows marching elephants, above it are horses led by horsemen, then soldiers celebrated by the public, then dancers and musicians, with

5200-416: The sanctum face east; the normal entrance was through the eastern gopura. The ruins suggest the gopuram had six tiers. The Pattabhirama temple included a 100-pillared hall—likely a feeding hall—attached to the southern wall of the enclosed compound. The pillars have reliefs depicting Hindu themes which include gods, goddesses, a scene from a Hindu text, yoga and namaste. The Mahanavami platform, also called

5280-430: The second is referred to as the "urban core" or the "royal centre"; and the third constitutes the rest of metropolitan Vijayanagara. The sacred centre, alongside the river, contains the oldest temples with a history of pilgrimage and monuments pre-dating the Vijayanagara empire. The urban core and royal centre have over sixty ruined temples beyond those in the sacred centre, but the temples in the urban core are all dated to

5360-500: The some parts of Hampi and the fertile, agricultural valley that separates the sacred centre from the urban core with its royal centre. The hill has more than thirty small-to-moderate-sized temples, together with water cisterns, gateways, and secular pavilions. The latest examples are dated to the early 14th century. Some of the structures are differently-sized prototypes of temples or mandapas, assembled from blocks of stones. Others are completed monuments of different designs, such as

5440-461: The territories of the modern Indonesia , Vietnam , Cambodia , and Thailand . A Hindu kingdom was described as formed from seven "limbs": The later Vedic era ( c.  1000-600 BC ) saw the introduction of religious ceremonies intended to affirm the Hindu king's supernatural powers: rajasuya , ashvamedha , vajapeya  [ ru ] , aindrī-mahābhiṣeka , and punarābhiṣeka . The introduction of these expansive and expensive rituals

5520-526: The throne and the city was called Vidyanagara in A.D. 1336. They expanded the infrastructure and temples. According to Nicholas Gier and other scholars, by 1500 CE Hampi-Vijayanagara was the world's second-largest medieval-era city after Beijing, and probably India's richest. Its wealth attracted 16th-century traders from across the Deccan area, Persia and the Portuguese colony of Goa . The Vijayanagara rulers fostered developments in intellectual pursuits and

5600-428: The widespread attention of scholars. The growing interest led Rea and his successor Longhurst to clear and repair the Hampi group of monuments. The site is significant historically and archaeologically, for the Vijayanagara period and before. The Archaeological Survey of India continues to conduct excavations in the area. Hampi is located in hilly terrain formed by granite boulders The Hampi monuments comprising

5680-535: Was a probable cause of persistent tensions between the Hindu kings and Brahmins; as a result, the Hinduism views on the divinity of kings varied with time. The end of the Vedic era with its proliferation of alternative religions ( śramaṇa ) was characterized by rapidly diminishing attention to the deification of the kings. The Laws of Manu (1st to 3rd century AD) marked a revival of the kings' divinity; simultaneously,

5760-403: Was also used as a relaxing place for the royal family. It is one of the few structures that did not suffer any major damage when Hampi was invaded. Owing to many invasions by Deccan sultanates and improper maintenance, the palace has ruined and has lost most of its carved decoration in the restoration work. Hampi Hampi or Hampe ( Kannada: [hɐmpe] ), also referred to as

5840-406: Was at the nucleus of economic and cultural activity of this suburb, now located north-east of Kamalapura. The complex, also known as Varadevi Ammana Pattana, was likely built in the early 16th century and dedicated to Rama (Vishnu avatar). The complex has a main temple, a colonnaded courtyard inside an enclosure and a 64 (8x8 square)-pillared and roofed mandapa in front of the sanctum. The complex and

5920-638: Was derived from the old name of the Tungabhadra River which was Pampa, so the name Hampi is the English version of the Kannada name Hampe. Hampi is situated on the banks of the Tungabhadra River in the eastern part of central Karnataka near the state border with Andhra Pradesh . It is 140 kilometres (87 mi) southeast of the Badami and Aihole archaeological sites. The synonym Hampi —traditionally known as Pampa-kshetra , Kishkindha-kshetra or Bhaskara-kshetra —is derived from Pampa, another name of

6000-623: Was known as Hampeya-Odeya or "lord of Hampi". According to Burton Stein , the Hoysala-period inscriptions call Hampi by alternate names such as Virupakshapattana, Vijaya Virupakshapura in honour of the old Virupaksha (Shiva) temple there. The armies of the Delhi Sultanate , those of Alauddin Khalji and Muhammad bin Tughlaq, invaded and pillaged South India. The Hoysala Empire and its capital Dvarasamudra in southern Karnataka

6080-483: Was later brought back to life after the marriage of Shiva and Parvati. According to Sthala Purana , Parvati (Pampa) pursued her ascetic, yogini lifestyle on Hemakuta Hill, now a part of Hampi, to win and bring ascetic Shiva back into householder life. Shiva is also called Pampapati (meaning "husband of Pampa"). The river near the Hemakuta Hill came to be known as Pampa river. The Sanskrit word Pampa morphed into

6160-541: Was multi-religious and multi-ethnic; it included Hindu and Jain monuments next to each other. The buildings predominantly followed South Indian Hindu arts and architecture dating to the Aihole - Pattadakal styles, but the Hampi builders also used elements of Indian architecture in the Lotus Mahal, the public bath and the elephant stables. According to historical memoirs left by Portuguese and Persian traders to Hampi,

6240-564: Was plundered and destroyed in the early 14th century by the armies of Alauddin Khalji , and again in 1326 CE by the army of Muhammad bin Tughlaq . The Kampili kingdom in north-central Karnataka followed the collapse of Hoysala Empire. It was a short-lived Hindu kingdom with its capital about 33 kilometres (21 mi) from Hampi. The Kampili kingdom ended after an invasion by the Muslim armies of Muhammad bin Tughlaq. The Hindu women of Kampili committed jauhar (ritual mass suicide) when

6320-461: Was the world's second-largest city, after Beijing , and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by Sultanate armies in 1565, after which Hampi remained in ruins. Located in Karnataka near the small modern town of Hampi with

6400-530: Was used for public celebrations of music and dancing. It is classified as Karakkoil, a temple fashioned after temple chariots which are taken in procession around the temple during festivals. The mandapa links to an enclosed pradakshina patha for walking around the sanctum. Around this axial mandapa are (clockwise from east); the Garuda shrine, the Kalyana mandapa (wedding ceremonies), the 100-columned mandapa,

#716283