Kama ( Sanskrit : कामदेव , IAST : Kāmadeva ), also known as Kamadeva and Manmatha , is the Hindu god of erotic love, desire, pleasure and beauty. He is depicted as a handsome young man decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. He often portrayed alongside his consort and female counterpart, Rati .
122-474: The Atharva Veda regards Kamadeva as the wielder of the creative power of the universe, also describing him to have been "born at first, him neither the gods nor the fathers ever equaled". Mentioned as a manasaputra (mind-born son) of the creator god Brahma in the Puranas , Kamadeva's most popular myth is his incineration by Shiva 's third eye while the latter was meditating, and later embodied on earth as
244-544: A Rigvedic deity with fearsome powers, was the god of the roaring storm . He is usually portrayed in accordance with the element he represents as a fierce, destructive deity. In RV 2.33, he is described as the "Father of the Rudras ", a group of storm gods. Flood notes that Rudra is an ambiguous god, peripheral in the Vedic pantheon, possibly indicating non-Vedic origins. Nevertheless, both Rudra and Shiva are akin to Wodan ,
366-604: A German Indologist and professor of philosophy, describes the self-realized man as who "feels himself only as the one divine essence that lives in all", who feels identity of his and everyone's consciousness with Shiva (highest Atman), who has found this highest Atman within, in the depths of his heart. Rudra's evolution from a minor Vedic deity to a supreme being is first evidenced in the Shvetashvatara Upanishad (400–200 BCE), according to Gavin Flood, presenting
488-581: A collection of palm leaf manuscripts in Odisha in 1957. The Atharvaveda is sometimes called the "Veda of magical formulas ", a description considered incorrect by other scholars. In contrast to the 'hieratic religion' of the other three Vedas, the Atharvaveda is said to represent a 'popular religion', incorporating not only formulas for magic , but also the daily rituals for initiation into learning ( upanayana ), marriage and funerals. Royal rituals and
610-448: A couple of his specialties of this figure does not match with Rudra. Writing in 1997, Srinivasan interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. The interpretation of the seal continues to be disputed. McEvilley , for example, states that it is not possible to "account for this posture outside the yogic account". Asko Parpola states that other archaeological finds such as
732-645: A fusing of the two deities. Agni is said to be a bull, and Shiva possesses a bull as his vehicle, Nandi . The horns of Agni , who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature. According to Wendy Doniger , the Saivite fertility myths and some of the phallic characteristics of Shiva are inherited from Indra . Doniger gives several reasons for her hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare,
854-437: A historical collection of beliefs and rituals addressing practical issues of daily life of the Vedic society, and it is not a liturgical Yajurveda-style collection. The Caraṇavyuha , a later era Sanskrit text, states that the Atharvaveda had nine shakhas , or schools: paippalāda , stauda , mauda , śaunakīya , jājala , jalada , brahmavada , devadarśa and cāraṇavaidyā . Of these, only
976-419: A historical relationship. Both the epics and the Puranas attest to the goddess Rati as the consort and chief assistant of Kamadeva. She is his female counterpart representing sensual pleasure. According to Kalika Purana and Shiva Purana , she emerged from a sweat drop of prajapati Daksha who was assigned by Brahma to present Kamadeva as a wife. The Shiva Purana also mentions that Kama himself
1098-455: A household. Some hymns were not about magic spells and charms, but prayer qua prayer and philosophical speculations. The contents of the Atharvaveda contrasts with the other Vedas. The 19th century Indologist Weber summarized the contrast as follows, The spirit of the two collections [Rigveda, Atharvaveda] is indeed widely different. In the Rigveda there breathes a lively natural feeling,
1220-434: A householder with his wife Parvati and his two children, Ganesha and Kartikeya . In his fierce aspects, he is often depicted slaying demons. Shiva is also known as Adiyogi (the first Yogi ), regarded as the patron god of yoga , meditation and the arts. The iconographical attributes of Shiva are the serpent king Vasuki around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair,
1342-424: A husband! As this comfortable cave, O Indra!, furnishing a safe abode hath become pleasing to all life, thus may this woman be a favourite of fortune, beloved, not at odds with her husband! Do thou ascend the full, inexhaustible ship of fortune; upon this bring, hither the suitor who shall be agreeable to thee! Bring hither by thy shouts, O lord of wealth, the suitor, bend his mind towards her; turn thou
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#17327753653451464-468: A loved one or recovery from some illness. In these cases, the affected would be given substances such as a plant (leaf, seed, root) and an amulet . Some magic spells were for soldiers going to war with the goal of defeating the enemy, others for anxious lovers seeking to remove rivals or to attract the lover who is less than interested, some for success at a sporting event, in economic activity, for bounty of cattle and crops, or removal of petty pest bothering
1586-475: A manner similar to Shiva Nataraja. The similarities in the dance iconography suggests that there may be a link between ancient Indra and Shiva. A few texts such as Atharvashiras Upanishad mention Rudra , and assert all gods are Rudra, everyone and everything is Rudra, and Rudra is the principle found in all things, their highest goal, the innermost essence of all reality that is visible or invisible. The Kaivalya Upanishad similarly, states Paul Deussen –
1708-632: A new phase in the existence of desire—it becomes an unseen force, influencing the world in ways that are not immediately visible. While the Matsya Purana provides a foundational version of the story, other texts like the Shiva Purana and the Vamana Purana offer different emphases and additional layers to the myth. In the Shiva Purana , Kamadeva is depicted as more arrogant and powerful, yet his encounter with Shiva further underscores
1830-647: A part of ritual. In contrast, the esoteric tradition within Kashmir Shaivism has featured the Krama and Trika sub-traditions. The Krama sub-tradition focussed on esoteric rituals around Shiva-Kali pair. The Trika sub-tradition developed a theology of triads involving Shiva, combined it with an ascetic lifestyle focusing on personal Shiva in the pursuit of monistic self-liberation. The Vaishnava (Vishnu-oriented) literature acknowledges and discusses Shiva. Like Shaiva literature that presents Shiva as supreme,
1952-501: A particular emotion or aspect of desire. Accompanied by his wife Rati (goddess of pleasure) and the spirit of Spring (Madhu or Vasanta), Kamadeva approaches Shiva, who is deep in meditation. Kamadeva's approach to breaking Shiva’s concentration is a calculated multi-stage process. He first begins by targeting Shiva’s mind, slowly destabilizing his thoughts. As the god of desire, Kamadeva introduces feelings of envy, hatred, and anger into Shiva’s mind—emotions that are traditionally considered
2074-505: A proto-Shiva would "go too far". The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion , and the pre-Islamic Indo-Iranian religion. The similarities between the iconography and theologies of Shiva with Greek and European deities have led to proposals for an Indo-European link for Shiva, or lateral exchanges with ancient central Asian cultures. His contrasting aspects such as being terrifying or blissful depending on
2196-894: A secluded place, covering 500 meters. Some other temples dedicated or related to this deva : Letitia Elizabeth Landon 's descriptive poem Manmadin, the Indian Cupid, floating down the Ganges appeared in The Literary Gazette , 1822 ( Fragment in Rhyme VII. ) Atharvaveda Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Atharvaveda or Atharva Veda ( Sanskrit : अथर्ववेद , IAST : Atharvaveda , from अथर्वन् , "priest" and वेद , "knowledge") or Atharvana Veda ( Sanskrit : अथर्वणवेद , IAST : Atharvaṇaveda )
2318-456: A similar nature, likely of new compositions and was added later. The 143 hymns of the 20th book of Atharvaveda Samhita is almost entirely borrowed from the Rigveda. The hymns of Atharvaveda cover a motley of topics, across its twenty books. Roughly, the first seven books focus primarily on magical poems for all sorts of healing and sorcery, and Michael Witzel states these are reminiscent of Germanic and Hittite sorcery stanzas, and may likely be
2440-773: A single major deity. Shiva is a pan-Hindu deity, revered widely by Hindus in India , Nepal , Bangladesh , Sri Lanka and Indonesia (especially in Java and Bali ). Saiddhantika Non - Saiddhantika According to the Monier-Williams Sanskrit dictionary, the word " śiva " ( Devanagari : शिव , also transliterated as shiva ) means "auspicious, propitious, gracious, benign, kind, benevolent, friendly". The root words of śiva in folk etymology are śī which means "in whom all things lie, pervasiveness" and va which means "embodiment of grace". The word Shiva
2562-421: A son of Shiva can kill him, a seemingly impossible task given Shiva's intense ascetic lifestyle after the death of his wife Sati . The gods, led by Indra , summon Kamadeva, the god of desire, to make Shiva fall in love with Parvati , the reincarnation of Sati and the daughter of the mountain god Himavat . It occurs in its most developed and earliest form in the Matsya Purana (verses 227–255). In this variant,
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#17327753653452684-486: A subtler, controlled form; the Shiva Purana thus reinforces the idea that desire is an inherent part of the universe, but under the control of disciplined spiritual practice. The Vamana Purana presents a version in which Shiva is more vulnerable to Kamadeva’s arrows. Here, Shiva is grieving for his first wife, Sati , and is emotionally vulnerable when Kamadeva strikes. Overwhelmed by desire and grief, Shiva flees into
2806-546: A warm love for nature; while in the Atharva there prevails, on the contrary, only an anxious dread of her evil spirits and their magical powers. In the Rigveda we find the people in a state of free activity and independence; in the Atharva we see it bound in the fetters of the hierarchy and superstition. Jan Gonda cautions that it would be incorrect to label Atharvaveda Samhita as mere compilation of magical formulas, witchcraft and sorcery. While such verses are indeed present in
2928-518: Is a Hindu festival, celebrated in the Indian subcontinent. It is sometimes called Madana-Mahotsava or Kama-Mahotsava. This festival is mentioned by Jaimini , in his early writings such as Purvamimamsa-sutra , dated c. 400 BC. The Ashoka tree is often planted near temples. The tree is said to be a symbol of love and is dedicated to Kamadeva. In the Gaudiya Vaishnava tradition, Krishna
3050-592: Is a patron deity of farming and herding castes . The foremost center of worship of Khandoba in Maharashtra is in Jejuri . Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya . Myths about Shiva that were "roughly contemporary with early Christianity " existed that portrayed Shiva with many differences than how he
3172-543: Is better known from the stories of the Puranas . Kamadeva is also mentioned in the 12th-century Javanese poem Smaradahana , a rendering of the myth of Kamadeva's burning by Shiva and fall from heaven to earth. Kama and his consort Rati are referenced as Kamajaya and Kamarati in Kakawin poetry and later Wayang narratives. The story of the birth of Kamadeva has several variants in different Hindu scriptures. In
3294-453: Is cognate to Avestan āθrauuan "priest" and possibly related to Tocharian *athr , "superior force". The Atharvaveda is also occasionally referred to as Bhrgvangirasah and Brahmaveda , after Bhrigu and Brahma , respectively. The Atharvaveda is dated by Flood at ca. 900 BCE, while Michael Witzel gives a dating at, or slightly after, c. 1200/1000 BCE. The ancient Indian tradition initially recognized only three Vedas. The Rigveda,
3416-406: Is earth and sky held? is there space beyond the sky? what are seasons and where do they go? does Skambha (literally "cosmic pillar", synonym for Brahman ) penetrate everything or just somethings? does Skambha know the future? is Skambha the basis of Law, Devotion and Belief? who or what is Skambha ?" The wonderful structure of Man (...) How many gods and which were they, who gathered
3538-853: Is everything and everywhere. Shiva is the primal Self, the pure consciousness and Absolute Reality in the Shaiva traditions. Shiva is also Part of 'Om' (ॐ) as a 'U' (उ). The Shaivism theology is broadly grouped into two: the popular theology influenced by Shiva-Rudra in the Vedas, Epics and the Puranas; and the esoteric theology influenced by the Shiva and Shakti-related Tantra texts. The Vedic-Brahmanic Shiva theology includes both monist ( Advaita ) and devotional traditions ( Dvaita ), such as Tamil Shaiva Siddhanta and Lingayatism . Shiva temples feature items such as linga, Shiva-Parvati iconography, bull Nandi within
3660-596: Is housed in the Mathura Museum, UP, India . Some of the attributes of Kamadeva are: his companions are a cuckoo , a parrot , humming bees , the season of spring , and the gentle breeze. All these are symbols of the spring season when his festival is celebrated as Holi , Holika, or Vasanta. Images and stories about the Hindu god Kamadeva are traced to the verses of the Rig Veda and Atharva Veda , although he
3782-573: Is identified as the original Kamadeva in Vrindavana . Kamadeva also incarnates as Krishna's son Shamba after being burned down by Shiva . Since he was begotten by Krishna himself, his qualities were similar to those of Krishna, such as his colour, appearance, and attributes. This Shamba is not considered identical to Vishnu 's vyuha -manifestation called Shamba, but is an individual soul ( jiva -tattva ) who, owing to his celestial powers, becomes an emanation of Vishnu 's prowess. The Kamadeva that
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3904-412: Is kind and tranquil (Shiva). The term Shiva also appears simply as an epithet, that means "kind, auspicious", one of the adjectives used to describe many different Vedic deities. While fierce ruthless natural phenomenon and storm-related Rudra is feared in the hymns of the Rigveda, the beneficial rains he brings are welcomed as Shiva aspect of him. This healing, nurturing, life-enabling aspect emerges in
4026-910: Is knowledge that frees people. The second Mundakam describes the nature of the Brahman , the Atman (Self, Soul), and the path to know Brahman. The third Mundakam continues the discussion and then asserts that the state of knowing Brahman is one of freedom, fearlessness, liberation and bliss. The Mundaka Upanishad is one of text that discuss the pantheism theory in Hindu scriptures. The text, like other Upanishads, also discusses ethics. Shiva Shiva ( / ˈ ʃ ɪ v ə / ; Sanskrit : शिव , lit. 'The Auspicious One', IAST : Śiva [ɕɪʋɐ] ), also known as Mahadeva ( / m ə ˈ h ɑː ˈ d eɪ v ə / ; Sanskrit : महादेव: , lit. 'The Great God', IAST : Mahādevaḥ , [mɐɦaːd̪eːʋɐh ) or Hara ,
4148-535: Is known today is an amalgamation of various older deities into a single figure, due to the process of Sanskritization and the emergence of the Hindu synthesis in post-Vedic times. How the persona of Shiva converged as a composite deity is not well documented, a challenge to trace and has attracted much speculation. According to Vijay Nath: Vishnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent
4270-476: Is not affected by three Guṇas of Prakṛti (Sattva, Rajas, and Tamas)". Shiva is known by many names such as Viswanatha (lord of the universe), Mahadeva, Mahandeo, Mahasu, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra (chief of the gods), Neelakanta, Subhankara, Trilokinatha (lord of the three realms), and Ghrneshwar (lord of compassion). The highest reverence for Shiva in Shaivism
4392-453: Is not clear from the seal that the figure has three faces, is seated in a yoga posture, or even that the shape is intended to represent a human figure. He characterizes these views as "speculative", but adds that it is nevertheless possible that there are echoes of Shaiva iconographic themes, such as half-moon shapes resembling the horns of a bull . John Keay writes that "he may indeed be an early manifestation of Lord Shiva as Pashu-pati", but
4514-466: Is one of oldest surviving record of the evolutionary practices in religious medicine and reveals the "earliest forms of folk healing of Indo-European antiquity". ' The Atharvaveda Samhita contains hymns many of which were charms, magic spells and incantations meant to be pronounced by the person who seeks some benefit, or more often by a sorcerer who would say it on his or her behalf. The most frequent goal of these hymns, charms, and spells were long life of
4636-756: Is one of the principal deities of Hinduism . He is the Supreme Being in Shaivism , one of the major traditions within Hinduism. Shiva is known as The Destroyer within the Trimurti , the Hindu trinity which also includes Brahma and Vishnu . In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition,
4758-537: Is one of the four major sects of Hinduism , the others being Vaishnavism , Shaktism and the Smarta Tradition . Followers of Shaivism, called "Shaivas", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. He is not only the creator in Shaivism, but he is also the creation that results from him, he
4880-517: Is referenced as smara in Bhāgavata Purāṇa (book 10) in the context of the supramundane love between Krishna and the gopis (cowherd maidens), he is not the Deva who incites lusty feelings. The word smara rather refers to Krishna himself, who through the medium of his flute increases his influence on the devoted gopis . The symptoms of this smarodayam (lit. "arousal of desire") experienced by
5002-417: Is referenced in the Matsya Purana and Bhagavata Purana to reveal a relationship between Krishna and Kamadeva. In the narrative, Kama is reincarnated in the womb of Krishna's wife Rukmini as Pradyumna , after being burned to ashes by Shiva . The deity of Kamadeva along with his consort Rati is included in the pantheon of Vedic-Brahmanical deities such as Shiva and Parvati . In Hindu traditions for
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5124-652: Is reflected in his epithets Mahādeva ("Great god"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord"). Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama , devotional hymns ( stotras ) listing many names of Shiva. The version appearing in Book 13 ( Anuśāsanaparvan ) of
5246-576: Is sometimes called the "Veda of magical formulas ", an epithet declared to be incorrect by many scholars. The Samhita layer of the text likely represents a developing 2nd millennium BCE tradition of magico-religious rites to address superstitious anxiety, spells to remove maladies believed to be caused by demons, and herbs- and nature-derived potions as medicine. Many books of the Atharvaveda Samhita are dedicated to rituals without magic and to theosophy. The text, states Kenneth Zysk ,
5368-535: Is the "creator, reproducer and dissolver". Sharma presents another etymology with the Sanskrit root śarv - , which means "to injure" or "to kill", interpreting the name to connote "one who can kill the forces of darkness". The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It
5490-401: Is the "knowledge storehouse of atharvāṇas , the procedures for everyday life". The text is the fourth Veda , and is a late addition to the Vedic scriptures of Hinduism . The language of the Atharvaveda is different from Rigvedic Sanskrit, preserving pre-Vedic Indo-European archaisms . It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books. About a sixth of
5612-406: Is thought of now, and these mythical portrayals of Shiva were incorporated into later versions of him. For instance, he and the other gods , from the highest gods to the least powerful gods, were thought of as somewhat human in nature, creating emotions they had limited control over and having the ability to get in touch with their inner natures through asceticism like humans. In that era, Shiva
5734-544: Is used as an adjective in the Rig Veda ( c. 1700–1100 BCE ), as an epithet for several Rigvedic deities , including Rudra . The term Shiva also connotes "liberation, final emancipation" and "the auspicious one"; this adjectival usage is addressed to many deities in Vedic literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics and the Puranas, as an auspicious deity who
5856-683: Is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning "red", noting that Shiva is linked to the Sun ( śivan , "the Red one", in Tamil) and that Rudra is also called Babhru (brown, or red) in the Rigveda. The Vishnu sahasranama interprets Shiva to have multiple meanings: "The Pure One", and "the One who
5978-532: Is without equality in the universe, and her power constantly defeats the god of love, Kamadeva. While it is believed that there are no temples to Kamadeva, and no murtis (statues) of Kamadeva are sold for worship on the market, yet there is an ancient temple of Madan Kamdev in Baihata Chariali, Kamrup district in Assam . Madan is the brother of Kamadeva. The ruins of Madan Kamdev are scattered widely in
6100-500: The Sāmaveda . There is no absolute dating of any Vedic text including the Atharvaveda. The dating for Atharvaveda is derived from the new metals and items mentioned therein; it, for example, mentions iron (as krsna ayas , literally "black metal"), and such mentions have led Michael Witzel to the estimate that the Atharvaveda hymns were compiled in the early Indian Iron Age , at, or slightly after, c. 1200/1000 BCE. corresponding to
6222-728: The Mahabharata provides one such list. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa . The Shri Rudram Chamakam , also known as the Śatarudriya , is a devotional hymn to Shiva hailing him by many names. The Shiva-related tradition is a major part of Hinduism, found all over the Indian subcontinent , such as India, Nepal , Sri Lanka , and Southeast Asia , such as Bali, Indonesia . Shiva has pre-Vedic tribal roots, having "his origins in primitive tribes, signs and symbols." The figure of Shiva as he
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#17327753653456344-547: The Nirukta , an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch: The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination. In the Śatarudrīya , some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest
6466-711: The Shiva Purana , the Kalika Purana , the Brahma Vaivarta Purana , and the Matsya Purana , Kama is one of the mind-born sons of the creator god Brahma . In the most common narrative, after Brahma creates all the prajapatis (agents of creation) and a maiden named Sandhya, an extremely handsome and youthful man emerges from his mind and enquires Brahma about the purpose of his birth. Brahma names him Kama and orders him to spread love in
6588-598: The Taittiriya Brahmana and the epic Mahabharata , he is mentioned as a son of Dharma , the god of righteousness, and a prajapati (agent of creation). His mother is mentioned to be Dharma's wife Shraddha in Taittiriya Brahmana , while the appendix of the Mahabharata , Harivamsa , states his mother to be Lakshmi, another wife of Dharma. According to Puranic scriptures including
6710-602: The Vishnu Purana mentions that they only have one son – Harsha. Besides Rati, Kama's main assistant is Vasanta, the god of spring season, who was created by Brahma. Kama is served by a group of violent ganas known as the Maras. Kama also leads the celestial nymphs, the apsaras , and they are often sent by Indra —the king of heaven—to disturb the penance of sages to prevent them from achieving divine powers. The most famous episode of Kama's mythology—his incineration by
6832-503: The Bactria–Margiana Culture . According to Anthony, Many of the qualities of Indo-Iranian god of might/victory, Verethraghna , were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda . He was associated more than any other deity with Soma , a stimulant drug (perhaps derived from Ephedra ) probably borrowed from
6954-464: The Linga Purana , present the various aspects of Shiva, mythologies, cosmology and pilgrimage ( Tirtha ) associated with him. The Shiva-related Tantra literature, composed between the 8th and 11th centuries, are regarded in devotional dualistic Shaivism as Sruti . Dualistic Shaiva Agamas which consider Self within each living being and Shiva as two separate realities (dualism, dvaita ), are
7076-686: The Mundaka Upanishad , the Mandukya Upanishad and the Prashna Upanishad . The Veda may be named, states Monier Williams , after the mythical priest named Atharvan who was first to develop prayers to fire, offer Soma, and who composed "formulas and spells intended to counteract diseases and calamities". The name Atharvaveda, states Laurie Patton, is for the text being "Veda of the Atharvāṇas". The oldest name of
7198-821: The Vishnu Purana and the Bhagavata Purana (SB 5.18.15). It is also a name of the deities Krishna and Shiva . Kama is also a name used for Agni ( Atharva Veda 6.36.3). Other names prominently used about Kamadeva are: Kāmadeva is represented as a young, handsome man who wields a bow and arrows. His bow is made of sugarcane , and his arrows are decorated with five kinds of fragrant flowers. The five flowers are white lotus, Ashoka tree flowers, Mango tree flowers, Jasmine flowers, and blue lotus flowers. The names of these flowers in Sanskrit in order are Aravinda, Ashoka, Choota, Navamallika, and Neelotpala. A terracotta murti of Kamadeva of great antiquity
7320-407: The gopis have been described in a commentary (by Vishvanatha Cakravarti ) as follows: "First comes attraction expressed through the eyes, then intense attachment in the mind, then determination, loss of sleep, becoming emaciated, uninterested in external things, shamelessness, madness, becoming stunned, and death. These are the ten stages of Cupid’s effects." The beauty of Krishna's consort, Radha ,
7442-492: The third eye on his forehead (the eye that turns everything in front of it into ashes when opened), the trishula or trident as his weapon, and the damaru . He is usually worshiped in the aniconic form of lingam . Shiva has pre-Vedic roots, and the figure of Shiva evolved as an amalgamation of various older non-Vedic and Vedic deities, including the Rigvedic storm god Rudra who may also have non-Vedic origins, into
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#17327753653457564-522: The 1st millennium CE and through the 13th century, particularly in Kashmir and Tamil Shaiva traditions. Shaivism gained immense popularity in Tamilakam as early as the 7th century CE, with poets such as Appar and Sambandar composing rich poetry that is replete with present features associated with the deity, such as his tandava dance, the mulavam (dumru), the aspect of holding fire, and restraining
7686-494: The Atharvaveda are prayers and incantations wishing a child or loved one to get over some sickness and become healthy again, along with comforting the family members. The Vedic era assumption was that diseases are caused by evil spirits, external beings or demonic forces who enter the body of a victim to cause sickness. Hymn 5.21 of the Paippalāda edition of the text, for example, states, Heaven our father, and Earth our mother, Agni
7808-567: The Atharvaveda texts adapt verses from the Rigveda , and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the Paippalāda and the Śaunakīya – have survived into modern times. Reliable manuscripts of the Paippalada edition were believed to have been lost, but a well-preserved version was discovered among
7930-562: The BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers. The texts and artwork of Jainism show Indra as a dancer, although not identical generally resembling the dancing Shiva artwork found in Hinduism, particularly in their respective mudras. For example, in the Jain caves at Ellora , extensive carvings show dancing Indra next to the images of Tirthankaras in
8052-578: The Germanic God of rage ("wütte") and the wild hunt . According to Sadasivan, during the development of the Hindu synthesis attributes of the Buddha were transferred by Brahmins to Shiva, who was also linked with Rudra . The Rigveda has 3 out of 1,028 hymns dedicated to Rudra, and he finds occasional mention in other hymns of the same text. Hymn 10.92 of the Rigveda states that deity Rudra has two natures, one wild and cruel (Rudra), another that
8174-548: The Mundaka Upanishad is referred to as one of the Mantra Upanishads. The Mundaka Upanishad contains three Mundakams (parts), each with two sections. The first Mundakam, states Roer, defines the sciences of "Higher Knowledge" and "Lower Knowledge", and then asserts that the acts of oblations and pious gifts are foolish and do nothing to reduce unhappiness in the current life or the next - rather, it
8296-401: The Nandi bull, the Indian zebu , in particular, as the vehicle of Rudra and of Shiva, thereby unmistakably linking them as same. Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual transformation into Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in
8418-399: The Samhita layer, a significant portion of the Samhita text are hymns for domestic rituals without magic or spells, and some are theosophical speculations such as "all Vedic gods are One". Additionally, the non-Samhita layers of Atharvaveda text include a Brahmana and several influential Upanishads. The Atharvaveda includes mantras and verses for treating a variety of ailments. For example,
8540-402: The Shaunakiya recension, and the more recently discovered manuscripts of Paippalāda recension have survived. The Paippalāda edition is more ancient. The two recensions differ in how they are organized, as well as content. For example, the Book 10 of Paippalada recension is more detailed and observed carefully not doing a single mistake, more developed and more conspicuous in describing monism ,
8662-414: The Supreme Goddess ( Devi ) is regarded as the energy and creative power ( Shakti ) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Kailasa as well as
8784-615: The Vaishnava literature presents Vishnu as supreme. However, both traditions are pluralistic and revere both Shiva and Vishnu (along with Devi), their texts do not show exclusivism, and Vaishnava texts such as the Bhagavata Purana while praising Krishna as the Ultimate Reality, also present Shiva and Shakti as a personalized form an equivalent to the same Ultimate Reality. The texts of Shaivism tradition similarly praise Vishnu. The Skanda Purana, for example, states: Vishnu
8906-464: The Vedas as Rudra-Shiva, and in post-Vedic literature ultimately as Shiva who combines the destructive and constructive powers, the terrific and the gentle, as the ultimate recycler and rejuvenator of all existence. The Vedic texts do not mention bull or any animal as the transport vehicle ( vahana ) of Rudra or other deities. However, post-Vedic texts such as the Mahabharata and the Puranas state
9028-575: The antithesis of spiritual equilibrium. According to the text, Kamadeva strategically stirs Shiva’s senses: bees buzz around him, fragrant flowers bloom, and a gentle breeze flows—all aimed at disrupting Shiva's focus. After successfully infiltrating Shiva’s mind and senses, Kamadeva escalates his attack by drawing his famous floral arrows. The most potent of these is the Mohana arrow, symbolizing delusion and infatuation. He shoots this arrow directly at Shiva's heart, which momentarily stirs feelings of desire in
9150-565: The ascetic god Shiva ’s third eye—is often called the Madana-bhasma, also rendered the Kama dahana . This tale is recorded in various Indian texts, including the Matsya Purana , Padma Purana , Shiva Purana , and Vamana Purana . In all versions, Kamadeva is tasked with breaking Shiva's asceticism. Shiva’s potential to father a son who could defeat the demon Taraka is the gods’ only hope. Taraka’s boon of invincibility ensures that only
9272-433: The attention of every agreeable suitor towards her! The Atharvaveda Samhita, as with the other Vedas, includes some hymns such as 4.1, 5.6, 10.7, 13.4, 17.1, 19.53-54, with metaphysical questions on the nature of existence, man, heaven and hell, good and evil. Hymn 10.7 of Atharvaveda, for example, asks questions such as "what is the source of cosmic order? what and where is planted this notion of faith, holy duty, truth? how
9394-421: The balasa, cough, udraja, terrible are your missiles, O fever, avoid us with them. Several hymns in the Atharvaveda such as hymn 8.7, just like the Rigveda's hymn 10.97, is a praise of medicinal herbs and plants, suggesting that speculations about the medical and health value of plants and herbs was an emerging field of knowledge in ancient India. The Atharvavedic hymn states (abridged), The tawny colored, and
9516-506: The beginning of the Shaiva tradition focused on the worship of Shiva as evidenced in other literature of this period. Other scholars such as Robert Hume and Doris Srinivasan state that the Shvetashvatara Upanishad presents pluralism, pantheism , or henotheism , rather than being a text just on Shiva theism. Self-realization and Shaiva Upanishads He who sees himself in all beings, And all beings in him, attains
9638-407: The book with the shortest hymns as Book 1, and then in an increasing order (a few manuscripts do the opposite). Most of the hymns are poetic and set to different meters, but about a sixth of the book is prose. Most of the hymns of Atharvaveda are unique to it, except for the one sixth of its hymns that it borrows from the Rigveda , primarily from its 10th mandala. The 19th book was a supplement of
9760-526: The breast, the neck bones of man? how many disposed the two teats? who the two collar bones? how many gathered the shoulder bones? how many the ribs? Who brought together his two arms, saying, "he must perform heroism?" (...) Which was the god who produced his brain, his forehead, his hindhead? (...) Whence now in man come mishap, ruin, perdition, misery? accomplishment, success, non-failure? whence thought? What one god set sacrifice in man here? who set in him truth? who untruth? whence death? whence
9882-419: The concept of "oneness of Brahman , all life forms and the world". The Atharvaveda Samhita originally was organized into 18 books ( Kāṇḍas ), and the last two were added later. These books are arranged neither by subject nor by authors (as is the case with the other Vedas), but by the length of the hymns. Each book generally has hymns of about a similar number of verses, and the surviving manuscripts label
10004-548: The duties of the court priests are also included in the Atharvaveda. The Atharvaveda was likely compiled as a Veda contemporaneously with Samaveda and Yajurveda , or about 1200 BCE – 1000 BCE. Along with the Samhita layer of text, the Atharvaveda includes a Brahmana text, and a final layer of the text that covers philosophical speculations. The latter layer of Atharvaveda text includes three primary Upanishads, influential to various schools of Hindu philosophy . These include
10126-441: The earliest seeds of theistic devotion to Rudra-Shiva. Here Rudra-Shiva is identified as the creator of the cosmos and liberator of Selfs from the birth-rebirth cycle. The Svetasvatara Upanishad set the tone for early Shaivite thought, especially in chapter 3 verse 2 where Shiva is equated with Brahman: "Rudra is truly one; for the knowers of Brahman do not admit the existence of a second". The period of 200 BC to 100 AD also marks
10248-485: The early Kuru Kingdom . The priests who practised the Atharvaveda were considered to be the lowest tier of Brahmins , in comparison to the priests who practised the Rigveda, Samaveda, or Yajurveda [considered by whom?]. A stigma held by some against Atharvaveda priests is documented in Odisha well into the modern day. The Atharvaveda is a collection of 20 books, with a total of 730 hymns of about 6,000 stanzas. The text is, state Patrick Olivelle and other scholars,
10370-400: The early Elamite seals dated to 3000–2750 BCE show similar figures and these have been interpreted as "seated bull" and not a yogi, and the bovine interpretation is likely more accurate. Gregory L. Possehl in 2002, associated it with the water buffalo, and concluded that while it would be appropriate to recognize the figure as a deity, and its posture as one of ritual discipline, regarding it as
10492-469: The eldest son of Krishna and his chief consort Rukmini , Pradyumna . The name Kama-deva ( IAST : kāma-deva ) can be translated as 'god of love'. Deva means heavenly or divine and refers to a deity in Hinduism . Kama ( IAST : kāma ) means "desire" or "longing", especially as in sensual or sexual love. The name is used in the Rigveda ( RV 9 , 113. 11). Kamadeva is a name of Vishnu in
10614-537: The figures in a group dance can be interpreted in many different ways. Of several Indus valley seals that show animals, one seal that has attracted attention shows a large central figure, either horned or wearing a horned headdress and possibly ithyphallic , seated in a posture reminiscent of the Lotus position , surrounded by animals. This figure was named by early excavators of Mohenjo-daro as Pashupati (Lord of Animals, Sanskrit paśupati ), an epithet of
10736-509: The forest, seeking to escape Kamadeva’s influence. However, the very act of fleeing causes the wives of the forest sages to become infatuated with him, illustrating the uncontrollable nature of desire, even for the gods.. According to Garuda Purana , Pradyumna and Samba - the sons of Krishna , Sanat Kumara - the son of Brahma , Skanda - the son of Shiva , Sudarshana (the presiding deity of Sudarshana Chakra), and Bharata are all incarnations of Kama. The myth of Kamadeva's incineration
10858-475: The foundational texts for Shaiva Siddhanta . Other Shaiva Agamas teach that these are one reality (monism, advaita ), and that Shiva is the Self, the perfection and truth within each living being. In Shiva related sub-traditions, there are ten dualistic Agama texts, eighteen qualified monism-cum-dualism Agama texts and sixty-four monism Agama texts. Shiva-related literature developed extensively across India in
10980-401: The fourth Veda, and make references to only three Vedas. Olson states that the ultimate acceptance of Atharvaveda as the fourth Veda probably came in the 2nd half of the 1st millennium BCE. However, notes Max Muller , the hymns of Atharvaveda existed by the time Chandogya Upanishad was completed (~700 BCE), but were then referred to as "hymns of Atharvangirasah". Frits Staal states that
11102-671: The god for Parvati. However, Shiva quickly regains his composure and realizes that his ascetic control is being threatened. Enraged by the disturbance, Shiva opens his third eye, from which fire emerges and instantly reduces Kamadeva to ashes. After Kamadeva’s death, his wife Rati is devastated by grief and smears his ashes all over body. Her mourning becomes a significant element of the narrative, as she petitions Shiva to restore her husband. Shiva, moved by her devotion, promises that Kamadeva will return, but not in his previous form. Instead, Kamadeva will be reborn as Ananga—the bodiless one—making him invisible yet still present. This transformation marks
11224-422: The gods, desperate for a warrior to vanquish Taraka, send Kamadeva to disrupt Shiva's meditation. Kamadeva, aware of the danger, initially hesitates, fearing that Shiva’s wrath will result in his own destruction. Indra, however, reassures him, insisting that this mission is crucial to the survival of the world. Kamadeva prepares carefully for the task. He takes his sugarcane bow and floral arrows, each one symbolizing
11346-588: The heavenly spirit Around us rise no din of frequent slaughter, nor Indra's arrow fly, for day is present! The Atharvaveda includes Gopatha Brahmana text, that goes with Atharva Samhita . The Atharvaveda has three primary Upanishads embedded within it. The Mundaka Upanishad , embedded inside the Atharvaveda, is a poetic-style Upanishad with 64 verses, written in the form of mantras . However, these mantras are not used in rituals; rather they are used for teaching and meditation on spiritual knowledge. In ancient and medieval era Indian literature and commentaries,
11468-504: The highest Brahman , not by any other means. — Kaivalya Upanishad 10 Shaiva devotees and ascetics are mentioned in Patanjali 's Mahābhāṣya (2nd-century BCE) and in the Mahabharata . The earliest iconic artworks of Shiva may be from Gandhara and northwest parts of ancient India. There is some uncertainty as the artwork that has survived is damaged and they show some overlap with meditative Buddha-related artwork, but
11590-443: The immortal? The Atharvaveda, like other Vedic texts, states William Norman Brown , goes beyond the duality of heaven and hell, and speculates on the idea of Skambha or Brahman as the all pervasive monism. Good and evil, Sat and Asat (truth and untruth) are conceptualized differently in these hymns of Atharvaveda, and the Vedic thought, wherein these are not dualistic explanation of nature of creation, universe or man, rather
11712-423: The later Hindu deities Shiva and Rudra. Sir John Marshall and others suggested that this figure is a prototype of Shiva, with three faces, seated in a " yoga posture" with the knees out and feet joined. Semi-circular shapes on the head were interpreted as two horns. Scholars such as Gavin Flood , John Keay and Doris Meth Srinivasan have expressed doubts about this suggestion. Gavin Flood states that it
11834-476: The latter’s dominance over desire. Kamadeva’s arrows fail to fully penetrate Shiva’s concentration, demonstrating the supreme yogi’s ability to resist even the most potent forces of passion. However, as in the Matsya Purana , Kamadeva’s destruction leads not to the end of desire but to its transformation. Shiva absorbs Kamadeva into himself, making him one of his ganas (attendants). This act symbolizes Shiva's control over desire, yet acknowledges its persistence in
11956-597: The marriage ceremony itself, the bride's feet are often painted with pictures of Suka, the parrot vahana of Kamadeva. The religious rituals addressed to him offer a means of purification and re-entry into the community. Devotion to Kamadeva keeps desire within the framework of the religious tradition . Kamadeva appears in many stories and becomes the object of devotional rituals for those seeking health, and physical beauty, husbands, wives, and sons. In one story Kamadeva himself succumbs to desire, and must then worship his lover to be released from this passion and its curse. Holi
12078-546: The men-watcher, let them send the ten days’ fever far away from us. O fever, these snowy mountains with Soma on their back have made the wind, the messenger, the healer for us, Disappear from here to the Maratas. Neither the women desire you, nor the men whosoever, Neither a small one, nor a grown-up weeps here from desire of fever. Do not harm our grown-up men, do not harm our grown-up women, Do not harm our boys, do not harm our girls. You who simultaneously discharge
12200-483: The multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara." An example of assimilation took place in Maharashtra , where a regional deity named Khandoba
12322-539: The myth is found in the Skanda Purana , according to which, Brahma creates Kama from his mind to ignite passion in the prajapatis (agents of creation) after they refused to procreate. In some traditions, Kama is considered a son of the goddess of wealth Lakshmi , and the preserver god Vishnu due to his birth as Pradyumna to Rukmini and Krishna , the incarnations of Lakshmi and Vishnu respectively. According to Matsya Purana , Visnu-Krishna and Kamadeva have
12444-668: The oldest section. Books 8 to 12 are speculations of a variety of topics, while Books 13 to 18 tend to be about life cycle rites of passage rituals. The Srautasutra texts Vaitāna Sūtra and the Kauśika Sūtra are attached to the Atharvaveda Shaunaka edition, as are a supplement of Atharvan Prayascitthas , two Pratishakhyas , and a collection of Parisisthas . For the Paippalada edition of Atharvaveda, corresponding texts were Agastya and Paithinasi Sutras but these are lost or yet to be discovered. The Atharvaveda
12566-497: The pale, the variegated and the red, the dusky tinted, and the black – all Plants we summon hitherward. I speak to Healing Herbs spreading, and bushy, to creepers, and to those whose sheath is single, I call for thee the fibrous, and the reed like, and branching plants, dear to Vishwa Devas, powerful, giving life to men. The conquering strength, the power and might, which ye, victorious plants possess, Therewith deliver this man here from this consumption, O ye Plants: so I prepare
12688-408: The positive auspicious side came to be celebrated and the name Atharva Veda became widespread. The latter name Angiras which is linked to Agni and priests in the Vedas, states George Brown, may also be related to Indo-European Angirôs found in an Aramaic text from Nippur. Michael Witzel states the etymology of Atharvan is Proto Indo-Iranian *atharwan "[ancient] priest, sorcerer", and it
12810-506: The premises, and relief artwork showing aspects of Shiva. The Tantric Shiva ( "शिव ") tradition ignored the mythologies and Puranas related to Shiva, and depending on the sub-school developed a variety of practices. For example, historical records suggest the tantric Kapalikas (literally, the 'skull-men') co-existed with and shared many Vajrayana Buddhist rituals, engaged in esoteric practices that revered Shiva and Shakti wearing skulls, begged with empty skulls, and sometimes used meat as
12932-511: The presence of Shiva's trident and phallic symbolism in this art suggests it was likely Shiva. Numismatics research suggests that numerous coins of the ancient Kushan Empire (30–375 CE) that have survived, were images of a god who is probably Shiva. The Shiva in Kushan coins is referred to as Oesho of unclear etymology and origins, but the simultaneous presence of Indra and Shiva in the Kushan era artwork suggest that they were revered deities by
13054-733: The proud flow of the Ganga upon his braid. The monist Shiva literature posit absolute oneness, that is Shiva is within every man and woman, Shiva is within every living being, Shiva is present everywhere in the world including all non-living being, and there is no spiritual difference between life, matter, man and Shiva. The various dualistic and monist Shiva-related ideas were welcomed in medieval southeast Asia, inspiring numerous Shiva-related temples, artwork and texts in Indonesia, Myanmar, Cambodia, Laos, Vietnam, Thailand and Malaysia, with syncretic integration of local pre-existing theologies. Shaivism
13176-500: The remedy. The contents of the Atharvaveda have been studied to glean information about the social and cultural mores in the Vedic era of India. A number of verses relate to spells for gaining a husband, or a wife, or the love of a woman, or to prevent any rivals from winning over one's "love interest". May O Agni!, a suitor after our own heart come to us, may he come to this maiden with fortune! May she be agreeable to suitors, charming at festivals, promptly obtain happiness through
13298-595: The situation, are similar to those of the Greek god Dionysus , as are their iconic associations with bull, snakes, anger, bravery, dancing and carefree life. The ancient Greek texts of the time of Alexander the Great call Shiva "Indian Dionysus", or alternatively call Dionysus "god of the Orient" . Similarly, the use of phallic symbol as an icon for Shiva is also found for Irish, Nordic, Greek (Dionysus ) and Roman deities, as
13420-481: The start of the Kushan Empire. The Shaiva Upanishads are a group of 14 minor Upanishads of Hinduism variously dated from the last centuries of the 1st millennium BCE through the 17th century. These extol Shiva as the metaphysical unchanging reality Brahman and the Atman (Self), and include sections about rites and symbolisms related to Shiva. The Shaiva Puranas , particularly the Shiva Purana and
13542-624: The text may be a compilation of poetry and knowledge that developed in two different regions of ancient India, the Kuru region in northern India and the Pancalas region of eastern India. The former was home to Paippalāda, whose name was derived from the sacred fig tree named Pippala (Sanskrit: पिप्पल). This school's compositions were in the Rigvedic style. The Pancalas region contributions came from composer-priests Angirasas and Bhargavas, whose style
13664-462: The text transcends these and the duality therein. Order is established out of chaos, truth is established out of untruth, by a process and universal principles that transcend good and evil. Some hymns are prayer qua prayer, desiring harmony and peace. For example, Give us agreement with our own; with strangers give us unity Do ye, O Asvins, in this place join us in sympathy and love. May we agree in mind, agree in purpose; let us not fight against
13786-439: The text, according to its own verse 10.7.20, was Atharvangirasah , a compound of " Atharvan " and " Angiras ", both Vedic scholars. Each scholar called the text after itself, such as Saunakiya Samhita , meaning the "compiled text of Saunakiya". The "Atharvan" and "Angiras" names, states Maurice Bloomfield, imply different things, with the former considered auspicious while the latter implying hostile sorcery practices. Over time,
13908-680: The transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3. ) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts , but he is never associated with their warlike exploits as is Indra. Indra himself may have been adopted by the Vedic Aryans from
14030-488: The verse 3.12.9.1 of Taittiriya Brahmana, the verse 5.32-33 of Aitareya Brahmana and other Vedic era texts mention only three Vedas. The acceptance of the Atharvanas hymns and traditional folk practices was slow, and it was accepted as another Veda much later than the first three, by both orthodox and heterodox traditions of Indian philosophies. The early Buddhist Nikaya texts, for example, do not recognize Atharvaveda as
14152-538: The verses in hymn 4.15 of the recently discovered Paippalada version of the Atharvaveda, discuss how to deal with an open fracture, and how to wrap the wound with Rohini plant ( Ficus infectoria , native to India): Let marrow be put together with marrow, and joint together with joint, together what of the flesh fallen apart, together sinew and together your bone. Let marrow come together with marrow, let bone grow over together with bone. We put together your sinew with sinew, let skin grow with skin. Numerous hymns of
14274-492: The world by shooting his flower arrows. Kama decides to first use his arrows against Brahma and shoots him with his floral arrows. He becomes attracted to Sandhya and desires for her. The prajapati Dharma becomes worried by this and calls the god Shiva , who watches them and laughs at both Brahma and Kama. Brahma regains consciousness and curses Kama to be burnt to ashes by Shiva in the future. However, on Kama's pleading, Brahma assures him that he will be reborn. A later version of
14396-470: Was incinerated is believed to be a celestial demigod capable of inducing love and lusty desires. He is distinguished from the spiritual Kamadeva. Here Krishna is the source of Kamadeva's inciting power, the ever-fresh transcendental god of love of Vrindavana , the origin of all forms of Kamadeva, yet above mundane love, who is worshiped with the Kama-Gayatri and Kama-Bija mantras . When Kamadeva
14518-475: Was pierced by his love arrows when he saw Rati. The Brahmavaivarta Purana gives Rati another origin, according to which Sandhya died after Brahma desired her but was revived as Rati by Vishnu who presented her to Kama. Priti ("affection") is mentioned as Kamadeva's second spouse in the Skanda Purana , while in other texts, 'Priti' is just an epithet of Rati. In most scriptures, Kama and Rati have two children, Harsha ("Joy") and Yashas ("Grace"). However,
14640-424: Was the idea of this aniconic column linking heaven and earth among early Indo-Aryans, states Roger Woodward. Others contest such proposals, and suggest Shiva to have emerged from indigenous pre-Aryan tribal origins. Shiva as we know him today shares many features with the Vedic god Rudra , and both Shiva and Rudra are viewed as the same personality in Hindu scriptures . The two names are used synonymously. Rudra,
14762-535: Was unlike the metric Rigvedic composition, and their content included forms of medical sorcery. The Atharvaveda editions now known are a combination of their compositions. The core text of the Atharvaveda falls within the classical Mantra period of Vedic Sanskrit , during the 2nd millennium BC - younger than the Rigveda , and roughly contemporary with the Yajurveda mantras, the Rigvedic Khilani , and
14884-582: Was widely viewed as both the god of lust and of asceticism. In one story, he was seduced by a prostitute sent by the other gods, who were jealous of Shiva's ascetic lifestyle he had lived for 1000 years. Prehistoric rock paintings dating to the Mesolithic from Bhimbetka rock shelters have been interpreted by some authors as depictions of Shiva. However, Howard Morphy states that these prehistoric rock paintings of India, when seen in their context, are likely those of hunting party with animals, and that
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