124-395: The Nightingale (Russian: Соловей , romanized: Solovey ) is a short opera in three acts by Igor Stravinsky to a Russian-language libretto by him and Stepan Mitusov, based on a tale by Hans Christian Andersen : a nasty Chinese Emperor is reduced to tears and made kind by a small grey bird. It was completed on 28 March 1914 and premiered a few weeks later, on 26 May, by
248-551: A harmonic structure that Stravinsky called "leit-harmony", a portmanteau of leitmotif and harmony used by Rimsky-Korsakov in his opera The Golden Cockerel . The "leit-harmony" was used to juxtapose the protagonist, the Firebird , and the antagonist, Koschei the Deathless : the former was associated with whole-tone phrases and the latter with octatonic harmony. Stravinsky later wrote how he composed The Firebird in
372-634: A naturalized French citizen, protecting all his future works under copyright in France and the United States. His family subsequently moved to an apartment on the Rue du Faubourg Saint-Honoré in Paris, where he began writing a two-volume autobiography with the help of Walter Nouvel , published in 1935 and 1936 as Chroniques de ma vie . After the short run of Perséphone , Stravinsky embarked on
496-489: A contract with British publishing house Boosey & Hawkes , who agreed to publish all his future works. Additionally, he revised many of his older works and had Boosey & Hawkes publish the new editions to re-copyright his older works. Around the 1948 premiere of another Balanchine collaboration, the ballet Orpheus , the composer met the young conductor Robert Craft in New York; Craft had asked Stravinsky to explain
620-662: A contract with the player piano company Pleyel to create piano roll arrangements of his music. He received a studio at their factory on the Rue Rochechouart, where he reorchestrated Les noces for a small ensemble including player piano. The composer transcribed many of his major works for the mechanical pianos, and the Pleyel premises remained his Paris base until 1933, even after the player piano had been largely supplanted by electrical gramophone recording. Stravinsky signed another contract in 1924, this time with
744-578: A flurry of critical attacks, leading the writer H. G. Wells to publish an open letter in support of the work. During this period, Stravinsky expanded his involvement in conducting and piano performance. He conducted the premiere of his Octet in 1923 and served as the soloist for the premiere of his Piano Concerto in 1924. Following its debut, he embarked on a tour, performing the concerto in over 40 concerts. The Stravinsky family moved again in September 1924 to Nice , France. The composer's schedule
868-509: A folk tune from Rimsky-Korsakov's opera The Snow Maiden , showing the former's continued reverence for his teacher. Stravinsky's third ballet, The Rite of Spring , caused a near-riot at the premiere due to its avant-garde nature. He had begun to experiment with polytonality in The Firebird and Petrushka , but for The Rite of Spring , he "pushed [it] to its logical conclusion," as Eric Walter White described it. In addition,
992-506: A half-diploma. As he began spending more time in Rimsky-Korsakov's circle of artists, the young composer became increasingly cramped in the stylistically conservative atmosphere: modern music was questioned, and concerts of contemporary music were looked down upon. The group occasionally attended chamber concerts oriented to modern music, and while Rimsky-Korsakov and his colleague Anatoly Lyadov hated attending, Stravinsky remembered
1116-516: A letter dated "12/22 Dec. 1635". In his biography of John Dee , The Queen's Conjurer , Benjamin Woolley surmises that because Dee fought unsuccessfully for England to embrace the 1583/84 date set for the change, "England remained outside the Gregorian system for a further 170 years, communications during that period customarily carrying two dates". In contrast, Thomas Jefferson , who lived while
1240-410: A musical connection to his Russian roots. The ballet Pulcinella was commissioned by Diaghilev in 1919 after he proposed the idea of a ballet based on music by 18th-century Italian composers like Giovanni Battista Pergolesi ; by imposing a work based on the harmonic and rhythmic systems of late-Baroque era composers, Stravinsky marked the start of his turn towards 18th-century music. Although
1364-883: A seat at the Institut de France further dissociated him from France, and shortly after the beginning of World War II in September 1939 he moved to the United States. Upon arriving in the United States, Stravinsky resided with Edward W. Forbes , the director of the Charles Eliot Norton Lectures series at Harvard University . The composer was contracted to deliver six lectures for the series, beginning in October 1939 and ending in April 1940. The lectures, written with assistance from Pyotr Suvchinsky and Alexis Roland-Manuel , were published in French under
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#17327719053701488-478: A series of lectures. Igor Fyodorovich Stravinsky was born in Oranienbaum, Russia—a town now called Lomonosov , about thirty miles (fifty kilometers) west of Saint Petersburg —on 17 June [ O.S. 5 June] 1882. His mother, Anna Kirillovna Stravinskaya (née Kholodovskaya), was an amateur singer and pianist from an established family of landowners. His father, Fyodor Ignatyevich Stravinsky ,
1612-572: A set of bagatelles , a "chanson comique", and a cantata , showing the use of classical musical techniques that would later define Stravinsky's neoclassical period. The musicologist Stephen Walsh described this time in Stravinsky's musical career as "aesthetically cramped" due to the "cynical conservatism" of Rimsky-Korsakov and his music. Rimsky-Korsakov thought the Symphony in E-flat (1907)
1736-911: A start-of-year adjustment works well with little confusion for events before the introduction of the Gregorian calendar. For example, the Battle of Agincourt is well known to have been fought on 25 October 1415, which is Saint Crispin's Day . However, for the period between the first introduction of the Gregorian calendar on 15 October 1582 and its introduction in Britain on 14 September 1752, there can be considerable confusion between events in Continental Western Europe and in British domains. Events in Continental Western Europe are usually reported in English-language histories by using
1860-441: A state of "revolt against Rimsky", and that he "tried to surpass him with ponticello , col legno , flautando , glissando , and fluttertongue effects". Stravinsky defined his musical character in his second ballet Petrushka . The Russian influence can be seen in the use of a number of Russian folk tunes in addition to two waltzes by Viennese composer Joseph Lanner and a French music hall tune. Stravinsky also used
1984-591: A successful three-month tour of the United States with Dushkin; he visited South America for the first time the following year. The composer's son Soulima was an excellent pianist, having performed the Capriccio in concert with his father conducting. Continuing a line of solo piano works, the elder Stravinsky composed the Concerto for Two Pianos to be performed by them both, and they toured the work through 1936. Around this time came three American-commissioned works:
2108-477: A tennis court, playing piano duet music, and later organizing group readings with their other cousins of books and political tracts from Fyodor Stravinsky's personal library. In July 1901, Stravinsky expressed infatuation with Lyudmila Kuxina, Nosenko's best friend, but after the self-described "summer romance" had ended, Nosenko and Stravinsky's relationship began developing into a furtive romance. Between their intermittent family visits, Nosenko studied painting at
2232-415: A toll on the elderly composer; January 1967 marked his last recording session, and his final public concert came the following May. After spending the autumn of 1967 in the hospital due to bleeding stomach ulcers and thrombosis , Stravinsky returned to domestic touring in 1968 (only appearing as an audience member) but stopped composing due to his gradual decline in physical health. In his final years,
2356-493: A work about what he called "a solemn pagan rite: sage elders, seated in a circle, watched a young girl dance herself to death". He immediately shared the idea with Nicholas Roerich , a friend and painter of pagan subjects. When Stravinsky told Diaghilev about the idea, the impresario excitedly agreed to commission the work. After the premiere of Petrushka , Stravinsky settled at his family's residence in Ustilug and fleshed out
2480-536: Is 9 February 1649, the date by which his contemporaries in some parts of continental Europe would have recorded his execution. The O.S./N.S. designation is particularly relevant for dates which fall between the start of the "historical year" (1 January) and the legal start date, where different. This was 25 March in England, Wales, Ireland and the colonies until 1752, and until 1600 in Scotland. In Britain, 1 January
2604-461: Is often divided into three main periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). During his Russian period, Stravinsky was heavily influenced by Russian styles and folklore. Works such as Renard (1916) and Les noces (1923) drew upon Russian folk poetry, while compositions like L'Histoire du soldat (1918) integrated these folk elements with popular musical forms, including
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#17327719053702728-549: Is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music . Born to a musical family in Saint Petersburg , Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg , he met Nikolai Rimsky-Korsakov and studied music under him until the latter's death in 1908. Stravinsky met
2852-593: The Académie Colarossi in Paris. The two married on 24 January 1906, at the Church of the Annunciation five miles (eight kilometers) north of Saint Petersburg – because marriage between first cousins was banned, they procured a priest who did not ask their identities, and the only guests present were Rimsky-Korsakov's sons. The couple soon had two children: Théodore , born in 1907, and Ludmila, born
2976-759: The Aeolian Company in London, producing rolls that included comments about the work by Stravinsky that were engraved into the rolls. He stopped working with player pianos in 1930 when the Aeolian Company's London branch was dissolved. The interest in Pushkin shared by Stravinsky and Diaghilev led to Mavra , a comic opera begun in 1921 that exhibited the composer's rejection of Rimsky-Korsakov's style and his turn towards classic Russian operatists like Tchaikovsky, Glinka , and Dargomyzhsky . Yet, after
3100-545: The Ballets Russes conducted by Pierre Monteux at the Palais Garnier in Paris. Publication, by the then Paris-based Éditions Russes de Musique , followed only in 1923 and caused the opera to become known by its French title of Le Rossignol and French descriptor of conte lyrique , or lyric tale, despite its being wholly Russian. Stravinsky began work on the opera in 1908 but put it aside after receiving
3224-781: The Frank E. Campbell Funeral Chapel . After a service at Santi Giovanni e Paolo with a performance of the Requiem Canticles conducted by Craft, Stravinsky was buried on the cemetery island of San Michele in Venice, several yards from the tomb of Sergei Diaghilev. Much of Stravinsky's music is characterized by short, sharp articulations with minimal rubato or vibrato . His student works were primarily assignments from his teacher Rimsky-Korsakov and were mainly influenced by Russian composers. His first three ballets, The Firebird , Petrushka , and The Rite of Spring , marked
3348-482: The Khrushchev Thaw , partly due to the composer's 1962 visit. During his three-week visit he met with Soviet Premier Nikita Khrushchev and several leading Soviet composers, including Shostakovich and Aram Khachaturian . Stravinsky did not return to Los Angeles until December 1962 after eight months of almost continual traveling. Stravinsky revisited biblical themes for many of his later works, notably in
3472-609: The Russian Empire and the very beginning of Soviet Russia . For example, in the article "The October (November) Revolution", the Encyclopædia Britannica uses the format of "25 October (7 November, New Style)" to describe the date of the start of the revolution. The Latin equivalents, which are used in many languages, are, on the one hand, stili veteris (genitive) or stilo vetere (ablative), abbreviated st.v. , and meaning "(of/in) old style" ; and, on
3596-650: The Second Viennese School like Arnold Schoenberg 's twelve-tone technique . In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row . Stravinsky's last major work was the Requiem Canticles (1966), which was performed at his funeral. While many supporters were confused by Stravinsky's constant stylistic changes, later writers recognized his versatile language as important in
3720-475: The Second Viennese School . Stravinsky's time before meeting Diaghilev was spent learning from Rimsky-Korsakov and his collaborators. Only three works survive from before Stravinsky met Rimsky-Korsakov in August 1902: " Tarantella " (1898), Scherzo in G minor (1902), and The Storm Cloud , the first two being works for piano and the last for voice and piano. Stravinsky's first assignment from Rimsky-Korsakov
3844-519: The University of Saint Petersburg , and he enrolled there in 1901. However, according to his own account, he was a bad student and attended few of the optional lectures. In exchange for agreeing to attend law school, his parents allowed for lessons in harmony and counterpoint . At university, Stravinsky befriended Vladimir Rimsky-Korsakov, son of the leading Russian composer Nikolai Rimsky-Korsakov . During summer vacation of 1902, Stravinsky traveled with Vladimir Rimsky-Korsakov to Heidelberg – where
The Nightingale (opera) - Misplaced Pages Continue
3968-414: The impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes 's Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way composers understood rhythmic structure. Stravinsky's compositional career
4092-411: The sonata form , modernizing it by disregarding the standard ordering of themes and traditional tonal relationships for different sections. Baroque counterpoint was used throughout the choral Symphony of Psalms (1930). In the jazz -influenced Ebony Concerto (1945), Stravinsky fused big band orchestration with Baroque forms and harmonies. Stravinsky's neoclassical period ended in 1951 with
4216-563: The white émigré -hub Biarritz in May 1921, partly due to the presence of his other lover Vera de Bosset . At the time, de Bosset was married to the former Ballet Russes stage designer Serge Sudeikin , though de Bosset later divorced Sudeikin to marry Stravinsky. Though Yekaterina Stravinsky became aware of her husband's infidelity, the Stravinskys never divorced, likely due to the composer's refusal to separate. In 1921, Stravinsky signed
4340-399: The 1922 premiere, the work's tame nature – compared to the innovative music Stravinsky had come to be known for – disappointed critics. In 1923, Stravinsky finished orchestrating Les noces , settling on a percussion ensemble including four pianos. The Ballets Russes staged the ballet-cantata that June, and although it initially received moderate reviews, the London production received
4464-426: The 1961 chamber cantata A Sermon, a Narrative and a Prayer , the 1962 musical television production The Flood , the 1963 Hebrew cantata Abraham and Isaac , and the 1966 Requiem Canticles , the last of which was his final major composition. Between tours, the composer worked relentlessly to devise new tone rows, even working on toilet paper from airplane lavatories. The intense touring schedule began taking
4588-539: The 4th century , had drifted from reality . The Gregorian calendar reform also dealt with the accumulated difference between these figures, between the years 325 and 1582, by skipping 10 days to set the ecclesiastical date of the equinox to be 21 March, the median date of its occurrence at the time of the First Council of Nicea in 325. Countries that adopted the Gregorian calendar after 1699 needed to skip an additional day for each subsequent new century that
4712-583: The Boyne was commemorated with smaller parades on 1 July. However, both events were combined in the late 18th century, and continue to be celebrated as " The Twelfth ". Because of the differences, British writers and their correspondents often employed two dates, a practice called dual dating , more or less automatically. Letters concerning diplomacy and international trade thus sometimes bore both Julian and Gregorian dates to prevent confusion. For example, Sir William Boswell wrote to Sir John Coke from The Hague
4836-515: The British Isles and colonies converted to the Gregorian calendar, instructed that his tombstone bear his date of birth by using the Julian calendar (notated O.S. for Old Style) and his date of death by using the Gregorian calendar. At Jefferson's birth, the difference was eleven days between the Julian and Gregorian calendars and so his birthday of 2 April in the Julian calendar is 13 April in
4960-410: The British colonies, changed the start of the year from 25 March to 1 January, with effect from "the day after 31 December 1751". (Scotland had already made this aspect of the changes, on 1 January 1600.) The second (in effect ) adopted the Gregorian calendar in place of the Julian calendar. Thus "New Style" can refer to the start-of-year adjustment , to the adoption of the Gregorian calendar , or to
5084-481: The Concerto while on tour until 1933. That year, Stravinsky received another ballet commission from Ida Rubenstein for a setting of a poem by André Gide . The resulting melodrama Perséphone only received three performances in 1934 due to its lukewarm reception, and Stravinsky's disdain towards the work was evident in his later suggestion that the libretto be rewritten. In June of that year, Stravinsky became
The Nightingale (opera) - Misplaced Pages Continue
5208-496: The Emperor a mechanical nightingale, which begins to sing. The Emperor is delighted by this novelty. Taking insult at this, the genuine bird flies away, and the angered emperor orders it banished from his realm. He names the mechanical bird "first singer". The Emperor is ill and near death; the figure of Death appears in the Emperor's chamber. The ghosts of the Emperor's past deeds visit him while he calls for his court musicians, but
5332-476: The February 1909 premiere of two new Stravinsky works: Scherzo fantastique and Feu d'artifice , both lively orchestral movements featuring bright orchestration and unique harmonic techniques. The vivid color and tone of Stravinsky's works intrigued Diaghilev, and the impresario subsequently commissioned Stravinsky to orchestrate music by Chopin for parts of the ballet Les Sylphides . This ballet
5456-623: The Gregorian calendar. For example, the Battle of Blenheim is always given as 13 August 1704. However, confusion occurs when an event involves both. For example, William III of England arrived at Brixham in England on 5 November (Julian calendar), after he had set sail from the Netherlands on 11 November (Gregorian calendar) 1688. The Battle of the Boyne in Ireland took place a few months later on 1 July 1690 (Julian calendar). That maps to 11 July (Gregorian calendar), conveniently close to
5580-466: The Gregorian calendar. Similarly, George Washington is now officially reported as having been born on 22 February 1732, rather than on 11 February 1731/32 (Julian calendar). The philosopher Jeremy Bentham , born on 4 February 1747/8 (Julian calendar), in later life celebrated his birthday on 15 February. There is some evidence that the calendar change was not easily accepted. Many British people continued to celebrate their holidays "Old Style" well into
5704-430: The Julian and Gregorian dating systems respectively. The need to correct the calendar arose from the realisation that the correct figure for the number of days in a year is not 365.25 (365 days 6 hours) as assumed by the Julian calendar but slightly less (c. 365.242 days). The Julian calendar therefore has too many leap years . The consequence was that the basis for the calculation of the date of Easter , as decided in
5828-581: The Julian calendar had added since then. When the British Empire did so in 1752, the gap had grown to eleven days; when Russia did so (as its civil calendar ) in 1918, thirteen days needed to be skipped. In the Kingdom of Great Britain and its possessions, the Calendar (New Style) Act 1750 introduced two concurrent changes to the calendar. The first, which applied to England, Wales, Ireland and
5952-517: The Julian date of the subsequent (and more decisive) Battle of Aughrim on 12 July 1691 (Julian). The latter battle was commemorated annually throughout the 18th century on 12 July, following the usual historical convention of commemorating events of that period within Great Britain and Ireland by mapping the Julian date directly onto the modern Gregorian calendar date (as happens, for example, with Guy Fawkes Night on 5 November). The Battle of
6076-533: The Mariinsky Theatre, where he was introduced to Russian repertoire as well as Italian and French opera; by sixteen, he attended rehearsals at the theater five or six days a week. By age fourteen, Stravinsky had mastered the solo part of Mendelssohn's Piano Concerto No. 1 , and at age fifteen, he transcribed for solo piano a string quartet by Alexander Glazunov . Despite his musical passion and ability, Stravinsky's parents expected him to study law at
6200-553: The Moscow Free Theatre. In early 1914, his wife Yekaterina contracted tuberculosis and was admitted to a sanatorium in Leysin , Switzerland, where the couple's fourth child, Maria Milena, was born. Here Stravinsky finished The Nightingale , but after the Moscow Free Theatre closed before the premiere, Diaghilev agreed to stage the opera. The May 1914 premiere was moderately successful; critics' high expectations after
6324-582: The Nightingale is nowhere to be heard. The Court Chamberlain promises the Cook a position as private cook to the Emperor, if she can find the Nightingale, who finally appears, and receives an invitation from the Cook and the Chamberlain to sing for the Emperor. The Nightingale accepts the invitation, but says that its sweetest song is in the forest. Courtiers festoon the palace with lanterns in advance of
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#17327719053706448-441: The Nightingale, offers it the "first singer" post at court. The Nightingale says that it is satisfied with the Emperor's tears as reward, and promises to sing for him each night from dusk until dawn. Igor Stravinsky Igor Fyodorovich Stravinsky (17 June [ O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He
6572-463: The Stravinskys and Craft moved to New York to be closer to medical care, and the composer's travel was limited to visiting family in Europe. Soon after being discharged from Lenox Hill Hospital after contracting pulmonary edema , Stravinsky moved with his wife to a new apartment on Fifth Avenue . The composer died there on 6 April 1971 at the age of 88. A funeral service was held three days later at
6696-605: The Stravinskys lived in Switzerland until 1920, initially residing in Clarens and later Morges . During the first months of the war, the composer intensely researched Russian folk poetry and prepared librettos for numerous works to be composed in the coming years, including Les noces , Renard , Pribaoutki , and other song cycles . Stravinsky met numerous Swiss-French artists during his time in Morges, including
6820-411: The United States (2011, Brooklyn Academy of Music ), Australia (2024 Adelaide Festival ). The Fisherman acts as commentator on the story's events. At the seashore just before sunrise, a Fisherman hears the song of the Nightingale, which causes him to forget his troubles. The Cook has brought officials from the court of the Emperor to hear the Nightingale, telling of the beauty of its singing. However,
6944-525: The United States, Stravinsky diligently attended church, participated in charity work, and studied religious texts. The composer later wrote that he was contacted by God at a service at the Basilica of Saint Anthony of Padua , leading him to write his first religious composition, the Pater Noster for a cappella choir. In 1925, Stravinsky asked the French writer and artist Jean Cocteau to write
7068-706: The accents seemingly at random to create asymmetry. The Rite of Spring is one of the most famous and influential works of the 20th century; the musicologist Donald Jay Grout described it as having "the effect of an explosion that so scattered the elements of musical language that they could never again be put together as before." The musicologist Jeremy Noble said that Stravinsky's "intensive researches into Russian folk material" took place during his time in Switzerland from 1914 to 1920. Béla Bartók considered Stravinsky's Russian period to have begun in 1913 with The Rite of Spring due to its use of Russian folk songs, themes, and techniques. The use of duple or triple meters
7192-503: The author Charles F. Ramuz , with whom he collaborated on the small-scale theater work L'Histoire du soldat . The eleven-musician and two-dancer show was designed for easy travel, but after a premiere run funded by Werner Reinhart , all other performances were canceled due to the Spanish flu epidemic . Stravinsky's income from performance royalties was suddenly cut off when his Germany-based publisher suspended operations due to
7316-619: The ballet Jeu de cartes for Balanchine, the Brandenburg-Concerto -like work Dumbarton Oaks , and the lamenting Symphony in C for the Chicago Symphony Orchestra 's 50th anniversary. Stravinsky's last years in France from late 1938 to 1939 were marked by the deaths of his eldest daughter, his wife, and his mother, the former two from tuberculosis. In addition, the increasingly hostile criticism of his music in major publications and failed run for
7440-584: The ballet's experimental nature caused a near-riot at its premiere at the Théâtre des Champs-Élysées on 29 May 1913. Soon after, Stravinsky was admitted to a hospital for typhoid fever and stayed in recovery for five weeks; numerous colleagues visited him, including Debussy, Manuel de Falla , Maurice Ravel , and Florent Schmitt . Upon returning to his family in Ustilug, he continued work on his opera The Nightingale , now with an official commission from
7564-662: The ballet. Diaghilev continued to organize Ballets Russes shows across Europe, including two charity concerts for the Red Cross where Stravinsky made his conducting debut with The Firebird . When the Ballets Russes traveled to Rome in April 1917, Stravinsky met the artist Pablo Picasso , and the two adventured around Italy; a commedia dell'arte they saw in Naples inspired the ballet Pulcinella , which premiered in Paris in May 1920 with designs by Picasso. After
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#17327719053707688-488: The beginning of his international fame and a departure from 19th-century styles. Stravinsky's music is often divided into three periods of composition: his Russian period (1913–1920), where he was greatly influenced by Russian artists and folklore; his neoclassical period (1920–1951), where he turned towards techniques and themes from the classical period ; and his serial period (1954–1968), where he used highly structured composition techniques pioneered by composers of
7812-663: The choral Symphony of Psalms , a deeply religious work that premiered in December of that year. While touring in Germany, Stravinsky visited his publisher's home and met the violinist Samuel Dushkin , who convinced him to compose the Violin Concerto with Dushkin's help on the solo part. Impressed by Dushkin's virtuosic ability and understanding of music, the composer wrote more music for violin and piano and rearranged some of his earlier music to be performed alongside
7936-492: The combination of the two. It was through their use in the Calendar Act that the notations "Old Style" and "New Style" came into common usage. When recording British history, it is usual to quote the date as originally recorded at the time of the event, but with the year number adjusted to start on 1 January. The latter adjustment may be needed because the start of the civil calendar year had not always been 1 January and
8060-411: The complex meter in the music consists of phrases combining conflicting time signatures and odd accents , such as the "jagged slashes" in the "Sacrificial Dance". Both polytonality and unusual rhythms can be heard in the chords that open the second episode, "Augurs of Spring", consisting of an E-flat dominant 7 superimposed on an F-flat major triad written in an uneven rhythm, Stravinsky shifting
8184-529: The composer sought to correct myths surrounding him and discuss his relationships with other artists. The article was later expanded into a book, and over the next four years, three more interview-style books were published. Continued international tours brought Stravinsky to Washington, D.C. in January 1962, where he attended a dinner at the White House with then-President John F. Kennedy in honor of
8308-834: The composer's 80th birthday celebrations. Other stagings took place in 1963, 1969, 1970 and 1973. In 2014 The Nightingale was paired with Mozart's The Impresario ; its action took place in Paris in the 1920s. Santa Fe's cast this time included Brenda Rae , Erin Morley , Meredith Arwady and Anthony Michaels-Moore . In its 2009 Toronto season, the Canadian Opera Company staged the opera together with shorter works by Stravinsky as The Nightingale and Other Short Fables . This production, directed by Robert Lepage , toured to Japan (the New National Theatre Tokyo ), France (2010, Aix-en-Provence Festival ),
8432-565: The composer's 80th birthday. Although it was largely an anti-Soviet political stunt, Stravinsky remembered the event fondly, composing the Elegy for J.F.K. after the president's assassination a year later . In September 1962, he returned to Russia for the first time since 1914, accepting an invitation from the Union of Soviet Composers to conduct six performances in Moscow and Leningrad . After
8556-447: The concerts as intriguing and intellectually stimulating, being the first place he was exposed to French composers like Franck , Dukas , Fauré , and Debussy . Nevertheless, Stravinsky remained loyal to Rimsky-Korsakov – the musicologist Eric Walter White suspected that the composer believed compliance with Rimsky-Korsakov was necessary to succeed in the Russian music world. Stravinsky later wrote that his teachers' musical conservatism
8680-501: The death of Puccini ", according to Taruskin. Old Style and New Style dates Old Style ( O.S. ) and New Style ( N.S. ) indicate dating systems before and after a calendar change, respectively. Usually, they refer to the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 1582 and 1923. In England , Wales , Ireland and Britain's American colonies , there were two calendar changes, both in 1752. The first adjusted
8804-419: The details of the ballet with Roerich, later finishing the work in Clarens , Switzerland. The result was The Rite of Spring ( Le sacre du printemps ), which depicted pagan rituals in Slavonic tribes and used many avant-garde techniques, including uneven rhythms and meters , superimposed harmonies, atonality , and extensive instrumentation . With radical choreography by the young Vaslav Nijinsky ,
8928-637: The development of modernist music. Stravinsky's revolutionary ideas influenced composers as diverse as Aaron Copland , Philip Glass , Béla Bartók , and Pierre Boulez , who were all challenged to innovate music in areas beyond tonality , especially rhythm and musical form . In 1998, Time magazine listed Stravinsky as one of the 100 most influential people of the century. Stravinsky died of pulmonary edema on 6 April 1971 in New York City, having left six memoirs written with his friend and assistant Robert Craft , as well as an earlier autobiography and
9052-543: The end of the following December, 1661/62 , a form of dual dating to indicate that in the following twelve weeks or so, the year was 1661 Old Style but 1662 New Style. Some more modern sources, often more academic ones (e.g. the History of Parliament ) also use the 1661/62 style for the period between 1 January and 24 March for years before the introduction of the New Style calendar in England. The Gregorian calendar
9176-735: The following year. After finishing the many revisions of the Symphony in E-flat in 1907, Stravinsky wrote Faun and Shepherdess , a setting of three Pushkin poems for mezzo-soprano and orchestra. Rimsky-Korsakov organized the first public premiere of his student's work with the Imperial Court Orchestra in April 1907, programming the Symphony in E-flat and Faun and Shepherdess . Rimsky-Korsakov's death in June 1908 caused Stravinsky deep mourning, and he later recalled that Funeral Song , which he composed in memory of his teacher,
9300-423: The genuine Nightingale has reappeared, in defiance of the imperial edict, and has begun to sing. Death hears the Nightingale's song and is greatly moved, and asks it to continue, which it does on condition that Death returns to the emperor his crown, sword and standard. Death assents and gradually removes himself from the scene as the Nightingale continues to sing. The Emperor slowly regains his strength, and on seeing
9424-407: The group of Russian classical composers known as The Five , according to the musicologist Richard Taruskin ); Diaghilev's company settled on the subject of the mythical Firebird . Diaghilev asked multiple composers to write the ballet's score, including Lyadov and Nikolai Tcherepnin , but after none committed to the project, the impresario turned to the 27-year-old Stravinsky, who gladly accepted
9548-518: The intervening years. In 1917, Stravinsky created a separate concert work, a symphonic poem , from music from the opera. It was published in 1921 as Chant du Rossignol (Song of the Nightingale). For the opera's premiere, the singers were in the pit while their roles were mimed and danced on stage; the mise-en-scène was by Alexandre Benois , who also designed the sets and costumes, and Alexander Sanin ; Boris Romanov [ ru ]
9672-537: The latter's family was staying – bringing a portfolio of pieces to demonstrate to Nikolai Rimsky-Korsakov. While the elder composer was not stunned, he was impressed enough to insist that Stravinsky continue lessons but advised against him entering the Saint Petersburg Conservatory due to its rigorous environment. Importantly, Rimsky-Korsakov agreed personally to advise Stravinsky on his compositions. After Stravinsky's father died in 1902 and
9796-512: The libretto for an operatic setting of Sophocles' tragedy Oedipus Rex in Latin. The May 1927 premiere of his opera-oratorio Oedipus rex was staged as a concert performance since there was too little time and money to present it as a full opera, and Stravinsky attributed the work's critical failure to its programming between two glittery ballets. Furthermore, the influence from Russian Orthodox vocal music and 18th-century composers like Handel
9920-500: The libretto in November 1947; American writer Chester Kallman was later brought in to assist Auden. Stravinsky finished the opera of the same name in 1951, and despite its widespread performances and success, the composer was dismayed to find that his newer music did not captivate young composers. Craft had introduced Stravinsky to the serial music of the Second Viennese School shortly after The Rake's Progress premiered, and
10044-667: The middle movement of which used music from an unused score for The Song of Bernadette (1943). The couple's poor English led to the formation of a predominantly European social circle and home life: the estate staff consisted of mostly Russians, and frequent guests included musicians Joseph Szigeti , Arthur Rubinstein , and Sergei Rachmaninoff . However, Stravinsky eventually joined popular Hollywood circles, attending parties with celebrities and becoming closely acquainted with European authors Aldous Huxley , W. H. Auden , Christopher Isherwood , and Dylan Thomas . In 1945, Stravinsky received American citizenship and subsequently signed
10168-471: The musicologist Jeremy Noble considered Stravinsky's neoclassical period to have begun in 1920 with his Symphonies of Wind Instruments , Bartók argued that the period "really starts with his Octet for Wind Instruments, followed by his Concerto for Piano ". During this period, Stravinsky used techniques and themes from the classical period of music . Greek mythology was a common theme in Stravinsky's neoclassical works. His first Greek mythology-based work
10292-416: The next year the commission from Sergei Diaghilev for the ballet The Firebird . He returned to it in 1913 after he had completed three ballets for Diaghilev, Petrushka and The Rite of Spring being the others. Act 1, set at the seashore, was mostly complete by 1909; acts 2 and 3, set at court, were finished in early 1914. Stravinsky was no doubt aware of the advances in his style and technique during
10416-711: The opera The Rake's Progress . Taruskin described the opera as "the hub and essence of 'neo-classicism'". He pointed out how the opera contains numerous references to Greek mythology and other operas like Mozart's Don Giovanni and Bizet's Carmen , but still "embod[ies] the distinctive structure of a fairy tale". Stravinsky was inspired by the operas of Mozart in composing the music, particularly Così fan tutte , but other scholars also point out influence from Handel , Gluck , Beethoven , Schubert , Weber , Rossini , Donizetti , and Verdi . The Rake's Progress has become an important work in opera repertoire , being "[more performed] than any other opera written after
10540-494: The opera's composer began studying and listening to the music of Anton Webern and Arnold Schoenberg . During the 1950s, Stravinsky continued touring extensively across the world, occasionally returning to Los Angeles to compose. In 1953, he agreed to compose a new opera with a libretto by Dylan Thomas, but development on the project came to a sudden end following Thomas's death in November of that year. Stravinsky completed In Memoriam Dylan Thomas , his first work fully based on
10664-456: The other, stili novi or stilo novo , abbreviated st.n. and meaning "(of/in) new style". The Latin abbreviations may be capitalised differently by different users, e.g., St.n. or St.N. for stili novi . There are equivalents for these terms in other languages as well, such as the German a.St. (" alter Stil " for O.S.). Usually, the mapping of New Style dates onto Old Style dates with
10788-439: The premiere and subsequent performances, he met many figures in the Paris art scene; Debussy was brought on stage after the premiere and invited Stravinsky to dinner, beginning a lifelong friendship between the two composers. The Stravinsky family moved to Lausanne , Switzerland, for the birth of their third child, Soulima , and it was there that Stravinsky began work on a Konzertstück for piano and orchestra depicting
10912-580: The premiere, beginning decades of collaborations between Stravinsky and the choreographer. Nevertheless, some critics found it to be a turning point in Stravinsky's neoclassical music, describing it as a pure work that blended neoclassical ideas with modern methods of composition. A new commission for a ballet from Ida Rubinstein in 1928 led Stravinsky again to Tchaikovsky. Basing the music on romantic ballets like Swan Lake and borrowing many themes from Tchaikovsky, Stravinsky wrote The Fairy's Kiss with Hans Christian Andersen's tale The Ice-Maiden as
11036-577: The revision of the Symphonies of Wind Instruments for an upcoming concert. The two quickly became friends and Stravinsky invited Craft to Los Angeles; the young conductor soon became Stravinsky's assistant, collaborator, and amanuensis until the composer's death. As Stravinsky became more familiar with English, he developed the idea to write an English-language opera based on a series of paintings by 18th-century artist William Hogarth titled The Rake's Progress . The composer joined Auden to write
11160-673: The serial twelve-tone technique , the following year. The 1956 cantata Canticum Sacrum premiered at the International Festival of Contemporary Music in Venice, inspiring Norddeutscher Rundfunk to commission the musical setting Threni in 1957. With the Balanchine ballet Agon , Stravinsky fused neoclassical themes with the twelve-tone technique, and Threni showed his full shift towards use of tone rows . In 1959, Craft interviewed Stravinsky for an article titled Answers to 35 Questions , in which
11284-415: The singing of the Nightingale. The Cook describes the Nightingale to the courtiers noting that it is small, gray and virtually invisible, but its song causes its listeners to cry. A procession denotes the Emperor's arrival. He commands the Nightingale to sing, and its singing touches him so deeply that he offers the bird a reward of a golden slipper to wear about its neck. Later, three Japanese emissaries offer
11408-589: The sonata, the student began his large-scale Symphony in E-flat , the first draft of which he finished in 1905. That year, the dedicatee of the Piano Sonata, Nikolay Richter, performed it at a recital hosted by the Rimsky-Korsakovs, marking the first public premiere of a Stravinsky piece. After the events of Bloody Sunday in January 1905 caused the university to close, Stravinsky was not able to take his final exams, resulting in his graduation with
11532-583: The start of a new year from 25 March ( Lady Day , the Feast of the Annunciation ) to 1 January, a change which Scotland had made in 1600. The second discarded the Julian calendar in favour of the Gregorian calendar, skipping 11 days in the month of September to do so. To accommodate the two calendar changes, writers used dual dating to identify a given day by giving its date according to both styles of dating. For countries such as Russia where no start-of-year adjustment took place, O.S. and N.S. simply indicate
11656-403: The subject. The November 1928 premiere was not well-received, likely due to the disconnect between each of the ballet's sections and the mediocre choreography, of which Stravinsky disapproved. Diaghilev's fury with Stravinsky for accepting a ballet commission from someone else caused an intense feud between the two, one that lasted until the impresario's death in August 1929. Most of that year
11780-467: The success of The Firebird and The Rite of Spring in the 1910s, Stravinsky's music was respected and frequently performed in the Soviet Union, influencing young Soviet composers at the time like Dmitri Shostakovich . However, after Stalin began consolidating power in the early 1930s, Stravinsky's music nearly vanished and was formally banned in 1948. A new interest in his works was born during
11904-469: The tale of a puppet coming to life. After Diaghilev heard the early drafts, he convinced Stravinsky to turn it into a ballet for the 1911 season. The resulting work, Petrushka (under the French spelling Petrouchka ), premiered in Paris on 13 June 1911 to equal popularity as The Firebird , and Stravinsky became established as one of the most advanced young theater composers of his time. While composing The Firebird , Stravinsky conceived an idea for
12028-401: The tango, waltz, ragtime , and chorale . His neoclassical period exhibited themes and techniques from the classical period , like the use of the sonata form in his Octet (1923) and use of Greek mythological themes in works including Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). In his serial period, Stravinsky turned towards compositional techniques from
12152-457: The task. During the ballet's production, Stravinsky became close with Diaghilev's artistic circle, who were impressed by his enthusiasm to learn more about non-musical art forms. The Firebird premiered in Paris (as L'Oiseau de feu ) on 25 June 1910 to widespread critical acclaim, and made Stravinsky an overnight sensation. Many critics praised the composer's alignment with Russian nationalist music. Stravinsky later recollected that after
12276-539: The title Poétique musicale ( Poetics of Music ) in 1941, with an English translation following in 1947. Between lectures, Stravinsky finished the Symphony in C and toured across the country, meeting de Bosset upon her arrival in New York. Stravinsky and de Bosset finally married on 9 March 1940 in Bedford, Massachusetts . After the completion of his lecture series, the couple moved to Los Angeles, where they applied for American naturalization . Money became scarce as
12400-440: The tumultuous Rite of Spring were not met, though fellow composers were impressed by the music's emotion and free treatment of counterpoint and themes . In early July 1914, while his family resided in Switzerland near his sick wife, the composer traveled to Russia to retrieve texts for his next work, a ballet-cantata depicting Russian wedding traditions titled Les noces . Soon after he returned, World War I began, and
12524-578: The voices were placed in the orchestra, as they were meant to accompany the action on stage. L'Histoire du soldat was composed in 1918 with the Swiss novelist Charles F. Ramuz as a small musical theatre production for dancers, a narrator, and a septet . It mixed the Russian folktales in the narrative with common musical structures of the time, like the tango , waltz , rag , and chorale . Even as his style changed in later years, Stravinsky maintained
12648-508: The war ended, Stravinsky decided that his residence in Switzerland was too far from Europe's musical activity, and briefly moved his family to Carantec , France. In September 1920, they relocated to the home of Coco Chanel , an associate of Diaghilev's, where Stravinsky composed his early neoclassical work the Symphonies of Wind Instruments . After his relationship with Chanel developed into an affair, Stravinsky relocated his family to
12772-567: The war stopped the composer from receiving European royalties, making him take up numerous conducting engagements and compose commercial works for the entertainment industry, including the Scherzo à la russe for Paul Whiteman and the Scènes de ballet for a Broadway revue. Some discarded film music made it into larger works, as with the war-inspired Symphony in Three Movements ,
12896-402: The war. To keep his family afloat, the composer sold numerous manuscripts and accepted commissions from wealthy impresarios; one such commission included Renard , a theater work completed in 1916 upon a request from Princesse Edmond de Polignac . Additionally, Stravinsky made a new concert suite from The Firebird and sold it to a London publisher in an attempt to regain copyright control over
13020-475: The young composer became more independent, he became increasingly involved in Rimsky-Korsakov's circle of artists. His first major task from his new teacher was the four-movement Piano Sonata in F-sharp minor in the style of Glazunov and Tchaikovsky – he paused temporarily to write a cantata for Rimsky-Korsakov's 60th birthday celebration, which the elder composer described as "not bad". Soon after finishing
13144-545: Was "the best of my works before The Firebird ". In 1898, the impresario Sergei Diaghilev founded the Russian art magazine Mir iskusstva , but after it ended publication in 1904, he turned towards Paris for artistic opportunities rather than his native Russia. In 1907, Diaghilev presented a five-concert series of Russian music at the Paris Opera ; the following year, he staged the Paris premiere of Rimsky-Korsakov's version of Boris Godunov . Diaghilev attended
13268-597: Was a deeply lonely child and I wanted a sister of my own. Catherine, who was my first cousin, came into my life as a kind of long-wanted sister ... We were from then until her death extremely close, and closer than lovers sometimes are, for mere lovers may be strangers though they live and love together all their lives ... Catherine was my dearest friend and playmate ... until we grew into our marriage. The two had grown close during family trips, encouraging each other's interest in painting and drawing, swimming together often, going on wild raspberry picks, helping build
13392-661: Was a famous bass at the Mariinsky Theatre in Saint Petersburg, descended from a line of Polish landowners. The name "Stravinsky" is of Polish origin, deriving from the Strava river in eastern Poland. The family was originally called "Soulima-Stravinsky", bearing the Soulima arms, but "Soulima" was dropped after Russia's annexation during the partitions of Poland . Oranienbaum, the composer's birthplace,
13516-480: Was altered at different times in different countries. From 1155 to 1752, the civil or legal year in England began on 25 March ( Lady Day ); so for example, the execution of Charles I was recorded at the time in Parliament as happening on 30 January 164 8 (Old Style). In newer English-language texts, this date is usually shown as "30 January 164 9 " (New Style). The corresponding date in the Gregorian calendar
13640-455: Was based on a folktale collected by Alexander Afanasyev . Many of Stravinsky's Russian period works featured animal characters and themes, likely due to inspiration from nursery rhymes he read with his children. Stravinsky also used unique theatrical styles. Les noces blended the staging of ballets with the small instrumentation of early cantatas, a unique production described on the score as "Russian Choreographic Scenes". In Renard ,
13764-596: Was celebrated as the New Year festival from as early as the 13th century, despite the recorded (civil) year not incrementing until 25 March, but the "year starting 25th March was called the Civil or Legal Year, although the phrase Old Style was more commonly used". To reduce misunderstandings about the date, it was normal even in semi-official documents such as parish registers to place a statutory new-year heading after 24 March (for example "1661") and another heading from
13888-604: Was divided between spending time with his family in Nice, performing in Paris, and touring other locations, often accompanied by de Bosset. At this time, Stravinsky was going through a spiritual crisis onset by meeting Father Nicolas, a priest near his new home. He had abandoned the Russian Orthodox Church during his teenage years, but after meeting Father Nicolas in 1926 and reconnecting with his faith, he began regularly attending services. From then until moving to
14012-714: Was educated by the family's governess until age eleven, when he began attending the Second Saint Petersburg Gymnasium , a school he recalled hating because he had few friends. From age nine, Stravinsky studied privately with a piano teacher. He later wrote that his parents saw no musical talent in him due to his lack of technical skills; the young pianist frequently improvised instead of practicing assigned pieces. Stravinsky's excellent sight-reading skill prompted him to frequently read vocal scores from his father's vast personal library. At around age ten, he began regularly attending performances at
14136-450: Was especially prevalent in Stravinsky's Russian period music; while the pulse may have remained constant, the time signature would often change to constantly shift the accents. While Stravinsky did not use as many folk melodies as he had in his first three ballets, he often used folk poetry. The ballet-cantata Les noces was based on texts from a collection of Russian folk poetry by Pyotr Kireevsky , and his opera-ballet Renard
14260-601: Was implemented in Russia on 14 February 1918 by dropping the Julian dates of 1–13 February 1918 , pursuant to a Sovnarkom decree signed 24 January 1918 (Julian) by Vladimir Lenin . The decree required that the Julian date was to be written in parentheses after the Gregorian date, until 1 July 1918. It is common in English-language publications to use the familiar Old Style or New Style terms to discuss events and personalities in other countries, especially with reference to
14384-426: Was justified, and helped him build the foundation that would become the base of his style. In August 1905, Stravinsky announced his engagement to Yekaterina Nosenko , his first cousin whom he had met in 1890 during a family trip. He later recalled: From our first hour together we both seemed to realize that we would one day marry—or so we told each other later. Perhaps we were always more like brother and sister. I
14508-447: Was not well received in the press after the May 1927 premiere; neoclassicism was not popular with Parisian critics, and Stravinsky had to publicly assert that his music was not part of the movement. This reception from critics was not improved by Stravinsky's next ballet, Apollon musagète , which depicted the birth and apotheosis of Apollo using an 18th-century ballet de cour musical style. George Balanchine choreographed
14632-436: Was presented by Diaghilev's ballet company, the Ballets Russes , in April 1909, and while the company scored successes with Parisian audiences, Stravinsky was working on Act I of his first opera The Nightingale . As the Ballets Russes faced financial issues, Diaghilev wanted a new ballet with distinctly Russian music and design, something that had recently become popular with French and other Western audiences (likely due to
14756-562: Was spent composing a new solo piano work, the Capriccio , and touring across Europe to conduct and perform piano; the Capriccio's success after the December 1929 premiere caused a flurry of performance requests from many orchestras. A commission from the Boston Symphony Orchestra in 1930 for a symphonic work led Stravinsky back to Latin texts, this time from the book of Psalms . Between touring concerts, he composed
14880-468: Was swayed too much by Glazunov 's style, and disliked the modernist influence on Faun and Shepherdess (1907); however, critics found the works to not stand out from his teacher's music. Russian composers often used large orchestration to feature many different timbres , and Stravinsky harnessed this idea in his first three ballets, often surprising the musicians and performers due to the orchestra's great force at certain moments. The Firebird used
15004-622: Was the choreographer . The American premiere took place on 6 March 1926, but in French, at the Metropolitan Opera ; this company would perform The Nightingale in its original language for the first time on 3 December 1981. The Santa Fe Opera in New Mexico presented many operas by Stravinsky during the decade after its founding in 1956. These included, in 1957, The Rake's Progress . Performances of The Nightingale with Stravinsky himself conducting took place in 1962 as part of
15128-643: Was the ballet Apollon musagète (1927), choosing the leader of the Muses and the god of art Apollo as the subjects. Stravinsky would use themes from Greek mythology in future works like Oedipus rex (1927), Persephone (1935), and Orpheus (1947). Richard Taruskin wrote that Oedipus rex was "the product of Stravinsky's neo-classical manner at its most extreme," and that musical techniques "thought outdated" were juxtaposed against contemporary ideas. In addition, Stravinsky turned towards older musical structures and modernized them. His Octet (1923) uses
15252-538: Was the four-movement Piano Sonata in F-sharp minor , which was also his first work to be performed in public. Rimsky-Korsakov often gave Stravinsky the task of orchestrating various works to allow him to analyze the works' form and structure. Many of Stravinsky's early works showed influence from French composers as well, notably in the minimal use of large doublings and different combinations of tone colors. A number of Stravinsky's student compositions were performed at Rimsky-Korsakov's gatherings at his home; these include
15376-819: Was where his family vacationed during summers; their primary residence was an apartment along the Kryukov Canal in central Saint Petersburg, near the Mariinsky Theatre. Stravinsky was baptized hours after birth and joined to the Russian Orthodox Church in St. Nicholas Cathedral . Constantly in fear of his short-tempered father and indifferent towards his mother, Igor lived there for the first 27 years of his life with three siblings: Roman and Yury, his older siblings who irritated him immensely, and Gury, his close younger brother with whom he said he found "the love and understanding denied us by our parents". Igor
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