117-405: " Leave It " is a song by English rock band Yes . It appears on their 1983 album, 90125 , and released as its second single, following " Owner of a Lonely Heart ". The song peaked at number 24 on the Billboard Hot 100 and number 3 on the Top Album Rock Tracks chart. In the UK, the song rose to number 56 in late March 1984, in a run of five weeks on the chart. The song is the second track on
234-494: A Grammy Award for Best Rock Instrumental Performance with " Cinema ", and received five Grammy nominations between 1985 and 1992. They were ranked No. 94 on VH1 's 100 Greatest Artists of Hard Rock . In April 2017, Yes—represented by Anderson, Squire, Bruford, Kaye, Howe, Wakeman, White, and Rabin—were inducted into the Rock and Roll Hall of Fame . In late 1967, bassist Chris Squire and guitarist Peter Banks , both formerly of
351-403: A Duo or Group with Vocal award with 90125 . The band's 1984–1985 tour was the most lucrative in their history and spawned the home video release 9012Live , a concert film directed by Steven Soderbergh with added special effects from Charlex that cost $ 1 million. Issued in 1985, an accompanying live album also appeared that year, 9012Live: The Solos , which earned Yes a nomination for
468-456: A Grammy Award nomination for Best Rock Instrumental Performance in 1992. Howe described the nomination for a track he had recorded solo at home as "pure justice", following the difficulties in making the album. Union sold approximately 1.5 million copies worldwide, and peaked at number 7 in the UK and number 15 in the U.S. charts. Two singles from the album were released. " Lift Me Up " topped
585-606: A Lonely Heart" topped the Hot Mainstream Rock Tracks chart for four weeks and went on to reach the number-one spot on the Billboard Hot 100 singles chart, the only single from Yes to do so, for two weeks in January 1984. Kaye's short-term replacement on keyboards, Eddie Jobson , appeared briefly in the original video but was edited out as much as possible once Kaye had been persuaded to return to
702-424: A Word , accompanied by a 20-piece youth orchestra. Banks left the group on 18 April 1970, just three months before the album's release. Having expressed dissatisfaction with the idea of recording with an orchestra as well as the sacking of Flynn earlier in the year, Banks later indicated that he was fired by Anderson and Squire, and that Kaye and Bruford had no prior knowledge that it would be happening. Similar to
819-542: A Word . Yes premiered most of Time and a Word during their two solo concerts at the Queen Elizabeth Hall in London, on 21 and 22 March 1970. For the second half, they played songs from the album with a twenty-piece orchestra led by Tony Cox. Anderson later considered the shows a failure, due to a lack of rehearsal time and a poor sound system. To record the orchestra, microphones were left dangling above
936-403: A Word . In a November 1969 interview during a tour of Switzerland , Bruford talked about the album, saying Anderson was "pouring out new numbers for us to play ... Usually he writes a tune and we listen to the tape and take it from there". At Advision, Yes were joined by producer Tony Colton, a friend of Anderson's who was also the singer of the rock band Heads Hands & Feet . Phil Carson ,
1053-726: A Word" in March 1970 and "Sweet Dreams" in June 1970. The album sold no more copies than did the debut album Yes , which led management at Atlantic to consider dropping the band from the label. Carson managed to convince them to withdraw the notice, by which time the band had recruited Howe and secured Brian Lane as their new manager. The album received a mixed reception. It received an enthusiastic review by Roy Carr in New Musical Express in August 1970, which hailed it as one of
1170-533: A career in music production, with White and Squire next to depart. Left as the sole remaining members, Downes and Howe opted not to continue with the group and went their own separate ways in December 1980. Yesshows , a live album recorded during 1976 to 1978, mixed in mid-1979 and originally intended for release in late 1979, was released in November 1980, peaking at number 22 in the UK charts and number 43 in
1287-433: A follow-up to Big Generator and had been shopping around for a new singer, auditioning Roger Hodgson of Supertramp , Steve Walsh of Kansas , Robbie Nevil of " C'est la Vie " fame, and Billy Sherwood of World Trade . Walsh only spent one day with them, but Sherwood and the band worked well enough together and continued with writing sessions. Arista suggested that the "Yes-West" group, with Anderson on vocals, record
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#17327868278671404-557: A footnote within Paramahansa Yogananda 's book Autobiography of a Yogi . The album became the first LP in the UK to ship gold before the record arrived at retailers. It went on to top the UK charts for two weeks while reaching number 6 in the U.S., and became the band's fourth consecutive gold album. Wakeman was not pleased with the record and is critical of much of its material. He felt sections were "bled to death" and contained too much musical padding. Wakeman left
1521-460: A heavier, harder sound than the material Yes recorded with Anderson and Wakeman in 1979, opening with the lengthy hard rocker " Machine Messiah ". The album received substantial radio airplay in the late summer–fall of 1980, and peaked at number 2 in the UK and number 18 in the U.S., though it was the first Yes album to not be certified Gold by the RIAA since 1971. Their 1980 tour of North America and
1638-429: A lot of material together and became close friends. Yes performed "Walls" on Late Show with David Letterman on 20 June 1994. The 1994 tour (for which the band included side man Billy Sherwood on additional guitar and keyboards) used a sound system developed by Rabin named Concertsonics which allowed the audience located in certain seating areas to tune portable FM radios to a specific frequency, so they could hear
1755-591: A more structurally ambitious approach taken from the band's progressive blueprint, with the fifteen-minute track " Endless Dream ". The album reached number 20 in the UK and number 33 in the U.S. The track " The Calling " reached number 2 on the Billboard Hot Mainstream Rock Tracks chart and " Walls ", which Rabin had written with former Supertramp songwriter and co-founder Roger Hodgson , peaked at number 24. It also became Yes's second-last-charting single. Rabin and Hodgson wrote
1872-510: A new photo of the band for use on the US printing. By the time the photograph was taken, Steve Howe had replaced Peter Banks as Yes' guitarist, so Howe appears on the American version of the album cover. However, the back of the US record sleeve is identical to the UK version, so it includes a picture of Banks. Howe has said that the original album cover was rejected because it was sexist, but that he
1989-492: A nomination for a second Grammy Award for Best Rock Performance by a Duo or Group with Vocal in 1988, and was also certified platinum (with 1 million-plus in sales) by the RIAA. The single " Love Will Find a Way " topped the Mainstream Rock chart, while " Rhythm of Love " reached number 2 and " Shoot High Aim Low " number 11. The 1987–1988 tour ended with an appearance at Madison Square Garden on 14 May 1988 as part of
2106-517: A performance in Champaign , the track is not known to have been performed during the tour. The song "Time and a Word" saw the band searching for an anthem-type song. Anderson, who was still musically naïve, presented its basic theme to the group on a guitar, using only two or three chords, leaving the other band members trying to discern what he was playing. The song was recorded with Foster on acoustic guitar. Again, Banks didn't agree and claimed it
2223-534: A photograph of the band was used; due to the lineup change, this put Howe on the cover of an album on which he did not perform. Time and a Word received mixed reviews from critics, but became the band's first release to enter the UK Albums Chart , peaking at number 45; however, it did not chart in the United States. In 2003 the album was remastered with several previously unreleased tracks. After
2340-433: A record producer and even briefly considered being a member of Asia . The three teamed up in a new band called Cinema , for which Squire also recruited the original Yes keyboard player Tony Kaye. Later in 1982, Cinema entered the studio to record their debut album. Although Rabin and Squire initially shared lead vocals for the project, Trevor Horn was briefly brought into Cinema as a potential singer, but soon opted to become
2457-501: A rented farmhouse in Devon to write and rehearse new songs for their following album. Howe established himself as an integral part of the group's sound with his Gibson ES-175 and variety of acoustic guitars. With producer and engineer Eddy Offord , recording sessions lasted as long as 12 hours with each track being assembled from small sections at a time, which were pieced together to form a complete track. The band would then learn to play
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#17327868278672574-489: A reunited band with a history and expectations, rather than help launch a new group. However, with four of the five members having been members of Yes (with three of them being original members, including the distinctive lead singer) it suggested that the name change was sound commercial strategy. The new album marked a significant change in style as the revived Yes had adopted more of a pop rock sound with few moments that recalled their progressive rock past. This incarnation of
2691-475: A second Grammy Award for Best Rock Instrumental Performance for Squire's solo track, a rendition of " Amazing Grace ". Yes began recording for their twelfth album, Big Generator , in 1985, initially with Trevor Horn returning as producer. The sessions underwent many starts and stops due to the use of multiple recording locations in Italy, London and Los Angeles, with interpersonal problems leading to Horn leaving
2808-496: A serious band dispute over finance saw Anderson leave Yes, with a dispirited Wakeman departing at around the same time. In 1980, pop duo The Buggles (singer Trevor Horn and keyboardist Geoff Downes ) secured the services of Brian Lane , who had managed Yes since 1970, as their manager. The Buggles were best known for their 1979 hit single " Video Killed the Radio Star " from their album The Age of Plastic . At this point,
2925-451: A studio album. Yes's latest album, Mirror to the Sky , was released in 2023. Yes are one of the most successful, influential, and longest-lasting progressive rock bands. With a discography spanning 23 studio albums, they have sold 13.5 million Recording Industry Association of America (RIAA)-certified albums in the U.S., as well as more than 30 million albums worldwide. In 1985, they won
3042-464: A theme from "Jupiter, the Bringer of Jollity" from The Planets suite by English composer Gustav Holst and shows Anderson incorporating other themes from classical music, to which he listened regularly. "Sweet Dreams" was particularly well-received by future Yes guitarist Trevor Rabin , who requested that the band perform the song in concert during the 90125 tour in 1984. However, other than
3159-503: A while." For his part, Rabin felt that he had achieved his highest ambitions with Talk and lamented its disappointing reception, feeling that this was due to the fact that it "just wasn't what people wanted to hear at the time." Having remarked at the conclusion of the tour "I think I'm done", Rabin quit the band and returned to Los Angeles, where he shifted his focus to composing for films. Kaye also left Yes to pursue other projects. In November 1995, Anderson, Squire and White resurrected
3276-694: A worker at the bar in La Chasse, who found they shared interests in Simon & Garfunkel and harmony singing. That evening at Squire's house they wrote "Sweetness" which was included on the first Yes album, and Anderson subsequently joined as lead vocalist. In June 1968, Hagger was replaced by Bill Bruford , who had placed an advertisement in Melody Maker , while in July the classically trained organist and pianist Tony Kaye , of Johnny Taylor's Star Combo and
3393-440: Is a fragmented masterpiece, assembled with loving care and long hours in the studio. Brilliant in patches, but often taking far too long to make its various points, and curiously lacking in warmth or personal expression ..."Ritual" is a dance of celebration and brings the first enjoyable moments, where Alan's driving drums have something to grip on to and the lyrics of la la la speak volumes. But even this cannot last long and cohesion
3510-454: Is lost once more to the gods of drab self indulgence. — Melody Maker review of Tales from Topographic Oceans , 1973 Tales from Topographic Oceans was the band's sixth studio album, released on 7 December 1973. It marked a change in their fortunes and polarised fans and critics alike. The double vinyl set was based on Anderson's interpretation of the Shastric scriptures from
3627-412: The 1997/1998 Open Your Eyes tour , Yes hired Russian keyboard player Igor Khoroshev , who had played on some of the album tracks. Significantly, the tour setlist featured only a few pieces from the new album, and mostly concentrated on earlier material. Anderson and Howe, who had been less involved with the writing and production on Open Your Eyes than they'd wished, would express dissatisfaction about
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3744-547: The Billboard Hot 100 singles chart. In February 1972, Yes recorded a cover version of " America " by Paul Simon and released it in July. The single reached number 46 on the U.S. singles chart. The track subsequently appeared on The New Age of Atlantic , a 1972 compilation album of several bands signed to Atlantic Records, and again in the 1975 compilation Yesterdays . Released in September 1972, Close to
3861-736: The Jon and Vangelis project) at a Los Angeles party and, encouraged by Atlantic Records vice president Phil Carson , played Anderson the Cinema demo tracks. Anderson was then invited into the project as lead singer and joined in April 1983 during the last few weeks of the sessions, having comparatively little creative input beyond adding his lead vocals and re-writing some lyrics. At the suggestion of Carson and other Atlantic executives, Cinema then changed their name to Yes in June 1983. Rabin initially objected to this, as he now found that he had inadvertently joined
3978-607: The Mellotron and the Minimoog synthesizer, preferring to stick exclusively to piano and Hammond organ , led to the keyboardist being fired from the band in the summer of 1971. Anderson recalled in a 2019 interview: "Steve and Chris came over and said, 'Look, Tony Kaye... great guy.' But, you know, we'd just seen Rick Wakeman about a month earlier. And I said, 'There's that Rick Wakeman guy,' and we've got to get on with life and move on, you know, rather than keep going on, set in
4095-660: The "classic" 1970s lineup of Yes by inviting Wakeman and Howe back to the band, recording two new lengthy tracks called "Be the One" and "That, That Is". In March 1996 Yes performed three live shows at the Fremont Theater in San Luis Obispo , California which were recorded and released, along with the new studio tracks, that October on CMC International Records as the Keys to Ascension album, which peaked at number 48 in
4212-530: The "classic" Yes, although from the start the project had included bass player Tony Levin , whom Bruford had worked with in King Crimson. The project, rather than taking over or otherwise using the Yes name, was called Anderson Bruford Wakeman Howe (ABWH). Their eponymous album , released in June 1989, featured "Brother of Mine", which became an MTV hit and went gold in the United States. It later emerged that
4329-593: The Beatles , The 5th Dimension and Traffic . On 16 September, Yes performed at Blaise's club in London as a substitute for Sly and the Family Stone , who had failed to turn up. They were well received by the audience, including the host Roy Flynn , who became the band's manager that night. That month, Bruford decided to quit performing to study at the University of Leeds . His replacement, Tony O'Reilly of
4446-461: The Edge (1972) and the live album Yessongs (1973). Further albums, Tales from Topographic Oceans (1973), Relayer (1974), Going for the One (1977) and Tormato (1978), were also commercially successful. Yes toured as a major rock act that earned the band a reputation for their elaborate stage sets, light displays, and album covers designed by Roger Dean . The success of " Roundabout ",
4563-424: The Edge , the band's fifth album, was their most ambitious work so far. At 19 minutes, the title track took up an entire side on the vinyl record and combined elements of classical music, psychedelic rock, pop and jazz. The album reached number 3 in the U.S. and number 4 on the UK charts. " And You and I " was released as a single that peaked at number 42 in the U.S. The growing critical and commercial success of
4680-537: The European managing director of Atlantic and a fan of the band, brought in audio engineer Eddy Offord to assist Colton in the album's production because of his skills and hard work. Offord would become a key figure in the band's history in the 1970s as their producer and live sound mixer. The group continued to follow their early musical direction of performing original material and rearranged cover versions of songs by pop , jazz , and folk artists. They followed
4797-559: The Federals, became the keyboardist. This lineup rehearsed in the basement of The Lucky Horseshoe cafe on Shaftesbury Avenue between 10 June and 9 July 1968. Meanwhile, Banks had left Mabel Greer's Toyshop to join Neat Change, but he was dismissed by this group on 14 July 1968 and was finally recalled by Squire, replacing Bayley as guitarist. The last gig by Mabel Greer's Toyshop was on 27 July, at Newmarket. Having considered
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4914-653: The Fox ", a Christmas single with Squire on vocals which received radio airplay through the 1980s and early 1990s during the Christmas periods. A second Yes compilation album, Classic Yes , was released in November 1981. At the beginning of 1982, Phil Carson of Atlantic Records introduced Squire and White to guitarist and singer Trevor Rabin , who had initially made his name with the South African supergroup Rabbitt , subsequently releasing three solo albums, working as
5031-580: The Koobas , struggled to perform with the rest of the group on stage and former Warriors and future King Crimson drummer Ian Wallace subbed for one gig on 5 November 1968. After Bruford was refused a year's sabbatical leave from Leeds, Anderson and Squire convinced him to return for Yes's supporting slot for Cream's farewell concert at the Royal Albert Hall on 26 November. After seeing an early King Crimson gig in 1969, Yes realised that there
5148-595: The Mainstream Rock charts in May 1991 for six weeks, while " Saving My Heart " peaked at number 9. Almost the entire band have openly stated their dislike of Union . Bruford has disowned the album entirely, and Wakeman was reportedly unable to recognise any of his keyboard work in the final edit and threw his copy of the album out of his limousine. He has since referred to the album as "Onion" because it makes him cry when he thinks about it. Union co-producer Jonathan Elias later stated publicly in an interview that Anderson, as
5265-423: The One topped the UK album charts for two weeks and reached number 8 in the U.S. " Wonderous Stories " and "Going for the One" were released as singles in the UK and reached numbers 7 and 25, respectively. Although the album's cover was designed by Hipgnosis , it still features their Roger Dean "bubble" logotype . The band's 1977 tour spanned across six months. Tormato was released in September 1978 at
5382-605: The Syn , joined the psychedelic rock band Mabel Greer's Toyshop , which had formed in 1966 by Clive Bayley and Robert Hagger. They played at the Marquee Club in Soho , London where Jack Barrie, owner of the nearby La Chasse club, saw them perform. "There was nothing outstanding about them", he recalled, "the musicianship was very good but it was obvious they weren't going anywhere". Barrie introduced Squire to singer Jon Anderson ,
5499-556: The UK and number 99 in the U.S. A same-titled live video of the shows was also released that year. Yes continued to record new tracks in the studio, drawing some material written around the time of the XYZ project. At one point the new songs were to be released as a studio album, but commercial considerations meant that the new tracks were eventually packaged with the remainder of the 1996 San Luis Obispo shows in November 1997 on Keys to Ascension 2 . The record managed to reach number 62 in
5616-531: The UK received a mixed reaction from audiences. They were well received in the United States and were awarded with a commemorative certificate after they performed a record 16 consecutive sold-out concerts at Madison Square Garden since 1974. After the Drama tour, Yes reconvened in England to decide the band's next step, beginning by dismissing Lane as their manager. Horn was also dismissed, and went on to pursue
5733-545: The UK, but failed to chart in the U.S. Disgruntled at the way a potential studio album had been sacrificed in favour of the Keys to Ascension releases (as well as the way in which a Yes tour was being arranged without his input or agreement), Wakeman left the group again. (The studio material from both albums would eventually be compiled and re-released without the live tracks onto a single CD, 2001's Keystudio .) With Yes in disarray again, Squire turned to Billy Sherwood (by now
5850-443: The US. An announcement came from the group's management in March 1981 confirming that Yes no longer existed. Downes and Howe soon reunited to form Asia with former King Crimson bassist and vocalist John Wetton , and drummer Carl Palmer from Emerson, Lake & Palmer . Squire and White continued to work together, initially recording sessions with Jimmy Page for a proposed band called XYZ (short for "ex-Yes-and-Zeppelin") in
5967-463: The album failed to break into the UK album charts, Rolling Stone critic Lester Bangs complimented the album's "sense of style, taste and subtlety". Melody Maker columnist Tony Wilson chose Yes and Led Zeppelin as the two bands "most likely to succeed". Following a tour of Scandinavia with Faces , Yes performed a solo concert at the Queen Elizabeth Hall on 21 March 1970. The second half consisted of excerpts from their second album Time and
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#17327868278676084-613: The album later. Time and a Word Time and a Word is the second studio album by English rock band Yes , first released in the UK on 24 July 1970 and later in the US on 2 November 1970 by Atlantic Records . It was put together several months after the release of the band's 1969 eponymous debut , during which they continued to tour heavily and recorded Time and a Word between shows. Yes continued to follow their early musical direction of performing original material and cover versions of songs by pop , jazz , and folk artists. A small orchestra of brass and string session musicians
6201-404: The album's first cover song and opening track, was written by American artist Richie Havens . It opens with an orchestral theme taken from the soundtrack to the 1958 Western film The Big Country by Jerome Moross . Anderson wrote "The Prophet" which tells the story of a man, followed by many, who tells the others to find and believe in themselves and not follow "like sheep". The song borrows
6318-413: The album's mix. Banks also disagreed with the decision to have Colton produce the album and claimed that Colton lacked the experience and personally disliked Banks and his playing. Colton's ability was also questioned by Squire, who recalled one incident during the mixing of "No Opportunity Necessary, No Experience Needed", by which time Banks' replacement Steve Howe had joined and attended; Colton mixed
6435-513: The album's original UK pressing was designed and photographed by Laurence Sackman and co-ordinated by Graphreaks. The front cover features a black-and-white Dada -esque chequered design and a nude woman, while the back cover included photographs of each member in front of a wind machine, distorting their faces. The front cover art was deemed inappropriate by the American record distributors, so Atlantic Records arranged for photographer Barrie Wentzell, at his Wardour Street studio in London, to take
6552-529: The album's second side, with the song " Cinema " serving as a form of prelude. The 12-inch single release (ATCO 0-96964) featured an extended "Hello, Goodbye" remix by Trevor Horn (9:30) as the A-side, with the B-side consisting of the 7-inch single remix (3:52) and the A Capella remix (3:19). The 7-inch single includes the two B-side tracks of the 12". There were repeated single-issues, most backed with remixes of
6669-504: The associate producer, knew of the session musicians' involvement. He added that he and Anderson had even initiated their contributions, because hostility between some of the band members at the time was preventing work from being accomplished. The 1991–1992 Union tour united all eight members on a revolving circular stage. Following the tour's conclusion in 1992, Bruford chose not to remain involved with Yes and returned to his jazz project Earthworks . Howe also ceased his involvement with
6786-521: The backgrounds. In late 1976, the band travelled to Switzerland and started recording for their album Going for the One at Mountain Studios , Montreux . It was then that Anderson sent early versions of "Going for the One" and " Wonderous Stories " to Wakeman, who felt he could contribute to such material better than the band's past releases. Moraz was let go, after Wakeman was booked on a session musician basis. Upon its release in July 1977, Going for
6903-798: The band after the 1973–1974 tour ; his solo album Journey to the Centre of the Earth topped the UK charts in May 1974. The tour included five consecutive sold-out shows at the Rainbow Theatre, the first time a rock band achieved this. Several musicians were approached to replace Wakeman, including Vangelis Papathanassiou , Eddie Jobson of Roxy Music and former Atlantis/Cat Stevens keyboardist Jean Roussel . Howe says he also asked Keith Emerson , who did not want to leave Emerson, Lake & Palmer . Yes ultimately chose Swiss keyboardist Patrick Moraz of Refugee , who arrived in August 1974 during
7020-451: The band at this time. In August 1991, while the Union tour was underway, Atlantic released Yesyears , a four-CD box set anthology. Two accompanying home videos, Yesyears and Greatest Video Hits , were also released during 1991. In 1993, the album Symphonic Music of Yes was released, featuring orchestrated Yes tracks arranged by Dee Palmer . Howe, Bruford and Anderson perform on
7137-539: The band has sometimes been informally referred to as "Yes-West", reflecting the band's new base in Los Angeles rather than London. Yes released their comeback album 90125 (named after its catalogue serial number on Atco Records ) in November 1983. It became their biggest-selling album, certified by the RIAA at triple-platinum (3 million copies) in sales in the U.S., and introduced the band to younger fans. "Owner of
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#17327868278677254-410: The band increased, and just after the album's recording was completed in early 1970, Banks was asked to leave. Steve Howe would join the line-up as a replacement that June. Following the UK release of Time and a Word in July 1970, the album became the group's first to enter the UK Albums Chart , with a peak at number 45. Its US release followed in November 1970. Two singles were released: "Time and
7371-544: The band itself. Victory Music approached Rabin with a proposal to produce an album solely with the 90125 lineup. Rabin initially countered by requesting that Wakeman also be included. Rabin began assembling the album at his home, using the then-pioneering concept of a digital home studio, and used material written by himself and Anderson. The new album was well into production in 1993, but Wakeman's involvement had finally been cancelled, as his refusal to leave his long-serving management created insuperable legal problems. Talk
7488-516: The band released a solo album. Their subsequent 1976 tour of North America with Peter Frampton featured some of the band's most-attended shows. The show of 12 June, also supported by Gary Wright and Pousette-Dart Band at John F. Kennedy Stadium in Philadelphia, attracted over 100,000 people. Roger Dean's brother Martyn was the main designer behind the tour's "Crab Nebula" stage set, while Roger and fabric designer Felicity Youette provided
7605-593: The band since. Yes (band) Yes are an English progressive rock band formed in London in 1968 by lead singer Jon Anderson , bassist Chris Squire , guitarist Peter Banks , keyboardist Tony Kaye , and drummer Bill Bruford . The band has undergone numerous lineup changes throughout their history, during which 20 musicians have been full-time members. Since February 2023, the band has consisted of guitarist Steve Howe , keyboardist Geoff Downes , bassist Billy Sherwood , singer Jon Davison , and drummer Jay Schellen . Yes have explored several musical styles over
7722-508: The band toward a more pop-oriented sound, the result of which was 90125 (1983), their highest-selling album, which featured the band's only U.S. number-one single, " Owner of a Lonely Heart ". Its follow-up, Big Generator (1987), was also successful. In 1989, Anderson, Bruford, Wakeman, and Howe formed a separate group and released a self-titled album . At the suggestion of the record company, both groups merged into an eight-piece lineup for Union (1991) and its tour. The combined group
7839-552: The band was not enough to retain Bruford, who left Yes in the summer of 1972, before the album's release, to join King Crimson . The band considered several possible replacements, including Aynsley Dunbar (who was playing with Frank Zappa at the time), and decided on former Plastic Ono Band drummer Alan White , a friend of Anderson and Offord who had once sat in with the band weeks before Bruford's departure. White learned
7956-417: The band's engineer) for help. Both men had been working on a side project called Conspiracy and reworked existing demos and recordings from there to turn them into Yes songs, and also worked on new material with Anderson and White. (Howe's involvement at this stage was minimal, mainly taking place towards the end of the sessions.) Sherwood's integral involvement with the writing, production, and performance of
8073-468: The band's producer instead. Horn worked well with the band. However, his clashes with Tony Kaye (complicated by the fact that Rabin was playing most of the keyboards during the recording sessions) led to Kaye's departure during the recording, though some of his playing was kept on the final album and he had returned by the time it was released. Meanwhile, Squire encountered Jon Anderson (who, since leaving Yes, had released two solo albums and had success with
8190-552: The band's repertoire in three days before embarking on their 1972–1973 tour . By this point, Yes were beginning to enjoy worldwide commercial and critical success. Their early touring with White was featured on Yessongs , a triple live album released in May 1973 that documented shows from 1972. The album reached number 7 in the UK and number 12 in the U.S. A concert film of the same name premiered in 1975 that documented their shows at London's Rainbow Theatre in December 1972, with added psychedelic visual images and effects. It
8307-420: The band. In 1984, two further singles from the album " Leave It " and " It Can Happen " reached number 24 and 57, respectively. Yes also earned their only Grammy Award for Best Rock Instrumental Performance in 1985 for the two-minute track " Cinema ". They were also nominated for an award for Best Pop Performance by a Duo or Group with Vocals with "Owner of a Lonely Heart", and a Best Rock Performance by
8424-487: The best releases of the year. To the reviewer, its material was "mentally exhilarating", and "No Opportunity Necessary, No Experience Needed" set the standard and mood of the remaining seven tracks. Cox's arrangements were praised, which blended well with the group's ability "to perform intricate and highly complex ensemble passages with meticulous dexterity and precision". The review credited the band's instrumental strength from Squire's "identifiable" bass playing, which created
8541-487: The concert with headphones. In early 1995, following the tour, disagreements and dissatisfactions forced another change in the band. 1990s Yes manager Jon Brewer has stated that Squire had not appreciated the Talk production process: "(he) didn't like that. He didn't think it was what Yes was all about; he was very much against a computerised, digital sound at that time. So Trevor and Chris moved away from one another for quite
8658-487: The departure of Anderson and Wakeman had been kept secret from everyone outside the Yes inner circle. Seeing an option of continuing the band with new creative input and expertise, Squire revealed the situation to Horn and Downes and suggested that they join Yes as full-time members. Horn and Downes accepted the invitation and the reconfigured band recorded the Drama album, which was released in August 1980. The record displayed
8775-479: The differing Yes styles of the 1970s and 1980s. (Sherwood: "My goal was to try to break down those partisan walls… For that, I am proud—to have aligned planets for a moment in time." ) However, Open Your Eyes was not a chart success; the record peaked at number 151 on the Billboard 200 but failed to enter the charts in the UK. The title single managed to reach number 33 on the mainstream rock chart. For
8892-480: The experience of Mabel Greer's Toyshop concluded, the group exchanged ideas for a new name. Anderson suggested Life and Squire thought of World, but the five agreed on Yes, which Banks had thought of a couple of years before. After rehearsals between 31 July and 2 August, the first gig as Yes followed at a youth camp in East Mersea , Essex on 3 August. Early sets were formed of cover songs from artists such as
9009-427: The first album, Time and a Word features original songs and two new covers–"Everydays" by Buffalo Springfield and "No Opportunity Necessary, No Experience Needed" by Richie Havens . The album broke into the UK charts, peaking at number 45. Banks' replacement was Tomorrow guitarist Steve Howe , who appears in the photograph of the group on the American issue despite not having played on it. The band retreated to
9126-739: The four band members had not all recorded together; Anderson and producer Chris Kimsey slotted their parts into place. Howe has stated publicly that he was unhappy with the mix of his guitars on the album, though a version of "Fist of Fire" with more of Howe's guitars left intact appeared on the In a Word: Yes box set in 2002. ABWH toured in 1989 and 1990 as "An Evening of Yes Music" which featured Levin, keyboardist Julian Colbeck , and guitarist Milton McDonald as support musicians. A live album and home video were recorded and released in 1993, both titled An Evening of Yes Music Plus that featured Jeff Berlin on bass due to Levin suffering from illness. The tour
9243-502: The four songs to add to the new album which would then be released under the Yes name. Union was released in April 1991 and is the thirteenth studio album from Yes. Each group played their own songs, with Anderson singing on all tracks. Squire sang background vocals on a few of the ABWH tracks, with Tony Levin playing all the bass on those songs. The album does not feature all eight members playing at once. The track "Masquerade" earned Yes
9360-477: The group discussed using a Mellotron and tested one out, but the idea fell through. Instead, a brass section of session players and a string section formed of students from the Royal College of Music were hired to perform arrangements written and conducted by Tony Cox . Time and a Word was met with "Yes-style controversy", as described by band biographer and reporter Chris Welch . Banks became
9477-412: The group to seek outside songwriters, preferably ones who could help them deliver hit singles. Anderson approached Rabin about the situation, and Rabin sent Anderson a demo tape with three songs, indicating that ABWH could have one but had to send the others back. Arista listened to them and wanted all of them, proposing to create a combined album with both Yes factions. The "Yes-West" group were working on
9594-485: The height of punk rock in England, during which the music press criticised Yes as representing the bloated excesses of early-1970s progressive rock. The album saw the band continuing their movement towards shorter songs; no track runs longer than eight minutes. Wakeman replaced his Mellotrons with the Birotron , a tape replay keyboard , and Squire experimented with harmonisers and Mu-tron pedals with his bass. Production
9711-450: The importance of Horn’s production. Cash Box described "Leave It" as having "a rather unnerving mixture of urgent, albeit contradictory, elements" and said that it starts with "a rich studio chorale intro" and has a "real tasty Vanilla Funk groove." The music video (directed by Godley and Creme ) depicts the band members standing in a line and dressed in black business suits as their images go through video-created abstract effects. It
9828-407: The making of the video was broadcast on MTV in 1984. Also, a marathon showing all eighteen videos, one after the other, was also shown on MTV. "Leave It" appeared in a similar manner on the 9012Live tour as it had on the album; it was the second song performed each night, with "Cinema" serving as the intro. The song was performed on all 113 shows of the 9012Live tour, but has never been performed by
9945-483: The most outspoken member over his issues surrounding the album which began the strain on his relationship with the rest of the group. He did not support the idea of an orchestra and thought it merely followed what rock bands Deep Purple and the Nice had already done. He argued it merely played parts originally written for the guitar or organ, leaving his active participation to the album a minimum or his guitar buried into
10062-470: The music led to his finally joining Yes as a full member (taking on the role of harmony singer, keyboardist and second guitarist). The results of the sessions were released in November 1997 as the seventeenth Yes studio album, Open Your Eyes (on the Beyond Music label, who ensured that the group had greater control in packaging and naming). The music (mainly at Sherwood's urging) attempted to bridge
10179-409: The orchestral and choral textures that befitted their new material. Released on 12 November 1971, the band's fourth album Fragile showcased their growing interest in the structures of classical music, with an excerpt of The Firebird by Igor Stravinsky being played at the start of their concerts since the album's 1971–1972 tour . Each member performed a solo track on the album, and it marked
10296-521: The players using coat hangers. Banks thought the experiment was a "daft idea". Nevertheless, Chris Welch wrote a positive review in Melody Maker noting that despite the amplification problems, the "musical break-through" reaction from the audience suggested to him that the group had "arrived". The shows were the last in which Yes performed with an orchestra, until the 2001 Symphonic Tour to support their nineteenth studio album Magnification , which also featured orchestral arrangements. Tensions within
10413-414: The project, their growing musical differences, combined with internal dissension, obstructed progress. Journalist Chris Welch, after attending a rehearsal, noted that Anderson "was singing without his usual conviction and seemed disinclined to talk". By late March, Howe, Squire and White had begun demoing material as an instrumental trio, increasingly uncertain about Anderson's future involvement. Eventually,
10530-656: The record, joined by the London Philharmonic Orchestra , the English Chamber Orchestra and the London Community Gospel Choir . Howe and Bruford performed together on television (presented as "Yes") to promote the album, marking Bruford's final performance under the Yes name before retiring from performing. The next Yes studio album, as with Union , was masterminded by a record company, rather than by
10647-464: The recording sessions for Relayer , which took place at Squire's home in Virginia Water , Surrey. Released in November that year, Relayer showcased a jazz fusion -influenced direction the band were pursuing. The album features the 22-minute track titled " The Gates of Delirium ", which highlights a battle initially inspired by War and Peace by Leo Tolstoy . Its closing section, "Soon",
10764-419: The release of their debut album Yes in July 1969 for Atlantic Records , Yes resumed extensive touring across the UK. The line-up of the group at this time included lead vocalist Jon Anderson , guitarist Peter Banks , bassist Chris Squire , drummer Bill Bruford , and organist Tony Kaye . Towards the end of 1969, they booked time at Advision Studios in London during gaps between shows to record Time and
10881-574: The rest preferred a heavier rock sound. Howe, Squire and White liked none of the music Anderson was offering at the time as it was too lightweight and lacking in the heaviness that they were generating in their own writing sessions. The Paris sessions abruptly ended in December after White broke his foot while rollerskating in a roller disco. When the band, minus Wakeman (who had only committed to recording keyboard overdubs once new material would be ready to record), reconvened in February to resume work on
10998-484: The round with a £50,000 revolving stage and a 360-degree sound system fitted above it. Their dates at Madison Square Gardens earned Yes a Golden Ticket Award for grossing over $ 1 million in box office receipts. In October 1979, the band convened in Paris with producer Roy Thomas Baker . Their diverse approach was now succumbing to division, as Anderson and Wakeman favoured the more fantastical and delicate approach while
11115-431: The same circle. And that's what happens with a band." Wakeman, a classically trained player who had left the folk rock group Strawbs earlier in the year, was already a noted studio musician, with credits including T. Rex , David Bowie , Cat Stevens and Elton John . Squire commented that he could play "a grand piano for three bars, a Mellotron for two bars and a Moog for the next one absolutely spot on", which gave Yes
11232-463: The same format as Yes : an album of eight tracks with two covers. A discussion amongst Squire, Anderson, and Colton during the writing process led to the decision of incorporating orchestral arrangements into some of their new songs. Anderson wished to use an orchestra as their new ideas needed additional sounds. He observed that Banks and Kaye had not worked together to create a strong sound that their new arrangements required. To attempt to solve this,
11349-421: The same token, one of only two tracks on the album whose credits do not include Anderson. "Leave It" has been described as the band's " funkiest " song, "riding out a nimble bass groove, ping-ponging choral vocals, and Graham Preskett 's unexpected violin flourishes." Also notable, according to Stuart Chambers, are the use of sampled drum sounds, the "chorale effect’’, taken by Anderson, to a "higher plateau" and
11466-414: The sessions partway through, all of which kept the album from timely completion (the album was intended for a 1986 release, but by the end of that year it was still incomplete). Eventually Rabin took over final production. The album was released in September 1987, and immediately began receiving heavy radio airplay, with sales reaching number 17 in the UK and number 15 in the U.S. Big Generator earned Yes
11583-480: The single from Fragile , cemented their popularity across the decade and beyond. The early 1970s saw lasting lineup changes, with Banks, Kaye, and Bruford being replaced by Howe, Rick Wakeman , and Alan White . In 1979, growing musical differences led Anderson and Wakeman to leave the group; after Drama (1980) and its tour, Yes disbanded in 1981. In 1983, Squire and White reformed Yes with Anderson, Kaye, and guitarist Trevor Rabin . Rabin's songwriting helped move
11700-454: The song or an a cappella version. The original version was occasionally placed as the B-side of " Owner of a Lonely Heart ", and on another instance, the original version was found on a 12-inch single with another A-side track, " City of Love ". The song has the distinction of being the only track from 90125 virtually unaltered, in terms of writing, from the version recorded by Squire, Rabin, White and Kaye before Jon Anderson rejoined and, by
11817-713: The song through after the final mix was complete. Released in February 1971, The Yes Album peaked at number 4 in the UK and number 40 on the U.S. Billboard 200 charts. Yes embarked on a 28-day tour of Europe with Iron Butterfly in January 1971. The band purchased Iron Butterfly's entire public address system , which improved their on-stage performance and sound. Their first date in North America followed on 24 June in Edmonton , Alberta, Canada, supporting Jethro Tull . Friction arose between Howe and Kaye on tour; this, along with Kaye's reported reluctance to play
11934-585: The song using "a crappy pair of cans that did not reproduce bass", rather than using the studio's monitoring equipment. Colton asked for more bass, but Squire and Howe noticed that the bass levels on the monitors were already high. In 1995, Offord said that he too thought Colton had not been the right person to produce the band at that time. The album's six original tracks are credited to Anderson with either Squire or David Foster, Anderson's former bandmate in The Warriors . Banks said he made contributions to
12051-527: The spring of 1981. Page's former bandmate Robert Plant was also to be involved as the vocalist but he lost enthusiasm, citing his ongoing grieving for recently deceased Led Zeppelin drummer John Bonham . The short-lived group produced a few demo tracks, elements of which would appear in Page's band the Firm and on future Yes tracks "Mind Drive" and "Can You Imagine?". In late 1981, Squire and White released " Run with
12168-547: The star-studded Atlantic Records 40th anniversary concert . By the end of 1988, Anderson felt creatively sidelined by Rabin and Squire and had grown tired of the musical direction of the "Yes-West" lineup. He took leave of the band, asserting that he would never stay in Yes purely for the money, and started work in Montserrat on a solo project that eventually involved Wakeman, Howe and Bruford. This collaboration led to suggestions that there would be some kind of reformation of
12285-408: The start of their long collaboration with artist Roger Dean , who designed the group's logo , album art and stage sets. Fragile peaked at number 7 in the UK and number 4 in the U.S. after it was released there in January 1972, and was their first record to reach the top ten in North America. A shorter version of the opening track, " Roundabout ", was released as a single that peaked at number 13 on
12402-502: The writing of the album, but his name was not included in the credits. It did not bother him at first, but it caused some discontent years later when he missed out on royalties. Time and a Word marked a development in Anderson's lyric content, who began to move from simple love themes to topics of greater scale, described by band biographer Dan Hedges as "life, oneness and the future". "No Opportunity Necessary, No Experience Needed",
12519-542: The years and are most notably regarded as progressive rock pioneers. Yes began performing original songs and rearranged covers of rock, pop, blues and jazz songs, as showcased on their self-titled debut album (1969), and its follow-up, Time and a Word (1970). A change of direction later in 1970 led to a series of successful progressive rock albums, with four consecutive U.S. platinum or multi-platinum sellers in The Yes Album (1971), Fragile (1971), Close to
12636-399: Was also dogged by legal battles sparked by Atlantic Records due to the band's references to Yes in promotional materials and the tour title. Following the tour, the group returned to the recording studio to produce their second album, tentatively called Dialogue . After hearing the tracks, Arista Records refused to release the album as they felt the initial mixes were weak. They encouraged
12753-483: Was angry at Atlantic Records for continually printing and selling an album with his photo on the cover even though he did not play on the record. The cover of the compilation album Yesterdays painted by Roger Dean , which was released in America, was a homage to the cover of this album. It featured a nude woman in the same pose, with her head not being visible, and with a black butterfly on her hip, just as on Time and
12870-420: Was handled collectively by the band and saw disagreements at the mixing stage among the members. With heavy commercial rock-radio airplay, the album reached number 8 in the UK and number 10 in the U.S. charts, and was also certified platinum (1 million copies sold) by the RIAA . Despite internal and external criticisms of the album, the band's 1978–1979 tour was a commercial success. Concerts were performed in
12987-429: Was not meant to be part of the final mix, having been intended only as a guide track. On the final version, Banks played his parts over Foster's. Yes also recorded "Dear Father" at Advision Studios , but decided not to include the track on the album. It was released as the B-side of the "Sweet Dreams" single, but only received an album release when it was included on the 1975 compilation Yesterdays . The sleeve for
13104-421: Was one of the first music videos to utilize computer-generated imagery . Eighteen different variations of the video were made (the first one, for instance, simply had the band upside-down, but motionless for the whole song, while the seventh one was just the first one but with only Jon Anderson), with the eleventh one chosen as the "standard" version, and has remained the "official" video. A half-hour documentary on
13221-521: Was released in March 1994 and is the band's fourteenth studio release. Its cover was designed by pop artist Peter Max . The record was largely composed and performed by Rabin, with the other band members following Rabin's tracks for their respective instrumentation. It was digitally recorded and produced by Rabin with engineer Michael Jay, using 3.4 GB of hard disk storage split among four networked Apple Macintosh computers running Digital Performer . The album blended elements of radio-friendly rock with
13338-491: Was short-lived, and from 1994 to 2001, Yes regularly released studio albums with some lineup changes and varying levels of success. After a second hiatus, Yes once again reformed in 2009, adding Trevor Horn and Downes (both having appeared on Drama ) and later, Davison as lead singer. Squire died in 2015, and White in 2022, leaving Howe as the only remaining member from the 1970s era. Former members Anderson, Rabin, and Wakeman collaborated from 2016 to 2018, but did not release
13455-448: Was subsequently released as a single. The album reached No. 4 in the UK and No. 5 in the U.S. Yes embarked on their 1974–1975 tour to support Relayer . The compilation album Yesterdays , released in 1975, contained tracks from Yes's first two albums, the B-side track from their "Sweet Dreams" single from 1970 titled "Dear Father", and the original ten-minute version of their cover of "America". Between 1975 and 1976, each member of
13572-410: Was suddenly stiff competition on the London gigging circuit, and they needed to be much more technically proficient, starting regular rehearsals. They subsequently signed a deal with Atlantic Records , and, that August, released their debut album Yes . Compiled of mostly original material, the record includes renditions of " Every Little Thing " by the Beatles and "I See You" by The Byrds . Although
13689-399: Was used on most of the album's songs. Guitarist Peter Banks did not support the idea of adding an orchestra to the album, resulting in increased tensions between him and the rest of the group. During their UK tour in April 1970, and before the album's release, Banks was fired by the band and replaced by Steve Howe . The UK album cover was considered inappropriate for the American market, so
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