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189-449: Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley . Frankenstein tells the story of Victor Frankenstein , a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she
378-612: A scientific principle he discovered. Shelley describes the monster as 8 feet (240 cm) tall and emotional. The monster attempts to fit into human society but is shunned, which leads him to seek revenge against Frankenstein. According to the scholar Joseph Carroll , the monster occupies "a border territory between the characteristics that typically define protagonists and antagonists". Frankenstein's monster became iconic in popular culture, and has been featured in various forms of media, including films, television series, merchandise and video games. The most popularly recognized version
567-530: A "monster" at least once, as did the residents of a hamlet who saw the creature towards the end of the novel. As in Shelley's story, the creature's namelessness became a central part of the stage adaptations in London and Paris during the decades after the novel's first appearance. In 1823, Shelley herself attended a performance of Richard Brinsley Peake 's Presumption , the first successful stage adaptation of her novel. "The play bill amused me extremely, for in
756-533: A cottage, he grew fond of the poor family living there and discreetly collected firewood for them, cleared snow away from their path, and performed other tasks to help them. Secretly living next to the cottage for months, the Creature learned that the son was going to marry a Turkish woman whom he was teaching his native language, which the Creature listened in on the lessons and taught himself to speak and write. The Creature also taught himself to read after discovering
945-598: A counter to the naive and persecuted heroines usually featured in female Gothic of the time, and instead feature more sexually assertive heroines in their works. When the female Gothic coincides with the explained supernatural , the natural cause of terror is not the supernatural, but female disability and societal horrors: rape , incest , and the threatening control of a male antagonist. Female Gothic novels also address women's discontent with patriarchal society, their difficult and unsatisfying maternal position, and their role within that society. Women's fears of entrapment in
1134-476: A drawing Pierce's daughter (whom Pierce feared to be psychic) had drawn from a dream. Universal Studios , which released the film, was quick to secure ownership of the copyright for the makeup format. Karloff played the monster in two more Universal films, Bride of Frankenstein and Son of Frankenstein ; Lon Chaney Jr. took over the part from Karloff in The Ghost of Frankenstein ; Bela Lugosi portrayed
1323-472: A female mate. He promises, in return, to disappear with his mate and never trouble humankind again, but threatens to destroy everything Frankenstein holds dear should he fail or refuse. Frankenstein agrees, and eventually constructs a female creature on a remote island in Orkney , but aghast at the possibility of creating a race of monsters, destroys the female creature before it is complete. Horrified and enraged,
1512-555: A female named Catherine, conceives herself as a heroine of a Radcliffean romance and imagines murder and villainy on every side. However, the truth turns out to be much more prosaic. This novel is also noted for including a list of early Gothic works known as the Northanger Horrid Novels . The poetry, romantic adventures, and character of Lord Byron —characterized by his spurned lover Lady Caroline Lamb as "mad, bad and dangerous to know"—were another inspiration for
1701-540: A female vampire, is notable for its treatment of vampirism as both racial and medicalized. The vampire, Harriet Brandt, is also a psychic vampire , killing unintentionally. In the United States, notable late 19th-century writers in the Gothic tradition were Ambrose Bierce , Robert W. Chambers , and Edith Wharton . Bierce's short stories were in the horrific and pessimistic tradition of Poe. Chambers indulged in
1890-491: A flat-topped angular head and bolts on his neck to serve as electrical connectors or grotesque electrodes. He wears a dark, usually tattered, suit having shortened coat sleeves and thick, heavy boots, causing him to walk with an awkward, stiff-legged gait (as opposed to the novel, in which he is described as much more flexible than a human). The tone of his skin varies (although shades of green or gray are common), and his body appears stitched together at certain parts (such as around
2079-461: A fully-fledged novel. She later described that summer in Switzerland as the moment "when I first stepped out from childhood into life." Shelley wrote the first four chapters in the weeks following the suicide of her half-sister Fanny. This was one of many personal tragedies that impacted Shelley's work. Shelley's first child died in infancy, and when she began composing Frankenstein in 1816, she
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#17327917284912268-454: A general image of the 'Negro' body in which repulsive features, brute-like strength and size of limbs featured prominently." Malchow makes it clear that it is difficult to tell if this alleged racial allegory was intentional on Shelley's part or if it was inspired by the society she lived in (or if it exists in the text at all outside of his interpretation), and he states that "There is no clear proof that Mary Shelley consciously set out to create
2457-490: A ghostly nun, and its view of Roman Catholicism as exotic and heathenistic. Nathaniel Hawthorne 's novel The House of the Seven Gables , about a family's ancestral home, is colored with suggestions of the supernatural and witchcraft ; and in true Gothic fashion, it features the house itself as one of the main characters, The genre also heavily influenced writers such as Charles Dickens , who read Gothic novels as
2646-657: A glorious undertaking such as theirs. He urges them to be men, not cowards. However, although the speech makes an impression on the crew, it is not enough to change their minds. Knowing that continuing on would surely result in mutiny , Walton agrees to abandon the voyage and return home, but Victor, despite his condition, declares that he will continue to hunt the Creature, and is adamant that he must be killed. Victor dies shortly thereafter, telling Walton, in his last words, to seek "happiness in tranquillity and avoid ambition" but then refuting this, speculating that some other scientist might succeed where he has failed. Walton discovers
2835-463: A lawsuit for which she was represented by attorney Bela G. Lugosi (Bela Lugosi's son), after which Universal replaced Karloff's features with those of Glenn Strange in most of their marketing. In 1969, the New York Times mistakenly ran a photograph of Strange for Karloff's obituary. Since Karloff's portrayal, the creature almost always appears as a towering, undead -like figure, often with
3024-692: A living being, he has a right to happiness. The Creature promises that he and his mate will vanish into the South American wilderness, never to reappear, if Victor grants his request. Should Victor refuse, the Creature threatens to kill Victor's remaining friends and loved ones and not stop until he completely ruins him. Fearing for his family, Victor reluctantly agrees. The Creature says he will watch over Victor's progress. Clerval accompanies Victor to England, but they separate, at Victor's insistence, at Perth , in Scotland. Travelling to Orkney to build
3213-417: A log fire at Byron's villa, the company amused themselves by reading German ghost stories translated into French from the book Fantasmagoriana . Byron proposed that they "each write a ghost story." Unable to think of a story, Mary Shelley became anxious. She recalled being asked "Have you thought of a story?" each morning, and every time being "forced to reply with a mortifying negative." During one evening in
3402-435: A lost satchel of books in the woods. When he saw his reflection in a pool, he realized his appearance was hideous, and it horrified him as much as it horrified normal humans. As he continued to learn of the family's plight, he grew increasingly attached to them, and eventually he approached the family in hopes of becoming their friend, entering the house while only the blind father, De Lacey, was present. The two conversed, but on
3591-619: A monster which suggested, explicitly, the Jamaican escaped slave or maroon, or that she drew directly from any person knowledge of either planter or abolitionist propaganda." In addition to the previous interpretations, Karen Lynnea Piper argues in her article, "Inuit Diasporas: Frankenstein and the Inuit in England" that the symbolism surrounding Frankenstein's monster could stem from the Inuit of
3780-462: A number of stories that fall within the Gothic genre or contain Gothic elements. They include " Saint John's Eve " and " A Terrible Vengeance " from Evenings on a Farm Near Dikanka (1831–1832), " The Portrait " from Arabesques (1835), and " Viy " from Mirgorod (1835). While all are well known, the latter is probably the most famous, having inspired at least eight film adaptations (two now considered lost), one animated film, two documentaries, and
3969-491: A nurse, who briefly cared for her and her half sister, before marrying his second wife Mary Jane Clairmont , who did not like the close bond between Shelley and her father. The resulting friction caused Godwin to favour his other children. Shelley's father was a famous author of the time, and her education was of great importance to him, although it was not formal. Shelley grew up surrounded by her father's friends, writers, and persons of political importance, who often gathered at
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#17327917284914158-503: A pen name for Original Poetry by Victor and Cazire , a collection of poetry he wrote with Elizabeth, to Percy's days at Eton, where he had "experimented with electricity and magnetism as well as with gunpowder and numerous chemical reactions," and the way in which Percy's rooms at Oxford were filled with scientific equipment. The Modern Prometheus is the novel's subtitle (though modern editions now drop it, only mentioning it in introduction). Prometheus , in versions of Greek mythology,
4347-465: A persecuted heroine fleeing from a villainous father and searching for an absent mother. At the same time, male writers tend towards the masculine transgression of social taboos . The emergence of the ghost story gave women writers something to write about besides the common marriage plot, allowing them to present a more radical critique of male power, violence, and predatory sexuality. Authors such as Mary Robinson and Charlotte Dacre however, present
4536-499: A rational age. Initiating a literary genre, Walpole's Gothic tale inspired many contemporary imitators, including Clara Reeve 's The Old English Baron (1778), with Reeve writing in the preface: "This Story is the literary offspring of The Castle of Otranto ". Like Reeve, the 1780s saw more writers attempting his combination of supernatural plots with emotionally realistic characters. Examples include Sophia Lee 's The Recess (1783–5) and William Beckford 's Vathek (1786). At
4725-532: A reanimated zombie-like creature. This version of the creature has stitches on his face where he was shot, strains of brown hair, black pants, a dark hoodie, and a black jacket with a brown fur collar. The 2014 TV series Penny Dreadful also rejects the Karloff design in favour of Shelley's description. This version of the creature has the flowing dark hair described by Shelley, although he departs from her description by having pale grey skin and obvious scars along
4914-462: A rock of Caucasus , where each day an eagle pecked out his liver, only for the liver to regrow the next day because of his immortality as a god. As a Pythagorean , or believer in An Essay on Abstinence from Animal Food, as a Moral Duty by Joseph Ritson , Mary Shelley saw Prometheus not as a hero but rather as something of a devil, and blamed him for bringing fire to humanity and thereby seducing
5103-421: A story in a Gothic building serves several purposes. It inspires feelings of awe, implies that the story is set in the past, gives an impression of isolation or dissociation from the rest of the world, and conveys religious associations. Setting the novel in a Gothic castle was meant to imply a story set in the past and shrouded in darkness. The architecture often served as a mirror for the characters and events of
5292-473: A strikingly handsome man who later degenerates into a grotesque monster due to a flaw in the creation process. In the 1994 film Mary Shelley's Frankenstein , the creature is played by Robert De Niro and has an appearance closer to that described in the original novel, though this version of the creature possesses balding grey hair and a body covered in bloody stitches. He is, as in the novel, motivated by pain and loneliness. In this version, Frankenstein gives
5481-473: A teenager and incorporated their gloomy atmosphere and melodrama into his works, shifting them to a more modern period and an urban setting; for example, in Oliver Twist (1837–1838), Bleak House (1854) and Great Expectations (1860–1861). These works juxtapose wealthy, ordered, and affluent civilization with the disorder and barbarity of the poor in the same metropolis. Bleak House, in particular,
5670-411: A time, from raw materials supplied by "the dissecting room and the slaughter-house"), which he then brings to life using his unspecified process. Part of Frankenstein's rejection of his creation is the fact that he does not give him a name. Instead, Frankenstein's creation is referred to by words such as "wretch", "monster", "creature", "demon", "devil", "fiend", and "it". When Frankenstein converses with
5859-421: A toga, shaded, along with the monster's skin, a pale blue. Throughout the 19th century, the monster's image remained variable according to the artist. The best-known image of Frankenstein's monster in popular culture derives from Boris Karloff 's portrayal in the 1931 movie Frankenstein , in which he wore makeup applied and designed by Jack P. Pierce , who based the monster's face and iconic flat head shape on
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6048-501: A video game. Gogol's work differs from Western European Gothic fiction, as his cultural influences drew on Ukrainian folklore , the Cossack lifestyle, and, as a religious man, Orthodox Christianity . Other relevant authors of this era include Vladimir Fyodorovich Odoevsky ( The Living Corpse , written 1838, published 1844, The Ghost , The Sylphide , as well as short stories), Count Aleksey Konstantinovich Tolstoy ( The Family of
6237-444: A wealthy country squire with strong political connections and a descendant of Sir Bysshe Shelley , 1st Baronet of Castle Goring , and Richard Fitzalan, 10th Earl of Arundel . Similarly, Victor's family is one of the most distinguished of that republic and his ancestors were counsellors and syndics . Percy's sister and Victor's adopted sister were both named Elizabeth. There are many other similarities, from Percy's usage of "Victor" as
6426-478: A young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of alchemists , though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt Elizabeth Lavenza (the orphaned daughter of an expropriated Italian nobleman) whom Victor plans to marry. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny. Weeks before he leaves for
6615-414: Is Boris Karloff 's portrayal in the 1930s films Frankenstein , Bride of Frankenstein , and Son of Frankenstein . Mary Shelley's original novel does not give the character a specific name. In the novel, Victor Frankenstein variously refers to his creation as the "creature", "fiend", "spectre", "dæmon", "wretch", "devil", "thing", "being", and "ogre". Frankenstein's creation referred to himself as
6804-499: Is a fictional character that first appeared in Mary Shelley 's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist . Shelley's title compares the monster's creator, Victor Frankenstein , to the mythological character Prometheus , who fashioned humans out of clay and gave them fire. In Shelley's Gothic story , Victor Frankenstein builds the creature in his laboratory through an ambiguous method based on
6993-521: Is also referred to as Adam in the 2014 film I, Frankenstein , where the Queen of the Gargoyles Leonore gives him the name after understanding Victor never gave him one. Thumbing through a book of the works of William Shakespeare , the monster chooses "Proteus" from The Two Gentlemen of Verona . It is later revealed that Proteus is actually the second monster Frankenstein has created, with
7182-475: Is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present. The setting typically includes physical reminders of the past, especially through ruined buildings which stand as proof of a previously thriving world which is decaying in the present. Characteristic settings in the 18th and 19th centuries include castles, religious buildings such as monasteries and convents , and crypts . The atmosphere
7371-514: Is credited with introducing urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film. Miss Havisham from Great Expectations , is one of Dickens' most Gothic characters. The bitter recluse shuts herself away in her gloomy mansion ever since being jilted at the altar on her wedding day. His most explicitly Gothic work is his last novel, The Mystery of Edwin Drood , which he did not live to complete and
7560-467: Is denied, he swears revenge on his creator. The creature is a vegetarian. While speaking to Frankenstein, he tells him, "My food is not that of man; I do not destroy the lamb and the kid to glut my appetite; acorns and berries afford me sufficient nourishment...The picture I present to you is peaceful and human." At the time the novel was written, many writers, including Percy Shelley in A Vindication of Natural Diet , argued that practicing vegetarianism
7749-640: Is hated. Using the information in Frankenstein's notes, the creature resolves to find him. The monster kills Victor's younger brother William upon learning of the boy's relation to his creator and frames Justine Moritz, a young woman who lives with the Frankensteins, as the culprit (causing her execution afterwards). When Frankenstein retreats to the Alps , the monster approaches him at the summit, recounts his experiences, and asks his creator to build him
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7938-453: Is immediately in front of us." The mysterious imagination necessary for Gothic literature to have gained any traction had been growing for some time before the advent of the Gothic. The need for this came as the known world was becoming more explored, reducing the geographical mysteries of the world. The edges of the map were filling in, and no dragons were to be found. The human mind required a replacement. Clive Bloom theorizes that this void in
8127-603: Is inducing Terror – or else "a great deal of the apprehension vanishes"; Obscurity is necessary to experience the Terror of the unknown. Bloom asserts that Burke's descriptive vocabulary was essential to the Romantic works that eventually informed the Gothic. The birth of Gothic literature was thought to have been influenced by political upheaval. Researchers linked its birth with the English Civil War , culminating in
8316-639: Is listed in the closing credits). However, in the sequel Bride of Frankenstein (1935), the frame narration by a character representing Shelley's friend Lord Byron does refer to the monster as Frankenstein. Nevertheless, the creature soon enough became best known in the popular imagination as "Frankenstein". This usage is sometimes considered erroneous, but some usage commentators regard the monster sense of "Frankenstein" as well-established and not an error. Modern practice varies somewhat. For example, in Dean Koontz's Frankenstein , first published in 2004,
8505-475: Is often described with words such as "wonder" and "terror." This sense of wonder and terror that provides the suspension of disbelief so important to the Gothic—which, except for when it is parodied, even for all its occasional melodrama , is typically played straight, in a self-serious manner—requires the imagination of the reader to be willing to accept the idea that there might be something "beyond that which
8694-500: Is often portrayed as being afraid of fire , although he is not afraid of it in the novel, even using fire to destroy himself. Scholars sometimes look for deeper meaning in Shelley's story, and have drawn an analogy between the monster and a motherless child; Shelley's own mother died while giving birth to her. The monster has also been analogized to an oppressed class; Shelley wrote that the monster recognized "the division of property, of immense wealth and squalid poverty". Others see in
8883-426: Is particularly important, as his 1833 short story The Queen of Spades was so popular that it was adapted into operas and later films by Russian and foreign artists. Some parts of Mikhail Yuryevich Lermontov's A Hero of Our Time (1840) are also considered to belong to the Gothic genre, but they lack the supernatural elements of other Russian Gothic stories. The following poems are also now considered to belong to
9072-405: Is rejected by everyone he meets. He realizes from the moment of his "birth" that even his own creator cannot stand the sight of him; this is obvious when Frankenstein says "…one hand was stretched out, seemingly to detain me, but I escaped…". Upon seeing his own reflection, he realizes that he too is repulsed by his appearance. His greatest desire is to find love and acceptance; but when that desire
9261-461: Is rooted in common perceptions of race during the 18th century. Three scholars have noted that Shelley's description of the monster seems to be racially coded; one argues that, "Shelley's portrayal of her monster drew upon contemporary attitudes towards non-whites, in particular on fears and hopes of the abolition of slavery in the West Indies." In her article "Frankenstein, Racial Science, and
9450-557: Is set in the twenty-second century and speculates on fantastic scientific developments that might have occurred three hundred years in the future, making it and Frankenstein among the earliest examples of the science fiction genre developing from Gothic traditions. During two decades, the most famous author of Gothic literature in Germany was the polymath E. T. A. Hoffmann . Lewis's The Monk influenced and even mentioned it in his novel The Devil's Elixirs (1815). The novel explores
9639-474: Is strange to note how well-nigh universally the term "Frankenstein" is misused, even by intelligent people, as describing some hideous monster." Edith Wharton 's The Reef (1916) describes an unruly child as an "infant Frankenstein". David Lindsay 's "The Bridal Ornament", published in The Rover , 12 June 1844, mentioned "the maker of poor Frankenstein". After the release of Whale's cinematic Frankenstein ,
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#17327917284919828-596: Is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals . Similar to the Gothic Revivalists' rejection of the clarity and rationalism of the Neoclassical style of
10017-414: Is the only person who will help him. On his journey, the creature rescues a young girl from a river but is shot in the shoulder by the child's father, believing the creature intended to harm his child. Enraged by this final act of cruelty, the creature swears revenge on humankind for the suffering they have caused him. He seeks revenge against his creator in particular for leaving him alone in a world where he
10206-501: Is typically claustrophobic , and common plot elements include vengeful persecution, imprisonment, and murder. The depiction of horrible events in Gothic fiction often serves as a metaphorical expression of psychological or social conflicts. The form of a Gothic story is usually discontinuous and convoluted, often incorporating tales within tales, changing narrators, and framing devices such as discovered manuscripts or interpolated histories. Other characteristics, regardless of relevance to
10395-536: The Enlightened Establishment, the literary Gothic embodies an appreciation of the joys of extreme emotion, the thrills of fearfulness and awe inherent in the sublime , and a quest for atmosphere. Gothic ruins invoke multiple linked emotions by representing inevitable decay and the collapse of human creations – hence the urge to add fake ruins as eyecatchers in English landscape parks. Placing
10584-852: The Franks ", and is associated with various places in Germany, including Frankenstein Castle ( Burg Frankenstein ) in Darmstadt , Hesse, and Frankenstein Castle in Frankenstein , a town in the Palatinate . There is also a castle called Frankenstein in Bad Salzungen , Thuringia, and a municipality called Frankenstein in Saxony. The town of Frankenstein in Silesia (now Ząbkowice, Poland)
10773-572: The Graveyard poets . They were also present in novels such as Daniel Defoe 's A Journal of the Plague Year , which contains comical scenes of plague carts and piles of corpses. Even earlier, poets like Edmund Spenser evoked a dreary and sorrowful mood in such poems as Epithalamion . All aspects of pre-Gothic literature occur to some degree in the Gothic, but even taken together, they still fall short of true Gothic. What needed to be added
10962-522: The Jacobite rising of 1745 which was more recent to the first Gothic novel (1764). The collective political memory and any deep cultural fears associated with it likely contributed to early Gothic villains as literary representatives of defeated Tory barons or Royalists "rising" from their political graves in the pages of early Gothic novels to terrorize the bourgeois reader of late eighteenth-century England. The first work to call itself "Gothic"
11151-514: The Reiwa era film The Great Yokai War: Guardians . As depicted by Shelley, the creature is a sensitive, emotional person whose only aim is to share his life with another sentient being like himself. The novel portrayed him as versed in Paradise Lost , Plutarch's Lives , and The Sorrows of Young Werther , books he finds after having learnt language. From the beginning, the creature
11340-469: The University of Ingolstadt in Germany, his mother dies of scarlet fever ; Victor buries himself in his experiments to deal with the grief. At the university, he excels at chemistry and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes
11529-567: The Yellow Peril , John Malchow in his article "Frankenstein's Monster and Images of Race in Nineteenth-Century Britain" explores the possibility of the monster either being intentionally or unintentionally coded as black. Malchow argues that the monster's depiction is based in an 18th-century understanding of "popular racial discourse [which] managed to conflate such descriptions of particular ethnic characteristics into
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#173279172849111718-646: The fair copy for her publisher, are now housed in the Bodleian Library in Oxford . The Bodleian acquired the papers in 2004, and they belong now to the Abinger Collection. In 2008, the Bodleian published a new edition of Frankenstein , edited by Charles E. Robinson, that contains comparisons of Mary Shelley's original text with Percy Shelley's additions and interventions alongside. Although
11907-473: The summer of 1816 , Mary, Percy, and Claire took a trip to visit Claire's lover, Lord Byron, in Geneva . Poor weather conditions, more akin to winter, forced Byron and the visitors to stay indoors. To help pass time, Byron suggested that he, Mary, Percy, and Byron's physician, John Polidori , have a competition to write the best ghost story to pass time stuck indoors. Mary was just eighteen years old when she won
12096-581: The trope of vampires having sharpened teeth. Another notable English author of penny dreadfuls is George W. M. Reynolds , known for The Mysteries of London (1844), Faust (1846), Wagner the Wehr-wolf (1847), and The Necromancer (1857). Elizabeth Gaskell 's tales "The Doom of the Griffiths" (1858), "Lois the Witch", and "The Grey Woman" all employ one of the most common themes of Gothic fiction:
12285-507: The "Prometheus of modern times" in reference to his experiments with electricity. Shelley completed her writing in April/May 1817, and Frankenstein; or, The Modern Prometheus was published on 1 January 1818 by the small London publishing house Lackington, Hughes, Harding, Mavor, & Jones. It was issued anonymously, with a preface written for Mary by Percy Bysshe Shelley and with a dedication to philosopher William Godwin , her father. It
12474-416: The 1790s." The popularity and influence of The Mysteries of Udolpho and The Monk saw the rise of shorter and cheaper versions of Gothic literature in the forms of Gothic bluebooks and chapbooks , which in many cases were plagiarized and abridgments of well known Gothic novels. The Monk in particular, with its immoral and sensational content, saw many plagiarized copies, and was notably drawn from in
12663-549: The Alchemist's Daughter , the 2017 novel by Theodora Goss , the creature is named Adam. Victor Frankenstein builds the creature over a two-year period in the attic of his boarding house in Ingolstadt after discovering a scientific principle which allows him to create life from non-living matter. Frankenstein is disgusted by his creation, however, and flees from it in horror. Frightened, and unaware of his own identity,
12852-539: The Ancient Mariner are evident in the novel. In The Frankenstein of the French Revolution , author Julia Douthwaite posits that Shelley probably acquired some ideas for Frankenstein's character from Humphry Davy 's book Elements of Chemical Philosophy , in which he had written that, science has ... bestowed upon man powers which may be called creative; which have enabled him to change and modify
13041-487: The Creature tall, about 8 feet (2.4 m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering charnel houses , mortuaries and by entrapping and vivisecting feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering
13230-597: The Creature on his ship, mourning over Victor's body. The Creature tells Walton that Victor's death has not brought him peace; rather, his crimes have made him even more miserable than Victor ever was. The Creature vows to burn himself on a funeral pyre so that no one else will ever know of his existence. Walton watches as the Creature drifts away on an ice raft, never to be seen again. Mary Shelley 's mother, Mary Wollstonecraft , died from infection eleven days after giving birth to her. Shelley grew close to her father, William Godwin , having never known her mother. Godwin hired
13419-422: The Creature was described in later works as a composite of whole body parts grafted together from cadavers and reanimated by the use of electricity, this description is not consistent with Shelley's work; both the use of electricity and the cobbled-together image of Frankenstein's monster were more the result of James Whale 's popular 1931 film adaptation of the story and other early motion-picture works based on
13608-423: The Creature will kill him after he finally becomes happy. Victor sails out to sea to dispose of his instruments, and falls asleep in the boat. He awakens some time later, and is unable to return to shore due to a change in the wind, and falls unconscious, drifting to Ireland. When Victor awakens, he is arrested for murder. Despite the severity of the charges, he is met with sympathy from the magistrate in charge of
13797-630: The Frankenstein castle in Mary Shelley's "lost journals". However, according to Jörg Heléne, Day's and Florescu's claims cannot be verified. A possible interpretation of the name "Victor" is derived from Paradise Lost by John Milton , a great influence on Shelley (a quotation from Paradise Lost is on the opening page of Frankenstein and Shelley writes that the monster reads it in the novel). Milton frequently refers to God as "the victor" in Paradise Lost , and Victor's creation of life in
13986-551: The Gargantuas would see cell samples of the monster regenerate into the titular Gargantuas, two hairy giants consisting of the malicious green sea monster Gaira and the friendly brown mountain monster Sanda. Gaira and Sanda later appear in the IDW Publishing comic Godzilla: Rulers of Earth . In the 1973 TV miniseries Frankenstein: The True Story , in which the creature is played by Michael Sarrazin , he appears as
14175-594: The German Schauerroman and the French R oman noir . Eighteenth-century Gothic novels were typically set in a distant past and (for English novels) a distant European country, but without specific dates or historical figures that characterized the later development of historical fiction. The saturation of Gothic-inspired literature during the 1790s was referred to in a letter by Samuel Taylor Coleridge , writing on 16 March 1797, "indeed I am almost weary of
14364-490: The Gothic and influenced Bram Stoker 's vampire novel Dracula (1897). Stoker's book created the most famous Gothic villain ever, Count Dracula , and established Transylvania and Eastern Europe as the locus classicus of the Gothic. Published in the same year as Dracula , Florence Marryat 's The Blood of the Vampire is another piece of vampire fiction. The Blood of the Vampire , which, like Carmilla, features
14553-444: The Gothic genre made it rich territory for satire. Historian Rictor Norton notes that satire of Gothic literature was common from 1796 until the 1820s, including early satirical works such as The New Monk (1798), More Ghosts ! (1798) and Rosella, or Modern Occurrences (1799). Gothic novels themselves, according to Norton, also possess elements of self-satire, "By having profane comic characters as well as sacred serious characters,
14742-426: The Gothic genre: Meshchevskiy's "Lila", Katenin's "Olga", Pushkin 's "The Bridegroom", Pletnev 's "The Gravedigger" and Lermontov 's Demon (1829–1839). The key author of the transition from Romanticism to Realism, Nikolai Vasilievich Gogol , who was also one of the most important authors of Romanticism, produced a number of works that qualify as Gothic fiction. Each of his three short story collections features
14931-583: The Gothic novel, providing the archetype of the Byronic hero . For example, Byron is the title character in Lady Caroline's Gothic novel Glenarvon (1816). Byron was also the host of the celebrated ghost-story competition involving himself, Percy Bysshe Shelley , Mary Shelley , and John William Polidori at the Villa Diodati on the banks of Lake Geneva in the summer of 1816. This occasion
15120-407: The Gothic novelist could puncture the balloon of the supernatural while at the same time affirming the power of the imagination." After 1800 there was a period in which Gothic parodies outnumbered forthcoming Gothic novels. In The Heroine by Eaton Stannard Barrett (1813), Gothic tropes are exaggerated for comic effect. In Jane Austen 's novel Northanger Abbey (1818), the naive protagonist,
15309-462: The Gothic tradition, Mary Shelley's novel is often considered the first science fiction novel, despite the novel's lack of any scientific explanation for the animation of Frankenstein's monster and the focus instead on the moral dilemmas and consequences of such a creation. John Keats ' La Belle Dame sans Merci (1819) and Isabella, or the Pot of Basil (1820) feature mysteriously fey ladies. In
15498-403: The Gothic. Emily Brontë 's Wuthering Heights (1847) transports the Gothic to the forbidding Yorkshire Moors and features ghostly apparitions and a Byronic hero in the person of the demonic Heathcliff. The Brontës' fictions were cited by feminist critic Ellen Moers as prime examples of Female Gothic, exploring woman's entrapment within domestic space and subjection to patriarchal authority and
15687-470: The Lake Geneva villa the previous year and inspecting data about the motion of the moon and stars, concluded that her "waking dream" took place between 2 a.m. and 3 a.m. on 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Mary Shelley began writing what she assumed would be a short story, but with Percy Shelley's encouragement, she expanded the tale into
15876-664: The Screw (1898), and the stories of Arthur Machen . In Ireland, Gothic fiction tended to be purveyed by the Anglo-Irish Protestant Ascendancy . According to literary critic Terry Eagleton , Charles Maturin , Sheridan Le Fanu , and Bram Stoker form the core of the Irish Gothic subgenre with stories featuring castles set in a barren landscape and a cast of remote aristocrats dominating an atavistic peasantry, which represent an allegorical form
16065-513: The Sublime and Beautiful , which "finally codif[ied] the gothic emotional experience." Specifically, Burke's thoughts on the Sublime, Terror, and Obscurity were most applicable. These sections can be summarized thus: the Sublime is that which is or produces the "strongest emotion which the mind is capable of feeling"; Terror most often evoked the Sublime; and to cause Terror, we need some amount of Obscurity – we can't know everything about that which
16254-758: The Terrible, having been a hireling in the Critical Review for the last six or eight months – I have been reviewing the Monk , the Italian , Hubert de Sevrac &c &c &c – in all of which dungeons, and old castles, & solitary Houses by the Sea Side & Caverns & Woods & extraordinary characters & all the tribe of Horror & Mystery, have crowded on me – even to surfeiting." The excesses, stereotypes, and frequent absurdities of
16443-613: The Vourdalak , 1839, and The Vampire , 1841), Mikhail Zagoskin ( Unexpected Guests ), Józef Sękowski / Osip Senkovsky ( Antar ), and Yevgeny Baratynsky ( The Ring ). By the Victorian era , Gothic had ceased to be the dominant genre for novels in England, partly replaced by more sedate historical fiction . However, Gothic short stories continued to be popular, published in magazines or as small chapbooks called penny dreadfuls . The most influential Gothic writer from this period
16632-777: The Yellow Peril", Anne Mellor claims that the monster's features share a lot in common with the Mongoloid race. This term, now out of fashion and carrying some negative connotations, is used to describe the "yellow" races of Asia as distinct from the Caucasian or white races. To support her claim, Mellor points out that both Mary and Percy Shelley were friends with William Lawrence , an early proponent of racial science and someone whom Mary "continued to consult on medical matters and [met with] socially until his death in 1830." While Mellor points out to allusions to Orientalism and
16821-533: The beings around him ... References to the French Revolution run through the novel; a likely source is François-Félix Nogaret [ fr ] 's Le Miroir des événemens actuels, ou la Belle au plus offrant (1790), a political parable about scientific progress featuring an inventor named Frankésteïn, who creates a life-sized automaton. Both Frankenstein and the monster quote passages from Percy Shelley's 1816 poem, " Mutability ", and its theme of
17010-417: The cause behind the murders of William and Henry, but senses a curse and begs Victor to honour his mother's last wish that Victor marry Elizabeth. In Geneva, Victor is about to marry Elizabeth and prepares to fight the Creature to the death, arming himself with pistols and a dagger. The night following their wedding, Victor asks Elizabeth to stay in her room while he looks for "the fiend". While Victor searches
17199-400: The character have similar personalities to the literary original, although the latter version is the only one to retain the character's violent reactions to rejection. In the 1931 film adaptation , the creature is depicted as mute and bestial; it is implied that this is because he is accidentally implanted with a criminal's "abnormal" brain. In the subsequent sequel, Bride of Frankenstein ,
17388-557: The chase leads to the Arctic Ocean and then on towards the North Pole, and Victor reaches a point where he is within a mile of the Creature, but he collapses from exhaustion and hypothermia before he can find his quarry, allowing the Creature to escape. Eventually the ice around Victor's sledge breaks apart, and the resultant ice floe comes within range of Walton's ship. At the end of Victor's narrative, Walton resumes telling
17577-513: The cheaper pamphlets. Other notable Gothic novels of the 1790s include William Godwin 's Caleb Williams (1794), Regina Maria Roche 's Clermont (1798), and Charles Brockden Brown 's Wieland (1798), as well as large numbers of anonymous works published by the Minerva Press established by William Lane at Leadenhall Street , London in 1790. In continental Europe, Romantic literary movements led to related Gothic genres such as
17766-515: The city after being agitated by news reporters using flash photography on him, and goes to fend for himself in the countryside, only to be accused of attacking villages and killing people, actually the victims of the underground monster Baragon . The two monsters face off in a showdown that ends with Frankenstein's monster victorious, though he falls into the depths of the Earth after the ground collapses beneath his feet. The film's sequel The War of
17955-429: The collective imagination was critical in developing the cultural possibility for the rise of the Gothic tradition. The setting of most early Gothic works was medieval, but this was a common theme long before Walpole. In Britain especially, there was a desire to reclaim a shared past. This obsession frequently led to extravagant architectural displays, such as Fonthill Abbey , and sometimes mock tournaments were held. It
18144-481: The conclave. The group talked about Enlightenment and Counter-Enlightenment ideas as well. Mary Shelley believed the Enlightenment idea that society could progress and grow if political leaders used their powers responsibly; however, she also believed the Romantic ideal that misused power could destroy society. Shelley's manuscripts for the first three-volume edition in 1818 (written 1816–1817), as well as
18333-535: The contest with her creation of Frankenstein . Shelley's work was heavily influenced by that of her parents. Her father was famous for Enquiry Concerning Political Justice and her mother famous for A Vindication of the Rights of Woman . Her father's novels also influenced her writing of Frankenstein . These novels included Things as They Are; or, The Adventures of Caleb Williams , St. Leon , and Fleetwood . All of these books were set in Switzerland, similar to
18522-426: The creature Lee played him as a loose-limbed and childlike, fearful and lonely, with a suggestion of being in pain. Author Paul Leggett describes the creature as being like an abused child; afraid but also violently angry. Christopher Lee was annoyed on getting the script and discovering that the monster had no dialogue, for this creature was totally mute. According to Marcus K. Harmes in contrasting Lee's creature with
18711-481: The creature goads him into pursuing him north, through Scandinavia and into Russia, staying ahead of him the entire way. As they reach the Arctic Circle and travel over the pack ice of the Arctic Ocean, Frankenstein, suffering from severe exhaustion and hypothermia , comes within a mile of the creature, but is separated from him when the ice he is traveling over splits. A ship exploring the region encounters
18900-466: The creature his name. However, the creature has no name in the Universal film series starring Boris Karloff during the 1930s, which was largely based upon Webling's play. The 1931 Universal film treated the creature's identity in a similar way as Shelley's novel: in the opening credits, the character is referred to merely as "The Monster" (the actor's name is replaced by a question mark, but Karloff
19089-447: The creature immediately appears, and gives Frankenstein a final threat: "I will be with you on your wedding night." After leaving his creator, the creature goes on to kill Victor's best friend, Henry Clerval, and later kills Frankenstein's bride, Elizabeth Lavenza , on their wedding night, whereupon Frankenstein's father dies of grief. With nothing left to live for but revenge, Frankenstein dedicates himself to destroying his creation, and
19278-677: The creature is again rendered inarticulate. Following a brain transplant in the third sequel, The Ghost of Frankenstein , the creature speaks with the voice and personality of the brain donor. This was continued after a fashion in the scripting for the fourth sequel, Frankenstein Meets the Wolf Man , but the dialogue was excised before release. The creature was effectively mute in later sequels, although he refers to Count Dracula as his "master" in Abbott and Costello Meet Frankenstein . The creature
19467-426: The creature is emphasized with one electrified dome in the back of his head and another over his heart, and he also has hydraulic pistons in his legs, with the design being similar to that of a steam-punk cyborg. Although not as eloquent as in the novel, this version of the creature is intelligent and relatively nonviolent. In 2004, a TV miniseries adaptation of Frankenstein was made by Hallmark . Luke Goss plays
19656-469: The creature is named "Deucalion", after the character from Greek mythology , who is the son of the Titan Prometheus , a reference to the original novel's title . Another example is the second episode of Showtime 's Penny Dreadful , which first aired in 2014. Victor Frankenstein briefly considers naming his creation "Adam", before deciding instead to let the monster "pick his own name". He
19845-434: The creature learns to speak, albeit in short, stunted sentences. However, his intelligence is implied to be fairly developed, since what little dialogue he speaks suggests he has a world-weary attitude to life, and a deep understanding of his unnatural state. When rejected by his bride, he briefly goes through a suicidal state and attempts suicide, blowing up the laboratory he is in. In the second sequel, Son of Frankenstein ,
20034-572: The creature, he addresses him as "vile insect", "abhorred monster", "fiend", "wretched devil", and "abhorred devil". In the novel, the creature is compared to Adam , the first man in the Garden of Eden . The monster also compares himself with the "fallen" angel. Speaking to Frankenstein, the monster says "I ought to be thy Adam, but I am rather the fallen angel". That angel would be Lucifer (meaning "light-bringer") in Milton's Paradise Lost , which
20223-435: The creature. In Shelley's original work, Victor Frankenstein discovers a previously unknown but elemental principle of life, and that insight allows him to develop a method to imbue vitality into inanimate matter, though the exact nature of the process is left ambiguous. After a great deal of hesitation in exercising this power, Frankenstein spends two years painstakingly constructing the Creature's body (one anatomical feature at
20412-461: The creature. This adaptation more closely resembles the monster as described in the novel: intelligent and articulate, with flowing, dark hair and watery eyes. The 2005 film Frankenstein Reborn portrays the creature as a paraplegic man who tries to regain the ability to walk by having a nanobots surging through his body but has side effects. Instead, the surgeon kills him and resurrects his corpse as
20601-512: The day Would quake to look on. — Lines from Shakespeare's Hamlet The components that would eventually combine into Gothic literature had a rich history by the time Walpole presented a fictitious medieval manuscript in The Castle of Otranto in 1764. The plays of William Shakespeare , in particular, were a crucial reference point for early Gothic writers, in both an effort to bring credibility to their works, and to legitimize
20790-582: The decadent style of Wilde and Machen, even including a character named Wilde in his The King in Yellow (1895). Wharton published some notable Gothic ghost stories. Some works of the Canadian writer Gilbert Parker also fall into the genre, including the stories in The Lane that had No Turning (1900). Frankenstein%27s monster Frankenstein's monster , commonly referred to as Frankenstein ,
20979-587: The domestic, their bodies, marriage, childbirth, or domestic abuse commonly appear in the genre. After the characteristic Gothic Bildungsroman -like plot sequence, female Gothic allowed readers to grow from "adolescence to maturity" in the face of the realized impossibilities of the supernatural. As protagonists such as Adeline in The Romance of the Forest learn that their superstitious fantasies and terrors are replaced by natural cause and reasonable doubt,
21168-596: The dying Frankenstein, who relates his story to the ship's captain, Robert Walton. Later, the monster boards the ship, but upon finding Frankenstein dead, is overcome by grief and pledges to incinerate himself at "the Northernmost extremity of the globe". He then departs, never to be seen again. Shelley described Frankenstein's monster as an 8-foot-tall (2.4 m) creature of hideous contrasts: His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered
21357-470: The emerging genre as serious literature to the public. Tragedies such as Hamlet , Macbeth , King Lear , Romeo and Juliet , and Richard III , with plots revolving around the supernatural, revenge, murder, ghosts, witchcraft , and omens , written in dramatic pathos, and set in medieval castles, were a huge influence upon early Gothic authors, who frequently quote, and make allusions to Shakespeare's works. John Milton 's Paradise Lost (1667)
21546-406: The experiments of Luigi Galvani as well as James Lind . Mary joined these conversations and the ideas of Darwin, Galvani and perhaps Lind were present in her novel. Shelley's personal experiences also influenced the themes within Frankenstein . The themes of loss, guilt, and the consequences of defying nature present in the novel all developed from Mary Shelley's own life. The loss of her mother,
21735-452: The family home. This inspired her authorship at an early age. Mary, at the age of sixteen, met Percy Bysshe Shelley (who later became her husband) while he was visiting her father. Godwin did not approve of the relationship between his daughter and an older, married man, so they fled to France along with her stepsister, Claire Clairmont . On 22 February 1815, Shelley gave birth prematurely to her first child, Clara, who died two weeks later. In
21924-482: The female Gothic allowed women's societal and sexual desires to be introduced. In many respects, the novel's intended reader of the time was the woman who, even as she enjoyed such novels, felt she had to "[lay] down her book with affected indifference, or momentary shame," according to Jane Austen . The Gothic novel shaped its form for woman readers to "turn to Gothic romances to find support for their own mixed feelings." Female Gothic narratives focus on such topics as
22113-439: The first, abandoned creation having been named "Caliban", from The Tempest , by the theatre actor who took him in and later, after leaving the theatre, named himself after the English poet John Clare . Another example is an attempt by Randall Munroe of webcomic xkcd to make "Frankenstein" the canonical name of the monster, by publishing a short derivative version which directly states that it is. In The Strange Case of
22302-476: The happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it
22491-409: The heart of Frankenstein's monster was transported from Germany to Hiroshima as World War II neared its end, only to be irradiated during the atomic bombing of the city , granting it miraculous regenerative capabilities. Over the ensuing 20 years, it grows into a complete human child, who then rapidly matures into a giant, 20-metre-tall man after he is rediscovered. Frankenstein escapes a laboratory in
22680-401: The height of the Gothic novel's popularity in the 1790s, the genre was almost synonymous with Ann Radcliffe , whose works were highly anticipated and widely imitated. The Romance of the Forest (1791) and The Mysteries of Udolpho (1794) were particularly popular. In an essay on Radcliffe, Walter Scott writes of the popularity of Udolpho at the time, "The very name was fascinating, and
22869-451: The house and grounds, the Creature strangles a screaming Elizabeth. From the window, Victor sees the Creature, who tauntingly points at Elizabeth's corpse; Victor tries to shoot him, but the Creature escapes. Victor's father Alphonse, weakened by age and by the death of Elizabeth, dies a few days later. Seeking revenge, Victor pursues the Creature across Europe and Russia, though his adversary stays one step ahead of him at all times. Eventually,
23058-458: The human race to the vice of eating meat. Percy wrote several essays on what became known as vegetarianism including A Vindication of Natural Diet . Byron was particularly attached to the play Prometheus Bound by Aeschylus , and Percy Shelley soon wrote his own Prometheus Unbound (1820). The term "Modern Prometheus" was derived from Immanuel Kant who described Benjamin Franklin as
23247-446: The latter poem, the names of the characters, the dream visions, and the macabre physical details are influenced by the novels of premiere Gothicist Ann Radcliffe. Although ushering in the historical novel, and turning popularity away from Gothic fiction, Walter Scott frequently employed Gothic elements in his novels and poetry. Scott drew upon oral folklore , fireside tales, and ancient superstitions, often juxtaposing rationality and
23436-442: The list of dramatis personae came, -------- by Mr T. Cooke," she wrote to her friend Leigh Hunt . "This nameless mode of naming the unnameable is rather good." Within a decade of publication, the name of the creator, "Frankenstein", was used to refer to the creature, but it did not become firmly established until much later. The story was adapted for the stage in 1927 by Peggy Webling , and Webling's Victor Frankenstein does give
23625-493: The main plot, can include sleeplike and deathlike states, live burials , doubles , unnatural echoes or silences, the discovery of obscured family ties, unintelligible writings, nocturnal landscapes, remote locations, and dreams. Especially in the late 19th century, Gothic fiction often involved demons and demonic possession , ghosts , and other kinds of evil spirits . Gothic fiction often moves between " high culture " and " low " or " popular culture ". Gothic literature
23814-403: The middle of summer, the discussions turned to the nature of the principle of life. "Perhaps a corpse would be re-animated," Mary noted, " galvanism had given token of such things". It was after midnight before they retired and, unable to sleep, she became possessed by her imagination as she beheld the "grim terrors" of her "waking dream". I saw the pale student of unhallowed arts kneeling beside
24003-517: The monster , rather than to his creator/father. Frankenstein is a frame story written in epistolary form . Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from Archangel ,
24192-452: The monster are in contrast with that of the murdered Professor Bernstein, once the "finest brain in Europe", from whom the creature's now damaged brain was taken. The sequels to The Curse of Frankenstein would feature Victor Frankenstein creating various different Frankenstein monsters, none of which would be played by Christopher Lee: In the 1965 Toho film Frankenstein vs. Baragon ,
24381-506: The monster has read. Adam is also referred to in the epigraph of the 1818 edition: Some have posited the creature as a composite of Percy Shelley and Thomas Paine. If the creature's hatred for Victor and his desire to raise a child mirror Percy's filial rebelliousness and his longing to adopt children, his desire to do good and his persecution can be said to echo Paine's utopian visions and fate in England. The Creature has often been mistakenly called Frankenstein. In 1908, one author said "It
24570-480: The monster the brain of his mentor, Doctor Waldman , while his body is made from a man who killed Waldman while resisting a vaccination. The monster retains Waldman's "trace memories" that apparently help him quickly learn to speak and read. In the 2004 film Van Helsing , the monster is shown in a modernized version of the Karloff design. He is 8 to 9 feet (240–270 cm) tall, has a square bald head, gruesome scars, and pale green skin. The electrical origin of
24759-412: The monster the dangers of uncontrolled scientific progress, especially as at the time of publishing; Galvanism had convinced many scientists that raising the dead through use of electrical currents was a scientific possibility. Another proposal is that Victor Frankenstein was based on a real scientist who had a similar name, and who had been called a modern Prometheus – Benjamin Franklin . Accordingly,
24948-429: The monster wanders through the wilderness. He finds solace beside a remote cottage inhabited by an older, blind man and his two children. Eavesdropping, the creature familiarizes himself with their lives and learns to speak, whereby he becomes an eloquent, educated, and well-mannered individual. During this time, he also finds Frankenstein's journal in the pocket of the jacket he found in the laboratory and learns how he
25137-408: The monster would represent the new nation that Franklin helped to create out of remnants left by England. Victor Frankenstein's father "made also a kite, with a wire and string, which drew down that fluid from the clouds," wrote Shelley, similar to Franklin's famous kite experiment . In discussing the physical description of the monster, there has been some speculation about the potential his design
25326-637: The most celebrated Realists, wrote Faust (1856), Phantoms (1864), Song of the Triumphant Love (1881), and Clara Milich (1883). Another classic Russian Realist, Fyodor Mikhailovich Dostoyevsky , incorporated Gothic elements into many of his works, although none can be seen as purely Gothic. Grigory Petrovich Danilevsky , who wrote historical and early science fiction novels and stories, wrote Mertvec-ubiytsa ( Dead Murderer ) in 1879. Also, Grigori Alexandrovich Machtet wrote "Zaklyatiy kazak", which may now also be considered Gothic. The 1880s saw
25515-628: The most noted natural philosophers among Shelley's contemporaries were Giovanni Aldini , who made many public attempts at human reanimation through bio-electric Galvanism in London, and Johann Konrad Dippel , who was supposed to have developed chemical means to extend the life span of humans. While Shelley was aware of both of these men and their activities, she makes no mention of or reference to them or their experiments in any of her published or released notes. Ideas about life and death discussed by Percy and Byron were of great interest to scientists of that time. They discussed ideas from Erasmus Darwin and
25704-704: The motive of Doppelgänger , a term coined by another German author and supporter of Hoffmann, Jean-Paul , in his humorous novel Siebenkäs (1796–1797). He also wrote an opera based on Friedrich de la Motte Fouqué 's Gothic story Undine (1816), for which de la Motte Fouqué wrote the libretto. Aside from Hoffmann and de la Motte Fouqué, three other important authors from the era were Joseph Freiherr von Eichendorff ( The Marble Statue , 1818), Ludwig Achim von Arnim ( Die Majoratsherren , 1819), and Adelbert von Chamisso ( Peter Schlemihls wundersame Geschichte , 1814). After them, Wilhelm Meinhold wrote The Amber Witch (1838) and Sidonia von Bork (1847). In Spain,
25893-583: The neck and joints). This image has influenced the creation of other fictional characters, such as the Hulk . In the 1957 film The Curse of Frankenstein , Christopher Lee was cast as the creature. The producers Hammer Film Productions refrained from duplicating aspects of Universal's 1931 film , and so Phil Leakey designed a new look for the creature bearing no resemblance to the Boris Karloff design created by Jack Pierce . For his performance as
26082-413: The novel is compared to God's creation of life in Paradise Lost . In addition, Shelley's portrayal of the monster owes much to the character of Satan in Paradise Lost ; and, the monster says in the story, after reading the epic poem, that he empathizes with Satan's role. Parallels between Victor Frankenstein and Mary's husband, Percy Shelley, have also been drawn. Percy Shelley was the first-born son of
26271-411: The one played by Karloff, "Lee's actions as the monster seem more directly evil, to judge from the expression on his face when he bears down on the helpless old blind man but these are explained in the film as psychopathic impulses caused by brain damage, not the cunning of the literary monster. Lee also evokes considerable pathos in his performance." In this film the aggressive and childish demeanour of
26460-566: The political plight of Catholic Ireland subjected to the Protestant Ascendancy. Le Fanu's use of the gloomy villain, forbidding mansion, and persecuted heroine in Uncle Silas (1864) shows direct influence from Walpole's Otranto and Radcliffe's Udolpho . Le Fanu's short story collection In a Glass Darkly (1872) includes the superlative vampire tale Carmilla , which provided fresh blood for that particular strand of
26649-495: The power of ancestral sins to curse future generations, or the fear that they will. M. R. James , an English medievalist whose stories are still popular today, is known as the originator of the "antiquarian ghost story." In Spain, Gustavo Adolfo Bécquer stood out with his romantic poems and short tales, some depicting supernatural events. Today some consider him the most-read Spanish writer after Miguel de Cervantes . In addition to these short Gothic fictions, some novels drew on
26838-672: The priest Pascual Pérez Rodríguez was the most diligent novelist in the Gothic way, closely aligned to the supernatural explained by Ann Radcliffe. At the same time, the poet José de Espronceda published The Student of Salamanca (1837–1840), a narrative poem that presents a horrid variation on the Don Juan legend. In Russia, authors of the Romantic era include Antony Pogorelsky (penname of Alexey Alexeyevich Perovsky), Orest Somov , Oleksa Storozhenko , Alexandr Pushkin , Nikolai Alekseevich Polevoy , Mikhail Lermontov (for his work Stuss ), and Alexander Bestuzhev-Marlinsky . Pushkin
27027-499: The public at large began speaking of the Creature itself as "Frankenstein". This misnomer continued with the successful sequel Bride of Frankenstein (1935), as well as in film titles such as Abbott and Costello Meet Frankenstein . Mary Shelley maintained that she derived the name Frankenstein from a dream-vision. This claim has since been disputed and debated by scholars that have suggested alternative sources for Shelley's inspiration. The German name Frankenstein means "stone of
27216-518: The public, who rushed upon it with all the eagerness of curiosity, rose from it with unsated appetite. When a family was numerous, the volumes flew, and were sometimes torn from hand to hand." Radcliffe's novels were often seen as the feminine and rational opposite of a more violently horrifying male Gothic associated with Matthew Lewis . Radcliffe's final novel, The Italian (1797), responded to Lewis's The Monk (1796). Radcliffe and Lewis have been called "the two most significant Gothic novelists of
27405-461: The reader may grasp the heroine's true position: "The heroine possesses the romantic temperament that perceives strangeness where others see none. Her sensibility, therefore, prevents her from knowing that her true plight is her condition, the disability of being female." 'Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as
27594-407: The relationship with her father, and the death of her first child are thought to have inspired the monster and his separation from parental guidance. In a 1965 issue of The Journal of Religion and Health a psychologist proposed that the theme of guilt stemmed from her not feeling good enough for Percy because of the loss of their child. During the rainy summer of 1816, the " Year Without a Summer ",
27783-438: The return of the others, the rest of them were frightened. De Lacey's son Felix attacked him, and the Creature fled the house. The next day, the family left their home out of fear that he would return. Witnessing this, the monster renounced any hope of being accepted by humanity, and vowed to get his revenge. Although he hated his creator for abandoning him, he decided to travel to Geneva to find him because he believed that Victor
27972-485: The revival of the Gothic as a powerful literary form allied to fin de siecle , which fictionalized contemporary fears like ethical degeneration and questioned the social structures of the time. Classic works of this Urban Gothic include Robert Louis Stevenson 's Strange Case of Dr. Jekyll and Mr. Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1891), George du Maurier 's Trilby (1894), Richard Marsh 's The Beetle (1897), Henry James ' The Turn of
28161-471: The right side of his face. Additionally, he is of average height, being even shorter than other characters in the series. In this series, the monster names himself " Caliban ", after the character in William Shakespeare 's The Tempest . In the series, Victor Frankenstein makes a second and third creature, each more indistinguishable from normal human beings. Frankenstein's monster appears in
28350-531: The role in Frankenstein Meets the Wolf Man ; and Glenn Strange played the monster in the last three Universal Studios films to feature the character – House of Frankenstein , House of Dracula , and Abbott and Costello Meet Frankenstein . However, the makeup worn by subsequent actors replicated the iconic look first worn by Karloff. The image of Karloff's face is currently owned by his daughter's company, Karloff Enterprises, secured for her in
28539-560: The role of the subconscious is discussed in prose. Percy Shelley's name never appeared as the author of the poem, although the novel credits other quoted poets by name. Samuel Taylor Coleridge 's poem " The Rime of the Ancient Mariner " (1798) is associated with the theme of guilt and William Wordsworth 's " Tintern Abbey " (1798) with that of innocence. Many writers and historians have attempted to associate several then-popular natural philosophers (now called physical scientists) with Shelley's work because of several notable similarities. Two of
28728-456: The same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. The recounted story serves as the frame for Victor's narrative. Victor begins by telling of his childhood. Born in Naples , Italy , into a wealthy Genevan family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From
28917-438: The second creature, Victor suspects that the Creature is following him. As he works on the new creature, he is plagued by premonitions of disaster. He fears that the female will hate the Creature - or worse still - be even more evil than he is. Even more worrying to him is the idea that creating the second creature might lead to the creation of a race of beings just as strong as the monster who could plague humanity. He tears apart
29106-517: The setting in Frankenstein . Some major themes of social affections and the renewal of life that appear in Shelley's novel stem from these works she had in her possession. Other literary influences that appear in Frankenstein are Pygmalion et Galatée by Mme de Genlis, and Ovid , with the use of individuals identifying the problems with society. Ovid also inspires the use of Prometheus in Shelley's title. The influence of John Milton 's Paradise Lost and Samuel Taylor Coleridge 's The Rime of
29295-516: The ship is trapped by pack ice on the journey across the Arctic Ocean . During this time, the crew spots a dog sled driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named Victor Frankenstein from a drifting ice floe . Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton
29484-535: The stage play Presumption; or, the Fate of Frankenstein by Richard Brinsley Peake . This edition credited Mary Shelley as the book's author on its title page. Gothic novel Gothic fiction , sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting . The name refers to Gothic architecture of the European Middle Ages , which
29673-407: The story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy Bysshe Shelley . In 1816, Mary, Percy, John Polidori , and Lord Byron had a competition to see who wrote the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and
29862-468: The story. The buildings in The Castle of Otranto , for example, are riddled with tunnels that characters use to move back and forth in secret. This movement mirrors the secrets surrounding Manfred's possession of the castle and how it came into his family. From the castles, dungeons , forests, and hidden passages of the Gothic novel genre emerged female Gothic. Guided by the works of authors such as Ann Radcliffe , Mary Shelley , and Charlotte Brontë ,
30051-446: The story. A few days after the Creature vanishes, the ship is trapped by pack ice for a second time, and several crewmen die in the cold before the rest of Walton's crew insists on returning south once it is freed. Upon hearing the crew's demands, Victor is angered and, despite his condition, gives a powerful speech to them. He reminds them of why they chose to join the expedition and that it is hardship and danger, not comfort, that defines
30240-435: The streets the next day, he meets his childhood friend, Henry Clerval, and takes Clerval back to his apartment, fearful of Clerval's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone. Victor falls ill from the experience and is nursed back to health by Clerval. After recovering he forgets about the Creature and goes into Clerval's study of Oriental languages, which he considers
30429-649: The supernatural. Novels such as The Bride of Lammermoor (1819), in which the characters' fates are decided by superstition and prophecy , or the poem Marmion (1808), in which a nun is walled alive inside a convent, illustrate Scott's influence and use of Gothic themes. A late example of a traditional Gothic novel is Melmoth the Wanderer (1820) by Charles Maturin , which combines themes of anti-Catholicism with an outcast Byronic hero. Jane C. Loudon 's The Mummy! (1827) features standard Gothic motifs, characters, and plot, but with one significant twist; it
30618-463: The thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world. In September 2011, astronomer Donald Olson, after a visit to
30807-459: The transgressive and dangerous attempts to subvert and escape such restriction. Emily Brontë's Cathy and Charlotte Brontë 's Jane Eyre are examples of female protagonists in such roles. Louisa May Alcott 's Gothic potboiler, A Long Fatal Love Chase (written in 1866 but published in 1995), is also an interesting specimen of this subgenre. Charlotte Brontë's Villette also shows the Gothic influence, with its supernatural subplot featuring
30996-578: The trial, which suggests that the case is crumbling. Victor is acquitted when eyewitness testimony confirms that he was in Orkney at the time the murder took place. However, when shown the murder victim, Victor is horrified to see it was Henry Clerval, whom the Creature strangled as part of his promise to kill all his friends and family. Victor suffers another mental breakdown and after recovering, he returns home with his father, who has restored to Elizabeth some of her father's fortune. His father does not know of
31185-416: The unfinished female creature after he sees the Creature, who had indeed followed Victor, watching through a window. The Creature immediately bursts through the door to confront Victor and demands he repair his destruction and resume work, but Victor refuses. The Creature leaves, but gives a final threat: "I will be with you on your wedding night." Victor interprets this as a threat upon his life, believing that
31374-583: The use of gothic aesthetic in novels by Charles Dickens and the Brontë sisters , as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne . Later well-known works were Dracula by Bram Stoker , Richard Marsh's The Beetle and Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde . 20th-century contributors include Daphne du Maurier , Stephen King , Shirley Jackson , Anne Rice , and Toni Morrison . Gothic fiction
31563-433: The work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips. A picture of the creature appeared in the 1831 edition. Early stage portrayals dressed him in
31752-497: The world was locked in a long, cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and future husband), Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva , in Switzerland's Alps . The weather was too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn. Sitting around
31941-412: Was Horace Walpole 's The Castle of Otranto (1764). The first edition presented the story as a translation of a sixteenth-century manuscript and was widely popular. Walpole, in the second edition, revealed himself as the author which adding the subtitle "A Gothic Story." The revelation prompted a backlash from readers, who considered it inappropriate for a modern author to write a supernatural story in
32130-549: Was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim , 17 kilometres (11 mi) away from Frankenstein Castle , where, about a century earlier, Johann Konrad Dippel , an alchemist , had engaged in experiments. She then journeyed to the region of Geneva , Switzerland, where much of
32319-612: Was a notable Gothic writer, and converted from Catholicism to Anglicanism. In Switzerland, Jeremias Gotthelf wrote The Black Spider (1842), an allegorical work that uses Gothic themes. The last work from the German writer Theodor Storm , The Rider on the White Horse (1888), also uses Gothic motives and themes. After Gogol, Russian literature saw the rise of Realism, but many authors continued to write stories within Gothic fiction territory. Ivan Sergeyevich Turgenev , one of
32508-422: Was also very influential among Gothic writers, who were especially drawn to the tragic anti-hero character Satan , who became a model for many charismatic Gothic villains and Byronic heroes . Milton's "version of the myth of the fall and redemption, creation and decreation, is, as Frankenstein again reveals, an important model for Gothic plots." Alexander Pope , who had a considerable influence on Walpole,
32697-461: Was an aesthetic to tie the elements together. Bloom notes that this aesthetic must take the form of a theoretical or philosophical core, which is necessary to "sav[e] the best tales from becoming mere anecdote or incoherent sensationalism." In this case, the aesthetic needed to be emotional, and was finally provided by Edmund Burke 's 1757 work, A Philosophical Enquiry into the Origin of Our Ideas of
32886-412: Was at first frightened, and the Creature held his wrist to calm him. When the boy screamed his full name and that he had powerful parents, this sparked the creature into killing the boy to spite Victor. The Creature then took William's locket and placed it into the dress of Justine, incriminating her as the murderer. The Creature demands that Victor create a female companion like himself. He argues that as
33075-701: Was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole 's 1764 novel The Castle of Otranto , later subtitled "A Gothic Story". Subsequent 18th-century contributors included Clara Reeve , Ann Radcliffe , William Thomas Beckford , and Matthew Lewis . The Gothic influence continued into the early 19th century; works by the Romantic poets , like Samuel Taylor Coleridge and Lord Byron , and novelists such as Mary Shelley , Charles Maturin , Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued
33264-412: Was created. The creature eventually introduces himself to the family's blind father, De Lacey, who treats him with kindness. When the rest of the family returns, however, they are frightened of him and drive him away. Enraged, the creature feels that humankind is his enemy and begins to hate his creator for abandoning him. However, although he despises Frankenstein, he sets out to find him, believing that he
33453-481: Was horrified by what he had made. Frankenstein is one of the most well-known works of English literature . Infused with elements of the Gothic novel and the Romantic movement, it has had a considerable influence on literature and on popular culture, spawning a complete genre of horror stories, films, and plays. Since the publication of the novel, the name "Frankenstein" has often been used, erroneously, to refer to
33642-555: Was not merely in literature that a medieval revival made itself felt, and this, too, contributed to a culture ready to accept a perceived medieval work in 1764. The Gothic often uses scenery of decay, death, and morbidity to achieve its effects (especially in the Italian Horror school of Gothic). However, Gothic literature was not the origin of this tradition; it was far older. The corpses, skeletons, and churchyards so commonly associated with early Gothic works were popularized by
33831-529: Was probably nursing her second child, who was also dead by the time of Frankenstein 's publication. Shelley wrote much of the book while residing in a lodging house in the centre of Bath in 1816. Byron managed to write just a fragment based on the vampire legends he heard while travelling the Balkans , and from this John Polidori created The Vampyre (1819), the progenitor of the romantic vampire literary genre. Thus two seminal horror tales originated from
34020-527: Was productive of both Mary Shelley's Frankenstein, or, The Modern Prometheus (1818), and Polidori's short story " The Vampyre " (1819), featuring the Byronic Lord Ruthven . "The Vampyre" has been accounted by cultural critic Christopher Frayling as one of the most influential works of fiction ever written and spawned a craze for vampire fiction and theatre (and, latterly, film) that has not ceased to this day. Although clearly influenced by
34209-401: Was published in an edition of just 500 copies in three volumes, the standard " triple-decker " format for 19th-century first editions. A French translation ( Frankenstein: ou le Prométhée Moderne , translated by Jules Saladin) appeared as early as 1821. The second English edition of Frankenstein was published on 11 August 1823 in two volumes (by G. and W. B. Whittaker) following the success of
34398-578: Was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos , and mortality in general. Irish Catholics also wrote Gothic fiction in the 19th century. Although some Anglo-Irish dominated and defined the subgenre decades later, they did not own it. Irish Catholic Gothic writers included Gerald Griffin , James Clarence Mangan , and John and Michael Banim . William Carleton
34587-490: Was the Titan who created humans in the image of the gods so that they could have a spirit breathed into them at the behest of Zeus . Prometheus then taught humans to hunt, but after he tricked Zeus into accepting "poor-quality offerings" from humans, Zeus kept fire from humankind. Prometheus took back the fire from Zeus to give to humanity. When Zeus discovered this, he sentenced Prometheus to be eternally punished by fixing him to
34776-624: Was the American Edgar Allan Poe , who wrote numerous short stories and poems reinterpreting Gothic tropes. His story " The Fall of the House of Usher " (1839) revisits classic Gothic tropes of aristocratic decay, death, and insanity . Poe is now considered the master of the American Gothic. In England, one of the most influential penny dreadfuls is the anonymously authored Varney the Vampire (1847), which introduced
34965-590: Was the doing of the Creature; Justine is hanged. Ravaged by grief and guilt, Victor takes up mountain climbing in the Alps . While hiking through Mont Blanc 's Mer de Glace , he is suddenly approached by the Creature, who insists that Victor hear his tale. Intelligent and articulate, the Creature relates his first days of life, living alone in the wilderness. He found that people were afraid of him and hated him due to his appearance, which led him to fear and hide from them. While living in an abandoned structure connected to
35154-463: Was the first significant poet of the 18th century to write a poem in an authentic Gothic manner. Eloisa to Abelard (1717), a tale of star-crossed lovers, one doomed to a life of seclusion in a convent, and the other in a monastery, abounds in gloomy imagery, religious terror, and suppressed passion. The influence of Pope's poem is found throughout 18th-century Gothic literature, including the novels of Walpole, Radcliffe, and Lewis. Gothic literature
35343-403: Was the morally right thing to do. Contrary to many film versions, the creature in the novel is very articulate and eloquent in his speech. Almost immediately after his creation, he dresses himself; and within 11 months, he can speak and read German and French. By the end of the novel, the creature is able to speak English fluently as well. The Van Helsing and Penny Dreadful interpretations of
35532-435: Was the only person with a responsibility to help him. On the journey, he rescued a child who had fallen into a river, but her father, believing that the Creature intended to harm them, shot him in the shoulder. The Creature then swore revenge against all humans. He travelled to Geneva using details from a combination of Victor's journal and geography lessons gleaned from the family. When in Switzerland he chanced upon William, who
35721-688: Was the site of a scandal involving gravediggers in 1606, and this has been suggested as an inspiration to the author. Finally, the name is borne by the aristocratic House of Franckenstein from Franconia . Radu Florescu argued that Mary and Percy Shelley visited Frankenstein Castle near Darmstadt in 1814, where alchemist Johann Konrad Dippel had experimented with human bodies, and reasoned that Mary suppressed mention of her visit to maintain her public claim of originality. A literary essay by A.J. Day supports Florescu's position that Mary Shelley knew of and visited Frankenstein Castle before writing her debut novel. Day includes details of an alleged description of
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