111-580: Magpies are birds of various species of the family Corvidae . Like other members of their family, they are widely considered to be intelligent creatures. The Eurasian magpie , for instance, is thought to rank among the world's most intelligent creatures , and is one of the few nonmammalian species able to recognize itself in a mirror test . Magpies have shown the ability to make and use tools, imitate human speech, grieve, play games, and work in teams. They are particularly well known for their songs and were once popular as cagebirds. In addition to other members of
222-566: A Reims caused problems for his librettists, who had to adapt their original plot and write French words to fit existing Italian numbers, but the opera was a success, and was seen in London within six months of the Paris premiere, and in New York in 1831. The following year Rossini wrote his long-awaited French grand opera, Guillaume Tell , based on Friedrich Schiller 's 1804 play which drew on
333-750: A better sense of smell. A third stage of bird evolution starting with Ornithothoraces (the "bird-chested" avialans) can be associated with the refining of aerodynamics and flight capabilities, and the loss or co-ossification of several skeletal features. Particularly significant are the development of an enlarged, keeled sternum and the alula , and the loss of grasping hands. † Anchiornis † Archaeopteryx † Xiaotingia † Rahonavis † Jeholornis † Jixiangornis † Balaur † Zhongjianornis † Sapeornis † Confuciusornithiformes † Protopteryx † Pengornis Ornithothoraces † Enantiornithes Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868)
444-464: A birth". Popular antiquities later became known as Folklore , (a term coined by William John Thoms in 1846). In that year, the rhyme was added to Proverbs and Popular Sayings of the Seasons , by Michael Aislabie Denham , an English merchant and collector of folklore. The following lines were added:- "Five for heaven, Six for hell, Seven for the devil, his own self". Sir Humphry Davy attributed
555-705: A certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri , Il barbiere di Siviglia (known in English as The Barber of Seville ) and La Cenerentola , which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello . He also composed opera seria works such as Tancredi , Otello and Semiramide . All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he
666-473: A definition similar to "all theropods closer to birds than to Deinonychus ", with Troodon being sometimes added as a second external specifier in case it is closer to birds than to Deinonychus . Avialae is also occasionally defined as an apomorphy-based clade (that is, one based on physical characteristics). Jacques Gauthier , who named Avialae in 1986, re-defined it in 2001 as all dinosaurs that possessed feathered wings used in flapping flight , and
777-442: A group called Paraves . Some basal members of Deinonychosauria, such as Microraptor , have features which may have enabled them to glide or fly. The most basal deinonychosaurs were very small. This evidence raises the possibility that the ancestor of all paravians may have been arboreal , have been able to glide, or both. Unlike Archaeopteryx and the non-avialan feathered dinosaurs, who primarily ate meat, studies suggest that
888-450: A halt as the requisite repeats of the da capo aria were undertaken). For example, they could be punctuated by comments from other characters (a convention known as "pertichini" ), or the chorus could intervene between the cantabile and the cabaletta so as to fire up the soloist. If such developments were not necessarily Rossini's own invention, he nevertheless made them his own by his expert handling of them. A landmark in this context
999-809: A hero's welcome; his biographers describe it as "unprecedentedly feverish enthusiasm", "Rossini fever", and "near hysteria". The authoritarian chancellor of the Austrian Empire , Metternich , liked Rossini's music, and thought it free of all potential revolutionary or republican associations. He was therefore happy to permit the San Carlo company to perform the composer's operas. In a three-month season they played six of them, to audiences so enthusiastic that Beethoven 's assistant, Anton Schindler , described it as "an idolatrous orgy". While in Vienna Rossini heard Beethoven's Eroica symphony, and
1110-576: A little over a decade was a considerable success in cities including Trieste and Bologna , before her untrained voice began to fail. In 1802 the family moved to Lugo , near Ravenna , where Rossini received a good basic education in Italian, Latin and arithmetic as well as music. He studied the horn with his father and other music with a priest, Giuseppe Malerbe, whose extensive library contained works by Haydn and Mozart , both little known in Italy at
1221-610: A long time ago." The period after 1835 saw Rossini's formal separation from his wife, who remained at Castenaso (1837), and the death of his father at the age of eighty (1839). In 1845 Colbran became seriously ill, and in September Rossini travelled to visit her; a month later she died. The following year Rossini and Pélissier were married in Bologna. The events of the Year of Revolution in 1848 led Rossini to move away from
SECTION 10
#17327731080671332-459: A new Rossini opera. But although Othello could at least claim to be genuine, canonic Rossini, the historian Mark Everist notes that detractors argued that Robert was simply "fake goods, and from a bygone era at that"; he cites Théophile Gautier regretting that "the lack of unity could have been masked by a superior performance; unfortunately the tradition of Rossini's music was lost at the Opéra
1443-522: A rush to meet deadlines. Between 1815 and 1822 he composed eighteen more operas: nine for Naples and nine for opera houses in other cities. In 1816, for the Teatro Argentina in Rome, he composed the opera that was to become his best-known: Il barbiere di Siviglia ( The Barber of Seville ). There was already a popular opera of that title by Paisiello , and Rossini's version was originally given
1554-475: A secret never to be told. John Brand was an English antiquarian and Church of England clergyman, who was appointed Secretary to the Society of Antiquaries, in 1784. His book, Observations of Popular Antiquities , (1780), has the first-known record of counting Magpies to predict good or ill-fortune, in the description, and records only four lines: "One for sorrow, Two for mirth, Three for a funeral, And four for
1665-459: A singer and worked in theatres as a répétiteur and keyboard soloist. In 1810 at the request of the popular tenor Domenico Mombelli he wrote his first operatic score, a two-act operatic dramma serio , Demetrio e Polibio , to a libretto by Mombelli's wife. It was publicly staged in 1812, after the composer's first successes. Rossini and his parents concluded that his future lay in composing operas. The main operatic centre in northeastern Italy
1776-648: A singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna . His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara , Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and
1887-584: A single species with a most peculiar distribution, have been shown to be two distinct species, and are classified as the genus Cyanopica . Other research has cast doubt on the taxonomy of the Pica magpies, since P. hudsonia and P. nuttalli may not be different species, whereas the Korean race of P. pica is genetically very distinct from the other Eurasian (as well as the North American) forms. Either
1998-406: A sister group, the order Crocodilia , contain the only living representatives of the reptile clade Archosauria . During the late 1990s, Aves was most commonly defined phylogenetically as all descendants of the most recent common ancestor of modern birds and Archaeopteryx lithographica . However, an earlier definition proposed by Jacques Gauthier gained wide currency in the 21st century, and
2109-479: A sizeable annuity from the French government, and having written thirty-nine operas, he simply planned to retire and kept to that plan. In a 1934 study of the composer, the critic Francis Toye coined the phrase "The Great Renunciation", and called Rossini's retirement a "phenomenon unique in the history of music and difficult to parallel in the whole history of art": Is there any other artist who thus deliberately, in
2220-459: A student, including a mass and a cantata, and after two years he was invited to continue his studies. He declined the offer: the strict academic regime of the Liceo had given him a solid compositional technique, but as his biographer Richard Osborne puts it, "his instinct to continue his education in the real world finally asserted itself". While still at the Liceo, Rossini had performed in public as
2331-502: A success directing Haydn's The Seasons , and a failure with his first full-length opera, L'equivoco stravagante . He also worked for opera houses in Ferrara and Rome. In mid-1812 he received a commission from La Scala , Milan, where his two-act comedy La pietra del paragone ran for fifty-three performances, a considerable run for the time, which brought him not only financial benefits, but exemption from military service and
SECTION 20
#17327731080672442-464: A succession of important roles for her in opere serie . By the early 1820s, Rossini was beginning to tire of Naples. The failure of his operatic tragedy Ermione the previous year convinced him that he and the Neapolitan audiences had had enough of each other. An insurrection in Naples against the monarchy, though quickly crushed , unsettled Rossini; when Barbaia signed a contract to take
2553-717: A time, sometimes for years, and rarely for life. Other species have breeding systems that are polygynous (one male with many females) or, rarely, polyandrous (one female with many males). Birds produce offspring by laying eggs which are fertilised through sexual reproduction . They are usually laid in a nest and incubated by the parents. Most birds have an extended period of parental care after hatching. Many species of birds are economically important as food for human consumption and raw material in manufacturing, with domesticated and undomesticated birds being important sources of eggs, meat, and feathers. Songbirds , parrots, and other species are popular as pets. Guano (bird excrement)
2664-411: A trumpeter and horn player, and his wife Anna, née Guidarini, a seamstress by trade, daughter of a baker. Giuseppe Rossini was charming but impetuous and feckless; the burden of supporting the family and raising the child fell mainly on Anna, with some help from her mother and mother-in-law. Stendhal , who published a colourful biography of Rossini in 1824, wrote: Rossini's portion from his father,
2775-424: A woodwind solo, whose "catchiness" "etch[es] a distinct profile in the aural memory", and that the richness and inventiveness of his handling of the orchestra, even in these early works, marks the start of "[t]he great nineteenth-century flowering of orchestration ." Rossini's handling of arias (and duets) in cavatina style marked a development from the eighteenth-century commonplace of recitative and aria. In
2886-519: Is "no exaggeration to say that, in Paris, Rossini returned to life". He recovered his health and joie de vivre . Once settled in Paris he maintained two homes: a flat in the rue de la Chaussée-d'Antin , a smart central area, and a neo-classical villa built for him in Passy , a commune now absorbed into the city, but then semi-rural. He and his wife established a salon that became internationally famous. The first of their Saturday evening gatherings –
2997-640: Is also often found in traditional Chinese poetry and couplets. In addition, in Chinese folklore, all the magpies of the Qixi Festival every year will fly to the Milky Way and form a bridge, where the separated Cowherd and Weaver Girl will meet. The Milky Way is like a river, and the Cowherd and Weaver Girl refer to the famous α-Aquilae and α-Lyrae of modern Astronomy, respectively. For this reason,
3108-429: Is harvested for use as a fertiliser. Birds figure throughout human culture. About 120 to 130 species have become extinct due to human activity since the 17th century, and hundreds more before then. Human activity threatens about 1,200 bird species with extinction, though efforts are underway to protect them. Recreational birdwatching is an important part of the ecotourism industry. The first classification of birds
3219-503: Is not considered a direct ancestor of birds, though it is possibly closely related to the true ancestor. Over 40% of key traits found in modern birds evolved during the 60 million year transition from the earliest bird-line archosaurs to the first maniraptoromorphs , i.e. the first dinosaurs closer to living birds than to Tyrannosaurus rex . The loss of osteoderms otherwise common in archosaurs and acquisition of primitive feathers might have occurred early during this phase. After
3330-516: Is synonymous to Avifilopluma. † Scansoriopterygidae † Eosinopteryx † Jinfengopteryx † Aurornis † Dromaeosauridae † Troodontidae Avialae Based on fossil and biological evidence, most scientists accept that birds are a specialised subgroup of theropod dinosaurs and, more specifically, members of Maniraptora , a group of theropods which includes dromaeosaurids and oviraptorosaurs , among others. As scientists have discovered more theropods closely related to birds,
3441-404: Is the cavatina "Di tanti palpiti" from Tancredi , which both Taruskin and Gossett (amongst others) single out as transformative, "the most famous aria Rossini ever wrote", with a "melody that seems to capture the melodic beauty and innocence characteristic of Italian opera." Both writers point out the typical Rossinian touch of avoiding an "expected" cadence in the aria by a sudden shift from
Magpie - Misplaced Pages Continue
3552-404: Is today known as) the overture to the comedy Il barbiere di Siviglia (The Barber of Seville) . He also liberally re-employed arias and other sequences in later works. Spike Hughes notes that of the twenty-six numbers of Eduardo e Cristina , produced in Venice in 1817, nineteen were lifted from previous works. "The audience ... were remarkably good-humoured ... and asked slyly why
3663-535: Is used by many scientists including adherents to the PhyloCode . Gauthier defined Aves to include only the crown group of the set of modern birds. This was done by excluding most groups known only from fossils , and assigning them, instead, to the broader group Avialae, on the principle that a clade based on extant species should be limited to those extant species and their closest extinct relatives. Gauthier and de Queiroz identified four different definitions for
3774-445: Is warm...favourable for fishing". Bird Birds are a group of warm-blooded vertebrates constituting the class Aves ( Latin: [ˈaveːs] ), characterised by feathers , toothless beaked jaws, the laying of hard-shelled eggs, a high metabolic rate, a four-chambered heart , and a strong yet lightweight skeleton . Birds live worldwide and range in size from the 5.5 cm (2.2 in) bee hummingbird to
3885-831: The Code Napoléon , the legal system established by the French Emperor. Rossini's overall style may indeed have been influenced more directly by the French: the historian John Rosselli suggests that French rule in Italy at the start of the 19th century meant that "music had taken on new military qualities of attack, noise and speed – to be heard in Rossini." Rossini's approach to opera was inevitably tempered by changing tastes and audience demands. The formal "classicist" libretti of Metastasio which had underpinned late 18th century opera seria were replaced by subjects more to
3996-669: The Tiaojishan Formation of China, which has been dated to the late Jurassic period ( Oxfordian stage), about 160 million years ago. The avialan species from this time period include Anchiornis huxleyi , Xiaotingia zhengi , and Aurornis xui . The well-known probable early avialan, Archaeopteryx , dates from slightly later Jurassic rocks (about 155 million years old) from Germany . Many of these early avialans shared unusual anatomical features that may be ancestral to modern birds but were later lost during bird evolution. These features include enlarged claws on
4107-487: The William Tell legend. Guillaume Tell was well received. The orchestra and singers gathered outside Rossini's house after the premiere and performed the rousing finale to the second act in his honour. The newspaper Le Globe commented that a new era of music had begun. Gaetano Donizetti remarked that the first and last acts of the opera were written by Rossini, but the middle act was written by God. The work
4218-422: The loss of flight in some birds , including ratites , penguins , and diverse endemic island species. The digestive and respiratory systems of birds are also uniquely adapted for flight. Some bird species of aquatic environments, particularly seabirds and some waterbirds , have further evolved for swimming. The study of birds is called ornithology . Birds are feathered theropod dinosaurs and constitute
4329-575: The only known living dinosaurs . Likewise, birds are considered reptiles in the modern cladistic sense of the term, and their closest living relatives are the crocodilians . Birds are descendants of the primitive avialans (whose members include Archaeopteryx ) which first appeared during the Late Jurassic . According to recent estimates, modern birds ( Neornithes ) evolved in the Late Cretaceous and diversified dramatically around
4440-541: The opera semiseria La gazza ladra (1817), and for Rome his version of the Cinderella story, La Cenerentola (1817). In 1817 came the first performance of one of his operas ( L'Italiana ) at the Theâtre-Italien in Paris; its success led to others of his operas being staged there, and eventually to his contract in Paris from 1824 to 1830. Rossini kept his personal life as private as possible, but he
4551-456: The samedi soirs – was held in December 1858, and the last, two months before he died in 1868. Rossini began composing again. His music from his final decade was not generally intended for public performance, and he did not usually put dates of composition on the manuscripts. Consequently, musicologists have found it difficult to give definite dates for his late works, but the first, or among
Magpie - Misplaced Pages Continue
4662-440: The 2.8 m (9 ft 2 in) common ostrich . There are over 11,000 living species and they are split into 44 orders . More than half are passerine or "perching" birds. Birds have wings whose development varies according to species; the only known groups without wings are the extinct moa and elephant birds . Wings, which are modified forelimbs , gave birds the ability to fly, although further evolution has led to
4773-414: The Bologna area, where he felt threatened by insurrection, and to make Florence his base, which it remained until 1855. By the early 1850s Rossini's mental and physical health had deteriorated to the point where his wife and friends feared for his sanity or his life. By the middle of the decade, it was clear that he needed to return to Paris for the most advanced medical care then available. In April 1855
4884-483: The North American, Korean, and remaining Eurasian forms are accepted as three or four separate species, or else only a single species, Pica pica , exists. Oriental (blue and green) magpies Azure-winged magpies Holarctic (black-and-white) magpies In East Asian cultures, the magpie is a very popular bird and is a symbol of good luck and fortune. The magpie is a common subject in Chinese paintings. It
4995-506: The Papal village. Giuseppe was imprisoned at least twice: first in 1790 for insubordination to local authorities in a dispute about his employment as town trumpeter; and in 1799 and 1800 for republican activism and support of the troops of Napoleon against the Pope's Austrian backers. In 1798, when Rossini was aged six, his mother began a career as a professional singer in comic opera, and for
5106-564: The Rossinis set off for their final journey from Italy to France. Rossini returned to Paris aged sixty-three and made it his home for the rest of his life. I offer these modest songs to my dear wife Olympe as a simple testimony of gratitude for the affectionate, intelligent care which she lavished on me during my overlong and terrible illness. Dedication of Musique anodine , 1857 Gossett observes that although an account of Rossini's life between 1830 and 1855 makes depressing reading, it
5217-619: The San Moisè as an ideal theatre for a young composer learning his craft – "everything tended to facilitate the début of a novice composer": it had no chorus, and a small company of principals; its main repertoire consisted of one-act comic operas ( farse ), staged with modest scenery and minimal rehearsal. Rossini followed the success of his first piece with three more farse for the house: L'inganno felice (1812), La scala di seta (1812), and Il signor Bruschino (1813). Rossini maintained his links with Bologna, where in 1811 he had
5328-552: The Théâtre-Italien. He was also to help run the latter theatre and revise one of his earlier works for revival there. The death of the king and the accession of Charles X changed Rossini's plans, and his first new work for Paris was Il viaggio a Reims , an operatic entertainment given in June 1825 to celebrate Charles's coronation. It was Rossini's last opera with an Italian libretto. He permitted only four performances of
5439-511: The Vienna season Rossini returned to Castenaso to work with his librettist, Gaetano Rossi , on Semiramide , commissioned by La Fenice. It was premiered in February 1823, his last work for the Italian theatre. Colbran starred, but it was clear to everyone that her voice was in serious decline, and Semiramide ended her career in Italy. The work survived that one major disadvantage, and entered
5550-574: The age of seventy-six. He left Olympe a life interest in his estate, which after her death, ten years later, passed to the Commune of Pesaro for the establishment of a Liceo Musicale, and funded a home for retired opera singers in Paris. After a funeral service attended by more than four thousand people at the church of Sainte-Trinité , Paris, Rossini's body was interred at the Père Lachaise Cemetery . In 1887 his remains were moved to
5661-428: The appearance of Maniraptoromorpha, the next 40 million years marked a continuous reduction of body size and the accumulation of neotenic (juvenile-like) characteristics. Hypercarnivory became increasingly less common while braincases enlarged and forelimbs became longer. The integument evolved into complex, pennaceous feathers . The oldest known paravian (and probably the earliest avialan) fossils come from
SECTION 50
#17327731080675772-460: The basilica of Santa Croce , Florence. "Tous les genres sont bons, hors le genre ennuyeux". Rossini, in a letter of 1868 (citing Voltaire ) The writer Julian Budden , noting the formulas adopted early on by Rossini in his career and consistently followed by him thereafter as regards overtures, arias , structures and ensembles, has called them "the Code Rossini" in a reference to
5883-426: The best music from operas unlikely to be revived in Naples." The new opera was received with tremendous enthusiasm, as was the Neapolitan premiere of L'italiana in Algeri , and Rossini's position in Naples was assured. For the first time, Rossini was able to write regularly for a resident company of first-rate singers and a fine orchestra, with adequate rehearsals, and schedules that made it unnecessary to compose in
5994-509: The birds that descended from them. Despite being currently one of the most widely used, the crown-group definition of Aves has been criticised by some researchers. Lee and Spencer (1997) argued that, contrary to what Gauthier defended, this definition would not increase the stability of the clade and the exact content of Aves will always be uncertain because any defined clade (either crown or not) will have few synapomorphies distinguishing it from its closest relatives. Their alternative definition
6105-522: The company to Vienna, Rossini was glad to join them, but did not reveal to Barbaia that he had no intention of returning to Naples afterwards. He travelled with Colbran, in March 1822, breaking their journey at Bologna, where they were married in the presence of his parents in a small church in Castenaso a few miles from the city. The bride was thirty-seven, the groom thirty. In Vienna, Rossini received
6216-450: The composer's earlier operas. It is unclear to what extent – if at all – Rossini was involved with this production, which was in the event poorly received. More controversial was the pasticcio opera of Robert Bruce (1846), in which Rossini, by then returned to Bologna, closely cooperated by selecting music from his past operas which had not yet been performed in Paris, notably La donna del lago . The Opéra sought to present Robert as
6327-574: The composer, but this was not known to the London press and public, who blamed Rossini. In a 2003 biography of the composer, Gaia Servadio comments that Rossini and England were not made for each other. He was prostrated by the Channel crossing and was unlikely to be enthused by the English weather or English cooking. Although his stay in London was financially rewarding – the British press reported disapprovingly that he had earned over £30,000 – he
6438-538: The composers who attended the salons, and sometimes performed, were Auber , Gounod , Liszt , Rubinstein , Meyerbeer, and Verdi . Rossini liked to call himself a fourth-class pianist, but the many famous pianists who attended the samedi soirs were dazzled by his playing. Violinists such as Pablo Sarasate and Joseph Joachim and the leading singers of the day were regular guests. In 1860, Wagner visited Rossini via an introduction from Rossini's friend Edmond Michotte who some forty-five years later wrote his account of
6549-432: The connection for the feeling of one, then two magpies to joy and sorrow in his, Salmonia : or Days of Fly Fishing , (1828); he wrote: "For anglers in spring it has always been regarded as unlucky to see single magpies, but two may be always regarded as a favourable omen;...in cold and stormy weather one magpie alone leaves the nest in search of food; the other remaining sitting on the eggs...when two go out...the weather
6660-587: The cuts was Rossini's lifetime annuity, won after hard negotiation with the previous regime. Attempting to restore the annuity was one of Rossini's reasons for returning. The other was to be with his new mistress, Olympe Pélissier . He left Colbran in Castenaso; she never returned to Paris and they never lived together again. The reasons for Rossini's withdrawal from opera have been continually discussed during and since his lifetime. Some have supposed that aged thirty-seven and in variable health, having negotiated
6771-665: The earliest members of Aves, is removed from this group, becoming a non-avian dinosaur instead. These proposals have been adopted by many researchers in the field of palaeontology and bird evolution , though the exact definitions applied have been inconsistent. Avialae, initially proposed to replace the traditional fossil content of Aves, is often used synonymously with the vernacular term "bird" by these researchers. † Coelurus † Ornitholestes † Ornithomimosauria † Alvarezsauridae † Oviraptorosauria Paraves Most researchers define Avialae as branch-based clade, though definitions vary. Many authors have used
SECTION 60
#17327731080676882-594: The effort of composing it left him exhausted. Although within a year he was planning an operatic treatment of the Faust story, events and ill health overtook him. After the opening of Guillaume Tell the Rossinis had left Paris and were staying in Castenaso. Within a year events in Paris had Rossini hurrying back. Charles X was overthrown in a revolution in July 1830, and the new administration, headed by Louis Philippe I , announced radical cutbacks in government spending. Among
6993-577: The entertaining pieces Péchés de vieillesse . Guests included Franz Liszt , Anton Rubinstein , Giuseppe Verdi , Meyerbeer, and Joseph Joachim . Rossini's last major composition was his Petite messe solennelle (1863). Rossini was born on 29 February in 1792 in Pesaro , a town on the Adriatic coast of Italy that was then part of the Papal States . He was the only child of Giuseppe Rossini,
7104-451: The first avialans were omnivores . The Late Jurassic Archaeopteryx is well known as one of the first transitional fossils to be found, and it provided support for the theory of evolution in the late 19th century. Archaeopteryx was the first fossil to display both clearly traditional reptilian characteristics—teeth, clawed fingers, and a long, lizard-like tail—as well as wings with flight feathers similar to those of modern birds. It
7215-514: The first, was the song cycle Musique anodine , dedicated to his wife and presented to her in April 1857. For their weekly salons he produced more than 150 pieces, including songs, solo piano pieces, and chamber works for many different combinations of instruments. He referred to them as his Péchés de vieillesse – "sins of old age". The salons were held both at Beau Séjour – the Passy villa – and, in
7326-480: The four operas Rossini wrote to French librettos were Le siège de Corinthe (1826) and Moïse et Pharaon (1827). Both were substantial reworkings of pieces written for Naples: Maometto II and Mosè in Egitto . Rossini took great care before beginning work on the first, learning to speak French and familiarising himself with traditional French operatic ways of declaiming the language. As well as dropping some of
7437-456: The genial conversation between the two composers. One of Rossini's few late works intended to be given in public was his Petite messe solennelle , first performed in 1864. In the same year Rossini was made a grand officer of the Legion of Honour by Napoleon III. After a short illness, and an unsuccessful operation to treat colorectal cancer , Rossini died at Passy on 13 November 1868 at
7548-686: The genus Pica , corvids considered magpies are in the genera Cissa , Urocissa , and Cyanopica . Magpies of the genus Pica are generally found in temperate regions of Europe, Asia, and western North America, with populations also present in Tibet and high-elevation areas of Kashmir. Magpies of the genus Cyanopica are found in East Asia and the Iberian Peninsula . The birds called magpies in Australia are, however, not related to
7659-407: The government over his annuity in 1835 Rossini left Paris and settled in Bologna. His return to Paris in 1843 for medical treatment by Jean Civiale sparked hopes that he might produce a new grand opera – it was rumoured that Eugène Scribe was preparing a libretto for him about Joan of Arc . The Opéra was moved to present a French version of Otello in 1844 which also included material from some of
7770-463: The home key of F to that of A flat (see example); Taruskin notes the implicit pun, as the words talk of returning, but the music moves in a new direction. The influence was lasting; Gossett notes how the Rossinian cabaletta style continued to inform Italian opera as late as Giuseppe Verdi 's Aida (1871). Such structural integration of the forms of vocal music with the dramatic development of
7881-451: The human disorder involving a compulsive desire to eat items that are not food is borrowed from the Latin name of the magpie, pica , for its reputed tendency to feed on miscellaneous things. According to some studies, magpies do not form the monophyletic group they are traditionally believed to be; tails have elongated (or shortened) independently in multiple lineages of corvid birds. Among
7992-602: The international operatic repertory, remaining popular throughout the 19th century; in Richard Osborne's words, it brought "[Rossini's] Italian career to a spectacular close." In November 1823 Rossini and Colbran set off for London, where a lucrative contract had been offered. They stopped for four weeks en route in Paris. Although he was not as feverishly acclaimed by the Parisians as he had been in Vienna, he nevertheless had an exceptionally welcoming reception from
8103-555: The king, George IV , although the composer was by now unimpressed by royalty and aristocracy. Rossini and Colbran had signed contracts for an opera season at the King's Theatre in the Haymarket . Her vocal shortcomings were a serious liability, and she reluctantly retired from performing. Public opinion was not improved by Rossini's failure to provide a new opera, as promised. The impresario Vincenzo Benelli defaulted on his contract with
8214-484: The libretto had been changed since the last performance". Rossini expressed his disgust when the publisher Giovanni Ricordi issued a complete edition of his works in the 1850s: "The same pieces will be found several times, for I thought I had the right to remove from my fiascos those pieces which seemed best, to rescue them from shipwreck ... A fiasco seemed to be good and dead, and now look they've resuscitated them all!" Philip Gossett notes that Rossini "was from
8325-719: The magpie bridge has come to symbolize a relationship between men and women. Magpies have an important place in the birth myth of Ai Xinjue Luo Bukuri Yushun , the ancestor of the Qing dynasty . The magpie is a national bird of Korea and a symbol of its capital Seoul . In European culture, the magpie is reputed to collect shiny objects such as wedding rings and other valuables, a well known example being Rossini 's opera La Gazza Ladra ( The Thieving Magpie ). A recent study conducted by Exeter University found that Eurasian magpies express neophobia when presented with unfamiliar objects, and were less likely to approach or interact with
8436-417: The magpies in the rest of the world. References dating back to Old English call the bird a "pie", derived from the Latin pica and cognate to French pie ; this term has fallen out of use. The tendency in previous centuries was to give birds common names, such as robin redbreast (which now is called the robin ) and jenny wren. The magpie was originally variously maggie pie and mag pie. The term " pica " for
8547-556: The music before the première. Such pressures led to a further significant element of Rossini's compositional procedures, not included in Budden's "Code", namely, recycling. The composer often transferred a successful overture to subsequent operas: thus the overture to La pietra del paragone was later used for the opera seria Tancredi (1813), and (in the other direction) the overture to Aureliano in Palmira (1813) ended as (and
8658-427: The musical establishment and the public. When he attended a performance of Il barbiere at the Théâtre-Italien he was applauded, dragged onto the stage, and serenaded by the musicians. A banquet was given for him and his wife, attended by leading French composers and artists, and he found the cultural climate of Paris congenial. At the end of the year Rossini arrived in London, where he was received and made much of by
8769-466: The next twenty-five years following Guillaume Tell Rossini composed little, although Gossett comments that his comparatively few compositions from the 1830s and 1840s show no falling off in musical inspiration. They include the Soirées musicales (1830–1835: a set of twelve songs for solo or duet voices and piano) and his Stabat Mater (begun in 1831 and completed in 1841). After winning his fight with
8880-545: The original music that was in an ornate style unfashionable in Paris, Rossini accommodated local preferences by adding dances, hymn-like numbers and a greater role for the chorus. Rossini's mother, Anna, died in 1827; he had been devoted to her, and he felt her loss deeply. She and Colbran had never got on well, and Servadio suggests that after Anna died Rossini came to resent the surviving woman in his life. In 1828 Rossini wrote Le comte Ory , his only French-language comic opera. His determination to reuse music from Il viaggio
8991-402: The outermost half) can be seen in the evolution of maniraptoromorphs, and this process culminated in the appearance of the pygostyle , an ossification of fused tail vertebrae. In the late Cretaceous, about 100 million years ago, the ancestors of all modern birds evolved a more open pelvis, allowing them to lay larger eggs compared to body size. Around 95 million years ago, they evolved
9102-418: The outset a consummate composer of overtures ". His basic formula for these remained constant throughout his career: Gossett characterises them as " sonata movements without development sections, usually preceded by a slow introduction" with "clear melodies, exuberant rhythms [and] simple harmonic structure" and a crescendo climax. Richard Taruskin also notes that the second theme is always announced in
9213-542: The piece, intending to reuse the best of the music in a less ephemeral opera. About half the score of Le comte Ory (1828) is from the earlier work. Colbran's enforced retirement put a strain on the Rossinis' marriage, leaving her unoccupied while he continued to be the centre of musical attention and constantly in demand. She consoled herself with what Servadio describes as "a new pleasure in shopping"; for Rossini, Paris offered continual gourmet delights, as his increasingly rotund shape began to reflect. The first of
9324-536: The previously clear distinction between non-birds and birds has become blurred. By the 2000s, discoveries in the Liaoning Province of northeast China, which demonstrated many small theropod feathered dinosaurs , contributed to this ambiguity. The consensus view in contemporary palaeontology is that the flying theropods, or avialans , are the closest relatives of the deinonychosaurs , which include dromaeosaurids and troodontids . Together, these form
9435-406: The public and critics round. Rossini's first work for the San Carlo, Elisabetta, regina d'Inghilterra was a dramma per musica in two acts, in which he reused substantial sections of his earlier works, unfamiliar to the local public. The Rossini scholars Philip Gossett and Patricia Brauner write, "It is as if Rossini wished to present himself to the Neapolitan public by offering a selection of
9546-452: The same biological name "Aves", which is a problem. The authors proposed to reserve the term Aves only for the crown group consisting of the last common ancestor of all living birds and all of its descendants, which corresponds to meaning number 4 below. They assigned other names to the other groups. Lizards & snakes Turtles Crocodiles Birds Under the fourth definition Archaeopteryx , traditionally considered one of
9657-654: The same title as its hero, Almaviva . Despite an unsuccessful opening night, with mishaps on stage and many pro-Paisiello and anti-Rossini audience members, the opera quickly became a success, and by the time of its first revival, in Bologna a few months later, it was billed by its present Italian title and it rapidly eclipsed Paisiello's setting. Rossini's operas for the Teatro San Carlo were substantial, mainly serious pieces. His Otello (1816) provoked Lord Byron to write, "They have been crucifying Othello into an opera: music good, but lugubrious – but as for
9768-551: The second toe which may have been held clear of the ground in life, and long feathers or "hind wings" covering the hind limbs and feet, which may have been used in aerial maneuvering. Avialans diversified into a wide variety of forms during the Cretaceous period. Many groups retained primitive characteristics , such as clawed wings and teeth, though the latter were lost independently in a number of avialan groups, including modern birds (Aves). Increasingly stiff tails (especially
9879-440: The shiny objects - metal screws, foil rings and aluminium foil - used in the experiments. However, magpies are naturally curious like other members of the corvid family, and may collect shiny objects, but do not favour shiny objects over dull ones. Magpies are common orchard pests in some regions of the world. One for sorrow, Two for joy, Three for a girl, Four for a boy, Five for silver, Six for gold, Seven for
9990-830: The successes of Giacomo Meyerbeer and Fromental Halévy in the genre of grand opéra. Modern Rossini scholarship has generally discounted such theories, maintaining that Rossini had no intention of renouncing operatic composition, and that circumstances rather than personal choice made Guillaume Tell his last opera. Gossett and Richard Osborne suggest that illness may have been a major factor in Rossini's retirement. From about this time, Rossini had intermittent bad health, both physical and mental. He had contracted gonorrhoea in earlier years, which later led to painful side-effects, from urethritis to arthritis ; he suffered from bouts of debilitating depression, which commentators have linked to several possible causes: cyclothymia , or bipolar disorder , or reaction to his mother's death. For
10101-467: The taste of the age of Romanticism , with stories demanding stronger characterisation and quicker action; a jobbing composer needed to meet these demands or fail. Rossini's strategies met this reality. A formulaic approach was logistically indispensable for Rossini's career, at least at the start: in the seven years 1812–1819, he wrote 27 operas, often at extremely short notice. For La Cenerentola (1817), for example, he had just over three weeks to write
10212-600: The time of the Cretaceous–Paleogene extinction event 66 million years ago, which killed off the pterosaurs and all non- ornithuran dinosaurs. Many social species preserve knowledge across generations ( culture ). Birds are social, communicating with visual signals, calls, and songs , and participating in such behaviour as cooperative breeding and hunting, flocking , and mobbing of predators. The vast majority of bird species are socially (but not necessarily sexually) monogamous , usually for one breeding season at
10323-450: The time, but inspirational to the young Rossini. He was a quick learner, and by the age of twelve, he had composed a set of six sonatas for four stringed instruments, which were performed under the aegis of a rich patron in 1804. Two years later he was admitted to the recently opened Liceo Musicale, Bologna , initially studying singing, cello and piano, and joining the composition class soon afterwards. He wrote some substantial works while
10434-624: The title of maestro di cartello – a composer whose name on advertising posters guaranteed a full house. The following year his first opera seria , Tancredi , did well at La Fenice in Venice, and even better at Ferrara, with a rewritten, tragic ending. The success of Tancredi made Rossini's name known internationally; productions of the opera followed in London (1820) and New York (1825). Within weeks of Tancredi , Rossini had another box-office success with his comedy L'italiana in Algeri , composed in great haste and premiered in May 1813. 1814
10545-461: The traditional magpies, two distinct lineages apparently exist. One consists of Holarctic species with black and white colouration, and is probably closely related to crows and Eurasian jays . The other contains several species from South to East Asia with vivid colouration, which is predominantly green or blue. The azure-winged magpie and the Iberian magpie , formerly thought to constitute
10656-399: The very prime of life, renounced that form of artistic production which had made him famous throughout the civilized world? The poet Heine compared Rossini's retirement with Shakespeare 's withdrawal from writing: two geniuses recognising when they had accomplished the unsurpassable and not seeking to follow it. Others, then and later, suggested that Rossini had retired because of pique at
10767-423: The wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer . From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote
10878-505: The winter, at the Paris flat. Such gatherings were a regular feature of Parisian life – the writer James Penrose has observed that the well-connected could easily attend different salons almost every night of the week – but the Rossinis' samedi soirs quickly became the most sought after: "an invitation was the city's highest social prize." The music, carefully chosen by Rossini, was not only his own but included works by Pergolesi , Haydn and Mozart and modern pieces by some of his guests. Among
10989-400: The words of Rosselli, in Rossini's hands, "the aria became an engine for releasing emotion". Rossini's typical aria structure involved a lyrical introduction ( "cantabile" ) and a more intensive, brilliant, conclusion ( "cabaletta" ). This model could be adapted in various ways so as to forward the plot (as opposed to the typical eighteenth-century handling which resulted in the action coming to
11100-522: The words!" Nonetheless, the piece proved generally popular and held the stage in frequent revivals until it was overshadowed by Verdi's version , seven decades later. Among his other works for the house were Mosè in Egitto , based on the biblical story of Moses and the Exodus from Egypt (1818), and La donna del lago , from Sir Walter Scott 's poem The Lady of the Lake (1819). For La Scala he wrote
11211-526: Was Venice ; under the tutelage of the composer Giovanni Morandi , a family friend, Rossini moved there in late 1810, when he was eighteen. Rossini's first opera to be staged was La cambiale di matrimonio , a one-act comedy, given at the small Teatro San Moisè in November 1810. The piece was a great success, and Rossini received what then seemed to him a considerable sum: "forty scudi – an amount I had never seen brought together". He later described
11322-571: Was a less remarkable year for the rising composer, neither Il turco in Italia or Sigismondo pleasing the Milanese or Venetian public, respectively. 1815 marked an important stage in Rossini's career. In May he moved to Naples , to take up the post of director of music for the royal theatres. These included the Teatro di San Carlo , the city's leading opera house; its manager Domenico Barbaia
11433-409: Was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music . He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother
11544-406: Was an undoubted success, without being a smash hit; the public took some time in getting to grips with it, and some singers found it too demanding. It nonetheless was produced abroad within months of the premiere, and there was no suspicion that it would be the composer's last opera. Jointly with Semiramide , Guillaume Tell is Rossini's longest opera, at three hours and forty-five minutes, and
11655-537: Was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X , Il viaggio a Reims (later cannibalised for his first opera in French , Le comte Ory ), revisions of two of his Italian operas , Le siège de Corinthe and Moïse , and in 1829 his last opera, Guillaume Tell . Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributory factors may have been ill-health,
11766-466: Was developed by Francis Willughby and John Ray in their 1676 volume Ornithologiae . Carl Linnaeus modified that work in 1758 to devise the taxonomic classification system currently in use. Birds are categorised as the biological class Aves in Linnaean taxonomy . Phylogenetic taxonomy places Aves in the clade Theropoda as an infraclass or a subclass, more recently a subclass. Aves and
11877-582: Was happy to sign a contract at the French embassy in London to return to Paris, where he had felt much more at home. Rossini's new, and highly remunerative, contract with the French government was negotiated under Louis XVIII , who died in September 1824, soon after Rossini's arrival in Paris. It had been agreed that the composer would produce one grand opera for the Académie Royale de Musique and either an opera buffa or an opera semiseria for
11988-470: Was known for his susceptibility to singers in the companies he worked with. Among his lovers in his early years were Ester Mombelli (Domenico's daughter) and Maria Marcolini of the Bologna company. By far the most important of these relationships – both personal and professional – was with Isabella Colbran , prima donna of the Teatro San Carlo (and former mistress of Barbaia). Rossini had heard her sing in Bologna in 1807, and when he moved to Naples he wrote
12099-465: Was so moved that he determined to meet the reclusive composer. He finally managed to do so, and later described the encounter to many people, including Eduard Hanslick and Richard Wagner . He recalled that although conversation was hampered by Beethoven's deafness and Rossini's ignorance of German, Beethoven made it plain that he thought Rossini's talents were not for serious opera, and that "above all" he should "do more Barbiere " (Barbers) . After
12210-434: Was the true native heirship of an Italian: a little music, a little religion, and a volume of Ariosto . The rest of his education was consigned to the legitimate school of southern youth, the society of his mother, the young singing girls of the company, those prima donnas in embryo, and the gossips of every village through which they passed. This was aided and refined by the musical barber and news-loving coffee-house keeper of
12321-429: Was to be an important influence on the composer's career there. The musical establishment of Naples was not immediately welcoming to Rossini, who was seen as an intruder into its cherished operatic traditions. The city had once been the operatic capital of Europe; the memory of Cimarosa was revered and Paisiello was still living, but there were no local composers of any stature to follow them, and Rossini quickly won
#66933