Misplaced Pages

#947052

142-529: The Michael Schenker Group (often abbreviated as MSG ) is an English hard rock band, formed in London in 1979 by former Scorpions and UFO guitarist Michael Schenker . After the release of their second live album, 1984's Rock Will Never Die , its members began to have serious discussions that caused a two-year hiatus, and Michael ended the band in 1986. In 1986, Schenker and vocalist Robin McAuley formed

284-496: A "dirty" or "gritty" tone. When asymmetrical, it produces both even and odd harmonics. Electronically, this is usually achieved by either amplifying the signal to a point where it is clipped by the DC voltage limitation of the power supply rail, or by clipping the signal with diodes. Many solid-state distortion devices attempt to emulate the sound of overdriven vacuum valves using additional solid-state circuitry. Some amplifiers (notably

426-400: A "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar , but may also be used with other electric instruments such as electric bass , electric piano , synthesizer and Hammond organ . Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube -powered guitar amplifiers to high volumes, which caused

568-531: A DI jack on the guitar amp, or from the Line Out jack of a power attenuator. The output transformer sits between the power valves and the speaker, serving to match impedance . When a transformer's ferromagnetic core becomes electromagnetically saturated a loss of inductance takes place, since the back E.M.F. is reliant on a change in flux in the core. As the core reaches saturation, the flux levels off and cannot increase any further. With no change in flux there

710-511: A Grip (1993), which produced four hit singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the hit " I Don't Want to Miss a Thing ". AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as " Keep the Faith " (1992), but also achieved success in adult contemporary radio, with

852-402: A bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. In the 1980s, heavy metal developed a number of subgenres, often termed extreme metal , some of which were influenced by hardcore punk , and which further differentiated

994-438: A clear, undistorted bass sound, professional bass players in these genres use high-powered amplifiers with a lot of " headroom " and they may also use audio compressors to prevent sudden volume peaks from causing distortion. In many cases, musicians playing stage pianos or synthesizers use keyboard amplifiers that are designed to reproduce the audio signal with as little distortion as possible. The exceptions with keyboards are

1136-401: A clipping "overdriven" condition; as such, the musician will get the distortion from the fuzz which is then distorted further by the amp. During the 1990s, some Seattle grunge guitarists chained together as many as four fuzz pedals to create a thick " wall of sound " of distortion. In some modern valve effects, the "dirty" or "gritty" tone is actually achieved not by high voltage, but by running

1278-536: A completely clean amplifier to generate the whole overdrive/distortion effect. With care—and with appropriately chosen pedals—it is possible to "stack" multiple overdrive/distortion pedals together, allowing one pedal to act as a 'boost' for another. Fuzz boxes and other heavy distortions can produce unwanted dissonances when playing chords. To get around this, guitar players (and keyboard players) using these effects may restrict their playing to single notes and simple " power chords " (root, fifth, and octave). Indeed, with

1420-478: A different way. Power amplifier distortion may damage speakers. A Direct Inject signal can capture the power-tube distortion sound without the direct coloration of a guitar speaker and microphone. This DI signal can be blended with a miked guitar speaker, with the DI providing a more present, immediate, bright sound, and the miked guitar speaker providing a colored, remote, darker sound. The DI signal can be obtained from

1562-496: A distorted or "dirty" tone. Later, around 1945, Western swing guitarist and member of the Bob Wills band, Junior Barnard , began experimenting with a rudimentary humbucker pick-up and a small amplifier to obtain his signature "low-down and dirty" bluesy sound which allowed for more "fluid and funky" chords. Many electric blues guitarists, including Chicago bluesmen such as Elmore James and Buddy Guy , experimented to get

SECTION 10

#1732784000948

1704-590: A few weeks after his arrival in the British capital, he joined Gary Barden , vocalist of Fraser Nash, who, with bassist Billy Sheehan and drummer Denny Carmassi founded a new band, simply called Michael Schenker Group. The following year they recorded their second album, MSG , which placed at No. 14 on the UK charts. During their promotional tour, they played at Tokyo's Nippon Budokan in Japan, where their first live album

1846-401: A fuzzy and somewhat distorted sound gained widespread popularity after guitarist Dave Davies of The Kinks used a razor blade to slash his speaker cones for the band's single " You Really Got Me ". In May 1965 Keith Richards used a Maestro FZ-1 Fuzz-Tone to record " (I Can't Get No) Satisfaction ". The song's success greatly boosted sales of the device, and all available stock sold out by

1988-400: A guitar solo with warm overtones created by his small valve amplifier . Pat Hare produced heavily distorted power chords on his electric guitar for records such as James Cotton 's " Cotton Crop Blues " (1954) as well as his "I'm Gonna Murder My Baby" (1954), creating "a grittier, nastier, more ferocious electric guitar sound," accomplished by turning the volume knob on his amplifier "all

2130-453: A guitar sound that paralleled the rawness of blues singers such as Muddy Waters and Howlin' Wolf , replacing often their originals with the powerful Valco "Chicagoan" pick-ups, originally created for lap-steel, to obtain a louder and fatter tone. In early rock music , Goree Carter 's "Rock Awhile" (1949) featured an over-driven electric guitar style similar to that of Chuck Berry several years later, as well as Joe Hill Louis ' " Boogie in

2272-504: A guitar-playing technique of two-handed hammer-ons and pull-offs called tapping , showcased on the song " Eruption " from the album Van Halen , which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar. In the 1970s and 80s, several European bands, including the German Michael Schenker Group ,

2414-463: A more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like the Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in under three minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into

2556-461: A musical effect, there are some musical styles and musical applications where as little distortion as possible is sought. When DJs are playing recorded music in a nightclub , they typically seek to reproduce the recordings with little or no distortion. In many musical styles, including pop music , country music and even genres where the electric guitars are almost always distorted, such as heavy metal, punk and hard rock, sound engineers usually take

2698-422: A number of "fuzzbox" effects pedals. Distortion, overdrive, and fuzz can be produced by effects pedals , rackmounts , pre-amplifiers , power amplifiers (a potentially speaker-blowing approach), speakers and (since the 2000s) by digital amplifier modeling devices and audio software . These effects are used with electric guitars , electric basses ( fuzz bass ), electronic keyboards , and more rarely as

2840-411: A number of steps to ensure that the vocals sounding through the sound reinforcement system are undistorted (the exception is the rare cases where distortion is purposely added to vocals in a song as a special effect, mainly in industrial music genres). Sound engineers prevent unwanted, unintended distortion and clipping using a number of methods. They may reduce the gain on microphone preamplifiers on

2982-497: A pop sensitivity selling 15 million copies in the US while becoming the first hard rock album to spawn three hit singles. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe

SECTION 20

#1732784000948

3124-568: A power-valve distortion pedal. Such effects units can use a preamp valve such as the 12AX7 in a power-valve circuit configuration (as in the Stephenson's Stage Hog), or use a conventional power valve, such as the EL84 (as in the H&;K Crunch Master compact tabletop unit). However, because these are usually placed before the pre-amplifier in the signal chain, they contribute to the overall tone in

3266-492: A return to their hard rock sound. The term "retro-metal" has been applied to such bands as Texas based the Sword , California's High on Fire , Sweden's Witchcraft and Australia's Wolfmother . Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne 's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's

3408-418: A series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen , Open Up and Say... Ahh! (1988) by Poison , Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five hit singles. In 1988 from 25 June to 5 November, the number one spot on

3550-542: A small recording or rehearsal space, many solutions have emerged that in some way divert some of this power valve output from the speakers, and allow the player to generate power valve distortion without excessive volume. These include built-in or separate power attenuators and power-supply-based power attenuation, such as a VVR, or Variable Voltage Regulator to drop the voltage on the valves' plates, to increase distortion whilst lowering volume. Guitarists such as Eddie Van Halen have been known to use variacs before VVR technology

3692-589: A solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo! (1978). " Goodbye to Love " by the Carpenters , a duo whose music was otherwise almost exclusively soft rock, drew hate mail for its incorporation of a hard rock fuzz guitar solo by Tony Peluso . From outside the United Kingdom and the United States,

3834-512: A solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads . Some bands, such as Queen , moved away from their hard rock roots and more towards pop rock , while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal , which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica , Anthrax , Megadeth and Slayer , helped to create extreme metal and further remove

3976-483: A sound that sharply contrasted mainstream hard rock, several, including Pearl Jam , Alice in Chains , Mother Love Bone and Soundgarden , were more strongly influenced by 1970s and 1980s rock and metal, while Stone Temple Pilots managed to turn alternative rock into a form of stadium rock. However, all grunge bands shunned the macho, anthemic and fashion-focused aesthetics particularly associated with glam metal. In

4118-540: A special effect with vocals. While distortion is often created intentionally as a musical effect, musicians and sound engineers sometimes take steps to avoid distortion , particularly when using PA systems to amplify vocals or when playing back prerecorded music. The first guitar amplifiers were relatively low-fidelity , and would often produce distortion when their volume ( gain ) was increased beyond their design limit or if they sustained minor damage. From 1935, Western swing guitarist Bob Dunn began experimenting with

4260-418: A strong influence on the distortion created by that stage. The output level of the guitar's pickups, the setting of the guitar's volume knob, how hard the strings are plucked, and the use of volume-boosting effects pedals can drive this stage harder and create more distortion. During the 1980s and 1990s, most valve amps featured a "master volume" control, an adjustable attenuator between the preamp section and

4402-523: A supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that was a hit the US and UK. Distortion (music) Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain , producing

Michael Schenker Group - Misplaced Pages Continue

4544-418: A tone input progressively begins to resemble a square wave which has odd number harmonics. This is generally described as sounding "harsh". Distortion and overdrive circuits each 'clip' the signal before it reaches the main amplifier (clean boost circuits do not necessarily create 'clipping') as well as boost signals to levels that cause distortion to occur at the main amplifier's front end stage (by exceeding

4686-409: A weak instrument signal to a level that can drive the power amplifier. It often also contains circuitry to shape the tone of the instrument, including equalization and gain controls. Often multiple cascading gain/clipping stages are employed to generate distortion. Because the first component in a valve amplifier is a valve gain stage, the output level of the preceding elements of the signal chain has

4828-432: Is a non-linear process that produces frequencies not originally present in the audio signal . These frequencies can be harmonic overtones, meaning they are whole number multiples of one of the signal's original frequencies, or "inharmonic", resulting from general intermodulation distortion . The same nonlinear device will produce both types of distortion, depending on the input signal. Intermodulation occurs whenever

4970-401: Is a distortion process known as "volume adjustment", which involves distorting the amplitude of a sound wave in a proportional (or 'linear') way in order to increase or decrease the volume of the sound without affecting the tone quality. In the context of music, the most common source of (nonlinear) distortion is clipping in amplifier circuits and is most commonly known as overdrive. Clipping

5112-427: Is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with

5254-706: Is impractical; instead, most pedals use solid-state transistors, op-amps and diodes. Classic examples of overdrive/distortion pedals include the Boss OD series (overdrives), the Ibanez Tube Screamer (an overdrive), the Electro-Harmonix Big Muff Pi (a fuzz box) and the Pro Co RAT (a distortion). Typically, "overdrive" pedals are designed to produce sounds associated with classic rock or blues, with "distortion" pedals producing

5396-445: Is known as "sag", and is sought-after by some electric guitarists. Sag only occurs in class-AB amplifiers . This is because, technically, sag results from more current being drawn from the power supply, causing a greater voltage drop over the rectifier valve. Class AB amplifiers draw the most power at both the maximum and minimum point of the signal, putting more stress on the power supply than class A, which only draws maximum power at

5538-418: Is no back E.M.F. and hence no reflected impedance. The transformer and valve combination then generate large 3rd order harmonics. So long as the core does not go into saturation, the valves will clip naturally as they drop the available voltage across them. In single ended systems the output harmonics will be largely even ordered due to the valve's relatively non linear characteristics at large signal swings. This

5680-487: Is only true however if the magnetic core does NOT saturate. Early valve amplifiers used unregulated power supplies. This was due to the high cost associated with high-quality high-voltage power supplies. The typical anode (plate) supply was simply a rectifier , an inductor and a capacitor . When the valve amplifier was operated at high volume , the power supply voltage would dip, reducing power output and causing signal attenuation and compression. This dipping effect

5822-404: Is pushing the tubes beyond their normal rated maximum. Valve amplifiers—particularly those using class-A triodes —tend to produce asymmetric soft clipping that creates both even and odd harmonics. The increase in even harmonics is considered to create "warm"-sounding overdrive effects. A basic triode valve (tube) contains a cathode , a plate and a grid. When a positive voltage is applied to

Michael Schenker Group - Misplaced Pages Continue

5964-569: Is the last 1:10 of " I Feel Much Better " by the Small Faces , recorded in May of 1967. The first 2:46 is typical psychedelic fare of the time, but then the song suddenly changes into a hard bass-and-guitar power chord with Steve Marriott 's rhythm guitar and gut bucket singing, equal to the heaviest rock to be heard later. The Beatles began producing songs in the new hard rock style beginning with their 1968 double album The Beatles (also known as

6106-679: The Allied Forces album in 1981. The Irish band Thin Lizzy , which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit " The Boys Are Back in Town ". Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of

6248-540: The Hammond organ as used in blues and the Fender Rhodes as used in rock music; with these instruments and genres, keyboardists often purposely overdrive a tube amplifier to get a natural overdrive sound. Another example of instrument amplification where as little distortion as possible is sought is with acoustic instrument amplifiers, designed for musicians playing instruments such as the mandolin or fiddle in

6390-628: The Maestro FZ-1 Fuzz-Tone in 1962, one of the first commercially-successful mass-produced guitar pedals. Shortly thereafter, the American instrumental rock band The Ventures asked their friend, session musician and electronics enthusiast Orville "Red" Rhodes for help recreating the Grady Martin "fuzz" sound. Rhodes offered The Ventures a fuzzbox he had made, which they used to record "2000 Pound Bee" in 1962. In 1964,

6532-555: The McAuley Schenker Group , which lasted until 1993. Afterwards, in 1996, the Michael Schenker Group was reformed. The group has had many different members over the years with Schenker the only constant presence. The band was formed in 1979, following the departure of Michael Schenker from UFO , in an attempt to have a band that better suited his needs. He therefore decided to move to London ;

6674-529: The Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC , with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead , while Judas Priest abandoned

6816-537: The audio console ; use attenuation "pads" (a button on audio console channel strips, DI unit and some bass amplifiers ); and use electronic audio compressor effects and limiters to prevent sudden volume peaks from vocal mics from causing unwanted distortion. Though some bass guitar players in metal and punk bands intentionally use fuzz bass to distort their bass sound, in other genres of music, such as pop, big band jazz and traditional country music , bass players typically seek an undistorted bass sound. To obtain

6958-440: The heavy metal sound through a combined use of high volumes and heavy distortion. The word distortion refers to any modification of wave form of a signal , but in music it is used to refer to nonlinear distortion (excluding filters) and particularly to the introduction of new frequencies by memoryless nonlinearities. In music the different forms of linear distortion have specific names describing them. The simplest of these

7100-479: The "White Album") and, with the track " Helter Skelter ", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has referred to the "proto-metal roar" of "Helter Skelter", while Ian MacDonald called it "ridiculous, with McCartney shrieking weedily against a massively tape-echoed backdrop of out-of-tune thrashing". Groups that emerged from the American psychedelic scene about

7242-522: The "high gain, scooped mids" sounds associated with heavy metal; fuzz boxes are designed to emulate the distinctive sound of the earliest overdrive pedals such as the Big Muff and the Fuzz Face . Most overdrive/distortion pedals can be used in two ways: a pedal can be used as a "boost" with an already overdriven amplifier to drive it further into saturation and "color" the tone, or it can be used with

SECTION 50

#1732784000948

7384-466: The 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis , Willie Johnson , and particularly Pat Hare , who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton 's " Cotton Crop Blues " (1954). Other antecedents include Link Wray 's instrumental " Rumble " in 1958, and the surf rock instrumentals of Dick Dale , such as " Let's Go Trippin' " (1961) and " Misirlou " (1962). In

7526-480: The 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues . Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James , Muddy Waters , and Howlin' Wolf , the Kingsmen 's version of " Louie Louie " (1963) which made it a garage rock standard, and

7668-436: The 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock . Established bands made a comeback in the mid-1980s and hard rock reached a commercial peak in the 1980s with glam metal bands such as Mötley Crüe , Bon Jovi and Def Leppard as well as the rawer sounds of Guns N' Roses which followed with great success in the later part of that decade. Hard rock began losing popularity with

7810-544: The 1980s. 1977 saw the début and rise to stardom of Foreigner , who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas , REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen . He popularised

7952-431: The 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether . Acts with more conventional hard rock sounds included Andrew W.K. , Beautiful Creatures and Buckcherry , whose breakthrough album 15 (2006) went platinum and spawned

8094-547: The Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812 , Hysteria , Appetite for Destruction , and New Jersey . A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme , Warrant Slaughter and FireHouse . Skid Row also released their eponymous début (1989), but they were to be one of

8236-492: The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize , which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks. While these few hard rock bands managed to maintain success and popularity in

8378-517: The Canadian trio Rush released three distinctively hard rock albums in 1974–75 ( Rush , Fly by Night and Caress of Steel ) before moving toward a more progressive sound with the 1976 album 2112 . Also from Canada, Triumph released their debut album in 1976 before their breakthrough came in the form of the Just a Game album in 1979. Later, the band's streak of popularity continued with

8520-488: The Darkness ' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", went quintuple platinum in the UK. The follow-up, One Way Ticket to Hell... and Back (2005) was also a hit, but the band broke up in 2006, becoming active again in 2011. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal

8662-719: The Jeff Beck Group. Dave Davies of the Kinks, Keith Richards of the Rolling Stones, Pete Townshend of the Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing , feedback and distortion . The Doors ' debut album , released in 1967, included songs like " Soul Kitchen ", "Twentieth Century Fox", and a cover version of " Back Door Man ", which were what music journalist Stephen Davis characterized as "enough hard rock tracks". One track that stands out as especially heavy for its time

SECTION 60

#1732784000948

8804-461: The Marshall JCM 900) utilize hybrid designs that employ both valve and solid-state components. Guitar distortion can be produced by many components of the guitar's signal path, including effects pedals, the pre-amplifier, power amplifier, and speakers. Many players use a combination of these to obtain their "signature" tone. The pre-amplifier section of a guitar amplifier serves to amplify

8946-964: The Park " (1950). In the early 1950s, guitar distortion sounds started to evolve based on sounds created earlier in the decade by accidental damage to amps, such as in the popular early recording of the 1951 Ike Turner and the Kings of Rhythm song " Rocket 88 ", where guitarist Willie Kizart used a vacuum tube amplifier that had a speaker cone slightly damaged in transport. Electric guitarists began "doctoring" amplifiers and speakers to emulate this form of distortion. Electric blues guitarist Willie Johnson of Howlin' Wolf ′s band began deliberately increasing gain beyond its intended levels to produce "warm" distorted sounds. Guitar Slim also experimented with distorted overtones, which can be heard in his hit electric blues song " The Things That I Used to Do " (1953). Chuck Berry 's 1955 classic " Maybellene " features

9088-680: The Rolling Stones further developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included

9230-625: The Runaways débuted with their self-titled album . While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes , having emerged from the Detroit garage rock scene and most famous for their psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent , who embarked on

9372-518: The Sand . Two years later, they released The Unforgiven , with Kelly Keeling replacing Sundin and with John Onder replacing Sparks. Schenker Barden Acoustic Project Michael Schenker Group Current members Hard rock The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath , Aerosmith , Kiss , Queen , AC/DC , Thin Lizzy and Van Halen . During

9514-558: The Swedish band Europe , and Dutch bands Golden Earring , Vandenberg and Vengeance experienced success in Europe and internationally. The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott , the lead singer of AC/DC, and John Bonham , drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording

9656-610: The UK, Oasis were unusual among the Britpop bands of the mid-1990s in incorporating a hard rock sound. Welsh band Manic Street Preachers emerged in 1991 with a sound Stephen Thomas Erlewine proclaimed to be "crunching hard-rock". By 1996, the band enjoyed remarkable vogue throughout much of the world, but were commercially unsuccessful in the U.S. In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in

9798-576: The United States, shock-rock pioneer Alice Cooper achieved mainstream success with School's Out (1972), and followed up with Billion Dollar Babies , which reached the No. 1 position on the Billboard 200 albums chart in 1973. Also in 1973, blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début , as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls , demonstrating

9940-558: The United States. Established acts benefited from the new commercial climate, with Whitesnake 's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem " Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it

10082-728: The Who (delayed in 2002 by the death of bassist John Entwistle until 2006) and Black Sabbath (with Osbourne 1997–2006 and Dio 2006–2010) and even a one-off performance by Led Zeppelin (2007), renewing the interest in previous eras. Additionally, hard rock supergroups, such as Audioslave (with former members of Rage Against the Machine and Soundgarden) and Velvet Revolver (with former members of Guns N' Roses, punk band Wasted Youth and Stone Temple Pilots singer Scott Weiland ), emerged and experienced some success. However, these bands were short-lived, ending in 2007 and 2008, respectively. The long-awaited Guns N' Roses album Chinese Democracy

10224-513: The album Back in Black (1980) with their new lead singer, Brian Johnson . It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio , formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on

10366-404: The amplified signal are proportional to the input signal—so long as the voltage of the input signal does not exceed the valve's "linear region of operation". The linear region falls between Multiple stages of valve gain/clipping can be "cascaded" to produce a thicker and more complex distortion sound. In layperson's terms, a musician will plug a fuzz pedal into a tube amp that is being "cranked" to

10508-438: The band the next year, vocalist David Coverdale formed Whitesnake . 1970 saw the Who release Live at Leeds , often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next , which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before

10650-415: The centre midrange (750 Hz) results in what is popularly known as a "scooped" sound (since the midrange frequencies are "scooped" out). Conversely, decreasing the bass while increasing the midrange and treble creates a punchy, harsher sound. Rolling off all of the treble produces a dark, heavy sound. While musicians intentionally create or add distortion to electric instrument signals or vocals to create

10792-409: The circuit at voltages that are too low for the circuit components, resulting in greater non-linearity and distortion. These designs are referred to as "starved plate" configurations, and result in an "amp death" sound. Solid-state amplifiers incorporating transistors and/or op amps can be made to produce hard clipping. When symmetrical, this adds additional high-amplitude odd harmonics, creating

10934-405: The commercial success of R&B, hip-hop , urban pop, grunge and later Britpop in the 1990s. Despite this, many post-grunge bands adopted a hard rock sound and the 2000s saw a renewed interest in established bands, attempts at a revival, and new hard rock bands. In the 2000s, only a few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Hard rock

11076-416: The culmination of the British adaptation of blues into rock and a direct precursor of Led Zeppelin's style of hard rock and heavy metal. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz , blues and rock and roll. From 1967, Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band,

11218-444: The death of pioneering rock drummer Keith Moon later that year. Emerging British acts included Free , who released their signature song " All Right Now " (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company , whose eponymous first album (1974) was an international hit. UK band Foghat also found success throughout

11360-448: The decade with their boogie and blues style. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent . Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained

11502-454: The diverse directions being pursued in the genre. Montrose , including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar released their first album in 1973. Former bubblegum-pop family act the Osmonds recorded two hard rock albums in 1972 and had their breakthrough in the UK with the hard rock hit " Crazy Horses ." Kiss built on the theatrics of Alice Cooper and

11644-431: The drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice. In the late-1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained

11786-479: The early part of the decade, alternative forms of hard rock achieved mainstream success in the form of grunge in the US and Britpop in the UK. This was particularly evident after the success of Nirvana 's Nevermind (1991), which combined elements of hardcore punk and heavy metal into a "dirty" sound that made use of heavy guitar distortion, fuzz and feedback, along with darker lyrical themes than their "hair band" predecessors. Although most grunge bands had

11928-557: The electronic circuitry of his amplifiers so as to achieve a "brighter, louder" sound and fuller distortion capabilities. Also in 1966, Syd Barrett of Pink Floyd created the song Interstellar Overdrive , a song made entirely in electric distortion. It was released a year later in modified form on their debut album The Piper at the Gates of Dawn . In the late 1960s and early 1970s hard rock bands such as Deep Purple , Led Zeppelin and Black Sabbath forged what would eventually become

12070-493: The elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single " (Don't Fear) The Reaper ". Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album . In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and

12212-629: The end of 1965. Other early fuzzboxes include the Mosrite FuzzRITE and Arbiter Group Fuzz Face used by Jimi Hendrix , the Electro-Harmonix Big Muff Pi used by Hendrix and Carlos Santana , and the Vox Tone Bender used by Paul McCartney to play fuzz bass on " Think for Yourself " and other Beatles recordings. In 1966, Jim Marshall of the British company Marshall Amplification began modifying

12354-415: The first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track , using organs and with a lengthy drum solo, also prefigured later elements of the sound. By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin , who mixed

12496-419: The hit ballads " Bed of Roses " (1993) and " Always " (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four hit singles in the UK. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in

12638-453: The input frequencies are not already harmonically related. For instance, playing a power chord through distortion results in intermodulation that produces new subharmonics . "Soft clipping" gradually flattens the peaks of a signal which creates a number of higher harmonics which share a harmonic relationship with the original tone. "Hard clipping" flattens peaks abruptly, resulting in higher power in higher harmonics. As clipping increases,

12780-415: The keys; however, the performer can still control the volume with drawbars and the expression pedal). Heavy metal music has evolved around these restrictions, using complex rhythms and timing for expression and excitement. Lighter distortions and overdrives can be used with triadic chords and seventh chords; as well, lighter overdrive allows more control of dynamics. Power valves (tubes) can be overdriven in

12922-430: The last major bands that emerged in the glam rock era. Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally,

13064-471: The late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance , a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone ,

13206-548: The latter producing six hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three hits, including " Sweet Child O' Mine ". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching

13348-530: The look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975) and Rocks (1976), Blue Öyster Cult , formed in the late 1960s, picked up on some of

13490-501: The middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters , Candlebox , Live , Collective Soul , Australia's Silverchair and England's Bush , who all cemented post-grunge as one of

13632-476: The most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics , adopted a hard rock or "pop-metal" sound. A few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Bon Jovi were still able to achieve a commercial hit with " It's My Life " from their double platinum-certified album Crush (2000). and AC/DC released

13774-412: The most extreme fuzz pedals, players may choose to play mostly single notes, because the fuzz can make even single notes sound very thick and heavy. Heavy distortion also tends to limit the player's control of dynamics (loudness and softness)—similar to the limitations imposed on a Hammond organ player (Hammond organ does not produce louder or softer sounds depending on how hard or soft the performer plays

13916-593: The music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple , who began as a progressive rock group in 1968 but achieved their commercial breakthrough with their fourth and distinctively heavier album, Deep Purple in Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to

14058-406: The occult and elements of Gothic horror . All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music. In the early 1970s

14200-559: The opening band of Iron Maiden . Their farewell concert was held on December 18, 1983 at the Dortmund festival, after which the band disbanded, and the guitarist founded the McAuley Schenker Group . After deciding to wrap up the McAuley Schenker Group project, Schenker decided to re-found the band in 1996 with Leif Sundin on vocals, Barry Sparks on bass and Shane Gaalaas on drums with whom he recorded Written in

14342-422: The ordinary input signal amplitude, thus overdriving the amplifier) Note : product names may not accurately reflect type of circuit involved - see above. A fuzz box alters an audio signal until it is nearly a square wave and adds complex overtones by way of a frequency multiplier . Vacuum tube or "valve" distortion is achieved by "overdriving" the valves in an amplifier. In layman's terms, overdriving

14484-698: The peak of the signal. As this effect is more pronounced with higher input signals, the harder "attack" of a note will be compressed more heavily than the lower-voltage "decay", making the latter seem louder and thereby improving sustain . Additionally, because the level of compression is affected by input volume, the player can control it via their playing intensity: playing harder results in more compression or "sag". In contrast, modern amplifiers often use high-quality, well-regulated power supplies. Guitar loudspeakers are designed differently from high fidelity stereo speakers or public address system speakers. While hi-fi and public address speakers are designed to reproduce

14626-437: The plate, a current of negatively charged electrons flows to it from the heated cathode through the grid. This increases the voltage of the audio signal , amplifying its volume. The grid regulates the extent to which plate voltage is increased. A small negative voltage applied to the grid causes a large decrease in plate voltage. Valve amplification is more or less linear—meaning the parameters (amplitude, frequency, phase) of

14768-511: The platinum-certified Stiff Upper Lip (2000) Aerosmith released a platinum album, Just Push Play (2001), which saw the band foray further into pop with the hit " Jaded ", and a blues cover album, Honkin' on Bobo . Heart achieved their first hit album since the early 90s with Red Velvet Car in 2010, becoming the first female-led hard rock band to earn Top 10 albums spanning five decades. There were reunions and subsequent tours from Van Halen (with Hagar in 2004 and then Roth in 2007),

14910-416: The power amp. When the preamp volume is set high to generate high distortion levels, the master volume lowered, keeping the output volume at manageable levels. Demo of a Big Muff Analog overdrive/distortion pedals work on similar principles to preamplifier distortion. Because most effects pedals are designed to operate from battery voltages, using vacuum tubes to generate distortion and overdrive

15052-404: The power section hard. Many valve-based amplifiers in common use have a push-pull output configuration in their power section, with matched pairs of tubes driving the output transformer . Power amplifier distortion is normally entirely symmetric, generating predominantly odd-order harmonics. Because driving the power valves this hard also means maximum volume, which can be difficult to manage in

15194-469: The proto- power ballad " Love Hurts ". Having enjoyed some national success in the early 1970s, Queen , after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera . The latter featured the hit single " Bohemian Rhapsody ". In

15336-516: The recent powerful and "fat" Gibson humbucker pickups, and controlled "feedback" ( Larsen effect ). The resultant sound can be heard on his highly influential 1958 instrumental , " Rumble " and Rawhide. In 1961, Grady Martin scored a hit with a fuzzy tone caused by a faulty preamplifier that distorted his guitar playing on the Marty Robbins song " Don't Worry ". Later that year Martin recorded an instrumental tune under his own name, using

15478-583: The release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete. Slash and McKagan eventually rejoined the band in 2016 and went on the Not in this Lifetime... Tour with them. Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get

15620-408: The remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the new wave of British heavy metal which was pursued by bands like Iron Maiden , Saxon , and Venom . With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to

15762-487: The same faulty preamp. The song, on the Decca label, was called "The Fuzz." Martin is generally credited as the discoverer of the "fuzz effect." The recording engineer from Martin's sessions, Glenn Snoddy , partnered with fellow WSM radio engineer Revis V. Hobbs to design and build a stand-alone device that would intentionally create the fuzzy effect. The two engineers sold their circuit to Gibson , who introduced it as

15904-433: The same time included Iron Butterfly , MC5 , Blue Cheer and Vanilla Fudge . San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran 's classic " Summertime Blues ", from their 1968 debut album Vincebus Eruptum , that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album , including " Born to Be Wild ", which contained

16046-439: The same way that pre-amplifier valves can, but because these valves are designed to output more power, the distortion and character they add to the guitar's tone is unique. During the 1960s to early 1970s, distortion was primarily created by overdriving the power valves. Because they have become accustomed to this sound , many guitar players favour this type of distortion, and thus set their amps to maximum levels in order to drive

16188-408: The sessions, arguing that "that guitar sounds like a nice horn section". In the late 1950s, Guitarist Link Wray began manipulating his amplifiers' vacuum tubes to create a "noisy" and "dirty" sound for his solos after a similarly accidental discovery. Wray also poked holes in his speaker cones with pencils to further distort his tone, used electronic echo chambers (then usually employed by singers),

16330-413: The signal processing chain, including multiple stages of preamp distortion, power valve distortion, output and power transformer distortion, and guitar speaker distortion. Much of the distortion character or voicing is controlled by the frequency response before and after each distortion stage. This dependency of distortion voicing on frequency response can be heard in the effect that a wah pedal has on

16472-484: The signal to distort . While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly , a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals . The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock , punk rock , hardcore punk , acid rock , grunge and heavy metal music , while

16614-509: The signal. Some speakers are designed to have much clean headroom , while others are designed to break up early to deliver grit and growl. Guitar amp modeling devices and software can reproduce various guitar-specific distortion qualities that are associated with a range of popular "stomp box" pedals and amplifiers. Amp modeling devices typically use digital signal processing to recreate the sound of plugging into analogue pedals and overdriven valve amplifiers. The most sophisticated devices allow

16756-406: The single " Sorry " (2007). These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock , Southern Rock , or post punk revival , including Black Rebel Motorcycle Club and Kings of Leon , and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures ,

16898-500: The singles charts with power ballads, including REO Speedwagon with " Keep on Loving You " (1980) and " Can't Fight This Feeling " (1984), Journey with " Don't Stop Believin' " (1981) and " Open Arms " (1982), Foreigner 's " Waiting for a Girl Like You " (1981) and " I Want to Know What Love Is " (1984), Scorpions ' " Still Loving You " (1984), Heart's " What About Love " (1985) and Boston 's " Amanda " (1986). Bon Jovi 's third album, Slippery When Wet (1986), mixed hard rock with

17040-429: The songs of rhythm and blues influenced British Invasion acts, including " You Really Got Me " by the Kinks (1964), " My Generation " by the Who (1965) and " (I Can't Get No) Satisfaction " (1965) by the Rolling Stones . Soft rock was often derived from folk rock , using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and

17182-416: The sound with as little distortion as possible, guitar speakers are usually designed so that they will shape or color the tone of the guitar, either by enhancing some frequencies or attenuating unwanted frequencies. When the power delivered to a guitar speaker approaches its maximum rated power, the speaker's performance degrades, causing the speaker to "break up", adding further distortion and colouration to

17324-435: The style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize , both of which marked a return to commercial success. Pat Benatar

17466-422: The subsequent distortion stage, or by using tone controls built into the guitar, the preamp or an EQ pedal to favor the bass or treble components of the guitar pickup signal prior to the first distortion stage. Some guitarists place an equalizer pedal after the distortion effect, to emphasize or de-emphasize different frequencies in the distorted signal. Increasing the bass and treble while reducing or eliminating

17608-456: The track " Stairway to Heaven ", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define their unique brand of hard rock, particularly with their album Machine Head (1972), which included the tracks " Highway Star " and " Smoke on the Water ". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of

17750-659: The two styles. Despite this differentiation, hard rock and heavy metal have coexisted with one another, with bands frequently flirting with the boundaries of, or hybridizing the genres. The roots of hard rock can be traced back to the mid-to-late 1950s, particularly electric blues , which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs , string-bending blues-scale guitar solos , strong beat , thick riff-laden texture , and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in

17892-409: The type and intensity of distortion used. The terms distortion and overdrive are often used interchangeably; where a distinction is made, distortion is a more extreme version of the effect than overdrive . Fuzz is a particular form of extreme distortion originally created by guitarists using faulty equipment (such as a misaligned valve (tube); see below), which has been emulated since the 1960s by

18034-438: The use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as " SoundCloud rap ". The effects alter the instrument sound by clipping the signal (pushing it past its maximum, which shears off the peaks and troughs of the signal waves), adding sustain and harmonic and inharmonic overtones and leading to a compressed sound that is often described as "warm" and "dirty", depending on

18176-417: The user to customize the simulated results of using different preamp, power-tube, speaker distortion, speaker cabinet, and microphone placement combinations. For example, a guitarist using a small amp modeling pedal could simulate the sound of plugging their electric guitar into a heavy vintage valve amplifier and a stack of 8 X 10" speaker cabinets. Guitar distortion is obtained and shaped at various points in

18318-698: The way to the right until the speaker was screaming." In 1956, guitarist Paul Burlison of the Johnny Burnette Trio deliberately dislodged a vacuum tube in his amplifier to record " The Train Kept A-Rollin " after a reviewer raved about the sound Burlison's damaged amplifier produced during a live performance. According to other sources Burlison's amp had a partially broken loudspeaker cone. Pop-oriented producers were horrified by that eerie "two-tone" sound, quite clean on trebles but strongly distorted on basses, but Burnette insisted on releasing

18460-554: Was a big hit and the singles " Photograph ", " Rock of Ages " and " Foolin' ", helped by the emergence of MTV , were successful. It was widely emulated, particularly by the emerging Californian glam metal scene. This was followed by US acts like Mötley Crüe , with their albums Too Fast for Love (1981) and Shout at the Devil (1983) and, as the style grew, the arrival of bands such as Ratt , White Lion , Twisted Sister and Quiet Riot . Quiet Riot's album Metal Health (1983)

18602-472: Was a considerable disappointment after the across-the-board success of Whitesnake ". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's biggest hit album since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak,

18744-441: Was a platinum-seller in the US and reached the top ten in nine other countries. After somewhat slower sales of its fourth album, Fair Warning , Van Halen rebounded with Diver Down in 1982, then reached their commercial pinnacle with 1984 . Heart , after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which contained four hit singles. The new medium of video channels

18886-439: Was an international hit. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in

19028-444: Was finally released in 2008, but only went platinum and failed to come close to the success of the band's late 1980s and early 1990s material. More successfully, AC/DC released the double platinum-certified Black Ice (2008). Bon Jovi continued to enjoy success, branching into country music with " Who Says You Can't Go Home ", and the rock/country album Lost Highway (2007). In 2009, Bon Jovi released The Circle , which marked

19170-453: Was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after

19312-537: Was invented. Lower-power valve amps (such as a quarter-watt or less) , speaker isolation cabinets , and low-efficiency guitar speakers are also used to tame the volume. Power-valve distortion can also be produced in a dedicated rackmount valve power amp. A modular rackmount setup often involves a rackmount preamp, a rackmount valve power amp, and a rackmount dummy load to attenuate the output to desired volume levels. Some effects pedals internally produce power-valve distortion, including an optional dummy load for use as

19454-456: Was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna , Hardcore Superstar and Crashdïet . Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005), many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed , Staind , Puddle of Mudd and Nickelback took the genre into

19596-402: Was one of the first women to achieve commercial success in hard rock, releasing four consecutive US Top Five albums between 1980 and 1983. Often categorised with the new wave of British heavy metal, in 1981 Def Leppard released their second album High 'n' Dry , mixing glam-rock with heavy metal, and helping to define the sound of hard rock for the decade. The follow-up Pyromania (1983)

19738-482: Was played louder and with more intensity. Blues rock acts that pioneered the sound included Cream , the Jimi Hendrix Experience , and the Jeff Beck Group . Cream, in songs like " I Feel Free " (1966), combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton . Cream's best known-song, " Sunshine of Your Love " (1967), is sometimes considered to be

19880-459: Was recorded titled One Night at Budokan . It was released in 1982 with great success in the UK where it was certified silver after exceeding 60,000 copies sold. In October 1983, the band released Built to Destroy , the first with keyboardist Andy Nye and which also featured Derek St. Holmes , known at the time as Ted Nugent 's vocalist. To promote it, they gave several concerts in the UK and later went on tour to other European countries as

20022-410: Was the first glam metal album, and arguably the first heavy metal album of any kind, to reach number one in the Billboard music charts and helped open the doors for mainstream success by subsequent bands. Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984) which

20164-417: Was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard-edged blues rock with new wave music to produce a series of highly successful singles, beginning with " Gimme All Your Lovin' " (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in

#947052