112-429: Caroline Hervé (born 15 July 1973), known professionally as Kittin , is a French electronic music producer, DJ, singer, and songwriter. Since rising to prominence in 1998 for her singles " 1982 " and " Frank Sinatra " with The Hacker , she has worked with other musicians such as Chicks on Speed , Felix da Housecat and Golden Boy . She released her debut solo album I Com in 2004, a second, BatBox , in 2008, and
224-405: A PA system , several turntables, and mixers. The performance did not go well, as creating live montages with turntables had never been done before." Later that same year, Pierre Henry collaborated with Schaeffer on Symphonie pour un homme seul (1950) the first major work of musique concrete. In Paris in 1951, in what was to become an important worldwide trend, RTF established the first studio for
336-466: A slide show synchronized with a recorded soundtrack. Composers outside of the Jikken Kōbō, such as Yasushi Akutagawa , Saburo Tominaga, and Shirō Fukai , were also experimenting with radiophonic tape music between 1952 and 1953. Musique concrète was introduced to Japan by Toshiro Mayuzumi , who was influenced by a Pierre Schaeffer concert. From 1952, he composed tape music pieces for a comedy film,
448-529: A 100: Tokyo Story ; The Godfather ; Citizen Kane ; Rear Window ; Casablanca ; Boyhood ; Three Colors: Red ; Vertigo ; Fanny and Alexander ; Notorious ; Lawrence of Arabia ; Dekalog ; The Leopard ; and The Conformist . There are five TV show seasons that have received a 99, including Season 4 of Rectify , Season 4 and Season 6 of The Larry Sanders Show , Season 1 of Murder One , and Season 5 of Breaking Bad . The standalone highest-rated album of all time on
560-514: A Hit " and " Happy Violentine ". The song "Professional Distortion" became Miss Kittin's first solo single to chart on the French Singles Chart . Several of the remixes of the three singles were later complied and released on Miss Kittin's EP Mixing Me . In 2004, Miss Kittin created her own label Nobody's Bizzness . The label would eventually release her albums BatBox and Two after her departure from NovaMute . She said of
672-584: A Nation , Hardbodies , Mother's Day and United Passions . The standalone lowest-rated TV show of all time is The 1/2 Hour News Hour , with a 13. The standalone lowest-rated album of all time is Playing with Fire by Kevin Federline , with a 15. Metacritic has received mixed reviews from website critics, commentators, and columnists. Its efficacy has been analyzed, with conclusions finding it to be generally useful or unreliable and biased. The website won two annual Webby Awards for excellence in
784-457: A Swiss festival. The next day, Kittin and Felix composed " Silver Screen Shower Scene " and " Madame Hollywood " in a friend's small studio in Geneva. She also cowrote and was featured on the songs "Voicemail" and " What Does It Feel Like? " from Felix da Housecat's album Kittenz and Thee Glitz . The album received positive reviews from contemporary critics, garnering an average score of 78/100 on
896-437: A chart illustrating a downward trend in the average critical ratings of the company's games. He took the ratings seriously and stressed the need for the company to bounce back. Also in 2008, Microsoft used Metacritic averages to delist underperforming Xbox Live Arcade games. Scores are weighted averages . Certain publications are given more significance "because of their stature". Metacritic has said that it will not reveal
1008-465: A common household item, and by the 1920s composers were using them to play short recordings in performances. The introduction of electrical recording in 1925 was followed by increased experimentation with record players. Paul Hindemith and Ernst Toch composed several pieces in 1930 by layering recordings of instruments and vocals at adjusted speeds. Influenced by these techniques, John Cage composed Imaginary Landscape No. 1 in 1939 by adjusting
1120-525: A duo, and toured throughout America and around the world, before they both started recording new songs, some of which were performed whilst touring. Two , their second album together, was released in March 2009. The album was released 8 years after their first and only full LP as a duo. Two received positive reviews from contemporary critics; according to the music review aggregation of Metacritic , it garnered an average score of 62/100. Their first single from
1232-478: A game's potential sales and, by extension, the publisher's stock price". However, a 2015 study analyzing over 88 Xbox 360 and 80 PS3 games from 2012 found that Metacritic scores did not impact actual sales. Controversially, the website has been used by game publishers as a means of determining whether a game's developer receives additional royalties. One notable example is the 2010 game Fallout: New Vegas , which received an average Metascore of 84, one short of
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#17327830107201344-449: A game's state in the future due to post-release updates and patches as well as most press reviews of games taking place around their launch. For example, the metascore for MediEvil (2019) was mixed mainly due to performance issues that existed around the time of the game's launch. These issues were fixed in post-release patches that made the game run smoothly, which would have led to a higher metascore in its patched state. Another example
1456-453: A greater investment of time and money, gamers are more informed about reviews than are fans of film or music; they want to know "whether that hotly anticipated title is going to deliver". In June 2018, Metacritic established the "Must-See" label for a movie that "achieves a Metascore of 81 or higher and has been reviewed by a minimum of 15 professional critics". In September 2018, it added the "Must-Play" certification for video games attaining
1568-578: A job as an A&R consultant at Mute Records Germany. In 2002, she released the techno music compilations On the Road and Radio Caroline Vol.1 . Both albums received positive reviews for showcasing her talents "as a DJ rather than an electroclash diva", who "finally tears down the facade, proving that she is much more than the champagne-toasting chanteuse that her sensual accent and fashionista lyrics have always suggested." Golden Boy first met Miss Kittin after she remixed one of his songs. In 2001,
1680-998: A number of musicians, ranging from Neil Rolnick , Charles Amirkhanian and Alice Shields to rock musicians Frank Zappa and The West Coast Pop Art Experimental Band . Following the emergence of differences within the GRMC (Groupe de Recherche de Musique Concrète) Pierre Henry, Philippe Arthuys, and several of their colleagues, resigned in April 1958. Schaeffer created a new collective, called Groupe de Recherches Musicales (GRM) and set about recruiting new members including Luc Ferrari , Beatriz Ferreyra , François-Bernard Mâche , Iannis Xenakis , Bernard Parmegiani , and Mireille Chamass-Kyrou . Later arrivals included Ivo Malec , Philippe Carson, Romuald Vandelle, Edgardo Canton and François Bayle . These were fertile years for electronic music—not just for academia, but for independent artists as synthesizer technology became more accessible. By this time,
1792-406: A promotional music video directed by Régis Brochier of 7th floor Productions. "Suspicious Minds" was later featured on the downloadable for free mixtape Skull of Dreams by Little Boots . Miss Kittin was featured on Primal Scream 's cover of " Diamonds, Fur Coat, Champagne " for a limited-edition 10-inch vinyl pressing. A total of 3,000 copies were pressed and released on 30 March 2009. The song
1904-697: A public concert in New York together with other compositions I had written for conventional instruments." Otto Luening, who had attended this concert, remarked: "The equipment at his disposal consisted of an Ampex tape recorder . . . and a simple box-like device designed by the brilliant young engineer, Peter Mauzey, to create feedback, a form of mechanical reverberation. Other equipment was borrowed or purchased with personal funds." Just three months later, in August 1952, Ussachevsky traveled to Bennington, Vermont, at Luening's invitation to present his experiments. There,
2016-421: A qualitative assessment of a game. Kotaku also highlighted a practice alleged to be used by some publishers who use Metacritic scores as a way to leverage more favorable terms for the publisher or deny developers bonuses should they not reach a certain score. Doyle countered this by saying "Metacritic has absolutely nothing to do with how the industry uses our numbers... Metacritic has always been about educating
2128-465: A radio broadcast, and a radio drama. However, Schaeffer's concept of sound object was not influential among Japanese composers, who were mainly interested in overcoming the restrictions of human performance. This led to several Japanese electroacoustic musicians making use of serialism and twelve-tone techniques , evident in Yoshirō Irino 's 1951 dodecaphonic piece "Concerto da Camera", in
2240-477: A score of 90% or more, and a minimum number of 15 reviews from industry professionals. The standalone highest-rated game of all time on the site is The Legend of Zelda: Ocarina of Time , with a 99. The three games with a 98 are Tony Hawk's Pro Skater 2 , Grand Theft Auto IV , and Soulcalibur . There are about two dozen 97-rated games with standouts including Red Dead Redemption 2 and Grand Theft Auto V . There are fourteen movies that have received
2352-810: A score. In 1955, more experimental and electronic studios began to appear. Notable were the creation of the Studio di fonologia musicale di Radio Milano , a studio at the NHK in Tokyo founded by Toshiro Mayuzumi , and the Philips studio at Eindhoven , the Netherlands, which moved to the University of Utrecht as the Institute of Sonology in 1960. "With Stockhausen and Mauricio Kagel in residence, [Cologne] became
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#17327830107202464-460: A significant influence on popular music , with the adoption of polyphonic synthesizers , electronic drums , drum machines, and turntables , through the emergence of genres such as disco , krautrock , new wave , synth-pop , hip hop , and EDM . In the early 1980s mass-produced digital synthesizers , such as the Yamaha DX7 , became popular, and MIDI (Musical Instrument Digital Interface)
2576-567: A strong community of composers and musicians working with new sounds and instruments was established and growing. 1960 witnessed the composition of Luening's Gargoyles for violin and tape as well as the premiere of Stockhausen's Kontakte for electronic sounds, piano, and percussion. This piece existed in two versions—one for 4-channel tape, and the other for tape with human performers. "In Kontakte , Stockhausen abandoned traditional musical form based on linear development and dramatic climax. This new approach, which he termed 'moment form', resembles
2688-630: A third, Calling from the Stars , in 2013. She achieved international popularity with the singles " Rippin Kittin " and " Silver Screen Shower Scene ". Miss Kittin was born Caroline Hervé in 1973 in Grenoble , a city in the Alps , in southeastern France. Music such as Genesis , Supertramp , Miles Davis , Maria Callas , Pink Floyd and The Beatles became a prominent part of her and her parents' lives. At
2800-454: A year-round hive of charismatic avant-gardism." on two occasions combining electronically generated sounds with relatively conventional orchestras—in Mixtur (1964) and Hymnen, dritte Region mit Orchester (1967). Stockhausen stated that his listeners had told him his electronic music gave them an experience of "outer space", sensations of flying, or being in a "fantastic dream world". In
2912-692: Is a group of music genres that employ electronic musical instruments , circuitry-based music technology and software, or general-purpose electronics (such as personal computers ) in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music ). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator , theremin , or synthesizer . Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups , power amplifiers and loudspeakers . Such electromechanical devices include
3024-513: Is a part of a series of Suicide covers by other musicians such as The Horrors and Lydia Lunch released on the Blast First Petite label to celebrate Suicide frontman Alan Vega 's 70th birthday. Miss Kittin remixed Felix da Housecat's song " We All Wanna Be Prince " in 2009, changing the word "Prince" into "princess". She also appeared on the single "Le Flaneur" from the album Elemental Assets by Estroe in 2009. In 2010, Miss Kittin
3136-483: Is alone, a world of mystery and essential loneliness." In Cologne, what would become the most famous electronic music studio in the world, was officially opened at the radio studios of the NWDR in 1953, though it had been in the planning stages as early as 1950 and early compositions were made and broadcast in 1951. The brainchild of Werner Meyer-Eppler , Robert Beyer, and Herbert Eimert (who became its first director),
3248-468: Is most recognizable in its 4/4 form and more connected with the mainstream than preceding forms which were popular in niche markets. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments . These initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for
3360-718: Is to be realized as a magnetic tape. According to Otto Luening, Cage also performed Williams Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. Williams Mix was a success at the Donaueschingen Festival , where it made a "strong impression". The Music for Magnetic Tape Project was formed by members of the New York School ( John Cage , Earle Brown , Christian Wolff , David Tudor , and Morton Feldman ), and lasted three years until 1954. Cage wrote of this collaboration: "In this social darkness, therefore,
3472-768: The Columbia-Princeton Electronic Music Center in the late 1950s. Following his work with Studio d'Essai at Radiodiffusion Française (RDF), during the early 1940s, Pierre Schaeffer is credited with originating the theory and practice of musique concrète. In the late 1940s, experiments in sound-based composition using shellac record players were first conducted by Schaeffer. In 1950, the techniques of musique concrete were expanded when magnetic tape machines were used to explore sound manipulation practices such as speed variation ( pitch shift ) and tape splicing . On 5 October 1948, RDF broadcast Schaeffer's Etude aux chemins de fer . This
Miss Kittin - Misplaced Pages Continue
3584-787: The EP Champagne that she recorded with The Hacker. Champagne included tracks such as " 1982 " and " Frank Sinatra ", which became anthems of the electroclash scene and underground hits in Europe. It further included a cover of the song " Dirty Talk " by Klein + M.B.O. In 1999, the duo released the EP Intimités , which included a cover of the Eurythmics ' " Sweet Dreams (Are Made of This) ". Miss Kittin & The Hacker released First Album in 2001. First Album received positive reviews from contemporary critics; according to
3696-507: The Ensemble of electro-musical instruments [ ru ] , which used theremins, electric harps, electric organs, the first synthesizer in the USSR "Ekvodin", and also created the first Soviet reverb machine. The style in which Meshcherin's ensemble played is known as " Space age pop ". In 1957, engineer Igor Simonov assembled a working model of a noise recorder (electroeoliphone), with
3808-725: The Tom Tom Club . The song became a moderate dance hit in Europe, peaking at number five on the Belgian Dance Chart , and at number sixty-six on the UK Singles Chart . On 24 May 2004, Miss Kittin released her debut solo album I Com through NovaMute in the United Kingdom, and through Astralwerks in the United States. She collaborated with The Hacker , Toby Neumann and Thies Mynther for
3920-432: The telharmonium , Hammond organ , electric piano and electric guitar . The first electronic musical devices were developed at the end of the 19th century. During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to
4032-453: The "Guides/Ratings/Reviews" category, in 2010 and 2015. Metacritic has been criticized for converting all scoring systems into a single quantitative percentage-based scale. For example, an "A" score equates to the value of 100, an "F" the value of zero, and a "B−" the value of 67. Joe Dodson, former editor at GameRevolution , criticized Metacritic and similar sites for turning reviews into scores that he found to be too low. Doyle defended
4144-565: The 'cinematic splice' techniques in early twentieth-century film." The theremin had been in use since the 1920s but it attained a degree of popular recognition through its use in science-fiction film soundtrack music in the 1950s (e.g., Bernard Herrmann 's classic score for The Day the Earth Stood Still ). Metacritic Metacritic is a website that aggregates reviews of films , television shows , music albums , video games , and formerly books . For each product,
4256-445: The 1950s and algorithmic composition with computers was first demonstrated in the same decade. During the 1960s, digital computer music was pioneered, innovation in live electronics took place, and Japanese electronic musical instruments began to influence the music industry . In the early 1970s, Moog synthesizers and drum machines helped popularize synthesized electronic music. The 1970s also saw electronic music begin to have
4368-492: The 2000s list. In addition, Stylus Decade placed the song at number seventy-five on its Top 100 Singles of the 2000s list. She collaborated with Chicks on Speed and sang on the songs "Shick Shaving" and " Wordy Rappinghood " from their album 99 Cents in 2003. "Wordy Rappinghood" also featured guest vocals by other female musicians such as Kevin Blechdom , Le Tigre , Adult. 's Nicola Kuperus , and Tina Weymouth of
4480-434: The 85 points required by Bethesda Softworks , the game's publisher. As a result, its developer, Obsidian Entertainment , received no additional bonus. Columnists took issue with the company's use of Metacritic, with one suggesting that this makes game critics ultimately accountable for deciding the developer's profits and another pointing out that a Metascore of 84 is not significantly lower than 85. The latter also pointed out
4592-681: The Louisville Symphony and A Poem in Cycles and Bells , both for orchestra and tape. Because he had been working at Schaeffer's studio, the tape part for Varèse's work contains much more concrete sounds than electronic. "A group made up of wind instruments, percussion and piano alternate with the mutated sounds of factory noises and ship sirens and motors, coming from two loudspeakers." At the German premiere of Déserts in Hamburg, which
Miss Kittin - Misplaced Pages Continue
4704-727: The Mental Groove Records group. A trio of early productions on various-artists compilations were scattered throughout 1996 and 1997. The first records she bought for DJing were Richie Hawtin 's Fuse and Robert Hood 's The Protein Valve . It took her three months to earn enough money at her job as a supermarket cashier to buy a secondhand pair of Technics decks , both of which she still uses. In 1997, she met DJ Hell in Marseille , who wanted her to record for his International DJ Gigolo label. In 1998, she presented him with
4816-475: The Philips studio in the Netherlands. The public remained interested in the new sounds being created around the world, as can be deduced by the inclusion of Varèse's Poème électronique , which was played over four hundred loudspeakers at the Philips Pavilion of the 1958 Brussels World Fair . That same year, Mauricio Kagel , an Argentine composer, composed Transición II . The work was realized at
4928-450: The Poet , a 1959 series of electronic compositions that stood out for its immersion and seamless fusion of electronic and folk music , in contrast to the more mathematical approach used by serial composers of the time such as Babbitt. El-Dabh's Leiyla and the Poet , released as part of the album Columbia-Princeton Electronic Music Center in 1961, would be cited as a strong influence by
5040-606: The Stars on 19 April 2013. A double album with 23 new songs, it includes a cover version of R.E.M.'s "Everybody Hurts". Some of the tracks were made available prior to the album release, such as "Bassline". She also released the Track "Hide" on the Vocal Collaboration Album "Features" by Kris Menace . The Video to the Single received an Vimeo Staff Pick. Miss Kittin released her first concept album Cosmos under
5152-545: The United States following the end of World War II. These were the basis for the first commercially produced tape recorder in 1948. In 1944, before the use of magnetic tape for compositional purposes, Egyptian composer Halim El-Dabh , while still a student in Cairo , used a cumbersome wire recorder to record sounds of an ancient zaar ceremony. Using facilities at the Middle East Radio studios El-Dabh processed
5264-454: The United States, electronic music was being created as early as 1939, when John Cage published Imaginary Landscape, No. 1 , using two variable-speed turntables, frequency recordings, muted piano, and cymbal, but no electronic means of production. Cage composed five more "Imaginary Landscapes" between 1942 and 1952 (one withdrawn), mostly for percussion ensemble, though No. 4 is for twelve radios and No. 5, written in 1952, uses 42 recordings and
5376-597: The WDR studio in Cologne. Two musicians performed on the piano, one in the traditional manner, the other playing on the strings, frame, and case. Two other performers used tape to unite the presentation of live sounds with the future of prerecorded materials from later on and its past of recordings made earlier in the performance. In 1958, Columbia-Princeton developed the RCA Mark II Sound Synthesizer ,
5488-929: The age of 6, Hervé often played piano for fun at her grandparents', and reproduced melodies from the radio. Miss Kittin tried taking piano lessons but gave up after 2 years. In addition, she started practicing ballet when she was 5 years old and continued until she was 22. After earning her high school diploma in 1990, Miss Kittin studied art, first in Marseille (1991), then in the Beaux-Arts of Grenoble to specialize in contemporary art (1993–94). She finished her graphic design program in Amiens in 1995 before starting her full-time DJ job. As time progressed, Kittin found herself emulating her parents' musical tastes by developing an interest in musical genres ranging from classic, jazz , funk , and disco to English pop. Finding her niche in electronic music in 1991, Kittin raved all around
5600-517: The album "PPPO" was released in March 2009 followed by the single " 1000 Dreams ". Their third and final single from the album " Party in My Head " was released in June 2009. The Thieves Like Us remix of "Party in My Head" was released a free download on XLR8R ' s website. Miss Kittin & The Hacker also included a cover of Elvis Presley 's " Suspicious Minds " on the album, for which they filmed
5712-458: The album. Miss Kittin had met Tobi Neumann and Thies Mynther aka "Glove" after working with them on the Chicks on Speed song "Shick Shaving" and after recording lyrics for Steve Bug. The album received positive reviews from contemporary critics, earning an average score of 73/100 on the music review aggregation of Metacritic . I Com yielded three singles: " Professional Distortion ", " Requiem for
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#17327830107205824-748: The ancestor of the ORTF . Karlheinz Stockhausen worked briefly in Schaeffer's studio in 1952, and afterward for many years at the WDR Cologne's Studio for Electronic Music . 1954 saw the advent of what would now be considered authentic electric plus acoustic compositions—acoustic instrumentation augmented/accompanied by recordings of manipulated or electronically generated sound. Three major works were premiered that year: Varèse's Déserts , for chamber ensemble and tape sounds, and two works by Otto Luening and Vladimir Ussachevsky : Rhapsodic Variations for
5936-641: The borrowed equipment in the back of Ussachevsky's car, we left Bennington for Woodstock and stayed two weeks. . . . In late September 1952, the travelling laboratory reached Ussachevsky's living room in New York, where we eventually completed the compositions." Two months later, on 28 October, Vladimir Ussachevsky and Otto Luening presented the first Tape Music concert in the United States. The concert included Luening's Fantasy in Space (1952)—"an impressionistic virtuoso piece" using manipulated recordings of flute—and Low Speed (1952), an "exotic composition that took
6048-412: The composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music (1907). Futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery . They predicted expansions in timbre allowed for by electronics in
6160-547: The country before doing her first mix in April 1993. Her first set came one year later in 1994, at which time she started her career with Tekmics Booking Agency. When she was 22, she began DJing, spinning records in France, Moscow and Chicago with Mike Dearborn. A major break came for the producer/DJ when she received bookings for the Dragon Ball events in southern France. In 1996, she moved to Geneva , Switzerland, and joined
6272-617: The development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète , created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen . Electronic music was also created in Japan and the United States beginning in
6384-597: The development of music technology several decades later. Following the foundation of electronics company Sony in 1946, composers Toru Takemitsu and Minao Shibata independently explored possible uses for electronic technology to produce music. Takemitsu had ideas similar to musique concrète , which he was unaware of, while Shibata foresaw the development of synthesizers and predicted a drastic change in music. Sony began producing popular magnetic tape recorders for government and public use. The avant-garde collective Jikken Kōbō (Experimental Workshop), founded in 1950,
6496-402: The direction of electronic music. Another associate of Schaeffer, Edgard Varèse , began work on Déserts , a work for chamber orchestra and tape. The tape parts were created at Pierre Schaeffer's studio and were later revised at Columbia University . In 1950, Schaeffer gave the first public (non-broadcast) concert of musique concrète at the École Normale de Musique de Paris . "Schaeffer used
6608-679: The duo released the album Or on Ladomat 2000 . The single " Rippin Kittin ", released in the same year, references the Misfits ' song "Mommy, Can I Go Out & Kill Tonight?" from the band's album Walk Among Us . After being endorsed by Neil Tennant of the Pet Shop Boys , the single became a club success in Europe and became Miss Kittin's first No. 1 single on the UK Dance Chart . Pitchfork Media placed "Rippin Kittin" at number four-hundred thirty-five on its Top 500 Tracks of
6720-740: The end of the 1960s, musical groups playing light electronic music appeared in the USSR. At the state level, this music began to be used to attract foreign tourists to the country and for broadcasting to foreign countries. In the mid-1970s, composer Alexander Zatsepin designed an "orchestrolla" – a modification of the mellotron. The Baltic Soviet Republics also had their own pioneers: in Estonian SSR — Sven Grunberg , in Lithuanian SSR — Gedrus Kupriavicius, in Latvian SSR — Opus and Zodiac . The world's first computer to play music
6832-401: The festival, she was assisted by Aphex Twin , Modeselektor , Boom Bip , and The Hacker . The album was jointly released by Labels and NovaMute . Miss Kittin also released the double-disc CD A Bugged Out Mix in 2006 through Resist Music and System Recordings. Disc One Perfect Night combines underground classics ( Mike Ink ), electro ( Cajmere ) and minimal techno ( Adam Beyer ) while
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#17327830107206944-438: The first complete work of computer-assisted composition using algorithmic composition. "... Hiller postulated that a computer could be taught the rules of a particular style and then called on to compose accordingly." Later developments included the work of Max Mathews at Bell Laboratories , who developed the influential MUSIC I program in 1957, one of the first computer programs to play electronic music. Vocoder technology
7056-546: The first programmable synthesizer. Prominent composers such as Vladimir Ussachevsky, Otto Luening, Milton Babbitt , Charles Wuorinen , Halim El-Dabh, Bülent Arel and Mario Davidovsky used the RCA Synthesizer extensively in various compositions. One of the most influential composers associated with the early years of the studio was Egypt's Halim El-Dabh who, after having developed the earliest known electronic tape music in 1944, became more famous for Leiyla and
7168-528: The flute far below its natural range." Both pieces were created at the home of Henry Cowell in Woodstock, New York. After several concerts caused a sensation in New York City, Ussachevsky and Luening were invited onto a live broadcast of NBC's Today Show to do an interview demonstration—the first televised electroacoustic performance. Luening described the event: "I improvised some [flute] sequences for
7280-637: The future)." Word quickly reached New York City. Oliver Daniel telephoned and invited the pair to "produce a group of short compositions for the October concert sponsored by the American Composers Alliance and Broadcast Music, Inc., under the direction of Leopold Stokowski at the Museum of Modern Art in New York. After some hesitation, we agreed. . . . Henry Cowell placed his home and studio in Woodstock, New York, at our disposal. With
7392-589: The gamer. We're using product reviews as a tool to help them make the most of their time and money." Metacritic has also been criticized for how it handles banning users and their reviews, with no notice or formal process for appeal. Critics and developers have pointed out that a product can suffer from rating manipulation by users, as by garnering low ratings that purposely damage its reputation or by receiving high ratings from throwaway accounts to make it appear more popular than it actually is. Signal Studios president and creative director Douglas Albright described
7504-491: The grading system, believing that every scale should be converted directly to that of the website, with its lowest possible score being 0 and the highest 100. Further criticism was directed to the website's refusal to publicize how it aggregates scores. According to Doyle, publishers often try to persuade him to exclude reviews they feel are unfair, but he said that once a publication is included, he refuses to omit any of its reviews. A Washington Post review of Uncharted 4
7616-592: The help of which it was possible to extract various timbres and consonances of a noise nature. In 1958, Evgeny Murzin designed ANS synthesizer , one of the world's first polyphonic musical synthesizers. Founded by Murzin in 1966, the Moscow Experimental Electronic Music Studio became the base for a new generation of experimenters – Eduard Artemyev , Alexander Nemtin [ ru ] , Sándor Kallós , Sofia Gubaidulina , Alfred Schnittke , and Vladimir Martynov . By
7728-433: The impressive sales of five million sold units and US$ 300 million in revenue, and also noted a series of Obsidian's layoffs in 2011 and 2012. The website has also been used by columnists and commentators as a general reference for critical reception, and by publishers as a tool of improving their products. Along with other executives, in 2008, John Riccitiello , then CEO of Electronic Arts, showed Wall Street analysts
7840-547: The influential manifesto The Art of Noises (1913). Developments of the vacuum tube led to electronic instruments that were smaller, amplified , and more practical for performance. In particular, the theremin , ondes Martenot and trautonium were commercially produced by the early 1930s. From the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger and Maria Schuppel to adopt them. They were typically used within orchestras, and most composers wrote parts for
7952-473: The instruments. While some were considered novelties and produced simple tones, the Telharmonium synthesized the sound of several orchestral instruments with reasonable precision. It achieved viable public interest and made commercial progress into streaming music through telephone networks . Critics of musical conventions at the time saw promise in these developments. Ferruccio Busoni encouraged
8064-504: The label's purpose, "I created my own label 'Nobody's Bizzness' to release my finished album and keep the maximum freedom with my music." Additionally, Kittin appeared on the song "Masterplan" from The Hacker 's album Rêves Mécaniques in 2004. She released Live at Sónar in 2006, recorded at the electronic music festival Sónar in Barcelona. For Sónar, Miss Kittin provided impromptu new vocals to her established catalogue. During
8176-550: The music review aggregation of Metacritic , it garnered an average score of 68/100. The album was listed on several Best Albums of the Decade lists. Despite not charting, the album sold over 50,000 copies worldwide. Slant Magazine placed " Frank Sinatra " at number eighty-six on its 100 Greatest Dance Songs list. Other songs on the album include " Stock Exchange " and " The Beach ". While touring with The Hacker in support of their debut album, Miss Kittin met Felix da Housecat at
8288-670: The music review aggregation of Metacritic . "Silver Screen Shower Scene" became one of the first electroclash songs to reach the UK Top 40, peaking at number thirty-nine. "Madame Hollywood" peaked at number nineteen on the Canadian Singles Chart . In 2001, Sven Väth featured Miss Kittin on a cover of " Je t'aime... moi non-plus ", the Serge Gainsbourg song. After shooting the music video for "Je t'aime... moi non-plus", Miss Kittin decided to move to Berlin and take
8400-399: The name Kittin on 2 November 2018. She wrote: "Who are we, why are we here and where are we going? Metaphysics - Quantum Physics - Science - Philosophy - Spirituality - Art - Poetry - Existential questions. Everything is energy. Back to the core. Curiosity. Freedom. Free of pop and dance floor diktats: no chorus no verse no 4/4 beats. Just chords, organic atmospheres and textures. A research on
8512-813: The organization of electronic sounds in Mayuzumi's "X, Y, Z for Musique Concrète", and later in Shibata's electronic music by 1956. Modelling the NWDR studio in Cologne, established an NHK electronic music studio in Tokyo in 1954, which became one of the world's leading electronic music facilities. The NHK electronic music studio was equipped with technologies such as tone-generating and audio processing equipment, recording and radiophonic equipment, ondes Martenot, Monochord and Melochord , sine-wave oscillators , tape recorders, ring modulators , band-pass filters , and four- and eight-channel mixers . Musicians associated with
8624-553: The popular Dr. Jekyll and Mr. Hyde in the United States. Experiments with graphical sound were continued by Norman McLaren from the late 1930s. The first practical audio tape recorder was unveiled in 1935. Improvements to the technology were made using the AC biasing technique, which significantly improved recording fidelity. As early as 1942, test recordings were being made in stereo. Although these developments were initially confined to Germany, recorders and tapes were brought to
8736-482: The principle of the theremin . In the 1930s, Nikolai Ananyev invented "sonar", and engineer Alexander Gurov — neoviolena, I. Ilsarov — ilston., A. Rimsky-Korsakov [ ru ] and A. Ivanov — emiriton [ ru ] . Composer and inventor Arseny Avraamov was engaged in scientific work on sound synthesis and conducted a number of experiments that would later form the basis of Soviet electro-musical instruments. In 1956 Vyacheslav Mescherin created
8848-413: The production of electronic music. Also in 1951, Schaeffer and Henry produced an opera, Orpheus , for concrete sounds and voices. By 1951 the work of Schaeffer, composer-percussionist Pierre Henry, and sound engineer Jacques Poullin had received official recognition and The Groupe de Recherches de Musique Concrète , Club d 'Essai de la Radiodiffusion-Télévision Française was established at RTF in Paris,
8960-497: The recorded material using reverberation, echo, voltage controls and re-recording. What resulted is believed to be the earliest tape music composition. The resulting work was entitled The Expression of Zaar and it was presented in 1944 at an art gallery event in Cairo. While his initial experiments in tape-based composition were not widely known outside of Egypt at the time, El-Dabh is also known for his later work in electronic music at
9072-402: The relative weight assigned to each reviewer. Games Editor Marc Doyle was interviewed in 2008 by Keith Stuart of The Guardian to "get a look behind the metascoring process". Stuart wrote: "The Metascore phenomenon, namely Metacritic and GameRankings , have become an enormously important element of online games journalism over the past few years". Doyle said that because video games lead to
9184-467: The respective rapid rise and fall in company values after BioShock and Spider-Man 3 were released. In an interview with The Guardian , Marc Doyle cited two major publishers that "conducted comprehensive statistical surveys through which they've been able to draw a correlation between high metascores and stronger sales" in certain genres. He claimed that an increasing number of businesses and financial analysts use Metacritic as "an early indicator of
9296-418: The sales of games and the stocks of video game publishers". He explains its influence as coming from the higher cost of buying video games than music or movie tickets. Many executives say that low scores "can hurt the long-term sales potential". Wingfield wrote that Wall Street pays attention to Metacritic and GameRankings because the sites typically post scores before sales data are publicly available, citing
9408-402: The scores from each review are averaged (a weighted average ). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999, and was acquired by Fandom, Inc. in 2022. Metacritic turns each review into a percentage score. This can be done either by calculating the score from the rating given or by making a subjective decision based on the review's quality. Before averaging
9520-438: The scores, they are adjusted based on the critic's popularity, reputation, and the number of reviews they have written. The site also includes a summary from each review and links to the original source, using colors like green, yellow, or red to indicate the overall sentiment of the critics. Metacritic won two Webby Awards for excellence as an aggregation website. It is regarded as the foremost online review aggregation site for
9632-622: The second disc Perfect Day is a mix of Miss Kittin's favourite post-club tracks from artists such as Wagon Christ , Monolake and Biosphere . In 2007, Miss Kittin & The Hacker reunited to release the single "Hometown / Dimanche" through Good Life Recordings . The music video for "Hometown" was directed by Régis Brochier of 7th floor Productions. After two years in the making and almost four years since her debut album I Com , Miss Kittin released her second album, BatBox on 4 February 2008, on her label Nobody's Bizzness. BatBox' s thirteen original songs were composed whilst touring throughout
9744-475: The site is Ten Freedom Summers by American trumpeter and composer Wadada Leo Smith , with a 99. The standalone lowest-rated game of all time is Big Rigs: Over the Road Racing , with an 8. There are eleven movies that have received a 1: Bio-Dome , 10 Rules for Sleeping Around , Chaos , Inappropriate Comedy , Not Cool , The Singing Forest , The Garbage Pail Kids Movie , Death of
9856-650: The site. Rotten Tomatoes was already compiling movie reviews, but Doyle, Roberts, and Dietz saw an opportunity to cover a broader range of media. Metacritic was sold to CNET in 2005. CNET and Metacritic were later acquired by the CBS Corporation . In 2020, Metacritic and other CNET titles were bought by Red Ventures . In 2022, Red Ventures sold Metacritic and other entertainment websites to Fandom, Inc. Metacritic has been used by businesses to predict future sales. In 2007, Nick Wingfield of The Wall Street Journal wrote that Metacritic "influence[s]
9968-955: The sound reflecting soul and mind, art and science. Voice as an instrument like any other. A continuous soundtrack with no break no silence. An odyssey. An ode to the most classical form of electronic music that is Electronica, Ambient, IDM (Intelligent Dance Music) and its heroes." Caroline has mentioned her admiration for Maurice Dantec , Serge Gainsbourg , Laurent Garnier , Daft Punk , Kompakt , Thomas Brinkmann , Sven Väth , Chicks on Speed , Madonna , Prince , Adult. , Dopplereffekt , Drexciya , Fischerspooner , Rush , Felix da Housecat , Dr. Dre , Bret Easton Ellis , James Ellroy , Frank Sinatra , Mute Records , Warp Records , Cher , Boards of Canada , Andrew Weatherall , Richard D. James , Stanley Kubrick , Cabaret Voltaire , New Order , DAF , Visage , Ultravox , Fad Gadget , Front 242 , Depeche Mode , Kiss , Indochine , and David Bowie . Electronic music Electronic music broadly
10080-482: The speeds of recorded tones. Composers began to experiment with newly developed sound-on-film technology. Recordings could be spliced together to create sound collages , such as those by Tristan Tzara , Kurt Schwitters , Filippo Tommaso Marinetti , Walter Ruttmann and Dziga Vertov . Further, the technology allowed sound to be graphically created and modified . These techniques were used to compose soundtracks for several films in Germany and Russia, in addition to
10192-666: The studio included Toshiro Mayuzumi, Minao Shibata, Joji Yuasa, Toshi Ichiyanagi , and Toru Takemitsu. The studio's first electronic compositions were completed in 1955, including Mayuzumi's five-minute pieces "Studie I: Music for Sine Wave by Proportion of Prime Number", "Music for Modulated Wave by Proportion of Prime Number" and "Invention for Square Wave and Sawtooth Wave" produced using the studio's various tone-generating capabilities, and Shibata's 20-minute stereo piece "Musique Concrète for Stereophonic Broadcast". The impact of computers continued in 1956. Lejaren Hiller and Leonard Isaacson composed Illiac Suite for string quartet ,
10304-546: The studio of Bebe and Louis Barron . In the same year Columbia University purchased its first tape recorder—a professional Ampex machine—to record concerts. Vladimir Ussachevsky, who was on the music faculty of Columbia University, was placed in charge of the device, and almost immediately began experimenting with it. Herbert Russcol writes: "Soon he was intrigued with the new sonorities he could achieve by recording musical instruments and then superimposing them on one another." Ussachevsky said later: "I suddenly realized that
10416-571: The studio was soon joined by Karlheinz Stockhausen and Gottfried Michael Koenig . In his 1949 thesis Elektronische Klangerzeugung: Elektronische Musik und Synthetische Sprache , Meyer-Eppler conceived the idea to synthesize music entirely from electronically produced signals; in this way, elektronische Musik was sharply differentiated from French musique concrète , which used sounds recorded from acoustical sources. In 1953, Stockhausen composed his Studie I , followed in 1954 by Elektronische Studie II —the first electronic piece to be published as
10528-496: The tape recorder could be treated as an instrument of sound transformation." On Thursday, 8 May 1952, Ussachevsky presented several demonstrations of tape music/effects that he created at his Composers Forum, in the McMillin Theatre at Columbia University. These included Transposition, Reverberation, Experiment, Composition , and Underwater Valse . In an interview, he stated: "I presented a few examples of my discovery in
10640-399: The tape recorder. Ussachevsky then and there put them through electronic transformations." The score for Forbidden Planet , by Louis and Bebe Barron , was entirely composed using custom-built electronic circuits and tape recorders in 1956 (but no synthesizers in the modern sense of the word). In 1929, Nikolai Obukhov invented the " sounding cross " (la croix sonore ), comparable to
10752-412: The theremin that could otherwise be performed with string instruments . Avant-garde composers criticized the predominant use of electronic instruments for conventional purposes. The instruments offered expansions in pitch resources that were exploited by advocates of microtonal music such as Charles Ives , Dimitrios Levidis , Olivier Messiaen and Edgard Varèse . Further, Percy Grainger used
10864-403: The theremin to abandon fixed tonation entirely, while Russian composers such as Gavriil Popov treated it as a source of noise in otherwise-acoustic noise music . Developments in early recording technology paralleled that of electronic instruments. The first means of recording and reproducing audio was invented in the late 19th century with the mechanical phonograph . Record players became
10976-400: The two collaborated on various pieces. Luening described the event: "Equipped with earphones and a flute, I began developing my first tape-recorder composition. Both of us were fluent improvisors and the medium fired our imaginations." They played some early pieces informally at a party, where "a number of composers almost solemnly congratulated us saying, 'This is it' ('it' meaning the music of
11088-501: The video game industry. Criticism of the site has focused on the assessment system, the assignment of scores to reviews that do not include ratings, third-party attempts to influence the scores, and the reported lack of staff oversight for user reviews. Metacritic was launched in January 2001 by Marc Doyle, his sister Julie Doyle Roberts, and his University of Southern California law classmate Jason Dietz, after two years of developing
11200-440: The website as having no standards. In July 2020, Metacritic added a 36-hour waiting period for user reviews to be posted for video games at launch in an effort to reduce user score review-bombing during that period by users that have not played or barely played the game during a period when most players will not have finished the game. Some have noted that Metacritic scores for modern video games may not be accurately reflective of
11312-465: The work of Earle Brown, Morton Feldman, and Christian Wolff continues to present a brilliant light, for the reason that at the several points of notation, performance, and audition, action is provocative." Cage completed Williams Mix in 1953 while working with the Music for Magnetic Tape Project. The group had no permanent facility, and had to rely on borrowed time in commercial sound studios, including
11424-533: The world. Miss Kittin described the tracks as a flirtation with Goth culture, as reflected in vocal lines such as "bat in a box / show me what you goth". Artist Rob Reger designed the cover and included his " Emily the Strange " cartoon in a 12-page foldout booklet for the album. Miss Kittin released the singles " Kittin Is High " and " Grace " to promote the album. In 2008, Miss Kittin & The Hacker reunited as
11536-556: Was CSIRAC , which was designed and built by Trevor Pearcey and Maston Beard. Mathematician Geoff Hill programmed the CSIRAC to play popular musical melodies from the very early 1950s. In 1951 it publicly played the Colonel Bogey March , of which no known recordings exist, only the accurate reconstruction. However, CSIRAC played standard repertoire and was not used to extend musical thinking or composition practice. CSIRAC
11648-579: Was also a major development in this early era. In 1956, Stockhausen composed Gesang der Jünglinge , the first major work of the Cologne studio, based on a text from the Book of Daniel . An important technological development of that year was the invention of the Clavivox synthesizer by Raymond Scott with subassembly by Robert Moog . In 1957, Kid Baltan ( Dick Raaymakers ) and Tom Dissevelt released their debut album, Song Of The Second Moon , recorded at
11760-522: Was assigned with a rating of 40/100 by Metacritic; this was the only negative review of the game. Readers who disapproved of the review petitioned Metacritic to remove the Post as a trusted source. As a result of its perceived negative influence on the industry, several reviewing sites, including Kotaku and Eurogamer , have dropped numerical reviews that would appear in Metacritic, instead favoring
11872-415: Was built in 1935. however, after World War II, Japanese composers such as Minao Shibata knew of the development of electronic musical instruments. By the late 1940s, Japanese composers began experimenting with electronic music and institutional sponsorship enabled them to experiment with advanced equipment. Their infusion of Asian music into the emerging genre would eventually support Japan's popularity in
11984-419: Was conducted by Bruno Maderna , the tape controls were operated by Karlheinz Stockhausen . The title Déserts suggested to Varèse not only "all physical deserts (of sand, sea, snow, of outer space, of empty streets), but also the deserts in the mind of man; not only those stripped aspects of nature that suggest bareness, aloofness, timelessness, but also that remote inner space no telescope can reach, where man
12096-732: Was developed. In the same decade, with a greater reliance on synthesizers and the adoption of programmable drum machines, electronic popular music came to the fore. During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture. In Berlin starting in 1989, the Love Parade became the largest street party with over 1 million visitors, inspiring other such popular celebrations of electronic music. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music . Pop electronic music
12208-521: Was featured on the song "DNA" from the album Ever Since by Xenia Beliayeva. On 10 January 2011, Miss Kittin released the single " All You Need " on Mobilee Records. On 28 March, a free download of her song "Silver Lake" was released through SoundCloud to promote Soul Aid, a program to raise money for Civic Force, an emergency relief organization stationed in Kesennuma after the 2011 Tōhoku earthquake and tsunami . Miss Kittin released Calling from
12320-540: Was never recorded, but the music played was accurately reconstructed. The oldest known recordings of computer-generated music were played by the Ferranti Mark 1 computer, a commercial version of the Baby Machine from the University of Manchester in the autumn of 1951. The music program was written by Christopher Strachey . The earliest group of electronic musical instruments in Japan, Yamaha Magna Organ
12432-482: Was offered access to emerging audio technology by Sony. The company hired Toru Takemitsu to demonstrate their tape recorders with compositions and performances of electronic tape music. The first electronic tape pieces by the group were "Toraware no Onna" ("Imprisoned Woman") and "Piece B", composed in 1951 by Kuniharu Akiyama. Many of the electroacoustic tape pieces they produced were used as incidental music for radio, film, and theatre. They also held concerts employing
12544-416: Was the first " movement " of Cinq études de bruits , and marked the beginning of studio realizations and musique concrète (or acousmatic art). Schaeffer employed a disc cutting lathe , four turntables, a four-channel mixer, filters, an echo chamber, and a mobile recording unit. Not long after this, Pierre Henry began collaborating with Schaeffer, a partnership that would have profound and lasting effects on
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