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The Norwegian Lady Statues are located in the sister cities of Moss , a coastal town and municipality in the county of Østfold , Norway , and at the Oceanfront ( boardwalk ) in the coastal resort city of Virginia Beach, Virginia in the United States . They commemorate the lives lost in the 1891 shipwreck of the Norwegian barque Dictator off the coast of Virginia Beach and the lifesaving efforts of the community.

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121-666: On Good Friday , March 27, 1891, the Norwegian barque Dictator , whose home port was the coastal town of Moss, Norway , was lost in the Atlantic Ocean south of the mouth of the Chesapeake Bay off Virginia Beach, Virginia . The Dictator had a crew of 15 and the captain's family aboard. The sailing ship had been en route to West Hartlepool , England from Pensacola, Florida with a cargo of Georgia Pine lumber . After being caught and disabled in several storms along

242-554: A pagan or Gnostic context) in his Life of Alexander Severus (xxix) that formed part of the Augustan History . According to Lampridius, the emperor Alexander Severus ( r.  222–235 ), himself not a Christian, had kept a domestic chapel for the veneration of images of deified emperors, of portraits of his ancestors, and of Christ, Apollonius , Orpheus and Abraham . Saint Irenaeus , ( c.  130–202 ) in his Against Heresies (1:25;6) says scornfully of

363-471: A beardless young man. It was some time before the earliest examples of the long-haired, bearded face that was later to become standardized as the image of Jesus appeared. When they did begin to appear there was still variation. Augustine of Hippo (354–430) said that no one knew the appearance of Jesus or that of Mary. However, Augustine was not a resident of the Holy Land and therefore was not familiar with

484-401: A blue undergarment with a red overgarment (representing a human who was granted gifts by God), and thus the doctrine of deification is conveyed by icons. Letters are symbols too. Most icons incorporate some calligraphic text naming the person or event depicted. Even this is often presented in a stylized manner. The historical tradition of icons used for purposes other than visual depiction are

605-408: A church and admonished the other bishop that such images are "opposed   [...] to our religion". Elsewhere in his Church History , Eusebius reports seeing what he took to be portraits of Jesus, Peter and Paul , and also mentions a bronze statue at Banias /Paneas under Mount Hermon, of which he wrote, "They say that this statue is an image of Jesus". Further, he relates that locals regarded

726-626: A contraction of 'God be with ye'. In Old English, the day was called Long Friday ( langa frigedæg [ˈlɑŋɡɑ ˈfriːjedæj] ), and equivalents of this term are still used in Scandinavian languages and Finnish. According to the accounts in the Gospels, the royal soldiers, guided by Jesus' disciple Judas Iscariot , arrested Jesus in the Garden of Gethsemane . Judas received money ( 30 pieces of silver ) for betraying Jesus and told

847-662: A feature of most ships, but the Norwegian Lady had become more than a mere ship's figurehead to the people of Virginia Beach; she was a memorial and a community icon . As the story of the lost memorial grew in Virginia Beach, community interest spread across the ocean to Moss. A drive began at both ends to replace the memorial. With a substantial contribution of the Norwegian Shipping Association, enough funds were raised to pay for not just

968-510: A few conventional poses. Archangels bear a thin staff and sometimes a mirror. Colour plays an important role as well. Gold represents the radiance of Heaven; red, divine life. Blue is the colour of human life, white is the Uncreated Light of God, only used for resurrection and transfiguration of Christ. In icons of Jesus and Mary, Jesus wears red undergarment with a blue outer garment (representing God becoming human) and Mary wears

1089-530: A letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. This version of the Abgar story does not mention an image. A later account found in the Syriac Doctrine of Addai ( c.  400? ) mentions a painted image of Jesus in the story. Even later, in the 6th-century account given by Evagrius Scholasticus , the painted image transforms into an image that miraculously appeared on

1210-464: A member of the Sanhedrin and a secret follower of Jesus, who had not consented to his condemnation, went to Pilate to request the body of Jesus. Another secret follower of Jesus and member of the Sanhedrin named Nicodemus brought about a hundred-pound weight mixture of spices and helped wrap the body of Jesus. Pilate asked confirmation from the centurion of whether Jesus was dead. A soldier pierced

1331-447: A miracle in which Saint Plato of Ankyra appeared to a Christian in a dream. The saint was recognized because the young man had often seen his portrait. This recognition of a religious apparition from likeness to an image was also a characteristic of pagan pious accounts of appearances of gods to humans, and was a regular topos in hagiography. One critical recipient of a vision from Saint Demetrius of Thessaloniki apparently specified that

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1452-528: A natural progression for the image of Christ, the King of Heaven and Earth, to be paid similar veneration as that given to the earthly Roman emperor. However, the Orthodox, Eastern Catholics, and other groups insist on explicitly distinguishing the veneration of icons from the worship of idols by pagans. (See further below on the doctrine of veneration as opposed to worship.) After adoption of Christianity as

1573-639: A part of church tradition. Thus accounts such as that of the miraculous "image not made by hands", and the weeping and moving "Mother of God of the Sign" of Novgorod are accepted as fact: "Church Tradition tells us, for example, of the existence of an Icon of the Savior during His lifetime (the 'Icon-Made-Without-Hands') and of Icons of the Most-Holy Theotokos [Mary] immediately after Him." Eastern Orthodoxy further teaches that "a clear understanding of

1694-563: A religious image or symbol on the reverse , usually an image of Christ for larger denominations, with the head of the Emperor on the obverse, reinforcing the bond of the state and the divine order. The tradition of acheiropoieta ( ἀχειροποίητα , literally 'not-made-by-hand') accrued to icons that are alleged to have come into existence miraculously, not by a human painter. Such images functioned as powerful relics as well as icons, and their images were naturally seen as authoritative as to

1815-457: A replacement for Virginia Beach, but two new statues. Norwegian sculptor Ørnulf Bast was commissioned to create two nine-foot bronze replicas of the original figurehead. The Norwegian Lady statues were unveiled on September 22, 1962. One was presented as a gift to Virginia Beach, and an exact duplicate was erected in Moss, Norway to unite the two cities. Each statue gives the appearance of facing

1936-607: A riot. The sentence written was "Jesus of Nazareth, King of the Jews." Jesus carried his cross to the site of execution (assisted by Simon of Cyrene ), called the "place of the Skull", or " Golgotha " in Hebrew and in Latin "Calvary". There he was crucified along with two criminals. Jesus agonized on the cross for three hours, from noon to 3 pm, darkness fell over the whole land . In

2057-571: A sentence of death . Peter, waiting in the courtyard, also denied Jesus three times to bystanders while the interrogations were proceeding just as Jesus had foretold. In the morning, the whole assembly brought Jesus to the Roman governor Pontius Pilate under charges of subverting the nation, opposing taxes to Caesar, and making himself a king. Pilate authorized the Jewish leaders to judge Jesus according to their own law and execute sentencing; however,

2178-418: A small city in 1923. In the brutal coastal weather, the figurehead gradually became weathered and eroded. Then, during Hurricane Barbara in 1953, it was significantly damaged and was removed to a city-owned building for safe-keeping. Subsequently, a few years later, city officials could not locate it, speculating that it had been stolen, or destroyed by accident. Figureheads had long-since been discontinued as

2299-742: A special exemption is granted for rare solemn or grave occasions by the Vatican or the local bishop . The only sacraments celebrated during this time are Baptism (for those in danger of death), Penance , and Anointing of the Sick . While there is no celebration of the Eucharist, it is distributed to the faithful only in the Celebration of the Passion of the Lord , but can also be taken at any hour to

2420-523: A towel when Christ pressed the cloth to his wet face. Further legends relate that the cloth remained in Edessa until the 10th century, when it was taken by General John Kourkouas to Constantinople . It went missing in 1204 when Crusaders sacked Constantinople, but by then numerous copies had firmly established its iconic type. The 4th-century Christian Aelius Lampridius produced the earliest known written records of Christian images treated like icons (in

2541-709: A troparion is read, similar to hthe ones read at the Sixth Hour throughout Lent, focusing on the purpose of Christ's burial. A series of prokimena and readings are then said: At the end of the service, a final hymn is sung as the faithful come to venerate the Epitaphios. In Latin, the name used by the Catholic Church until 1955 was Feria sexta in Parasceve ("Friday of Preparation [for the Sabbath]"). In

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2662-539: A very exact, but reverse mirror image of the original circular icon that was made in the 5th century and brought to Rome, where it has remained until the present. In later tradition the number of icons of Mary attributed to Luke greatly multiplied. The Salus Populi Romani , the Theotokos of Vladimir , the Theotokos Iverskaya of Mount Athos , the Theotokos of Tikhvin , the Theotokos of Smolensk and

2783-474: A young guest, it was retrieved by the manager of the Princess Anne Hotel. He subsequently had it placed in a vertical position facing the ocean near the boardwalk as a memorial to those who lost their lives in the shipwreck . Known as the "Norwegian Lady", it was a landmark at Virginia Beach's Boardwalk at 16th street for more than 60 years as the town became incorporated in 1906 and grew to become

2904-587: Is Ode 9, which takes the form of a dialogue between Christ and the Theotokos, with Christ promising His Mother the hope of the Resurrection. This Canon will be sung again the following night at the Midnight Office. Lauds follows, and its stichera take the form of a funeral lament, while always preserving the hope of the Resurrection. The doxasticon links Christ's rest in the tomb with His rest on

3025-928: Is a Christian holy day observing the crucifixion of Jesus and his death at Calvary . It is observed during Holy Week as part of the Paschal Triduum . It is also known as Black Friday , Holy Friday , Great Friday , Good Friday of the Passion of the Lord , Great and Holy Friday (also Holy and Great Friday ). Members of many Christian denominations , including the Catholic , Eastern Orthodox , Lutheran , Anglican , Methodist , Oriental Orthodox , United Protestant and some Reformed traditions (including certain Continental Reformed , Presbyterian and Congregationalist churches), observe Good Friday with fasting and church services . In many Catholic, Lutheran, Anglican and Methodist churches,

3146-542: Is a religious work of art, most commonly a painting , in the cultures of the Eastern Orthodox , Oriental Orthodox , and Catholic churches. The most common subjects include Jesus , Mary , saints , and angels . Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity , including narrative scenes, usually from

3267-761: Is formally known as The Order of Holy and Saving Passion of our Lord Jesus Christ , begins on Thursday night with the Matins of the Twelve Passion Gospels . Scattered throughout this Matins service are twelve readings from all four of the Gospels which recount the events of the Passion from the Last Supper through the Crucifixion and burial of Jesus. Some churches have a candelabrum with twelve candles on it, and after each Gospel reading one of

3388-575: Is in a context attributed to the 5th century that the first mention of an image of Mary painted from life appears, though earlier paintings on catacomb walls bear resemblance to modern icons of Mary. Theodorus Lector , in his 6th-century History of the Church 1:1 stated that Eudokia (wife of emperor Theodosius II , d. 460) sent an image of the " Mother of God " named Icon of the Hodegetria from Jerusalem to Pulcheria , daughter of Arcadius ,

3509-403: Is no century between the fourth and the eighth in which there is not some evidence of opposition to images even within the Church". Nonetheless, popular favor for icons guaranteed their continued existence, while no systematic apologia for or against icons, or doctrinal authorization or condemnation of icons yet existed. The use of icons was seriously challenged by Byzantine Imperial authority in

3630-606: Is recalled on this day, the Divine Liturgy (the sacrifice of bread and wine) is never celebrated on Great Friday, except when this day coincides with the Great Feast of the Annunciation , which falls on the fixed date of 25 March (for those churches which follow the traditional Julian Calendar , 25 March currently falls on 7 April of the modern Gregorian Calendar ). Also on Great Friday, the clergy no longer wear

3751-474: Is simple and mundane: Christians lacked land and capital. Art requires both. As soon as they began to acquire land and capital, Christians began to experiment with their own distinctive forms of art". Aside from the legend that Pilate had made an image of Christ, the 4th-century Eusebius of Caesarea , in his Church History , provides a more substantial reference to a "first" icon of Jesus. He relates that King Abgar of Edessa (died c.  50 CE ) sent

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3872-581: Is somewhat more festive in character, and derives its name of "Royal" from both the fact that the Hours are served with more solemnity than normal, commemorating Christ the King who humbled himself for the salvation of mankind, and also from the fact that this service was in the past attended by the Emperor and his court. In the afternoon, around 3 pm, all gather for the Vespers of the Taking-Down from

3993-499: The Apostle John discovers that one of his followers has had a portrait made of him, and is venerating it: [John] went into the bedchamber, and saw the portrait of an old man crowned with garlands, and lamps and altars set before it. And he called him and said: Lycomedes, what do you mean by this matter of the portrait? Can it be one of thy gods that is painted here? For I see that you are still living in heathen fashion. Later in

4114-579: The Black Madonna of Częstochowa are examples, and another is in the cathedral on St Thomas Mount , which is believed to be one of the seven painted by Luke the Evangelist and brought to India by Thomas the Apostle . Ethiopia has at least seven more. Bissera V. Pentcheva concludes, "The myth [of Luke painting an icon] was invented in order to support the legitimacy of icon veneration during

4235-577: The First Hour , as usual, but with a special dismissal by the priest: May Christ our true God, Who for the salvation of the world endured spitting, and scourging, and buffeting, and the Cross, and death, through the intercessions of His most pure Mother , of our holy and God-bearing fathers , and of all the saints , have mercy on us and save us, for He is good and the Lover of mankind. The next day, in

4356-612: The Gospels , and singing hymns about Christ's death. Rich visual imagery and symbolism, as well as stirring hymnody, are remarkable elements of these observances. In the Orthodox understanding, the events of Holy Week are not simply an annual commemoration of past events, but the faithful actually participate in the death and the resurrection of Jesus . Great and Holy Friday is observed as an absolute fast , and adult Byzantine Christians are expected to abstain from all food and drink

4477-581: The Iconoclastic controversy " (8th and 9th centuries, much later than most art historians put it). According to Reformed Baptist pastor John Carpenter, by claiming the existence of a portrait of the Theotokos painted during her lifetime by the evangelist Luke, the iconodules "fabricated evidence for the apostolic origins and divine approval of images." In the period before and during the Iconoclastic Controversy , stories attributing

4598-594: The Latin Church , a fast day is understood as having only one full meal and two collations (a smaller repast, the two of which together do not equal the one full meal) – although this may be observed less stringently on Holy Saturday than on Good Friday. The Roman Rite has no celebration of Mass between the Mass of the Lord's Supper on Holy Thursday (Maundy Thursday) evening and the Easter Vigil unless

4719-548: The Palladium (protective image) , the Palladium (classical antiquity) , the acheiropoieta , and various "folk" traditions associated with folk religion . Of these various forms the oldest tradition dates back to before the Christian era among the ancient Greeks. The various "folk" traditions are more poorly documented and often are associated with local folk narratives of uncertain origin. In English, since around 1600,

4840-803: The Service of the Great Three Hours' Agony is held from noon until 3   p.m.—the hours the Bible records darkness covering the land until Jesus' death on the cross. Communicants of the Moravian Church have a Good Friday tradition of cleaning gravestones in Moravian cemeteries . The date of Good Friday varies from one year to the next in both the Gregorian and Julian calendars. Eastern and Western Christianity disagree over

4961-584: The 1955 reform of Holy Week, it was renamed Feria sexta in Passione et Morte Domini ("Friday of the Passion and Death of the Lord"), and in the new rite introduced in 1970, shortened to Feria sexta in Passione Domini ("Friday of the Passion of the Lord"). The Catholic Church regards Good Friday and Holy Saturday as the Paschal fast, in accordance with Article 110 of Sacrosanctum Concilium . In

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5082-460: The 2nd century. In the icons of Eastern Orthodoxy, and of the early Medieval West, very little room is made for artistic license. Almost everything within the image has a symbolic aspect. Christ, the saints, and the angels all have halos. Angels (and often John the Baptist ) have wings because they are messengers. Figures have consistent facial appearances, hold attributes personal to them, and use

5203-470: The 8th century identifies Luke the Evangelist as the first icon painter, but this might not reflect historical facts. A general assumption that early Christianity was generally aniconic , opposed to religious imagery in both theory and practice until about 200, has been challenged by Paul Corby Finney's analysis of early Christian writing and material remains (1994). His assumption distinguishes three different sources of attitudes affecting early Christians on

5324-672: The 8th century. Though by this time opposition to images was strongly entrenched in Judaism and Islam, attribution of the impetus toward an iconoclastic movement in Eastern Orthodoxy to Muslims or Jews "seems to have been highly exaggerated, both by contemporaries and by modern scholars". Though significant in the history of religious doctrine, the Byzantine controversy over images is not seen as of primary importance in Byzantine history; "[f]ew historians still hold it to have been

5445-468: The Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera , but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In

5566-569: The Christ child and it is this composite icon that became the one historically known as the Hodegetria. She further states another tradition that when the last Latin Emperor of Constantinople, Baldwin II , fled Constantinople in 1261 he took this original circular portion of the icon with him. This remained in the possession of the Angevin dynasty who had it inserted into a much larger image of Mary and

5687-485: The Christ child, which is presently enshrined above the high altar of the Benedictine Abbey church of Montevergine . This icon was subjected to repeated repainting over the subsequent centuries, so that it is difficult to determine what the original image of Mary's face would have looked like. Guarducci states that in 1950 an ancient image of Mary at the Church of Santa Francesca Romana was determined to be

5808-643: The Communion part of the rite when violet was used. If a bishop or abbot celebrates, he wears a plain mitre (mitra simplex) . Before the reforms of the Holy Week liturgies in 1955, black was used throughout. The Vespers of Good Friday are only prayed by those who could not attend the Celebration of the Passion of the Lord. The Three Hours' Devotion based on the Seven Last Words from

5929-616: The Cross begins at noon and ends at 3 pm, the time that the Christian tradition teaches that Jesus died on the cross. The Good Friday liturgy consists of three parts: the Liturgy of the Word , the Veneration of the Cross, and the Holy Communion . Icon Autocephaly recognized by some autocephalous Churches de jure : Autocephaly and canonicity recognized by Constantinople and 3 other autocephalous Churches: Spiritual independence recognized by Georgian Orthodox Church: Semi-Autonomous: An icon (from Ancient Greek εἰκών ( eikṓn )  'image, resemblance')

6050-536: The Cross, commemorating the Deposition from the Cross . Following Psalm 103 (104) and the Great Litany, 'Lord, I call' is sung without a Psalter reading. The first five stichera (the first being repeated) are taken from the Aposticha at Matins the night before, but the final 3 of the 5 are sung in Tone 2. Three more stichera in Tone 6 lead to the Entrance. The Evening Prokimenon is taken from Psalm 21 (22): 'They parted My garments among them, and cast lots upon My vesture.' There are then four readings, with Prokimena before

6171-433: The East Coast of the United States, she was headed up the coast for port at Hampton Roads at Norfolk, Virginia to make repairs when she encountered gale force winds. Just a few miles south of Cape Henry , and the comparative shelter of the Chesapeake Bay, the sailing ship was driven aground on a sandbar over 300 yards (300 m) offshore of Virginia Beach near present-day 37th street. Her only two lifeboats were destroyed as

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6292-410: The Gnostic Carpocratians : They also possess images, some of them painted, and others formed from different kinds of material; while they maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and

6413-436: The Greek god of healing, but the description of the standing figure and the woman kneeling in supplication precisely matches images found on coins depicting the bearded emperor Hadrian ( r.  117–138 ) reaching out to a female figure—symbolizing a province —kneeling before him. When asked by Constantia (Emperor Constantine 's half-sister) for an image of Jesus, Eusebius denied the request, replying: "To depict purely

6534-425: The Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing . Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity , and that it has been a continuous tradition since then. Modern academic art history considers that, while images may have existed earlier,

6655-444: The Jewish leaders replied that they were not allowed by the Romans to carry out a sentence of death. Pilate questioned Jesus and told the assembly that there was no basis for sentencing. Upon learning that Jesus was from Galilee, Pilate referred the case to the ruler of Galilee , King Herod , who was in Jerusalem for the Passover Feast. Herod questioned Jesus but received no answer; Herod sent Jesus back to Pilate. Pilate told

6776-572: The Norwegian Lady statue in Virginia Beach, and placed memorial flowers. [2] The statue in Moss receives similar honors. Virginia Beach officials have traveled to Moss, and paid similar respects to the "other" Norwegian Lady. On the pedestal of the Virginia Beach statue, these words are inscribed: I am the Norwegian Lady. I stand here, as my sister before me, to wish all men of the sea safe return home. 36°51′13″N 75°58′33″W  /  36.853593°N 75.975815°W  / 36.853593; -75.975815 Good Friday Good Friday

6897-406: The Resurrection are sung as on Sunday, since they refer to the conversation between the myrrh-bearers and the angel in the tomb, followed by kathismata about the burial of Christ. Psalm 50 (51) is then immediately read, and then followed by a much loved-canon, written by Mark the Monk, Bishop of Hydrous and Kosmas of the Holy City, with irmoi by Kassiani the Nun. The high-point of the much-loved Canon

7018-519: The Roman Empire probably saw the use of Christian images become very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states "By the early fifth century, we know of the ownership of private icons of saints; by c.  480–500 , we can be sure that the inside of a saint's shrine would be adorned with images and votive portraits, a practice which had probably begun earlier." When Constantine himself ( r.  306–337 ) apparently converted to Christianity,

7139-404: The Virgin is pierced with a spear. We venerate Thy Passion, O Christ (three times) . Show us also Thy glorious Resurrection. The readings are: During the service, all come forward to kiss the feet of Christ on the cross. After the Canon , a brief, moving hymn, The Wise Thief is chanted by singers who stand at the foot of the cross in the center of the nave. The service does not end with

7260-558: The Western church. Palladia were processed around the walls of besieged cities and sometimes carried into battle. The Eastern Orthodox view of the origin of icons is generally quite different from that of most secular scholars and from some in contemporary Roman Catholic circles: "The Orthodox Church maintains and teaches that the sacred image has existed from the beginning of Christianity", Léonid Ouspensky has written. Accounts that some non-Orthodox writers consider legendary are accepted as history within Eastern Orthodoxy, because they are

7381-539: The assembly that neither he nor Herod found Jesus to be guilty; Pilate resolved to have Jesus whipped and released. Under the guidance of the chief priests, the crowd asked for Barabbas , who had been imprisoned for committing murder during an insurrection. Pilate asked what they would have him do with Jesus, and they demanded, "Crucify him." Pilate's wife had seen Jesus in a dream earlier that day, and she forewarned Pilate to "have nothing to do with this righteous man." Pilate had Jesus flogged and then brought him out to

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7502-402: The body of Jesus wrapped in a burial shroud, and is a roughly full-size cloth icon of the body of Christ. The service ends with a hope of the Resurrection: The Angel stood by the tomb, and to the women bearing spices he cried aloud: 'Myrrh is fitting for the dead, but Christ has shown Himself a stranger to corruption. Then the priest may deliver a homily and everyone comes forward to venerate

7623-434: The body, in keeping with Jewish burial customs. They rolled a large rock over the entrance of the tomb. Then they returned home and rested, because Shabbat had begun at sunset. Byzantine Christians ( Eastern Christians who follow the Rite of Constantinople : Orthodox Christians and Greek-Catholics ) call this day "Great and Holy Friday", or simply "Great Friday". Because the sacrifice of Jesus through his crucifixion

7744-409: The candles is extinguished. The first of these twelve readings is the longest Gospel reading of the liturgical year , and is a concatenation from all four Gospels . Just before the sixth Gospel reading, which recounts Jesus being nailed to the cross, a large cross is carried out of the sanctuary by the priest, accompanied by incense and candles, and is placed in the center of the nave (where

7865-410: The computation of the date of Easter and therefore of Good Friday. Good Friday is a widely instituted legal holiday around the world, including in most Western countries and 12 U.S. states . Some predominantly Christian countries , such as Germany, have laws prohibiting certain acts—public dancing, horse racing—in remembrance of the somber nature of Good Friday. The term Good Friday comes from

7986-420: The confession of the Good Thief and St. John's account of blood and water flowing from Jesus' side. During the Gospel, the body of Christ (the soma ) is removed from the cross, and, as the words in the Gospel reading mention Joseph of Arimathea, is wrapped in a linen shroud, and taken to the altar in the sanctuary. The Aposticha reflects on the burial of Christ. Either at this point (in the Greek use) or during

8107-414: The congregation gathers) Sēmeron Kremātai Epí Xýlou : Today He who hung the earth upon the waters is hung upon the Cross (three times) . He who is King of the angels is arrayed in a crown of thorns. He who wraps the Heavens in clouds is wrapped in the purple of mockery. He who in Jordan set Adam free receives blows upon His face. The Bridegroom of the Church is transfixed with nails. The Son of

8228-469: The creation of icons to the New Testament period greatly increased, with several apostles and even Mary herself believed to have acted as the artist or commissioner of images (also embroidered in the case of Mary). There was a continuing opposition to images and their misuse within Christianity from very early times. "Whenever images threatened to gain undue influence within the church, theologians have sought to strip them of their power". Further, "there

8349-508: The crowd to release him. The chief priests informed Pilate of a new charge, demanding Jesus be sentenced to death "because he claimed to be God's son." This possibility filled Pilate with fear, and he brought Jesus back inside the palace and demanded to know from where he came. Coming before the crowd one last time, Pilate declared Jesus innocent and washed his own hands in water to show he had no part in this condemnation. Nevertheless, Pilate handed Jesus over to be crucified in order to forestall

8470-485: The earliest depictions of Christ, Mary and saints therefore comes from wall-paintings, mosaics and some carvings. They are realistic in appearance, in contrast to the later stylization. They are broadly similar in style, though often much superior in quality, to the mummy portraits done in wax ( encaustic ) and found at Fayyum in Egypt. As can be judged from such items, the first depictions of Jesus were generic, rather than portrait images, generally representing him as

8591-517: The elements a few Christian writers criticized in pagan art—the ability to imitate life. The writers mostly criticized pagan works of art for pointing to false gods, thus encouraging idolatry. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be (with some small-scale exceptions) throughout the history of Eastern Christianity . Nilus of Sinai ( d. c.  430 ), in his Letter to Heliodorus Silentiarius , records

8712-507: The entire day to the extent that their health permits. "On this Holy day neither a meal is offered nor do we eat on this day of the crucifixion. If someone is unable or has become very old [or is] unable to fast, he may be given bread and water after sunset. In this way we come to the holy commandment of the Holy Apostles not to eat on Great Friday." (cf. Black Fast ) The Byzantine Christian observance of Holy and Great Friday, which

8833-855: The epitaphios. In the Slavic practice, at the end of Vespers, Compline is immediately served, featuring a special Canon of the Crucifixion of our Lord and the Lamentation of the Most Holy Theotokos by Symeon the Logothete. On Friday night, the Matins of Holy and Great Saturday , a unique service known as The Lamentation at the Tomb (Epitáphios Thrēnos) is celebrated. This service is also sometimes called Jerusalem Matins . Much of

8954-522: The faithful most bow down under it as they come back into the church, symbolizing their entering into the death and resurrection of Christ. The epitaphios will lay in the tomb until the Paschal Service early Sunday morning. In some churches, the epitaphios is never left alone, but is accompanied 24 hours a day by a reader chanting from the Psalter. When the procession has returned to the church,

9075-580: The forenoon on Friday, all gather again to pray the Royal Hours , a special expanded celebration of the Little Hours (including the First Hour, Third Hour , Sixth Hour , Ninth Hour and Typica ) with the addition of scripture readings ( Old Testament , Epistle and Gospel) and hymns about the Crucifixion at each of the Hours (some of the material from the previous night is repeated). This

9196-546: The former emperor and father of Theodosius II. The image was specified to have been "painted by the Apostle Luke ." Margherita Guarducci relates a tradition that the original icon of Mary attributed to Luke, sent by Eudokia to Pulcheria from Palestine, was a large circular icon only of her head. When the icon arrived in Constantinople it was fitted in as the head into a very large rectangular icon of her holding

9317-505: The generations". Musically they can be classified as strophic , with 75, 62, and 48 tercet stanzas each, respectively. The climax of the Enkōmia comes during the third stásis , with the antiphon "Ω γλυκύ μου ἔαρ", a lamentation of the Virgin for her dead Child ("O, my sweet spring, my sweetest child, where has your beauty gone?"). Later, during a different antiphon of that stasis ("Early in

9438-473: The gospels of Mathew and Mark, Jesus is said to have spoken from the cross , quoting the messianic Psalm 22 : "My God, my God, why have you forsaken me?" With a loud cry, Jesus gave up his spirit. There was an earthquake, tombs broke open, and the curtain in the Temple was torn from top to bottom. The centurion on guard at the site of crucifixion declared, "Truly this was God's Son!" Joseph of Arimathea ,

9559-532: The greatest issue of the period". The Iconoclastic period began when images were banned by Emperor Leo III the Isaurian sometime between 726 and 730. Under his son Constantine V , a council forbidding image veneration was held at Hieria near Constantinople in 754. Image veneration was later reinstated by the Empress Regent Irene , under whom another council was held reversing the decisions of

9680-480: The guards that whomever he kisses is the one they are to arrest. Following his arrest, Jesus was taken to the house of Annas , the father-in-law of the high priest , Caiaphas . There he was interrogated with little result and sent bound to Caiaphas the high priest where the Sanhedrin had assembled. Conflicting testimony against Jesus was brought forth by many witnesses, to which Jesus answered nothing. Finally

9801-626: The high priest adjured Jesus to respond under solemn oath, saying "I adjure you, by the Living God, to tell us, are you the Anointed One, the Son of God?" Jesus testified ambiguously, "You have said it, and in time you will see the Son of Man seated at the right hand of the Almighty, coming on the clouds of Heaven." The high priest condemned Jesus for blasphemy , and the Sanhedrin concurred with

9922-541: The human form of Christ before its transformation, on the other hand, is to break the commandment of God and to fall into pagan error." Hence Jaroslav Pelikan calls Eusebius "the father of iconoclasm". After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313, huge numbers of pagans became converts. This period of the Historiography of Christianization of

10043-555: The illiterate faithful during most of the history of Christendom . Thus, icons are words in painting; they refer to the history of salvation and to its manifestation in concrete persons. In the Orthodox Church, "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". In the Council of 860 it was stated that "all that is uttered in words written in syllables

10164-444: The image as a memorial of the healing of the woman with an issue of blood by Jesus (Luke 8:43–48), because it depicted a standing man wearing a double cloak and with arm outstretched, and a woman kneeling before him with arms reaching out as if in supplication. John Francis Wilson suggests the possibility that this refers to a pagan bronze statue whose true identity had been forgotten. Some have thought it to represent Aesculapius ,

10285-526: The importance of Icons" was part of the church from its very beginning, and has never changed, although explanations of their importance may have developed over time. This is because icon painting is rooted in the theology of the Incarnation (Christ being the eikon of God) which did not change, though its subsequent clarification within the Church occurred over the period of the first seven Ecumenical Councils. Icons also served as tools of edification for

10406-462: The issue: "first that humans could have a direct vision of God; second that they could not; and, third, that although humans could see God they were best advised not to look, and were strictly forbidden to represent what they had seen". These derived respectively from Greek and Near Eastern pagan religions, from Ancient Greek philosophy, and from the Jewish tradition and the Old Testament. Of

10527-403: The local populations and their oral traditions. Gradually, paintings of Jesus took on characteristics of portrait images. At this time the manner of depicting Jesus was not yet uniform, and there was some controversy over which of the two most common icons was to be favored. The first or "Semitic" form showed Jesus with short and "frizzy" hair; the second showed a bearded Jesus with hair parted in

10648-592: The main mast and other rigging fell onto the deck. As the vacationing guests of the Princess Anne Hotel and area residents of the small new resort town watched, members from Seatack and Cape Henry Lifesaving Stations of the United States Lifesaving Service (a predecessor agency of the United States Coast Guard ) worked in the high winds and seas at rescue efforts beginning about 10:45 A.M. Combined with efforts of

10769-406: The majority of his subjects remained pagans. The Roman Imperial cult of the divinity of the emperor, expressed through the traditional burning of candles and the offering of incense to the emperor's image, was tolerated for a period because it would have been politically dangerous to attempt to suppress it. In the 5th century the courts of justice and municipal buildings of the empire still honoured

10890-411: The middle, the manner in which the god Zeus was depicted. Theodorus Lector remarked that of the two, the one with short and frizzy hair was "more authentic". To support his assertion, he relates a story (excerpted by John of Damascus) that a pagan commissioned to paint an image of Jesus used the "Zeus" form instead of the "Semitic" form, and that as punishment his hands withered. Though their development

11011-460: The morning the myrrh-bearers came to Thee and sprinkled myrrh upon Thy tomb"), young girls of the parish place flowers on the Epitaphios and the priest sprinkles it with rose-water. The author(s) and date of the Enkōmia are unknown. Their High Attic linguistic style suggests a dating around the 6th century, possibly before the time of St. Romanos the Melodist . The Evlogitaria (Benedictions) of

11132-480: The only permissible Roman state religion under Theodosius I , Christian art began to change not only in quality and sophistication, but also in nature. This was in no small part due to Christians being free for the first time to express their faith openly without persecution from the state, in addition to the faith spreading to the non-poor segments of society. Paintings of martyrs and their feats began to appear, and early writers commented on their lifelike effect, one of

11253-620: The other across the Atlantic Ocean (but in reality, the directions of their respective gazes are almost perpendicular to each other). Moss and Virginia Beach officially became sister cities in 1974. Every year on the anniversary of the wreck, the Ladies Auxiliary of the Virginia Beach Volunteer Fire Department places a wreath at the base of the statue there. On October 13, 1995, during a state visit, Her Majesty Queen Sonja of Norway visited

11374-646: The passage John says, "But this that you have now done is childish and imperfect: you have drawn a dead likeness of the dead." At least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical Synod of Elvira ( c.  305 ) bishops concluded, "Pictures are not to be placed in churches, so that they do not become objects of worship and adoration". Bishop Epiphanius of Salamis , wrote his letter 51 to John, Bishop of Jerusalem ( c.  394 ) in which he recounted how he tore down an image in

11495-400: The performance of miracles". Cyril Mango writes, "In the post-Justinianic period the icon assumes an ever increasing role in popular devotion, and there is a proliferation of miracle stories connected with icons, some of them rather shocking to our eyes". However, the earlier references by Eusebius and Irenaeus indicate veneration of images and reported miracles associated with them as early as

11616-579: The portrait of the reigning emperor in this way. In 425 Philostorgius , an allegedly Arian Christian, charged the Orthodox Christians in Constantinople with idolatry because they still honored the image of the emperor Constantine the Great in this way. Dix notes that this occurred more than a century before the first extant reference to a similar honouring of the image of Jesus or of his apostles or saints known today, but that it would seem

11737-470: The previous iconoclast council and taking its title as Seventh Ecumenical Council . The council anathemized all who hold to iconoclasm, i.e. those who held that veneration of images constitutes idolatry. Then the ban was enforced again by Leo V in 815. Finally, icon veneration was decisively restored by Empress Regent Theodora in 843 at the Council of Constantinople . From then on all Byzantine coins had

11858-517: The purple or red that is customary throughout Great Lent , but instead don black vestments . There is no "stripping of the altar" on Holy and Great Thursday as in the West; instead, all of the church hangings are changed to black, and will remain so until the Divine Liturgy on Great Saturday . The faithful revisit the events of the day through the public reading of specific Psalms and

11979-517: The question of the appropriateness of images. Since then, icons have had a great continuity of style and subject, far greater than in the icons of the Western church . At the same time there have been change and development. Pre-Christian religions had produced and used art works. Statues and paintings of various gods and deities were regularly worshiped and venerated. It is unclear when Christians took up such activities. Christian tradition dating from

12100-459: The rest. They have also other modes of honouring these images, after the same manner of the Gentiles [pagans]. On the other hand, Irenaeus does not speak critically of icons or portraits in a general sense—only of certain gnostic sectarians' use of icons. Another criticism of image veneration appears in the non-canonical 2nd-century Acts of John (generally considered a gnostic work), in which

12221-556: The saint resembled the "more ancient" images of him—presumably the 7th-century mosaics still in Hagios Demetrios . Another, an African bishop, had been rescued from Arab slavery by a young soldier called Demetrios, who told him to go to his house in Thessaloniki. Having discovered that most young soldiers in the city seemed to be called Demetrios, he gave up and went to the largest church in the city, to find his rescuer on

12342-431: The second and fourth: An Alleluia is then sung, with verses from Psalm 68 (69): 'Save Me, O God: for the waters are come in, even unto my soul.' The Gospel reading is a composite taken from three of the four the Gospels (Matthew 27:1-38; Luke 23:39-43; Matthew 27:39-54; John 19:31-37; Matthew 27:55-61), essentially the story of the crucifixion as it appears according to St. Matthew, interspersed with St. Luke's account of

12463-474: The sense 'pious, holy' of the word good . Less common examples of expressions based on this obsolete sense of good include 'the good book" for the Bible, 'good tide' for Christmas or Shrovetide , and Good Wednesday for the Wednesday in Holy Week. A common folk etymology incorrectly analyzes Good Friday as a corruption of God Friday , similar to the linguistically correct description of goodbye as

12584-575: The service takes place around the tomb of Christ in the center of the nave. A unique feature of the service is the chanting of the Lamentations or Praises ( Enkōmia ), which consist of verses chanted by the clergy interspersed between the verses of Psalm 119 (which is, by far, the longest psalm in the Bible). The Enkōmia are the best-loved hymns of Byzantine hymnography, both their poetry and their music being uniquely suited to each other and to

12705-520: The seventh day of creation, and the theotokion ("Most blessed art thou, O Virgin Theotokos...) is the same as is used on Sundays. At the end of the Great Doxology , while the Trisagion is sung, the epitaphios is taken in procession around the outside the church, and is then returned to the tomb. Some churches observe the practice of holding the epitaphios at the door, above waist level, so

12826-474: The ship's crew, 8 of the 17 persons aboard were saved using several methods including a breeches buoy before it was too dark to continue. Johanne Jørgensen, the pregnant young wife of Captain Jørgen M. Jørgensen, and their 4-year-old son Carl Zealand Jørgensen, were among those who drowned in a final escape attempt as the ship broke up. One more sailor survived, but five other sailors were also drowned. The Captain

12947-409: The sick who are unable to attend this celebration. The Celebration of the Passion of the Lord takes place in the afternoon, ideally at three o'clock; however, for pastoral reasons (especially in countries where Good Friday is not a public holiday), it is permissible to celebrate the liturgy earlier, even shortly after midday, or at a later hour. The celebration consists of three parts: the liturgy of

13068-406: The side of Jesus with a lance causing blood and water to flow out, and the centurion informed Pilate that Jesus was dead. Joseph of Arimathea took Jesus' body, wrapped it in a clean linen shroud, and placed it in his own new tomb that had been carved in the rock in a garden near the site of the crucifixion. Nicodemus also brought 75 pounds of myrrh and aloes , and placed them in the linen with

13189-516: The spirit of the day. They consist of 185 tercet antiphons arranged in three parts ( stáseis or "stops"), which are interjected with the verses of Psalm 119, and nine short doxastiká (" Gloriae ") and Theotókia (invocations to the Virgin Mary). The three stáseis are each set to its own music, and are commonly known by their initial antiphons: Ἡ ζωὴ ἐν τάφῳ , "Life in a grave", Ἄξιον ἐστί , "Worthy it is", and Αἱ γενεαὶ πᾶσαι , "All

13310-627: The three, Finney concludes that "overall, Israel's aversion to sacred images influenced early Christianity considerably less than the Greek philosophical tradition of invisible deity apophatically defined", so placing less emphasis on the Jewish background of most of the first Christians than most traditional accounts. Finney suggests that "the reasons for the non-appearance of Christian art before 200 have nothing to do with principled aversion to art, with other-worldliness, or with anti-materialism. The truth

13431-492: The tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Widespread destruction of images occurred during the Byzantine Iconoclasm of 726–842, although this did settle permanently

13552-553: The troparion following (in the Slav use): Noble Joseph, taking down Thy most pure body from the Tree, wrapped it in pure linen and spices, and he laid it in a new tomb. an epitaphios or "winding sheet" (a cloth embroidered with the image of Christ prepared for burial) is carried in procession to a low table in the nave which represents the Tomb of Christ; it is often decorated with an abundance of flowers. The epitaphios itself represents

13673-431: The true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made " idols ". Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the mandylion or Image of Edessa

13794-413: The wall. During this period the church began to discourage all non-religious human images—the Emperor and donor figures counting as religious. This became largely effective, so that most of the population would only ever see religious images and those of the ruling class. The word icon referred to any and all images, not just religious ones, but there was barely a need for a separate word for these. It

13915-563: The word palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern Churches in the period after the reign of the Byzantine Emperor Justinian I , and later spread to

14036-555: The word, the adoration of the cross, and the Holy communion. The altar is bare, without cross, candlesticks and altar cloths . It is also customary to empty the holy water fonts in preparation of the blessing of the water at the Easter Vigil. Traditionally, no bells are rung on Good Friday or Holy Saturday until the Easter Vigil. The liturgical colour of the vestments used is red. Before 1970, vestments were black except for

14157-515: Was erected shortly thereafter, the story of the Dictator and the souls aboard her would become part of both local tradition and legend in coastal Princess Anne County and Virginia Beach. Since early days of navigation, a ship's figurehead had often been a feature intended in some way to help ensure a safe and prosperous voyage. After the breakup and sinking of the Dictator , the ship's wooden female figurehead had washed ashore nearby. Spotted by

14278-447: Was gradual, it is possible to date the full-blown appearance and general ecclesiastical (as opposed to simply popular or local) acceptance of Christian images as venerated and miracle-working objects to the 6th century, when, as Hans Belting writes, "we first hear of the church's use of religious images". "As we reach the second half of the sixth century, we find that images are attracting direct veneration and some of them are credited with

14399-644: Was interred at a local cemetery near the Oceanfront. In those days, the tragic shipwreck of the Dictator (and the resulting loss of life) was not an unusual event for the local citizenry in this northernmost area of the Graveyard of the Atlantic . The treacherous waters in the area extend south along the North Carolina coast and had claimed many hundreds of vessels. However, as an impromptu memorial

14520-584: Was somehow spared and washed ashore semi-conscious, but still alive. [1] Captain Jørgensen and the 9 surviving members of his crew were taken to Norfolk. They were aided by the Norwegian Consul and various religious and benevolent shipping groups. All but one of those drowned were buried in Norfolk's Elmwood Cemetery. The remaining sailor, whose body washed ashore a few days later after the wreck,

14641-668: Was the tale of the Veil of Veronica , whose very name signifies "true icon" or "true image", the fear of a "false image" remaining strong. Although there are earlier records of their use, no panel icons earlier than the few from the 6th century preserved at the Greek Orthodox Saint Catherine's Monastery in Egypt survive, as the other examples in Rome have all been drastically over-painted. The surviving evidence for

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