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82-643: Since 1974 the NDFA has organised the British All Winners Drama Festival (BAWF) where the best of British amateur theatre take part in a week-long celebration of theatre . The winners of all NDFA member festivals in the previous year, including full-length or one-act member festivals, are eligible for invitation to take part. The NDFA sponsors two playwriting competitions - the George Taylor Memorial Award and

164-603: A British expatriate audience and later adapted by Maltese producers for Maltese audiences. While in many former territories of the British empire, pantomime declined in popularity after independence, as it was seen as a symbol of colonial rule, studies have shown that this genre remains strong in Malta. Pantomime was brought to Switzerland by British immigrants and is performed regularly in Geneva since 1972 and Basel since 1994, in

246-590: A comic "night scene". Tavern Bilkers , by John Weaver , the dancing master at Drury Lane, is cited as the first pantomime produced on the English stage. This production was not a success, and Weaver waited until 1716 to produce his next pantomimes, including The Loves of Mars and Venus – a new Entertainment in Dancing after the manner of the Antient Pantomimes . The same year he produced a pantomime on

328-822: A consequence, Americans commonly understand the word "pantomime" to refer to the art of mime as it is practised by mime artists . According to Russell A. Peck of the University of Rochester , the earliest pantomime productions in the US were Cinderella pantomime productions in New York in March 1808, New York again in August 1808, Philadelphia in 1824, and Baltimore in 1839. A production at Olympic Theatre in New York of Humpty Dumpty ran for at least 943 performances between 1868 and 1873, (one source says 1,200 performances), becoming

410-463: A good lick', McKellen adopts a suitable look of mock-outrage. ... At least we can tell our grandchildren that we saw McKellen's Twankey and it was huge." The main roles within pantomime are usually as follows: Pantomime is performed in the United Kingdom, Ireland, Switzerland, Australasia, Canada, Jamaica, South Africa, Malta and Andorra, among other places. It is performed mostly during

492-651: A hangar at Basel Airport . The Geneva Amateur Operatic Society has performed pantomimes annually since 1972. since 2009 the Basel English Panto Group has performed at the Scala Basel each December. Annual pantomimes have been running at Christmas in the UAE (and elsewhere in the GCC) since 2007. They are mainly performed by Dubai Panto (a trade name of h2 Productions.ae ) in conjunction with Outside

574-519: A kind of harlequinade, very different from that which is seen at the Opéra-Comique in Paris, where harlequin and all the characters speak." The majority of these early pantomimes were re-tellings of a story from ancient Greek or Roman literature, with a break between the two acts during which the harlequinade's zany comic business was performed. The theatre historian David Mayer explains the use of

656-406: A more romantic and stylised way. Grimaldi's performances elevated the role by "acute observation upon the foibles and absurdities of society, and his happy talent of holding them up to ridicule. He is the finest practical satyrist [ sic ] that ever existed. ... He was so extravagantly natural, that the most saturnine looker-on acknowledged his sway; and neither the wise, the proud, or

738-403: A popular form of theatre, incorporating song, dance, buffoonery, slapstick , cross-dressing , in-jokes, topical references, audience participation, and mild sexual innuendo . Scottish comedian Craig Ferguson , in his 2020 memoir, summarizes contemporary pantomime as classic folklore and fairy tales loosely retold in a slapstick theatrical comedy-musical, writing: "Think Mamma Mia! featuring

820-619: A similar number of theatre companies. The AETF hold All-England Finals, the winners of which go forward to represent England at the National Festival of Community Theatre along with representatives from Northern Ireland, Scotland and Wales. Please see " Major Festivals " below. As of January 2005, the Arts Council England was not providing any funding towards infrastructure organisations for amateur and community theatre, other than youth theatre through its support for

902-670: A springboard for the development of new performing talent with a number of professional actors having their first stage experiences in amateur theatre such as Liam Neeson (Slemish Players in Ballymena), Jamie Dornan (Holywood Players in Ballymoney), James Nesbitt (Ulster Youth Theatre) and Nathan Wright (in Dudley). A survey carried in 2002 by the major UK umbrella organisation for amateur theatre, National Operatic and Dramatic Association ("NODA"), noted that "Public support in

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984-430: Is being slowed down in his pursuit of them by his servant, Clown, and by a bumbling policeman. After the time of Grimaldi, Clown became the principal schemer trying to thwart the lovers, and Pantaloon was merely his assistant. The opening "fairy story" was often blended with a story about a love triangle: a "cross-grained" old father who owns a business and whose pretty daughter is pursued by two suitors. The one she loves

1066-611: Is made up of three representatives from each member festival, as well as the Churches Drama League and Young Farmer Clubs. Founded in 1949 it aims "to foster and encourage amateur drama through the holding of Festivals of Drama, the fostering of relations and co-operation between Ulster Drama Festivals, and the fostering of relations with similar organisations in Northern Ireland and other regions ..." There are many local festivals of amateur theatre within

1148-472: Is not offered, money for their services. One interpretation of this is: "One lacking the skill of a professional, as in an art". Another is: "A person who engages in an art, science, study, or athletic activity as a pastime rather than as a profession". An amateur actor is unlikely to be a member of an actors' union as most countries' trades unions have strict policies in place. In the United States,

1230-540: Is poor but worthy, while the father prefers the other, a wealthy fop. Another character is a servant in the father's establishment. Just as the daughter is to be forcibly wed to the fop, or just as she was about to elope with her lover, the good fairy arrives. This was followed by what was often the most spectacular part of the production, the magical transformation scene. In early pantomimes, Harlequin possessed magical powers that he used to help himself and his love interest escape. He would tap his wooden sword (a derivative of

1312-602: Is really an institution that exists in order to give significance to 'amateur dramatics' a frivolous kind of amusement with no pretention to art" or "as a base for starring the most popular and politically astute members" Nevertheless, many professional actors established their craft on the amateur stage. After 1988, in the UK, membership in the actors' Equity union can no longer be made compulsory, and professional performers may perform with any amateur company. Some amateur companies engage professional directors. These changes are blurring

1394-512: Is saved from rocks and axe, I think he should pay the powder-tax. His guyish plots blown up – nay, do not frown; You've always been a guy – now be a Clown. This passage is from a pantomime adaptation of the Guy Fawkes story. The fairy creates the characters of the harlequinade in the most typical fashion of simply telling the characters what they will change into. The principal male and female characters from

1476-533: Is the major umbrella association for community theatre in the United States. According to their website: "AACT is a nonprofit corporation that serves both individuals and organizations by providing expertise, assistance and support so that community theatres can provide the best possible theatrical experience for participants and audience alike." Among other activities the AACT sponsors a national theatre festival in odd-numbered years. The Independent Theatre Association

1558-519: Is the peak body for amateur or Community drama in Western Australia . Australian amateur theatre is dependent on volunteer effort and very few amateur theatres pay salaries, although some employ cleaners. Amateur acting experience is highly sought as an entry point for aspiring professionals. The annual Finley awards celebrate the achievements of theatres in several categories. A Workers' Education Dramatic Society and student counterpart

1640-639: The Actors' Equity Association serves a similar purpose: to protect the professional industry and its artists. While the majority of professional stage performers have developed their skills and studied their craft at recognised training institutions such as the Royal Academy of Dramatic Art (London), Juilliard School (New York) or National Institute of Dramatic Art (Sydney), amateurs are not usually professionally trained. Amateur theatre (amateur dramatics) can be defined as "theatre performances in which

1722-548: The Greek tragedy and other Greek genres from its inception, although the art was instituted in Ancient Rome and little is known of it in pre-Roman Greece. The English word came to be applied to the performance itself. According to a lost oration by Aelius Aristides , the pantomime was known for its erotic content and the effeminacy of its dancing; Aristides's work was responded to by Libanius , in his oration "On Behalf of

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1804-691: The Grimm Brothers . Some of the most popular pantomime stories include Cinderella , Aladdin , Dick Whittington and His Cat and Snow White and the Seven Dwarfs , as well as Jack and the Beanstalk , Peter Pan , Puss in Boots and Sleeping Beauty . Other traditional stories include Mother Goose , Beauty and the Beast , Robinson Crusoe , The Wizard of Oz , Babes in

1886-656: The Little Theatre Movement in Jamaica. Among the first players was Louise Bennett-Coverley . Other notable players have included Oliver Samuels , Charles Hyatt , Willard White , Rita Marley and Dawn Penn . The annual pantomime opens on Boxing Day at the Little Theatre in Kingston and is strongly influenced by aspects of Jamaican culture, folklore and history. Pantomime was imported for

1968-537: The National Drama Festivals Association ("NDFA") caters for some 500 groups participating in around 100 local drama festivals. (See " Major Festivals " below) There are regional bodies throughout the UK. England The All-England Theatre Festival ("AETF") caters for amateur theatre groups which participate in local drama festivals, and is also concerned with a similar number of festivals of one-act and full-length plays, involving

2050-545: The Scottish Arts Council in 2004-05. Wales The Drama Association of Wales ("DAW"), founded in 1934, exists to increase opportunities for people in the community to be creatively involved in drama. This is supported through the provision of training, new writing initiatives and access to an extensive specialist lending library containing plays, playsets and technical theatre books. Northern Ireland The Association of Ulster Drama Festivals ("AUDF") and

2132-504: The Three Stooges but with everyone's back catalogue, not just ABBA 's", and furthermore including audience participation reminiscent of showings of the film The Rocky Horror Picture Show . Pantomime story lines and scripts usually make no direct reference to Christmas and are almost always based on traditional children's stories, particularly the fairy tales of Charles Perrault , Joseph Jacobs , Hans Christian Andersen and

2214-562: The masque , which grew in pomp and spectacle from the 15th to the 17th centuries. The development of English pantomime was also strongly influenced by the continental commedia dell'arte , a form of popular theatre that arose in Italy in the Early Modern Period . This was a "comedy of professional artists" travelling from province to province in Italy and then France, who improvised and told comic stories that held lessons for

2296-747: The "batte" or slapstick and the transformation scene that led to the harlequinade: Rich gave his Harlequin the power to create stage magic in league with offstage craftsmen who operated trick scenery. Armed with a magic sword or bat (actually a slapstick), Rich's Harlequin treated his weapon as a wand, striking the scenery to sustain the illusion of changing the setting from one locale to another. Objects, too, were transformed by Harlequin's magic bat. Pantomime gradually became more topical and comic, often involving spectacular and elaborate theatrical effects as far as possible. Colley Cibber , David Garrick and others competed with Rich and produced their own pantomimes, and pantomime continued to grow in popularity. By

2378-422: The 17th century, adaptations of the commedia characters became familiar in English entertainments. From these, the standard English harlequinade developed, depicting the eloping lovers Harlequin and Columbine , pursued by the girl's father Pantaloon and his comic servants Clown and Pierrot . In English versions, by the 18th century, Harlequin became the central figure and romantic lead. The basic plot of

2460-697: The 1980s. The White Rock Players Club in White Rock, BC have presented an annual pantomime in the Christmas season since 1954. The Royal Canadian Theatre Company produces pantomimes in British Columbia, written by Ellie King. Since 2013, Theatre Replacement has been producing East Van Panto in partnership with The Cultch in Vancouver. The National Pantomime of Jamaica was started in 1941 by educators Henry Fowler and Greta Fowler, pioneers of

2542-810: The Box Events LLC. They increased to three pantomimes at Christmas since 2021 – 2 in Dubai and 1 in Abu Dhabi. One of the locations for Dubai Pantomimes is at the theatre on the Queen Elizabeth 2 cruise ship The other is in the theatre at the Erth Hotel, Abu Dhabi (formerly the Armed Forces Officers Club and Hotel). Pantomime as described in this article was seldom performed in the United States until recent decades. As

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2624-407: The British All Winners Drama Festival which include: Amateur theatre Amateur theatre , also known as amateur dramatics , is theatre performed by amateur actors and singers. Amateur theatre groups may stage plays, revues, musicals, light opera, pantomime or variety shows, and do so for the social activity as well as for aesthetic values. Productions may take place in venues ranging from

2706-549: The British Isles, the word "pantomime" is often understood to mean miming , rather than the theatrical form described here. The word pantomime was adopted from the Latin word pantomimus , which in turn derives from the Greek word παντόμιμος ( pantomimos ), consisting of παντο- ( panto- ) meaning "all", and μῖμος ( mimos ), meaning a dancer who acted all the roles or all the story. The Roman pantomime drew upon

2788-409: The Christmas and New Year season. Many theatres in cities and towns throughout the United Kingdom and Ireland continue to present an annual professional pantomime. Pantomime is also popular with amateur dramatics societies throughout the UK and Ireland, and during the pantomime season (roughly speaking, late November to February) productions are staged in many village halls and similar venues across

2870-421: The Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It generally combines gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale . Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to

2952-464: The Commedia dell'arte slapstick or "batte") on the floor or scenery to make a grand transition of the world around him take place. The scene would switch from being inside some house or castle to, generally speaking, the streets of the town with storefronts as the backdrop. The transformation sequence was presided over by a Fairy Queen or Fairy Godmother character. The good fairy magically transformed

3034-461: The Dancers", written probably around 361 AD. Roman pantomime was a production, usually based upon myth or legend, for a solo male dancer—clad in a long silk tunic and a short mantle ( pallium ) that was often used as a "prop" —accompanied by a sung libretto (called the fabula saltica or "dance-story") rendered by a singer or chorus (though Lucian states that originally the pantomime himself

3116-501: The Nan Nuttall Memorial Awards. The objective of this competition is to promote new writing for the theatre. Adjudication is carried out by a panel of judges, and the winners receive a certificate and a cash prize. Membership of the NDFA is open to all drama festival organisations, theatre groups and individuals who are interested in supporting drama festivals in the UK. There are a number of awards presented at

3198-494: The Nation : in each of the 14 cities visited by the touring show, the company recruited local members of amateur companies to play the parts of Nick Bottom and the other Mechanicals. People throughout Great Britain participate in amateur theatre as performers, crew or audience members and many children first experience live theatre during local amateur performances of the annual Christmas pantomime . Amateur theatre can sometimes be

3280-713: The National Association of Youth Theatre. Other associations include Avon Association of Drama, Woking Drama Association , Somerset Fellowship of Drama, Spalding Amateur Dramatic And Operatic Society and the Greater Manchester Drama Federation ("GMDF") which holds annual festivals with 60+ active members. Scotland The Scottish Community Drama Association ("SCDA"), founded in 1926, works to promote all aspects of community drama in Scotland. SCDA received funding of £50,000 from

3362-533: The New Zealand Drama Council (established in 1945). Pantomime Pantomime ( / ˈ p æ n t ə ˌ m aɪ m / ; informally panto ) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during

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3444-711: The Teatre de les Fontetes in the parish of La Massana. Now it is produced by English and English-speaking international volunteers as part of the Advent celebrations supported by the Comú de La Massana, the local businesses the Club International d'Andorra and Vallnord ski station to raise money, most recently, for the less privileged children of Andorra. Pantomimes in Australia at Christmas were once very popular, but

3526-502: The UK and two major national and one international festival: There a number of UK wide competitions that are organised by different bodies: In the United States, amateur theatre is generally known as community theatre . In 2009 there were 923 member organizations of the American Association of Community Theatre. Membership in this organisation is voluntary, making the actual number of community theatre organisations in

3608-427: The UK for amateur theatre is patchy", but found that the annual turnover of affiliated groups was £34 million from 25,760 performances with 437,800 participants, 29% of whom were under 21; attendances were 7,315,840. An earlier, limited survey in England in 1991 revealed that only 19% of amateur drama groups were affiliated to a national "umbrella" organisation, suggesting that NODA's later survey may not reflect

3690-591: The USA uncertain. While the performers in community theatre are typically non-professional, there is a provision of the Actors' Equity Association which allows up to two paid professional actors to appear as guest performers in a community theatre production. Community theatre organisations are eligible for non-profit status under article 501(c) of the United States Internal Revenue Code. The American Association of Community Theatre

3772-747: The Wood (combined with elements of Robin Hood ), Little Red Riding Hood , Goldilocks and the Three Bears , Sinbad , St. George and the Dragon , Bluebeard , The Little Mermaid and Thumbelina . Prior to about 1870, many other stories were made into pantomimes. While the familiarity of the audience with the original children's story is generally assumed, plot lines are almost always adapted for comic or satirical effect, and characters and situations from other stories are often interpolated into

3854-407: The amateur societies "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites." Amateurs continue to argue that they perform a community service, while even in the 1960s, there was still, "particularly in professional quarters, a deep-rooted suspicion that amateur theatre

3936-557: The beginning plotline, often both played by young women, became the lovers Columbine and Harlequin, the mother or father of Columbine became Pantaloon, and the servant or other comic character became Clown. They would transition into the new characters as the scenery around them changed and would proceed in the "zany fun" section of the performance. From the time of Grimaldi, Clown would see the transformed setting and cry: "Here We Are Again!" The harlequinade began with various chase scenes, in which Harlequin and Columbine manage to escape from

4018-671: The capability of dance to render complex stories and express human emotion. In the Middle Ages, the Mummers Play was a traditional English folk play, based loosely on the Saint George and the Dragon legend, usually performed during Christmas gatherings, which contained the origin of many of the archetypal elements of the pantomime, such as stage fights, coarse humour and fantastic creatures, gender role reversal, and good defeating evil. Precursors of pantomime also included

4100-418: The clutches of Clown and Pantaloon, despite the acrobatic leaps of the former through windows, atop ladders, often because of well-meaning but misguided actions of the policeman. Eventually, there was a "dark scene", such as a cave or forest, in which the lovers were caught, and Harlequin's magic wand was seized from his grasp by Clown, who would flourish it in triumph. The good fairy would then reappear, and once

4182-530: The country. Kitty Gurnos-Davies states in her doctoral dissertation that pantomime is responsible for 20% of all live performances in the UK in any one year. The 2018–2019 season saw pantomime performances generating over £60m for the first time in recorded British history. It was first produced annually in Andorra by the English-speaking Mums' group, from the British expatriate community, in

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4264-542: The craziness of the harlequinade chase scene. It was the most exciting part of the "panto", because it was fast-paced and included spectacular scenic magic as well as slapstick comedy, dancing and acrobatics. The presence of slapstick in this part of the show evolved from the characters found in Italian commedia dell'arte. The plot of the harlequinade was relatively simple; the star-crossed lovers, Harlequin and Columbine, run away from Columbine's foolish father, Pantaloon, who

4346-481: The crowd, changing the main character depending on where they were performing. Each "scenario" used some of the same stock characters. These included the innamorati (young lovers); the vecchi (old men) such as Pantalone ; and zanni (servants) such as Arlecchino , Colombina , Scaramouche and Pierrot . Italian masque performances in the 17th century sometimes included the Harlequin character. In

4428-543: The distinction between amateur and professional theatre. Amateur theatre is sometimes referred to in the UK as "non-commercial theatre". In recent times the distinction between 'amateur' and 'professional' has been blurred further, with professional companies encouraging community involvement in their productions through using local amateur companies. An example of this is the Royal Shakespeare Company's 2016 tour of A Midsummer Night's Dream: A Play for

4510-415: The early 1800s, the pantomime's classical stories were often supplanted by stories adapted from European fairy tales , fables , folk tales , classic English literature or nursery rhymes . Also, the harlequinade grew in importance until it often was the longest and most important part of the entertainment. Pantomimes usually had dual titles that gave an often humorous idea of both the pantomime story and

4592-488: The entertainment, he or she likely adds to its overall effect, while if it becomes a "showcase for a star" who "stands outside the action", the celebrity's presence likely detracts, notwithstanding the marketing advantage that the star brings to the piece. Billington said that Ian McKellen in a 2004 Aladdin "lets down his hair and lifts up his skirt to reveal a nifty pair of legs and an appetite for double entendre : when told by decorators that 'your front porch could do with

4674-414: The fair, the young nor the old, were ashamed to laugh till tears coursed down their cheeks at Joe and his comicalities." Grimaldi's performances were important in expanding the importance of the harlequinade until it dominated the pantomime entertainment. By the 1800s, therefore, children went to the theatre around the Christmas and New Year holiday (and often at Easter or other times) primarily to witness

4756-416: The father agreed to the marriage of the young lovers, she would transport the whole company to a grand final scene. Despite its visible decline by 1836, the pantomime still fought to stay alive. After 1843, when theatres other than the original patent theatres were permitted to perform spoken dialogue, the importance of the silent harlequinade began to decrease, while the importance of the fairy-tale part of

4838-677: The genre has declined greatly since the middle of the 20th century. Several later professional productions did not recover their costs. Christmas pantomimes are performed yearly at the Hudson Village Theatre in Quebec. Since 1996, Ross Petty Productions has staged pantomimes at Toronto's Elgin Theatre each Christmas season. Pantomimes imported from England were produced at the Royal Alexandra Theatre in

4920-482: The harlequinade remained essentially the same for more than 150 years, except that a bumbling policeman was added to the chase. In the first two decades of the 18th century, two rival London theatres, Lincoln's Inn Fields Theatre and the Theatre Royal, Drury Lane (the patent theatres ) presented productions that began seriously with classical stories that contained elements of opera and ballet and ended with

5002-751: The harlequinade. "Harlequin and ________", or "Harlequin _______; or, the ________". In the second case, harlequin was used as an adjective, followed by words that described the pantomime "opening", for example: Harlequin Cock Robin and Jenny Wren; or, Fortunatus and the Water of Life, the Three Bears, the Three Gifts, the Three Wishes, and the Little Man who Woo'd the Little Maid . Harlequin

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5084-403: The late 19th century, when Augustus Harris was proprietor of the Theatre Royal, Drury Lane, and hired well-known variety artists for his pantomimes. Contemporary pantomime productions are often adapted to allow the star to showcase their well-known act, even when such a spot has little relation to the pantomime's plot. Critic Michael Billington has argued that if the star enters into the spirit of

5166-410: The leads from the opening fairy story into their new identities as the harlequinade characters. Following is an example of the speech that the fairy would give during this transformation: Lovers stand forth. With you we shall begin. You will be fair Columbine – you Harlequin. King Jamie there, the bonnie Scottish loon, Will be a famous cheild for Pantaloon. Though Guy Fawkes now

5248-499: The limits imposed upon Roman citizens' dance, the populism of its song-texts and other factors, the art was as much despised as adored, and its practitioners were usually slaves or freedmen. Because of the low status and the disappearance of its libretti , the Roman pantomime received little modern scholarly attention until the late 20th century, despite its great influence upon Roman culture as perceived in Roman art, in statues of famous dancers, graffiti, objects and literature. After

5330-408: The myths and Roman legends that formed its subject-matter – tales such as those of the love of Venus and Mars and of Dido and Aeneas – while in Italy its chief exponents were celebrities, often the protegés of influential citizens, whose followers wore badges proclaiming their allegiance and engaged in street-fights with rival groups, while its accompanying songs became widely known. Yet, because of

5412-403: The open air, community centres, or schools to independent or major professional theatres. Amateur theatre is distinct from the professional or community theatre because performers are usually not paid. Amateur actors are not typically members of actors' unions. Opinions vary on how to define "amateur" in relation to theatre. Technically speaking, an "amateur" is anyone who does not accept, or

5494-410: The pantomime increased. Two writers who helped to elevate the importance and popularity of the fairy-tale portion of the pantomime were James Planché and Henry James Byron . They emphasized puns and humorous word play, a tradition that continues in pantomime today. As manager of Drury Lane in the 1870s, Augustus Harris produced and co-wrote a series of extraordinarily popular pantomimes, focusing on

5576-413: The pantomime stories. The last harlequinade was played at the Lyceum Theatre in 1939. Well-known pantomime artists of this era included William Payne , his sons, the Payne Brothers , Vesta Tilley , Dan Leno , Herbert Campbell , Little Tich , Clarice Mayne , Dorothy Ward and Cullen and Carthy . Traditionally performed around Christmas with family audiences, British pantomime continues as

5658-494: The pantomime's hands were commonly compared to an eloquent mouth. Pantomime differed from mime by its more artistic nature and relative lack of farce and coarse humour, though these were not absent from some productions. Roman pantomime was immensely popular from the end of the first century BC until the end of the sixth century AD, a form of entertainment that spread throughout the empire where, because of its wordless nature, it did more than any other art to foster knowledge of

5740-527: The people involved are not paid but take part for their own enjoyment". Locally organised theatrical events provide a source of entertainment for the community, and can be a fun and exciting hobby, with strong bonds of friendship formed through participation. Many amateur theatre groups reject the "amateur" label and its negative association with "amateurish", preferring to style themselves "dramatic societies", "theatre groups" or just "players". Scottish theatre-maker and writer Andrew Mckinnon in 2006 observed that

5822-407: The performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre . It developed partly from the 16th century commedia dell'arte tradition of Italy and other European and British stage traditions, such as 17th-century masques and music hall . An important part of the pantomime, until the late 19th century, was the harlequinade . Outside of

5904-420: The plot is common. Straight retellings of the original stories are rare. The form has a number of conventions, some of which have changed or weakened a little over the years, and by no means all of which are obligatory. Some of these conventions were once common to other genres of popular theatre such as melodrama . Another pantomime tradition is to engage celebrity guest stars, a practice that dates back to

5986-481: The plot. For instance "panto" versions of Aladdin may include elements from Ali Baba and the Forty Thieves or other Arabian Nights tales; while Jack and the Beanstalk might include references to nursery rhymes and other children's stories involving characters called "Jack", such as Jack and Jill . Certain familiar scenes tend to recur, regardless of plot relevance, and highly unlikely resolution of

6068-526: The renaissance of classical culture, Roman pantomime was a decisive influence upon modern European concert dance , helping to transform ballet from a mere entertainment, a display of technical virtuosity, into the dramatic ballet d'action . It became an antecedent which, through writers and ballet-masters of the 17th and 18th centuries such as Claude-François Ménestrier (1631–1705), John Weaver (1673–1760), Jean-Georges Noverre (1727–1810) and Gasparo Angiolini (1731–1803), earned it respectability and attested to

6150-429: The spectacle of the productions, that pushed this transition by emphasizing comic business in the pantomime opening and grand processionals. By the end of the 19th century, the harlequinade had become merely a brief epilogue to the pantomime, dwindling into a brief display of dancing and acrobatics. It lingered for a few decades longer but finally disappeared, although a few of its comic elements had been incorporated into

6232-516: The subject of Perseus and Andromeda . After this, pantomime was regular feature at Drury Lane. In 1717 at Lincoln's Inn, actor and manager John Rich introduced Harlequin into the theatres' pantomimes under the name of "Lun" (for "lunatic"). He gained great popularity for his pantomimes, especially beginning with his 1724 production of The Necromancer; or, History of Dr. Faustus . These early pantomimes were silent, or "dumb show", performances consisting of only dancing and gestures. Spoken drama

6314-751: The true level of grass roots community involvement with amateur theatre. In 2012 there were more than 2,500 amateur theatre groups putting on around 30,000 productions a year. Of the major bodies representing amateur theatre nationally, the National Operatic and Dramatic Association ("NODA") was founded in 1899 and in 2005 reported a membership of over 2,400 amateur theatre companies and 3,000 individuals staging musicals, operas, plays, concerts and pantomimes in venues ranging from professional theatres to village halls. The Little Theatre Guild of Great Britain ("LTG") represents over 100 independent amateur theatres with auditoria from 64 to 450 seats, while

6396-472: The word 'amateur' has a negative connotation. Many amateur groups are therefore re-branding themselves as 'community' groups. François Cellier and Cunningham Bridgeman wrote, in 1914, that prior to the late 19th century, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan companies licensed to perform the Savoy operas , professionals recognised that

6478-706: Was active in Brisbane between 1930 and 1962. See also: List of amateur theatres in Australia. There are many amateur theatre societies in New Zealand where it is often referred to as community theatre. The umbrella organization is called Theatre New Zealand (formally the New Zealand Theatre Federation) and was formed in 1970 out of a merger of the New Zealand branch of the British Drama League (established in 1932) and

6560-484: Was allowed in London only in the two (later three) patent theatres until Parliament changed this restriction in 1843. A large number of French performers played in London following the suppression of unlicensed theatres in Paris. Although this constraint was only temporary, English pantomimes remained primarily visual for some decades before dialogue was introduced. An 18th-century author wrote of David Garrick : "He formed

6642-425: Was the first word (or the first word after the "or") because Harlequin was initially the most important character. The titles continued to include the word Harlequin even after the first decade of the 1800s, when Joseph Grimaldi came to dominate London pantomime and made the character, Clown, a colourful agent of chaos, as important in the entertainment as Harlequin. At the same time, Harlequin began to be portrayed in

6724-425: Was the singer). Music was supplied by flute and the pulse of an iron-shod shoe called a scabellum . Performances might be in a private household, with minimal personnel, or else lavish theatrical productions involving a large orchestra and chorus and sometimes an ancillary actor. The dancer danced all the roles, relying on masks, stock poses and gestures and a hand-language (cheironomy) so complex and expressive that

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