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68-566: The term occurs 133 times in the Rigveda , referring to oceans (real, mythical or figurative) or large bodies of water as well as to large Soma vessels, e.g. RV 6.69.6 (trans. Griffith ): The precise semantic field of the Vedic word is difficult to establish, and has been much debated, in particular in relation to the question whether the bearers of the Rigvedic culture had direct knowledge of

136-487: A rishi (sage) and his family of students. Within each collection, the hymns are arranged in descending order of the number of stanzas per hymn. If two hymns in the same collection have equal numbers of stanzas then they are arranged so that the number of syllables in the metre are in descending order. The second to seventh mandalas have a uniform format. The eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively. The ninth mandala

204-402: A collection of compositions by many authors. The first mandala is the largest, with 191 hymns and 2006 verses, and it was added to the text after Books 2 through 9. The last, or the 10th Book, also has 191 hymns but 1754 verses, making it the second largest. The language analytics suggest the 10th Book, chronologically, was composed and added last. The content of the 10th Book also suggest that

272-502: A complementary relationship between kings and poet-priests but no discussion of a relative status of social classes. Women in the Rigveda appear disproportionately as speakers in dialogue hymns, both as mythical or divine Indrani , Apsaras Urvasi , or Yami , as well as Apāla Ātreyī (RV 8.91), Godhā (RV 10.134.6), Ghoṣā Kākṣīvatī (RV 10.39.40), Romaśā (RV 1.126.7), Lopāmudrā (RV 1.179.1–2), Viśvavārā Ātreyī (RV 5.28), Śacī Paulomī (RV 10.159), Śaśvatī Āṅgirasī (RV 8.1.34). The women of

340-496: A few verses. The following information is known about the shakhas other than Śākala and Bāṣkala: The Rigveda hymns were composed and preserved by oral tradition . They were memorized and verbally transmitted with "unparalleled fidelity" across generations for many centuries. According to Barbara West, it was probably first written down about the 3rd-century BCE. The manuscripts were made from birch bark or palm leaves , which decompose and therefore were routinely copied over

408-573: A heavenly ocean. The Marutas "uplift from the ocean the rain , and fraught with vaporous moisture pour the torrents down" in RV 5.55.5. In RV 9.84.4 the moon (Soma) and the winds stir the Samudra. Additionally, RV 1.48.3 may indicate knowledge of the high tide. In RV 1.116.4 the Asvins rescued Bhujyu by carrying him for three days and three nights to the sea's farther shore. Thus Samudra seems to refer to

476-408: A hundred oars is mentioned in RV 1.116. There were also ships with three masts or with ten oars. RV 9.33.6 says: 'From every side, O Soma, for our profit, pour thou forth four seas filled with a thousand-fold riches." There are other Sanskrit terms in the Rigveda that appear to mean "Ocean" or have similar meanings. Among them are the terms Salila, Arnas, Apas , Purisha. The waves are called Urmi in

544-634: A millennium by oral tradition alone. In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections, as well as certain permutations. This interplay with sounds gave rise to a scholarly tradition of morphology and phonetics . It is unclear as to when the Rigveda was first written down. The oldest surviving manuscripts have been discovered in Nepal and date to c.  1040 CE . According to Witzel,

612-400: A possibly lost Central Asian language. The linguistic sharing provides clear indications, states Michael Witzel, that the people who spoke Rigvedic Sanskrit already knew and interacted with Munda and Dravidian speakers. The "family books" (2–7) are associated with various clans and chieftains, containing hymns by members of the same clan in each book; but other clans are also represented in

680-572: A total of 1025 regular hymns for this śākhā. In addition, the Bāṣkala recension has its own appendix of 98 hymns, the Khilani . In the 1877 edition of Aufrecht, the 1028 hymns of the Rigveda contain a total of 10,552 ṛc s, or 39,831 padas. The Shatapatha Brahmana gives the number of syllables to be 432,000, while the metrical text of van Nooten and Holland (1994) has a total of 395,563 syllables (or an average of 9.93 syllables per pada); counting

748-512: A wider approximation of c. 1900–1200 BCE has also been given. The text is layered, consisting of the Samhita , Brahmanas , Aranyakas and Upanishads . The Rigveda Samhita is the core text and is a collection of 10 books ( maṇḍala s) with 1,028 hymns ( sūkta s) in about 10,600 verses (called ṛc , eponymous of the name Rigveda ). In the eight books – Books 2 through 9 – that were composed

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816-488: Is an ancient Indian collection of Vedic Sanskrit hymns ( sūktas ). It is one of the four sacred canonical Hindu texts ( śruti ) known as the Vedas . Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The Rigveda is the oldest known Vedic Sanskrit text. Its early layers are among

884-512: Is comparatively slight. There is also a certain amount of material peculiar to each of them. The Kaushitaka is, upon the whole, far more concise in its style and more systematic in its arrangement features which would lead one to infer that it is probably the more modern work of the two. It consists of 30 chapters ( adhyaya ); while the Aitareya has 40, divided into eight books (or pentads, pancaka ), of five chapters each. The last 10 adhyayas of

952-470: Is entirely dedicated to Soma and the Soma ritual . The hymns in the ninth mandala are arranged by both their prosody structure ( chanda ) and by their length. The first and the tenth mandalas are the youngest; they are also the longest books, of 191 suktas each, accounting for 37% of the text. Nevertheless, some of the hymns in mandalas 8, 1 and 10 may still belong to an earlier period and may be as old as

1020-576: Is isolated in pausa form and is used for just one way of memorization; and the Samhitapatha , which combines words according to the rules of sandhi (the process being described in the Pratisakhya ) and is the memorized text used for recitation. The Padapatha and the Pratisakhya anchor the text's true meaning, and the fixed text was preserved with unparalleled fidelity for more than

1088-449: Is organized in ten "books", or maṇḍalas ("circles"), of varying age and length. The "family books", mandalas 2–7, are the oldest part of the Rigveda and the shortest books; they are arranged by length (decreasing length of hymns per book) and account for 38% of the text. The hymns are arranged in collections each dealing with a particular deity: Agni comes first, Indra comes second, and so on. They are attributed and dedicated to

1156-402: Is uncertain. The surviving padapāṭha version of the Rigveda text is ascribed to Śākalya. The Śākala recension has 1,017 regular hymns, and an appendix of 11 vālakhilya hymns which are now customarily included in the 8th mandala (as 8.49–8.59), for a total of 1028 hymns. The Bāṣkala recension includes eight of these vālakhilya hymns among its regular hymns, making

1224-471: The ṛc s. The codification of the Rigveda took place late in the Rigvedic or rather in the early post-Rigvedic period at c.  1200 BCE , by members of the early Kuru tribe, when the center of Vedic culture moved east from the Punjab into what is now Uttar Pradesh . The Rigveda was codified by compiling the hymns, including the arrangement of the individual hymns in ten books, coeval with

1292-585: The Rigveda , but to receive all rivers. The Rigveda also describes the Vedic Sarasvati River as a river that flows to the samudra n and "is pure in her course from the mountains to the sea". Rigveda  1.71.7 describes the seven great rivers seeking the Samudra and in RV ;7.33.8 it is written that all the rivers flow to the Samudra, but are unable to fill it. RV  7.49 says that

1360-529: The Brihaddevata of Shaunaka , Nighantu and the Nirukta of Yaska interpret the term Samudra as "ocean". The scholar G.V. Davane studied the occurrences of the term samudra in the Rigveda and concluded that the term means "terrestrial ocean". The Rigveda also speaks of a western and eastern Samudra (10.136.5-6). And in RV 7.6.7 there is an upper and a lower Samudra, where the upper Samudra seems to be

1428-541: The Rigveda are in different poetic metres in Vedic Sanskrit. The meters most used in the ṛcas are the gayatri (3 verses of 8 syllables), anushtubh (4×8), trishtubh (4×11) and jagati (4×12). The trishtubh meter (40%) and gayatri meter (25%) dominate in the Rigveda . As with the other Vedas, the redacted text has been handed down in several versions, including the Padapatha , in which each word

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1496-407: The Rigveda are quite outspoken and appear more sexually confident than men, in the text. Elaborate and aesthetic hymns on wedding suggest rites of passage had developed during the Rigvedic period. There is little evidence of dowry and no evidence of sati in it or related Vedic texts. The Rigvedic hymns mention rice and porridge, in hymns such as 8.83, 8.70, 8.77 and 1.61 in some versions of

1564-405: The Rigveda , and the lakes are called Saras, Kula, Hrada or Hlada. Another term, as mentioned above, is "Sagara" (सअगर), which likewise is also found in modern Indo-Aryan languages and languages influenced by Sanskrit as an alternative for "Samudra", some even having it more common to use than the latter term, including Balinese , Sundanese , and Javanese . The term is mentioned in the mantra at

1632-470: The Rigveda . The family books are associated with specific regions, and mention prominent Bharata and Pūru kings. Tradition associates a rishi (the composer) with each ṛc (verse) of the Rigveda . Most sūktas are attributed to single composers; for each of them the Rigveda includes a lineage-specific āprī hymn (a special sūkta of rigidly formulaic structure, used for rituals). In all, 10 families of rishis account for more than 95 per cent of

1700-713: The Sapta Sindhu , and the Sarasvati River ). The Adityas , Vasus, Rudras, Sadhyas, Ashvins , Maruts , Rbhus , and the Vishvadevas ("all-gods") as well as the "thirty-three gods" are the groups of deities mentioned. Of the Brahmanas that were handed down in the schools of the Bahvṛcas (i.e. "possessed of many verses"), as the followers of the Rigveda are called, two have come down to us, namely those of

1768-846: The Sharada and Devanagari scripts, written on birch bark and paper. The oldest of the Pune collection is dated to 1464 CE. The 30 manuscripts of Rigveda preserved at the Bhandarkar Oriental Research Institute , Pune were added to UNESCO 's Memory of the World Register in 2007. Of these thirty manuscripts, nine contain the samhita text, five have the padapatha in addition. Thirteen contain Sayana's commentary. At least five manuscripts (MS. no. 1/A1879-80, 1/A1881-82, 331/1883-84 and 5/Viś I) have preserved

1836-468: The early Iranian Avesta , deriving from the Proto-Indo-Iranian times, often associated with the early Andronovo culture of c.  2000 BCE . The Rigveda offers no direct evidence of social or political systems in the Vedic era, whether ordinary or elite. Only hints such as cattle raising and horse racing are discernible, and the text offers very general ideas about

1904-579: The Aitareyins and the Kaushitakins. The Aitareya-brahmana and the Kaushitaki- (or Sankhayana- ) brahmana evidently have for their groundwork the same stock of traditional exegetic matter. They differ, however, considerably as regards both the arrangement of this matter and their stylistic handling of it, with the exception of the numerous legends common to both, in which the discrepancy

1972-678: The Brahmanas are referred to as the "Rigveda Brahmanas" (etc.). Technically speaking, however, "the Rigveda" refers to the entire body of texts transmitted along with the Samhita portion. Different bodies of commentary were transmitted in the different shakhas or "schools". Only a small portion of these texts has been preserved: The texts of only two out of five shakhas mentioned by the Rigveda Pratishakhya have survived. The late (15th or 16th century) Shri Guru Charitra even claims

2040-614: The Kaushitaki-brahmana) of Shunahshepa , whom his father Ajigarta sells and offers to slay, the recital of which formed part of the inauguration of kings. While the Aitareya deals almost exclusively with the Soma sacrifice, the Kaushitaka, in its first six chapters, treats of the several kinds of haviryajna , or offerings of rice, milk, ghee, etc., whereupon follows the Soma sacrifice in this way, that chapters 7–10 contain

2108-573: The Paippalada Samhita tradition points to written manuscripts c.  800 –1000 CE. The Upanishads were likely in the written form earlier, about mid-1st millennium CE ( Gupta Empire period). Attempts to write the Vedas may have been made "towards the end of the 1st millennium BCE". The early attempts may have been unsuccessful given the Smriti rules that forbade the writing down

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2176-650: The Rig Veda was composed on the banks of a river in Haraxvaiti province in southern Afghanistan ( Persian : Harahvati; Sanskrit : Sarasvati; possibly the Helmand or Arghandab ). Other evidence also points to a composition date close to 1400 BCE. The earliest texts were composed in the northwestern regions of the Indian subcontinent, and the more philosophical later texts were most likely composed in or around

2244-447: The Samudra are Agni and Soma . Some scholars like B.R. Sharma hold that the Rigvedic people may have been shipbuilders engaging in maritime trade. In Rigveda 1.25.7; 7.88.3 and other instances, Samudra is mentioned together with ships. In RV 7.89.4 the rishi Vasishta is thirsting in the midst of water. Other verses mention oceanic waves (RV 4.58.1,11; 7.88.3). Some words that are used for ships are Nau, Peru, Dhi and Druma. A ship with

2312-461: The Samudra is the eldest of the waters ( samudra jyestha ), and that the goal of the rivers is the Samudra. According to Bhargava (1964) "samudra" stands for a huge inland lake, of which there were four or seven in Rigvedic sources. He translates sagara' as "ocean". In this view the "lowlands" of Kashmir and Kuruksetra were samudra , but the sea in which the Ganga fell is a sagara . Goddess Tirangini

2380-457: The Vedas, states Witzel. The oral tradition continued as a means of transmission until modern times. Several shakhas (from skt. śākhā f. "branch", i. e. "recension") of the Rig Veda are known to have existed in the past. Of these, Śākala Śākhā (named after the scholar Śākalya ) is the only one to have survived in its entirety. Another śākhā that may have survived is the Bāṣkala, although this

2448-404: The ancient Indian society. There is no evidence, state Jamison and Brereton, of any elaborate, pervasive or structured caste system . Social stratification seems embryonic, then and later a social ideal rather than a social reality. The society was semi-nomadic and pastoral with evidence of agriculture since hymns mention plow and celebrate agricultural divinities. There was division of labor and

2516-496: The authors knew and relied on the contents of the first nine books. The Rigveda is the largest of the four Vedas, and many of its verses appear in the other Vedas. Almost all of the 1875 verses found in Samaveda are taken from different parts of the Rigveda , either once or as repetition, and rewritten in a chant song form. Books 8 and 9 of the Rigveda are by far the largest source of verses for Sama Veda. Book 10 contributes

2584-637: The complete text of the Rigveda . MS no. 5/1875-76, written on birch bark in bold Sharada, was only in part used by Max Müller for his edition of the Rigveda with Sayana's commentary. Müller used 24 manuscripts then available to him in Europe, while the Pune Edition used over five dozen manuscripts, but the editors of Pune Edition could not procure many manuscripts used by Müller and by the Bombay Edition, as well as from some other sources; hence

2652-693: The composition of the younger Veda Samhitas. According to Witzel, the initial collection took place after the Bharata victory in the Battle of the Ten Kings , under king Sudās , over other Puru kings. This collection was an effort to reconcile various factions in the clans which were united in the Kuru kingdom under a Bharata king. This collection was re-arranged and expanded in the Kuru Kingdom , reflecting

2720-511: The core 'family books' (mandalas 2 – 7 , ordered by author, deity and meter ) and a later redaction, coeval with the redaction of the other Vedas , dating several centuries after the hymns were composed. This redaction also included some additions (contradicting the strict ordering scheme) and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi (termed orthoepische Diaskeuase by Oldenberg, 1888). The text

2788-431: The current", from * proti-h x p-o- . In Tamil , Appu (Tamil form of "Ap") means water, and has references in poetry. In the Rigveda , several hymns are dedicated to "the waters" ( āpas ): 7.49, 10.9, 10.30, 10.137. In the oldest of these, 7.49, the waters are connected with the drought of Indra . Agni , the god of fire, has a close association with water and is often referred to as Apām Napāt "offspring of

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2856-550: The earliest, the hymns predominantly discuss cosmology , rites required to earn the favour of the gods , as well as praise them. The more recent books (Books 1 and 10) in part also deal with philosophical or speculative questions, virtues such as dāna (charity) in society, questions about the origin of the universe and the nature of the divine, and other metaphysical issues in their hymns. Some of its verses continue to be recited during Hindu prayer and celebration of rites of passage (such as weddings ), making it probably

2924-459: The early Kuru kingdom. Asko Parpola argues that the Rigveda was systematized around 1000 BCE, at the time of the Kuru kingdom. The Rigveda is far more archaic than any other Indo-Aryan text. For this reason, it was in the center of attention of Western scholarship from the times of Max Müller and Rudolf Roth onwards. The Rigveda records an early stage of Vedic religion . There are strong linguistic and cultural similarities with

2992-473: The eastern and northeastern (Assamese) region of India, with roots in Austroasiatic languages . The others in the list of 300 – such as mleccha and nir  – have Dravidian roots found in the southern region of India, or are of Tibeto-Burman origins. A few non-Indo-European words in the Rigveda  – such as for camel, mustard and donkey – belong to

3060-623: The eighth mandala, for a total of 1028 metrical hymns. The Bāṣakala version of Rigveda includes eight of these vālakhilya hymns among its regular hymns, making a total of 1025 hymns in the main text for this śākhā. The Bāṣakala text also has an appendix of 98 hymns, called the Khilani , bringing the total to 1,123 hymns. The manuscripts of Śākala recension of the Rigveda have about 10,600 verses, organized into ten Books ( Mandalas ). Books 2 through 7 are internally homogeneous in style, while Books 1, 8 and 10 are compilation of verses of internally different styles suggesting that these books are likely

3128-584: The end of the annahoma ("food-oblation rite") performed during the aśvamedha , the grandest of the Vedic ritual rites of ancient India. In SB 1.6.3.11 there is (as also in the Rigveda) a reference to an eastern and western Samudra. Rigveda Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Rigveda or Rig Veda ( Sanskrit : ऋग्वेद , IAST : ṛgveda , from ऋच् , "praise" and वेद , "knowledge")

3196-457: The establishment of a new Bharata-Puru lineage and new srauta rituals. The fixing of the Vedic chant (by enforcing regular application of sandhi ) and of the padapatha (by dissolving Sandhi out of the earlier metrical text), occurred during the later Brahmana period, in roughly the 6th century BCE. The surviving form of the Rigveda is based on an early Iron Age collection that established

3264-924: The existence of twelve Rigvedic shakhas. The two surviving Rigvedic corpora are those of the Śākala and the Bāṣkala shakhas. The Rigvedic hymns are dedicated to various deities, chief of whom are Indra , a heroic god praised for having slain his enemy Vrtra ; Agni , the sacrificial fire; and Soma , the sacred potion or the plant it is made from. Equally prominent gods are the Adityas or Asura gods Mitra – Varuna and Ushas (the dawn). Also invoked are Savitr , Vishnu , Rudra , Pushan , Brihaspati or Brahmanaspati , as well as deified natural phenomena such as Dyaus Pita (the shining sky, Father Heaven), Prithivi (the earth, Mother Earth), Surya (the sun god), Vayu or Vata (the wind), Apas (the waters), Parjanya (the thunder and rain), Vac (the word), many rivers (notably

3332-433: The generations to help preserve the text. There are, for example, 30 manuscripts of Rigveda at the Bhandarkar Oriental Research Institute , collected in the 19th century by Georg Bühler , Franz Kielhorn and others, originating from different parts of India, including Kashmir , Gujarat , the then Rajaputana , Central Provinces etc. They were transferred to Deccan College , Pune , in the late 19th century. They are in

3400-584: The largest number of the 1350 verses of Rigveda found in Atharvaveda , or about one fifth of the 5987 verses in the Atharvaveda text. A bulk of 1875 ritual-focussed verses of Yajurveda , in its numerous versions, also borrow and build upon the foundation of verses in Rigveda . Altogether the Rigveda consists of: In western usage, "Rigveda" usually refers to the Rigveda Samhita, while

3468-482: The latter work are, however, clearly a later addition though they must have already formed part of it at the time of Pāṇini (c. 5th century BCE), if, as seems probable, one of his grammatical sutras, regulating the formation of the names of Brahmanas, consisting of 30 and 40 adhyayas, refers to these two works. In this last portion occurs the well-known legend (also found in the Shankhayana-sutra, but not in

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3536-406: The literal meaning of the term, "Any mass of water more than one drop could be sam-udra : water in a jar, a small pool, a large lake, or the sea". And indeed there are symbolic identifications of small quantities of water with mythical oceans, for example in the famous hymn to Varuna , emphasizing Varuna's omnipresence in every drop of water ( AVS 4.16.3 cd) The oldest vedic commentators like

3604-563: The material in the family books. The first mandala has a unique arrangement not found in the other nine mandalas. The first 84 hymns of the tenth mandala have a structure different from the remaining hymns in it. Each mandala consists of hymns or sūkta s ( su- + ukta , literally, "well recited, eulogy ") intended for various rituals . The sūkta s in turn consist of individual stanzas called ṛc ("praise", pl. ṛcas ), which are further analysed into units of verse called pada (" foot " or step). The hymns of

3672-539: The names of gods and goddesses found in the Rigveda are found amongst other belief systems based on Proto-Indo-European religion , while most of the words used share common roots with words from other Indo-European languages . However, about 300 words in the Rigveda are neither Indo-Aryan nor Indo-European, states the Sanskrit and Vedic literature scholar Frits Staal . Of these 300, many – such as kapardin , kumara , kumari , kikata  – come from Munda or proto-Munda languages found in

3740-505: The number of syllables is not straightforward because of issues with sandhi and the post-Rigvedic pronunciation of syllables like súvar as svàr. Three other shakhas are mentioned in Caraṇavyuha , a pariśiṣṭa (supplement) of Yajurveda: Māṇḍukāyana, Aśvalāyana and Śaṅkhāyana . The Atharvaveda lists two more shakhas. The differences between all these shakhas are very minor, limited to varying order of content and inclusion (or non-inclusion) of

3808-418: The ocean in this verse. There are many other verses in the Rig Veda which refer to this tale (e.g. RV 1.118.6; VI 62, 6; VII 69, 7; VIII 5, 22), and where consequently Samudra could be identified with the ocean as well. Samudra is usually translated as "ocean, sea" and the word itself means "gathering of waters". A minority of scholars translate the term as "river". However, the Samudra is never said to flow in

3876-459: The ocean. Apart from the question of direct acquaintance of the bearers of Vedic culture with the ocean in the modern sense of the word, it is generally accepted that their worldview had the world encircled by oceans, a feature likely inherited from Proto-Indo-European mythology , with a "heavenly ocean" above the world, and a subterranean ocean of the underworld. Varuna was the deity presiding over both these oceans, and over water in general. From

3944-457: The oldest extant texts in any Indo-European language . The sounds and texts of the Rigveda have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the Rigveda Samhita was composed in the northwestern region of the Indian subcontinent (see Rigvedic rivers ), most likely between c. 1500 and 1000 BCE, although

4012-713: The opinion of the sage Kaushitaki is frequently referred to in it as authoritative, and generally in opposition to the Paingya—the Brahmana, it would seem, of a rival school, the Paingins. Probably, therefore, it is just what one of the manuscripts calls it—the Brahmana of Sankhayana (composed) in accordance with the views of Kaushitaki. Ap (water) Ap ( áp- ) is the Vedic Sanskrit term for "water", which in Classical Sanskrit only occurs in

4080-577: The plural āpas (sometimes re-analysed as a thematic singular, āpa- ), whence Hindi āp . The term is from PIE h x ap "water". The Indo-Iranian word also survives as the Persian word for water, āb , e.g. in Punjab (from panj-āb "five waters"). In archaic ablauting contractions, the laryngeal of the PIE root remains visible in Vedic Sanskrit, e.g. pratīpa- "against

4148-439: The practical ceremonial and 11–30 the recitations ( shastra ) of the hotar. Sayana, in the introduction to his commentary on the work, ascribes the Aitareya to the sage Mahidasa Aitareya (i.e. son of Itara), also mentioned elsewhere as a philosopher; and it seems likely enough that this person arranged the Brahmana and founded the school of the Aitareyins. Regarding the authorship of the sister work we have no information, except that

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4216-443: The region that is the modern era state of Haryana . The Rigveda ' s core is accepted to date to the late Bronze Age , making it one of the few examples with an unbroken tradition. Its composition is usually dated to roughly between c.  1500 and 1000 BCE. According to Michael Witzel , the codification of the Rigveda took place at the end of the Rigvedic period between c.  1200 and 1000 BCE, in

4284-581: The second half of the second millennium BCE. Being composed in an early Indo-Aryan language, the hymns must post-date the Indo-Iranian separation, dated to roughly 2000 BCE. A reasonable date close to that of the composition of the core of the Rigveda is that of the Mitanni documents of northern Syria and Iraq ( c.  1450 –1350 BCE), which also mention the Vedic gods such as Varuna, Mitra and Indra. Some scholars have suggested that

4352-406: The text; however, there is no discussion of rice cultivation. The term áyas (metal) occurs in the Rigveda , but it is unclear which metal it was. Iron is not mentioned in Rigveda , something scholars have used to help date Rigveda to have been composed before 1000 BCE. Hymn 5.63 mentions "metal cloaked in gold", suggesting that metalworking had progressed in the Vedic culture. Some of

4420-455: The total number of extant manuscripts known then must surpass perhaps eighty at least. Rigveda manuscripts in paper, palm leaves and birch bark form, either in full or in portions, have been discovered in the following Indic scripts: The various Rigveda manuscripts discovered so far show some differences. Broadly, the most studied Śākala recension has 1017 hymns, includes an appendix of eleven valakhīlya hymns which are often counted with

4488-527: The waters". In Vedic astrology, the female deity Apah is the presiding deity of the Purva Ashadha asterism , meaning "first of the aṣāḍhā", with aṣāḍhā "the invincible one" being the name of the greater constellation. In Hindu philosophy , the term refers to water as an element , one of the Panchamahabhuta , or "five great elements". In Hinduism , it is also the name of the deva Varuna

4556-405: The world's oldest religious text in continued use. According to Jamison and Brereton, in their 2014 translation of the Rigveda , the dating of this text "has been and is likely to remain a matter of contention and reconsideration". The dating proposals so far are all inferred from the style and the content within the hymns themselves. Philological estimates tend to date the bulk of the text to

4624-416: Was Samudra's wife. Goddess Tirangini was goddess of Rivers. Goddess Lakshmi was Samudra's daughter. The Vedic deity Varuna is the deity of the ocean (Samudra). The Vedic deity Indra also occurs frequently in connection with the Samudra. The Rigveda narrates that Indra slew the dragon which released the seven rivers and caused them to enter the ocean. Other gods that often tend to occur together with

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